Green

This year, AGRA, the donor-funded agricultural development initiative formerly known as the Alliance for a Green Revolution in Africa, is celebrating its 20th anniversary.

AGRA’s slogan is “sustainably growing Africa’s food systems”, but for years, researchers and farmers have warned that the policies it promotes are having a negative impact on African agriculture.

Our new research provides more evidence to that effect. We have documented how AGRA’s Green Revolution, with its well-funded promotion of commercial seeds, fertilisers and other inputs, has failed to spur the “productivity revolution” promised by its founders.

Worse still, its promotion of monocultures, such as maize, has led to the massive expansion of land dedicated to them. At the same time, more resilient and nutritious local crops, such as millet, are losing ground.

Funding the loss of traditional crops

Hunger continues to increase in Africa, driven by climate change, desertification, conflict and disruptions to international supply lines from international conflicts like the Ukraine war. The Green Revolution promoted by AGRA does not seem to have made much of a difference.

In countries where AGRA has had significant presence, the number of undernourished people has increased by about 60 percent – roughly the same rate as the rest of the continent.

The United Nations is calling for greater attention to “affordable healthy diets”. For Africa’s small-scale farmers, who grow what their families and communities eat, that means more, not less, crop diversity, which is the opposite of what the Green Revolution has produced.

In countries that have participated in AGRA projects, crops such as maize are promoted and funded with billions of dollars in subsidies and investment. Despite that, yields for maize have grown only modestly, just 40 percent over 18 years, well below the 100 percent improvement promised by AGRA.

Some countries, like Malawi and Ethiopia, have seen stronger yield growth for maize, but some, such as Kenya – where AGRA’s headquarters are located – have seen yields decline.

Maize production has soared across participant countries, driven mainly by the massive expansion of plantings as subsidies drive farmers to plant maize on new land.

In contrast, our research shows that traditional African staples such as sorghum, cassava, and groundnuts have lost land and investment. Since AGRA was launched in 2006, 13 countries that have participated have seen a decline in productivity of 21 percent for cassava and 10 percent for groundnuts in total.

But millet – a climate-resilient, nutritious grain – is the crop that has suffered the most. Before 2006, millet was as prevalent as maize in these countries. Since 2006, millet production has fallen 27 percent, while maize production has more than doubled. Millet yields have fallen 17 percent with the lack of investment. And as land allocated to maize production increased 71 percent, land for millet fell 12 percent.

Millet is not some backward crop waiting to be replaced by maize. For generations, it has fed communities across some of Africa’s driest regions. It can withstand heat and drought, grow with relatively few external inputs, and provide nutritious food where other crops struggle.

In 2023, the UN Food and Agriculture Organization (FAO) celebrated the “Year of Millets”, highlighting the multiple benefits of the crop to the environment and social welfare.

The same is true of many of Africa’s traditional crops – sorghum, fonio, cowpeas, cassava, indigenous vegetables and many others. They are part of the biological diversity of African farming, but also of our cuisines, knowledge and cultures.

At a time of climate change, pushing such crops aside makes particularly little sense. Farmers need more options in their fields, not fewer. A diverse farm spreads risk: when one crop suffers from drought, pests or disease, another may survive. Rotation and diversity of crops help keep soils more fertile.

Valuing diversity

Rhetorically, AGRA now professes to value the very crops that its Green Revolution helped push to the margins. It speaks of diverse, nutritious and climate-adapted crops, and its seed programmes include millet, sorghum, cowpea, groundnut and others.

We welcome serious investment in these crops. It is overdue. But there is no indication that AGRA and other Green Revolution proponents will abandon their chosen monocrops, such as maize. AGRA’s current seed strategy still emphasises improved varieties, certified seeds, faster variety turnover, commercialisation and market-oriented seed systems.

Investment needs to support farmers’ rights to save, use, exchange and develop their seeds, protect crop diversity and indigenous knowledge, and ensure that farmers and communities – not seed markets alone – determine which varieties survive and spread.

African farmers do not need saving, but their crops – millet, sorghum, cowpea, fonio, and other traditional crops need to be rescued from Green Revolution crop-breeders.

When a traditional crop disappears from farmers’ fields, we can lose locally adapted seed varieties, knowledge about how to grow and prepare them and foods that are central to local diets and identities.

This is why the decline of millet should concern us far beyond the millet field. Africa is already dangerously exposed to climate shocks and volatile international food and fertiliser markets. Diversity is one of our greatest protections against those risks. Yet we are subsidising its disappearance.

It is not enough for the UN to call for greater access for all to nutritious diets. For the majority of Africa’s rural populations, who are also among its least food-secure, crop diversity is key to diet diversity. It is time for AGRA, the African Development Bank, foreign donors and African governments to stop subsidising and promoting the crops that are driving the loss of such diversity.

The views expressed in this article are the authors’ own and do not necessarily reflect Al Jazeera’s editorial stance.

New York Mets first baseman Jared Young was carted off the field Thursday night after he took a knee to the head during a collision with pitcher Nolan McLean while both players were trying to make a play on a ground ball hit by Philadelphia’s Justin Crawford.

Young, who landed face-first in the dirt, reportedly was briefly knocked unconscious during the sixth-inning incident at Citi Field.

“It was scary to sit there and just know that he wasn’t with us in that moment,” Mets shortstop Francisco Lindor said after the game. “He was just somewhere else.”

Young was able to give a thumbs-up to the crowd, however, as he was driven off. Mets interim manager Andy Green told reporters after the game that it “feels at this point in time like we’ve avoided the scariest outcomes.”

A CT scan at a hospital was negative, said Green, who added that Young had concussion symptoms but also had full use of his extremities.

Still, Green said after his team’s 3-0 loss, “it was a terrifying moment on a baseball field. Took him a while to come to. It was a really scary collision.”

McLean remained in the game and struck out Philadelphia’s Garrett Stubbs to end the inning. He was replaced by reliever Tobias Myers in the seventh.

Young, 31, has been a bright spot for the Mets (69-84) during his first full season, hitting .266 with nine homers and 39 RBIs in 103 games. A left knee injury caused him to miss six weeks early in the season.

“He’s somebody we all respect and appreciate and have love for,” Lindor said. “He’s been a big part of our team this whole year.”

The Associated Press contributed to this report.

TORONTO — An actor from last year’s Toronto International Film Festival has been turning heads around town this week: Inde Navarrette, whose “Obsession” went from a modest 2025 Midnight Madness slot to a box office behemoth.

But if you had to pick this year’s Navarrette, who would it be? Among the breakout names of TIFF 2026 is unquestionably Rosalind Eleazar, the London-born 38-year-old star of “Misty Green,” the first film written and directed by Chris Rock since 2014’s “Top Five” and among the most notable world premieres at this year’s festival.

Misty is a Hollywood survivor who was never able to make the most of her own success, winning an Emmy a few years back but now losing the apartment she has been living in because the widow of the man she was cheating with wants it back. With her bad attitude and personal problems, Misty has burned many bridges along the way. There’s a chance she could be cast in a remake of “Dreamgirls” that would turn everything around for her, but Misty’s brother, Jay (Daniel Kaluuya, in his first major screen role since 2022’s “Nope”), was recently released from a mental facility and needs monitoring.

Though there are comedic moments along the way, “Misty Green” is very much a character study, as well as an unsparring examination of the systemic pressures on Black women in Hollywood — one executive interrupts Misty’s audition to ask if she is “mixed.” She does herself no favors, frequently self-sabotaging and getting in her own way.

“Being an actor is hard,” Eleazar said in an interview at The Times’ photo and video studio in Toronto on Sunday with a sense of well-earned candor. “I could totally relate to Misty’s journey and the setbacks and the constant picking yourself back up after multiple rejections and just going again. And trying not to have armor because as an actor you want to keep yourself open and you don’t want to harden too much. But it can be easy to harden yourself to an industry that can be unforgiving.”

Though “Misty Green” is Eleazar’s first lead in a film, she has had a steadily building career. She is probably most familiar to American audiences from her role as an MI5 agent on the Apple TV series “Slow Horses.” But soon she will likely be known for the explosive announcement that is “Misty Green.” The film will go on to play at the New York Film Festival and the London Film Festival and be released by distributor A24 on Oct. 9.

“It can be easy to harden yourself to an industry that can be unforgiving,” Eleazar says.

(Jason Armond / Los Angeles Times)

After her movie’s TIFF world premiere in a coveted Saturday night slot at Roy Thompson Hall, Eleazar was included among those celebrated at the annual TIFF Tribute Awards, a fundraising gala put on by the festival. She was recognized alongside such actors as Helen Mirren, Penélope Cruz and Isabelle Huppert, whom she called “extraordinary company.”

“I grew up watching them and admired their work,” Eleazar says earlier in the day. “It’s just such an honor to be considered amongst heavyweights like that. Dame Helen Mirren. Crikey.”

With a warm smile she adds, “Just went very British.”

In accepting the prize, Eleazar recalled how when she came to Toronto for the premiere of her first feature film, 2019’s “The Personal History of David Copperfield,” she stepped away from a party to call her mother at 4 a.m. London time. Not wanting to make that same mistake again, she made sure her mother was there with her in Toronto for this year’s Sunday gala, sitting at a table with Eleazar’s husband, the actor and producer Gabriele Lo Giudice.

Eleazar performs two songs in the film, a heartbreakingly vulnerable cabaret version of Radiohead’s “Creep” and a stripped-down, tender reading of “One Night Only” from “Dreamgirls.” (Eleazar does not consider herself a singer and took vocal lessons before shooting.) Then, in a scene in which Misty demands she be allowed to finish an audition, she flashes into someone else in a bit of pure craft that leaves those in the room astonished.

It was important that Misty be seen as someone who is in fact immensely talented, who may even be worth all the bother and strife that she brings along with her.

“I think we’ve seen movies before where the character isn’t talented and it’s about the hustle and the dream of making it in Hollywood,” says Eleazar. “But I think it’s really interesting seeing someone that cannot get out of their own way — someone that is railing against the industry and is fighting Hollywood, fighting herself, fighting the people around her. It becomes quite a universal subject. It is about our industry but it’s also just about someone who is trying to escape herself.”

Despite Misty’s obvious talents, acting simply may not be the best career for her anymore; it strains her emotional and mental health and enables her substance abuse. Over the course of her own career, Eleazar has at times had to check in with herself to make sure she was heading down the right path.

“There are definitely times that I’ve questioned it,” she says. “For me it does really feed my soul and therefore, at my low points, I’ve managed better. But it can be really heavy. And maybe I shouldn’t but I feel like I’m pretty happy being an actor.”

Chris Rock and Rosalind Eleazar in the movie “Misty Green.”

(A24)

To land the role, after a few meetings with Rock over Zoom, Eleazar flew herself from London to Los Angeles so she could read in the room. As it happened, it made for an intense few days: First she had a chemistry read with Ralph Fiennes in the U.K. for a stage role (she would appear opposite Fiennes in “Small Hotel” in 2025) and then immediately flew to L.A. to read with Rock.

“What a mad, amazing three days,” she recalls. Similarly, Eleazar would be ending her whirlwind few days in Toronto by heading to Los Angeles to be with the “Slow Horses” team for the Emmys on Monday.

In introducing her tribute on Sunday night, Rock recalled when Eleazar auditioned for the part.

“The room just changed,” he said. “She was funny, she was dangerous, she was moving and completely in command. Misty Green is a woman whose life is coming apart. Rosalind never played her as a victim. She made you see the intelligence, the appetite and the fight underneath all the chaos. The audition was supposed to help me decide who to play Misty, but halfway through, the decision had already been made.”

“It becomes quite a universal subject,” Eleazar says of Chris Rock’s latest movie. “It is about our industry but it’s also just about someone who is trying to escape herself.”

(Jason Armond / Los Angeles Times)

There is something poetic about the fact that playing a mid-career actress struggling to land her next job may be the very thing that brings Eleazar wider recognition.

“It’s kind of meta, isn’t it?” she says with a laugh. “Look, I’m so happy that people are responding to the film and my performance. That really is the cherry on top because for me — I know it sounds rather cheesy — but I literally felt like I won once I did that film. I had such a great time exploring who she was and working with Chris and Daniel and Adam [Driver] and that cast. So everything else is just so lovely.”

In accepting her own tribute award on Sunday, Helen Mirren went off-script from her prepared remarks to say how moved she had been by Eleazar’s earlier speech, adding, “It’s exciting to see the generations coming up, especially women.”

As Rock succinctly added in his speech, “Misty Green wishes she could be Rosalind Eleazar.”

Regardless of what happens with “Misty Green” commercially or throughout awards season, Eleazar will continue tending her steady climb. Production will begin soon on season 7 of “Slow Horses” and Eleazar is currently shooting a film role that she isn’t yet allowed to talk about.

But Misty and the experience of bringing her to life on the screen will remain transformative.

“It almost reminded me of like a Shakespearean character in a way,” Eleazar says. “She’s so self-destructive and flawed and contradictory and at times it’s hard to get onside with her. We see it a lot of the time with male roles and I’d love to see it more with female roles — these really complex and messy characters.”

California and other Democratic-led states and localities filed a pair of lawsuits Monday challenging new Trump administration rules giving immigration officials more power to deny green cards to applicants whose families have relied on public assistance programs in the past.

The challenge mirrors another by a similar coalition that successfully halted such changes during the first Trump administration.

California Atty. Gen. Rob Bonta, whose office is helping lead the states’ challenge, said the rule changes seek to “rewrite more than 100 years of law” by making even brief use of public benefits in years past grounds for the federal government to deny a person’s application for legal permanent residency in the future — which he said was clearly illegal and would push tremendous costs onto states, counties and cities.

“No family should have to choose between accessing healthcare and nutrition assistance today — or protecting their pathway to a green card tomorrow,” Bonta said. “We’re going to court on behalf of the millions of immigrants who call this state home — and we will fight to get this unlawful rule undone.”

San Francisco City Atty. David Chiu, whose office is helping lead a separate challenge from Democratic-led cities and counties, said in a statement that the new Trump administration policies are “a blatant attempt to sow fear and confusion in our immigrant communities and coerce people into withdrawing from critical government services” — which he also said would shift millions in costs to local governments.

A spokesperson for the Department of Homeland Security, which promulgated the new rules, said the lawsuits were proof that immigrants are unlawfully tapping into benefits programs intended for U.S. citizens.

“Sanctuary states are terrified they will lose federal funds because hundreds of thousands of illegals and noncitizens might remove themselves from American welfare programs,” the spokesperson said. “This is the ideological contortion required by left-wing leaders to justify their defrauding of the American taxpayer at the hands of illegal criminals.”

The White House did not respond to a request for comment.

President Trump won office on a promise to rein in illegal immigration. Since taking office, his administration has launched a mass crackdown that has targeted both undocumented and documented immigrants. It has done so in part by targeting federal and state programs that offer immigrant assistance — which Trump has derided as diverting resources away from U.S. citizens.

In their lawsuit, the states acknowledge that federal law enacted by Congress in 1882 allows the U.S. to deny noncitizens entry to the country if they would be a “public charge,” or someone who is unable to support themselves and must rely on the government for assistance.

However, the states argue that Congress, the courts and federal government agencies have for “over 140 years” understood the term “public charge” to mean a person “who has become, or is likely to become, primarily dependent on the government for long-term subsistence” — not someone who has ever taken public assistance of any kind in the past, even in the short term.

And yet, the new policy promulgated by Homeland Security and U.S. Citizenship and Immigration Services gives immigration officers “unprecedented, sweeping new discretion to deny admission” to families that have tapped any number of public assistance programs for which both Congress and individual states have chosen to make them eligible, the states wrote.

The lawsuit, joined by Bonta, the attorneys general of 19 other states and the District of Columbia, and the governor of Pennsylvania, was filed in federal court in New York.

A separate lawsuit was filed in the same court by San Francisco and Santa Clara County in California, as well as New York City, Chicago, and Seattle and surrounding King County, Wash.

In a morning news conference, Bonta said the Trump administration’s new rules target families in unprecedented ways.

As one example, he said the new rules would potentially allow immigration officials to deny permanent residency to immigrant parents based on their U.S. citizen children accessing public benefits that they are clearly entitled to under the law.

As another, he said the new rules could penalize immigrant families for accessing basic, preventative healthcare that actually helps control the broader public cost of illness to localities and states.

Chiu said federal limits on residency for those who would be a “public charge” have in the past been applied in a “narrow and consistent way,” focusing on certain cash assistance and long-term medical needs. The new rules, he said, make “almost any” kind of government assistance grounds for residency denial.

The states’ lawsuit — California’s 92nd against the current Trump administration — revises a policy battle that began during Trump’s first administration, when it attempted in 2019 to implement similar policies, was sued by California, San Francisco and Santa Clara County, and lost.

The Biden administration later dropped the plans to change the rules.

Tony LoPresti, county counsel for Santa Clara County — which has per capita one of the largest foreign-born populations in the country — said that it was “déjà vu all over again.” and that the Trump administration will lose again because the new “public charge” policy is “outright illegal.”

It “bullies our community members into dropping health insurance, bypassing food assistance and turning their back on critical services out of fear” and constitutes “a wealth test for residents who are lawfully seeking status,” LoPresti said.

Garth Brooks, Zach Top and Riley Green will headline 2027’s Stagecoach country music festival, organizers announced Monday, bringing together one of the genre’s veteran standard-bearers with two of Nashville’s ascendant stars.

The three-day event, scheduled for April 23-25 at Indio’s Empire Polo Club, will also feature Hardy, Brothers Osborne, Willie Nelson, Shaboozey, Stella Lefty, Charley Crockett, Stephen Wilson Jr., Turnpike Troubadours, Gretchen Wilson, Ernest, Hudson Westbrook and a reunited Florida Georgia Line.

Among the non-country acts on the bill for the annual show, which for years has been expanding its stylistic footprint, are Kelly Clarkson, Pitbull, David Lee Roth, Sean Paul, Flo Rida, Matchbox Twenty, the Fray and Journey, the last of which was scheduled to perform at this past April’s festival but whose set was called off after high winds temporarily shut down Stagecoach.

Brooks, who previously headlined Stagecoach in 2018, launched an arena tour last month, while Top and Green both just picked up nominations for November’s CMA Awards: Top for male vocalist of the year and album of the year (for his “Ain’t in It for My Health”) and Green for musical event of the year (for his and Carly Pearce’s duet “If I Don’t Leave I’m Gonna Stay”).

Other acts scheduled to perform at next year’s festival, which takes place on the same grounds as Coachella the weekend after that event, include Carín León, Cody Jinks, Melissa Etheridge, Dasha, Waylon Wyatt, Tedeschi Trucks Band and Laci Kaye Booth.

Passes for Stagecoach, which start at $549 and go up past $4,000 for various VIP packages, will go on sale Friday. Goldenvoice, the Los Angeles-based promoter that puts on Stagecoach and Coachella, announced last week that its inaugural Ocean Way festival, which was to be held on the beach in Santa Monica on Sept. 26 and 27, had been canceled due to erosion caused this month by Hurricane Marie.

RIYADH: Saudi Arabia’s Tadawul All Share Index rose on Monday, gaining 13.89 points, or 0.13 percent, to close at 10,878.46.

The total trading turnover of the benchmark index was SR4.19 billion ($1.12 billion), as 78 of the listed stocks advanced, while 182 retreated.

The MT30 Index also rose, gaining 1.38 points, or 0.09 percent, to close at 1,460.13.

The Kingdom’s parallel market Nomu slipped 78.28 points or 0.36 percent to close at 21,500.91. This comes as 25 of the listed stocks advanced, while 46 retreated.

Top performers

The best-performing stock was Saudi Arabia Refineries Co., surging by 9.98 percent to close at SR58.95.

Other top performers included Wafrah for Industry and Development Co., which saw its share price rise by 6.25 percent to SR22.77, and Mutakamela Insurance Co., up 4.72 percent to SR13.32.

Worst performers

On the downside, the worst performer of the day was Riyadh Cement Co., whose share price fell by 4.91 percent to SR22.46.

Armah Sports Co. and Advanced Building Industries Co. also saw declines, with their shares dropping by 4.18 percent and 3.66 percent to SR68.85 and SR27.34, respectively.

Arabian Drilling signs 8 more land rigs

On the announcement front, Arabian Drilling Co. announced the signing of a new five-year contract with SLB for the provision of eight additional land rigs for Gas LSTK operations.

The agreement adds approximately SR2 billion to the company’s backlog, following its previously announced five-year contract with SLB covering 11 existing land rigs.

Together, the two contracts add approximately SR5 billion to backlog, taking Arabian Drilling’s total backlog to a record SR16 billion, the highest in its history, and constituting the largest Gas LSTK commitment ever secured by the Company.

The financial impact of the new contract is expected to begin reflecting on the company’s results starting from the final quarter of 2026.

Arabian Drilling Co.’s shares rose 2.99 percent to close at SR96.35.

LOUISE Redknapp has shown her toyboy ex what he’s missing as she posed in a green bikini on the beach after the split.

The Eternal star, 51, took to Instagram to share a sneak peek into her holiday as she posed up a storm in the green number.

Louise looked beach ready in the bikini which she paired with a cream and brown monogrammed skirt as she gave a peek of her midriff.

She wore a chocolate brown long-sleeved top which she left unbuttoned to reveal her two-piece.

The singer accessorised with some chic sandals and a black bag with tassels.

She went make-up free for the beach day as she popped a pair of sunglasses on her head as well as several necklaces around her neck.

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The Strictly Come Dancing star appeared to be moving on from her break-up as she flashed her pearly whites for a sweet snap.

She captioned the post: “Making the most of the last days of Summer, happy bank holiday.”

Her loyal fans flocked to the comments section to compliment her as one gushed: “Beautiful as always Louise.”

Another person enthused: “You’re literally sunshine personified!”

Somebody else wrote: “Oh jeez, you look phenomenal.”

While a fourth social media user added: “Stunningly beautiful.”

The Sun exclusively revealed earlier this month that she had split from boyfriend Drew Michael earlier this year after two years together.

They had been dating since autumn 2023 but called time on the relationship and he is believed to have left the UK.

It was her first serious romance since the breakdown of her 19-year marriage to football pundit Jamie Redknapp, 53, almost a decade ago.

A source said: “Louise and Drew decided to end things a little while ago.

“Things had been really good between them but it felt like their relationship had run its course and they both thought it was best to move on.

“It was all very amicable and although it’s never fun when a relationship ends, Louise has thrown herself back into her social life and her busy work schedule.

Drew’s thought to have moved abroad for work so it’s been a clean break.

“She’s in no rush to jump back into another relationship because she feels very fulfilled with her life right now, but she’ll see what happens.”

About five miles separate Agoura and Westlake high schools, but there seemed to be a great deal more distance between them Friday night, as host Westlake throttled the Chargers 38-7 in a nonleague game.

Most of that gap came via the right arm of sophomore quarterback Ford Green, who dissected the Chargers, completing 14 of 18 passes for 257 yards and four touchdowns. For Green, and the Warriors (2-0), the victory eliminated any lingering doubts about their season-opener last week, a thrilling, 32-26 triple-overtime win against Newbury Park. Though Green threw two touchdowns last week and ran for the winning touchdown, he threw two interceptions and tallied only 139 yards through the air.

Against Agoura (1-1), Green completed his first 10 passes and finished the first half with three touchdowns and 219 yards. He added a fourth touchdown in the third quarter. Westlake finished the scoring in the fourth on a one-yard plunge by running back Nazir Esanbor and a 35-yard field goal by kicker Gabriel Goroyan.

“Last week showed how we fight as a team when we come together, but tonight showed how we can dominate,” Green said.

Though graced with two top-flight receivers in Charles Davis and Demare Dezeurn, both of whom have committed to Cal, Green spread the wealth Friday, completing passes to six Warriors. Those included a 14-yard strike to Davis on the Warriors’ first possession and a 57-yard touchdown pass to freshman Drew Gamboa later in the first quarter. Green also completed a 58-yard second-quarter touchdown pass to Erik Green and a 29-yard pass to Dezeurn early in the fourth.

While praising Green’s composure, accuracy, consistency and feel, Westlake coach Rick Clausen also singled out the offensive line.

“Obviously Game 1 wasn’t what we were looking for, but they practiced really hard this week and focused on what they needed to work on and didn’t worry about the exterior stuff,” he said, “They gave [Ford] the chance to succeed.”

Ford trumpeted the depth of his receiving corps.

“I trust every single one of my receivers that they can get the job done and they did,” he said. “And we’re a brotherhood, a family, and the ball gets spread out. Even if one guy is doing really well, I know every one of them will be ready when it’s their time.”