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Every so often, an aspiring screenwriter wanders into the dim red glow of Jumbo’s Clown Room hoping to interview one of the dancers. “They’re like: ‘I’m writing a screenplay. Can I interview you?” says Cecilia Fairchild, one of the longtime dancers at the renowned East Hollywood bikini bar.

Her response is usually some version of this: “I’m like, ‘Why are you writing about that? Don’t you know we are all writing that too? Leave us alone,’” Fairchild says with a mischievous laugh. What bothers Fairchild is the assumption behind it — that the dancers are voiceless and helpless. Worst of all, they’re presumed to have stories worth mining but not the ability to produce literature themselves.

Jumbo’s has a longstanding reputation of being part of L.A.’s literary lore.

In the 1970s and 1980s, Charles Bukowski — L.A. nightlife’s debaucherous poet laureate — was rumored to haunt the bikini bar in its early days. David Lynch wrote his classic screenplay “Blue Velvet” at the bar. (According to local legends, the iconic opening shot of “Blue Velvet” came to Lynch when he spotted a dancer with only one ear.) Writer and director Quentin Tarantino reputedly wrote at the bar. But while Jumbo’s has garnered a mythology as a magnet for filmmakers, writers and musicians who collect impressions, the dive’s dancers have shifted from being the subject to the artists.

Many of Jumbo’s dancers write fiction and memoir, host literary salons across Los Angeles and find ways to tell their own stories rather than serve as muses. “It’s funny because I wish that male auteurs would tell the story of customers. I want a sniffer’s memoir. I think that’s a real point of view,” Fairchild says. (Speaking of alienation and horniness, the dancer has been meaning to crack the Marcel Proust canon.)

Honey Ryder (Claudia Musikul) types on the bar inside Jumbo’s Clown Room. (Carlin Stiehl / For The Times)

Fairchild is a playwright, poet and memoirist. Her recently completed memoir, “The Poison + The Spit,” traces a life of tumultuous love affairs and a stint dancing in New Orleans, rendered in prose that is whimsical, surreal and deeply emotional. The dancer also hosts the Downpour, a popular monthly literary salon at Bar Covell, and recently directed “Fool in the Pool,” a play that premiered at El Condor in Silver Lake this summer.

Her writing style mirrors her dancing: kinetic, wild and unpredictable. She sometimes takes the stage in roller skates, dancing to David Bowie. Her memoir achieves that same sense of hypnotic motion. “The memoir is so heavy,” she says. “Everything was so sad that I needed some lens to look at it that was fun, zippy and crazy.”

For Fairchild, dancing and writing possess the same need to expose oneself. “Vulnerability is one of the most interesting things about dancing,” she says. “There really is the potential to look into people, and they look into you, and you wordlessly share something with them that is half sexual and half this other thing.”

Meanwhile, Danielle Henderson — another dancer and aspiring novelist at Jumbo’s who writes under the pen name D.M. Faulk — has been working on a science-fiction novel titled “Meridian.” The book imagines a dystopian American wasteland where pregnant women are surveilled and controlled. She has been a longtime science-fiction fan since she and her father watched “Jurassic Park” and “Planet of the Apes” when she was a child.

Long treated as passive muses by visiting writers, Jumbo’s dancers — from left, Caroline Blaike (Caroline Moyer), Honey Ryder (Claudia Musikul), and Cecilia Fairchild — are reclaiming the narrative as active poets, memoirists and screenwriters.

(Carlin Stiehl / For The Times)

Unexpectedly, the Jumbo’s comically tiny dressing room became the inspiration for her novel. In 2022, when Roe v. Wade was overturned, conversations between dancers about reproductive rights ignited in the dressing room, which in turn informed her novel.

“A lot of those conversations happen in the dressing room. I’m incredibly inspired by the women I’m with who are incredibly sex positive and strong.” That ethos informed Henderson’s protagonist, Zayla.

In recent years, the bar has become a local author hangout. Allie Rowbottom, the author of the recent buzzy adult film novel “Lovers XXX,” discovered the bar in 2011 on the occasion of writer Elizabeth Hall’s birthday party. “I recall sitting front row on novelist Jon Lindsey’s lap, raining dollar bills on dancers performing intricate, beautiful athletic feats,” Rowbottom says. “I spent more than I could afford that night and have been back often since.”

Increasingly, Jumbo’s has cemented itself as a watering hole to the local writing scene. “Two years ago, I rented out a few tables for Jon Lindsey’s birthday, attended by Los Angeles literati like Tea Hacic-Vlahovic, Sammy Loren, Morgan Krantz, Tex Gresham and Nada Alic,” she adds.

According to Rowbottom, Jumbo’s is rife for literary inspiration. “To me, Jumbo’s feels uniquely dedicated, as a venue, to intersecting sex and art, despite the obvious dissonance of selling either,” she says. “I suspect such is what has historically made it a rich spot for writers, dissonance and tension being of utmost importance to good literary work.”

From left, Caroline Blaike (Caroline Moyer), Honey Ryder (Claudia Musikul), Cecilia Fairchild and Stephen (Aaron Laughton) inside Jumbo’s Clown Room.

(Carlin Stiehl / For The Times)

A charged scene in L.A. writer Aiden Arata’s critically-acclaimed 2025 essay collection, “You Have a New Memory,” features a night out at Jumbo’s Clown Room. “The dancers are starlets, athletes, artists; the theme is clown, and also longing — longing is a high form of physical comedy,” says Arata. “It possesses that heady mix of scuzz and glamour that can trick you into thinking your life is about to change.”

Jumbo’s burgeoning literary interest revives a hotly debated question: Who gets to tell the stories of sex work? For decades, the club has inspired celebrated writers and filmmakers, but Claudia Musikul — a dancer at Jumbo’s and a screenwriter herself — hopes its literary legacy will increasingly belong to the people at its core: the dancers.

“I hope that everybody can actually get their work out there because I feel it’s much deserved,” says Musikul. “You’ve probably heard about Bukowski, David Lynch doing ‘Blue Velvet’, or Anthony Bourdain. That’s all really cool, but in a way, it’s the actual dancers’ turn to have that kind of recognition.”

Musikul primarily writes screenplays about strippers, a subject she believes is seldom represented authentically. She has been in writing partnerships and workshops while developing scripts centered on dancers. In a sea of films depicting sex work, she cites Paul Verhoeven’s “Showgirls” as a film that resonates with her experience.

“‘Showgirls’ is my very favorite movie,” she says. “It’s my very special place in my heart movie.”

For Caroline Blaike, a poet and dancer at Jumbo’s, the connection between dancing and writing lies in observation. Years of performing have made her acutely attentive to the people who pass through the club, a voyeuristic habit that carries over into her poetry.

“When you’re a dancer, you’re very observant. You watch every person that walks in,” she says. “I feel like the way dancing makes you observe people helps you write from a perspective that other people can then relate to.”

Blaike has been working on a poetry collection that explores love, queerness, desire and personhood. “It’s gotten a little sexier over time, which is kind of fun,” she says. “I also just write about love, being gay, just existing. It can be a little aggressive, but people seem to like it, so that’s good.” She writes these poems from her prized typewriter — a “1951 Olympia typewriter that is my child.”

Among Blaike’s earliest literary touchstones was Maya Angelou. She still remembers encountering Angelou’s line in her poem “Still I Rise,” “I dance like I have diamonds at the meeting of my thighs,” and being stunned by it.

“I was like, ‘Oh, you can write that? That’s amazing,’” she says.

The literary ambitions at Jumbo’s extend well beyond the stage. Stephen Laughton, one of the club’s security guards, jokes that he leads a double life. By night, he keeps watch at the door; by day, he is an award-winning playwright. He’s recently been named the new associate artistic director of the Echo Theater in Atwater Village, and Laughton’s served as the writer-in-residence in the astrophysics department at the Natural History Museum in New York. Last November, his latest play became the first in the world to be staged in a planetarium.

“It’s this crazy, beautiful science play about two guys who meet in a club that explores mental health in the LGBT community, human interaction, time and astrophysics,” Laughton says.

Like many of his co-workers, Laughton has found himself turning Jumbo’s into copy. The club, he suggests, has a way of compelling everyone who works there to write about it.

“I think that probably what we’re all going to realize is that we’re all writing a version of the exact same story,” Laughton jokes.

Blaike argues that the dancers’ diverse talents are a key reason why Jumbo’s Clown Room has become such a beloved institution in the city. “It attracts confident, creative women who work there,” says Blaike. “Our community of women is supportive of each other and each other’s endeavors. … It really does facilitate that.”

Today marks 25 years since the 9/11 attack on the Twin Towers in New York City

A woman who was inside one of the Twin Towers during 9/11 said she can still hear the “screams”.

On Tuesday, 11 September 2001, hijackers seized US passenger jets and crashed them into two New York skyscrapers, killing thousands of people. Two planes hit the Twin Towers of the World Trade Center in New York, with the second strike 17 minutes after the first.

During a pre-recorded segment on BBC Breakfast, Janice Brooks shared her account of a day that she will always remember.

“I moved to New York on the 23rd of August 2001. I arrived in New York with the dog under one arm, a suitcase under the other, ready to begin the biggest adventure of my life,” Janice began in the interview.

Janice had only been in New York for a couple of weeks before the attack. She was working for a company called Euro Brokers, with offices on the 84th floor.

Recounting her steps on that day, Janice continued, “I left home at about probably 7.30am. Was at my desk by 7:45 at the latest. There was a bit of a bang, and I saw kind of like paper and dust swirling in the air. Suddenly, a man’s voice, top of his lungs, ‘Everybody out!’”

Janice didn’t know it, but a plane had just flown into the tower next to her. New York was under attack. As people looked on in horror, Janice was making her way down the steps. She’d reached the 70th floor when the second plane hit.

“I took two steps into the staircase, and there was this almighty thud,” she said. “The lights flickered on and off. Part of the ceiling came down. I was covered with dust and dirt. A couple of the girls at the front fell down to the floor. I was kind of like jostled against the wall.

“Then suddenly there was a scream-a woman screaming, one of those horror-filled screams that kind of lives in my head. ‘I can’t see! I can’t see!’ And all her eyes were covered with blood.

“She had long dark hair, and once she shook her head, glass covered everyone. Looked down at my shirt, and I had blood all over it. And I remember just standing there and pulling my shirt, looking at my shirt, and I’ve got blood on my shirt, and I started to cry.

“One of the brokers came running up, he took me by the shoulders and said, ‘It’s not your blood. We have to keep going. We have to get out of here’. I don’t even know your name. His name was Bob.”

As she finally reached the ground floor, Janice saw for the first time what had happened to the Twin Towers. “I looked up at the buildings, and where our floor should have been, there’s a big gaping hole, and I can see bits of building falling down,” Janice shared as she began to choke back tears.

“I can see flames. I can hear this awful bang-bang sound and this awful kind of twacking sound. And I just sat down and cried. Janice battled through the crowds and made it back to her apartment. She was in shock, completely traumatised.

After a little while, there was a huge bang. The whole building had collapsed. Janice added, “There was this billowing cloud going around my windows. One by one, the windows were blacked out until I was in the apartment. I couldn’t see my hand in front of my face.”

Janice eventually battled her way out of her apartment and, with help from strangers’ kindness, took the subway to a friend’s house.

As people around the world mark the 25th anniversary of the attack, Janice emotionally said, ” All those years have passed, and their faces start to blur in my memory. So I do my best to hold on to them, because 2,753 people were killed in the attack on the Twin Towers.”

BBC Breakfast airs daily at 6am on BBC One.

WASHINGTON — Nearly a quarter century after a day “etched forever into the memories of Americans,” President Trump honored the victims of the Sept. 11, 2001, attacks on Tuesday by vowing to “never forget.”

The event at the Ellipse was spearheaded by the Tunnel to Towers Foundation and showcased a massive, 21-foot, nearly 17,000-pound steel beam recovered from the South Tower of the World Trade Center in New York, which had traveled for months across the country as part of the Steel Across America tour.

The steel beam will make its way through New York in a procession on Friday by retracing the steps of fallen New York City firefighter Stephen Siller. Trump’s presence at the event on Tuesday just outside the White House began a week of commemorations that will culminate in several events on Friday, including one at the Pentagon that Trump will attend.

“This battered piece of steel here today on the Ellipse is a reminder that America is blessed with a strength no fire can consume, no evil can conquer and no terror can destroy,” Trump said.

Trump noted that the Sept. 11 attacks were one of few moments in history that “divide time into really what came before” and after.

His remarks briefly dipped into the political, as Trump warned of people turning a “communistic way” — a reference to his frequent attacks on Democrats as more democratic socialists gain influence in the party.

During his remarks, Trump paid particular tribute to two men who died in the attacks: Jeffrey Palazzo, a New York City firefighter, and Welles Crowther, a young equities trader who became known as the “man in the red bandanna” after rescuing several people in the attacks.

Trump said the U.S. Coast Guard will commission a new fast-response cutter this weekend in New York in honor of Palazzo, a Coast Guard reservist who was working out of Staten Island’s Rescue Squad 5 when he responded to the attacks 25 years ago.

And the president recognized Crowther, also a volunteer firefighter, by awarding him the Presidential Medal of Freedom.

Crowther’s mother, Alison, and sister, Paige, accepted the award, which is considered the nation’s highest civilian honor.

In attendance were a smattering of top Cabinet officials and members of Congress, including Republican Reps. Mike Lawler of New York and Dan Meuser, whose Pennsylvania district is near Shanksville, where Flight 93 crashed on Sept. 11, 2001.

Trump praised at length Commerce Secretary Howard Lutnick, who was chairman and CEO of Cantor Fitzgerald, a financial firm that had been housed at the World Trade Center. Lutnick lost his younger brother, Gary, as well as more than 650 employees in the attacks.

“He’s done an amazing job,” Trump said of Lutnick. “He’s rebuilt Cantor Fitzgerald, and he’s given much of the profits to some of the families or the families of people who perished.”

About 150 first responders from New York, as well as some from Washington and Pennsylvania, were in attendance, Trump said.

“This steel beam represents the best of our country,” said Frank Siller, the foundation’s chairman and CEO who is the brother of Stephen Siller. “It’s important to recognize that the heroism that was exhibited that fateful day was nothing short of incredible.”

Kim writes for the Associated Press. AP writer Will Weissert contributed to this report.

WHILE this beautiful hideaway hotel looks like it’s in Asia, you’ll actually find it two and a half hours away in Spain.

The 5-star Asia Gardens Hotel & Thai Spa is described as having the “serenity, peace and quiet of South-East Asia”.

It was named Spain‘s Leading Hotel in the World Travel Awards in 2024.

A number of famous celebrities have stayed too, including Wayne Rooney, Bruce Willis, Joan Collins and Zinedine Zidane.

The hotel itself is a 10-minute drive inland from Benidorm by the slopes of the Sierra Cortina mountains.

But thanks to being surrounded by 370,000sqm of pine forest and its own lush garden, it lives up to its name, and feels more like being in Thailand.

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The tropical grounds have 3,000 Asian plant species, including a 200-year-old bonsai tree as well as other bonsai and palm trees.

The hotel has a total of seven swimming pools, four of which are heated, and all are surrounded by jungle.

The Caras de Angkor pool is an adults-only Balinese style pool, while another is the Zen pool which has hydromassage.

Thailand is known for its massages and the hotel has its very own Thai spa on-site too.

Treatments include various types of massages, foot reflexology and beauty pamper sessions.

There are nine restaurants too, ranging from Asian cuisine at Koh Samui as well as a range of Mediterranean options and a poolside snack bar.

The hotel has its own fitness centre, tennis, volleyball and padel courts as well as football field.

Hotel staff can even advise guests on the best running routes in the area.

One visitor wrote on Tripadvisor: “Incredible place, not only for its design, floral decoration, gardens, atmosphere… but once you set foot in the lobby, you could perfectly believe you are anywhere in Asia.”

Another described it as: “A taste of heaven amongst beautiful gardens a feeling of being whisked away to Thailand without the long haul flight!!!“

Rooms range from Bali-style Deluxe to Deluxe Suites which have huge outdoor terraces with a Jacuzzi.

Room rates start from around £240 per night, but can increase to around £400 during peak season.

The most luxe room is the Presidential Suite which has its own lounge, kitchenette, outdoor terrace with sea views and a hot tub.

It also comes with 24-hour room service and guests can enjoy private in-room breakfasts.

Asia Gardens Hotel & Thai Spa, a Royal Hideaway Hotel can be booked with On the Beach – a seven-night stay for two adults in September 2026 starts from £840pp.

This includes return flights to Alicante and a stay in a Deluxe Room.

A stay with TUI in November starts from £985pp – which also includes bed & breakfast and return flights to London Stansted.