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Kim Kardashian’s Met Gala outfit spray-painted in KENT as ‘proud’ garage owner tells all about ‘top secret’ 13-hour job

KIM Kardashian’s Met Gala megaboobs were spray-painted at an auto repair shop in Kent — and its owner said tonight it was an “honour”.

Martyn Smith, 55, spent 13 hours on the orange fibreglass creation at his garage in Lydd on Romney Marsh.

Kim Kardashian’s Met Gala megaboobs were spray-painted in Kent Credit: Splash
Auto repair shop owner Martyn Smith said it was an ‘honour’ to work on the outfit Credit: SWNS
Martyn spent 13 hours on the orange fibreglass creation Credit: SWNS
The breastplate before it was painted Credit: SWNS

He felt “very proud” at seeing reality star Kim, 45, wear it in New York this week.

The Brit garage owner was asked to do the “top-secret” breastplate paint job — and was only told it was for Kim when he finished.

He said he agreed to drop work after being approached at his auto repair shop on a Kent industrial estate by two local artists.

Against the clock, he spent 13 hours prepping and spraying the orange fibreglass piece, worn two weeks later by Kim at the Met Gala.

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Martyn, who runs MPS Body & Paint, would not say what he charged — but it was “in the hundreds not the ­thousands”.

He added: “When I saw it, I felt very proud and honoured. I only had 24 hours to do it.”

The breastplate was co-created by Kent artists Patrick Whitaker and Keir Malem, who then went to ­Martyn after he had repaired their car a few years earlier.

The dad of two, who works at the auto business with sister Nicki Hill, 50, said: “It looked great, but it had imperfections and tiny air holes which I had to fill with stopper.

Kim Kardashian wearing the breastplate at the Met Gala on Monday night Credit: Getty
Martyn was asked to do the ‘top-secret’ breastplate paint job Credit: SWNS

“It had mould lines which I had to smooth out, before re-priming it and rubbing it down. It then needed a base coat and a lacquer top coat.

“With drying times, it was a lengthy process, but I knew it had to be perfect. I worked all day on it until 8.30pm.

“It was kept hush-hush as they told me it was top secret.

“I thought it might be for Madonna or Gal Gadot given the design.

The 55-year-old was only told it was for Kim Kardashian when he had finished Credit: SWNS
Martyn runs MPS Body & Paint in Kent Credit: SWNS

“When they collected it they finally told me it was for Kim Kardashian.”

Martyn said he knew the name but was more of a fan of her boyfriend, F1 great Sir Lewis Hamilton.

Meanwhile, Nicki discovered Kim would be at the Met Gala on Monday night — her daughter Elli-Jane’s 20th birthday.

“She stayed up to watch it and said: “I was falling asleep as it was late and Elli-Jane shouted, ‘Mum, mum she’s wearing it’.

“She was bouncing up and down with excitement and then I was quite emotional.”

Martyn, who had gone to bed, said his paint job looked “fantastic” when he saw photos the next day, and the reaction since has been “crazy”.

He would welcome similar work but added: “I don’t know many people who have got a breastplate really.”

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Sabrina Carpenter rocks old Hollywood look at Met Gala in tight-fitting frock with thigh-high slit

SABRINA Carpenter rocked an old Hollywood look at the Met Gala on Monday, rocking a tight-fitting frock with a racy thigh-high slit.

The 26-year-old singing sensation wore a gorgeous dress made out of real old Hollywood film reels as she attended the star-studded event in New York.

Sabrina Carpenter wore old film reels to the Met Gala on Monday Credit: Getty
The dress was made from undeveloped film strips Credit: Getty

The film reels on the dress were of the Humphrey Bogart and Audrey Hepburn movie, which is titled Sabrina.

She flashed her toned pins as she strutted her stuff in front of onlookers, smiling and beaming as she made her way up the iconic steps.

Fans were left completely enamoured by her sizzling ensemble.

“The hair is so pretty, the dress is stunning, everything is amazing,” penned one person.

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Heidi Klum leaves fans stunned by ‘creepy’ look at Met Gala as a living statue

She looked ethereal as she posed on the iconic steps Credit: Getty
The dress was tight-fitting and accentuated her figure Credit: Getty
She showed off her thigh with the very high split Credit: Getty
She looked like an old Hollywood movie star Credit: Getty

“This b**ch wrapped herself in Kodak film,” added a second, complete with a laughing emoji.

“That is a cool dress and idea,” said a third.

“She DEFINITELY understood the assignment,” added a fourth.

While a fifth wrote: “Sabrina Carpenter’s dress is one of the most creative I’ve seen tonight. I love that.”

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But not everyone was complimentary of her outfit, with some quick to share their critique.

“It’s classy but she could have done a whole lot better,” said one person.

“Boring as usual,” slammed a second.

While a third penned: “the dress itself is beautifully constructed but the choice of the film strips is lost on me and its connection to the theme/dress code?”

This comes off the back of Sabrina’s sensational headline concerts at Coachella last month.

The singer delivered a set dubbed “Sabrinawood” with a Hollywood-themed set across two weekends on April 10 and 17.

Her shows featured some very iconic cameos from the likes of Madonna, Susan Sarandon, Will Ferrell, and Sam Elliott.

The setlist highlighted her most recent album Man’s Best Friend, but also included some of her biggest hits like Espresso and Feather.

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Bad Bunny looks unrecognizable as an old man at the Met Gala as he arrives with gray hair and walking stick

BAD Bunny looked unrecognizable as an old man at the Met Gala on Monday night.

The 32-year-old star arrived at the event with gray hair, a gray beard and a walking stick – leaving fans completely baffled.

Bad Bunny arrived at the Met Gala looking 50 years older than the age he is Credit: Getty
He rocked a full head of gray hair and a gray beard too Credit: Getty

The Puerto Rican rapper, whose real name is Benito Antonio Martínez Ocasio, even hobbled up the steps as he posed for photos, leaning into his elderly alter-ego even more.

His skin looked aged, his hands looked older, and the way he walked and moved was that of an 80-year-old.

Fans were entirely divided by the singer’s look, with many flocking to social media to share their thoughts.

“Sorry but no I don’t like it,” said one.

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‘SCARES ME’

Heidi Klum leaves fans stunned by ‘creepy’ look at Met Gala as a living statue


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Kim Kardashian’s tribute to X-rated movie in pointy boob dress at Met Gala

The gray hair was incredibly realistic, as was his aged skin Credit: Getty
He even leaned into his elderly alter-ego by hobbling around Credit: Getty
Fans were divided over his new look Credit: Reuters
The singer usually sports dark brown hair Credit: PA

“Dad bunny,” joked another.

“Why is he an old man?” asked a third.

While a fourth joked: “More like Señor bad bunny lol.”

“Superbowl aged him 60 years lol,” said a fifth.

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“Turns out, Bad Bunny was Will Ferrell all along. Well played, Will,” joked a seventh.

But some fans were more complimentary.

“Aging is art,” said one person.

“For me, it was a critique showing that aging can also be beautiful,” added another.

While a third said: “He always brings it!”

And a fourth wrote: “He and Heidi Klum are so good at costumes and entertaining! Love them both!”

Heidi arrived at the event in New York as a living statue in a very bizarre costume, which some fans dubbed as “creepy”.

Heidi transformed herself into a literal sculpture and looked as though she was crafted entirely from marble.

The costume looked like a naked body draped in a fabric, but in sculpture form.

One took to X to say: “She looks a bit scary but this is gorgeous idc.”

“This isn’t Halloween honey,” slammed another.

“This looks more creepy than creative,” penned a third.

But there was much praise too, with one person writing: “Finally someone who understood the assignment Heidi didn’t just wear the theme she became the art. Living marble statue is insane commitment.”

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Heidi Klum leaves fans stunned by ‘creepy’ look at Met Gala as she arrives as a living statue in bizarre costume

HEIDI Klum left onlookers and fans completely stunned by her creepy yet on-point Met Gala look.

The 52-year-old model and TV host arrived at the event in New York as a living statue in a very bizarre costume.

Heidi Klum arrived at The 2026 Met Gala looking like a marble sculpture Credit: Getty
Some fans thought her look was ‘creepy’ while others say she understood the assignment Credit: Getty

For the theme Fashion is Art, Heidi transformed herself into a literal sculpture.

Looking as though she was crafted entirely from marble, the America’s Got Talent judge looked unrecognizable in the ornate costume.

The costume looked like a naked body draped in a fabric, but sculpted out of marble.

Fans reacted to Heidi’s look on social media, with many divided over the look.

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Heidi looked unrecognizable as a statue at the glitzy event in New York Credit: Getty
Fans were in disbelief over her look, though some said she should have saved it for Halloween Credit: Shutterstock Editorial
The costume looked like a naked body draped in a fabric, but sculpted out of marble Credit: Getty
Heidi normally looks incredible glamorous, though is known for her bizarre costumes – especially at Halloween Credit: Getty

Several thought the look was to “scary” and “creepy” for the glamorous event.

One took to X to say: “She looks a bit scary but this is gorgeous idc.”

“This isn’t Halloween honey,” slammed another.

“This looks more creepy than creative,” penned a third.

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“Ok, I’m going to admit that it fits the theme, but I’m also going to admit that it scares me a lot,” said a fourth.

While a fifth added: “Costume vs fashion trips people on here who think the gala is a costume party. this is a costume. and not a good one.”

But despite how some people were freaked out by the look, there was much praise for Heidi’s look.

Many fans said she was on point with the theme and were blown away by her outfit.

One person praised Heidi on X saying: “Finally someone who understood the assignment Heidi didn’t just wear the theme she became the art. Living marble statue is insane commitment.

“She’s the one who got the theme right,” said another.

“This is definitely the coolest outfit at Met Gala,” penned a third.

While a fourth said: “Lifetime access to the MET for this one @annawintour write that down.”

And a fifth added: “Love this. The draping is exquisite.”

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Kylie Jenner rocks ‘topless’ nude dress on Met Gala carpet as boyfriend Timothee Chalamet ditches date night for Knicks

KYLIE Jenner has once again gotten fans talking with her daring looks as she rocked a curve-hugging “nipple dress” on the 2026 Met Gala red carpet. 

The reality star wore the sexy look for a solo night out in New York City despite fans hoping that boyfriend Timothee Chalamet would be her date for the first Monday in May. 

Kylie Jenner reveals her latest daring look from Schiaparelli at The 2026 Met Gala Celebrating Credit: Getty
Timothee Chalamet, pictured courtside just to the right of 76ers player Paul George, skipped the Met Gala to attend the New York Knicks playoff game in New York City Credit: Getty

Kylie, 28, stunned in a formfitting Schiaparelli strapless nude corset that pushed up her chest with cups that included nipples poking out. 

The corset went down to her hips, where a long lace skirt draped down to her feet. 

She completed her look with a diamond necklace and smokier glam makeup. 

The mom-of-two rocked a side part with old Hollywood curls and a long piece of hair going over her forehead. 

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Timothee, 30, chose to skip the Met Gala red carpet but was just down the street at Madison Square Garden to support his beloved New York Knicks as the team competes in the NBA playoffs.

While his girlfriend was serving looks for the cameras, the Oscar-nominee was pictured court-side at tonight’s Knicks game against the Philadelphia 76ers for Game 1 of the conference semifinals.

Kylie, 28, has become one of the Met Gala’s most talked-about regulars however, it’s not always for the right reasons.

From her dazzling debut to viral backlash over a baseball cap on the red carpet, the beauty mogul has built a reputation for bold glam – and also for occasionally missing the theme entirely.

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The Schiaparelli dress has added nipples and a belly button Credit: Getty
The nude corset was complete with a long lace white skirt Credit: Getty
Kylie is known for showing off her famous curves – and the first Monday in May was no exception Credit: Shutterstock Editorial
The reality star rocked sultrier, smokier makeup Credit: Shutterstock Editorial

She made her Met Gala debut in 2016 in a heavily embellished silver gown by Balmain.

The futuristic look, complete with a blunt bob wig, instantly put her on the fashion map.

Fans praised the bold entrance, though some questioned whether the edgy look felt too mature at the time.

In 2017, Kylie stepped out in a sheer, feathered gown by Versace for the avant-garde Comme des Garçons-inspired theme.

Kylie returned in 2018 just months after welcoming her daughter, Stormi, wearing a sleek black gown by Alexander Wang.

The moment grabbed headlines – but not everyone was impressed.

Fans applauded her confidence, while others slammed the outfit as “underwhelming” and off-theme for the religious-inspired night.

Her 2019 look remains one of her most iconic.

Kylie stunned in a lavender feathered gown by Versace, complete with a matching purple wig, fully embracing the “camp” theme.

Fans were overall obsessed, with many still ranking it as her best-ever Met Gala moment.

After a three-year hiatus, Kylie returned in 2022 in a white bridal-inspired gown by Off-White as a tribute to the late designer, Virgil Abloh.

However, it was her backwards baseball cap that stole the spotlight.

The unexpected accessory sparked backlash online, with critics calling the look confusing and “disrespectful” to the theme – though others defended the sentimental tribute.

In 2023, Kylie opted for a more refined look in a red gown by Jean Paul Gaultier honoring Karl Lagerfeld.

Kylie leaned into romance at the 2024 gala with a sculptural, corseted gown featuring floral accents.

The feminine look was well received, though some critics said it lacked the wow factor of her earlier appearances.

In 2025, Kylie returned in a sheer, corseted design that highlighted her signature hourglass shape.

Fans praised the fit – but others complained the style felt repetitive of her past red carpet choices.

Tina Fey, Timothée Chalamet, Kylie Jenner, and Ben Stiller attend Game Five of the Eastern Conference First Round NBA Playoffs between the Atlanta Hawks and the New York Knicks at Madison Square Garden on April 28, 2026 Credit: Getty
Timothee, who is a massive Knicks fan, has often brought Kylie to the NBA games Credit: Getty

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Lena Mahfouf goes commando AND braless in shocking Met Gala red carpet gown that nearly bares all

LENA Mahfouf nearly bared all in a shocking Met Gala look that sent cameras flashing.

The French star appeared to go braless in a daring gown as she stepped out for fashion’s biggest night.

A woman on the red carpet in a light blue gown with metallic molded hands covering her chest.
The French star appeared to go braless in a daring gown
Two women converse on the Met Gala red carpet, one with short blonde hair wearing a sheer, artistic dress, and the other with dark hair wearing a light blue dress and a silver cast of hands covering her chest.
The outfit appeared to create a near-naked effect as she posed ahead of the gala

Mahfouf is wearing a daring Burc Akyol look for the 2026 Met Gala.

Her outfit leans fully into the night’s dress code, “Fashion Is Art,” which reflects the ethos of the “Costume Art” theme.

The theme explores the “centrality of the dressed body” through depictions and interpretations of the human form in the Met’s collection.

Her gown featured a sculpted metallic bodice shaped like two silver hands across her chest.

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The daring top left her shoulders, stomach, and back exposed.

She paired it with a pale blue draped skirt that sat low on her hips.

The skirt featured thin side straps and high cutouts, creating a barely-there effect as she posed.

Photos showed Léna leaving The Mark Hotel before heading to the high-profile event.

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The hotel is one of the main celebrity hotspots before stars make their way to the Met steps.

The outfit appeared to create a near-naked effect as she posed ahead of the gala.

More to follow… For the latest news on this story, keep checking back at The U.S. Sun, your go-to destination for the best celebrity news, sports news, real-life stories, jaw-dropping pictures, and must-see videos.

Like us on Facebook at TheSunUS and follow us on X at @TheUSSun



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A family affair: Hammer Museum Gala pays tribute to Betye Saar and Darren Star

Gray skies didn’t prevent L.A.’s arts community from getting fancy in support of the Hammer Museum’s annual Gala in the Garden. Adorned in fur coats, colorful sunglasses and patterned ties, artists and celebrities including Owen Wilson, Rufus Wainwright, Lauren Halsey and Catherine Opie joined to celebrate gala honorees Betye Saar and television writer and producer Darren Star.

The event highlighted how the Westwood-based museum inspires creatives and harnesses community for the city’s artists. Under pink and yellow lights, guests enjoyed cocktails while admiring the museum’s galleries. Guests, including Los Angles County Museum of Art Director and Chief Executive Michael Govan and the Hammer’s Director Emerita Ann Philbin, reunited with old friends and colleagues, making the event feel like a family affair.

All were unified in their admiration of the night’s guests of honor.

At 99, Saar is among L.A.’s most esteemed and accomplished living artists. Her career has spanned more than seven decades, with an early focus on rejecting white feminism and reclaiming the Black female body. Civil rights activist Angela Davis traced the start of the Black women’s movement to the creation of Saar’s 1972 assemblage piece, “The Liberation of Aunt Jemima.”

During onstage comments at the gala, Getty Research Institute presidential scholar Sandra Jackson-Dumont discussed the massive impact Saar has had on the art world.

“It measures in the artist who found their voice because you insisted that your voice mattered. It’s in the institutions that shifted because you demanded that they see us,” Jackson-Dumont said while introducing Saar to the stage. “You take what the world cast aside and breathe spirit into it, insisting that the overlooked can speak, that the discarded can testify, that the everyday can dream.”

Three people at a party.

Ann Philbin, from left, director emerita, Hammer Museum, Kohshin Finley and Lauren Halsey attend the Hammer Museum’s 2026 Gala in the Garden.

(Stefanie Keenan / Getty Images for Hammer Museum)

The event also served as an early celebration for Saar’s 100th birthday in July, with Jackson-Dumont calling her birthday “100 years of vision. 100 years of courage.”

“[It’s] not 100 years of working, of making art, but 100 years of living with eyes wide open, heart attuned, spirit unbound, we stand in awe,” Jackson-Dumont said.

Saar took to the stage amid a resounding standing ovation, and when she spoke, the crowd’s gaze remained intently on her. While Saar kept her remarks short, she talked about the importance of art in everyday life.

“So many people do not realize how important art is, how it affects everything we do. Even bad things, because you can take art and make it good,” Saar said. “I want to thank you for coming to this event because by you being here, it encourages a lot of other people who are not here to love art and to use art and to know how important art is in this foreign life.”

Netflix co-Chief Executive Ted Sarandos introduced Star, who created groundbreaking series including “Beverly Hills, 90210,” “Sex and the City,” “Younger” and “Emily in Paris,” which defined pop culture references for generations of television viewers.

Sarandos called it a “privilege” to work with Star, explaining that his work has an “enduring staying power” and that “there has never been a storyline that is too bats— crazy for Darren.”

“Darren is simply one of the most talented showrunners of his generation, with his finger on the pulse of pop culture for more than three decades,” Sarandos said. “He influences the clothes we wear, the way we cut our hair, the music we listen to and the dreams we dream.”

Star, who has long served on the Hammer’s board of directors, celebrated his honor by explaining what he loves about the museum, including its Alice Waters’ restaurant Lulu, and the environment the space provides for Los Angeles creatives.

A gala at a museum.

The view from above the courtyard at the Hammer Museum’s 2026 Gala in the Garden, which honored artist Beye Saar and television writer and producer Darren Star.

(Charley Gallay / Getty Images for Hammer Museum)

“The Hammer creates a wonderful community. We come together because we all love art, love Los Angeles and love this museum,” Star said. “I’m grateful to be part of this family and the city’s extraordinary artistic life.”

The gala was the second under the leadership of Hammer Museum Director Zoë Ryan, who succeeded longtime director Ann Philbin in January 2025. Former Los Angeles City Council President Joel Wachs called Ryan a “true scholar, open-minded, unflappable.”

“I believe she is exactly the kind of strong leader this institution needs in these really difficult, complicated and turbulent times,” Wachs said during his opening remarks. “And if anyone can be counted upon, I believe it’s her that will vigorously defend against the grave dangers and vicious attacks on freedom of expression that both museums and universities currently face.”

During her speech Ryan said the Hammer is “cherished” by the Los Angeles community, and that she intends to keep providing a space for creatives in the city.

“At the heart of the Hammer is a deep commitment to giving space to artists, bold and experimental ideas, and supporting audiences as a catalyst for change through dialogue and exchange — all much needed in this country right now.”

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Investigators say Trump assassination suspect shot officer at press gala | Donald Trump News

Secret Service agent at White House correspondents’ dinner was ‘definitively’ hit by suspect’s bullet, prosecutor says.

Authorities in the United States have said that the suspect accused of attempting to kill President Donald Trump was the one who shot a Secret Service agent at the White House correspondents’ dinner last month.

Officials initially did not provide details on how the agent – who was wearing a bulletproof vest – was injured. On Sunday, US Attorney Jeanine Pirro told CNN that investigators have confirmed that the agent was shot by the alleged gunman, Cole Tomas Allen.

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“It is definitively his bullet. He hit at that Secret Service agent. He had every intention to kill him and anyone who got in his way, on his way to killing the president of the United States,” Pirro said.

“This was a premeditated, violent act, calculated to take down the president, and anyone who was in the line of fire.”

She added that a pellet that came from the suspect’s shotgun was “intertwined with the fiber” of the agent’s protective vest.

The determination could lead to additional legal charges against the 31-year-old suspect. It also rules out speculation that the agent may have been struck by so-called “friendly fire”.

The Justice Department announced three charges against Allen last week – attempting to assassinate Trump, the transportation of a firearm across states with intent to commit a felony and the discharge of a firearm during a crime of violence.

A sentence of life in prison faces anyone convicted of attempted assassination.

Last week, Acting Attorney General Todd Blanche said Allen had travelled via train from his home near Los Angeles to Chicago and then to Washington, DC.

He arrived in the US capital on April 24, the day before the dinner at the Washington Hilton hotel, and checked in.

According to Blanche, during the dinner, Allen approached a security checkpoint on the terrace of the hotel, one level above the ballroom where Trump was.

“He ran through the magnetometer holding a long gun. As he did so, US Secret Service personnel assigned to the checkpoint heard a loud gunshot,” Blanche said.

“One Secret Service officer was shot in the chest, but was wearing a ballistic vest that worked. This heroic officer, who was hit, fired five times at Allen, who was not shot, but fell to the ground and was promptly arrested.”

Officials have said Allen was carrying a shotgun, a semiautomatic pistol and three knives.

The shooting, considered to be the third assassination attempt against Trump since 2024, has shaken US politics. The White House has accused the US president’s Democratic rivals of inspiring political violence with their verbal attacks on the administration.

But Trump himself is known for personal attacks against opponents, and critics have accused him of using the shooting to censor his rivals.

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Cole Tomas Allen, Torrance man accused of trying to kill Trump at press gala, to remain jailed

Cole Tomas Allen, the 31-year-old Torrance man charged with trying to kill President Trump at last weekend’s White House Correspondents’ Assn. dinner, will remain in federal jail pending trial.

Allen agreed to his ongoing detention during a brief hearing in federal court in Washington, D.C., on Thursday. “He’s conceding detention at this time,” one of his federal public defenders, Tezira Abe, told Magistrate Judge Moxila Upadhyaya, according to CNBC.

He did not enter a plea during the hearing, according to the Associated Press.

Abe and Allen’s other public defender, Eugene Ohm, had argued in a filing Wednesday for Allen’s pre-trial release, citing his lack of a criminal record, family support and ties to his church, as well as inconsistencies and weaknesses they allege exist in the government’s case against him.

Abe and Ohm did not respond to a request for comment following the hearing.

In addition to trying to kill Trump, a terrorism-related charge that carries a potential life sentence, Allen faces two firearms charges related to his allegedly transporting two guns across state lines as he traveled from California to Washington by Amtrak train, and allegedly discharging one of those firearms — a shotgun — during the incident.

In arguing for Allen’s release in their Wednesday filing, his attorneys not only insisted he was no danger to the community, but questioned the government’s reasoning and evidence for the charges against him.

Allen was captured on a hotel video camera sprinting past U.S. Secret Service agents and into the secured event space a floor above the dinner while armed, according to prosecutors, with the shotgun, a pistol, and various knives. He then fell to the ground and was detained, according to prosecutors.

Trump administration officials who were at the dinner, including Acting Atty. Gen. Todd Blanche and Jeanine Pirro, the U.S. attorney for D.C., charged him swiftly — leaning heavily on an email Allen had sent to family just as he was breaching event security, which Trump and others referred to as a “manifesto” but which was titled an “Apology and Explanation.”

In that document, Allen allegedly wrote that he was targeting top Trump administration officials, with the highest ranking among them receiving top priority. He allegedly wrote that he would “go through” others at the event to get to those officials, but that he was not targeting guests or hotel staff and had chosen buck shot rather than slugs to “minimize casualties” in the room.

The charge of attempting to kill the president hung largely on that document, according to charging documents.

Blanche and Pirro also alleged that Allen had fired a shot during the encounter with Secret Service agents, in which they said a Secret Service agent was shot in the ballistic vest. Prosecutors also alleged in court that Allen had fired his shotgun, noting their recovery of one spent casing, but made no mention of a Secret Service officer being shot in the vest.

That alleged shot served as the basis for the one count of discharging a firearm.

In their filing arguing for Allen’s release, his attorneys questioned the legitimacy of both arguments.

They wrote that the government’s “sole proffered evidence” of Allen’s intent to kill Trump — the “Apology and Explanation” letter — was “far from clear” and never actually mentioned Trump by name.

“The government’s evidence of the charged offense — the attempted assassination of the president — is thus built entirely upon speculation, even under the most generous reading of its theory,” Allen’s attorneys wrote. “While the government may be able to say that the letter expresses an intent to target administration officials, it falls well short of narrowing those officials to President Trump.”

Regarding the one count of discharging a firearm, Allen’s attorneys wrote that the government “has not asserted that Mr. Allen ever fired any of the recovered weapons.” They wrote that the government, “after essentially asserting that Mr. Allen shot a Secret Service Officer in the criminal complaint, has apparently retreated from the theory by not mentioning the alleged officer at all” in its filing arguing for Allen’s ongoing detention.

In the latter document, prosecutors wrote only that an officer had seen Allen fire his shotgun “in the direction of the stairs leading down to the ballroom.” However, they provided little evidence to support that claim, other than that the shotgun held a spent cartridge in its barrel.

“In sum,” Allen’s attorneys wrote, “the government’s entire argument about the nature and circumstances of the offense is based upon inferences drawn about Mr. Allen’s intent that raise more questions than answers.”

Prosecutors, in a separate filing in the case related to evidence gathering, rejected the defense claims.

“The preliminary analysis of the crime scene is consistent with the government’s evidence that your client fired at least one shot from the 12-gauge pump action shotgun in the direction of Officer V.G., and that Officer V.G. fired his service weapon five times,” they wrote. “The government is aware of no evidence thus far collected and analyzed that is inconsistent with the above.”

They wrote that evidence suggests Allen fired his Mossberg 12-gauge pump-action shotgun “at least one time as he ran past the magnetometers on the Terrace Level of the Washington Hilton.”

They wrote that investigators recovered one spent cartridge from the chamber of the shotgun, that the “government’s preliminary ballistics and video analyses show that your client fired his shotgun in the direction of” the Secret Service officer identified only as “V.G.,” and that “at least one fragment was recovered from the crime scene that was physically consistent with a single buckshot pellet.”

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Cole Tomas Allen case reveals Secret Service failures at D.C. gala

According to Acting Atty. Gen. Todd Blanche and other top administration officials, the U.S. Secret Service did a fine job protecting President Trump and Cabinet members from the gunman who breached the White House Correspondents’ Assn. dinner Saturday.

“That horrible act was stopped because of the courage and professionalism of law enforcement — the officers who responded without hesitation and did their jobs as they were trained to do,” Blanche said Monday.

However, according to a detailed accounting filed Wednesday by federal prosecutors in the criminal case against suspect Cole Tomas Allen, the performance of the nation’s preeminent protection agency was marred by inattentiveness and misfires and saved by “extraordinary good fortune” and the gunman falling to the ground.

“The defendant, armed with a 12-gauge shotgun, a .38 caliber pistol, two knives, four daggers, and enough ammunition to take dozens of lives, was apprehended by [Secret Service] officers mere feet away from the ballroom where his primary target was located, along with other members of the Cabinet,” prosecutors wrote Wednesday, in a filing arguing for Allen to be held in detention pending trial on one charge of trying to kill the president and two firearms charges.

Contradicting a prior claim by Blanche that officers had “promptly tackled and detained” Allen, prosecutors wrote that the 31-year-old tutor from Torrance simply “fell to the ground” after blowing past a team of agents just two open flights of stairs from the ballroom.

They wrote that one officer fired at Allen five times, but never hit him.

The same officer saw Allen fire his shotgun “in the direction of the stairs leading down to the ballroom,” prosecutors wrote, and officers later discovered “one spent cartridge in the barrel and eight unfired cartridges in the magazine tube.”

Prosecutors said nothing about the Secret Service officer who Blanche said was shot in his ballistic vest during the incident — adding to speculation that the officer may have been shot not by Allen, but by a fellow officer, or not at all.

Agency critiqued before

In all, the court filing brought further into focus a chaotic Secret Service response that appeared flawed from the start, including in a video Trump posted shortly after the incident in which agents appeared to be idling around an unobstructed entrance when Allen ran past them.

It added to concerns that law enforcement, security experts and members of Congress had raised about the performance of an agency that has been repeatedly called on to improve after previous attempts on Trump’s life. At a 2024 campaign rally in Butler, Pa., a gunman fired a bullet that grazed Trump’s ear, and that same year, another assailant prepared to shoot him from the unsecured perimeter of a Florida golf course.

Robert D’Amico, a former FBI deputy chief of operations for hostage rescue teams who is now a security consultant, said the security failures he saw in the Secret Service’s preparation for Saturday’s dinner — including its failure to set up basic barriers to prevent people from sprinting into the secured area — were stunning, especially given the past threats and the fact the nation is at war with Iran.

“It’s for a person like Trump, who’s had two assassination attempts before and is at war with Iran, which has terrorist training and proxies up, and you still don’t have the basics?” D’Amico said. “It’s unfathomable.”

Other concerns have been voiced by members of Congress, including Republicans.

The House Oversight Committee has requested a briefing from the Secret Service, and Sen. Josh Hawley (R-Mo.) has called for a hearing before the Senate Homeland Security and Governmental Affairs Committee, which also investigated the Butler incident.

In a letter urging the hearing, Hawley said the latest incident “raises questions about presidential security arrangements, potential resource needs, and the degree to which reforms previously proposed by Congress have been adopted.”

House Speaker Mike Johnson (R-La.) told Fox News that from “a layman’s perspective,” event security “looked a little lax in terms of getting into the building,” and that it “doesn’t sound like it was sufficient.”

Sean M. Curran, director of the Secret Service, has been on Capitol Hill in recent days briefing lawmakers.

He told CBS News that agents did a “great job,” but also that the incident remains under review. White House Press Secretary Karoline Leavitt has said that White House Chief of Staff Susie Wiles would be leading discussions on potential updates to Secret Service plans for securing the president.

Fear of graver threats

Blanche has argued that proof of the Secret Service’s effectiveness at the press gala was in the result: Allen was stopped, Trump and other officials were unharmed and no one was killed, despite Allen’s alleged intent.

However, the concerns being raised have to do with the vulnerabilities that were exposed as much as those that were exploited.

Because the dinner was not designated a major “national special security event” — such as a political convention — there were no trained counterassault agents on standby to prevent a breach or to take down a person with a weapon, officials have said.

Law enforcement experts said that was clearly a mistake given so many top officials — Trump, Johnson, Vice President JD Vance, Secretary of State Marco Rubio, Treasury Secretary Scott Bessent and Defense Secretary Pete Hegseth, among others — were in the room.

Such a gathering could have been targeted by foreign adversaries or others with far more experience, less regard for human life and much greater firepower than Allen, experts said.

“Most of my military friends are all saying the same thing,” said D’Amico, who is also a former infantry platoon commander in the U.S. Marines. “If you had had a team of three or four [gunmen], they would have gotten to [Trump].’”

In the initial criminal complaint against Allen, prosecutors included the text of an email Allen sent to family just as he was preparing to rush the security perimeter, in which he allegedly wrote that he had chosen to use buckshot in order to “minimize casualties” and prevent bystanders from being wounded by more powerful bullets penetrating walls.

He also allegedly wrote that he was willing to “go through most everyone” at the event to get to top administration officials, but that guests and hotel staff were “not targets at all.”

In Wednesday’s filing, prosecutors describe Allen’s actions as “premeditated, violent, and calculated to cause death,” and say he was “laden with weapons” as he breached security. But none of those weapons included assault-style rifles that can fire multiple bullets rapidly and have been used to kill civilians in mass shootings across the country for years.

The filing described Allen — a Caltech graduate and high school tutor — not as some trained tactical expert, but as an ideologue who spent part of his Amtrak journey from California to Washington waxing poetic about the landscape around him, describing Pennsylvania’s woods as “vast fairy lands filled with tiny trickling creeks in spring.”

Could have been worse

D’Amico said he and other Marines learned early on in Iraq that entrances to secured locations have to be designed in a “serpentine” fashion, forcing anyone approaching to move more slowly through the area and giving security officers more time to assess their intentions. And at an event the size of the correspondents’ dinner, with so many top officials gathered in a public hotel, you would want to make entrances “even more difficult.”

And yet no barriers seemed to be in place at the event, he said — something anyone trained more than Allen could have capitalized on.

“If they just had come through in a team of three or four who were coordinated and trained, there absolutely would have been penetration into the ballroom,” D’Amico said. “It would have been a gunfight.”

Allen himself questioned the security at the event, according to court records, allegedly writing that he had walked into the Washington Hilton with multiple weapons and no one considered “the possibility that I could be a threat.”

He wrote that if he “was an Iranian agent, instead of an American citizen,” he “could have brought a damn Ma Deuce in here and no one would have noticed” — referring to a powerful machine gun.

“It is fortunate he was only armed with what he had,” said Ed Obayashi, a California law enforcement expert on use of force.

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We were there: Hearing gunfire and ducking for cover at the D.C. gala shooting

Directly outside the Washington Hilton ballroom, as the yearly White House Correspondents’ Assn. dinner got underway Saturday, a Times reporter had just entered the men’s room when he heard a handful of loud pops ring out.

“Shooter!” someone shouted. “Get down! Shots fired!”

Inside the ballroom, thousands of journalists and politicians began to duck for cover as the event devolved from a celebration of free speech to a scene of fear.

The Times had six reporters at the dinner, seated at a table near the right side of the stage.

The Times reporter in the restroom, Gavin Quinton, heard the gunfire around 8:30 p.m. He had left The Times’ table minutes earlier, moving past the TV cameras and up toward the raised terrace near the ballroom’s security entrance. He crossed paths with CNN anchor Wolf Blitzer.

Outside the restroom, Cole Tomas Allen, 31, had broken into a sprint through the metal detectors, security footage would later show, getting within feet of the ballroom entrance.

Five or six shots fired by Secret Service agents missed Allen before agents brought him down near a staircase leading to the main floor, where Trump sat prominently in view.

A federal agent was hit in the chest in the exchange of gunfire but was wearing a bullet-proof vest and not seriously injured.

Inside the restroom, Quinton crouched near a corner. Others rushed into the room, including three hotel security guards who flung themselves in so quickly their backs slammed against the tiled wall. Within moments, a Secret Service agent positioned himself at the bathroom entrance, his pistol drawn.

“Head count?” he asked.

“A dozen — no, 15!” someone shouted back.

People stayed locked in bathroom stalls. Some tried to overcome the poor cellphone service to call loved ones. Confused, the mix of tuxedo-clad attendees, uniformed hotel guards and waitstaff tried to piece together what had happened.

“He had a gun,” one of the hotel guards said.

Another witness told Quinton that he initially thought Blitzer had been the shooter’s target.

“I look around and I hear shots as I’m opening the door. And I turn and I see him,” the man said of the gunman. “I look again and I’m like, ‘Oh, they just shot someone.’ ”

Blitzer, who was tackled to the floor by officers during the incident, would later say that “the first thing that went through my mind was whether he was going to shoot me.”

As the group speculated over whether the shooter had died in the volley, one man wondered aloud whether the event would continue. Initially thinking the gunman must have been killed, Quinton replied no.

“Why not?” the man asked. “It’s a bad guy who’s dead. It was a good f— ending. Seriously.”

The Washington Hilton has hosted the annual correspondents’ dinner for decades. The event, referred to locally as “Nerd Prom,” now comes with a slate of pre-parties and after-parties.

This was the president’s first appearance at the dinner since 2015; he had skipped it during his entire first term.

Questions now surround the security protocols. Guests faced little screening to enter the hotel on Saturday — a quick flash of a paper ticket — before heading down escalators to the only area with magnetometers, where bags were also searched.

Trump had entered the ballroom at 8:15 p.m. as the Marine band played “Hail to the Chief.”

Twenty minutes later, videos show, Secret Service officers with ballistic vests and long guns barked instructions to clear a path as they rushed into the ballroom and onto the stage.

One agent pulled Vice President JD Vance away. Another escorted Trump, who appeared to trip, but later explained he had been urged to drop to the floor.

Other officials — Secretary of State Marco Rubio, Defense Secretary Pete Hegseth, FBI Director Kash Patel, Homeland Security advisor Stephen Miller — were quickly whisked away too.

At The Times’ table in the ballroom, nothing appeared amiss at first.

Waiters had just begun to clear plates of spring pea and burrata salad. The reporters did not hear the gunshots, but watched as the room fell silent and others began to drop from their seats and duck under the floor-length white tablecloths.

One reporter lost a shoe in the process and then feared a gunman would spot it. She dragged it under the table.

They stayed in place for several minutes, texting loved ones and waiting for an all-clear, but none came.

From under the tablecloth, reporters heard someone yell out, “God bless America! USA!” They feared that was the shooter.

It turned out to be Dan Scavino, White House deputy chief of staff. The chant did not catch on.

Eventually, others could be heard speaking loudly and dishes clanking. Guests began to peek out from under their tables and warily stand up. Uneasy laughter flickered about the ballroom.

Cellphone service inside the ballroom was spotty. There was confusion at first about whether a shooting had occurred or whether plates dropping to the floor had been mistaken for gunshots.

“I thought it was a tray going down,” Trump said later.

Just before 9 p.m., Weijia Jiang, a senior White House correspondent for CBS News who is president of the White House Correspondents’ Assn., told guests the program would “resume momentarily.”

A half hour later, Jiang returned to the stage and announced that law enforcement had requested guests leave the premises. She said Trump had told her no one was hurt and that he, the first lady and members of the Cabinet were safe.

In closing remarks, Jiang said journalism is a public service “because when there is an emergency, we run to the crisis — not away from it.”

“And on a night when we are thinking about the freedoms of the 1st Amendment, we must also think about how fragile they are,” she said. “I saw all of you reporting, and that’s what we do.”

Law enforcement and media leaders offered conflicting guidance. Quinton was among the first to evacuate the building, though the vast majority of guests waited inside for longer.

On his way out, he noticed a metal detector had already partially been dismantled when the shooter ran through.

Quinton passed the grounded shooter, restrained on his stomach, near the staircase just 20 or so feet from the bathroom entrance. He lifted his phone and recorded a brief, shaky video of the scene before security forced him out of the hotel and onto the street.

The entire spectrum of emotion was on display when security finally ordered everyone to evacuate. Women in gowns ran in fear. One man sobbed into the sleeves of his evening jacket.

Photos on social media showed others stopping to take selfies. Some drank wine straight form the bottle.

Quinton spotted the presidential motorcade outside of the hotel lobby at about 8:45 p.m. Around the same time, an ambulance arrived as about 100 event attendees were escorted out of the secured event perimeter.

More law enforcement was inside the hotel as guests exited the building, including agents from the Secret Service, ATF, FBI and the Department of Homeland Security. National Guard soldiers replaced celebrities and politicians at the red carpet entrance.

Outside, Metropolitan police ushered people north on Columbia Road NW. Hungry guests in tuxedos filed into a nearby 7-Eleven. The dinner’s main course — prime beef and Maine lobster — had not been served.

At the White House afterward, Trump said the event would be rescheduled.

“We’re not going to let anybody take over our society,” he told reporters who had rushed to the news conference still dressed in gowns and black tie. “We’re not going to cancel things out because we can’t do that.”

Meanwhile, the night’s after-parties continued, though organizers attempted a more somber tone. MS NOW, for instance, told those who had RSVP’d that their “Democracy After Hours” party would be a “space for friends and colleagues to be together.”

Independent journalist Tara Palmeri posted a photo on the social media site X of a full party with blue mood lighting.

“People were still partying, still hitting WHCD afterparties last night,” she wrote. “Epstein corruption, an escalating Iran conflict, and an active shooter— and Washington just… kept going. The cognitive dissonance is the system.”

On Sunday morning, the Washington Hilton appeared back to normal, except for the presence of journalists using the hotel as a backdrop for their live shots.

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Shooter’s path to White House press gala prompts security questions

An attack on the White House correspondents’ dinner by a gunman who came within feet of the ballroom where President Trump sat raised immediate questions about the night’s security protocol — and the future of large, high-profile events in a country with easy access to firearms and increasingly high political tensions.

The man breached metal detectors in front of the Washington Hilton ballroom and sprinted dozens of feet ahead before exchanging fire with federal agents. Shots were fired in an anteroom that had not an hour before seen thousands of guests, including senior government officials, streaming through.

A manifesto allegedly written by the suspect described his targets as members of the Trump administration, ranking from the highest to the lowest — but said he was willing to “go through” any guest standing in his way in order to kill the president’s aides.

The attempted attack on a room full of dignitaries underscored domestic unrest in Trump’s second term and deepened questions about how to effectively create security in a modern era of lone actors, online radicalization and mass shootings. It was the third known time an attempted assassin has come close to Trump since his 2024 presidential campaign began.

Acting Atty. Gen. Todd Blanche on Sunday called the U.S. Secret Service response a “massive security success story.” But within hours of the incident, bipartisan leaders of the House Oversight Committee demanded a hearing on the agency’s security plans for the dinner.

In the manifesto sent to his family, the alleged gunman, Cole Tomas Allen, of Torrance, marveled at a lack of security.

“No damn security. Not in transport. Not in the hotel. Not in the event,” he wrote. “I walk in with multiple weapons and not a single person there considers the possibility that I could be a threat.”

The Hilton, in a ritzy Washington neighborhood, has long hosted the White House correspondents’ dinner. It is the same hotel where President Reagan and three others were shot in 1981.

The shooting caused terror among guests, some of whom noted they had expected more security to enter the event and Trump was whisked offstage within the first minute of shots being fired. While the event has traditionally hosted sitting presidents in the past, Trump’s decision this year to appear for the first time since taking office made the event particularly high profile.

His presence, alongside Vice President JD Vance and much of the Cabinet and line of succession, brought with it added security protocols and personnel — raising questions over whether the storied dinner and its guests of congressional members, diplomats and mid-level officials would have been even more susceptible to attack without Trump in attendance.

Trump on Sunday said it is “tough” to secure a hotel in the middle of a city with “buildings all around and hotel rooms on top,” but praised the Secret Service and law enforcement officers. One officer was shot, not fatally.

Talking to reporters after the incident Saturday night, Trump swiftly likened it to the attempt on his life by a gunman in Butler, Pa., during the 2024 presidential campaign, and suggested that it justified his controversial plans to construct a fortified ballroom on the White House grounds. He called the hotel “not a particularly secure building,” though he later said the room was “very, very secure.”

Plans to reschedule the dinner are under review. White House Correspondents’ Assn. President Wiejia Jiang of CBS News said the organization’s board would meet to assess what had happened.

Blanche said Sunday an investigation into what had happened was ongoing. He had attended a reception before the dinner on the first floor of the hotel hosted by CBS News, one of many that did not require any security check by law enforcement authorities.

“The first takeaway, or the takeaway that should be obvious, is that the system worked. And that we stopped the suspect, and we stopped him as soon as he tried to do what he was trying to do,” Blanche said on NBC’s “Meet the Press.”

But the attack raises a question about whether presidential security protocols are effective for modern tactics, or whether the country is “in a new domain” in which those procedures no longer meet the nature of the possible threats, said Neil Shortland, director of the Center for Terrorism and Security Studies at the University of Massachusetts Lowell.

Federal investigators should examine what the security policies were, what type of attacks they were designed to prevent, and whether that protocol was out of date, Shortland said.

“Did you follow the policy is a great question,” he said. “Was the policy correct in this modern day and for this modern situation is a separate question.”

The country is facing “the most complex threat environment in our nation’s history,” particularly from lone actors who are often radicalized online, Sam Vinograd, a former official at the Department of Homeland Security, said on CBS’ “Face the Nation.”

“It can be true that law enforcement and intelligence professionals prepared exhaustively for last night,” she said Sunday. “But it can also be true that in this moment, in this security environment, the paradigms of the past may not be sufficient to meet the moment.”

That raises the “need to rethink what it is going to take to actually secure these mass gatherings,” she said.

Trump appeared to voice the same idea Saturday evening, telling reporters, “Today, we need levels of security that probably nobody’s ever seen before.” He went on to say that “this is why we have to have” the East Wing ballroom, which he described as drone-proof and having bulletproof glass.

Kris Brown, president of the gun control organization Brady — which is named after Reagan’s press secretary, James Brady, who was shot in the 1981 attack — said lawmakers should instead consider passing legislation to help prevent gun violence.

“Not every public event can take place in the ballroom, in that kind of protection — nor can we afford to live in a society where our solution to gun violence is to barricade our public officials, our children, away in fortresses,” Brown said.

About 2,000 journalists, dignitaries and other guests attended the event, rushing through rain to enter using multiple hotel entrances. They were asked to show their tickets as they walked past security guards, but there was no check-in procedure or ID check. A Times reporter was waved toward the entrance without showing a ticket as she tried to get it out of her purse.

Inside, guests milled about on multiple levels where pre-dinner receptions were occurring. Hotel guests mingled with the crowd, granted full access to the hotel’s amenities, including its boutiques and restaurants.

Two protesters briefly took over a small red carpet where guests were lined up to take professional photos; Times reporters saw a third woman dressed in a formal gown and shouting protest slogans being escorted out by security guards after apparently having entered the event.

Guests were required to flash their tickets to go down an escalator to the ballroom level, then present the ticket before walking through metal detectors and having bags searched ahead of the ballroom entrance.

Allen, who had reserved a room as a hotel guest, said in his manifesto obtained by the New York Post that security was far less stringent than he had expected. Two U.S. officials told The Times that the contents of the manifesto are authentic.

“I expected security cameras at every bend, bugged hotel rooms, armed agents every 10 feet, metal detectors out the wazoo. What I got (who knows, maybe they’re pranking me!) is nothing,” he wrote.

He noted that security guards appeared to be focused on protesters and arrivals outside, writing, “apparently no one thought about what happens if someone checks in the day before.”

It is possible that steps to further restrict access to the ballroom level, keep guests away from the event location and check attendees’ identities outside could have provided additional security, said Erin Kearns, director of law enforcement partnerships at the National Counterterrorism Innovation, Technology and Education Center.

“The lesson that can be taken away is just thinking about how to harden and strengthen security at future events when you have so many high-profile people,” she said.

The hotel was a “soft target” with a makeshift perimeter, and there were “almost zero intervention points” where the shooter could have been apprehended before arriving, Shortland said. That was partly because he traveled by train, which does not have security screenings.

Authorities should also examine whether Allen was known to authorities and, if so, whether intelligence operatives could have pieced together his train travel and arrival in the president’s orbit, Shortland said.

The attempted shooting added to a growing list of instances of political violence in the United States. Last year, one Minnesota state legislator and her spouse were killed by a gunman while another lawmaker and his wife survived; the conservative activist Charlie Kirk — whose wife, Erika, was in attendance Saturday — was shot and killed at a speaking event; an arsonist attacked the residence of Pennsylvania Gov. Josh Shapiro.

Some of that violence has been directed toward Trump, something he frequently talks about. He was injured in the Butler incident, but has used his survival to argue that God saved him so he could become president. Two months later, a Secret Service agent shot at a gunman pointing a rifle on Trump’s golf course as the president golfed.

On Feb. 22, an armed man was shot and killed after entering the secure perimeter around Trump’s Mar-a-Lago home, when the president was in Washington.

“It’s always shocking when something like this happens. It’s happened to me a little bit,” Trump said Saturday.

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D.C. gala gunman wrote ‘manifesto,’ traveled from California before attack, officials say

Cole Tomas Allen, the suspected gunman who rattled the nation’s top leaders by exchanging gunfire with federal authorities after racing through the secure perimeter of a press gala in Washington late Saturday, had made a long journey from Southern California and written a “manifesto” threatening Trump administration officials before the short-lived attack, officials said.

Allen, a 31-year-old Caltech graduate and high school tutor from Torrance, is believed to have taken a train first to Chicago and then on to D.C. before checking into the Washington Hilton with two guns he had previously purchased, authorities said.

The attacker managed to bypass several layers of security at the White House Correspondents’ Assn. dinner before being taken down by armed agents outside the ballroom where President Trump and an array of other top federal officials were seated.

Allen could not be reached for comment, nor could an attorney for him be identified as of Sunday.

According to Trump, Allen had also authored a “manifesto” prior to the attack, which he had shared with family and which his brother had flagged to local law enforcement in Connecticut. The New York Post reported that Allen described himself in the document as the “Friendly Federal Assassin” and revealed he intended to kill Trump administration officials.

New London (Conn.) Police Deputy Chief John Perry said that around 10:30 p.m. a man came into the lobby of the agency’s headquarters to report that he’d received a troubling email from Allen. The relative initially thought it was spam, but then saw the news of what unfolded in D.C. and felt he needed to report it.

Perry would not say what was in the email, and did not know exactly what time it was sent. But the relative said he only saw and opened it around 10 p.m. “I think he was watching what was going on and kind of put two and two together and said I need to go to my local PD,” Perry said.

Police officials provided the email to the Secret Service and FBI, he said. Trump said the document would be released, but it had not been as of Sunday. Officials said criminal charges against the suspect were pending, with an initial court appearance likely Monday.

Late Saturday, both local and federal law enforcement, including from the FBI, swarmed the Torrance neighborhood where Allen is believed to have lived in a home with his family, with Torrance police clearing the road and putting up police tape along part of the street. A man who responded to a knock on the front door said, “Not right now,” and declined to comment further.

The thwarted attack marked the latest in a string of incidents in which gunmen have gotten dangerously close to Trump, renewing questions about the safety and security of the nation’s commander in chief at a time of intense political division at home and roiling conflicts abroad.

Trump was grazed on the ear by a bullet at one of his presidential campaign events in Butler, Pa., in 2024 — the first of two attempts on his life during that campaign cycle. The other involved a gunman targeting the president as he golfed in Florida, before federal agents intervened. Earlier this year, a gunman was killed at the president’s Mar-a-Lago club, after breaching a security perimeter.

On Sunday, questions swirled as to how such a security lapse could have happened again — and whether large, high-profile events are safe for top officials in a nation where firearms are easy to obtain and ubiquitous.

Acting Atty. Gen. Todd Blanche, in an interview on “Meet the Press” Sunday morning, said federal authorities believe the suspect had set out alone “to target folks that work in the administration, likely including the president,” but that a motive was still being determined and evidence still being gathered — including from devices taken from Allen and in interviews with people who know him.

“As of now, we don’t have any connection to any particular policy directive of President Trump or Iran or anything else that we’re doing in this country, but we are looking into it,” he said.

Blanche also downplayed the threat posed to Trump, other officials in the room such as Vice President JD Vance and First Lady Melania Trump, and the hundreds of other attendees to the annual event — suggesting Allen had essentially been stopped in his tracks shortly after making his break through a checkpoint of metal detectors and federal agents, dramatic video of which Trump posted online.

“Let’s not forget that the suspect didn’t get very far. He barely broke the perimeter,” Blanche said. “And so while this was extraordinarily dangerous and put a lot of lives at risk and there’s no doubt that that’s something that we’re going to have to learn from over the next couple weeks, the system worked. We were safe, President Trump was safe. His Secret Service agents kept him safe. All of us were safe.”

Blanche’s assessment of the attacker’s breach past security — which he said was only “by a few feet” — was disputed by some.

According to other attendees, including Times journalists, event staff were checking tickets, though not very thoroughly, at multiple points prior to escalators that descended to the metal detectors where Allen allegedly dashed past armed security.

The detectors were right outside the event hall and where the bathrooms for the event were located, and the assailant was taken to the ground about 10 to 15 feet beyond them, attendees said. The shots — including two from the gunman, according to Blanche — were heard in the ballroom.

Allen, who graduated from Caltech in 2017 with a degree in mechanical engineering and is registered to vote with no party preference, made a $25 political contribution earmarked for then-Vice President Kamala Harris’ campaign challenging Trump for the presidency in 2024.

While at Caltech, he was a teaching assistant and a member of the school’s Christian fellowship and the Nerf club, according to his LinkedIn profile. He later studied computer science as a post-graduate student at CSU-Dominguez Hills.

Allen was named teacher of the month in December 2024 at C2 Education, which specializes in college test preparation, tutoring and academic advising. A representative for C2 Education was not immediately available for comment.

According to the New York Post, Allen himself had derided the event security in his writings beforehand, describing finding far less security at the hotel than he had expected when he arrived, armed, to check in.

“I expected security cameras at every bend, bugged hotel rooms, armed agents every 10 feet, metal detectors out the wazoo. What I got (who knows, maybe they’re pranking me!) is nothing. No damn security. Not in transport. Not in the hotel. Not in the event,” he wrote, according to the Post. “I walk in with multiple weapons and not a single person there considers the possibility that I could be a threat.”

Authorities did not detail Allen’s alleged travel route to D.C., other than to say it was by train. In response to questions about whether Allen had taken Amtrak to get to Washington and whether his luggage would have undergone any security screening, Amtrak said only that it is cooperating with federal authorities.

Trump also zeroed in on security at the hotel being inadequate, in addition to posting the video of the suspect rushing past security and multiple pictures of him detained on the floor of the hotel.

While praising the federal agents who took the attacker down, Trump suggested that events with top U.S. officials should be held in more secure facilities — such as the giant ballroom he is trying to build on the White House grounds after demolishing the former East Wing.

“What happened last night is exactly the reason that our great Military, Secret Service, Law Enforcement and, for different reasons, every President for the last 150 years, have been DEMANDING that a large, safe, and secure Ballroom be built ON THE GROUNDS OF THE WHITE HOUSE,” Trump wrote on social media Sunday. “This event would never have happened with the Militarily Top Secret Ballroom currently under construction at the White House. It cannot be built fast enough!”

Weijia Jiang, president of the correspondents’ association, said in a statement Sunday that the group’s board “will be meeting to assess what happened and determine how to proceed.” She also thanked the U.S. Secret Service and other law enforcement for keeping people safe, and praised journalists in the room for leaping to work to inform the public of what had occurred.

Times staff writers Richard Winton, Ben Wieder and Justine McDaniel contributed to this report.

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Eddie Murphy and Martin Lawrence are new grandpas to baby Ari Skye

Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.

Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.

On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.

“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”

The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.

The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.

“My legacy to me is my children,” he said.

Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.

“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”

In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”

Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.

“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”

Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”



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Inside LACMA’s David Geffen Galleries lavish opening gala

Finding a revolutionary artist during cocktail hour at the opening gala of Los Angeles County Museum of Art’s new David Geffen Galleries was like shooting fish in a barrel.

Gaze over the rim of your glass to notice Jeff Koons and Ed Ruscha talking closely beside the DJ booth. Mark Bradford strides by with a beneficent smile — towering over everyone, including AI art maker Refik Anadol. Todd Gray, whose 27-foot-long photo sculpture “Octavia’s Gaze” graces the hallway near the building’s south entrance, chats with Wim Wenders, who is making a documentary about architect Peter Zumthor’s controversial new $724 million concrete behemoth. Zumthor is there too — in bright red sneakers — talking to LACMA director and chief executive Michael Govan before Govan turns to take a selfie with immersive installation artist Do Ho Suh.

Jeff Koons talks with Ed Ruscha.

Jeff Koons, left, talks with Ed Ruscha at the opening gala for LACMA’s new David Geffen Galleries on Thursday.

(Jessica Gelt / Los Angeles Times)

Lauren Halsey walks by in her distinctive white shirt, long shorts and ball cap, beset on all sides by friends and admirers.

“It’s beautiful, it’s fantastic,” she said of Zumthor’s creation.

It’s an artist’s world on this breezy evening, as the sun sets golden over the looming gray concrete of the building, and the lights that gird the structure’s underbelly flicker on and twinkle like stars overhead. In this milieu, Hollywood A-listers like Will Ferrell and Sharon Stone, who occupy separate cliques nearby, pale in comparison to the mingling artistic luminaries.

Peter Zumthor and Michael Govan chat.

Architect Peter Zumthor, left, and Michael Govan attend LACMA’s opening gala for the David Geffen Galleries. Govan said he hopes the building lasts 500 years.

(Gina Ferazzi / Los Angeles Times)

“It’s ready for us,” Bradford said of the building. “It’s ready for artists. I walked in and I was overwhelmed with a space that was made for us, and I can’t wait for everything I can do.”

“Snazzy. Does the job,” said Ruscha, looking bemused and speaking in short bursts of headline-style phrases like one of his famous paintings.

Gray said he was glad to see his art during “magic hour,” noting how the setting sun shone warm through the building’s glass windows — diffused by textile designer Reiko Sudo’s chromium spattered curtains — to imbue his photo installation with a distinctive warmth.

“I’ve never seen it at dusk,” Gray said with a smile. “It was a totally different experience to see it at that time of day. And [the light was] actually yellow, so the piece changed … and the concrete warmed up because of that warmer light. It was a lovely chromatic experience, which is wonderful because then you’re aware that you’re experiencing something in a very particular space and time.”

James Goldstein, the owner of architect John Lautner’s famed Sheats-Goldstein Residence, which he promised as a gift to LACMA in 2016, agreed with Gray that the gloaming light was lovely.

“If it were up to me the curtains wouldn’t be closed,” Goldstein said, noting that the curtains in his home — which is also made of concrete and glass — are never closed, and that the views from the Geffen Galleries are extraordinary and worth leaning into.

Koons said the building, and the moment in time that defines its unveiling, has the potential to bring the world together.

“It’s an amazing evening for all these people that love and believe in the value of art and humanity to be together and to celebrate architecture,” said Koons, noting that he looks forward to showing his art inside the new galleries. “LACMA is a place that’s here for future generations and Peter’s building is amazing.”

Will Ferrell and Viveca Paulin pose in front of a building.

Will Ferrell and Viveca Paulin were among the major Hollywood stars at the gala.

(Gina Ferazzi / Los Angeles Times)

Chatter about the building could be heard in every cluster of guests. One group talked about how striking it was to see ancient Greek sculptures juxtaposed against the rush of traffic along Wilshire Boulevard; another discussed their hope for more landscaping, noting that the concrete ground and concrete building begged for some lush greenery.

Govan basked in the limelight nearby, shaking hands and doling out hugs and back pats. His vision for the building has been 20 years in the making, and he’s faced an enormous amount of pushback, but the structure is here and his enthusiasm for it has not waned.

“I’ve just always imagined people in the building — it’s for people,” Govan said. “And I want it to last 500 years, I want those little drill marks to accumulate, I want change. I want this to be something that generations will care for.”

Zumthor also seemed deeply pleased with the moment, saying, “I’ve always been happy,” and emphasized that working in L.A. taught him to embrace a certain frontier-like lack of refinement.

LACMA’s staff was elated, especially those who have been watching the project develop for decades and absorbing the large amounts of criticism that have accompanied its manifestation.

Stephanie Barron, LACMA’s senior curator and modern art department head, said, “This is the first night with our art world colleagues and donors, and it’s thrilling to see how they are responding, and how they are a little confused, at first, about where to go. Then they realize, that’s the point of this — and they are just going with the flow and they are smiling and happy and looking at the art. It’s a game changer.”

“I’ve been here nearly 20 years and seeing this going from concept to reality has been the greatest thing,” said Tiffany August, associate vice president of LACMA’s people and culture department, which oversees human resources. “So much soul and heart and effort went into this.”

Arun Mathai, budget officer and head of finance, has also been with the museum for 20 years and said it’s exciting to finally be on the other side of the project. “To see it happen in such a beautiful way is very gratifying. The notion of no hierarchy, of wandering around and seeing art from all over the world, from all time periods beautifully juxtaposed, it’s just so enlightening,” Mathai said.

A group pf people talk and smile.

Michael Govan, left, Peter Zumthor, Holly J. Mitchell and Mayor Karen Bass attend the opening gala.

(Gina Ferazzi / Los Angeles Times)

Later, during a four-course meal of broiled oysters, tuna tostadas, braised Wagyu short ribs and berry meringue, various LACMA supporters, including board co-chair Tony Ressler; life trustee and major donor Lynda Resnick; and L.A. County Supervisor Holly J. Mitchell, whose district houses LACMA, took to the stage in a tent set up west of the new building to sing the praises of the Geffen Galleries — and to note that the evening’s dinner raised a record-setting $11.5 million. (The Geffen Galleries’ ongoing fundraising campaign now stands at $869 million.)

“This is a great, great example of what can be achieved when government and philanthropy work hand in hand for the public good,” Ressler said before thanking Govan for “taking bold risks.” “Your legacy is now permanently etched in the stunning galleries that will open to the public very soon.”

Mitchell was full of praise for Govan and Zumthor.

“The Geffen Galleries didn’t come to fruition overnight. And frankly, nothing that changes the status quo ever does,” Mitchell said. “To Michael, Peter, David [Geffen] and our dear Elaine [Wynn], thank you for your patience, because visionaries like yourselves often have to wait for the rest of the world to catch up with you.”

Resnick got a big laugh when she described her first meeting with Govan and his wife 21 years ago.

“An exquisite couple walked into [vice chair of the board] Bobby Kotick’s house. There was Michael Govan, a true intellectual, Zen thinker, movie star handsome, and under consideration to run LACMA. By the end of the evening, I was sitting on his lap feeding him peeled grapes.”

She concluded on a more serious note, calling the Geffen Galleries a “masterpiece of public art.” “Only one person in the world could have done all this with the signature elegance and his provocative style,” she said of Govan. “Generations will cross that bridge and watch the cars stream below, and feel the power of being embraced by art above all the gorgeous chaos of our city.”

After a standing ovation, Govan introduced musicians Sean Watkins, Gabe Witcher and T Bone Burnett, who sang — quite fittingly — “The Times They Are A-Changin.’”

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Isla Fisher, 50, looks sensational in red dress at Time Women of the Year Gala following split from Sacha Baron Cohen

ISLA Fisher shows she’s a match for any red carpet. 

The Australian star, 50, beamed in a crimson dress at the Time Women of the Year Gala.  

Isla Fisher smiling in a red strapless dress at the TIME Women of the Year Gala 2026.
Isla Fisher, 50, wows in a crimson dress at the Time Women of the Year GalaCredit: Getty
Sacha Baron Cohen and Isla Fisher at the 77th Annual Golden Globe Awards.
Isla has revealed she is ready to embrace life following her split from Sacha Baron CohenCredit: Getty

Actress Lucy Liu and Oscar nominee Teyana Taylor were honoured at the LA bash. 

In 2024, Isla split from Sacha Baron Cohen after more than 20 years. 

Isla has revealed she feels like a new woman and is ready to embrace life following her divorce from Baron Cohen

Commenting on her split, Now You See Me star Isla, 49, said: “I’m not going to lie, it’s been a really challenging time. 

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“I definitely feel like there’s something about the divorce club that anyone in it understands in a way other people don’t.  

“It’s a different grief. 

“I feel like creating a new identity after your divorce is so fun, though.  

“You get to reflect on your values and goals, explore new interests, focus on what you want and rebuild your sense of self.” 

Isla made her comments in an interview for New Beauty magazine, for which she also posed in a series of outfits. 

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Glam Jennifer Lopez, 56, stuns in lace slip dress and blazer as she hails Kerry Washington’s courage at charity gala

JENNIFER Lopez hails the courage of actress pal Kerry Washington at a charity gala.

The singer and actress, 56, wore a blazer over a lace slip dress at the event in Los Angeles for Women’s Cancer Research Fund.

J-Lo dressed up in a blazer to celebrate her pal Kerry WashingtonCredit: Getty
Jenny with Anastasia Soare and Kerry Washington, whom J-Lo was celebratingCredit: Getty
The singer was also joined by Sofia VergaraCredit: Reuters

She presented the Courage Award to Kerry, 49, a cancer advocate after her mum was diagnosed with the disease.

J Lo, who was also joined by Sofia Vergara, 53, at the event, said on stage: “Kerry, you remind us that together, through sciences, support of survivors, and the relentless pursuit of answers, that real change is possible.”

J.Lo is now an independent artist after it was revealed last July that she split from her record label.

Top label BMG, also home to Kylie Minogue and Rita Ora, released her 2024 album This Is Me . . . Now — her first full project in a decade.

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But it was understood at the time to be only a one-album deal and they called it a day following disappointing sales.

music insider said at the time: “Jennifer is obviously massively successful and talented but it’s been hard for her to find a label who she’s on the same page with.

“After her last album came out, it was decided she wouldn’t continue with BMG as it wasn’t the success she wanted.

“It only went to No 55 in the UK. But her team want to push her forward with this new music.

“She has spent a lot of time in the studio this year.”

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