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Jan. 9 (UPI) — Some leaders of the Southern Transitional Council in Yemen announced the dissolution of the group that controlled southern Yemen territory, but others in the separatist group say it is still active amid peace talks Friday.

STC Secretary-General Abdulrahman Jalal al-Sebaihi announced the STC’s pending dissolution on Yemeni TV while attending peace talks in Riyadh, Saudi Arabia. His counterparts in Yemen said his declaration was made under duress and was not true.

“The decisions relating to the Southern Transitional Council cannot be taken except by the Council in its entirety, with all its institutions, and under the chairmanship of the president,” STC spokesman Anwar al-Tamimi said in a social media post.

“This will happen as soon as the STC delegation present in Riyadh is released,” he said.

“The STC will continue positive and constructive engagement with all political initiatives, which give the southern people the opportunity to determine their future.”

A coalition backed by Saudi Arabia has taken control of the territory in southern Yemen that formerly was held by the STC, which is supported by the United Arab Emirates.

The conflicting statements regarding the STC were made after STC leader Aidarous al-Zubaidi secretly left Yemen on Tuesday night with the help of the UAE instead of traveling to Riyadh to negotiate matters in Yemen.

Instead, he was taken to Abu Dhabi on Wednesday, which raised tensions between Saudi and UAE officials.

In addition to leading the STC, al-Zubaidi was a member of Yemen’s Presidential Leadership Council, which expelled him on Wednesday when he did not show up in Riyadh to discuss matters in Yemen.

The UAE and Saudi Arabia recently worked together to oppose Iran-backed Houthis in Yemen, and the STC wants to have an independent state recognized in South Yemen.

The STC’s dissolution could imperil efforts to re-establish a former north-south divide in Yemen, which existed prior to the nation’s unification in 1990.

Saudi Arabia supports the PLC, which is the internationally recognized government in Yemen, while the UAE backs the STC.

Jan. 8 (UPI) — Separatist leader Aidarous al-Zubaidi exited Yemen with the help of the United Arab Emirates after he was charged with treason and expelled from Yemen’s Presidential Leadership Council.

Al-Zubaidi led the Southern Transitional Council in Yemen, which is supported by the UAE, and a Saudi-led coalition said he left the port city of Aden while aboard a boat on Tuesday night, the BBC reported.

The vessel carried him to the UAE-owned port of Berbera in Somaliland, where he boarded a cargo aircraft that flew him to Mogadishu, Somalia, and then a military airport in Abu Dhabi, according to The Guardian.

Neither the UAE nor the STC commented on the matter, which has raised tensions between officials in Saudi Arabia and the UAE.

The PLC expelled al-Zubaidi on Wednesday and accused him of treason when he did not arrive in the Saudi capital of Riyadh for peace talks.

The STC had sought to have southern Yemen declared an independent state and re-establish a north-south divide within Yemen that existed before the nation was unified in 1990.

The STC has controlled Aden for many years, and its leaders recently vowed to wage a guerrilla campaign while al-Zubaidi and many of his supporters remain safely in the UAE.

The STC, though, is undergoing an internal divide that has weakened it and prompted al-Zubaidi and others to leave Yemen.

Saudi-backed forces have regained territory previously held by the STC.

Tensions between Saudi Arabia and the UAE grew after separatists supported by the UAE captured territory in Yemen that reached the border with Saudi Arabia.

Saudi officials called the action a threat to their national security after earlier opposing Houthi forces in Yemen that are supported by Iran.

The UAE and Saudi Arabia had jointly opposed the Houthis, which gained control of northwestern Yemen in a 2022 cease-fire agreement.

Since then, the Saudis have backed Yemen’s PLC, which is in charge of the internationally recognized government of Yemen, while the UAE supports the separatist STC.

There are some things that make a person happy they’re not a millennial mom. Ashley Tisdale’s mommy group drama is one of those things.

Because Tisdale — now Ashley Tisdale French — sounds like she might be stuck in her own “High School Musical,” and it looks as if Hilary Duff’s husband just threw a stink bomb under the bleachers.

Adding to the drama: Duff and Mandy Moore are rumored to be part of the group, though Tisdale French has annoyingly refused to name names.

“Since becoming a public figure as a teenager, it’s often the thing I least expect that people most want to talk about,” the former child star wrote in an essay for New York Magazine that echoes what she wrote a while back on her own blog. “Sometimes, I’ll say something offhandedly, only to see it turn into a headline or start a conversation on TikTok.”

Bottom line, per the essay, is that Tisdale French — who married composer Christopher French in 2014 — was pregnant during the pandemic. She missed out on baby showers and prenatal yoga classes and handing her newborn baby off to acquaintances. Then a friend brought together a group of new moms.

“[F]inally, we were able to be together, and our kids were able to be together, and it all felt right,” she wrote.

The founder of the Being Frenshe line of personal care products thought she had joined a group of cool kids who did cool things.

“I felt energized by being around women who understood the challenge of feeding a baby while taking a Zoom call.”

She literally called them cool.

“[I]t made me hopeful about finding the balance between fulfilling work and family life, since all these cool women were able to do it. Maybe we’d be able to share our secrets to success.”

Then social media burst her bubble.

“I remember being left out of a couple of group hangs, and I knew about them because Instagram made sure it fed me every single photo and Instagram Story.”

She wrote that she realized her mommy group was just like high school.

“Even though it had been decades since tenth grade, the experience of being left out felt so similar.”

But now she was a grown-up, so she took a stand.

“So that’s exactly what I texted to the group after being left out from yet another group hang: ‘This is too high school for me and I don’t want to take part in it anymore.’”

People didn’t react well, she said. One mommy sent flowers, then didn’t acknowledge her thank-you. Another was like, “You weren’t invited? I thought you were.”

Keep in mind, this is part of a series titled “It’s Been a Year,” which includes essays about a woman learning via DNA test results that she wasn’t the person she thought she was and one from actor Rebecca Gayheart about going through estranged husband Eric Dane’s ALS diagnosis and subsequent care.

Then again, it also includes a Kathy Griffin essay about post-divorce dating at age 65 that includes some serious name-dropping — “It wasn’t my idea; it was all Sia and our friend Nia Vardalos’s fault. We were at Sia’s house, just being silly girls, when they dared me to do it.” — and a detailed discussion of condoms.

But back to Tisdale French.

“Why me? The truth is, I don’t know and I probably never will. What I do know is that it took me back to an unpleasant but familiar feeling I thought I’d left behind years ago.”

She was more specific about what happened in her older blog post, by the way.

“I realized that there were group text chains that didn’t include everyone, which led to cliques forming within the larger group. And after the third or fourth time of seeing social media photos of everyone else at a hangout that I didn’t get invited to, it felt like I wasn’t really part of the group after all.”

She also shared a revelation with her blog readers.

“If a mom group consistently leaves you feeling hurt, drained, or left out, it’s not the mom group for you. (Even if it used to be!) It’s no longer serving you in a way that lifts you up, and you don’t have to stay out of obligation or anything else.”

We will never know how far into either essay Hilary Duff’s husband got. We do know that Matthew Koma didn’t hesitate to pull out the Burn Book.

Koma got riled up enough over it that on Instagram, he mimicked Tisdale French’s repost of New York Magazine’s promotional post about the essay, slapping a picture of his own face over hers and changing the headline from “Breaking Up With My Toxic Mom Group” to his own: “When You’re The Most Self Obsessed Tone Deaf Person On Earth, Other Moms Tend To Shift Focus To Their Actual Toddlers,” with “A Mom Group Tell All Through A Father’s Eyes” as a sub-headline.

Alas, he posted it as an Instagram story, now expired, so we can imagine it only with the help of outlets such as People, which for the longest while has been writing about Reddit AITAH posts and the subsequent comments telling the original poster whether they are indeed the jerk in a particular situation. (Not that any jerks are being discussed here.)

Tisdale French doesn’t name names in her essay, but Koma’s reaction seems to indicate that former child star Duff, 38, might have been one of the allegedly mean moms who was definitely not being named. And Duff and Koma hosted former child star Moore, 41, and her family after last year’s Eaton fire in Altadena, when Moore’s home burned down, so some might bet on Moore also being among the mothers of small children in former child star Tisdale French’s group.

Tisdale French, meanwhile, apparently anticipated this kind of speculation in reaction to the New York essay because she had experienced it after blogging about the same topic. And apparently it’s all wrong, wrong, wrong.

“It’s a subject that has made women DM me to say ‘I feel seen’ and to share their most emotional stories with me,” she wrote for the magazine.

“It has also made wannabe online sleuths try to do some investigating like they’re on ‘CSI’ (please, don’t even try — whatever you think is true isn’t even close).”

Cool? Uncool? Christopher French, Ashley’s husband, may have made his own decision on that already.

“Underrated life skill,” French wrote on Wednesday morning in an Instagram story, quoting author and mindfulness coach Cory Allen. “Pausing to decide if it’s worth your energy.”

The House Judiciary Committee on Tuesday released a report after its own investigation into FireAid, the charity founded by Clippers executives that raised $100 million for wildfire relief efforts in Los Angeles last January.

The investigation — led by Rep. Kevin Kiley (R-Rocklin) under committee chair Jim Jordan (R-Ohio) — began in August when Kiley “sent a letter to FireAid requesting a detailed breakdown of all non-profits that received money from FireAid.” Kiley expressed concern that the money had gone toward local nonprofits rather than as more direct aid to affected residents.

FireAid promptly released a comprehensive document detailing its fundraising and grant dispersals. After reaching out to every named nonprofit in the document, The Times reported that the groups who successfully applied for grants were quickly given money to spend in their areas of expertise, as outlined in FireAid’s public mission statements. A review conducted by an outside law firm confirmed the same.

The new Republican-led committee report is skeptical of the nonprofit work done under FireAid’s auspices — but cites relatively few examples of groups deviating from FireAid’s stated goals.

Representatives for FireAid did not immediately respond to request for comment on the report.

Out of hundreds of nonprofits given millions in FireAid funds, “In total, the Committee found six organizations that allocated FireAid grants towards labor, salaries, or other related costs,” the report said.

The committee singled out several local nonprofits, focused on relief and development for minorities and marginalized groups, for criticism. It named several long-established organizations like the NAACP Pasadena, My Tribe Rise, Black Music Action Coalition, CA Native Vote Project and Community Organized Relief Efforts (CORE), whose activities related to fire relief they found “unclear,” without providing specific claims of misusing FireAid funds.

The report — while heavily citing Fox News, Breitbart and New York Post stories — claims that “FireAid prioritized and awarded grants to illegal aliens.” Yet its lone example for this is a grant that went to CORE, citing its mission for aiding crisis response within “underserved communities,” one of which is “undocumented migrants” facing “high risk of housing instability, economic hardship, exploitation, and homelessness.”

The report said that $500,000 was used by the California Charter Schools Assn., Neighborhood Legal Services of Los Angeles County, Los Angeles Regional Food Bank, LA Disaster Relief Navigator, Community Clinic Assn. of Los Angeles County and LA Conservation Corps “towards labor, salaries, or other related costs,” which the committee said went against FireAid’s stated goals.

Yet the examples they cite as suspicious include NLSLA using its FireAid grant to pay salaries to attorneys providing free legal aid to fire victims, the Community Clinic of Los Angeles “expanding training in mental health and trauma care” through grants to smaller local health centers, and the L.A. Regional Food bank allocating its funds to “mobilize resources to fight hunger.”

The report singled out one group, Altadena Talks Foundation, from Team Rubicon relief worker Toni Raines. Altadena Talks Foundation received a $100,00 grant from FireAid, yet the report said Altadena Talks’ work on a local news podcast, among other efforts, “remains unclear” as it relates to fire relief.

The report’s claims that “instead of helping fire victims, donations made to FireAid helped to fund causes and projects completely unrelated to fire recovery, including voter participation for Native Americans, illegal aliens, podcast shows, and fungus planting” sound incendiary. Yet the evidence it cites generally shows a range of established local nonprofits addressing community-specific concerns in a fast-moving disaster, with some small amounts of money possibly going toward salaries or overhead, or groups whose missions the committee viewed skeptically.

FireAid still plans to distribute an additional round of $25 million in grants this year.

In Jafar Panahi’s acclaimed thriller “It Was Just an Accident,” it’s a distinct sound that alerts Vahid (Vahid Mobasseri), a mechanic, that the man who tortured him in prison might be dangerously close.

After hearing it, he embarks on a rage-fueled mission to kidnap and kill the interrogator. But Vahid is not certain he has the right man, so he enlists a group of other victims to help identify him. What ensues is a brilliantly taut ensemble piece.

The latest from the Iranian master earned the Palme d’Or at the Cannes Film Festival and is now a major contender this awards season, representing France at the Oscars in the international feature category. Iran would not submit the politically charged film.

“Because the auditory sense of prisoners is usually strongest above all the other senses, I thought that I would begin the film with a sound,” a stoic Panahi says via an interpreter in a hotel room in Santa Monica. “In prison, you keep trying to guess if this voice that you hear belongs to an older person, a younger person, what he looks like and what he does in life.”

A scene from “It Was Just an Accident.”

(Neon)

Panahi is no stranger to being deprived of his freedom. Arrested in 2022 for his outspokenness against the regime’s practices, he spent seven months in prison. It wasn’t until he went on a hunger strike that his right to legal representation was granted.

Without an attorney present, Panahi explains, interrogators blindfold detainees and stand behind them, either asking questions directly or writing them on a piece of paper and handing it to the detained, who lifts their blindfold just enough to read it. An interrogation nearly identical to that description plays out in last year’s Oscar-nominated film “The Seed of the Sacred Fig” by Mohammad Rasoulof, one of Panahi’s longtime collaborators.

“I had not actually seen Rasoulof’s film because when we make films clandestinely, we don’t talk about them, even with our close friends,” he explains. “I didn’t even know what his film was about. Only when I got to France to mix [‘It Was Just an Accident’], and Rasoulof’s film was out in theaters there, that’s when I saw it.”

Making films on the outskirts of legality under an authoritarian regime entails high-stakes discretion. The script for “It Was Just an Accident” never left Panahi’s sight when casting.

“To all of the actors, I gave the script in my own apartment,” he recalls. “I told them, ‘Read it here, don’t take it with you. Go and think about it for 24 hours, and then tell me whether you want to be a part of it.’” Everyone in the stellar cast, composed of dissident artists with varying degrees of experience in front of the camera, was aware of the risks it entailed.

Jafar Panahi.

(Kate Dockeray / For The Times)

Mobasseri had appeared in Panahi’s previous effort, “No Bears,” while Majid Panahi, who plays a groom swept up in the scheme by his vengeful bride, is the director’s nephew. Mariam Afshari, as a photographer who also joins the plot, had minimal acting experience, but had been involved in other productions in below-the-line roles. Panahi says he casts actors based on how their physical traits resemble the character he has in mind.

That was the case with the tall and lean Ebrahim Azizi, who appears as Eghbal, the man the group believes was their ruthless captor. For a scene near the end where Eghbal breaks down, thinking he’s about to be killed, Panahi placed his trust in Azizi — who only acts in underground films, not state-approved projects — to convey the tempestuous humanity of a presumed villain.

“I felt a huge burden on my shoulders when I left prison that made me feel I owed something to my fellow prisoners who were left behind,” Panahi says. “I said this to Ebrahim Azizi, ‘Now the entire burden of this film is on your shoulders with your acting, and you have to put that burden down with utmost commitment.’”

The first time Panahi shot that searing scene, he sensed it wasn’t coming together. After all, his only experience with real-life interrogators was from the receiving end of their questioning. “I went to one of my friends, Mehdi Mahmoudian, who has spent one-fourth of his life in prison,” he says. “I told him, ‘Because you know these personality types very well, come and tell this actor what to do.’ He guided [Azizi] and we took two or three more takes and it was done.”

Amid the hard-hitting moral drama of “It Was Just an Accident,” moments that warrant a chuckle for their realistic absurdity might surprise some viewers. However, a touch of sardonic levity has always been part of Panahi’s storytelling.

“Humor just flows through life. You cannot stop it,” he says.

To make his point, Panahi recalls a morbid memory from when he was around 10 years old. One of his friends had lost his father. Disturbed, the boy threatened to take his own life. Panahi and his other friends followed him to try to stop him if he did in fact attempt to hurt himself.

Determined, the boy announced he would stand in the middle of the road and throw himself in front of a large vehicle. “We were lucky because we were in a very isolated part of town and there were no real big cars passing by,” he says. “Two hours later we were all sitting in a movie theater. Humor is always there. It’s not really in my hands.”

Jan. 4 (UPI) — A far-left activist group sent police a letter taking credit for setting fire to part of a power plant near Berlin, leaving nearly 50,000 customers in the dark, as a protest against the fossil fuel industry.

The German activist group Vulkangruppe, or Volcano Group, acknowledged in a 2,500-word letter that it set a fire on Saturday near the Lichterfelde heat and power station, damaging high-voltage cables to “cut the juice to the ruling class,” The Guardian reported.

On Sunday morning, Stromnetz Berlin, the power company that owns the station, reported that roughly 45,000 homes and 2,200 businesses had lost power in the outage, Deutche Welle reported.

The power company said that while some connections have been turned back on in small waves, some customers may not have their electricity until as late as Thursday afternoon.

Some schools may also be closed for the part of the week because they do not have power, The BBC reported.

“We are expecting damage costing millions to plants and machines and owing to high losses in revenue,” Alexander Schirp, director of the regional business associations in Berlin and Brandenburg, said of the arson.

“This is a serious problem and stokes a feeling of insecurity in the business world,” he added.

Early Saturday, cables near the power plant were spotted burning and incendiary devices were later found to have caused the inferno.

In the aftermath, several hospitals and health care facilities received emergency generators, but many people had to be moved from either facilities or their own homes because there was no power.

Vulkangruppe said in the letter, which police have said is credible, that they set the fire in an “act of self-defense and international solidarity with all those who protect the Earth and life.”

The group condemned “greed for energy” by burning fossil fuels for the ever-growing electricity needs of humanity, and specifically called out the massive, and exponentially growing, use of electric for artificial intelligence computing.

“We are contributing to our own surveillance and it is comprehensive. The tech corporations are in the hands of me with power, which we give them,” the group wrote, calling the fire an “action in the public interest.”

Vulkangruppe previously took credit for a fire that was set at Tesla’s Gigafactory in Berlin in March 2024.

That arson included deliberately setting fire to a high-voltage electric pole, which damaged the electric line and cut power to the surrounding area, including the plant, officials said at the time.

IT’S shaping up to be a very exciting year for Alesha Dixon, Sabrina Washington and Su-Elise Nash.

I’m told the singers, who you will know better as Noughties girl band Mis-Teeq, have been discussing how they can celebrate the 25th anniversary of their debut album, Lickin’ On Both Sides.

The record, which came out in October 2001, peaked at No3 in the Official Album Charts and bagged them five Top Ten singles including All I Want, One Night Stand and B With Me.

And now the trio are considering reuniting for a special show to mark the milestone.

A source said: “Alesha has been excitedly talking about this for a while and would love a Mis-Teeq reunion with Sabrina and Su-Elise happen.

“Fans shouldn’t expect a Girls Aloud-style comeback tour, though.

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“At the minute, lots of things are being discussed and one thing that has come up is the idea of a one-off show. It could be an intimate gig for their die-hard fans or a performance on a big TV programme such as Britain’s Got Talent — which Alesha is a judge on.

“Nothing has formally been offered but nothing is off the table.

“Lickin’ On Both Sides launched Alesha, Sabrina and Su-Elise’s music careers and that record holds a really special place in their hearts.

“They want to celebrate that album with their fans.”

Alesha and Sabrina now appear to be back on good terms after the latter threatened to sue over unpaid royalties in 2020.

Sabrina, who was the group’s lead singer, started legal proceedings against Alesha over royalties going back 15 years as well as action against former label Universal.

She alleged Alesha had “wrongfully claimed” song-writing cash for their first two singles Why and All I Want.

A pal said at the time: “Alesha received five per cent royalties for the girls’ first two songs whereas Sabrina received nothing.

“They both should have got 2.5 per cent. Sabrina wasn’t listed as a writer for the tracks but it was written in her contract that she would get pay parity.

“She feels she is owed thousands.”

At the time, a spokesman for Alesha said: “Alesha wrote the raps on both Why? and All I Want and that is why she gets a split.

“The rest of the song was written by a production team. Sabrina has no reason to sue Alesha.”

Earlier this summer Alesha admitted a reunion could be on the cards but added: “Thinking doesn’t mean we are doing, but we’re thinking.

“Which is more than we’ve done.”

Dua toasts a top year

DUA LIPA has been knocking back the cocktails to celebrate a stellar 2025.

I can reveal the Training Season singer raked in £70million in the year to March 2025, making it the most lucrative of her career.

Dua kept it real, though – despite earning the mammoth amount, she only paid herself a paltry £500.

New documents show her live gigs company, Radical22 Live, banked £45.6million, while Dua made a further £45.6million from her management, publishing and production company.

It’s almost double the earnings of other big British pop acts, including Ed Sheeran, over the past year – so I’m not surprised she’s busting open the booze.

Sharing snaps of her end-of-year celebrations, with her family and actor fiance Callum Turner, Dua wrote online: “Thank you for making my last year so special.

“I’m excited to make this the best one yet.”

It certainly will be if 2026 is the year she and Callum get married . . . 

No more Fab secrets

THE BEATLES’ vaults have been slammed shut after 63 years, with super producer Giles Martin admitting fans will never hear any more secret tracks from the Fab Four.

Giles has spent a number of years scouring through the band’s audio recordings, studio archives and even individual projects penned for them over their history.

His efforts have helped produce the current Disney Plus revived Beatles’ Anthology series and remixed albums and tracks.

Asked how much untouched Beatles content exists now, Martin said:
“I don’t think there’s anything. I always say that then something turns up.

“But I don’t think there’s anything. It’s incredible how much interest there still is over Beatles stuff.

“You do [hear new] things on this Anthology box set. There’s that first round of Helter Skelter, which for me is great because it’s really raw.

“It’s proper in your face music.

“And then people go, ‘Well, how come we haven’t released the 20-minute long version of Helter Skelter?’ I think we’re done.” Giles curated the new

Anthology 4 album and remastered the entire collection for the 2025 re-release of The Beatles’ Anthology series.

He believes that collaborating with his late father George Martin, also known as the fifth Beatle, on these projects has been spiritually and professionally fulfilling.

He added: “The Beatles are so powerful that it’s what people want to know about.

“It’s really nice. I love my dad. We were incredibly close.

“Their music and what they did really makes people feel better about themselves. So it’s a complete honour to work on this material and to be close to my dad is a great thing.”

Giles is currently working with director Sam Mendes on the four upcoming Beatles movies, with each focussing on a different member of the band.

On radio in the US, Giles added: “I’m working on these films. They come out in three years.

“What’s amazing about The Beatles is that new generations hear stuff and go back and unearth this catalogue.”

Mel’s bid to mark big hit

THE SPICE GIRLS’ smash hit Wannabe, the song that soundtracked my childhood, turns 30 this year and Mel C has confirmed the group will be celebrating the milestone.

Incredibly, she is still convinced that she can somehow persuade Posh and Ginger to join her, Scary and Baby for a reunion.

Spilling the beans herself on Australian radio, Mel joked: “We’ve decided not to tell Mel B anything because she can’t keep her mouth shut – and also she doesn’t know any more because we’re not telling her.”

Speaking of Wannabe’s 30th anniversary Mel added: “We have to acknowledge it in some way.”

And she explained how plans for that are progressing.

“We are talking about what that looks like and for me, myself, Melanie and Emma. We’re going back on stage  . . .  but sometimes the others may need some convincing.

She said: “Getting the five of us together, it would be the best thing ever. Sometimes I feel like it’s my duty to the world.”

“There’s so much negativity, there’s so much mad s**t going on – let’s just spice up our lives.”

Of her relationships with her bandmates, Mel said: “We have a newfound respect for each other.

“We know when to leave it, we know each other’s irritations and insecurities and we respect that now as adults and mothers.

Recalling their 2019 reunion tour, she added: “The love we had last time that was beamed back from these stadiums was like nothing I’ve experienced as a Spice Girl before.”

Twigs bold and brave

FKA TWIGS has admitted that she’s finally found the courage to speak up for herself.

Speaking in the February edition of Elle UK, which is on sale now, the British singer said: “I’m reaching that age where I can really look back at my life and I can see so many things that have been beautiful and amazing, and other things that have been really brutal and violent.”

Twigs added: “I’m realising that I can hold my love of life and my artistry and the beauty of my life, and I can also hold the brutality and the sadness and the violence.

“I can hold things at the same time, and that feels really good.

“I’ve always wanted to be at this perfect cross point of growth and youth – to be able to be young and sexy and healthy – and also not be an idiot like I was in my 20s.”

Don’t be too hard on yourself, Twigs, no one is that proud of what they did in their 20s.

Ashley is boiling hot

ASHLEY ROBERTS is making me green with envy after sharing even more of her holiday snaps.

The Pussycat Dolls singer quit the freezing wind and snow we’re having in Blighty for the boiling hot sunshine of Mauritius.

Ash told her Instagram followers she’d had the “best time”.

I’m thrilled for you, Ashley. Just thrilled.

HARRY STYLES and Zoe Kravitz have added another destination to their extensive list of travel hotspots.

Since they started dating, the pair have been seen all over the world – including New York, Paris, Rome and London.

Now it’s claimed they spent the last few days holed up inside a luxury resort in the Bahamas.

This sure is a long honeymoon period.

One fan claimed they spotted the former One Direction singer jogging on a beach over the New Year.

NICK JONAS has dropped his reflective new single Gut Punch, before the release of his fifth album, Sunday Best.

On it Nick sings: “Hit me like a gut punch. I hurt my own feelings. How did I get so good at being mean to myself?”

The US star, who is married to Priyanka Chopra, said: “I do wonder if I’m being the best version of myself.

“Am I a present husband and father? Life weighs on you.

“It’s important to remember there was once a carefree version of you loved the world.”

Ivorians to face Burkina Faso in last 16 while Cameroon meet South Africa and Mozambique play Nigeria.

Substitute Bazoumana Toure scored in stoppage time for Ivory Coast, who came from two goals down to beat Gabon 3-2 in Marrakesh and top Group F at the Africa Cup of Nations.

Cameroon also fell behind on Wednesday, against Mozambique in Agadir, but a thunderbolt from Christian Kofane delivered a 2-1 victory.

Defending champions Ivory Coast and Cameroon finished level on seven points, and both had a plus-two goal difference. The Ivorians topped the table because they scored five goals and Cameroon four.

The results completed the last 16 lineup. Ivory Coast will face Burkina Faso, Cameroon meet South Africa and Mozambique face Nigeria.

In Marrakesh, Gabon rocked Ivory Coast by building a two-goal lead midway through the first half before the title-holders cut the deficit just before the break to trail 2-1 at half-time.

Guelor Kanga struck after 11 minutes for the Gabonese Panthers, whose best-known footballer, Pierre-Emerick Aubameyang, had returned to France for treatment of a thigh injury.

The 2015 African player of the year scored in a 3-2 loss to Mozambique three days ago that eliminated Gabon from the race to be among the 16 qualifiers for the knockout stage.

Ivory Coast fell further behind on 21 minutes when Los Angeles-based Denis Bouanga claimed his first goal of the tournament.

Ivorian Jean-Philippe Krasso netted on 44 minutes after being set up by Wilfried Zaha, the former Crystal Palace winger recalled for the AFCON after missing the triumphant 2024 campaign.

The defending champions took off captain Franck Kessie and Zaha halfway through the second half, but Amad Diallo, who scored in the first two group matches, remained on the bench.

Manchester United winger Diallo was finally introduced on 76 minutes, replacing Oumar Diakite, who was walking a disciplinary tightrope having been yellow-carded.

It was another substitute, Evann Guessand, who equalised with six minutes of regular time left. The Aston Villa striker was a late inclusion in the squad when injured Sebastien Haller withdrew.

In the southern coastal city of Agadir, Cameroon legends Roger Milla and Samuel Eto’o were among the crowd that saw Mozambique take a surprise lead on 23 minutes.

Geny Catamo from leading Portuguese club Sporting unleashed a low shot that bounced in front of goalkeeper Devis Epassy and flew just inside the left post.

The lead lasted five minutes before five-time champions Cameroon levelled when Feliciano ‘Nene’ Jone conceded an own goal.

Facing two unmarked Cameroonian attackers, goalkeeper Ivane Urrubal blocked the ball, which ran loose to Frank Magri.

Magri hit the post and Nene, attempting to clear, managed only to steer the ball into the Mozambican net.

Cameroon had the ball in the net again 10 minutes later, but the scorer, Germany-based 19-year-old Christian Kofane, was ruled offside.

The teen made up for his disappointment by putting the Indomitable Lions ahead on 55 minutes with a fierce shot from outside the box that flew into the net off the underside of the crossbar.

Senegal beat Benin 3-0 to top AFCON 2025 group, while DR Congo beat Botswana, setting up a mouth-watering Algeria tie.

Senegal saw off Benin on Tuesday to go through to the last 16 of the Africa Cup of Nations as winners of Group D, leaving the Democratic Republic of the Congo (DRC) to settle for second place, which means they will play Algeria in a heavyweight tie in the next round.

Sadio Mane’s Senegal, the 2022 African champions, came into the final round of group games needing to beat Benin in Tangier, and hope their Congolese rivals have not managed to move above them on goal difference.

Senegal ran out 3-0 winners against Benin, with Abdoulaye Seck and Habib Diallo scoring before skipper Kalidou Koulibaly was sent off in the second half. Cherif Ndiaye then added a late penalty.

The DRC beat the already-eliminated Botswana 3-0 at the same time in Rabat, meaning the leading duo both finished with seven points from three games, but Pape Thiaw’s Senegal topped the section by a difference of two goals.

As a result, Senegal have a far kinder path in the knockout phase and will remain in Tangier for a last-16 tie on Saturday against the third-place finisher in Group E.

That will be either Burkina Faso or Sudan, who play each other in Casablanca on Wednesday.

The Leopards, in contrast, must play the 2019 champions Algeria in the last 16 next Tuesday, with the winner of that potentially having to face Nigeria in the quarterfinals.

Benin’s three points, courtesy of a solitary 1-0 win over Botswana, are enough for them to go through as one of the best third-placed teams.

It will be just their second appearance in the AFCON knockout stages, and their reward is a meeting with Mohamed Salah’s Egypt in Agadir on Monday.

Israel-based centre-back Seck headed Senegal into the lead from Krepin Diatta’s free kick on 38 minutes, and their second goal arrived just after the hour, when a superb cutback by Mane was turned in by Diallo.

Skipper Koulibaly was then sent off after a yellow card was upgraded to red following a VAR review, leaving the Lions of Teranga to play out the final 19 minutes plus stoppage time a man down.

Ndiaye’s 97th-minute penalty made it 3-0 and ended any doubt about Senegal’s final position in the group.

Playmaker Gael Kakuta, once of Chelsea and now playing in Turkiye, was in outstanding form for the DRC against Botswana at Al Medina Stadium, as his back heel set up Nathanael Mbuku for the opener.

Kakuta then converted a penalty shortly before half-time and got his second and his team’s third on the hour mark from Theo Bongonda’s assist.

Another goal at that point could have left the DRC and Senegal with identical records and facing a possible drawing of lots to determine their final group positions.

The DRC thought they had it when Fiston Mayele put the ball in the net on 64 minutes.

More artists have canceled scheduled performances at the Kennedy Center following the addition of President Donald Trump’s name to the facility, with jazz supergroup The Cookers pulling out of a planned New Year’s Eve concert, and the institution’s president saying the cancellations belie the artists’ unwillingness to see their music as crossing lines of political disparity.

The fresh round of cancellations after Trump put his name of the building follows an earlier artist backlash in spring. After Trump ousted the Kennedy Center board and named himself the institution’s chairman in February, performer Issa Rae and the producers of “Hamilton” cancelled scheduled engagements while musicians Ben Folds and Renee Flaming stepped down from advisory roles.

The Cookers, a jazz supergroup performing together for nearly two decades, announced their withdrawal from “A Jazz New Year’s Eve” on their website, saying the “decision has come together very quickly” and acknowledging frustration from those who may have planned to attend.

The group didn’t mention the building’s renaming or the Trump administration but did say that, when they return to performing, they wanted to ensure that “the room is able to celebrate the full presence of the music and everyone in it,” reiterating a commitment “to playing music that reaches across divisions rather than deepening them.”

The group may not have addressed the Kennedy Center situation directly, but one of its members has. On Saturday, saxophone player Billy Harper said in comments posted on the Jazz Stage Facebook page that he “would never even consider performing in a venue bearing a name (and being controlled by the kind of board) that represents overt racism and deliberate destruction of African American music and culture. The same music I devoted my life to creating and advancing.”

According to the White House, Trump’s handpicked board approved the renaming. Harper said both the board, “as well as the name displayed on the building itself represents a mentality and practices I always stood against. And still do, today more than ever.”

Richard Grenell, a Trump ally whom the president chose to head the Kennedy Center after he forced out the previous leadership, posted Monday night on X that “The artists who are now canceling shows were booked by the previous far left leadership,” intimating the bookings were made under the Biden administration.

In a statement to the Associated Press, Grenell said Tuesday the ”last minute cancellations prove that they were always unwilling to perform for everyone — even those they disagree with politically,” adding that the Kennedy Center had been “flooded with inquiries from real artists willing to perform for everyone and who reject political statements in their artistry.”

There was no immediate word from Kennedy Center officials if the entity would pursue legal action against the group, as Grenell said it would after musician Chuck Redd canceled a Christmas Eve performance. Following that withdrawal, in which Redd cited the Kennedy Center renaming, Grenell said he would seek $1 million in damages for what he called a “political stunt.”

President John F. Kennedy was assassinated in 1963, and Congress passed a law the following year naming the center as a living memorial to him. Scholars have said any changes to the building’s name would need congressional approval; the law explicitly prohibits the board of trustees from making the center into a memorial to anyone else, and from putting another person’s name on the building’s exterior.

Kinnard writes for the Associated Press. AP writers Steven Sloan and Hillel Italie contributed to this report.

Perry Bamonte, guitarist and keyboardist for the Cure, has died. He was 65.

The band announced on its website on Dec. 26 that Bamonte died “after a short illness at home over Christmas.”

“Quiet, intense, intuitive constant and hugely creative, ‘Teddy’ was a warm hearted and vital part of the Cure story,” the band said.

The London-born Bamonte began touring with the Cure as a guitar tech and assistant in 1984, then joined the band full-time in 1990. He performed over 400 shows with the group and recorded on the albums “Wish,” “Wild Mood Swings,” “Bloodflowers,” “Acoustic Hits” and “The Cure.”

Bamonte parted ways with the Cure after 14 years, later performing with the group Love Amongst Ruin. He returned to the Cure in 2022 for “another 90 shows, some of the best in the band’s history,” the group said, including the Nov. 1, 2024, London show documented on the concert film “The Show of a Lost World.”

As a member of the Cure, Bamonte was inducted into the Rock & Roll Hall of Fame in 2019. The band is still scheduled for a run of European festivals and headline shows in 2026.

“Our thoughts and condolences are with all his family,” the group said. “He will be missed.”

2026 is shaping up to be a massive year for music fans, with huge names set to drop new albums and singles.

From Lana Del Rey adding a country twist to her latest tracks, to The Rolling Stones promising fresh rock anthems, there’s something for every taste.

Rising stars like Raye and Leigh-Anne will be making waves, while veterans including Paul McCartney, Van Morrison and Bruce Springsteen show no signs of hanging up the microphone.

With this and so much more on the way, here are our top picks for an exciting year ahead.

LANA DEL RAY 

FOLLOWING the likes of Beyonce and Post Malone, Del Rey is set to saddle up and add country nuances to her tenth studio album.  

Previously announced as Lasso and The Right Person Will Stay, expect Stove sooner rather than later in the new year.  

XMAS LEGEND GONE

Driving Home For Christmas singer Chris Rea dies aged 74

NEW TUNE

Legendary band’s unreleased track to be played publicly for first time since 1974

Singles Henry, Come On and Bluebird demonstrated her shift to Americana stylings. 

THE ROLLING STONES 

MICK JAGGER, Keith Richards and Ronnie Wood may be hanging up their touring boots, but it still promises to be a momentous year for rock’s great survivors.  

There was a huge 18-year gap between Hackney Diamonds (2023) and the Stones’ previous album of original songs, A Bigger Bang.  

But in late April, we can expect a new one, again produced by US live wire Andrew Watt. 

RAYE 

WE can expect the much-anticipated follow-up to Raye’s all-conquering, soul-bearing, Brits-winning My 21st Century Blues.

The R&B singer debuted two unreleased songs at this summer’s Glastonbury with one, Where Is My Husband!, becoming the lead single from the as-yet-unnamed album.

Her official site promises an early 2026 release date. 

FOO FIGHTERS 

A NEW album from Dave Grohl and Co is on the cards in 2026, their second since the sad passing of Taylor Hawkins.

With another new drummer, ex-Nine Inch Nails Ilan Rubin, announced in the summer, the first recorded music with him appeared in the shape of single Asking For A Friend.

Two massive UK shows at Liverpool’s Anfield Stadium are set for June. 

ROBBIE WILLIAMS 

INSPIRED by the mid-Nineties period after Robbie left Take That, Britpop is his 13th studio album. 

It begins with the, er, rocket-fuelled Rocket, which is graced with suitably heavy riffing from Black Sabbath’s Tony Iommi. 

Bearing in mind the recent exploits of Oasis, Blur, Pulp and Suede, why not this celebration by one of the era’s favourite singers?  

Out on February 6. 

CHARLIE XCX 

AFTER the Brat summer of 2024, the singer heads in another direction with her soundtrack album for Wuthering Heights.  

Out on February 13, same day as Emerald Fennell’s film version of Emily Bronte’s novel, it has already yielded singles House, with Velvet Underground legend John Cale, and Chains Of Love.

Charli says: “It couldn’t be more different from Brat.” 

PAUL McCARTNEY 

AS far as his epic music career is concerned, Macca will never “let it be”. 

The Beatles legend confirmed work on the follow-up to 2020’s excellent McCartney III.  

In the foreword to a memoir about his other band, Wings, he wrote: “Right now, I have 25 songs that I’m finishing . . . new songs that are interesting.”  

He’s also mentioned in despatches sessions in LA with Andrew Watt (Stones, Lady Gaga). 

THE FACES 

HERE’S a rock ’n’ roll reunion to savour. 

The band’s three survivors, Rod Stewart, Ronnie Wood and Kenney Jones, have been preparing their first album in more than 50 years. 

At least 11 songs have been recorded, which Jones says are “a mixture of stuff we never released but is worthy of releasing and some wonderful new stuff. Rod is writing the lyrics.” 

COURTNEY BARNETT 

THE Aussie rekindles her love of the electric guitar on her forthcoming fourth album.

After decamping to California, she’s been recording in Rancho De Luna, Joshua Tree, home of the legendary hard-rocking Desert Sessions.

First evidence of her labours is recent single Stay In Your Lane, complete with scuzzy bass lines and wonderfully deadpan vocals. 

VAN MORRISON 

HOT on the heels of his sublime return to form, Remembering Now, comes this love letter to the blues, Somebody Tried To Sell Me A Bridge.

Out on January 23, the 20-track album proves Van is still “The Man” at 80.

It includes Fats Domino’s Ain’t That A Shame, Blind Blake’s Delia’s Gone and features stellar 

guests – Buddy Guy and Taj Mahal among them. 

DANNY L HARLE 

AFTER stellar production duties with Dua Lipa, Caroline Polachek and Olly Alexander, Harle steps into the limelight with the genre-hopping Cerulean (released February 13).

“This is my debut album. This is the big one,” says the North Londoner.

Singles already released Starlight (ft PinkPantheress) and Azimuth (ft Polachek) offer much promise. 

BJORK 

THE Icelandic icon has given a strong hint of new material in the new year, her first since 2022’s Fossora. 

She’s involved in a huge exhibition in Reykjavik involving immersive audio and visual installations.

A social media post reveals that the third and last of these is “a new work based on music from her forthcoming album, currently in development.” 

LEIGH-ANNE 

THE impressive former Little Mix singer can finally do things her way when 

she releases her 15-track debut album as an independent solo artist. Following the singles Been A Minute, Burning Up and Dead And Gone, she delivers My Ego Told Me To in February.

Rooted in reggae and pop, it explores personal themes of family and empowerment. 

GORILLAZ 

MURDOC, Russel Hobbs, 2D and Noodle – the brainchildren of Damon Albarn and visual artist Jamie Hewlett – release The Mountain on March 20.

The ninth Gorillaz album brings Indian music to the fore but also finds room for guest appearances by Sparks, Gruff Rhys, Idles and Johnny Marr. Drummer Hobbs calls it “a journey of the soul – with beats.” 

BRUCE SPRINGSTEEN 

THIS was a year when The Boss gave us so much.

Another visit to the UK with the E Street Band followed by two significant raids on his archives – Tracks II with its SEVEN unreleased albums and an expanded Nebraska to coincide with the recent biopic.

Yet he told Rolling Stone: “I have a record finished. It’s a solo record  . . .  I imagine it will come out in ’26 some time.”  

MUMFORD & SONS 

THE trio of Marcus Mumford, Ben Lovett and Ted Deane have reunited with Taylor Swift associate, The National’s Aaron Dessner.

He has produced and co-writes Prizefighter.

Set for release on Feb 13, the band’s sixth studio album arrives less than a year after their UK No 1 fifth, Rushmere. Gracie Abrams, Chris Stapleton & Hozier guest. 

LUCINDA WILLIAMS 

BEARER of one of the most passionate voices in American music, Williams returns with World’s Gone Wrong on January 23.

She addresses head-on the divisions in her country while taking specific aim at the sandy-haired White House incumbent.

She duets with the mighty Mavis Staples on a cover of Bob Marley’s So Much Trouble In The World. 

THE DAMNED 

WHEN the punk pioneers’ founder member Brian James died earlier this year, the current line-up recorded a covers album celebrating the Sixties music loved by their fallen comrade.

Not Like Everybody Else is out on January 23.

Singer Dave Vanian turns There’s A Ghost In My House into a hoot and Captain Sensible takes the lead on Pink Floyd’s See Emily Play. 

John Slusher shouldn’t admit this. When the former Nike executive signed on to oversee LA28’s commercial operations last year, he looked at the private organizing committee’s lofty financial goals with some concern. Sales were “incredibly slow.” There was momentum around the first Olympics in L.A. in more than 40 years, but not many results.

Yet.

Weeks after celebrating his one-year anniversary with the group responsible for organizing and delivering the 2028 Games, Slusher and his team delivered a $2-billion present.

After announcing 15 partnerships in 2025, LA28 met its goal of reaching $2 billion in corporate sponsorship by this year, which Slusher said puts the group well on track to meet or exceed its $2.52-billion goal for domestic partnerships that serves as the largest line item funding the 2028 Games.

“Each avenue of commercial, whether it’s sponsorship, licensing, ticketing, hospitality, they’re all just kind of smoking hot, if you will, right now,” Slusher said in a recent interview with The Times. “I think there’s a lot of momentum and a lot of excitement around driving the business. And I think we’re all super focused on delivering an amazing, financially responsible Games.”

Since its bid for the Games began in 2016, LA28 has promised to deliver and operate the event with private funds. The estimated budget is $7.15 billion for L.A.’s first Olympics since 1984. After last year’s Paris Olympics, focus has shifted to the United States as the country begins a major decade of major sports events, including the 2026 FIFA World Cup, the 2028 Olympics and the 2034 Winter Olympics held in Salt Lake City.

“There is still much work to do and I can assure you the team is not resting,” U.S. Olympic and Paralympic Committee Chief Executive Officer Sarah Hirshland said during a media conference call. “But the reality is that this success puts the LA28 Games on track to be very successful while building significant commercial value for Team USA for many years to come. We couldn’t be more pleased with where we sit.”

Slusher, the chief executive officer responsible for revenue for LA28 and U.S. Olympic and Paralympic Properties, said the group is still selling for major sponsorship categories, including quick service restaurant, retail, tech and finance. Ticket registration begins on Jan. 14 with 14 million tickets available for the Olympics and Paralympics, which would break the record for Games tickets sold. Volunteering opportunities connected to LA28 in the community have already begun and volunteer applications for the Games open in the summer of 2026.

From record commercial growth to launching volunteer and community ticketing programs earlier than ever, our north star continues to be delivering a fiscally responsible Games with meaningful impact for L.A. and beyond,” LA28 CEO Reynold Hoover said in a statement. “We’re working day in and day out to make the Games more accessible than ever to the millions of people who want to get involved in a meaningful way.”

LA28 announced a ticket donation program with hopes of making tickets accessible to local fans through community groups. The Rams were the first participants, donating $5 million. Tickets will begin at $28 and LA28 plans to have one-third of tickets under $100.

Ticketing and hospitality is supposed to cover $2.5 billion of LA28’s total budget, the second-largest source of revenue for the Games.

A study done by the Southern California Assn. of Governments estimated the Games will generate between $13.6 billion and $17.6 billion in additional gross domestic product across a six-county region between 2024-2029. The study considered LA28’s $7.15-billion budget, estimated visitor spending and a portion of Games-related transportation infrastructure investments.

While only four of the Olympic venues are outside of L.A. County, the study estimates that five other Southern California counties — Orange, Riverside, San Bernardino, Ventura and Imperial — could still enjoy roughly 33% of the economic benefit because of visitor spending and work provided elsewhere in the region. Orange County, which will host the volleyball competition at Honda Center and surfing at nearby Trestles, could draw between $2.88 billion and $2.44 billion in gross domestic product from the Games, the second-most behind L.A.’s range of $8.96 billion and $11.97 billion.

The study was limited to only short-term gains up to five years after the Games, which does not take into account any “legacy effects.” The 2028 Games will have no permanent venue construction, but the planning agency notes that transportation infrastructure built to support the Games could benefit the region for decades in the future.

Transportation updates are largely the responsibility of the city, which is relying on federal grants to expand the Metro rail system and add more buses for the Games. Improvements to Los Angeles International Airport have been plodding: The People Mover train’s opening date has been delayed again to June 2026.

Outside of money used for infrastructure improvements, L.A. is also at risk to foot the first $270 million in potential overruns from LA28. If the private organizing committee’s debt goes further, the next $270 million would go to the state and anything remaining would return back to the city.

The American Academy of Pediatrics sued the U.S. Department of Health and Human Services on Wednesday, seeking to block nearly $12 million in cuts to the group.

Earlier this month, the federal government “abruptly terminated” grants to the group, the lawsuit says.

The funding supported numerous public health programs, including efforts to prevent sudden unexpected infant death, strengthen pediatric care in rural communities and support teens facing substance use and mental health challenges.

“AAP does not have other sources of grant funding to replace the federal awards, and without the necessary funds it must immediately terminate its work on its dozens of programs that save children’s lives every day,” says the lawsuit, filed in the U.S. District Court for the District of Columbia. “Within a few weeks, AAP will have to begin laying off employees dedicated to this critically important work.”

The suit alleges Health and Human Services made the cuts in retaliation for the doctors’ group speaking out against the Trump administration’s positions and actions.

The doctors’ group has been vocal about its support for pediatric vaccines and has publicly opposed the agency’s positions. Health Secretary Robert F. Kennedy Jr. — who helped lead the anti-vaccine movement for years — is seeking to broadly remake federal policies on vaccines. Earlier this year, the pediatrics group released its own recommendations on COVID-19 vaccines, which substantially diverged from the government’s recommendations.

The group also supports access to gender-affirming care and has publicly criticized Health and Human Services positions on the topic, saying it opposes what it calls the government’s infringements on the doctor-patient relationship.

“The Department of Health and Human Services is using federal funding as a political weapon to punish protected speech, trying to silence one of the nation’s most trusted voices for children’s well-being by cutting off critical public health funding in retaliation for speaking the truth,” Skye Perryman, president and chief executive officer of Democracy Forward, said in a statement. Perryman’s organization is representing the doctors’ group in the case.

A spokesman for Health and Human Services could not immediately be reached for comment.

Mark Del Monte, CEO and executive vice president of the 67,000-member doctors’ group, said the organization depends on its relationship with the federal government.

“We need this partnership to advance policies that prioritize children’s health. These vital child health programs fund services like hearing screenings for newborns and safe sleep campaigns to prevent sudden unexpected infant death,” he said in a statement. “We are forced to take legal action today so that these programs can continue to make communities safer and healthier.” 

Ungar writes for the Associated Press.

THE Pussycat Dolls have seemingly “confirmed” their reunion by signing with a new talent agent.

The news comes despite feuds and legal battles in the band, formed of Nicole Scherzinger,  Kimberly Wyatt, Ashley Roberts, Jessica Sutta, Carmit Bachar and Melody Thornton.

CAA music division head Rob Light  and Paul Franklin – a specialist in reunion tours – are now set to manage the band in a telling move.

While Nicole teased the reunion this week by talking about “what’s to come” for the band.

Sharing a clip from their hit song Buttons, Nicole wrote: “From then to now… seeing this video hit 1 billion views on YouTube fills my heart with so much gratitude.

“For the PCD fans. For the memories. For what’s to come.”

LILY’S HABIT

Lily Allen reveals she’s in therapy for secret addiction

staying put

ITV confirm Ant and Dec have signed HUGE £30m deal to stay on I’m A Celeb & BGT

Last month, The Sun revealed that the band were “in talks” for a reunion, with the idea spearheaded by Kimberly.

At the time, a source said: “Kimberly has been open about the fact the girls have sorted out their issues.

“She also told pals they’ve been discussing a tour.

“The Pussycat Dolls certainly had their differences over the years, but a comeback would send fans wild.”

The Dolls started off as a burlesque troupe but in 2003 Nicole , Melody and Kaya joined Carmit, Ashley , Jessica and Kimberly to form the group.

They split in 2010.

This is not the first time a reunion has been on the cards, with multiple members of the band reuniting in 2019 before planning a 2020 tour, which was halted due to Covid-19.

It was later cancelled due to the pandemic and legal issues.

Nicole had a bitter row with the band’s founder, Robin Antin, 60, who sued singer for “extortion”.

Robin claimed that Nicole was refusing to take part in the tour unless she received a larger share of the group’s joint firm.

She allegedly demanded her 49 per cent holding in the firm is increased to 75 per cent, giving her creative control of the group and “final decision-making authority”.

According to the lawsuit filed by Robin, Nicole said the “growth of her personal brand” and the “opportunities she would have to forego to engage in the partnership” was why she deserved an increased share.

However, in a fiery retaliation, former X Factor judge Nicole issued a statement through her lawyer, Howard King, in which she branded Robin’s claims as “ludicrous and false”.

Melody wasn’t involved in the last planned reunion after clashing with Nicole over singing the band’s lead vocals.

Under the glow of fluorescent lights at Seafood City market in North Hills, packages of pre-made adobo, salted shrimp fry and and dried anchovies glisten in meat coolers.

A DJ, dressed in a traditional barong, blasts a dance remix of Whitney Houston’s “I Wanna Dance with Somebody” as a crowd gathers to take a shot of fish sauce together.

“That was disgusting!” a man shouts into the mic, flashing a grimacing expression.

At Seafood City, DJs 1OAK, left, EVER ED-E and AYMO spin in barongs, the Philippines’ national formal shirt.

The smells of lechon and lumpia float through the air. Smiling children munch on halo-halo (a Philippine dessert made with ube ice cream, leche flan and shaved ice). Flags of the Philippines wave in the air as a man in UCLA Health scrubs hops into the center of an energetic dance circle. Employees shoot store coupons out of a money gun and toss bags of Leslie’s Clover Chips into the crowd. Fathers hold their children on their shoulders as a group of college students perform a Tinikling routine, a traditional Philippine dance in which performers step and hop over and between bamboo poles.

“This is so Filipino,” a woman says, in awe of the scene.

Sabria Joaquin, 26, of Los Angeles, left, and Kayla Covington, 19, of Rancho Cucamonga hit the dance floor at “Late Night Madness” in North Hills.

“I came here for groceries,” explains an elderly man, adding that he decided to stay for the party.

Seafood City, the largest Philippine grocery store chain in North America, typically closes at 9 p.m. But on certain Friday and Saturday nights, its produce or seafood aisle turns into a lively dance floor for “Late Night Madness.” On social media, where the gathering has exploded, it looks like a multigenerational nightclub that could use dimmer lighting. But for attendees who frequent the store, it’s more than that. It’s a space for them to celebrate their Filipino heritage through food, music and dance in a familiar setting.

“This is something that you would never expect to happen — it’s a grocery store,” says Renson Blanco, one of five DJs spinning that night. He grew up going to the store with his family. “My mom would [put] us all in the minivan and come here, and she’d let us run free,” he adds. “It’s comfortable here. It’s safe here.”

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1. Rhianne Alimboyoguen, 23, of Los Angeles follows an employee through the produce section. 2. Allison Dove, 29, left, and Andrea Edoria, 33, both of Pasadena, enjoy Philippine street food. 3. Katie Nacino, 20, left, Daniel Adrayan, 21, and Sean Espiritu, 21, of the Filipino American Student Assn. at Cal State Northridge, practice tinikling, a traditional Philippine folk dance, in an aisle.

The first Seafood City location opened in 1989 in National City, a suburb of San Diego, which has a nearly 20% Asian population including a rich Filipino community. For its founders, the Go family, the mission was simple: to provide a market where Filipinos and people within the diaspora could comfortably speak their native language and buy familiar products. It’s since become a community anchor. Of the nearly 40 locations in Northern America, at least half of them are based in California, which has the highest population of Asian Americans in the United States.

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The first “Late Night Madness” event happened in September in Daly City, Seafood City’s newest location. The company wanted to launch a street food program at the store’s food hall in a fun and creative way.

The DJ played a selection of hip-hop, pop, soul and classic Pinoy records like VST & Company’s “Awitin Mo, Isasayaw Ko.” Hundreds of people showed up, and videos of people of all ages turning up in the popular supermarket spread like wildfire. So the company decided to continue hosting the event in October during Filipino American History Month and for the rest of the year. It’s since expanded to more locations around the country and in L.A., including Eagle Rock.

By 10 p.m. at the Seafood City in North Hills, at least 500 people are dancing in the produce section, next to rows of saba bananas, fresh taro leaves and bok choy. The lively crowd forms dance circles throughout the night, taking turns jumping in the center to show off their moves to songs like Earth, Wind & Fire’s “Let’s Groove,” “Nokia” by Drake and Justin Bieber’s “I Just Need Somebody to Love.” At one point, TikToker and artist Adamn Killa hops on the mic and says “If you a Filipino baddie, this is for you,” before doing his viral dance.

Among the Philippine street food offerings were pandesal sliders, lumpia-style nachos, lobster balls and various skewers.

A group of employees dance behind the counter as they serve hungry patrons who fill their trays with various Filipino street food including pandesal sliders (soft Philippine bread filled with adobo, lechon or longganisa) and Lumpia Overload (think nachos, but a bed of lumpia instead of tortilla chips), lobster balls and barbecue chicken skewers. (No alcohol is served.) Meanwhile, a few lone shoppers sprinkle into the store to get their weekly groceries as music blasts through the speakers.

First-generation Filipino American Andrea Edoria of Pasadena says “Late Night Madness” reminded her of the family parties she attended as a child in L.A. and in Manila, where her parents are from.

“Growing up as a child of immigrants, I was kind of self conscious about displaying too much of my culture,” she says between bites of spiral fried potato. She went to the Eagle Rock event with her mother last month as well. “So it kind of fed my inner child to see so many people celebrating this shared culture and experience that we each grew up [with].”

A multi-generational crowd is drawn to the dance floor. At center is Jade Cavan, 44, of Chatsworth.

Members of the Filipino American Student Assn. at Cal State Northridge perform a tinikling performance.

She adds, “I think it’s so important especially now at a time where our country is so divisive and culture is kind of being weaponized, I think it’s a beautiful reminder that we can come together and find something that unites us.”

About 10 minutes before midnight, the grocery store is still bustling with activity. A dance battle breaks out and people begin hyping up the young women. The DJ transitions into slower tracks like Beyoncé’s “Love on Top” and Mariah Carey’s “All I Want for Christmas is You.” The remaining folks sing along loudly as they walk toward the exit, smiles imprinted on their faces. Staff rush to clean up, then huddle together for group photos to memorialize the evening.

After the final song is played, employees rush to clean up the supermarket.

Patrick Bernardo, 34, of Van Nuys looks at the counter, where a man had been chopping lechon, before stepping outside.

“There’s barely anything left on that pig,” he says, pointing to it as proof that the night was a success.

EUGENE, Ore. — Perhaps it was James Madison going for it twice on fourth down on its first drive of the game.

Or, maybe it was coach Bob Chesney calling for a wide receiver pass on the Dukes’ second series of the evening. Even 12th-ranked James Madison successfully pulling off a fake punt could have adequately explained what the scoreboard failed to convey.

It was clear that the fifth-ranked Oregon Ducks were in a different class than their visitors in a 51-34 win in a College Football Playoff first round matchup Saturday at Autzen Stadium. Oregon led 48-13 midway through the third quarter before the Dukes added three late touchdowns to make the final score appear closer than the game really was.

“I think the scoreboard itself, every time we got down there we kind of shot ourselves in the foot,” said Chesney, who takes over as UCLA’s head coach after the JMU loss. “If we did not do that, if we did not end with 13 penalties, is this a little bit of a different game? Maybe. But at the same point in time, that’s a tough offense to stop, and I think it’s tough for a lot of teams in the entire country to stop.”

With James Madison’s loss, Group of Five teams fell to 0-4 all-time in CFP games. No. 17 Tulane fell 41-10 to No. 6 Mississippi on Saturday, too, while Penn State beat Boise State 31-14 in last year’s Fiesta Bowl. Alabama topped Cincinnati 27-6 in a 2022 CFP semifinal at the Cotton Bowl.

Following their loss to Ole Miss, Green Wave head coach Jon Sumrall brushed aside any notion of his team not belonging among the last 12 standing.

“We’re our conference champion and the rules are what they were, and I think there should be access for at least one G5 team moving forward,” Sumrall said. “I do. I think you should have given the American champion an opportunity before the ACC champion this year because we beat the ACC champion. So Duke won the ACC Championship; we beat them.”

To Sumrall’s point, Tulane beat a pair of Power Four teams in Northwestern and Duke, but those schools combined to go 14-11 in 2025.

James Madison, meanwhile, lost to its only Power Four opponent this season, with Louisville beating it 28-14 in a game in which the Dukes mustered just 263 yards of total offense. Most of the season, James Madison ran with the ball with ease against its opponents, rushing for over 300 yards in a game five times and over 200 yards in a game nine times.

But on Saturday, the Dukes mostly abandoned the run after quickly falling behind, and instead often turned to Sun Belt player of the year and quarterback Alonza Barnett III, who attempted a career-high 48 passes in the contest. Even so, Barnett was confident his team belonged in the CFP over other Power Four schools.

“I believe people saw that we were meant to be on this level. When you look at the Power Four teams and whatever, the destiny is really — the ball is in your court. You control your own destiny,” Barnett said. “Most of those teams that didn’t make it, they controlled their own destiny, and we handled what we could handle and we didn’t give into outside noise.”

Among Group of Five schools, James Madison did fare the best of any of them on offense in the CFP. The other three programs scored a combined 30 points in their respective playoff games, a total James Madison eclipsed against the nation’s eighth-ranked scoring defense.

But where the Dukes fell flat was slowing down the Ducks’ ninth-ranked scoring offense. Oregon ran the ball with ease, averaging more than 7.7 yards per attempt against James Madison’s run defense that entered the contest allowing the second-fewest yards per game in the country.

As has often been the case in matchups between Power Four and Group of Five teams, the greatest discrepancies existed in the trenches. To a man, James Madison could not adequately match up with Oregon, just as Tulane couldn’t with Ole Miss and many other Group of Five programs before them both failed to do.

“I think there were moments today where I feel like we could play with them,” Chesney said. “ And I think that today, the complimentary football, and us playing in the way we needed to just did not exist.”

Destin writes for the Associated Press.

Dec. 19 (UPI) — An international hunger watchdog group said that while Gaza is no longer in famine conditions since the cease-fire between Israel and Hamas, it’s still food-insecure and many people still go hungry.

The Integrated Food Security Phase Classification, a United Nations-backed group, released a report Friday that said on X that at least 1.6 million people are still facing high levels of acute food insecurity.

It said that acute malnutrition is still critical in Gaza City and is serious in Deir al-Balah and Khan Younis with nearly 101,000 children under 5 likely to suffer acute malnutrition through mid-October 2026 throughout Gaza.

Israel’s foreign ministry called the IPC report “deliberately distorted” and “doesn’t reflect the reality in the Gaza Strip,” the BBC reported.

Between “600 and 800 aid trucks enter the Gaza Strip every day, 70 percent of them carrying food — nearly five times more than what the IPC itself said was required for the Strip,” the Israeli Foreign Ministry said in a statement.

Since the cease-fire, humanitarian agencies have been better able to get aid into Gaza, easing the famine that caused widespread hunger and malnutrition in the area during fighting, when Israel blocked aid from the Palestinians.

“Over the next 12 months, across the entire Gaza Strip, nearly 101,000 children aged 6-59 months are expected to suffer from acute malnutrition and require treatment, with more than 31,000 severe cases,” the report said. “During the same period, 37,000 pregnant and breastfeeding women will also face acute malnutrition and require treatment.”

UNWRA, the U.N. agency for Palestine, supported the report from the IPC.

“The latest report from the IPC info underscores how fragile the gains have been since the cease-fire began in October,” UNWRA said in a statement. “While Gaza Governorate is no longer classified as being in famine, 1.6 million people still face high levels of acute food insecurity. To end this catastrophe, supplies must be let in at scale and humanitarians allowed to do their job.”

Dec. 19 (UPI) — Mexican low-cost airlines Volaris and Viva Aerobus announced an agreement to create a new holding company through a merger of equals — a deal aimed at expanding low-fare air travel and strengthening Mexico’s air connectivity with the United States and Latin America.

The transaction will combine the parent companies of Volaris and Viva into a single entity, while each airline will continue to operate independently under its own brand, air operator certificate, leadership structure and route network.

Once the deal closes, shareholders of each company will hold 50% of the new group on a fully diluted basis. Viva shareholders will receive newly issued shares of Volaris’ holding company, while Volaris shareholders will retain their existing shares, according to DF SUD.

The boards of both airlines unanimously approved the transaction. The deal is subject to regulatory and shareholder approvals and is expected to close in 2026. Shares of the holding company will continue to trade on the Mexican Stock Exchange and the New York Stock Exchange.

The new group would become Mexico’s largest low-cost airline platform and a regional player with growing relevance for travelers seeking cheaper options across North America and Latin America.

Volaris shares jumped more than 20% after the announcement, driven by expectations of operational efficiencies and cost reductions.

Volaris is a publicly traded company backed by U.S.-based Indigo Partners, which also controls Frontier Airlines in the United States and JetSmart in Chile.

Viva Aerobus is privately held and controlled by Mexican transportation group IAMSA, led by businessman Roberto Alcantara Rojas, who will serve as chairman of the new holding company

Both airlines operate all-Airbus fleets and focus on a low-cost, point-to-point business model. Their main competitor in Mexico’s domestic market is Aeromexico, the country’s flag carrier.

The agreement comes amid a complex period for Mexican aviation and air relations with the United States. In October, the U.S. Department of Transportation rejected more than a dozen routes proposed by Mexican airlines, citing disputes over slot management at Mexico City’s main airport and the relocation of cargo operations to a more distant terminal.

In November, President Claudia Sheinbaum said Mexican airlines would give up some airport slots to U.S. competitors. U.S. airlines currently account for more than half of international passenger traffic between the two countries, while Mexican carriers represent less than 30%.

Industry analysts say the creation of the new holding could strengthen Mexico’s position in the regional market without, for now, triggering a full operational merger that could face stronger regulatory opposition.

Rams wide receiver Puka Nacua apologized for performing a gesture “antisemitic in nature” during a livestream, stating he originally had no idea it “perpetuated harmful stereotypes against Jewish people.”

“I deeply apologize to anyone who was offended by my actions as I do not stand for any form of racism, bigotry or hate of another group of people,” Nacua wrote in a post on Instagram.

Nacua made the gesture while appearing on a livestream with Adin Ross and N3on. The livestreamers suggested he perform the gesture the next time he celebrated after scoring a touchdown.

“There is no place in this world for Antisemitism as well as other forms of prejudice or hostility towards the Jewish people and people of any religion, ethnicity, or race,” the Rams said in a statement.

The NFL also released a statement: “The NFL strongly condemns all forms of discrimination and derogatory behavior directed towards any group or individual. The continuing rise of antisemitism must be addressed across the world, and the NFL will continue to stand with our partners in this fight. Hatred has no place in our sport or society.”

Nacua’s gesture came on the same livestream in which he also criticized NFL referees, calling them “the worst” and claiming many probably get a thrill making bad calls on national television during games.

A group of entertainment industry workers launched a new coalition that aims to advocate for the rights of creators amid the growing AI industry.

The group, called Creators Coalition on AI, was founded by 18 people, including writer-director Daniel Kwan, actors Joseph Gordon-Levitt and Natasha Lyonne and producer Janet Yang, former president of the Academy of Motion Picture Arts and Sciences.

Gordon-Levitt said the group is not limited to Hollywood luminaries and is open to all creators and the skilled workers around them, including podcasters, digital content creators and newsletter writers.

“We’re all frankly facing the same threat, not from generative AI as a technology, but from the unethical business practices a lot of the big AI companies are guilty of,” he said in a video posted on X on Tuesday. “The idea is that through public pressure, through collective action, through potentially litigation and eventually legislation, creators actually have a lot of power if we come together.

The coalition’s formation comes at a time when Hollywood has been grappling with the fast growth of artificial intelligence tools. Many artists have raised concerns about tools that have used their likenesses or work without their permission or compensation.

The tech industry has said that it should be able to train its AI models with content available online under the “fair use” doctrine, which allows for the limited reproduction of material without permission from the copyright holder.

Some studios have partnered with AI companies to use the tools in areas including marketing and visual effects. Last week, Walt Disney Co. signed a licensing deal with San Francisco-based ChatGPT maker OpenAI for its popular Disney characters such as Mickey Mouse and Yoda to be used in the startup’s text to video tool Sora.

Kwan told The Hollywood Reporter that when Disney and OpenAI’s deal was announced many people felt “completely blindsided.”

“On one hand, you can say that this is just a licensing deal for the characters and that’s not a big deal, and it won’t completely change the way our industry works,” Kwan told THR. “But for a lot of people, it symbolically shows a willingness to work with companies that have not been able to resolve or reconcile the problems.”

There has also been lawsuits filed against some AI companies. Earlier this year, Disney, Universal and Warner Bros. Discovery sued AI business Midjourney accusing it of copyright infringement.

The Creators Coalition on AI said it plans to convene an AI advisory committee “to establish shared standards, definitions, and best practices as well as ethical and artistic protections for if and when AI is used.” Some of the principles the group lists on its website include the importance of transparency, consent, control and compensation in the use of AI tools, sensitivity to potential job losses, guardrails against misuse and deepfakes and safeguarding humanity in the creative process.

“This is not a full rejection of AI,” the group said on its website. “The technology is here. This is a commitment to responsible, human-centered innovation.”

“This is not a dividing line between the tech industry and the entertainment industry, nor a line between labor and corporations,” the group said . “Instead, we are drawing a line between those who want to do this fast, and those who want to do this right.”

The idea for the coalition was sparked by Kwan, who produced a documentary about AI, which comes out next year, Gordon-Levitt said in his video. He said work on the group began in the middle of this year. Already the collective has many signatories, including actors Natalie Portman, Greta Lee, Kirsten Dunst and Orlando Bloom.

Exiled punk band says its members are proud to be branded ‘extremists’ and hits back at Putin as an ‘aging sociopath’.

A Moscow district court has designated Russian punk protest band Pussy Riot as an extremist organisation, according to the state TASS news agency.

The exiled group’s lawyer, Leonid Solovyov, told TASS that Monday’s court ruling was made in response to claims brought by the Russian Prosecutor General’s Office and that the band plans to appeal. According to TASS, the case was heard in a closed session at the request of the Prosecutor General’s Office.

The court said that it had upheld prosecution submissions “to recognise the punk band Pussy Riot as an extremist organisation and ban its activities on the territory of the Russian Federation”, the AFP news agency reports.

An official Pussy Riot social media account shared a statement, responding defiantly to the ruling, saying the band’s members, who have lived in exile for years, were “freer than those who try to silence us”.

“We can say what I think about putin — that he is an aging sociopath spreading his venom around the world like cancer,” the statement said.

“In today’s Russia, telling the truth is extremism. So be it – we’re proud extremists, then.”

The group’s designation will make it easier for the authorities to go after the band’s supporters in Russia or people who have worked with them in the past.

“This court order is designed to erase the very existence of Pussy Riot from the minds of Russians,” the band said. “Owning a balaclava, having our song on your computer, or liking one of our posts could lead to prison time.”

According to TASS, earlier reports said that the Prosecutor General’s Office had brought the case over Pussy Riot’s previous actions, including at Christ the Saviour Cathedral in February 2012, and the World Cup Final in Moscow in 2018.

Today Russian court designated Pussy Riot as an extremist organization.

And yet, we’re freer than those who try to silence us. We can say what I think about putin — that he is an aging sociopath spreading his venom around the world like cancer. In today’s Russia, telling the… pic.twitter.com/ymz3BbApTo

— 𝖕𝖚𝖘𝖘𝖞 𝖗𝖎𝖔𝖙💦 (@pussyrrriot) December 15, 2025

The band’s members have already served sentences for the 2012 protest at the cathedral in Moscow, where they played what they called a punk prayer, “Mother of God, Cast Putin Out!”

Nadezhda Tolokonnikova and Maria Alyokhina, who were jailed for two years on hooliganism charges over the cathedral protest, were released as part of a 2013 amnesty, which extended to some 26,000 people facing prosecution from Russian authorities, including 30 Greenpeace crew members.

In September, a Russian court handed jail terms to five people linked with Pussy Riot – Maria Alyokhina, Taso Pletner, Olga Borisova, Diana Burkot and Alina Petrova – after finding them guilty of spreading “false information” about the Russian military, news outlet Mediazona reported. All have said the charges against them are politically motivated.

Mediazona was founded by Alyokhina alongside fellow band member Tolokonnikova.

The news outlet says that it is continuing to maintain a verified list of Russian military deaths in Moscow’s war on Ukraine.

“We have confirmed 153,000 names, each supported by evidence, context, and documentation,” Mediazona said on Monday.