Freedom

History textbooks often include the story of the Underground Railroad, an organized network of secret routes, places and people that guided enslaved populations from the South to abolitionist Northern states.

However, less is known about the underground railroad that ran southbound to Mexico. But one live-looped musical is unearthing that hidden history, one beat at a time.

Co-created and performed by Brian Quijada and Nygel D. Robinson, “Mexodus” tells the fictional story of Henry, who evades his capture by fleeing Texas across the Rio Grande. After a near fatality, he is saved by Carlos, a farmer and former combat medic battling his own trauma from the Mexican-American War. Together they form solidarity, despite social, racial and political strains plaguing both sides of the border.

Following its off-Broadway run at the Daryl Roth Theatre in New York City, the hip-hop and bolero-infused musical directed by David Mendizábal will open at the Pasadena Playhouse stage July 8 and run until Aug. 2. But for history buffs and musical enthusiasts alike, a sonically richer version filled with sound effects of the musical airs exclusively on Audible today, April 16.

The idea for “Mexodus” first came to Brian Quijada — playwright, actor and composer behind “Where Did We Sit on the Bus?,” “Kid Prince and Pablo” and “Somewhere Over the Border” — when reading a 2018 article on History.com about the estimated 5,000 to 10,000 enslaved individuals that escaped the American South for freedom in Mexico, though some researchers estimate that number to be higher.

“My parents crossed the border undocumented in the late 1970s, so I think I’ve always been fascinated with writing immigration stories,” Quijada said. “The reason that this story attracted me was because it’s like a reverse border story, but I also knew that it wasn’t my story to tell so I sat on it for a long time.”

Quijada bookmarked the article until he met Robinson — a performer at Berkeley Rep, Baltimore Center Stage, Shakespeare Theater Company, Mosaic Theater and writer and composer of “Santa Claus Is Comin’: A Motown Christmas Revue” and “R&J: Fire on the Bayou” — at an actor-musician conference weeks before the start of the COVID-19 pandemic. They were the only actors-musicians of color in the room, listening in on conversations about how one should audition for musicals like “Once,” “Million Dollar Quartet,” which typically center white storylines.

“We kind of looked at each other and we’re like, ‘we don’t really belong here,’” said Quijada, who invited Robinson to take part in “Mexodus” during the pandemic shutdown. The first iteration of the project was as a mixtape.

The musical edge of “Mexodus” hinges on live looping, a recording and playback technique where a sound is repeated and then layered (think Justin Bieber’s solo performance of “Yukon” at the 2026 Grammy Awards). Physically, both Quijada and Robinson’s characters have to pick up a guitar, record it, then play the drum set and run to the bass. “ It’s pretty labor-intensive,” Quijada said.

“I think Brian and I are artists in this way, like various people of color, where it’s like, no one else is gonna do it for me, so I can do it all by myself,” Robinson said.

There’s also a more dramaturgical, meta reason for the loop, which follows a four chord structure throughout the piece, set in both 1851 and present day.

“The looping shows you that there’s not much difference between 1851 and 2026,” Robinson said. “We just keep finding ourselves in a loop and like maybe a sound is in that wasn’t there before. Maybe another sound is added, but it’s still the same four chord structure that has been happening in this country for all existence.”

In 2010, the U.S. National Park Service outlined a possible runaway route stretching on the Camino Real de la Tejas between Natchitoches, La., to Monclova, Mexico. Still, it is unclear how organized the underground railroad heading to Mexico truly was, the Associated Press reported in 2020, with archives destroyed in a fire and sites along the path abandoned.

In 2024 the Jackson Ranch Church and Martin Jackson Cemetery in San Juan, Texas — which are part of a ranch owned by interracial couple Nathaniel Jackson and Matilda Hicks — were recognized by the U.S. National Park Service for serving as a gateway to freedom in Mexico.

Other Texas couples alongside the border— including interracial abolitionist couple Ferdinand Webber and Silvia Hector — aided enslaved people in their pursuits to reach Mexico, which had abolished slavery in 1829, while Texas was still part of the country.

Fears surrounding the Mexican government’s attempts to abolish slavery led to the formation of the Republic of Texas in 1836 and its eventual annexation to the United States by 1845; records also show that American slave owners would head down to Mexico to kidnap formerly enslaved individuals, according to USC historian Alice Baumgartner, who wrote about it in her 2020 book “South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War.”

A database by the Texas Runaway Slave Project, which found listings for 2,500 runaways across various Texas newspapers from the 1840s through the 1860s, also documents the frequented journey to Mexico.

Slavery in the U.S. wouldn’t be officially abolished until 1865 with the ratification of the 13th Amendment to the Constitution.

“I was also really intimidated by the amount of research that I would have to do to write this piece because at the time back [between 2017 and 2020], [researchers] were just beginning to uncover a lot of this,” Quijada said.

Themes of racism — including anti-Blackness in the Latino community — oppression and resistance are woven throughout “Mexodus,” which since its debut in 2023 at the Baltimore Center Stage/Mosaic Theater Company in Washington, D.C., has been making viewers aware of the little-known history.

Robinson recalled how one Black woman came up to him after the show to let him know she believed in Trump’s border wall.

“I got nervous, but she was like, ‘after seeing this, I’m realizing that there’s something trying to convince me of that.’ And I’m like, yes!” said Robinson. “I’m like, this is good. This is good. We started you somewhere. Wow.”

The pair hope that amid all the dark news circulating around the world — and the traumatic, historical themes interlaced in “Mexodus” — the existence of this piece of art can be a glimmer of hope and joy for the future of both Black and brown communities.

“ I need you all to see the truth, but we’re gonna try and dance anyway,” Robinson said.

RABAT, Morocco — A Moroccan court sentenced a rapper known for his criticism of the country’s ties with Israel and accusations of government corruption to eight months in prison, the latest in a string of penalties against young musical artists.

Souhaib Qabli’s songs sharply criticize Morocco’s 2020 decision to normalize ties with Israel in an accord brokered by the first Trump administration. His lyrics also call out problems with public services and restrictions on freedom of speech, grievances also voiced by Morocco’s Gen Z protesters last year.

The judge ruled Thursday that Souhaib Qabli, a 23-year-old rapper, was guilty of insulting a constitutional body, his attorney Mohamed Taifi told the Associated Press. Qabli, who is a member of Al Adl Wal Ihsane, a banned but tolerated Islamist association, was also fined $106.

“The court did not clarify what it meant by a constitutional body. No specific party was identified in the case file, and there are many constitutional institutions,” Taifi said.

The attorney said that his client is appealing the verdict. He also said Qabli was cleared of other charges, including insulting public officials and disseminating false allegations.

Before the public hearing, dozens of supporters gathered outside the court in Taza, a city in north-central Morocco about 160 miles from the capital, Rabat, holding banners calling for Qabli’s release. Rights groups in the North African kingdom have described the case as a political measure aimed at curbing freedoms.

Qabli, known by the stage name L7assal, was arrested earlier this month and remained in custody until the court delivered its verdict. He was studying refrigeration and air conditioning at a vocational training institute in addition to his music career.

His attorney said that Qabli was questioned in court about his songs and social media posts. Qabli said he had no intent to insult any constitutional body and was expressing his views through his music.

His songs include “No to the Normalization,” referring to Morocco’s decision to normalize ties with Israel in the U.S.-brokered Abraham Accords in 2020, in exchange for Washington’s recognition of Morocco’s claim to the disputed Western Sahara territory.

The move was criticized by Morocco’s pro-Palestinian supporters and sparked large protests in several cities. While authorities allowed the rallies, they have arrested activists who criticized the decision.

Morocco’s constitution generally guarantees freedom of expression, and the country is seen as relatively moderate compared with others in the Middle East. Yet certain types of speech can trigger criminal charges, and Morocco has seen tightening restrictions on dissent, including against journalists and activists.

An off-duty Metropolitan Police officer was among a group filmed confronting Al Jazeera journalists reporting on a suspected arson attack in north London, the force has confirmed. The incident is raising questions about press freedom.

Governing liberals edge ahead of opposition conservatives in a race too close to call, according to exit poll.

Slovenia’s governing Freedom Movement (GS) is on track to win a parliamentary election but will need to find more coalition partners to form a government, according to an exit poll.

GS was set to secure 29.9 percent of the votes, or 30 seats in the country’s 90-seat parliament, in a dip from its previous result of 41 seats, according to the poll, published by TV Slovenia and Pop TV on Sunday.

The opposition Slovenian Democratic Party, led by populist Janez Jansa, is expected to come second and secure 27 seats in parliament, according to the Mediana polling agency.

As he voted, incumbent Prime Minister Robert Golob, 59, called on citizens to cast their ballots.

“Democracy and Slovenia’s sovereignty cannot be taken for granted any more,” he told reporters.

Jansa welcomed the exit poll results and said he would wait for the final result.

“If someone wants a government like the one we’ve had so far, then they are probably satisfied with what these parallel results indicate,” Jansa said.

“Whoever wants change will likely have to wait for the final results, just as we will, and then we will analyse the situation. But we have done everything that was within our power,” he said.

The opposition party leader has served as prime minister three times, most recently from 2020 to 2022.

Ahead of the vote, the election had been marred by controversy after a report last week alleged that Jansa met with officials from the Israeli spy firm Black Cube in December.

Golob told journalists after the report: “The fact that … foreign services are interfering in the elections of a democratic member state of the European Union is something unheard of.”

A new report has expressed alarm at what it describes as backsliding press freedoms across the Americas, with the United States seeing the steepest decline.

The Inter American Press Association (IAPA) released its latest press freedom index on Tuesday, ranking last year as the lowest point for freedom of expression since the report began in 2020.

Researchers found that the Americas have experienced a “dramatic deterioration” in unrestricted speech, according to the report.

“This is one of the worst years for journalism in the region, marked by murders, arbitrary arrests, exile, and rampant impunity in countries such as Mexico, Honduras, Ecuador, Nicaragua, El Salvador, Guatemala, Colombia, Cuba, and Venezuela,” the report said.

It added that enhanced restrictions on free speech have occurred in countries of various ideological persuasions, whether right-wing or left-wing.

The US, however, was singled out as an area of “alarming decline”. In a ranking of 23 countries across the hemisphere, the US dropped from fourth place to 11th, indicating that journalists operate with increased restrictions.

Changes under President Donald Trump, who returned to office last year, were cited as a primary factor.

“Even though journalistic practice in the United States remains protected by the Constitution and laws, last year’s events saw the erosion of safeguards,” the report explained.

Trump, it said, had contributed to the “stigmatisation of critical journalism”. The report also pointed to developments like cuts to public media funding and the closure of Voice of America, a government-funded broadcaster, as detriments to the free press.

In total, the report tallied 170 attacks against journalists in the US last year, and it cited interactions with federal immigration agents as an area of concern.

The report also noted that Nicaragua and Venezuela continue to rank as “without freedom of expression”.

In Venezuela’s case, for instance, it cited the closure of more than 400 radio stations and the detention of 25 journalists in the wake of the controversial 2024 presidential election.

On a scale of 100, the report ranked press freedom in the country at 7.02. It remains in last place on the report’s list of 23 countries.

El Salvador also dropped in the index’s latest evaluation, now in 21st position on the press freedom list, just ahead of Nicaragua and Venezuela.

In an accompanying statement, Sergio Arauz, the president of the Association of Journalists of El Salvador (APES), denounced what he called the “escalating repression” under the government of President Nayib Bukele.

Arauz noted that 50 Salvadoran journalists had been pushed into exile in the last year amid a campaign of harassment by the government.

“There are no possibilities of practicing journalism fully without facing consequences when there is an Executive branch with virtually unlimited powers and no effective legal oversight,” said Arauz.

Since 2022, Bukele and his government have placed the country under a state of emergency that suspended key civil liberties and granted wide latitude to state security forces, in the name of addressing crime.

Tuesday’s report pointed to the state of emergency as a factor in undermining free speech, and also cited El Salvador’s new Foreign Agents Law, which gives the government the power to dissolve organisations that receive funding from abroad.

El Salvador is one of eight nations categorised in the index as “high restriction”, along with Ecuador, Bolivia, Honduras, Peru, Mexico, Haiti and Cuba.

The Dominican Republic, Chile, Canada and Brazil were ranked among the highest for protecting press freedoms.