founding

Column: The Founding Fathers pledged their fortunes to the cause of liberty. Trump enriches himself

Could the Declaration of Independence be signed today by this crop of political leaders, particularly the one who occupies and defaces the White House?

Not just sign, but sincerely mean it.

Especially the guy who bangs a wrecking ball against the historic East Wing to make room for an incongruous ballroom monstrosity, who mars the sacred Oval Office with gold glitter and paves over the lovely Rose Garden.

But never mind these displays of egotism and tackiness that currently blemish landmarks throughout the nation’s capital, including the National Mall, traditional site of the annual July Fourth fireworks.

Back to my central question: Would there be enough patriots today to affix their John Hancocks to a rebellious document that bravely concludes:

“For the support of this Declaration, with a firm reliance on the protection of Divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.”

Political leaders would very likely sign the more famous preamble that includes this passage, widely regarded as the most important sentence in American history:

“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.”

Those words probably would poll well and make salable talking points in local town halls. Even if the notion that all people are created equal would be recognized, as it was 250 years ago, as merely a lofty, hypocritical pie-in-the-sky goal. After all, the eloquent document’s principal author, Thomas Jefferson, owned 600 slaves.

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We’ve made a world of progress since then on equality. But clearly President Trump and much of America today don’t agree that all people are created equal and guaranteed the same right, for example, of due process in court. People such as undocumented immigrants — the tired, the poor and the “huddled masses yearning to breathe free.”

But that’s a heated and politicized 250-year-old debate that will continue indefinitely.

For me, the most striking and sincere sentence in the Declaration of Independence is the last one, in which 56 delegates to the Second Continental Congress in Philadelphia on July 4, 1776, unanimously pledged “our Lives, our Fortunes, and our Sacred Honor.”

“It was not a throwaway line,” notes UC Berkeley Law School Dean Erwin Chemerinsky, a constitutional scholar. “It was an acknowledgment that they were committing treason. It showed how deeply committed they were.”

The nation’s founders understood that in British King George III’s view, they were traitors. And if their rebellion failed, they’d be targets for execution.

“We must indeed all hang together or most assuredly we shall all hang separately,” Benjamin Franklin supposedly told delegates.

In fact, nine of the signers died during the Revolutionary War from disease, prison hardships or combat wounds.

An estimated 6,800 U.S. soldiers died in combat and more than 8,500 were wounded. An additional 17,000 Americans perished.

Several signers sacrificed their fortunes, some to help pay for the war.

Gen. George Washington — an immensely rich Virginia planter — refused to accept a salary as commander in chief of the Continental Army. He bought much of the ammunition and fighting gear himself, then was reimbursed after the war.

Sacred honor? That meant what it said back then. The revolutionary leaders proved their character with sacrifice and bravery.

The nation’s first president, Washington, could not tell a lie, according to myth. Of course, he routinely lied during the war to deceive the British. But our 47th president, Donald Trump, is a pathological liar who seems to prevaricate daily.

Would Trump pledge his fortune to the cause of liberty?

That’s hard to imagine of a president who uses the office to promote and prosper from his own brand name. And whose income ballooned to $2.2 billion in 2025, his first year back in the White House after being booted by voters in 2020, a humiliation he still doesn’t have the integrity to acknowledge.

“President Trump is using the office to enrich himself and his family in ways we’ve never seen before,” Chemerinsky asserts.

Pledge his life? Please!

This is a man who once faked bone spurs to avoid the military draft. OK, he wasn’t the only young fellow who dodged combat in the unnecessary Vietnam War, which claimed the lives of 58,000 Americans.

But Trump has called America’s war dead “suckers” and “losers,” according to former aides. He denies it.

There’s no question he expressed contempt for the late Sen. John McCain, who spent more than five years as a North Vietnamese prisoner. “He’s not a war hero,” Trump said. “I like people who weren’t captured.”

The Declaration of Independence was about severing the chains of a British monarchy and creating a government powered by the people with checks and balances.

Trump has attempted — often successfully — to govern as a monarch, ignoring the checks and balances of Congress and the judiciary. He has gotten away with it because bullied Republican congressional leaders have mostly rolled over like lapdogs.

But we may be seeing the early signs of a mild revolt against the king as Trump sinks further in the polls and we draw closer to the November elections.

That’s sort of what the founders had in mind: a government deriving its power “from the consent of the governed.” And when citizens are subjected to “absolute Despotism, it is their right, it is their duty, to throw off such Government.”

So could the Declaration be signed today? Hard to say. There’s no King George hovering over us. Only a wannabe king.

But, yes, I suspect there’d be a signing. Independence is a dominant gene in America’s DNA.

What else you should be reading

The must-read: What you should know about the $351.7-billion state budget Newsom just signed
Go your own way: Facing setbacks and resistance, Trump presses bid to reshape elections on multiple fronts
The L.A. Times Special: More money and patience could help California’s vote count

Until next week,
George Skelton


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‘Young Washington’ review: We deserve a more exciting founding father

It’s the 250th birthday of the United States of America and how better to celebrate than with a big-screen hagiography of America’s first president, George Washington? “Young Washington” arrives in theaters just in time for the Fourth of July with a chiseled, hot young actor in the lead role and the sheen of a prestige HBO drama, though the result isn’t really big-screen spectacle or appointment television. It feels more like something to be watched on the AV rig in a middle school social studies class. At least there won’t be a quiz at the end.

But there could be, because the plot of “Young Washington” plays out with all the thrill of a textbook chapter. It takes place mostly around 1753-55, at the advent of the French and Indian War. We open in medias res when the 23-year-old Col. Washington (William Franklyn-Miller) lurches from a dysentery-riddled nap directly into battle in the Pennsylvania woods, his battalion on the back foot, surrounded by gore and gunpowder. Another officer describes how dire the situation is while George ponders saving his men and asks, “What could be worth the risk?” Washington steels his gaze and we cut to black. You can almost hear the eagles scream, guitars riff and engines rev.

“Young Washington” is produced and distributed by Angel Studios, the faith-based movie studio that churns out films based on true stories that either feature freak accidents, strange illnesses or, more recently, unique stories from the past in which faith in God is a factor. Apparently, our nation’s founding also falls under this umbrella.

The film is directed by Jon Erwin, one of the in-house Angel Studios mainstays, who also helmed “Jesus Revolution,” “I Still Believe” and “I Can Only Imagine.” Erwin gives the whole project a kind of gritty, visceral approach — very “Game of Thrones” in red coats. It’s violent, muddy, the contrast is high and too many drone shots soar over the forest treetops.

Though it opens with a bang, this 1755 battle framing device gives way to the George origin story, starting with his father’s death 12 years earlier, when the 11-year-old George is bereft that he’ll have to sacrifice his education in order to become a tenant farmer and provide for his family including his mother, Mary (Mary-Louise Parker, doing a bizarre accent).

His older half-brother Lawrence (John Foss) takes him under his wing and teaches him, and the young George grows into a smart, bright, ambitious young man, whose dreams of becoming a British officer are dashed because he doesn’t have formal education, a fortuitous marriage or his own land. But he’s bootstrapped himself into intelligence and with savvy networking and know-how, he becomes indispensable to the British, volunteering as a major to survey land and negotiate treaties with the Native tribes and French army. It’s all a bunch of politicking and petty disputes until it escalates into all-out war thanks to an ill-advised ambush.

Sir Ben Kingsley, Kelsey Grammar (who starred in “Jesus Revolution”) and Andy Serkis play the British officers who begrudgingly, at times, believe in George and his capabilities, though a lot of the film is about a young man getting rebuffed by snobbish British officers.

He’s the kind of character who always makes the noble choice, does and says what’s right, and sees everyone as equals (including enslaved African men and Native American allies). He inspires his brother and others that the world can change and takes inspiration from his mother, who encourages him to continue his path and do it as God’s servant.

Unfortunately, this doesn’t make for a character that’s in any way complex or interesting at all. Franklyn-Miller is certainly pretty, serving as a fine face for this story, but the screenplay (by Erwin, Diederik Hoogstraten and Tom Provost) flattens his character into a basic cookie-cutter hero. Audiences, including the middle school social studies students, deserve better and more nuanced stories about this country and the values it was built upon.

“Young Washington” is propaganda in the form of a history lesson wrapped in a summer blockbuster. If only it were even slightly entertaining — maybe they’ll tackle that in the inevitable sequel.

‘Young Washington’

Rated: PG-13, for sequences of strong war violence and some bloody images

Running time: 2 hours, 5 minutes

Playing: Opens Friday, July 3 in wide release

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