guaranteed

It’s been a while since I’ve struggled into damp neoprene of a morning. It’s the second day of a wintry weekend in Croyde, north-west Devon; I’m stiff from an hour in the sea the previous afternoon, and the upper part of the super-thick wetsuit won’t budge past my elbows. Together, my husband, Mark, and I jiggle and pull and yank it over my limbs. Finally, five minutes later, I am in a silver-blue sea, entirely empty, save for us. White-crested waves roll in, broiling and foaming, rocketing us forward towards the empty swathe of sand. For once there are no other boarders to dodge, no surfers whisking past: it’s exhilarating, extraordinary and … really rather cold.

Croyde has long been a family favourite, but visiting in November does feel a bit of a gamble. It has a reputation as something of a ghost town in the off-season, with a large number of second homes and rentals that stay dark from October to April. But when an unexpected email landed from Endless Summer Beach House offering a 20% discount on winter stays, it seemed the ideal 30th birthday treat for my nephew, Ben. So, together with his girlfriend, Tasha, best mate, Rob, and my sister Caroline, we decided to take the plunge and find out what off-season Croyde is actually like.

When Mark and I arrive, the sky is unexpectedly blue, and we pull on our wetsuits and head straight for the sea. One of the joys of Croyde is that it doesn’t really change: the dunes that separate the beach from the village are strictly protected, saving both from the development that has scarred nearby resorts such as Westward Ho! and Woolacombe. Instead, the fields that flank the dunes are alive with rabbits grazing quietly, scampering away in white-tailed flashes as we pass.

At first, it feels strange to find the beach so deserted, but seeing it free of windbreaks, ballgames and pop-up tents renders its raw, natural beauty even more dramatic. It’s no wonder the place gets overrun in the summer months, when the sea froths with hundreds of bodyboarders and surfers, red and yellow lifeguard flags billowing in the breeze. Today there is nothing but sky and sea: a jagged patch of blue above the long curve of Hartland Point, a curtain of misty rain slowly dissipating Lundy island into the flint-grey wash of the ocean.

Later, when I nip into the village to pick up some bread, the narrow main street is almost as deserted as the beach. The Saltrock surfwear shop is open, as is The Hub, beloved by Ben for its lemon crunch ice-cream (and all of us for the pasties). The Post Office shows distinct signs of life, as does The Thatch pub, but otherwise most places are closed until spring. As I stroll back, I think about how it takes 15 minutes to queue for an ice-cream in summer, with the Post Office out of anything fresh by about 9.30am.

Not everything is shrouded in silence. When we head to The Thatch for dinner on Friday night, the place is packed and buzzy (I had feared it might just be us), although I suspect almost everyone else is local. As ever, the food is fantastic: crisp salt and pepper squid and a Balinese seafood curry, tangy with lemongrass and galangal, served with a heap of coconut sambal that adds up to the best dish I’ve eaten out all year. The boys find room for banoffee pie and apple tart.

There are plenty of other signs of life, too. On Saturday, we head to Braunton (15 minutes’ drive) for the annual firework display, heading down pretty lanes we didn’t even know existed – we never usually get much further than the car park and the Co-op. It’s lovely to get a sense of the place as it really is, with all the flummery and frenetic pace of summer stripped away. On the walk to the beach, the few people we pass are smiley and friendly – a shared delight at having Croyde’s gorgeous dunes and coastline pretty much to ourselves.

Coming away out of season has other benefits too: we don’t expect good weather, so a sunny Saturday is an absolute boon. When it rains all day Sunday, we pull on wet weather gear and stride out around Baggy Point, where the sea – now a palette of steel, platinum and foaming white – is just as spectacular as under blue skies. Once it’s dark, we play board-games, watch old films, eat hearty curries and bolognese – with no squabbling over why the barbecue won’t light and whether the sausages are cooked through.

The problem with tagging places such as Croyde as “ghost towns” in the off-season is that it deters people from visiting – the very thing our seaside resorts need most. The village was quiet, but far from dead – and, frankly, if you go with a group, you make your own atmosphere anyway. By the time we were packing the cars on Monday lunchtime (another off-season bonus is that accommodation owners are often more flexible about arrival and departure times), we were already talking about booking a return visit next November. Some might call Croyde a ghost town, but it had all the spirit we needed for an early winter break.

Endless Summer Beach House, sleeps 10, from £920 for a three-night break. For a 15% discount on four-night stays or longer, until March 2026, use the code EndlessSummer15

As media executives wrestle with the use of artificial intelligence, radio giant iHeartMedia wants to stand out.

“We don’t use AI-generated personalities. We don’t play AI music that features synthetic vocalists pretending to be human,” Tom Poleman, the company’s programming chief, wrote in an email to employees.

“The podcasts we publish are also Guaranteed Human,” he wrote.

Radio station DJs now are expected to say “Guaranteed Human,” as part of their hourly on-air disclosures, which include announcing the station’s call letters, as required by the Federal Communications Commission. The new branding campaign has its roots in iHeartMedia’s research that listeners turn on the radio for more than just music and information.

“Consumers aren’t just looking for content, they’re looking for connection,” the company’s president of insights, Lainie Fertick, wrote in an October blog post. “In a world of tech overload, consumers are searching for something real.”

The move comes as Hollywood creators, agents and executives come to grips with rapid advances in artificial intelligence, which has assisted workers with routine tasks but also caused a stir with the release of realistic AI actors, such as Tilly Norwood, which has more than 66,000 followers on Instagram. Entertainment behemoths, including Walt Disney Co. and Comcast’s NBCUniversal, also have sued AI companies for copyright infringement.

To be sure, iHeartMedia uses “AI-powered productivity and distribution tools that help scale our business operations,” Poleman wrote in his note. Such AI tools are used for “scheduling, audience insights, data analysis, workflow automation, show prep, editing and organization,” he said.

iHeartMedia is the nation’s largest radio operator with more than 850 stations, including KFI-AM 640, KLAC-AM 570, KOST-FM 103.5 and KIIS-FM 102.7 in Los Angeles.

The company also has a growing podcast business, producing such shows as “Stuff You Should Know,” “Questlove Supreme” and “Drama Queens.” It also co-produces podcasts with the NFL, NBA and Shonda Rhimes’ Shondaland Audio, which includes “The Laverne Cox Show.”

Previously known as Clear Channel Communications, the company has experienced the dark side of automation and programming centralization.

In 2002, its radio stations in Minot, N.D., aired canned music as a toxic cloud blanketed the community after a train transporting anhydrous ammonia for fertilizer derailed and exploded. One person died, and dozens of others were injured. Congress then drilled into alleged harms of media consolidation and the failure of broadcasters to alert the community during the disaster in Minot, where Clear Channel owned six of the eight commercial radio stations.

Clear Channel later said local police failed that night to activate the emergency alert system, which would have allowed the broadcast of special bulletins.

The company has since championed its responses to other disasters. An iHeart spokesperson pointed to its award-winning coverage of Hurricane Helene in Asheville, N.C., in 2024 as well as its efforts during the devastating Eaton and Pacific Palisades fires in January, “delivering crucial lifesaving information and working with local organizations to collect and distribute essential disaster relief supplies,” the spokesperson said, noting that Clear Channel was run by a different management team.

“At iHeart, we make service to our communities our number one priority,” the spokesperson said.

iHeartMedia, like other entertainment and news outlets, is dealing with advertising declines, and it has been looking for ways to keep listeners engaged amid media fragmentation. The company this fall cut several staff members at historic KFI, including Morris “Mo” O’Kelly, who had hosted the station’s evening talk show for nearly three years.

Radio host Chuck Dizzle also announced on Instagram that he’d been laid off from iHeart’s Los Angeles hip-hop station KRRL-FM, which brands itself as “Real 92.3.”

The company said its research shows that consumers crave interactions with real people, and they have deep concerns about the growing use of AI and its potential societal changes.

Poleman pointed to a recent survey that showed two-thirds of respondents were worried about losing their job to AI.

iHeartMedia employees should embrace “Guaranteed Human” as more than a marketing tagline, Poleman wrote.

“When listeners interact with us, they know they’re connecting with real voices, real stories, and real emotion,” Poleman wrote. “Sometimes you have to pick a side — we’re on the side of humans.”

IF you are seeking snow this Christmas without heading to Lapland, there is one place that is guaranteed to have it.

The UK’s SnowDome is celebrating its 20 years of Santa’s Wonder Wonderland.

Being a ski and snowboarding attraction, this means there is real snow inside, all year round.

Returning from November 15, this includes a Winter Wonderland trail with 1000 tonnes of real snow.

There will also be a Christmas Village with alpacas, a carousel and festival games.

Guests will be able to meet Santa and the elves as well as watch down go down the Summit Slide and have snowball fights.

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New this year is a live pantomime show of Beauty and the Beast, running for 25 minutes so little guests won’t get bored.

Also new this year is the immersive attraction SledEx HQ.

Families can explore Santa’s post headquarters, complete with a letter writing station to send to Father Christmas.

Otherwise if you need a food break, there is the woodland lodge-style Aspen’s Bar and Kitchen as well as The Lifthouse Coffee Co with everything from festive snacks to hot chocolate

Launching from next week, the festive experience runs until January 3, 2026.

Tickets start from £20 and it is advised to book ahead, with the experience lasting around two hours.

SnowDome Director, Isabelle Chadbourne said they were “delighted” to be returning for their 20th year.

She added: “With our new SledEx HQ, expanded layout and continued focus on immersive fun, families are in for an unforgettable experience.

“It’s a joy to see so many return year after year – and we cannot wait to welcome new visitors to the magic.”   

Families have previously raved about the experience.

One mum wrote last year: “This is our 8th year visiting Winter Wonderland at the Snowdome and I’m yet to be disappointed.”

Another commented: “Santa’s Winter Wonderland at SnowDome is truly enchanting.

“The magical atmosphere, adorned with twinkling lights and festive decorations, creates a perfect holiday escape. 

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Otherwise here are seven long-stay winter sun destinations where you can abroad for just £25 a night.