grim

Dodgers’ three-peat dreams are on life support after grim Game 2

Once brimming with life, the Dodgers’ historic quest has curled up into a withered heap.

The three-peat is dying.

The three-peat is slowly, agonizingly having the life squeezed out of it by a collection of hardscrabble Midwesterners with no regard for stardom or status.

Two games into the National League Championship Series, the three-peat was formally placed on life support Monday after the mighty Dodgers lost a second consecutive game to those little giants known as Milwaukee Brewers.

Dodgers designated hitter Shohei Ohtani strikes out during the sixth inning of Game 2 of the NLCS against the Brewers.

Shohei Ohtani strikes out during the sixth inning

(Robert Gauthier/Los Angeles Times)

This time the score was 7-4 after another devastating night at American Family Field, and now the Dodgers trail two games to none in a best-of-seven series that appears beyond their control.

For a second consecutive game, their ace was knocked out. For a second consecutive game, their powerful offense petered out.

For a second consecutive game, they looked like a weary, aging band of fallen stars that had stumbled into a surprisingly deep pothole and had no idea how to climb out.

For the Dodgers to win this series and continue their journey toward a third consecutive championship, they must beat the Brewers in four of the next five games, the last two of which would be played in Milwaukee.

It doesn’t seem likely. It doesn’t even seem possible.

Not once in in their previous two title seasons did they trail anybody two games to none, and they certainly don’t seem equipped to survive it now.

Look at how they lost Monday. On second thought, don’t look, because what you’ll see bears scant resemblance to the swaggering, self-assured Dodgers of postseasons past.

They pitched their October ace Yoshinobu Yamamoto, and he’s always saved them, right? Not this time. He couldn’t make it out of the third inning, battered by scattered wildness and scathing swings.

They were handed runs on two errors by the Brewers’ shaky rookie starter, Logan Henderson, and they’ve always capitalized, right? Not this time. They couldn’t make the Brewers pay for their clumsiness, managing just three hits, the slumps of their superstars ever deepening, Will Smith and Shohei Ohtani becoming absolute offensive liabilities.

Even with all this, they sent Henderson packing after four innings and took aim at a heavily used Brewers bullpen and surely they could summon the firepower to send at least one of those relievers running, right? Not this time, as four Brewers relievers set a postseason record by pitching five perfect innings.

The last two innings being a sad microcosm of the previous seven.

Entering the eighth inning, the Dodgers trailed only 4-3 and had the top of their order coming up in what still could have been a trademark Dodgers October comeback.

Dodgers shortstop Mookie Betts strikes out in the eighth inning during a loss to the Brewers in Game 2 of the NLCS.

Mookie Betts strikes out in the eighth inning.

(Robert Gauthier/Los Angeles Times)

Not so fast.

Facing Abner Uribe, Mookie Betts struck out. Facing Aaron Ashby, Freddie Freeman struck out and Teoscar Hernández grounded out. Yeah, with perhaps their season on the line, they couldn’t even get the ball out of the infield.

The Brewers, of course, sealed the deal with two runs on three singles in the bottom of the eighth, and the Dodgers went meekly 1-2-3 in the ninth.

It was surely, truly painful for Dodgers fans to witness the final out, a strikeout by … yep, last season’s World Series hero Miguel Rojas.

The three-peat is dying, and it’s almost unbearable to watch.

Having both of their aces beaten in Milwaukee, the Dodgers will come home with Blake Snell and Tyler Glasnow starting in Games 3 and 4, respectively.

In any other scenario, both pitchers are aces as well, and the Dodgers would have a huge advantage. But neither pitcher has looked great in the postseason, and both will be pitching while bearing the weight of a stressed-out Dodgers Nation.

“Yeah, it’s certainly a challenge,” manager Dave Roberts said. “I think that if you look at Game 3, I like where we’re at as far as in a vacuum, who’s pitching, where our bullpen is at, being at home. Then you’ve got to go from there.”

Perhaps the most frustrating thing about Game 2 is that the Dodgers led … then blew the lead … then led … then blew the lead … then led …then blew the lead.

The Brewers’ final tying blow came on William Contreras’ fifth-inning homer against Kris Bubic, who has struggled in this postseason and perhaps shouldn’t have been in the game. The Brewers’ final go-ahead run came in the sixth on Contreras’ bases-loaded single after Brice Turang surprisingly was intentionally walked in front of him.

But neither of those plate appearances was the game’s most important. The key moment that actually didn’t score any runs was Jake Bauers’ 12-pitch walk in the third inning.

That loaded the bases, and Christian Yelich then greeted an exhausted Yamamoto with a two-run single.

“Yeah, it just got to a certain point where it was straight compete mode, a little bit of like blackout, just kind of in the flow a little bit competing,” Bauers said. “It was fun. It was a fun at-bat. I knew that was a moment where the guys needed something, the team needed something.”

Funny, but those are the kind of things Dodgers hitters used to say, back when they were confident and full of life.

But Smith is one for 23, and Ohtani is three for 19, and the Dodgers have just one extra-base hit against the Brewers, and nobody is saying anything about the fun of competing.

In fact, things are so lousy, Roberts appeared to call out Smith for not using the ABS challenge in the early innings against Turang. Both times strikes were called balls, and Turang took advantage of the missed calls to double and walk and score twice.

Yamamoto also seemed annoyed that his catcher could be letting his batting woes affect his work behind the plate.

“Obviously in that spot, Will didn’t feel like it was a strike, but obviously if you look back, that’s a called third strike, he doesn’t double, and that changes the outing,” Roberts said of Turang’s first-inning at-bat.

Roberts still has hope. But he’s not looking past Game 3.

“As far as can we do it, absolutely, but it’s just you want to get that first one,” he said.

Dodger Stadium will be filled with fans in what could be a celebration. Or a wake.

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Taylor Swift’s Patient Zero music video shocks fans with grim twist as she makes surprise VMAs appearance

TAYLOR Swift debuted Patient Zero music video at the MTV Video Music Awards after accepting a massive honor.

The Fate of Ophelia singer accepted the first-ever Artist Director Honor at the annual awards ceremony on Sunday.

Taylor Swift accepted the Artist Director Honor at the MTV Video Music Awards on Sunday Credit: Getty Images
The singer also debuted the music video for her new single, Patient Zero, at the ceremony Credit: Getty Images

Taylor’s good friend, Dakota Johnson, who also stars in the music video for her new single Patient Zero, presented her with the award.

The global pop star kept her acceptance speech short and sweet before introducing the world premiere of the highly anticipated music video.

She shared a teaser of the video, which also stars Colin Farrell, on Friday, before announcing that all will be revealed during Sunday’s ceremony.

Fans were taken aback by the video’s grim twist, as she portrayed Colin’s character’s deceased former partner, but it overall received rave reviews online.

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“Taylor really wanted to team up with MTV to do something to celebrate the release of Patient Zero,” a source told Page Six about Taylor’s VMAs appearance.

“They created this award just for her. It’s their first time handing out this award.

The insider also said that the “timing made sense,” given the release of Taylor’s latest single, alongside three other new tracks.

The four new songs are a part of The Life of a Showgirl: The Encore, an extended deluxe edition of her 2025 album, The Life of a Showgirl.

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“She really wanted to be there, and the network wanted to figure out a moment in the show that was special to her where she wasn’t just in the background, so MTV made this moment happen,” the source added about the collaboration.

Taylor, 36, was one of the last to arrive on the red carpet at Peacock Theater in Los Angeles in a stunning black and silver gown.

Her husband, NFL tight end Travis Kelce, 36, skipped the event to play with the Kansas City Chiefs in their game against the Miami Dolphins in Florida earlier in the day.

Dakota Johnson presented Taylor with the award on stage Credit: Getty
Dakota also stars in the music video for Taylor’s track, Patient Zero Credit: Getty

While Taylor has supported her man on the sidelines since the football season began, she couldn’t miss this night as she was the first recipient of the Artist Director Honor.

This marked the singer’s 31st Moon Man trophy, breaking her tie with Beyoncé for the most VMA wins.

The vocalist was also nominated for nine other awards – the second-most of the night behind Madonna, who had 11 nominations – and won the Video of the Year award.

Taylor has kept a lower profile since her and Travis’s extravagant July 4th wedding.

MOST AWARDED ARTISTS IN VMA HISTORY

Since the iconic MTV Video Music Awards first premiered to shake up pop culture in 1984, artists across all genres have tried their best to score the coveted Moonman trophy. Here are the top 10 musician’s who have taken home the most hardware:

  • Taylor Swift – 31 wins: Taylor is now the most-awarded artist in VMA history. She has won Video of the Year five times, including for her hit All Too Well, and picked up a record nine awards in one night for Midnights in 2023.
  • Beyoncé – 30 wins: Beyoncé’s haul includes six wins for Formation in 2016, plus Video of the Year for Single Ladies in 2009. Her total also includes two wins with Destiny’s Child.
  • Lady Gaga – 22 wins: Gaga dominated the 2010 VMAs, taking home seven awards for Bad Romance. She has also won Artist of the Year twice.
  • Madonna – 20 wins: The original VMA powerhouse has collected wins for Vogue, Ray of Light and Express Yourself, as well as the Video Vanguard Award.
  • Eminem – 15 wins: The rapper is the most-awarded male artist in VMA history, with wins including Without Me, The Real Slim Shady, Not Afraid and Houdini.
  • Ariana Grande – 13 wins: Ariana has collected 13 Moonmen, including Video of the Year and Best Pop for Brighter Days Ahead and three wins for Rain on Me with Lady Gaga.
  • Peter Gabriel – 13 wins: Peter holds one of the biggest records in VMA history: 10 wins at the 1987 ceremony, including nine for Sledgehammer.
  • R.E.M. – 12 wins: The rock band swept the 1991 VMAs with six wins for Losing My Religion and later added four for Everybody Hurts.
  • Justin Timberlake – 11 wins: Justin’s haul includes Video of the Year for Mirrors, multiple wins for Cry Me a River and the Video Vanguard Award.
  • Green Day – 11 wins: Boulevard of Broken Dreams powered Green Day’s VMA haul, winning six awards in 2005. 21 Guns added even more to their collection in 2009.

She showed her love for her husband last week while celebrating his touchdown against the Indianapolis Colts.

The Out of Style singer was caught on video screaming and clapping as Travis darted across the field to score.

She could also be heard yelling, “That’s my husband!” while pointing at her $1 million wedding ring.

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