golden

Mark Rydell, the Oscar-nominated director of the sentimental blockbuster “On Golden Pond” who worked with such Hollywood heavyweights as Henry Fonda, Katharine Hepburn, Steve McQueen and John Wayne, has died. He was 97.

His daughter, Amy Rydell, told the Hollywood Reporter that her father died Thursday of natural causes at a retirement community for the entertainment industry in Woodland Hills.

“Hard to put into words how much I loved my dad,” she posted Friday on her Instagram account. “He was truly one of a kind. Funniest and most talented person I’ve ever known.”

10 Oscar nominations

“On Golden Pond,” his 1981 film that teamed Fonda with Hepburn and his daughter, Jane Fonda, was nominated for 10 Oscars. Henry Fonda and Hepburn won leading acting honors, and the film won for screenplay, which Ernest Thompson adapted from his play of the same name. Rydell was nominated for directing but lost to Warren Beatty for “Reds.”

It earned more than $119 million at the box office, making it the second-highest-grossing film that year behind “Raiders of the Lost Ark.”

“On Golden Pond” was Henry Fonda’s final movie role. He starred as Norman Thayer, an emotionally brittle and distant father who becomes more accessible at the end of his life after his teenage grandson spends the summer with him and his wife, Ethel (played by Hepburn), at their cottage in New England. The film’s story resembled Fonda’s real-life relationship with daughter Jane, who said working on the movie together helped resolve some of their issues. The elder Fonda, at 77, died months after winning his only Oscar.

Rydell’s other Oscar-nominated films were “The Fox” in 1967, “The Reivers” with McQueen in 1969, “Cinderella Liberty” with James Caan and Marsha Mason in 1973, “The Rose” with Bette Midler in 1979 and “The River” with Mel Gibson and Sissy Spacek in 1984.

Born Mortimer Harold Rydell on March 23, 1929 in New York City, he studied with legendary jazz pianist Teddy Wilson at the Julliard School of Music. During a stint in the Army, he spent two years in Japan developing entertainment for military personnel. He majored in English and philosophy at New York University.

Early acting career

He turned to acting when he won a scholarship to the Neighborhood Playhouse in New York. Among his early roles were parts on the CBS soap operas “The Edge of Night” and “As the World Turns.”

Rydell made his Broadway debut in “Seagulls Over Sorrento” with Rod Steiger. In 1956, he made his movie acting debut opposite John Cassavetes and Sal Mineo in Don Siegel’s “Crime in the Streets.”

Among his film acting credits were Robert Altman’s “The Long Goodbye” in 1973 and Woody Allen’s “Hollywood Ending” in 2002.

Rydell moved into directing television, including episodes of “Mr. Novak,” “Ben Casey,” “I Spy,” “The Wild Wild West,” “The Long, Hot Summer,” “The Fugitive” and “Gunsmoke.”

He made his feature film directorial debut with 1967’s “The Fox” starring Sandy Dennis, and it was a hit.

Two years later, Rydell directed McQueen in the comedy-drama “The Reivers.”

Teaming with Sydney Pollack

Rydell and Sydney Pollack, who became friends during their acting days, formed Sanford Productions in 1971. Among their efforts were the films “Jeremiah Johnson” starring Robert Redford and “Scarecrow” with Al Pacino and Gene Hackman, which won the Cannes Film Festival’s top honor, the Palme d’Or.

Rydell directed Wayne in 1972’s “The Cowboys.” He reunited with Caan for the 1976 flop “Harry and Walter Go to New York.”

Rydell scored a major hit with 1979’s “The Rose,” with Midler in her Oscar-nominated role as a self-destructive rock star loosely based on Janis Joplin.

Rydell reteamed with Caan and Midler in “For the Boys” in 1991, but it wasn’t successful.

“He was an actor of note before he became a director, and I was so lucky to have met him when I did; he taught me so much on ‘The Rose’ and later on ‘For The Boys,’” Midler posted on Instagram. “Two Oscars nominations both because of him. He was the actor’s whisperer; just a few words was all it took to understand what was needed. Devoted to Meisner. So many happy memories.”

TV movies and series among his credits

Rydell directed the pilot of the hit ABC drama “Family” in 1976.

Among his TV movie directing credits were “McBride and Groom,” “Crime of the Century” with Isabella Rossellini and Stephen Rea, and “James Dean,” which earned actor James Franco a Golden Globe award and in which Rydell also appeared, as Warner Bros. chief Jack Warner.

He directed the movies “Intersection” in 1994 and “Even Money” in 2006.

In 2009, Rydell, Oscar-winning actor Martin Landau and screenwriter Lyle Kessler taught a film workshop at UCLA. Rydell and Landau were co-artistic directors of the Actors Studio West, teaching and coaching actors, writers and directors.

“All great art rests on telling the truth,” Rydell told UCLA’s student newspaper the Daily Bruin. “The real pursuit of an artist is to tell the truth.”

Besides his daughter, he is survived by son Christopher. The siblings who went into acting were from his first marriage to actor Joanne Linville. He had another son, Alexander, from his second marriage to producer Esther Rydell.

Harris writes for the Associated Press.

Mérida, August 11, 2026 (venezuelanalysis.com) – Venezuela concluded a successful performance at the XXV Central American and Caribbean Games in Santo Domingo, Dominican Republic.

The Caribbean nation’s delegation finished fourth in the overall medal table, securing 216 medals: 49 gold, 70 silver, and 97 bronze, finishing just two gold medals behind third-place Cuba. Mexico topped the standings with 407 medals, followed by Colombia with 266 medals. The competition lasted from July 24 to August 8 and featured athletes from 37 countries.

The Venezuelan athletes, with a mix of veterans and up-and-coming talents, enjoyed success across multiple disciplines. Olympic medallists Julio Mayora and Keydomar Vallenilla dominated their respective 73kg and 96kg weightlifting divisions, while 19-year-old phenom Mauricio Loaiza earned a breakthrough gold medal in the 110kg division. Venezuela racked up 11 weightlifting gold medals.

In aquatic events, open-water swimmer Paola Pérez successfully defended her regional title by taking gold in the 10-kilometer individual race, while swimmers María Yegres and Manuel Díaz won the 400-meter freestyle and 100-meter butterfly, respectively.

Combat sports also delivered critical victories. Venezuelan judokas Anriquelis Barrios and Karen León delivered dominant performances to secure two of the team’s three judo golds.

In women’s boxing, Omailyn Alcalá, Krisandy Ríos, and Maryelis Iriza achieved a historic three-gold sweep. Venezuelan fencers likewise maintained their regional dominance, winning their fifth consecutive title in men’s sabre and second in women’s epee, bolstered by gold in women’s foil by Anabella Acurero.

Rodolfo Monacelli secured first place in bowling, and chess grandmasters Vicmary Pérez and Félix Ynojosa captured top honors in their respective individual events. 19-year-old pole vaulter Ricardo Montes de Oca continued his promising career by soaring to victory in track and field.

Venezuela also achieved a gold medal in modern pentathlon, and surfer Rafael “Nono” Pereira edged out fellow countryman José Joaquín López in an all-Venezuelan shortboard surfing final at Encuentro Beach.

A major highlight of the South American nation’s performance came on the pitch, where Venezuela’s under-20 soccer team captured the gold medal by defeating a heavily favored Mexican squad in the final. The victory marked Venezuela’s third ever gold medal in men’s soccer at the Central American and Caribbean Games.

Venezuelan Acting President Delcy Rodríguez issued an official statement praising the national team’s performance at the games.

“The medals won reflect the strength, discipline, passion, and love for this land. My recognition goes to every athlete and coach who gave their all; they fought and dreamed to bring great joy to our people,” she said. 

Following the strong performance, the country’s best in eight years, Venezuela is set to host the XXVI Central American and Caribbean Games in 2030. Sports Minister Franklin Cardillo announced that Venezuela’s candidacy was officially ratified during the closing ceremony in Santo Domingo.

Cardillo affirmed that Venezuelan authorities and regional athletic federations are already coordinating logistics to prepare world-class facilities and host a successful edition of the Games in 2030. Venezuelan athletes will next represent the national tricolor flag at the upcoming South American Games in Argentina starting on September 12.

Edited by Ricardo Vaz in Caracas.

Gen. Michael Guetlein, the top U.S. military officer in charge of the Golden Dome missile defense shield, says he is confident that the initiative will be able to deliver the desired capabilities within its current stated budget of $185 billion. Operational elements of the huge new architecture are currently scheduled to start coming online in mid-2028. This is despite independent estimates that the required ‘system of systems’ could cost exponentially more to develop, field, and maintain. At the same time, Guetlein has now warned that work on Golden Dome could abruptly end, at least for a time, regardless of its total price tag, if a huge budgetary hurdle is not overcome.

Guetlein, whose current title is Director of Golden Dome and is presently assigned to the U.S. Space Force, shared new details about the initiative during a talk today at the annual Space & Missile Defense (SMD) Symposium in Huntsville, Alabama, at which TWZ is in attendance.

“What is the bill to the nation? How much national treasure are we asking the American public to commit to the defense of the homeland?” Guetlein said in his introductory remarks. “I’m on record, and I’m still up here saying the exact same number: $185 billion. We started at 175 billion dollars, and we added 10 more billion [dollars] worth of accelerating space capabilities that we thought the nation needed, that were not part of our original architecture.”

“That is a lot of money. It’s one of the biggest systems that we’ve ever put together as a nation. We [have] got to keep it affordable,” Guetlein continued. “There’s two other cost estimates out there that are exceptionally larger, but I’m going to tell you those cost estimates are not estimating what we are building.”

The general did not specify what cost estimates he was referring to, but the Congressional Budget Office (CBO) has put out two top-level figures since the initiative was first unveiled in 2025. CBO’s first estimate in May 2025 said the complete architecture could cost up to $542 billion to develop, deploy, and then operate over a period spanning two decades. The office put out a second estimate in May of this year that said the full price tag might actually be nearly $1.2 trillion over the same 20-year timespan. At that time, CBO also explicitly said its analysis had been hampered by a lack of publicly available information about exactly what the so-called “objective architecture” for Golden Dome actually entails.

There are other independent estimates of Golden Dome’s full cost that are even higher than CBO’s May 2026 projection.

“We’re building something completely differently, and that architecture is coming together, and is being proven every single day,” Guetlein stressed today. “We have radars on contract. We have launchers on contract. We have space-based interceptors on contract. Hypersonic ballistic tracking system on contract. Space data network is on contract. Our construction contracts have been let [sic], and we are moving out with haste to get after what the President [Donald Trump] asked us to do in the summer of 2028.”

Space-based interceptors are notably vital to the Golden Dome plan as it has been described publicly to date. They are also central to CBO’s $1.2 trillion cost estimate, which projected that it would be necessary to have 7,800 of them in orbit at any one time for the architecture to work as intended.

The Northrop Grumman video below includes a computer-generated clip depicting a space-based interceptor engaging a target outside the Earth’s atmosphere, starting at 0:13 in the runtime.

Northrop Grumman Third Quarter 2025 Highlights

“We have our first operational site. We are digging dirt around the homeland, getting ready for the capabilities that the President asked us to deliver in the summer of 2028,” Guetlein also said, but did not elaborate on where that work was being done or its exact purpose.

“We’ve had two tests. We can’t talk about those tests, but those tests were phenomenally successful, and they demonstrated that the capabilities that we are putting together, both command and control, our sensor network, and our effectors, are going to be effective against the threats as they are currently designed,” the Golden Dome director added.

“We had committed to the President last year that we would do a major test every single year. So in January this year, I gave a challenge to the Missile Defense Agency of what test I needed to happen in the summer of 2026, and we executed that test,” Guetlein did note later on in the talk. “It was the most complex test with the most threats in the air in the history of WSMR [the U.S. Army’s White Sands Missile Range in New Mexico]. MDA pulled that off and executed that test in six months, and met every single test objective that I gave them.”

“So the MDA team, plus the WSMR team, plus SMDC [the U.S. Army’s Space and Missile Defense Command], plus PAE Fires [the Army’s Portfolio Acquisition Executive for Fires], plus Fort Bliss [in Texas], plus a whole host of other agencies, all came together in less than six months, starting from scratch, and delivered what I will argue is the most complex integrated missile defense test that we have pulled off as a nation,” he continued. “But that test is a fraction of what we got to do to deliver what they’ve asked us to do in [20]28. So the test in [20]27 will be even more complex.”

Despite all of this apparent progress and significant authority to keep pushing ahead, Guetlein warned today that Golden Dome is facing a potentially insurmountable budget impasse. This has to do with how the initiative has been paid for so far, with core funding coming from outside normal defense spending streams via a process called reconciliation.

“When the President submitted his President’s Budget over to the Hill for FY27 [Fiscal Year 2027], I was not in the top line. I’m in what they call mandatory funding, which is another reconciliation-type funding bill,” Guetlein explained. So, yes, we have a CR [continuing resolution], and we’re not going to shut down the federal government, but a CR doesn’t help me under Golden Dome because I don’t have a top line to fall back to to get that percentage of the continuing resolution.”

Continuing resolutions are short-term spending bills Congress passes to keep the government running in the absence of the approval of a full annual budget.

The defense budget for the 2027 Fiscal Year that the Trump administration submitted earlier this year was already historically large, in part because of expected reconciliation funding. The $1.5 trillion “topline” was broken down into a base budget of $1.1 trillion and then “$350 billion in additional mandatory resources through reconciliation.”

“So we’ve got to figure out, as a nation, a different way of funding Golden Dome, at least for [20]27. Right now, that’s under reconciliation,” Guetlein added. “I will tell you that if they don’t figure it out, there is no Golden Dome because there is no funding.”

Guetlein said today that $22.5 billion has been appropriated for Golden Dome so far, and that 95 percent of that money is already committed to specific work.

“I do believe, as a nation, we’re going to figure this out just because the sense of urgency is so great, but it is a challenging budget environment,” he continued.

As an aside, the Senate, which is currently controlled by President Trump’s Republican Party, just passed its version of the new continuing resolution last week. It notably omitted certain defense spending provisions the White House had sought, including $1 billion for work on the Trump class battleship program, another top priority for the administration. That bill still needs to be reconciled with a separate temporary spending bill making its way through the Republican-controlled House of Representatives before it can be sent to President Trump’s desk to be signed into law (or vetoed).

On top of all this, there has been some bipartisan pushback to further use of the reconciliation process and related mechanisms to boost defense spending outside of the U.S. military’s base budget.

“I think it’s safe to conclude there will not be another reconciliation bill,” Kentucky Senator Mitch McConnell, a Republican, said during a hearing on the U.S. Air Force’s proposed 2027 Fiscal Year budget back in June.

It is also worth noting here that a significant delay in additional funding could have a cascading impact on Golden Dome and its aggressive schedule. The Pentagon could also seek to redirect funds from other parts of its budget, but this could then have similar effects on other efforts. Guetlein did tell reporters after his talk at the SMD Symposium that the Pentagon is looking at contingency options to keep Golden Dome running in the absence of direct funding, according to Air & Space Forces Magazine.

“Several of the space capabilities that we are investing in are also being invested in by the Space Force,” he said, per Air & Space Forces Magazine‘s report. “So, if Golden Dome is not able to continue to invest in those type of capabilities, then the Space Force could decide at that time to continue the investments.”

“Because we have diversified execution of a lot of these capabilities, and a lot of these capabilities are already requested by combatant commands, there are some alternatives that we can pursue. We have not made any decisions on any pathway,” he also noted.

Still, this all comes a the U.S. military is currently in the midst of a host of other major modernization programs, many of which are also deemed critical to national security. This is especially true of costly and expansive programs now underway to update all three legs of America’s nuclear deterrent triad, as well as the command and control architectures that underpin them.

Based on Guetlein’s comments today, Golden Dome now looks to be approaching its first major watershed moment, with this budgetary dilemma set to have significant impacts on how the initiative continues to progress.

Contact the author: joe@twz.com

Coming off their best win of the season in Minnesota on Thursday, the Sparks didn’t have much of that same energy to start their first home game since the trade deadline.

The fourth quarter, though, looked a lot like the best basketball they’ve played all season.

The Sparks came out flat and gave up 29 first-quarter points from the Golden State Valkyries in an 84-78 loss Sunday, their eighth in the last 10 games. They made it a game in the fourth with a 16-5 run but were too far back and it took just a couple of Valkyries shots to put the game out of reach.

An Ariel Atkins three-pointer with 2:18 left got the Sparks within one point, then after it was matched by Golden State, a three from Erica Wheeler made it a one-point contest again with 1:38 to go.

Nneka Ogwumike missed what would have been a tying shot with 52 seconds left before the Valkyries made it a two-possession score to close it out.

Wheeler missed two three-point attempts with less than 30 seconds left. She finished with 15 points while Ogwumike finished with a team-high 16 points.

There are 13 games left in the season and the Sparks are six games back of Dallas for the eighth and final WNBA playoff seed, giving them an uphill climb to get back in the postseason conversation.

On Sunday, the Sparks (12-19) committed five early turnovers and struggled to defend the perimeter against the shot-happy Valkyries, trailing 29-15 after one quarter.

After getting back within nine, the Sparks were down 45-32 at halftime following three consecutive buckets from Golden State guard Tiffany Hayes.

Sparks forward Nneka Ogwumike, right, reacts after being fouled by Golden State center Kiah Stokes in the first half Sunday.

(Harry How / Getty Images)

Cameron Brink hit a three-pointer to get back within 12 with 7:27 left in the fourth. The Sparks outscored Golden State 31-20 overall in the fourth to get back within four with less than four minutes to play.

Brink, who had seven points, seven rebounds and two steals, got into foul trouble in the third quarter, going into the fourth with four. Rae Burrell, who had scored in double figures in every game since July 22, didn’t score until the fourth quarter and finished with nine points.

The Valkyries capitalized with 18 points off the Sparks’ 11 turnovers.

Kiana Williams scored 10 points, her most since she joined the team from Phoenix in June off of a developmental deal.

The Sparks have not beaten Golden State (23-9) since a 84-67 victory on May 16, 2025, the first game in Valkyries franchise history.

On Sunday, the Valkyries were led by 15 points from Cecilia Zandalasini, who shot five for five from three-point range.

After she scored seven points against Minnesota, newly acquired guard Monique Akoa Makani missed Sunday’s game with a right ankle injury she sustained in the final minute against the Lynx.

The Sparks will host Phoenix (12-22) in Kelsey Plum’s return to L.A. on Tuesday at USC’s Galen Center.

The medal ceremony was just under an hour later.

Morris had heard her victories played out for GB with a different anthem but she looked to be overcome when celebrating this one with the Welsh national song.

No time to immediately reflect on what she had just achieved though.

There was a quick chance for a picture with the Welsh flag and then off it was to the next task.

The scratch race started just 10 minutes later where Morris lined up with Welsh team-mates Megan Barker and Carys Lloyd.

It looked like they had concocted an almost perfect plan, with Barker going off a few laps out and Morris driving through to finish second behind Australian winner Georgia Baker.

A gold and a silver all in one day. Or so we thought.

Morris had already done some interviews celebrating this fact before she was given the message in the media mixed zone about her demotion.

Morris had been relegated for entering the sprinter’s lane when her New Zealand opponent was already there, and Scottish cyclist Erin Boothman was promoted to bronze.

Morris returned to do a couple more interviews, ironically, while the scratch closing ceremony was going on.

Morris reflected on her golden moment.

“It was just a dream,” said Morris. “We get that opportunity once every four years, so for it to come together tonight was amazing.

“I have my family and friends in the crowd and the support team from Welsh Cycling were also there.

“I’m going to carry that with me forever, it’s amazing.”

Morris seemed unaware of her dominance in the race.

“It was only when I crossed the line I knew I’d won the race,” said Morris.

“I focused on my ride and tried to execute it well and really leave it all out on the track.”

It had been a day of mixed emotions and, when asked to sum up her feelings about the scratch race, Morris was whisked off so we will have to wait for that verdict.

So, disappointment to finish the day but that should not take away from her pursuit domination and golden moment.

Morris is a world champion for a reason and she proved why.

Wales cycling have two special world-class talents in Finucane and Morris.

Georgia Hunter Bell is eyeing an ambitious sweep of gold medals in 2026 after winning the 800m Commonwealth Games title in Glasgow.

England’s Hunter Bell dominated the field to add Commonwealth gold to the 1500m world indoor title she won earlier this year in Poland.

The 32-year-old, a training partner of 800m Olympic champion Keely Hodgkinson, will also race at next month’s European Championships and the inaugural Ultimate Championships in September.

“There are four opportunities to win gold this year,” Hunter Bell told BBC Sport.

“I am two golds down and two more to go.”

Hunter Bell is blossoming later in her career.

Having taken five years out from the sport before returning during the Covid-19 pandemic, she took 1500m bronze at the Paris Olympics before pipping Hodgkinson to silver at last year’s World Championships in the 800m.

This, though, is her first outdoor title – in the event Hodgkinson is Olympic champion.

“Every medal is a landmark moment but my first outdoor gold is huge,” she said.

Hunter Bell and Kenya’s world champion Lilian Odira were the favourites for this title after Hodgkinson opted not to compete. The final was barely a contest with Hunter Bell setting the pace and then kicking on with 200m to go to win by more than a second.

Hodgkinson has instead taken time off before the European Championships in Birmingham, which start on 10 August.

Hunter Bell is only running in the 1500m in that event, denying the chance to see an intriguing race between the pair, but took her opportunity in her friend and training partner’s absence.

Though she said the win validates her decision to come to Glasgow, she defended the decision of others to withdraw.

Scott was not being caught, though. Not tonight. Not here. Not with his Scotland kit on and his team looking to him to spark their Games.

A Games which he has backed vocally since Glasgow salvaged it from the wreckage of Victoria’s aborted bid.

Almost exactly 12 years after he won his first Commonwealth medal in this very building, he was taking his 14th in his fourth Games. And it was going to be gold.

“I don’t usually feel the expectation, but that one I probably did,” he told BBC Sport Scotland. “Simply because it’s day one and I love representing Scotland and you want to try and get the whole team off to a good start.

“I think there was a bigger picture of trying to get good momentum for the crowd involvement for the rest of the week, and the team as well. So I felt that expectation, but it’s nothing I couldn’t deal with.”

You got the sense there was little that could have discomfited the Alloa native – a momentary loss of his accreditation apart – and even a post-race visit to the drugs testers wasn’t going to trouble him.

Scott’s got the weekend off now – he’s an old boy among the swimming set, after all – but he’s more than done his bit to set Glasgow 2026 off on the right note.

In the final innings of her international career, Tammy Beaumont is bowled first ball by India’s Kranti Gaud at Lord’s on day three of the one-off Test, with England needing 457 to win.

FOLLOW LIVE: England v India – Day three

Available to UK users only.

Of the four survivors from 2014 and 2018, 34-year-old Courtois has played every minute of this tournament, but De Bruyne, Lukaku and Witsel have featured far less regularly.

Central midfielder Witsel, 37, who left relegated Girona at the end of the La Liga season, was brought on for a single minute at the end of the win over the USA.

At 33, Lukaku has scored an impressive three goals but has done so by playing fewer than 50% of minutes, often coming on as a substitute and taking advantage of a tired defence reeling from the strong pressing of 25-year-old Atalanta forward Charles De Ketelaere.

And De Bruyne, now 35, was injured during the Senegal game – before his departure Belgium had won one out of three matches, but since then they have won twice and scored seven goals in roughly 130 minutes of play.

Full-back Thomas Meunier also played in the 2018 tournament, but not 2014, and his minutes played have decreased as the tournament has gone on.

None of that is to say the more senior players are not contributing – Courtois remains one of the world’s best goalkeepers, Lukaku’s goals have been crucial, and De Bruyne’s performances were among the team’s best before his unfortunate injury.

But their role in the squad is changing, with a greater reliance on them making the difference in key moments rather than taking responsibility for the overall quality of the team’s performances.

So far at least, Garcia and Belgium appear to handling the transition better than many teams do when their stars begin to fade.

Messi is the top goal scorer after tallying his eighth against Egypt, with Erling Haaland and Kylian Mbappe next best.

Argentina superstar Lionel Messi has, once again, taken the lead in the race for the World Cup’s Golden Boot award after scoring his eighth goal in his country’s thrilling 3-2 win over Egypt in the round of 16 on Tuesday.

Messi’s goal brought Argentina back on level terms after they were 2-0 down in the match in Atlanta, and also helped him break away from the rest of the pack.

For three days, French talisman Kylian Mbappe and Argentinian great Lionel Messi rubbed shoulders as the joint leaders – with seven goals apiece – in the race to be the tournament’s top goal scorer, but Haaland’s double in Norway’s round of 16 win against Brazil put him level with both on Sunday.

When the World Cup’s knockout stage began, Messi became the first to reach seven goals when Argentina beat Cape Verde on Friday, and Mbappe matched him a day later as France beat Paraguay.

England’s Harry Kane took his tally to six goals after scoring in England’s thrilling 3-2 win over Mexico late on Sunday.

Spain’s Mikel Oyarzabal and Mbappe’s teammate Ousmane Dembele are hot on their heels with four goals each.

Here’s everything you need to know about FIFA’s Golden Boot award:

What’s the FIFA Golden Boot award and how is it decided?

FIFA’s Golden Boot is awarded to the player with the most goals at the end of the tournament.

France’s Mbappe is the current holder after scoring eight goals in Qatar at the 2022 World Cup.

If two players are tied on the same number of goals at the end of the tournament, then the player with the most assists will win the award.

If those tiebreakers cannot split two players, then the Golden Boot is handed to the player who achieved their goals and assists in the least number of minutes.

Which players are the top goal scorers at World Cup 2026?

1. Lionel Messi (Argentina) – 8 goals, 1 assist
2. Kylian Mbappe (France) – 7 goals, 2 assists
3. Erling Haaland (Norway) – 7 goals, 0 assists
4. Harry Kane (England) – 6 goals, 1 assist
5. Ousmane Dembele (France) – 4 goals, 2 assists
6. Mikel Oyarzabal (Spain) – 4 goals, 1 assist

How many Golden Boot awards have current World Cup players won?

Mbappe, Kane and James Rodriguez are all looking to bag the top goal-scorer prize for a second time.

England’s Kane won the award in 2018 in Russia, while Colombia’s Rodriguez was the top scorer in 2014 in Brazil.

No player has ever won the award more than once.

Entering the quarterfinals, Mbappe gets his chance first to increase his goal tally when France plays Morocco on Thursday.

Which player has scored the most goals in a single World Cup?

French forward Just Fontaine holds the record after scoring an incredible 13 goals at the 1958 tournament in Sweden.

Sandor Kocsis scored 11 at the 1954 tournament in Switzerland, while West Germany’s Gerd Muller bagged 10 at the World Cup 1970 in Mexico.

Who has scored the most goals in FIFA World Cup history?

1. Lionel Messi (Argentina) – 21
2. Kylian Mbappe (France) – 19
3. Miroslav Klose (Germany) – 16
4. Ronaldo (Brazil) – 15
5. Harry Kane (England) and Gerd Muller (West Germany) – 14

For some Egyptian football fans, watching Mohamed Salah qualify with Egypt for two World Cups in 2018 and 2026 will never make up for the fact that the “golden generation” did not get their shot in 2006, 2010 or 2014.

“It is unfair to compare the two generations,” Ahmed Elshiekh, a former national team player who now covers the World Cup for Modern MTI TV, told Al Jazeera.

“The golden generation did everything but get to the World Cup. They beat Italy [when they were World Cup champions]. The draw in qualification was just unkind to them.”

Salah is the captain and leader of the current generation. He won every trophy on offer while playing for Liverpool in a glittering nine-year career that saw him become the highest scoring foreigner in the history of the English Premier League.

Given his status, it is perhaps no surprise that Salah shouldered the blame for an AFCON drought that stretches back to 2010. His achievement in dragging Egypt to the 2018 World Cup in Russia is brushed aside due to the fact that Egypt was the first team to be eliminated. A half-fit Salah, who had dislocated his shoulder in the UEFA Champions League final, scored twice, but Egypt lost all three matches, including to Saudi Arabia.

The failures were compounded when Egypt lost the 2021 AFCON final to Senegal on penalty kicks. Thirteen months later, Egypt met Senegal in a World Cup playoff and once again lost on penalty kicks. In the first shootout, Salah was designated as the fifth taker but never got a chance to take his penalty. For the second shootout, perhaps realising his mistake, he went first and missed.

Salah might have been one of the best players in the Premier League, but Egypt fans were frustrated. To soothe their pain, they hung on to the memories of a team that was crowned African champions in 2006, 2008 and 2010 – successes that were spearheaded by the legendary midfielder Mohamed Aboutrika, who is equally famous for his “Sympathise with Gaza” T-shirt as he is for his immaculate first touch.

The despondence was so deep that fans had lost hope for their national team. AFCON 2023 was blighted by an injury to Salah, who elected to return to Liverpool for rehabilitation but promised to return should the team advance to the final. Egypt’s tournament ended shortly after that statement, courtesy of a penalty shootout defeat in the round of 16.

Working at that time as an analyst for Egyptian TV, now-Egypt manager Hossam Hassan said that if Salah had done that on his watch, he would “never pick him for the national team again”.

A couple of weeks later, Hassan was appointed to lead the national team after Rui Vitoria’s dismissal.

It was widely speculated that the only reason the Egyptian Football Association hired Hassan was because the currency crisis had prevented them from attracting a foreign manager.

“Hossam Hassan as a player has achieved everything you can imagine,” Elsheikh said, referencing the former striker’s record 69 goals for Egypt and three AFCON titles.

“But as a manager, we saw what he can produce, and the results were not great. … Also he brought problems and created crises.”

The crises Elsheikh referred to have been a hallmark of Hassan’s journeyman coaching career marked by brawls and altercations with fans.

But the appointment proved to be a stroke of unintended genius.

Salah finds form under Hassan

Instead of falling out with Salah, he and Hassan became joined at the hip. If there was anyone who could understand the pressure of Salah’s position, it was Hassan, who had lived it all before but with the added pressure of having played mostly in Egypt and having crossed the Cairo divide when he left Al Ahly to sign with bitter rivals Zamalek.

“Hassan does have a captain’s personality and is very energetic. He might not be the strongest tactically, but he does provide a solid defensive base” Elsheikh said.

Salah has enjoyed a rich vein of form under Hassan’s tutelage. Egypt qualified for the 2026 World Cup undefeated, winning eight out of their 10 matches. The team also reached the semifinals of the 2025 AFCON tournament – not that the achievement silenced any of the doubters.

Of course, it’s not all about Salah. Egypt have a raft of talented players, including Man City’s Omar Marmoush and Al Ahly’s Emam Ashour.

Their undefeated team is going into the round of 16 to face defending champions Argentina on Tuesday. Egypt have overcome a great deal of adversity to reach this stage of the tournament as well.

A second-half comeback against New Zealand in the group stage was needed to secure the nation’s first win at a World Cup. Salah exited the final group game against Iran with a hamstring injury but played all 120 minutes of the penalty shootout win over Australia in the last 32. The 34-year-old converted his kick with a Panenka against Socceroos goalkeeper Mat Ryan.

In the aftermath of that victory, Aboutrika, now an analyst for beIN Sports, did his best to pass the baton to the new generation.

Goalscorer Ashour had expressed his joy at being compared to Aboutrika, saying his ambition was to be “as half as good or even a quarter as good as him”.

Later on in the studio, Aboutrika responded by saying: “You are better than [me]. You’ve scored two goals in a World Cup,” and insisting that this was the biggest night in the history of Egyptian football.

Not everyone is so convinced.

“This Egypt team is better than any we have seen in years yet is still remarkably fragile,” opined Karim Zidan, a writer focused on the intersection of sports, power and politics.

Salah, meanwhile, was once again asked who was the greatest Egyptian player of all time and again deferred to Aboutrika, saying “there is absolutely no discussion.”

The little-known spot has been crowned the UK’s ‘best hidden gem beach’ and boasts over two miles of golden sand, ‘excellent’ azure water, unmatched views — and no crowds.

As temperatures continue to soar across the UK, thousands of Brits are gearing up to flock to the coast over the coming months. In an ideal world, that beach would boast a sandy shoreline, crystal-clear waters and not a crowd in sight. And while it might sound like a pipe dream, one UK beach apparently delivers all of that and more.

A little-known beach has claimed the top spot in new research compiled by outdoor specialists at Millets, who analysed average sunshine hours, typical temperatures and water quality at UK beaches with fewer than 500 reviews, in order to uncover the nation’s finest ‘hidden gem’ beaches.

For those looking to dodge the masses while also being treated to spectacular scenery, stunning landscapes and turquoise waters, there’s one UK beach that reigns supreme, reports the Express.

Warkworth Beach, Northumberland

Warkworth Beach has been named the UK’s best ‘hidden gem’ beach. Tucked away in Northumberland, Warkworth Beach lies less than a mile from the picturesque medieval village of Warkworth, nestled between Birling Carrs and Amble Breakwater.

Visitors to the village often overlook the nearby breathtaking beach, but those who do make the trip are rewarded with a sweeping stretch of pristine golden sand that seems to stretch on endlessly. Warkworth Beach extends more than two miles and sits in the shadow of the magnificent Warkworth Castle.

The beach has been described as boasting ‘excellent’ water quality, and is celebrated for its ‘unspoilt’ scenery. Visitors can nip into nearby pubs and cafés, all just a short stroll from the beach’s free car park.

Whether you fancy sunbathing, playing games on the sand or simply taking a long, leisurely walk — particularly with your four-legged companion — amid stunning surroundings, Warkworth Beach consistently provides plenty of space and a welcome retreat from the hustle and bustle, all while offering unrivalled views.

One glowing visitor review on TripAdvisor reads: “Stunning Beach. This is a dog walker’s must. Beautiful views across the headland. A sandy beach, with some interesting rocky pools. A peaceful place most of the year. Reasonable parking, a bit of a steep walk to the dunes. If you tire of the beach, some great walks by the sand dunes and salt marshes.”

While another delighted visitor adds: “I agree with most of the other reviews here: seriously stunning beach, unspoilt, vast and with very few people. Gorgeous sand and beautiful views. Parking is free and, as well as toilets, the day we were there, there was also a food trailer in the car park offering what looked like brilliant dishes. If I lived here, I would be on this beach every day!”

Highcliffe Beach, Dorset

Taking second place is Highcliffe Beach, located in Dorset. The sand-and-shingle stretch sits close to the Hampshire border and is flanked by dramatic cliffs and Highcliffe Castle.

The beach provides paid parking, as well as a café boasting sea views, and is RNLI lifeguarded throughout July and August. Highcliffe Beach is held in high esteem, with visitors singing the praises of its coastal walking trails, as well as swimming and bodyboarding opportunities.

East Strand Beach, County Antrim

Rounding off the top three is East Strand Beach, which notches up an impressive score of 8.89/10. Located in Portrush, the beach is flanked by sweeping sand dunes and the world-famous Portrush golf club.

It’s a firm favourite for watersports all year round, including surfing, and has RNLI lifeguards on duty throughout the summer months. Visitors wax lyrical about the spectacular white sand, with one reviewer likening it to the Sahara: “A glorious stretch of sand so long and golden it could make the Sahara blush.”

Calum Jones, author and outdoor enthusiast at Millets, has shared his top tips on how to get the very best out of your summer beach trip this season, saying: “Summer is the perfect time to explore the stunning coastlines across the UK, from Achmelvich Beach in the Scottish Highlands to Broadstairs in Kent. There are breathtaking beaches to be found across the UK.

“When planning your summer beach trip, it is important to remember sun-protective clothing. The sea breeze can often make the air feel cooler, but UV rays can still be harmful. Apply a generous layer of suncream before you head out, and don’t forget a cap and sunglasses to shield yourself from the sun.

“You should also keep in mind that British weather can still be unpredictable. Bring a waterproof jacket to stay dry in case of sudden showers, choose supportive, waterproof footwear for any slippery sand or rocks, and layer your clothing so you can easily adjust to changing temperatures.

“Visitors should always leave beaches in the condition they found them. Make sure you take any rubbish, clothing or equipment home with you to keep UK beaches as clean as possible.”

UK’s best ‘hidden gem’ beaches

1. Warkworth Beach, Northumberland
2. Highcliffe Beach, Dorset
3. East Strand, County Antrim
4. Joss Bay, Kent
5. Seacliff Beach, East Lothian
6. Mossyard Beach, Dumfries and Galloway
7. Flamborough South Landing, East Riding of Yorkshire
8. Caister-on-Sea Beach, Norfolk
9. Treyarnon Bay Beach, Cornwall
10. Cayton Bay Beach, North Yorkshire and Beadnell Bay Beach, Northumberland

As summer heats up alongside the exhausting news cycle, it’s crucial to find ways to unplug and wind down. Golden Hour in the newly renovated sculpture garden at the Norton Simon Museum is just the thing. Taking place tonight (Friday), and on two more Fridays this season (July 31 and Aug. 28), the event lasts from 4:30-6:30 p.m. and features a different musical group each time.

Tonight is the Verbena Quartet; a North Indian ensemble and a jazz trio are upcoming.

The fun is free with museum admission, and guests are encouraged to bring blankets to relax in the grass. I took my family of four to a recent event and it proved to be the rare occurrence when both the 10-year-old and the 17-year-old were happy. The museum provides all kinds of great art supplies on a big table by the entrance, including sketch paper, clipboards, colored pencils and charcoal drawing utensils.

There are also sheets of paper encouraging creative ways to approach drawing various sculptures in the garden, alongside a family-friendly Golden Hour bingo card with squares including “Spot something framed by tree branches” and “Look at the space between two objects.”

I did some drawing with my toes in the grass while my kiddos curved their necks over their own mini masterpieces. My husband read a book. The sun slanted low as the afternoon melted into early evening, casting lovely shadows on the families, couples, friend groups and solitary artists scattered around the garden sipping wine and snacking on cheese and crackers from the nearby cafe.

When we had our fill of relaxing, we ambled into the museum. My daughter wanted to gaze at the Picassos and the Van Goghs. As did I. I never don’t cry when I look at “The Mulberry Tree.”

“Can you imagine what he was thinking?” I asked my 10-year-old as we regarded the painting. “The pain and the beauty of it?”

She nodded sagely, gently smoothing her thumb against her own recent drawing, her deep inner world a mystery to me. The beauty and the pain of it. I was glad we had cuddled together in the late afternoon sunshine.

I’m arts editor Jessica Gelt, wishing you and your loved ones peace. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Antigone
The Bebelos Players present a back-to-basics production of Sophocles’ classic drama about a young woman who defies a king to honor her dead brother.
7 p.m. Friday-Sunday. Theosophy Hall, 245 W. 33rd St. eventbrite.com

“Horse,” by Rick Bartow, 2014, wood, tar, wax, false teeth, nails. 56 x 42 x 12 in.


(Yubo Dong, ofstudio)

Rick Bartow
Last chance to catch “All of these things have happened,” an exhibition of works on paper by the late Native American artist that touch on tragedies from throughout his life, as well as “Horse,” a 2014 sculpture covered in tar, wax, false teeth and nails that is “a study of sustained resilience.”
Noon-5 p.m. Friday-Sunday, Wednesday and Thursday (last day). Timothy Hawkinson Gallery, 7424 Beverly Blvd. timothyhawkinsongallery.com

Spencer Finch
“Balboa of House and Garden,” composed entirely of new work, is the artist’s first exhibition in Los Angeles. The show includes more than 50 unique works on paper, a site-specific skylight installation and a monumental outdoor sculpture. Finch’s “Memory Landscape (Nairobi, Chicago, Honolulu, Jakarta),” 2025, a commissioned tile wall mural inspired by places from President Barack Obama’s formative years, was recently installed at the Obama Presidential Center in Chicago.
Opening, 6-8 p.m. Friday; 10 a.m.-6 p.m. Tuesday-Saturday, through Aug. 22. Lisson, 1037 N. Sycamore Ave. lissongallery.com

Bodo Mato
The pseudonymous multidisciplinary artist uses a subconscious dreamworld to access a legendary lost city to find real-world parallels in the exhibition “Atlantis: Echoes of Hubris.”
Opening reception, 6-10 p.m. Friday. 11 a.m.-5 p.m. Saturday-Tuesday. 7811 Gallery (West), 7813 Melrose Ave. 7811gallery.com

Raymond Saunders, “Layers of Being,” 1985. Mixed media on canvas, 81 x 59 15/16 x 1 in.

(Carnegie Museum of Art, Pittsburgh / Gift of Mr. and Mrs. William Block / © 2025 Estate of Raymond Saunders)

Raymond Saunders
“Flowers From a Black Garden” is a career-spanning look at the painter (1934-2025) as he moved from Dada, expressionism and assemblage to Fluxus, Pop and postmodernism, beginning in the 1960s.
11 a.m.-6 p.m. Wednesday-Sunday, through Jan. 3. UC Irvine Langson Orange County Museum of Art, Segerstrom Center for the Arts, 3333 Avenue of the Arts, Costa Mesa. langson.uci.edu

SATURDAY

Chrysalis prototypes deployed in Joshua Tree, 1970, reproduction.

(Chrysalis Corporation)

Alternative Palm Springs: Other Desert Architectures
In some parallel reality there may exist a Coachella Valley unlike anything you’ve ever imagined. In lieu of that, this exhibition shares the unbuilt visions of prominent architects, off-grid designs of the counterculture, and private and public worlds created by the LGBTQ+ during the 20th century, yielding an expanded view of the area’s architectural ambitions.
10 a.m.-5 p.m. Friday-Sunday; noon-8 p.m. Thursday; through Jan. 4; closed June 26 and July 4. Architecture and Design Center, Edwards Harris Pavilion, 300 S. Palm Canyon Drive, Palm Springs. psmuseum.org

Declarations of Independence
Gay Men’s Chorus of Los Angeles and guest artist Justin Tranter celebrate national and individual freedom and pride for America’s 250th anniversary.
7 p.m. Saturday; 3:30 p.m. Sunday. Saban Theatre, 8440 Wilshire Blvd., Beverly Hills. gmcla.org/declarations

A Great Night in Hip-Hop
The Roots return for their third year at the Bowl, joined by Nas, with appearances from T.I., Bun B, De La Soul and more.
7:30 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Rota Fortunae
A one-night-only experimental opera featuring Jordan Slaffey reimagines the four women of the 1996 crime thriller “Set It Off” using movement, live music and fashion. Directed by Chris Emile, music by composer and DJ Cody Perkins and designs by James Flemons.
7:30 p.m. Indoor Swap Meet, 128 S. La Brea Ave., Inglewood. eventbrite.com

Peter Stampfel
An innovator of anti-folk, freak-folk and psych-folk, the 87-year-old co-founder of the Holy Modal Rounders makes a rare West Coast appearance.
8 p.m. McCabe’s Guitar Shop, 3101 Pico Blvd., Santa Monica. mccabes.com

THURSDAY

Ojai Film Society Summer Screening Series
Annual presentation of independent, foreign, documentary, critically acclaimed and classic films kicks off Thursday with Taika Waititi’s 2016 adventure comedy “Hunt for the Wilderpeople,” starring Sam Neill. Other screenings: “Selena Y Los Dinos” (July 10); “Cookie Queens” (July 17); “Best in Show” (July 24); “Arrival” (Aug. 20); and “Jurassic Park” (Aug. 27).
7:30 p.m. Thursday; various dates through Aug. 27. Libbey Bowl, 210 S. Signal St., Ojai. ojaifilmsociety.org

Tank and the Bangas
The Grammy-winning New Orleans music group shares its signature blend of funk, soul, hip-hop, rock and spoken word. Featuring an opening set by Butter Funk Family and DJ sets by Tosstones.
7 p.m. Skirball Cultural Center, 2701 N. Sepulveda Blvd. skirball.org

Arts anywhere

Meryl Streep, from left, and Amanda Seyfried, Rachel McDowall and Ashley Lilley in the 2008 movie version of “Mamma Mia!”

(Peter Mountain / Universal Pictures)

Broadway unbound

Two of the biggest hit musicals ever are in town simultaneously starting this week — “Mamma Mia!” is at the Ahmanson through July 19 and “Phantom of the Opera” plays the Hollywood Pantages through Aug. 9. If you want to bone up beforehand or relive the hits after you’ve been to the theater, the cinematic adaptations of both are widely available. The 2008 movie version of “Mamma Mia!” starring Meryl Streep and Amanda Seyfried streams on Prime through the end of June and the 2004 “Phantom” with Gerard Butler and Emmy Rossum is streaming on Prime and Apple TV. Both films are available to rent or buy on various platforms and, if you’re into physical media, relatively inexpensive Blu-ray and DVD versions can be had online. Public libraries are also great resources for arts-related content.

— Kevin Crust

Culture news and the SoCal scene

Passengers wait to board the first train to arrive at the Metro D Line at the Wilshire/Fairfax Station in Los Angeles on May 8, 2026.

(Genaro Molina / Los Angeles Times)

With the new Metro D Line subway extension up-and-running with new stations at Wilshire/La Brea, Wilshire/Fairfax and Wilshire/La Cienega, we asked architecture writer Sam Lubell to take an aesthetic look at these new displays of public art. “Suddenly the city feels different. Not transformed, exactly. But more connected,” wrote Lubell. “The fracturing grip of the city’s incomprehensible expanses, clogged arteries and stagnant governance — all intimidating barriers to healthy civic life — feels a little looser. … The stations, too, feel more connected, with art, architecture and infrastructure blending seamlessly into a cohesive experience … But above ground, it’s a tale of two (transit) cities. Outdoor plazas lack the kind of textured civic presence that’s been created below.”

The Hollywood Bowl opened its summer season with a lavish production, “The Best of Broadway,” starring Lea Salonga, Brian Stokes Mitchell, Darren Criss, Renée Elise Goldsberry and Halle Bailey, and hosted by Billy Crystal. The program including a selection of Broadway tunes old and new, was delivered with flair to an appreciative audience. “I had a lovely time,” reports Times theater critic Charles McNulty, “but I can’t say the concert lived up to its title. Not that impressive virtuosity wasn’t on display, but Broadway is truly at its best when musical numbers are embedded in a story, allowing the performers to feed off each other and reach heights that they might not be able to reach on their own. Too much of the bill required the actors to stand and deliver, ‘American Idol’-style. It was a little unfair to place such a heavy burden on them.”

McNulty also reviewed the Geffen Playhouse’s Los Angeles premiere of Pearl Cleage’s “Angry, Raucous, and Shamelessly Gorgeous,” about an American expat actor angling for her big comeback. The play, wrote McNulty, “is hamstrung with exposition. More time is devoted to setting up the dramatic situation than to activating it. … The intentions are noble and the themes are handled with admirable complexity, but the writing is sluggish. The plot is like an old car whose engine just refuses to start on a cold winter morning.”

After 20 years as LA Opera Music Director James Conlon will step down.

(Robert Gauthier / Los Angeles Times)

The final show of L.A. Opera’s production “Marriage of Figaro” last Sunday also marked the end of James Conlon’s tenure at the podium as the organization’s music director. Stepping down after 20 years, Conlon spoke to Times classical music critic Mark Swed. “I love L.A. and I’m not going to leave,” said Conlon. “I am absolutely happy at this point in my life. You know my age is 76. It is not a secret. I wear it proudly. But I’ve been a music director for 47 years, and I don’t want to be a music director any longer. I will still conduct.” Will he return regularly to L.A. Opera? “That’s the theory,” he said

Another maestro who can’t quit L.A. is Esa-Pekka Salonen. Last weekend, the beloved composer and conductor, who is back with the L.A. Phil as creative director, returned to the Ojai Music Festival after a quarter-century absence. “Salonen found renewal not from the desperation of rethinking but from freshening, illuminating the perception of exceptional young musicians first encountering greatness,” wrote Swed in his review of the four days. “In these uncertain times, that may be the most remarkable act of artistic optimism.”

Spanish artist Nieves Gonzalez stands next to one of her paintings that is part of her solo show at the Richard Heller Gallery at Bergamot Station in Santa Monica on June 18, 2026.

(Genaro Molina / Los Angeles Times)

Not yet 30, Spanish painter Nieves González is a burgeoning international art star with an exhibition at Richard Heller Gallery in Santa Monica. “Fashion inspires me,” she told writer Jane Horowitz in a recent interview. “Just as 17th century artists drew inspiration from the fashion of their day — often creating paintings that served as catalogs of current styles — I do the same. The goal is to not merely convey a specific message or ideology but to create a testament to a generation and the era in which we live.”

“California Gothic: A Bus Tour,” an avant-garde sightseeing event organized by the New Theater Hollywood, turns Tinseltown “into a stage, drawing locals for a mash-up of state history, gothic storytelling and public-intellectual riffing on the broken California dream,” wrote Times staff writer Eloise Rollins-Fife. The tour ended its latest run in mid-June, but will reopen during the last week of October for a special “ghost tour” edition.

Times columnist Patt Morrison reported from the City of Lights on Paris-born street artist JR’s “La Caverne du Pont Neuf,” which she describes as “an enormous art installation, a trompe l’oeil inflatable snow-clad mountain range … an homage to the innovative work of groundbreaking environmental artists Christo and Jeanne-Claude.” The work uses about 200,000 square feet of printed fabric on the city’s oldest bridge to create the illusion and the artist told Morrison, “Your eye wants to believe it, and for a moment you let yourself. That gap between knowing and believing is where the play happens, and people love being inside that gap.”

Stewart McLaurin, president of the White House Historical Assn., displays a newly-acquired suite of four interrelated paintings by Norman Rockwell titled, “So You Want to See the President!” at the association’s offices Wednesday, June 10, 2026, in Washington.

(John McDonnell / Associated Press)

In the 1940s, Norman Rockwell spent time in the visitor’s lobby of the White House sketching U.S. senators, members of the military, the press and a Miss America as they awaited entry into the Oval Office to see President Franklin D. Roosevelt. Eight decades later, four of the sketches have been acquired by the White House Historical Assn. for $7 million, according to the Associated Press. Titled “So You Want to See the President!” the sketches will be on public display through June 2027 at the historical association’s “The People’s House” education center near the White House.

It was a busy week for announcing some of this fall and winter’s Broadway openings. Lincoln Center Theater’s Vivian Beaumont will host a revival of Aaron Sorkin’s “A Few Good Men,” starring Bradley Whitford and Tom Blyth, directed by six-time Tony winner Michael Arlen, starting Oct. 8. In March 2027, LCT Artistic Director Lear deBessonet will helm a new production of Rodgers and Hammerstein’s “The Sound of Music,” for its first Broadway run in nearly 30 years. A revival of Richard Greenberg’s “Three Days of Rain” lands in February 2027 at a Shubert Organization-owned theater to be announced with Anna D. Shapiro directing. The cast will include “Heated Rivalry’s” François Arnaud and David Corenswet of “Superman” in their Broadway debuts, joined by Yvonne Strahovski of “The Handmaid’s Tale.” The play was previously on Broadway in 2006 with Julia Roberts, Bradley Cooper and Paul Rudd. Walter Hill’s 1979 gang saga “The Warriors” will make the leap from screen to stage as a musical, with a book, music and lyrics by Lin-Manuel Miranda and Eisa Davis. Previews begin at Broadway’s Lunt-Fontanne Theatre in March 2027 with an opening slated for April. Jenny Koons will direct.

— Kevin Crust

And last but not least

We cover a lot of awards in this space, but today we get to give a shout-out to one of our own. Times theater critic Charles McNulty was awarded the prestigious Nell Minow Award for Cultural Criticism by the National Press Club this week. His submission included a reflection on the Los Angeles wildfires through the poetry of Shakespeare’s “The Tempest”; a tribute to South African anti-Apartheid trailblazer Athol Fugard; and an essay on the complexities of Audra McDonald’s performance in “Gypsy,” among others. The Times also won the Breaking News Award in the print/online category for its reporting on the January 2025 L.A. firestorms. A presentation ceremony and dinner will take place Aug. 27 at the National Press Club in Washington, D.C. For the complete list of winners, visit press.org.

The race for the Golden Boot at World Cup 2026 is shaping up to be one for the history books.

After just two games, Argentina talisman Lionel Messi leads the way with five goals, followed by France’s Kylian Mbappe and Erling Haaland of Norway with four goals each.

Germany’s Deniz Undav has three with Jonathan David of Canada on the same mark after a hat-trick against Qatar.

A further 20 players have scored twice in their opening two games, including 2018 Golden Boot winner Harry Kane of England, Cristiano Ronaldo of Portugal, Vinicius Jr of Brazil and Mikel Oyarzabal of Spain.

The stars are all shining and, given the rate of scoring so far, it seems possible double figures might be needed to win the Golden Boot, something done only three times in history – by Hungary’s Sandor Kocsis in 1954, Just Fontaine of France four years later and Gerd Muller of Germany in 1970.

Fontaine holds the record of 13 goals in one World Cup in just six matches in Sweden, but the expanded 48-team format in 2026 means the nations qualifying for the semifinals in July will play an unprecedented eight games in this edition.

At the 2006 World Cup in Germany and in South Africa four years later, only five goals were needed to claim the Golden Boot while nobody has scored more than eight in the past 13 editions, a feat achieved only by Brazil’s Ronaldo in 2002 and Mbappe four years ago in Qatar.

Why have so many goals been scored at World Cup 2026?

It took just 33 matches for a century of goals to be racked up in this edition, second only to 1954 in terms of pace.

After Portugal’s 5-0 win over Uzbekistan on Tuesday, 139 goals had been scored across the first 45 games – the most in the group stages of a single edition of the finals, overtaking the 136 scored in 2014 in three fewer matches.

The record number of goals in one edition came in Qatar 2022 with 172 from 64 games. With an extra 40 matches in the new expanded format that went into effect this year, it was always likely to be broken, but the rate of scoring suggests the old mark will be obliterated.

One reason for the increase in goals might be the Adidas Trionda ball, which FIFA commissioned for this World Cup.

Before the tournament, FIFA said it boasts several key performance innovations, including intentionally deep seams designed to produce optimal in-flight stability by ensuring sufficient and evenly distributed drag as the ball travels through the air – in short, it flies through the air – while the surface of the ball is designed to increase grip when striking or dribbling in wet or humid conditions, which we have seen plenty of in the opening matches.

Austria head coach Ralf Rangnick said: “This ball is as fast as a cannonball. If you kick the ball in the right position, it’s extremely difficult to save.”

The controversial addition of hydration breaks to each half may also mean players are performing at their peak for longer, leading to the glut of late goals so far. Of course, the fact that 48 teams are taking part, drawn from the world’s leading 85 teams in the rankings, means there are some mismatches in the first phase.

Colombia coach Nestor Lorenzo also said attackers are more protected by officials than they used to be, which may contribute to the increased scoring, adding: “They didn’t have this protection some 20, 30 years ago when they were hit a lot more, when rough play was a lot more common.

“Today, any team that defends well and uses counterattacks and tries to play can manage to do well.”

Who is likely to win the Golden Boot?

Much will depend on fitness and, of course, how deep a country goes in the tournament, but Messi has to be considered the favourite to win his first accolade.

The 38-year-old scored seven goals at the last World Cup and has now scored in six straight tournament matches, having netted in every knockout round in Qatar and the first two games of this edition. He even missed a penalty against Austria, which would have made it back-to-back hat-tricks.

Argentina’s final group game on Sunday is against already eliminated Jordan although Messi’s inclusion from the start in that one is by no means a given as his side have already secured the top spot in Group J.

They look set for favourable knockout fixtures, though, with the potential for Uruguay or Cape Verde in the last 32, potentially Australia or Iran in the round of 16 and the possibility of Croatia or Colombia in the quarterfinals, should they make it.

Only in the semifinal might they come up against a powerhouse nation, likely in the form of England or Brazil or dark horses Japan, Norway or Mexico.

Mbappe also looks likely to have a favourable run and is likely to feature against Norway on Friday in the group finale, which will decide the top spot in Group I.

Winning the group could mean a round of 32 meeting with Sweden, Germany the potential opponents in the last 16 and the Netherlands or Morocco awaiting in the last eight.

Whoever finishes second out of France and Norway could face a tricky task against the Ivory Coast in the last 32 with Brazil or Japan awaiting the winners and the possibility of England lurking in the quarterfinals, which might put a ceiling on Haaland’s prospects, despite having scored 59 goals in 52 international games for Norway.

Kane will seek to enter the conversation with England facing a must-win Group L finale on Sunday against Panama with the prospect of a last-32 meeting with Cape Verde to follow and Mexico likely lying in wait in the Azteca (known during the World Cup as Mexico City Stadium) in the round of 16.

Cristiano Ronaldo may have left it too late to begin a real quest, given Portugal face Colombia on Sunday in their final Group K game and could face resolute Ghana in the last 32 with Spain potential opponents in the last 16.

But Vinicius Jr could add to his two goals when Brazil face Scotland on Thursday in their final Group C game although the knockout rounds would appear a stiffer test.

Records have been falling from day one for the game’s most feared forwards.

Messi now leading the all-time World Cup list has taken a lot of the headlines, and rightly so.

But he isn’t the only one who has been setting records this tournament.

Mbappe now tops France’s goalscoring charts, Haaland is Norway’s leading World Cup scorer – after just two games – while Kane has equalled Gary Lineker’s World Cup record for England.

And all of them will have their sights set on France’s Just Fontaine’s 1958 record of 13 goals scored in one tournament.

Only three players – Fontaine, Gerd Muller for Germany in 1970 and Hungary’s Sandor Kocsis in 1954 – have ever hit double figures at a single World Cup.

It would not be a surprise if that select list has grown by the end of this tournament.

The new 48-team format certainly looks to have increased the potential for goals. With more lower-ranked teams, the world’s best attackers have prospered.

The World Cup winners will also have to play one more round than ever before – again increasing the chance for goals.

Former France defender Gael Clichy told BBC Sport: “Kylian Mbappe is part of the generation which [has] that fearless factor.

“I remember when I started you had to give respect to the older generation when you came in, and you were not trying to do a nutmeg to the old men.

“This generation, they have respect, but differently. Don’t talk about age, talk about performance.”

So, back to the small matter of the race for the Golden Boot.

“It’s not something I’m thinking about right now,” said Mbappe. “Leo always scores. He always has and always will.

“If I start watching him, I’ll feel like I have to do even more, so no, I don’t watch what he’s doing. I’m only thinking about helping my team – by helping the team, I score goals and get closer to that kind of level.”

Norway boss Stale Solbakken has, perhaps unsurprisingly, pushed Haaland’s cause.

“He is the best striker – he is not playing for France or Argentina, he scores for Norway. He’s scored four goals now, two braces on the biggest stage,” he said.

“It’s easier to win the Golden Boot when you play for France and Argentina, but we’ll try to give Erling more games, and more help also in the next games. So he’s on fire and I’m very happy for him that he can score on the biggest stage.”

USA striker Folarin Balogun has made a decent enough start to the tournament himself, with two goals in his first two games.

But he probably summed it up the best, when he joked: “I think it’s annoying. Seeing players like Messi, Mbappe, Haaland – they’re so inevitable. I think they’re scoring a goal a game, sometimes more.

“For me, it’s just about trying to get to that level – to be inevitable as well.”

One day, when people say “they don’t make ’em like they used to,” they will be saying it about “Industry.”

First filmed before the pandemic and launched in its throes, a survivor of the era of streaming wars, corporate consolidation and Hollywood strikes, HBO’s addictively dissolute workplace drama remains as ambitious and authoritative as ever. Indeed, despite being divided from predecessors like “Mad Men,” “Succession” and “The Leftovers” by a series of epochal crises, it more closely resembles a vestigial tail of the medium’s past than most of its current counterparts: Out of place and out of time, “Industry” can best be understood as the last great drama of TV’s golden age.

Cast member and “Game of Thrones” alum Kit Harington, resident expert on series that reshaped the medium, agrees that “Industry” is a bit of a throwback in this respect.

“If you scroll back to ‘Game of Thrones’ in the first two seasons, it wasn’t a massive Goliath success, and it exploded after Season 3 with the Red Wedding. I think there’s a similar story going on here,” he says. “So often in TV at the moment, you’re given one season and everyone needs to pack in f— everything to get people hooked. But they’re burning through too much story. Season 2 is then done; the characters haven’t got anywhere to go. I think this is where this show has been successful, is that it was given that time to breathe.”

Earlier this spring, I convened “Industry’s” creators and cast in a conference room at The Times to walk me through its evolution into one of the best shows on television, and what to expect from its impending end.

Marisa Abela, left, Kit Harington and Myha’la.

(Jason Armond / Los Angeles Times)

‘What the f— are you thinking, guys?’

A trading-floor knife fight of hot, young strivers, or “grads,” competing for a permanent place at the fictional Pierpoint investment bank, the first season of “Industry,” filmed in 2019, premiered in the waning months of 2020 as a warped love letter to office culture. But for Konrad Kay and Mickey Down, the emerging writers at the helm, the voice of the series didn’t fully take shape until they’d found their main cast, including Myha’la, as hard-charging American Harper Stern, and Marisa Abela, as privileged publishing heiress Yasmin Kara-Hanani.

Kay: Season 1, me and Mickey were really green.

Down: We actually pitched HBO on the idea that it was going to be eight episodes, it was going to be in different months, and the big-bang dramatics were going to happen between the episodes. A bit like “Boyhood.” Huge things would happen in between episodes, and the episode would be about the reaction to those huge things. And they were like, “What the f— are you thinking, guys?” It was so antidramatic.

Abela: I had a lot of rounds of auditioning for Yasmin. They weren’t sure about me at all. I think part of it was because they were quite hellbent on her being vulnerable, on her being soft, and that was what I was playing in those first two, three episodes. … And what happens in any functional collaboration is you start to see what they really want from you — what it is that they need from your character. And in those moments of conflict, the moments of change, Yasmin has to stand up for herself at some point, otherwise it’s too wet.

Mickey Down.

(Jason Armond / Los Angeles Times)

Down: Yasmin was all vulnerability masked by Prada in script, and then you came in and you were very hard. [Laughs.]

Abela: There is one scene with [Yasmin’s abusive supervisor] Kenny [played by Conor MacNeill] in Season 2 where … Yasmin turns around to him and tells him to f— off, basically: “You don’t have a disease, you’re a narcissist, with a new excuse to lord it over people. You’re weak.” I think that’s the first time that Yasmin became a gangster. I was watching “Real Housewives of New Jersey” at the time, being completely honest. She can go really mob wife really quick.

Myha’la: I had almost the exact opposite experience in terms of finding or deciding who Harper was. When I read the scripts initially, I just thought, “There’s no way in hell that Harper can’t be steely and [on offense], because she’s clearly feeling out of her depth, and as a young woman of color going into a new space like this, you can’t show up like you’re vulnerable. You’re already expected to do poorly.” … On the page, Harper was an anxious person when I first met her in the pilot episode. She was sweaty and clammy and stammering. And I just thought, “Hell no!”

Down: Sometimes when we write the character, we focus on one thing, and then the actor comes in and then that one thing we thought the character was becomes the artifice that they have to play.

Harington: Great TV writers genuinely learn their actors as well as their characters, and they tie those things in as it goes through.

Abela: As much as they know how we speak now, we know how they speak. If Yasmin has a “F— off,” I know what they want with that. If she says “F— off,” it’s very different to “F— you.”

Down: It’s like playing the piano with the foot pedal, blindfolded.

Kay: When you get super-talented actors doing your writing, you sort of fall in love with them doing everything. There’s no story we can’t tell with them.

‘Am I being fired?’

The series’ second season, which opens with Pierpoint’s post-COVID return to office, found the grads established enough to become “active characters,” and the creators confident enough to begin breaking the mold they’d set for themselves in Season 1. From the nail-biting trade sequence with which Harper wins over hedge fund manager Jesse Bloom (Jay Duplass) to her firing from Pierpoint in the Season 2 finale, it marked the arrival of “Industry’s” distinctive, go-for-broke aesthetic.

Kay: [In] Season 2 we were still figuring out what the show was, and we had Jami O’Brien as our co-showrunner, who really professionalized me and Mickey towards the American system, towards how to be producers, curbed some of our more bombastic instincts, made us more professional in terms of some of the style of the writing we were doing, found a cleaner version of the show and a cleaner version of the story.

Konrad Kay.

(Jason Armond / Los Angeles Times)

Down: [The Bloom trade] was one of the first times in the show where we were like, “Wow, we’ve actually created something kind of singular,” in that we were able to create scenes of people trading, [using] financial jargon that no one understands, and make it feel like a car chase. The contrast between the Harper that’s on the trading floor being able to be in command of that with all the people looking at her, and then the Harper that’s in the loo afterwards in floods of tears, that for me was kind of the moment where we thought that we had a completely 3D, rounded character.

Myha’la: If you asked me to do the Jesse Bloom trade scene again, I’d piss myself. Because at least when I did it two seasons ago, I could have anxiety and fear percolating inside me. If I had to do it today, I’d have to do it confidently, and I would have to try really hard because so much of the language is truly blind memorization and being able to juggle particularly the f— phones. … You have to get the choreo[graphy] so good and you have to know the words so well so that you can do the important part, and that’s the subtext — communicating the feelings of the thing, which are not in the words. Which I love. It is so hard.

Harington: When you first read the scripts, you can’t understand a lot of what’s on the page. … You look at it, you go, “This is f— impossible.”

Myha’la.

(Jason Armond / Los Angeles Times)

Myha’la: This is not spoon-feeding the audience. “I’m sorry that you’re hurting because I know last summer your mom died in a car crash.” They don’t do that.

Kay: Do you know who hates that about us? Network executives. [Laughs.]

Down: We had a kind of mantra the first season especially, and then going into the second, that we would never have a scene that didn’t have one of our four main leads in it. And then, just for the necessity of the storytelling, we said, “We have to pop out of that perspective.” I don’t think HBO realized what a big decision that was, because I don’t think they’d actually realized we’d kept this mantra that we were never going to go away from the perspective of the grads.

Kay: It’s also where we broke the rule of, “We’re not going to just tell the bottom-up story; we’re going to go to the top.” When we sold the show, we were like, “This is a bottom-up story,” and then by that point we were like, “Actually, we have these older characters who might have these really rich inner lives that we should also explore.”

Myha’la: We blew the s— up. [Harper’s firing] forced us all outside the bank, which was dangerous and scary for me and really exciting and was how we got to see all the other things that Mickey and Konrad are capable of doing. I think they didn’t tell me before, so I was like, “Am I being fired?” [Laughs.]

Down: We thought we were all being fired. The reason the show evolves so much is because we basically never know whether we’re coming back, so we just blow up everything. We try to leave the audience with a satisfying conclusion. And then we get renewed, and then we have to basically write ourselves out of a corner. So Harper getting fired could have ended the whole show.

‘Oh, poor Henry’

Given time to develop its characters, refine its style and grow its audience, “Industry” returned for Season 3 with all the trappings of a series that had finally arrived: effusive critical acclaim, proliferating fan accounts and buzzy arcs by Sarah Goldberg and Harington, as playboy and erstwhile green–energy executive Henry Muck. Had it premiered just a few years later, “Industry” may have ended up on the chopping block before finding its footing; instead, it was allowed to achieve “terminal velocity.”

Kay: What happened between Seasons 2 and 3 was, we got renewed. We didn’t think we were going to get renewed. We operated from the principle of, “We might never get to do this again.” And that was incredibly freeing for me and Mickey because it was just like, “We’re gonna get eight hours, let’s just do everything we possibly can within that eight hours. Let’s indulge every creative impulse we’ve ever had. Let’s take the stabilizers off the story. Let’s not necessarily keep it within Pierpoint.” What we felt like was a perfect marriage of creative latitude, trust in ourselves and the right point in our arc of writing the show and directing and producing. We reached terminal velocity, where we could actually do all of the stuff that we were pretending we could do in the first two seasons.

Kit Harington.

(Jason Armond / Los Angeles Times)

Harington: When I joined up in Season 3, I had a good handful of friends who watched the show. It may be bigger than you think it was from the inside. It’s been fascinating for me, joining when I did and seeing it grow again … We all want to do stuff that people actually watch. We’d be lying if we said we didn’t. We’ve all done jobs that we really love and no one’s f— seen. When there’s a focus in on something that you know is good and you love, that’s more rare than you think. I started in this job in “Game of Thrones” and just assumed, “That’s, like, how jobs go. You get invited to the Emmys every year and everyone frigging watches it.”

Kay: The softness in Henry was a function of Kit playing the character and us writing to that vulnerability. There’s a totally different version of that character which never unlocks that kind of thinking in me and [Mickey].

Harington: You know that moment where it’s all going to s— with Lumi and he just gets up and he’s like, “None of this is real” and he f— off? For me, that was it. Because it was like, “Wait a minute, he can’t just leave the f— room” — and he does. I think that kind of sums him up. I got a handle of him properly then, and that was quite an early one we shot.

Down: He has a sense of entitlement most of the other characters don’t have.

Myha’la: But you still manage to make me feel bad for you. I’m like, “Oh, poor Henry.” Do you know what I mean? Isn’t that psychotic?

Down: I said it to him in an email recently. Somehow he managed to make an ex-Tory minister who bankrupted his company twice and needed bailouts from the British public — [a] junkie, adulterer — the most vulnerable and probably most empathetic character on the show, in some respects.

Harington: He’s one of the few characters who is actually trying to do good. Even if it’s about him being perceived as doing good. … It’s also very smartly done in how you demarcate addiction and drug-taking. You’ve got most of the characters, who can kind of put it down, but then you’ve got Rishi [a Pierpoint trader played by Sagar Radia] and Henry, who are a different kettle of fish. And also how it creeps up.

Kay: As a sober person playing that stuff, is there a psychic trigger in your brain that sort of feels like it’s happening?

Harington: I was very worried about coming in and doing some of this stuff, but quite quickly realized I was A) sober enough for long enough to go back there safely; and B) it was a sort of muscle memory, a lot of it. I get to exorcise this stuff in my job. How many ex-addicts get to do that? It was a kind of cathartic thing.

Marisa Abela.

(Jason Armond / Los Angeles Times)

Abela: There’s a real freedom that comes with drugs, alcohol, whatever it is, for the character. Those are the moments when you can really open the lid on something.

Myha’la: When you’re f— up, you’re uninhibited, so you can do your own thing, but I think you’re also taking the other person at face value. I feel like it sort of takes the judgment away. It creates a kind of childlike innocence.

Down: If you’re in a situation like that, you can skip like five stages of relationship if there’s a big bag of drugs in front of you. That’s something we try to capture.

‘Where we leave the characters feels so perfect’

Earlier this year, HBO announced that “Industry” had been renewed for a fifth and final season. But it was Season 4 — which finds Harper and Yasmin’s friendship in tatters, Yasmin and Henry’s marriage at an end, and the structure of the show evolving yet again to draw on new characters and genre influences — that led Down and Kay to determine that the series’ time had come.

Kay: We did think to ourselves, “OK, so we’re going to do a Season 4, which means the show is a kind of success in and of itself, which means we can start to think about ending. If you get four seasons, you’re probably going to get five. So we felt that it created latitude there. What we thought to ourselves was, “We meet these two women in the pilot. If you’re going to spend five seasons of TV with them, what is the starkest contrast you can do between how you meet them and where they end up?” … When we started, the show was about not having power. Five seasons in, they have it. Then what do you do with it? The phrase me and Mickey have been talking about is this idea of “arrival fallacy.” You climb and climb, you’re at the top of the mountain. Is there another peak? Do I sit here and enjoy the view?

Down: We’re writing Season 5 right now, and without giving too much away, we’re approaching that season very differently in terms of how information’s parceled out.

Kay: It’s very dense, though, isn’t it? Honestly, it might be the densest season. There’s a lot of theology in it, actually.

Down: We talked about doing a sixth [season], and then quite honestly we thought that was going to be diminishing returns. … We would have been pulling our punches constantly. This has been one of the most creatively fulfilling versions of the show, because we are writing towards a conclusion that we know is the conclusion. We’re thinking of images for the last 10 minutes that we know are going to be what the audience is left with, and that’s really, really thrilling for us as writers. I’ve never once thought, “God, I wish we were doing a sixth one,” as much as I love writing and making the show. Where we leave the characters feels so perfect.

I HAVE just stumbled upon ­Tenerife’s best-kept secret.

Instead of packed resorts teeming with Brits, I’m strolling across lush, undisturbed landscapes that stretch out for miles and quiet coves where the golden sands remain relatively untrodden.

And while some parts of the Canary isle are blisteringly hot in summer, here, temperatures are milder all year round.

That’s why the destination got its nickname the Island of Eternal Spring.

This is the north of Tenerife, a less commercialised area that’s so different from the south, it’ll have you questioning whether you’re even in Tenerife at all.

Instead of heaving crowds and sunbed-hoggers, hotels have more of a boutique feel to them, while the beaches are peaceful.

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My family and I were staying at the 4* Precise Resort, perfectly positioned atop a cliff over the Atlantic, on the edge of the pretty seaside town of Puerto de la Cruz.

Unlike some of the mega resorts down south, this place felt relaxed and sophisticated — with an airy lobby designed like an open Spanish courtyard, traditional wood-panelled ceilings and marble floors.

Rooms had a relaxed feel to them, too ­— pristine, clean and spacious with soft boho decor.

The hotel has the Atlantic on one side and mountain views on the other, but we opted for a balcony room with sea view so we could listen to waves washing against the rocks and soak up glorious sunrises and sunsets.

Along with all the usuals, such as fancy-smelling toiletries, rooms come with slippers, flip-flops and an eco-friendly jute beach bag which guests can keep afterwards.

The truly fabulous thing about the Precise Resort, though, is that it’s got all the elements of a luxury resort and more.

The palm tree-lined area, overlooking the ocean, is the perfect spot for a little sunbathing, with plenty of comfy loungers for everyone — so no stress about sunbed battles.

Beyond the main swimming pool is a newly built spa, next to a more secluded peaceful outdoor area featuring a hot tub, saunas and wooden cabanas with stunning sea views.

The hotel is also surrounded by 40,000sqm of sub-tropical gardens, with paths that meander past ponds and even a waterfall.

Plus, there’s three full-size tennis courts, four padel courts, a fully equipped gym, and an 18-hole crazy golf course.

We were instantly hooked after trying padel for the first time, and the following morning were able to stretch our tired muscles with an early yoga session.

Of course, you’ll need fuel if you’re exerting all that energy. And let me tell you, the hotel’s La Bodega restaurant did not disappoint.

With skilled chefs serving up a seasonal blend of delightful Canary Island and Mediterranean dishes, the buffet felt like a treat every night.

Dinner highlights included umami sea bass and Iberian pork cheek.

This is also where breakfasts are served each morning, with a plentiful buffet spread that will keep even the fussiest eaters happy.

If you’re after just a drink or a bite for lunch, the outdoor Cocoloco bar by the main and children’s pools operates during both the day and evening — make sure to try the burrata salad and club sandwich.

Or, for a change of scenery, the hotel runs a complimentary shuttle bus to the centre of Puerto de la Cruz, where you’ll find a flurry of easy-going bars and restaurants serving up authentic local grub.

As for entertainment, there’s plenty of that nearby, too. Five minutes from the resort is Loro Parque Zoo, home to a wide variety of animals including killer whales and dolphins.

We couldn’t resist a visit to the beautiful old town of La Orotava either — the bus is cheap and easy or the hotel will call you a taxi.

Here, we wandered among the beautiful colonial buildings, some with ornate wooden balconies, and enjoyed popping in to the independent shops selling everything from clothes and souvenirs to local food.

If you’re a keen rambler, head to the Orotava Valley, which leads from the sea to the mighty Mount Teide — but you’ll need to book the summit-trail treks in advance.

It’s a nature lover’s paradise, although the 12,188ft climb to the mountain’s peak may leave you feeling a little knackered.

Luckily, there’s several pools and an ice-cold pint waiting for you back at the resort.

SARATOGA SPRINGS, N.Y. — Golden Tempo closed out the Triple Crown season Saturday the same way he began it: In the winner’s circle.

The circumstances were different from the Kentucky Derby, when the late-running son of Curlin was helped by a hot pace that tired out the front-runners.

There was no such setup in Saturday’s Belmont Stakes, but Golden Tempo showed he didn’t need it.

Ridden again by Jose Ortiz, the Derby champion stormed into the stretch and outfinished Commandment to win a thrilling stretch duel by 1¼ lengths at Saratoga Race Course.

“Golden Tempo is amazing. Jose is amazing,” said trainer Cherie DeVaux, who added to her historic win as the first woman to capture the Derby by becoming the first woman to win two Triple Crown races.

“Amazing feeling,” she said on Fox Sports.

Golden Tempo was sent off as the co-fourth choice with Commandment at 6-1 and returned $14 for a $2 win ticket. Renegade, the Derby runner-up, finished third as the 17-10 favorite and Chief Wallabee, the second choice at 5-1, was fourth. The rest of the finishing order: Emerging Market, Growth Equity, Vitruvian Man, Ottinho and Powershift.

This marked the second straight year the Derby winner also captured the Belmont after skipping the Preakness, with Golden Tempo following Sovereignty. It’s the fifth time in the past six years that a horse used that formula to win this race.

Could Golden Tempo have won the Triple Crown?

“It’s not something I want to think about,” DeVaux said. “We made our decision and he won today and we’re going to be happy about that.”

Trainer Cherie DeVaux lifts the August Belmont Trophy as she stands next to winning jockey Jose Ortiz, left, after Golden Tempo’s victory in the Belmont Stakes on Saturday.

(Al Bello / Getty Images)

Golden Tempo, a homebred of owners Phipps Stable and St. Elias Stables, won for the fourth time in six starts. He earned $1.2 million from the $2-million purse to push his career total past $4.6 million.

Despite his victory five weeks ago in Kentucky, the general feeling about Golden Tempo entering the Belmont was pessimism. Not one of the 19 experts surveyed in Saturday’s Daily Racing Form selected him to win, with just two picking him second. The consensus was he would not finish in the top four.

The lack of pace was one reason, and sure enough, the race played out pretty much as expected, with Renegade’s stablemate, Powershift, dawdling through the first six furlongs in 1 minute, 12.38 seconds, about a second and a half slower than the same distance for the Derby (1:10.90).

Golden Tempo, ridden by jockey Jose Ortiz, crosses the finish line to win the Belmont Stakes on Saturday.

(Yuki Iwamura / Associated Press)

As he was in the Derby, Golden Tempo was last for more than half the race, but Saturday he trailed eight horses instead of 17 and never was more than about eight lengths behind the leader.

Growth Equity, who had been stalking Powershift, took the lead as the field turned into the stretch, but he soon was passed by Chief Wallabee. Before the field had run another furlong, though, Golden Tempo had moved around Renegade to the front. Commandment was on Golden Tempo’s outside but was unable to get past in the final furlong. In fact, the winner was pulling away as they reached the finish.

The final time wasn’t fast, 2:03.49 for 1¼ miles at Saratoga, which was hosting the Belmont for the third and final year while Belmont Park is rebuilt. The race started about five minutes after rain began falling in upstate New York.

Baffert’s Nysos dominates Met Mile

Nysos crosses the finish line to win the 133rd running of the Met Mile at Saratoga on Saturday.

(Yuki Iwamura / Associated Press)

The afternoon did not begin well for trainer Bob Baffert, who saw his top 3-year-old, Crude Velocity, routed by DeVaux’s Englishman in the Woody Stephens and his leading sprinter, Imagination, come up empty in the True North. But Nysos, the best horse in Baffert’s barn, salvaged the day — and then some — with a dominant win over Journalism and five others in the Grade 1 Met Mile.

“I’ve always thought he was one of the best horses in training and today he showed it,” Baffert said of the 7-5 favorite, who returned $4.94 after clocking 1:34.85, just 0.13 off the track record.

The victory was not without an anxious moment or two. Jockey Flavien Prat rushed Nysos to the lead out of the gate, but when he was joined on the pace by Antiquarian, Saudi Crown and Knightsbridge, the jockey dropped Nysos back to fourth place at the midway point.

“When he took him back I just thought, ‘I hope he knows what he’s doing,’” Baffert said.

Not surprisingly, Prat did. After Knightsbridge passed Antiquarian on the far turn, Prat took Nysos around those two as they moved into the stretch and pulled away. Knightsbridge was four lengths back in second with Journalism another three-quarters of a length behind in third.

“It felt like down the backside, the pressure from the outside never really stopped,” Prat said. “I figured I had to give him a chance, knowing he was carrying 126 [pounds] and he hasn’t run for [four] months, and it just played out good. When I tipped him out, he gave me a great run.”

It was the eighth win in 10 lifetime starts for Nysos, a 5-year-old son of Nyquist. He was second in the two defeats.

“He’s one of the best horses I’ve ever trained,” Baffert said.

The victory earned Nysos a berth in the Breeders’ Cup Dirt Mile in October at Keeneland, but the horse won that race last year and Baffert has a bigger prize in mind.

“We’re going for the Classic,” he said, mentioning the Aug. 22 Pacific Classic at Del Mar as a possible race to bridge the gap between now and Oct. 31.

SARATOGA SPRINGS, N.Y. — The Belmont Stakes is less than 34 hours away, and Cherie DeVaux is feeling stressed.

Not about the race. DeVaux has done what she can do to prepare her 3-year-old colt, Golden Tempo, for Saturday’s third leg of the Triple Crown. Questions about post position, track bias, even the increasing threat of potentially severe thunderstorms before the evening post time (4:04 PDT, Fox) are brushed aside because, as she said, those are all out of a trainer’s control.

No, it’s her makeup bag.

She forgot to bring it with her to Saratoga Race Course and she has a Fox Sports TV interview scheduled right after she finishes speaking with a reporter inside her small office adjacent to Barn 83.

“I have to be on national TV, and I have not a stitch of makeup on right now, all the while having to try to make sure I enter my horses and not forget and mess that up too badly,” DeVaux said, smiling. “So it’s been a lot.”

But DeVaux is not complaining, because it’s been a lot since 7:10 p.m. EDT on May 2, the exact time Golden Tempo crossed the finish line first in the Kentucky Derby. And those 35 days have been filled with many great experiences.

Golden Tempo’s trainer Cherie DeVaux kisses a trophy after winning the Kentucky Derby.

(Michael Reaves / Getty Images)

The coolest?

“We won the Derby,” she said. “I don’t know if there’s anything cooler than that.

“There have been a lot of really neat opportunities,” she added. “A lot of different people have reached out. But you know, just the whole experience itself.”

Winning the Derby changes anyone’s life, but it’s magnified when you make history, as DeVaux did by becoming the first female trainer to win the world’s most famous horse race. It began a whirlwind that included more than 65 TV interviews and dozens upon dozens of text messages and phone calls.

And, truthfully, there was one experience that, for a college softball player and lifelong New York Yankees fan, exceeded the others.

“I did get to throw the first pitch out at a Yankees game, which I thought was amazing,” DeVaux said. “To stand on the field and look at the cheap seats [where I sat] when I was a kid. … And I’ve had much better seats in recent times, but to really sit there and have that dichotomy of that was where you started and this is where you are, was really a profound feeling.”

Kentucky Derby winning trainer Cherie DeVaux and jockey Jose Ortiz throw out the first pitch at Yankee Stadium on May 7.

(Ishika Samant / Getty Images)

Technically she’s back home for the Belmont, which is being run at Saratoga for the third and final year while Belmont Park is rebuilt. But she has few memories of Saratoga as a child; the family moved to Florida when she was 9 and she lived there until she was 19. Much of her family, including her parents and several siblings, live in the area, though, and DeVaux, who spends most of the year in Kentucky, said she’s been able to enjoy some time with them this week.

The big question is whether her large cheering section will be able to celebrate another victory. Handicappers are more than a bit pessimistic. Saturday’s Daily Racing Form has 1-2-3-4 selections by 19 experts, and not one selected Golden Tempo. Just two picked him second and five had him third. The consensus was he would not finish in the top four.

His chances in Kentucky were aided by a fast pace that tired out the front-runners, and on paper the Belmont figures to be run at a more moderate pace, which doesn’t always help a late-running horse. But he is a colt who relishes the distance and he has improved his Beyer Speed Figure with every start.

DeVaux is excited for the race, obviously, but she’s also eager for this “season” to end. She knows life will never be the same as it was before May 2, but she’d like to slow down a bit, in part, so she can enjoy the feeling of winning the Derby.

“I couldn’t prepare myself,” said DeVaux, who had never had a Derby starter. “I didn’t really think about winning the race. I thought Golden Tempo was going to run really well. I thought he would hit the board, … but I never allowed myself to think that he would win and what that would look like.

“And I’m one of those people I want to think about, you know, we win the race, what does that look like? But I was just so excited to be at the Derby and I wanted to just really be present, that it really didn’t cross my mind what would happen if we won the race.”

Golden Tempo’s trainer Cherie DeVaux holds her nephew while speaking to reporters after winning the Kentucky Derby on May 2.

(Andy Lyons / Getty Images)

Others weren’t prepared, either. DeVaux was carrying one of her nephews on her hip immediately after the Derby, and some people watching on TV immediately praised her for being a working mom. One problem: She doesn’t have children of her own (her husband has full custody of a teenage girl).

“Can I just not be a really good horse trainer that did something really profound and amazing in a short amount of time after I had to work my rear end off for it?” DeVaux said. “Like, why can’t that just be the story?”

Etc.

The Belmont is the 13th race on a 14-race card that begins at 8 a.m. PDT. The first seven races will be on FS2 before coverage shifts to Fox at noon (the Belmont show starts at 1). A separate handicapping-oriented show will air from 1-4:30 p.m. on FS1.

There are five Grade 1 races scheduled, including Bob Baffert’s Nysos against Michael McCarthy’s Journalism in the Met Mile (2:32 p.m.) and Baffert’s Crude Velocity against DeVaux’s Englishman in the Woody Stephens (1:52 p.m.). The Belmont is slated to start at about 4:10 p.m.

England have a golden opportunity for victory in the first Test against New Zealand despite a chaotic collapse of four wickets for one run in 11 balls on the second day at Lord’s.

After 16 wickets fell on day one, another 17 came on Friday on a devilishly difficult surface for batting – an alarming amount of uneven bounce has been added to the sideways movement.

At the end of it all, New Zealand are 36-3 in pursuit of a victory target of 254. Captain Tom Latham was out to the third ball of the chase and, crucially, Kane Williamson was palpably lbw to Josh Tongue, before Gus Atkinson cleaned up nightwatchman Will O’Rourke.

Though the weather forecast for Saturday and Monday is poor, there will be a result in this match, with England strong favourites to secure a morale-boosting win following their heavy Ashes loss.

Ollie Robinson marked his comeback with best Test figures of 5-39, taking the final wicket as New Zealand were bowled out for 113 in their first innings – an England advantage of 27.

England, helped by Emilio Gay’s half-century on debut and more New Zealand dropped catches, steadily built what looked to be an imposing lead. Gay was put down and could have been out lbw in his 57.

When Gay eventually fell, it began the carnage. Harry Brook, Joe Root and Ben Stokes all followed inside two overs. While an England implosion was familiar, perhaps only Stokes was culpable for his dismissal.

England’s lead was 154, with four wickets in hand. They were in danger of handing the initiative to New Zealand, only for important runs from the lower-order. Jamie Smith made 39, Atkinson 14 and Robinson swiped 29.

The hosts were eventually bowled out for 226, New Zealand’s Nathan Smith outstanding for his six wickets.

No-one has won the World Cup Golden Boot more than once – but two men have a good chance to become the first to do so this summer.

Mbappe scored four goals in World Cup qualifying and as one of the strongest squads in the tournament, it is likely that 2022 finalists France will reach the latter stages of the competition.

Another striker seeking a historic second boot is Kane. At 32, he is as we know significantly older than the average winner – but with 54 goals for his club this season, Kane is no average player. If Thomas Tuchel’s side go deep into the tournament, Kane is surely certain to score his fair share.

Messi has claimed plenty of personal accolades in his career, but there is a Golden Boot-shaped gap next to the eight Ballon d’Or trophies in his cabinet. Aged 38, the 2026 tournament is his final chance.

At the other end of the age scale, Yamal will turn 19 the week before the final. Spain have not progressed beyond the round of 16 since their 2010 tournament win, but Luis de la Fuente’s men showed they have the mettle to go the distance at Euro 2024 and were impressive in qualifying.

Premier League Golden Boot winner Erling Haaland has scored 26 league goals for Manchester City this season but his bid for the boot might depend on how long Norway stay in the tournament. Haaland scored 16 goals in eight qualifying games.

If you’re planning a trip to Japan, don’t just go to the big cities, instead head to another island which has golden sands and an unbeatable experience you’ll never forget

A stunning island just three hours away from Tokyo must be added to your Japan bucket list, because it was one of my favourite days of our five-week trip.

The little-known island is about 15 minutes by boat from Ishigaki, off Okinawa, and we actually flew from Osaka and were meant to fly direct to Ishigaki. However, our flight was cancelled without our knowing, so we ended up having to fly to Okinawa, and then catching a (very tight) connection to Ishigaki. However, flight drama aside, when we decided to go to Taketomi, we didn’t think there would be much to do or that we’d want to spend very long there. But we were so wrong…

Taketomi is within the Yaeyama District of Okinawa Prefecture, Japan. Taketomi is one of the Yaeyama Islands, which are a tropical archipelago in southwestern Okinawa Prefecture, Japan, known as the nation’s southernmost and westernmost inhabited islands.

They feature coral reefs, lush jungles, and a laid-back, rural atmosphere, serving as a popular destination for snorkelling, diving, and experiencing traditional Ryukyu culture.

When we went, we immediately got a minibus to where we could catch a ride on water buffalo carts. It is an iconic 30-minute guided tour through the traditional Ryukyu village, featuring red-tile roofs and sandy streets.

It was absolutely amazing, an experience we’ll never forget, and our tour guide even played traditional Okinawan music on a sanshin, which is a stringed instrument. I felt like I was in a movie! It was certainly an experience that I won’t forget in a hurry.

Then, once we bought the professional photo (we had to), we headed to get some lunch. It’s worth remembering that an estimated 300 to 360 people live on Taketomi, so don’t expect any chain restaurants or anything you’re probably used to if you’re from the UK.

But the total change of pace to even big Japanese cities was amazing, and it was nice to spend time doing a variety of things while we were in Japan.

After, we went to the beach, where I was gobsmacked by the golden sands and the clear sea. Ishigaki was the first proper tropical island I’d ever been to, and Taketomi had all the same fantastic features. I’m now enamoured.

We had a little paddle in the sea, and I was gobsmacked to find that it was actually so warm, and while you’d have to go quite far out into the sea to actually be able to swim, it was definitely worth paddling.

If you’re going to Japan, make sure you add Okinawa or Ishigaki to your list of places to visit. I’d highly recommend Ishigaki, but I’m definitely biased. I think that Okinawa is a lot more touristy now, so Ishigaki suited us perfectly, especially as my partner is a scuba diver.

We loved it so much that we hope to go back to another of the Yaeyama Islands in the future. It is worth noting, however, that Ishigaki is located in an earthquake-prone area; tsunami awareness is essential year-round. Typhoon season runs from June to November, with the highest risk occurring from July to October.