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This charming town offers all the charm of the Cotswolds without the crowds

The Cotswolds might be one of Britain’s most recognisable countryside escapes, but its popularity can make a summer visit feel very different from the peaceful rural holiday many tourists picture when they visit. The area is famous for its charming villages, cobbled streets and of course, its traditional stone cottages – but this fame is a double edged sword.

It might make the area famous – but it also means that the Cotswolds are frequently swarmed by tourists. For anyone hoping to enjoy a slower-paced weekend, battling through crowds can quickly take the shine off a trip. Luckily, you don’t have to give up the quintessentially British village experience altogether.

There are plenty of gorgeous places in the UK to explore that don’t involve doing battle with crowds. In fact, one place offers all the beauty of the famous Cotswolds, including the iconic stone cottages and flower boxes – but you don’t have to spend your holiday dodging crowds.

Travel experts at Parkdean Resorts have revealed this North Yorkshire town as the perfect Cotswolds dupe.

Set in the Yorkshire Dales, it has a traditional cobbled centre surrounded by some of the country’s most impressive countryside. The village square is a natural starting point, with independent businesses and places to eat clustered around its historic streets.

It’s got all the stone cottages, the flower boxes and historic pubs just like the Cotswolds – but you won’t find it teeming with tourists. This charming village is so beautiful it was picked as the main filming location for the fictional village of Darrowby in All Creatures Great and Small.

It’s Grassington in North Yorkshire – and it’s the perfect place to explore for a weekend.

The high street is packed with independent shops where you can pick up home made art and jewellery as well as delicious sweet treats and books.

Grassington is particularly appealing for tourists who want their break to combine sightseeing with walking. Rather than spending the day squeezing through a packed tourist centre, visitors can explore the village before heading out into the surrounding Dales.

If Yorkshire doesn’t tickle your fancy, the experts at Parkdean Resorts do have another destination that they think gives Cotswolds charm without the crowds.

Rye in East Sussex is another destination that rewards visitors who are prepared to look beyond the usual summer hotspots.

The town is packed with historic streets and distinctive old buildings, while independent shops and places to eat make it easy to spend a leisurely day exploring without needing a packed itinerary.

Its biggest advantage, however, could be its location.

Rye provides easy access to the Sussex coast, meaning a short break can include both an atmospheric old town and a day by the sea. Visitors can explore the historic centre in the morning before heading towards the beaches and coastline nearby.

It’s an appealing option for anyone who can’t decide between a countryside escape and a seaside break.

Instead of the usual phalanx of cars and buses, Saturday evening traffic on Wilshire Boulevard was replaced by massive balloons, mobile sculptures, gaggles of gallerists and an endless array of elaborate costumes.

The first-ever Los Angeles Art Parade, a collaboration between the Los Angeles County Museum of Art (LACMA) and famed gallerist Jeffrey Deitch, transformed the stretch of Wilshire known as Museum Row into a human-powered exhibition of the city’s dynamic art scene.

About 146 groups, made up of more than 1,400 participants, marched in the parade, with projects ranging from larger-than-life marionette dolls to squads of children in do-it-yourself costumes to mobile re-creations of LACMA’s most iconic art pieces.

The parade followed an all-day block party thrown by LACMA as part of its Grand Opening Weekend, celebrating the new David Geffen Galleries and the completion of the 20-year-long, $724-million campus construction project. Together, the block party and art parade attracted an estimated 60,000 attendees, who swarmed the galleries, danced to explosive DJ sets, and lined the streets to watch the eclectic procession of artists.

People dance during Flying Lotus’ DJ set at the Los Angeles County Museum of Art (LACMA) in Los Angeles.

(Ariana Drehsler/For The Times)

According to LACMA Director and Chief Executive Michael Govan, the event was a long time coming and “just the beginning” of how his team plans to use the campus space, which he previously called the city’s “living room.”

“We’re not gonna close Wilshire every weekend, but it’s an example of what we can do,” Govan said. “It’s really exciting to see the building work.”

Following a crowd-drawing DJ set from electronic low-fi hip-hop artist Flying Lotus, Govan introduced L.A. County District 2 Supervisor Holly J. Mitchell. She said the event made her “proud to represent LACMA” and to be a Metro board member, referencing the recently-opened Metro D-line extension, which dropped attendees off a quick stroll from LACMA’s entrance.

“Just seeing you all at this amazing public facility does my heart good,” she said. “This is your local government at work.”

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1. Silhouettes of people watching the parade. 2. A man and woman wearing tulle over them walk in the parade. 3. The crowd at the Los Angeles County Museum of History, Science, and Art (LACMA) Block Party. (Ariana Drehsler/For The Times)

As the party raged on LACMA’s campus, hundreds of parade participants hurriedly prepared for their debuts in the corners of nearby streets and parking lots. One group inflated a giant disco ball, while another smeared themselves with body paint next to a line of rehearsing dancers. Elsewhere, a megaphone-wielding leader herded dozens of black cats in the style of artist Gary Baseman into some semblance of order.

Deitch originally staged the first Art Parades in New York City’s SoHo neighborhood between 2005 and 2008. While those took a more art-world-exclusive approach, Deitch said the Los Angeles version was designed with inclusion in mind. The call for parade proposals was open to “emerging and established artists and creatives of all ages and backgrounds,” according to guidelines, as long as the work was appropriate for all ages and didn’t require a motorized element.

“The New York one was much more oriented toward people in the art community. We didn’t put out this kind of open call,” Deitch explained. “This is very different in its openness and its diversity. There are some famous artists and famous choreographers, L.A. legends. But there are also mothers from the San Fernando Valley with their children. I really love that.”

Artist Jordan Rountree’s rolling woodcut-sculpture called the Devil Jack in a Box with Crocodile appeared in Saturday’s Block Party and Art Parade hosted by the Los Angeles County Museum of Art’s (LACMA).

(Ariana Drehsler/For The Times)

“It’s just a very open platform, so you don’t have to have an M.F.A. to express yourself as an artist,” he added.

The procession was dizzying in its variety and scale. While many projects leaned into beauty and whimsy, others took a more overtly political approach, displaying anti-ICE messages on T-shirts and signs, sporting trans pride flags, or, in the case of performance artist Amy Kaps, wearing an unraveling U.S. constitution.

Some even referenced local causes, such as the “Boo Boo Bandage Brigade for Safe Streets,” which advocated for fixing sidewalks and increasing accessibility downtown. One particularly moving display by the Pali-Altadena Collective featured participants carrying miniature models of buildings and landmarks lost in the 2025 fires.

Chicana artist Nao Bustamante and Track 16 Gallery brought “Brown Disco” to the streets, which featured a giant gold disco ball and figures from decades of L.A. queer nightlife.

The crowd at the Los Angeles County Museum of Art (LACMA) Art Parade.

(Ariana Drehsler/For The Times)

“As a brown, queer person, I think that this really brought a light into our community, and now its presence [creates] an intergenerational conversation,” said Track 16 Assistant Director Steve Galindo. “The nightlife scene is how we come out as queer people, so it’s really special to be in the parade.”

For Joie Mitchell, volunteer coordinator for the Bob Baker Marionette Theater, which recently purchased its permanent Highland Park home, the parade was an opportunity to “show up for L.A. and be involved in the art history of this city.”

“Puppetry has been part of the arts for so many years,” added Daisy Hernandez, the theater’s production manager. “It’s a way that people express themselves, just like every other art form. So that’s what we’re here to do: express ourselves through puppetry.”