Glastonbury Festival

STEPPING on to the Pyramid stage at Glastonbury in 2023 was a big moment for Texas, who had last played at the festival 24 years earlier.

But whatever expectations frontwoman Sharleen Spiteri and her band had for the gig were blown out of the water, because it sent them stratospheric once again and gained them thousands of new fans.

Now they are capitalising on their expanded fanbase by heading out on an 11-date arena tour of the UK and Ireland next October, and releasing a 30th anniversary version of their No1 album White On Blonde, featuring hits including Say What You Want, Black Eyed Boy and Halo.

And as good news comes in threes, today Texas have also released a new single, Another Way To Cry.

In an exclusive chat, Sharleen told me of their success: “I think it tastes sweeter than it ever has.

“The honest truth is that when we did that Glastonbury a couple of years ago, you never know how it’s going to go, but that Glastonbury changed everything. Suddenly there was a whole new audience that wanted to see Texas and we announced that tour off the back of that.

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“It just was a moment of, ‘Wow, people really do still want to see us.’ When you look out into that audience, the ages vary all over the shop. It’s quite extraordinary.

“There’s been lots of people going, ‘When are you going on tour?’ so it’s good that there is still that desire to see us, and for us, that just makes the desire to go and play even stronger than it’s ever been.”

If you have not seen Texas yet, I urge you to snap up tickets when they go on general sale at 10am next Friday, October 30.

There, you will be able to hear the Scottish rockers’ new single, which is a rollicking, brassy singalong with Sharleen’s bluesy voice shining strong.

The accompanying video — an ode to the film Paris Texas, which was the inspiration for the band’s name — sees her exploring the Scottish highlands and bumping into fellow Scot, Trainspotting star Robert Carlyle.

On shooting the visuals, she said: “We had every season in the space of an hour, which was extraordinary, but that’s Scotland. We had scorching sun, pouring rain then sleet and hail stones and wind.

“It was fun, alongside our mates the Highland cattle, which was fantastic.”

And she insisted the Highland cows in the video were genuine. She continued: “It’s not AI, they were actually there. There was one point where me and Robert were walking down the road and they were coming right up, and they’re gigantic and they’ve got horns.

“If it just moved its head in the wrong direction and you’re anywhere near that horn you’re getting whacked by it.”

Thankfully they emerged unscathed and Sharleen has since been back in the studio.

Asked if there is an album of new music on the way too, she said: “Yeah, we’re working on a new record.”

As for White On Blonde, which will be out on February 5, Texas are chuffed it is being released on vinyl for the first time after they were recently fleeced trying to buy another of their records on the format.

She explained: “There was only ever vinyl made for the Press. We actually had to buy one of the old albums back because we’d given them away.

“We ended up buying our own record back for £1,200, about a year ago, because we needed it for a video. It was hysterical. I was literally like, ‘What? £1,200!’”

And they have got someone special on board to write the liner notes — Peter Kay.

Speaking about the comedian, who directed and starred in the 2006 video for their song Sleep, she said: “Peter is such a big music and Texas fan, and he’s a big friend of ours. He’s so geeky in his knowledge of music and stuff like that.

“It just felt exactly right because of his connection to the band and the fact he made the video for us and he bought White On Blonde and he’d always talked about it.

“It felt like the absolute right thing to do.”

I DON’T HAVE RIGHT TRAITS

SHARLEEN turned down the chance to go on The Celebrity Traitors in her native Scotland – insisting she’s a “s*** liar.”

She was approached by the series producers, but doesn’t think she’s competitive enough to be a success on Claudia Winkleman’s hit show.

She explained: “I’m very flattered to have been asked and I said, ‘Thank you, but no.’ I couldn’t do it.

“I absolutely love The Traitors. It’s such a great, unbelievable programme and I’m watching it currently and I just couldn’t do it. I’d be all over the shop.

“I’d gladly play the game. But I’m a s*** liar. That is the truth. I wouldn’t remember who I told a lie to or what I did and I’m not that big of a player.

“I’d probably go, ‘Nah, you’re alright.’ The thing is, the only place I’m really competitive is on a stage.

“In games I’m really not competitive at all. So I’d probably be really rubbish.”

She added: “I want to be a fan, but not a fan in it. I want to be a fan watching it. I’m very happy with that situation.”

JADE-D BY PRINCESS FAILURE

JADE has revealed she was “devastated” not to land the role of Princess Jasmine in 2019’s live-action remake of Aladdin, after the role went to Naomi Scott.

The Little Mix star, who auditioned for director Guy Ritchie, said: “I was pretty devastated. I think I got down to the last few. I sent a letter once I knew they’d reached out, saying that Jasmine was my sort of idol growing up.

“She was the only character I could really look up to as someone of Arab heritage, so Princess Jasmine was who I dreamed of being.”

On Channel 4’s The Assembly, she added: “I did three rounds of auditions. I sang A Whole New World in Guy Ritchie’s living room.

“I didn’t get the part and that’s fine. But I was quite sad for some time, definitely. I was gutted, I can’t lie.”

JUDI DENCH says panned 2019 Cats movie was a “waste” of Andrew Llloyd Webber’s “goodwill and talent.”

She starred as Old Deuteronomy in the much-mocked movie and in her new memoir, she writes: “Oh God, I can’t bear it – and he had waited so long for it to be made.

“What a waste of all that goodwill and talent.”

JAY-Z’S UP FOR THE BIG GAME

JAY-Z has chosen himself to be the headline act for next year’s Super Bowl half-time show, according to a report in the US.

Justin Bieber and Miley Cyrus were said to be in talks to perform at the show in Los Angeles on February 14.

Instead the rapper, who’s firm Roc Nation has had a deal with the NFL since 2019, will be taking centre stage.

He has yet to comment on the story, although he’s set to perform two shows at the SoFi Stadium in LA this Friday – where the big game will be held –so he may well announce it there.

His wife Beyonce previously headlined in 2013 and then joined Coldplay during their set there three years later.

And I imagine he’d want her as a guest if he takes to the pitch, too.

Jenna’s looking pawsome

JENNA ORTEGA has been to London, Rome and New York in the past week and she’s had a special someone by her side the whole time – her pet pooch.

The Wednesday actress, who wore this beaded dress for the US premiere of her new film Klara And The Sun in the Big Apple on Monday, said her whippet Twigs helps her stay grounded.

Jenna, who posed for pics in New York with co-star Amy Adams and director Taika Waititi, said: “My dog follows me everywhere.

“It’s hard doing the job that I do, travelling to all of these different hotels and foreign countries, so to have something that is consistent and true, and looks after me, and I look after her, it’s nice.”

That dog must have racked up more air miles this week than I have all year.

BLUNT’S A TRAITOR FUME RESIDENTS

RESIDENTS of the London borough of Acton have dubbed James Blunt a traitor.

He filmed his new Circles music video there, but then pretended it was somewhere else.

I revealed snaps of the Celebrity Traitors star riding around on a mini tractor while shooting the video in a park last week.

But locals soon spotted James had renamed Acton’s mainline station “Battersham”, leaving them fuming.

“We thought James was going to put Acton on the map with his video,” a friend, who sent me snaps of James recording his video, told me after seeing the clip.

“It’s not Battersham, this is Acton. And we’re proud of it.”

NO DIRTY A.I TRICKS IN DANCING SEQUEL

THE producer behind the Dirty Dancing sequel insists they won’t bring back Patrick Swayze using AI.

Jennifer Grey will reprise the role of Frances ‘Baby’ Houseman and film bosses are working out how to celebrate late actor Patrick, who died in 2009.

Producer Nina Jacobson said: “That’s one of the things that you really have to focus on: how to let people mourn him in a movie. And don’t worry – we won’t be bringing him back with AI.”

She said they are “trying to chase the feeling of that original movie”.

Nina added: “Being able to tell a young love story that could take some of those risks but also inspire those feelings felt like an incredible chance for us.”

PHIL JOINS PIRATES CREW

PIRATES Of The Caribbean is being brought to life by Secret Cinema – and they’ve got a household name on board to help out.

I can reveal Phil Daniels, who starred in EastEnders, and whose voice featured in Blur’s 1994 hit Parklife, has joined the cast as Captain Barbossa.

Johnny Depp’s character Jack Sparrow will be played by Olivier Award winner George Maguire.

Pirates Of The Caribbean: The Immersive Adventure, opens in February and has already had its run extended by six weeks due to demand.

It will also be the first production by Secret Cinema –  which allows punters to watch films on the big screen while the action also unfolds around them – at its purpose-built flagship venue in London’s Greenwich.

Time to ready my sea legs.

LIAM GALLAGHER is winding up Oasis fans by claiming they’ve already finished a new album – but I’m not so sure.

Responding to someone on X who wrote: “Oasis have SEVEN great albums and those songs will LIVE FOREVER”, rocker Liam said: “8 including the new 1.”

I’ll believe it when I hear it.

TEENAGE years were often consumed by the excitement of planning which festival to go to, met by the disappointment of not being able to afford (or even able to get) a ticket.

Fortunately, there is a way to get free festival tickets even as a now-adult.

Volunteering might remind you of litter picking in parks, but it looks a whole lot different at festivals.

With Oxfam, you can volunteer across a number of different roles while getting a free ticket to the festival.

Having done a number of festivals with the charity I can safely say that it is a lot more fun than you’d think, AND you get other great perks as well.

The role with the most positions available is to be a steward – you’ll carry out a range of roles across three eight-and-a-quarter- hour shifts including checking tickets on the gate, patrolling campsites or the arena and staffing accessibility platforms.

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You will get all the training you need, as well as a meal voucher for every shift, free tea and coffee, crew camping (read, quieter campsites), hot showers and free phone charging.

Applications for the positions open in the new year and are served on a first-come first-served basis.

You will need to fork out the ticket price upfront but this essentially acts as a deposit to ensure you show up to your shifts – you will then get it back four weeks after the festival.

You will also need to be 18-years-old or over to volunteer by the time you arrive onsite.

Other roles include campaigning, which requires four, six-hour shifts ending before headline acts, and shop volunteers to run festival shops, with one six hour shift a day.

For the latter role, you will need to be a current shop volunteer, intern or member of Oxfam staff with at least three months of experience.

But in reality what does the work actually look like?

For my first festival, I volunteered at NASS although this sadly no longer runs.

As a smaller festival in the UK, I was only required to do two shifts and these both consisted of checking tickets into the festival – one on arrival day and another for second day arrivals.

It meant I missed NOTHING – not a single act.

Both my shifts were finished before music even started, which meant I had enough time to nip back to the spacious campsite with hot showers and freshen up before going and singing my heart out as Loyle Carner performed just metres from me.

The other festivals I volunteered at were much bigger and are household names – Boardmasters in Cornwall and Reading Festival.

Staff camping at Reading was a decent walk from the main arena and while that meant it was a bit of a pain to just ‘nip’ back to your tent, it did mean that I was away from ALL noise.

The campsite is spacious, peaceful, empty of drunken festivalgoers and has its own toilet block – which were actual toilets with no stench.

When I saw the toilets in the main campsites, I realised how appreciative I was of swapping some hours of my time for a free festival ticket.

I slept soundly each night with no thumping music or rowdy people around me.

As for my shifts at Reading, one of my three, eight-hour shifts was spent checking tickets on the first arrival day – before the festival had even properly started.

My second shift was patrolling campsites during the daytime, before any major acts were on.

And my third shift? Being right in the pit as Sea Girls played, handing out water to festival-goers.

None of these tasks, other than perhaps standing in the blazing sun, are strenuous and shift leaders are great at constantly making sure you have water as well as regular time in the shade if your shift involves being in the direct sun.

What is volunteering at Glastonbury like?

DEPUTY Travel Editor, Kara Godfrey has previously volunteered at Glastonbury Festival with Oxfam and here are her thoughts:

I am not a festival-goer – camping on the cold hard ground, traipsing through the inevitable mud and don’t get me started on refusing to use anything other than a standard, private bathroom.

And then being made to pay at least £400 just to be allowed in the gates? I never saw the appeal.

However, when I did work Glastonbury with Oxfam, I was very much converted.

Early access, so a more laidback first day without the huge crowds, three meals a day without having to pay extortionate amounts, and, of course, much nicer toilets and showers.

Being able to charge my phone and have a much quieter campsite – it felt like glamping without the cost.

The only downside was the shift patterns. I was on ticket checking duty, and you had to do a day, afternoon and overnight shift.

You in theory could swap with people, but good luck trying when there was a big performer (I was there the year of Dolly Parton).

But as long as you aren’t going just for one act, I had the best time hanging with my fellow Oxfam crew as we played our own party tunes at the entrance, shared snacks – and laughed our heads off at all the men dressed up as good ol’ Dolly herself.

Oh, and it barely cost me a penny once my ticket costs rolled back into my bank account. Win win!

Across these three shifts I only missed one act I wanted to see.

And last but not least, Boardmasters was a similar story – one of my three eight-hour shifts was spent checking tickets before the festival began, another was a day shift campsite patrolling and the third was an overnight campsite shift.

Again, with these I missed no acts I wanted to see and while the final overnight shift was tiring (and cold), it involved standing and sitting at the entrance to a campsite answering questions… hardly hard work.

Across all shifts you get a half hour break as well as a meal token which you can use at selected vendors across the festival.

These often include gourmet burger joints and pizza vans, so there is plenty of choice.

Depending on what festival you are at, you might get actual shower and toilet blocks too, a communal area on your campsite and quite often other goodies like free Coca-Cola from brand sponsors walking the festival ground.

There are other companies and charities you can go through for festivals too, such as Hotbox Events, My Cause UK and Festaff.

Though, I wouldn’t look further than Oxfam – everyone is there to have a good time and thanks to not having to pay a penny and camping with more space, I’d say I was happier than most paying festivalgoers each time I volunteered.

GLASTONBURY punters have fumed over the ‘s*** show’ website chaos after the first set of 2027 tickets went on sale tonight.

Those who have managed to get their hands on them will travel to Worthy Farm in Somerset and dance away to their favourite tunes between Wednesday 23 June to Sunday 27 June next year.

Festival-goers logged online just before 6:00pm this evening (Thursday 1 October) to try and get their hands on ticket + coach passes for the five day music event.

They were told to enter the website at 5:50pm, and those who were on the page were given a place in the queue.

This was followed by a progress bar which showed how close you were to purchasing.

It comes as no surprise that they sold out within 30 minutes – meaning that loads of people have sadly gone without.

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Those took to X, formerly known to Twitter, to complain about the system which made them miss out.

One fan fumed on the social media app: “Shit show.”

Another wrote: “Think I would have preferred to be stuck on two bars than get right to the end as they sold out.”

A third chimed in: “These 2 bars are going to give me nightmares for the rest of my life I fear.”

A fourth asked: “Anyone even get past 2 bars? On to Sunday.”

“TRAPPED at the abysmal two green bars…,” a fifth tweeted.

Hopefuls will be able to log back on this Sunday to try and purchase general admission tickets at 9:00am.