field

Makai Lemon came screaming across the center of the field, gliding past one Michigan State defender, then another, moving as if the world around him were in slow motion.

USC’s top receiver had presumably been a top-line focus of the Spartans’ game plan — and even more so after fellow wideout Ja’Kobi Lane was ruled out Saturday with an injury. But here was Lemon slicing his way through Michigan State’s secondary as if no one had bothered to tell him as much, sprinting free as a deep pass soared in his direction and hit him in perfect stride.

Most of Saturday night’s 45-31 win over Michigan State felt that seamless for USC, which moved the ball with ease on offense, racking up 517 yards in the process. But in a swirl of penalties and poor discipline from its defense, USC inexplicably found itself clinging to a one-score lead in the fourth quarter.

It was the sort of stumble that might’ve prompted flashbacks from the Trojans’ previous conference, when #Pac12AfterDark derailed more than a few seasons while the rest of America slept. Though, as late as Saturday’s game ran — with its conclusion coming just before 3 a.m. Eastern time — there would be no such comeback from Michigan State.

“We were dominating the football game,” USC coach Lincoln Riley said. “But our ability to separate back out, I thought, was just as impressive.”

USC mounted a 13-play drive with its back against the wall in the fourth quarter, at one point even converting a critical fourth down near midfield, before Lemon pushed the pedal to the floor. He went sprinting on a jet motion, took the handoff and flew into the end zone for a score the Spartans couldn’t counter.

“Any time the ball is in his hands, something big is about to happen,” USC quarterback Jayden Maiava said.

With Lane out, Lemon accounted for more than half of the Trojans’ passing output, as he finished with eight receptions for 127 yards and a touchdown, the vast majority of which came in the first half.

Maiava didn’t need to do much more through the air after halftime. He finished with a season-low 234 yards, but completed 20 of 26 passes and added three passing touchdowns, to go with another on the ground.

USC’s rushing attack ultimately made the difference, despite facing a defense that hadn’t allowed any of its opponents to rush for 100 yards.

USC running back Eli Sanders runs with the ball during a win over Michigan State on Saturday night.

(Carlin Stiehl / Los Angeles Times)

Jordan bested that total himself, running for 157 yards on 18 carries, while Eli Sanders added 84 rushing yards of his own.

But once again, the Trojans paid a serious price for their propensity for penalties.

On one third-quarter drive, USC ran into Michigan State’s kicker on a punt, was flagged for an illegal substitution and then was called for pass interference, all within a four-play stretch. For a while, it seemed the sequence might turn the tide towards the Spartans.

“Obviously we haven’t done enough,” Riley said of coaches’ efforts to reduce USC’s penalties.

That message was reiterated after the game by linebacker Eric Gentry, who stood up in front of the team to belabor the severity of their penalty problems. The Trojans were called for 10 total penalties on Saturday for a loss of 88 yards, making it three consecutive games of at least eight penalties.

Fortunately for USC, its defensive front was also able to impact the game in other ways, namely by keeping Spartan quarterback Aidan Chiles uncomfortable in the pocket.

But where the pass rush continued to look improved, USC’s secondary didn’t exactly soothe concerns Saturday. Chiles only threw for 212 yards, but 169 of those yards — almost 80% — came on just four pass plays.

Through four games, USC now ranks worst in the Big Ten in plays allowed of 10 yards or further (17).

“We’ve had about one of them a game,” Riley said, “and we’ve got to put a lid on it.”

The road only gets harder from here for USC (4-0). The Trojans’ next three games (Illinois, Michigan and Notre Dame) come against ranked opponents, and two of those games (Illinois and Notre Dame) are on the road. And while the Irish are 1-2, and the Illini were just steamrolled by Indiana on Saturday, both should provide much tougher tests than the Trojans have faced thus far.

Whether USC will have one of its top receivers back for that stretch remains to be seen. Lane, who was listed as questionable on Saturday, came out with the team for early stretches. But when the team reemerged in full pads for warm-ups, the Trojans stud wideout was wearing sweatpants.

Riley said after the game that the severity of Lane’s injury is still “inconclusive,” but his absence could extend multiple games.

“I don’t think it’ll be super long,” Riley said. “But at the same time, I certainly can’t sit here today and say for sure he’s going to play next week or in the coming weeks.”

Without one of their top targets, USC tried to lean on its backs early. Twelve of the Trojans’ first 16 plays went to either Waymond Jordan or Eli Sanders. But it was Maiava who punched in USC’s first score after he faked a handoff and sprinted 15 yards to paydirt.

Michigan State (3-1), meanwhile, took to the air to challenge the Trojans’ struggling secondary. On the Spartans’ first possession, Chiles found Chrishon McCray wide open for a 42-yard touchdown, and Michigan State took an early lead.

Chiles completed each of his first seven passes. But with their run game completely grounded, the Spartans offense came to a halt. Their next three drives accumulated a combined 66 yards.

USC started humming in the meantime, gaining at least that many yards on four of its five first-half drives. The rushing attack found a rhythm, with seven rushes of 15-plus yards in the first half alone, while Maiava moved the ball with ease through the air.

USC quarterback Jayden Maiava scores a touchdown in the first quarter against Michigan State.

(Carlin Stiehl / Los Angeles Times)

Still, despite being outgained by almost 200 yards before halftime, Michigan State was within a single score — and set to receive the second-half kick — as USC drove 88 yards down the field before half. With 37 seconds left, Maiava lofted a pass to the corner of the end zone for freshman Tanook Hines, who reeled in the well-timed, seven-yard score.

USC looked ready to speed past Michigan State in the second half as it took just four plays and less than two minutes to drive the field. Maiava hit tight end Walker Lyons for a touchdown, his second in two weeks, to make it 31-10.

But Michigan State mounted an 11-play drive, and USC’s defense chipped in with four back-breaking penalties to keep it moving. Eventually, Chiles punched in a touchdown himself, cutting the lead to two scores.

The momentum swung suddenly after that. On the first play of USC’s ensuing possession, wideout DJ Jordan lost a fumble deep in the Trojans’ territory. The turnover opened the door for Michigan State, which needed eight plays to reach paydirt and cut the lead to a single score.

But USC slammed that door shut on its next drive. And while Saturday night’s win wouldn’t go down as the most seamless of the Trojans’ season, it was still just as satisfying to Riley.

“If you’re learning lessons as you win, it’s hard not to be excited about what you see out of this football team,” Riley said. “And everything I see makes me believe that we’re going to continue to grow, learn from some of the mistakes, because there are so many positive things happening out there.”

Clayton Kershaw blew a kiss to his family, pounded a fist in his glove, then made the familiar trot from the Dodgers’ dugout to the Chavez Ravine mound.

This time, however, he did it alone.

In what was his final regular-season start at Dodger Stadium, coming one day after he announced that he would retire at the end of this year, Kershaw took the field while the rest of his teammates stayed back and applauded.

• Share via Close extra sharing options

On a night of appreciation for his 18-year career, the moment belonged to him — and an adoring fan base that has watched his every step.

The first time Kershaw ever pitched at Dodger Stadium, he was a much-hyped and highly anticipated 20-year-old prospect. His talent immense. His Hall of Fame future in front of him.

When he did it for potentially the last time on Friday night, he was a much-beloved and long-admired 37-year-old veteran. Hardened by the failures that once defined his baseball mortality. Celebrated for the way he had learned to overcome them.

Few athletes in modern sport play for one team, for so long. Fewer still experience the emotional extremes Kershaw was put through, or manage still to weather the storm.

When Kershaw was asked about Dodgers fans during his retirement news conference Thursday, that’s the dynamic he quickly pointed to.

“It hasn’t been a smooth ride,” he said. “We’ve had our ups and downs for sure.”

Between boundless cheers and intermittent boos, historic milestones and horrifying heartbreaks, triumphant summers and torturous falls.

In regular-season play, baseball has maybe never seen a more accomplished pitcher. Kershaw’s 2.54 ERA is the lowest in the live-ball era among those with 100 starts. He is one of the 20 members of MLB’s 3,000 strikeout club. He is one of four pitchers to win three Cy Youngs and an MVP award.

In October, however, no one’s history has been more checkered. There were implosions against the St. Louis Cardinals in 2013 and 2014. The infamous fifth game of the 2017 World Series against the sign-stealing Houston Astros. The nightmare relief appearance in 2019 against the Washington Nationals. Nine trips to the playoffs in his first 11 seasons, without winning a championship once.

In those days, it made Kershaw’s relationship complicated with Dodger Nation. He was heroic until he wasn’t. Clutch until the autumn. It didn’t matter that he was often pitching on short rest, or through injuries and strenuous workloads, or in situations no other pitcher would have ever been tasked. He was the embodiment of the Dodgers’ repeated postseason failings. The face of a franchise that could never clear the final hurdle.

1

2

3

4

5

1. Clayton Kershaw reacts after getting San Francisco’s Jerar Encarnacion to hit into a double play in the third inning Friday night at Dodger Stadium. 2. Kershaw acknowledges the cheers from the Dodger Stadium crowd after exiting the game in the fifth inning. 3. Kershaw acknowledges the crowd after leaving the game in the fifth inning. 4. Kershaw is congratulated by his teammates as he exits the game. 5. Kershaw is embraced by Dodgers manager Dave Roberts as he leaves the game in the fifth inning. (Gina Ferazzi / Los Angeles Times)

“It’s almost like a relationship, right?” Kershaw said. “You’ve been in it 18 years with them. There’s some great times, and then there’s some times where you probably want to break up for a minute.”

In his case, though, that’s how such an enduring bond was built.

He persevered through such struggles. He kept coming back every season. He finally got over the hump with World Series titles in 2020 and 2024. He never shied away from even his darkest moments.

“With that responsibility as the ace, you’ve got to take on a lot of scrutiny or potential failures,” manager Dave Roberts said. “Everything wasn’t optimal for him. But he never complained about it. Never made an excuse for it.

“I think the fans, certainly at his highest moments, have shown their love for him and support. In those other times, I think it’s just, the fans have been hurting along with him. Wanting so much for a guy that’s been such a stalwart and a great citizen and person for this city and organization.”

“I think the respect, the universal respect, is certainly warranted 10 times over.”

Over a 6-3 win against the San Francisco Giants that ended just minutes after the Dodgers clinched their 13th consecutive postseason berth, that’s what was celebrated from Kershaw’s first pitch to his last.

The left-hander threw 4⅓ innings of two-run ball, striking out six batters on four hits and four walks, but it wasn’t his stats that mattered. He struggled with his command, averaged only 89 mph with his fastball, and left the mound with the Dodgers trailing, but the memories from this night will go far beyond that.

From the moment Kershaw emerged on the field at 6:23 p.m., fans rose to their feet. They cheered and chanted his pregame routine in the outfield and bullpen. They roared when his name was introduced shortly before first pitch.

They knew this could be his Dodger Stadium send-off, a sentimental opportunity to say thank you for all he accomplished and all he endured.

Kershaw felt a swirl of emotions, as well, sitting teary-eyed in the outfield while taking in the scene before the game began.

“You’re trying to focus on the night and getting outs, but it’s a special day,” Kershaw said. “It’s the last time here, potentially, and this place has meant so much to me for so long. I didn’t want to not think about it.”

At the start of the first inning, his teammates made sure he wouldn’t. As Kershaw headed to the mound, the Dodgers’ fielders made an impromptu decision to stay back and let him be serenaded with an extended ovation.

“I didn’t love it,” Kershaw joked. “But it was a great gesture.”

And as he stood on the mound alone, he smiled and waved at a moment 18 years in the making.

“This is one of those moments where Dodger fans, you all have seen him for 18 years and watched his career grow and everything that he’s gone through,” Roberts said. “People are going to back and go, ‘I was there for the last time he started a home game at Dodger Stadium.’”

From there, the night was surprisingly tense.

Kershaw gave up a home run on the third pitch of the game to Heliot Ramos. He spent the next four innings battling traffic, stranding two runners later in the first, another two in the second, and two more in the third after a Wilmer Flores RBI single.

By the fourth, it was clear Kershaw was not long for the evening. His pitch count was rising. The bullpen was active. And with two outs in the inning, Willy Adames was extending a two-strike at-bat.

On the ninth pitch of that battle, however, Kershaw finally got a whiff on a slider. For the first time since the first inning, Dodger Stadium erupted once again.

Watch Dodgers pitcher Clayton Kershaw’s full start against the San Francisco Giants at Dodger Stadium on Friday night.

Kershaw returned to the mound in the fifth, and struck out Rafael Devers with a fastball at the knees.

With that, his night was over, along with maybe his Dodger Stadium career.

“I feel like the moments that we have right there in front of us, it’s history,” second baseman Miguel Rojas said.

“You had to just kind of be there to really feel the emotions,” shortstop Mookie Betts added.

In the stands, applause echoed through a sell-out crowd of 53,037 — which included former teammates Austin Barnes, Andre Ethier, Russell Martin, Trayce Thompson and AJ Pollock; as well as other Los Angeles sports icons from Magic Johnson to Matthew Stafford (a childhood friend of Kershaw’s from Texas).

After receiving hugs from his infield, and embracing Roberts with an apology (“I’m sorry I pitched so poorly tonight”) and a request (“Not trying to be disrespectful, but I’m keeping this ball”), the pitcher then made the slow walk back from the rubber.

Dodgers pitcher Clayton Kershaw makes a hugging gesture as he walks off the mound to a standing ovation at Dodger Stadium on Friday night.

(Gina Ferazzi / Los Angeles Times)

He took a deep breath. He gave a hugging motion to his family sitting in the loge level. He donned his cap, and repeatedly said thank you to a crowd that never ceased to cheer.

“It hasn’t always been a smooth ride, but you guys have stuck with me,” Kershaw, who also re-emerged from the dugout for a raucous curtain call, reiterated in a postgame on-field interview.

“Dodger Stadium is a super special place, and the fans are the main reason why,” he added in his postgame news conference with reporters. “They continue to come out and support us. Every night, it’s 50,000 people. I wish I had better words other than I’m just so honored and thankful to hear those ovations. I’ll never take that for granted.”

Now, one more October awaits — with the Dodgers (87-67) officially clinching a postseason berth Friday after roaring to the lead on back-to-back home runs from Shohei Ohtani and Betts in the bottom half of the fifth.

Kershaw’s role in this last title chase is uncertain. With a loaded rotation, but shaky relief corps, the Dodgers’ best use for him could come out of the bullpen. Roberts said he envisions Kershaw fitting somewhere on the playoff roster. Kershaw said he can “do the math” and is prepared “to do whatever I can to help.”

Either way, his legacy with the Dodgers, and its forever indebted fan base, had already long before been graciously cemented.

“I’m kind of mentally exhausted today, honestly, but it’s the best feeling in the world now,” Kershaw said. “We got a win, we clinched a playoff berth, and I got to stand on that mound one last time. I just can’t be more grateful.”

“Perfect night,” he later added. “It really was.”

SAN FRANCISCO — The Dodgers have gotten back to the basics this week, preaching the importance of the little things in daily hitters’ meetings, in-game dugout conversations and even simulated drills in early batting practice sessions.

After a 2 ½ month slump over the second half of the season, they were searching for a more dependable style of offense. Like simplifying their approach at the plate. Shortening up swings and using the big part of the field with two strikes. Capitalizing on situational opportunities with runners on base. And making sure that, amid a resurgence from their rotation, they were finding ways to more consistently manufacture runs.

This weekend in San Francisco, they finally enjoyed the fruits of those labors, blowing out the Giants 10-2 on Sunday to win a three-game series and remain 2 ½ games up in the National League West standings.

“Quality of at-bat, winning pitches, using the whole field, not punching [out] — I think all those things, you know it’s in there,” manager Dave Roberts said, after the Dodgers racked up 18 hits, worked six walks and scored in six of their nine trips to the plate.

“We’ve seen it. Maybe not with the consistency we would’ve liked. But when you’re facing really good arms, to see us do what we did… it’s certainly encouraging.”

Indeed, coming off a 13-run outburst Saturday night, the Dodgers picked up right where they left off at Oracle Park on Sunday afternoon, slowly sucking the life out of a recently resurgent Giants team trying to sneak into the playoffs.

Teoscar Hernández continued a recent surge with a team-high four hits, making him 11 for his last 24. Mookie Betts, Freddie Freeman and Michael Conforto each had three knocks, with Conforto’s day getting his batting average back to .200. As a team, the Dodgers combined for a whopping 16 singles while forcing 207 pitches from the Giants’ staff of arms. And most amazing, they did it with Shohei Ohtani reaching base only once, and that didn’t even happen until his sixth at-bat in the top of the ninth.

“It’s quality at-bats, quality outs, moving guys over, getting sac flies, bringing defenses in if you move them over,” Freeman said. “It creates more traffic, more things that are able to happen on the baseball field. Just think the quality of at-bats have been really good over the last week.”

The onslaught started in the second inning, when two walks and a Freeman single loaded the bases, setting up Kiké Hernández for a sacrifice fly. It continued in the third, when a pair of productive outs (plus a bobbled ground ball from San Francisco third baseman Matt Chapman) turned singles from Betts and Teoscar Hernández into another hard-earned run.

Then, in the fifth, it all culminated in a four-run rally, one that knocked Giants starter Robbie Ray out of the game, and turned a low-scoring affair into a series rubber-match rout.

Freeman lined a double to right field, after Betts walked and Teoscar Hernández again singled. Conforto came off the bench for a two-run, pinch-hit, bases-loaded single that he managed to slap past a drawn-in infield. A run-scoring balk from reliever Joel Peguero added to the deluge, which included a pair of walks from Tommy Edman and Ben Rortvedt.

In the sixth, what was already a 6-1 lead was stretched a little further, with Miguel Rojas’ two-run single — with the bases loaded once more — putting the Dodgers’ sixth win in seven on ice. The Dodgers nonetheless added more runs in both the eighth and ninth, giving them their first back-to-back double-digit run totals since all the way back at the end of April.

The Dodgers’ Tyler Glasnow pitched into the seventh inning on Sunday to pick up his second win in as many starts.

(Godofredo A. Vásquez / Associated Press)

“It’s definitely the kind of baseball we want to be playing down the stretch and for the rest of the season,” Conforto said. “I think we’re doing a lot of the little things right. That’s kind of been the theme as we finish up here.”

It all represented a new look from the Dodgers’ star-studded offense, with only one of their 23 runs the last two days requiring a ball to go over the fence.

For much of the year, the team has been overly reliant on home runs, scoring via the long ball at the fifth-highest percentage in the majors (45%) at the end of play Friday. During their second-half slide, that dynamic had prevented them from working around injuries and mechanical flaws from much of the lineup, or finding alternative ways to build big innings and hang crooked numbers.

Hence, their recent re-emphasis on more dependable fundamentals — allowing them to paper-cut an opposing pitching staff to death in a way that is typically for success in October.

“When you can be able to do it, and know you can do it, as we’re leading up to that point [of the playoffs], it definitely is a big confidence booster,” Freeman said. “We don’t have to rely on the two-run, three-run home run all the time. I think that was just big. The last week, [this is] what we’ve been trying to do. And we’ve been able to actually do it in the games.”

The offense wasn’t the only positive sign Sunday.

On the mound, Tyler Glasnow was able to settle down after looking frustrated with his command early, when he walked four batters (and hit another) in his first three innings. At a point he has so often spiraled in his up-and-down Dodgers tenure, the right-hander instead found a rhythm by retiring 10 in a row, managing to pitch into the seventh in a 6 ⅔ inning, one-run outing.

“It’s encouraging,” said Glasnow, who has a 3.06 ERA on the season and a 2.66 mark since returning from a shoulder injury in July “Since I got back from the IL, it’s been easier to kind of put [those kind of struggles] out of my head and go compete. If my stuff sucks, it’s kind of whatever. Just compete, try to get in the zone, get some weak contact. It’s helpful.”

It led to the kind of performance the Dodgers are banking on from their rotation in the playoffs. This is still a team that, at its core, will have to be carried by its pitching.

The only way that strength will matter, however, is if the lineup can find some long-awaited consistency. This weekend, signs of it finally arrived. Everything the Dodgers had been preaching at last came to fruition.

“As we come down to the end [of the season, we’re] just kind of recognizing what it is that really puts us in the right spot to win games,” Conforto said. “It’s go time now, and we got to do all those things if we want to get to where we want to get to.”

Kavan Markwood wakes up in pain every day and has no feeling in two of his fingers.

Still, the 20-year-old McKeesport, Pa., resident knows it could be much worse.

“I don’t know how I’m alive,” Markwood told “Inside Edition” this week, more than four months after he fell 21 feet from the stands to the field at PNC Park in Pittsburgh during a game between the Pirates and Chicago Cubs.

Video footage from the April 30 game shows Markwood falling headfirst over the railing above the Clemente Wall in right field. He appears to flip head over heals multiple times before landing on the warning track.

Play was stopped for several minutes as the training staffs for both teams tended to Markwood. He eventually was carted off and taken to Allegheny General Hospital in critical condition. According to “Inside Edition,” Markwood broke his back, neck, every rib and punctured a lung.

“I’m doing better than what I was, that’s for sure,” said Markwood, who was shown during the interview walking around outside PNC Park wearing a cast on his left forearm.

Markwood told “Inside Edition” that he had jumped out of his seat to cheer and came down awkwardly on the railing and careened off of it. Although Pittsburgh Public Safety has labeled the incident an accident, 21-year-old McKeesport resident Ethan Kirkwood has been arrested for allegedly providing alcohol to Markwood at the game.

Kirkwood faces two misdemeanor counts of furnishing alcohol to a minor and is scheduled for a preliminary hearing Sept. 29. A police report viewed by WTAE-TV in Pittsburgh indicates that Markwood’s girlfriend told police that he hadn’t had anything to drink before arriving to the stadium and had two beers while there.

“I feel terrible because it wasn’t his fault,” Markwood said of Kirkwood, who can be seen on the footage from the accident climbing over the railing from a section closer to field level and jumping onto the ground to help his friend.

Markwood added that alcohol had nothing to do with what happened. It was, he said, “a tragic accident.”

The Associated Press contributed to this report.

Tell someone about “The Cortège,” and it may inspire as much apprehension as it does curiosity.

A theatrical procession running this month at the Los Angeles Equestrian Center, “The Cortège” promises to explore grief, loss, mourning and our collective disconnection from one another. It’s a dramatic interpretation of a funeral, albeit one with jubilant street-inspired dance and a Sasquatch-like creature. And robots and drones.

I arrived at “The Cortège” just weeks removed from attending a very real, deeply personal funeral for my mother. Did I want to revisit that space as part of my weekend’s entertainment, and would the show inspire a new round of tears? The answer to both turned out to be yes.

“The Cortège” is alternately playful and serious as it explores the cycle of life.

(Emil Ravelo / For The Times)

For “The Cortège” approaches a difficult subject matter with an imaginative question: What if we explore grief not with isolation or solemness, but with wonder? It’s a prompt that’s ripe for an era of divisive politics, financial stress and often isolating technology.

Beginning at twilight and extending into the evening, “The Cortège” starts with an overture, a six-piece band performing in the center of the field. We’re seated either on the grass on portable pads with backs or in folding chairs on an elevated platform.

Soon, a mist erupts on a far end of the field; a lone figure emerges who crawls and then walks to the center. He’ll move in place for much of the show, remaining silent as a fantastical life transpires around him — dancers, ornately costumed characters and larger-than-life puppets will surreally reflect the journey of life.

• Share via Close extra sharing options

Inspired as much by Walt Disney’s approach to fairy tales as, say, Carl Jung’s theories of collective consciousness, “The Cortège” is a revival of an ancient art — the procession — that aims to be a modern rite of passage. A ritual, “The Cortège” is a communal experience, one that seeks to erase borders between audience and performer while imagining a more optimistic world.

Think of it as theater as a healing exercise, or simply an abstracted evening with elaborate, vibrant costumes and choreographed drones creating new constellations in the sky. It’s also a bit of a dance party, with original music composed by Tokimonsta, El Búho and Boreta.

““The Cortège” builds to a final that invites audience participation — and maybe a little dancing.

(Emil Ravelo / For The Times)

“The Cortège” comes from Jeff Hull, a Bay Area artist best known for devising participatory and mysterious experiences that have used real-world settings as a game board — some may recall the beloved underground experiment “The Jejune Institute.” This, however, is a more personal show. It’s informed as much by the struggles and challenges of adulthood as it is the awe and playfulness that Hull experienced when he was younger, specifically his time working as a teen at Oakland’s Children’s Fairyland, a theme park-like playground for young kids.

“Every day I would follow the yellow brick road and have a magic key and slide down a rabbit hole, and I would wonder why the rest of the world wasn’t like that,” Hull says. “I’ve been trying to make it like that ever since. Why can’t we play? Why does it all have to be barriers? That’s the motivation from a childlike place, but now I also have motivation from a wise elder space.”

In turn, “The Cortège” is part festive renewal and part philosophical recollection. At the start, music is mournful but not quite sorrowful, a lightly contemplative jazz-inspired feel anchored by a steel hang drum. The music shifts through reggae stylings and Eastern rhythms. Performers are robed and instruments are carried on ramshackle wheelbarrows, setting up the transitory mood of the night.

What follows will touch on religious and mystical iconography — we’ll meet three lantern-carrying masked figures, for instance, with exaggerated, regal adornments as they herald a birth. Expect a mixture of old and new technologies. Drones will form to mark a passage of eras, a marching band will conjure New Orleans revelry, and towering, furry creatures may invite youthful spiritedness while militant, robotic canines will represent clashing images of human ingenuity and violence.

Think of “The Cortège” as a ceremonial rite of passage — a show that wants audiences to find healing via community.

(Emil Ravelo / For The Times)

For much of the show, we are asked to wear glowing headphones. Their luminescence highlights the crowd while also creating a more intimate, reflective atmosphere. It’s not quite a sound bath and it’s not quite a play, but as more figures enter the field — some haunting and dreamlike with their bodies shaped like arrowheads, and others sillier bursts of feathered color — “The Cortège” takes on a ceremonial, meditative feel.

While some may indeed come for the outsized costumes and extended dance sequences, Hull says the show is the entertainment equivalent of “shadow work,” that is the therapeutic uncovering of suppressed, forgotten or hidden memories.

“Shadow work is something we need to do as individuals, but it’s also something we need to do as a culture,” Hull says. “Let’s look at ourselves. Let’s look at what we don’t want to admit about ourselves. How can we bring that to life? When you do it as an individual, we’re actually partly doing something for the collective. That’s a big aspect of ‘The Cortège.’ Let’s do shadow work as a cultural moment. It’s not all just meant to be entertainment.”

Audiences are asked to wear headphones during “The Cortège,” creating an intimate relationship with the music.

(Emil Ravelo / For The Times)

Ultimately, however, “The Cortège” is an invitation, a hand extended to the audience asking us to consider and reimagine our own journey through life. Emerging from both the traumatic end of a relationship and the death of my mother, I appreciated the way in which “The Cortège” sought to put our existence in perspective, to reinterpret, essentially, the individual as the communal for a celebratory reminder that we’ve all struggled as much as we’ve dreamed.

Hull says “The Cortège” was born from a time of strife.

“What you mentioned, losing a loved one and going through a separation, my version of that is I had Guillain-Barre Syndrome and was walking with a cane. My wife was diagnosed with cancer and then she lost her father. And this was all during a time when the sun didn’t come out. It was dark out, all day, because of the California wildfires. It was a shift between taking everything personally and realizing that all the things I mentioned were things we all have to go through.”

The show is purposefully abstracted, says Hull, to allow audience members to attach their own narratives. It’s a work of pageantry, inspired in part by Hull’s fascination with medieval morality plays, specifically the story of “Everyman,” an examination of self and of our relationship to a higher power.

“The tale of ‘Everyman’ was one in which a universal protagonist met with all of the challenges of life and a reckoning with himself and with God,” Hull says. “That’s literally what we’re doing here. It is a revival of ancient European pageantry.”

Drones will form constellations in the sky during “The Cortège.”

(Emil Ravelo / For The Times)

Hull’s name is well-known among those who follow what is the still-emerging niche of so-called immersive entertainment, media that, broadly speaking, asks participants to take on an interactive role. Those who went deep into “The Jejune Institute,” which ran in the late 2000s in San Francisco and inspired a documentary as well as the AMC series “Dispatches from Elsewhere,” could discover a narrative that examined the fragility — or the allure — of human belief systems. It was often, for instance, compared to a cult.

“The Cortège” is clearly a departure. And Hull today is skeptical of the word “immersive.” Though “The Cortege” invites audiences onto the field in its final act and then asks participants to join in a reception (the afterlife), Hull finds much of what is classified today as immersive to be lacking, emphasizing spectacle and imagery over human emotion.

“The Cortège,” says Hull, is “not a metafiction.” Or don’t think of it as a show about a rite of passage. It’s intended to be a rite of passage itself. “That’s kind of the thesis of this piece,” Hull, 56, says, before expanding on his evolved take on the immersive field.

“There’s this world of immersive entertainment, but what are we immersing ourselves in?” he says. “Is this just sensory stimulation? Is this gesturing at the numinous? Is this referencing the mystical? There’s no meta-narrative here.”

Hull’s hope is “The Cortège” will erase the line between the performative and the restorative. “We all want to have a pretend metafictional relationship to transformative experiences rather than genuine transformative experiences,” he says.

Not quite a play and not quite a dance show, “The Cortège” incorporates elements of both during its procession.

(Emil Ravelo / For The Times)

We can get there, Hull believes, by engaging with an art form that has largely been discarded by the Western world.

“We are reconnecting a lost lineage to that which is ancient and to that which is eternal,” Hull says. “A procession is people walking together; that is simply what a procession is. Where are they walking from? They’re walking from their past. Where are they walking to? They’re walking toward the future. That’s what we’re doing.”

I won’t spoil the moment that made me tear up other than to say it was not due to the jolting of any memories. For “The Cortège” is also exultant — a procession, yes, but a walk into an imagined world.

All good things come in threes — including reliability.

Anchored by kicker Cameron Dicker, punter JK Scott and long snapper Josh Harris, the Chargers’ specialists have been a bedrock of stability the past three seasons. That steadiness seemed in jeopardy when Scott’s contract expired this offseason.

Like a rock band losing its guitarist, it looked as though the group might have played its final tour together. But for Scott — whose bond with Dicker and Harris runs deeper than football — staying in L.A. felt like divine intervention.

“Truly, it was something me and my wife made a decision together from a place of prayer,” Scott said of re-signing. “We felt like we were supposed to be here. The relationships that we have here, we just felt like this was the right fit.”

Assembled by special teams coordinator Ryan Ficken, the unit thrives on contrast. Dicker is the lively free spirit. Scott brings a reserved, thoughtful presence. Harris, 36, is the seasoned veteran.

“They’re like big brothers,” Dicker, the youngest of the group, said. “It’s been really cool to have them in my life and helping with things on the field, off the field. Leading me through it all, and just going through the journey of life coming out of college, it’s nice to have those guys.”

The three specialists, along with Ficken, are holdovers from the previous regime. Ficken, one of the few coaches retained when Jim Harbaugh was hired as head coach, engineered the transformation.

Before his arrival, the Chargers ranked near the bottom in special teams DVOA, or defense-adjusted value over average — 32nd in 2020 and 28th in 2021. With Harris and Scott’s offseason signing and Dicker’s arrival midseason, the unit rose to sixth by the end of 2022 and second in 2023.

“The way they approach the game and how they respect one another and they understand that each other’s success is going to help all of us,” Ficken said. “Having all three of them back another year just continues to allow us to grow.”

Under Ficken’s guidance, Dicker has become one of the league’s most accurate, converting 89 of 95 kicks since 2022. He had a franchise-record 150 points last season with 39 field goals and 33 extra points.

Chargers special teams coordinator Ryan Ficken, left, works with long snapper Josh Harris before a game against the Buffalo Bills in December 2023.

(Kyusung Gong / Associated Press)

Scott finished top 10 in downed punts inside the 20-yard line and posted the second-highest hang time in the league at 4.65 seconds last season.

“Selfishly, I’m going to say we have the best room in the league,” Harris said. “Getting to come to work with JK, Dick and Fick, we really work well together. … There’s nobody else that I’d rather go out there with.”

When the Jacksonville Jaguars cut Scott early in the 2021 season and he went unsigned for the rest of the year, Ficken advocated bringing him to the Chargers.

“He called me and told me he wanted to have me as his punter for a while,” Scott said. “I attribute a lot of just me being here to him. So I’m grateful for him. Really, really love that guy.”

And when there was a chance the trio could drift apart, Ficken acted as the glue keeping them together. His faith in Scott ultimately factored into Scott’s decision to re-sign.

“He really believes in me, believes in Josh and Cameron,” Scott said. “He always expressed that, and it’s crazy, the power of when you have people believing in you, it helps you believe in yourself more.”

The group is guaranteed to stay together for at least one more year.

Scott signed a two-year, $6-million contract in March. Dicker secured a four-year, $22-million extension last season, making him among the highest-paid kickers. Harris, however, is in the final year of his contract and will miss at least the first four games after being placed on injured reserve with a shoulder injury. Rick Lovato will take over until Harris returns.

While the turnaround of a once-abysmal special teams unit is the measurement of success, the playful off-field moments define their time together.

Sometimes it’s Harris offering Scott smelling salts — a practice Dicker, who is naturally amped, skips. Or it’s Harris snapping a photo of Dicker, Scott and Ficken next to the Dicker’s famous fair-catch kick cleats on display at the Pro Football Hall of Fame.

Then there’s Scott, who asked Harris a loaded question during a recent news conference: “Who do you like more, JK Scott or Cameron Dicker?”

“I can’t answer,” Harris said with a chuckle. “You guys are the best, but you’re sitting in here, so I guess I’ll have to go with my guy right now, showing support.”

HOUSTON — Jose Altuve hit a two-run homer and an RBI single and Ramón Urías also went deep to back up a strong start from Luis Garcia and lead the Houston Astros to an 8-3 win over the Angels on Monday.

Garcia (1-0) got the win in his return after sitting out more than two years while recovering from Tommy John surgery. He allowed three hits and three runs with six strikeouts in six innings in his first start since May 1, 2023.

The game was tied with one out in the fifth when Yordan Alvarez singled before moving to second on a groundout by Altuve. Carlos Correa then singled on a grounder to center field to score Alvarez and give Houston a 4-3 lead.

Cam Smith singled with two outs in the sixth to chase Yusei Kikuchi (6-10) before stealing second base. Mauricio Dubón walked and Jeremy Peña’s second double of the day scored Smith to make it 5-3.

Alvarez added an RBI single in the eighth before Altuve’s homer made it 8-3.

Zach Neto hit a solo home run and Jo Adell added a two-run shot for the Angels, whose two-game winning streak was snapped.

Garcia retired the first nine batters before Neto homered to open the fourth inning. Mike Trout singled with one out before Adell launched his 31st homer into the seats in left field to put the Angels on top 3-2.

Kikuchi gave up eight hits and five runs in 5⅔ innings.

The Angels haven’t announced their starter for Tuesday night’s game at Kansas City.

HOUSTON — José Soriano and two relievers combined for a two-hitter and Oswald Peraza hit his first home run since a trade from the Yankees to lead the Angels to a 3-0 win over the Houston Astros on Sunday.

Angels outfielder Taylor Ward was injured trying to make a catch on that hit when he crashed face-first into the metal scoreboard in left field.

He was bleeding and appeared to have a cut above his right eye. He held a smaller cloth to his head as he was slowly carted off the field while resting his head on the shoulder of a team employee who rode the cart with him. There was no immediate update on his injury.

Soriano (10-9) allowed one hit and struck out eight in seven innings. Luis García allowed one hit in a scoreless eighth and Kenley Jansen threw a perfect ninth for his 25th save.

There were two outs in the fifth when Peraza connected off Hunter Brown (10-7) into the bullpen in right-center field to put the Angels up 1-0. His homer comes after his two-run single in the ninth inning Saturday helped Los Angeles to a 4-1 victory that snapped a three-game skid.

Yoán Moncada walked to start the eighth and scored on Mike Trout’s double that bounced off the wall in center field to make it 2-0. Ward walked before Luis Rengifo reached and Trout scored on an error by Lance McCullers Jr. when the pitcher overthrew first base.

Yordan Alvarez singled with no outs in the first and Soriano walked a batter in the second and sixth innings. The Astros didn’t get another hit until Ramón Urías doubled with one out in the eighth inning.

Brown allowed three hits and a run with five strikeouts in six innings. McCullers Jr. allowed three hits and two runs in his first relief appearance since 2018.

Up next: LHP Yusei Kikuchi (6-9, 3.68 ERA) will start for the Angels in the series finale Monday. Houston hasn’t announced its starter.

Dodgers manager Dave Roberts wanted to set the record straight: Mookie Betts is his shortstop.

“Mookie,” Roberts said, “will not go to right field.”

Roberts repeated the phrase a couple of times, as if he was determined to quash any speculation about another late-season position change for Betts.

“Mookie,” Roberts said again, “will not go to right field.”

There it is, directly from the man who hands the lineup card to the umpire every night.

So ignore the noise and stop the chatter.

Mookie Betts is the Dodgers’ shortstop.

Betts is the Dodgers’ shortstop now, Betts will be the Dodgers’ shortstop next week, and Betts will be the Dodgers’ shortstop in the postseason.

The only times Roberts said he envisioned Betts returning to right field was late in games in which the Dodgers ran out of bench players. A situation like that came up a few weeks ago in a game against the Angels. Miguel Rojas, an infielder, was deployed as a pinch hitter in the top of the eighth inning and remained in the game at shortstop. Betts defended right field for an inning.

Roberts isn’t sticking with Betts at shortstop because of their close relationship. He’s sticking with Betts at shortstop because of how Betts has played the position.

Betts entered his team’s weekend series against the Arizona Diamondbacks leading all major league shortstops in defensive runs saved (15).

He was ninth in outs above average (four).

He was also fifth in fielding percentage (.985).

“When you’re talking about shortstop play, you’re looking for consistency, and I’ve just loved the consistency,” Roberts said. “He’s made every play he’s supposed to make, and then the last couple weeks, he’s made spectacular plays. He’s been a big part of preventing runs. “

Roberts is equally, if not more, encouraged by how Betts has looked.

“Right now, it’s all instinct instead of the technical part of it, how to do this or that,” Roberts said. “I think he’s free to just be a major league shortstop. I truly, to this day, have never seen a position change like Mookie has.”

Dodgers shortstop Mookie Betts throws to first base after forcing out Padres baserunner Freddy Fermin at second on Aug. 15.

(Gina Ferazzi / Los Angeles Times)

A six-time Gold Glove Award winner as a right fielder, Betts moved to shortstop late in spring training last year when it became evident the team didn’t have an everyday player at the position. The last time he spent significant time at shortstop was in high school.

By mid-June, Betts was about a league-average shortstop but further progress was derailed by a broken hand that landed him on the injured list. When Betts was activated a couple of months later, he returned as a right fielder. He remained there throughout the Dodgers’ World Series run.

However, Betts was determined to take another shot at playing shortstop. Unlike the previous year, he was able to train at this position over the offseason, working with Dodgers coaches and former All-Star shortstop Troy Tulowitzki. The preparation has made a noticeable difference.

Betts has improved to where he now feels comfortable dispensing advice on how to play the position, regularly offering pointers to rookie infielder Alex Freeland.

“It’s the smallest details,” Freeland said. “I give him so much credit because he makes the small things matter the most because a lot of those smaller details go overlooked by a lot of players where they’re like, ‘Oh, we don’t need to focus on that, something so minute, it’s not going to matter.’ But Mookie takes all the small details and makes them very important.”

Roberts expected this of Betts, whom he considers one of the team’s leaders alongside Freddie Freeman and Clayton Kershaw. He pointed to how Betts has carried himself in the worst offensive season of his career, his relentless work resulting in him batting .329 over the last three weeks.

“I love how Mookie is always accountable,” Roberts said. “There’s been times where he’s been really good and times he hasn’t but he’s never run from having the conversation or owning the fact that he’s underperforming. His work has never wavered. So for me, that’s something that when you’re talking about one of the leaders in your clubhouse, it really resonates with everyone, coaches included. I’m always going to bet on him.”

So much so that Roberts has wagered the season on him.

Mookie Betts is his shortstop — now, next week and in the postseason.

V from BTS got to be the devoted fanboy for once Monday night at Dodger Stadium, where he was lucky enough to share an embrace with Shohei Ohtani and give a deep bow on the field to Yoshinobu Yamamoto.

The K-pop heartthrob posed for photos in the dugout with three-time MVP Ohtani, who returned to the mound this season in addition to continuing as the Dodgers’ designated hitter, and more pics on the field with pitching ace Yamamoto, who helped the team beat the Padres in San Diego on Sunday. Dude even spent a few minutes chatting up the legendary Clayton Kershaw.

Seems V — real name Kim Taehyung — might be a fan of pitching in general?

That’s a good thing, if true, because the K-pop star was at Chavez Ravine to deliver the ceremonial first pitch before the Dodgers shut out the Cincinnati Reds 7-0. BTS fans were definitely there in the crowd to support him.

The seven members of BTS — Jin, Suga, J-Hope, RM, Jimin, Jung Kook and V — surfaced on social media in July after a long hiatus to announce that a new album would be coming in spring 2026, now that they all completed their mandatory 18-month South Korean military service.

Announcer Todd Leitz referenced the band’s “highly anticipated” reunion over the stadium PA system Monday. “NO more waiting now, V. The mound is yours!” he said.

Taking the mound, V delivered a strike to Yamamoto, who was crouched down as the honorary catcher. The pop star earned a “wow, what a pitch” from Leitz and screams from the fans in the stands.

“He’s been on the field for 30 minutes. We finally hit the crescendo with the first pitch tonight for V from BTS,” a voice is heard saying in a video chronicling the moment.

“Yeah, and he dotted up a strike, man,” another voice adds. “Good for him. He’s been out here practicing every 13 seconds. We got the crowd going nuts, we don’t know why. He’s over there playing catch, throwing halfway down the left field line. And you put the guy on the mound, turns into a pretty good strike thrower.”

After the pitch, V also got to speak the five legendary words that open every home game for the boys in blue: “It’s time for Dodger baseball.”

“Starting in July, all seven of us will begin working closely together on new music,” the band said in a statement July 1. “Since it will be a group album, it will reflect each member’s thoughts and ideas. We’re approaching the album with the same mindset we had when we first started.”

BTS last released an album, “Proof,” in June 2022 and performed live together later that year in their home country. Each member has released solo material since then, including Jung Kook’s song “Seven,” which topped the Billboard Hot 100 in 2023, and RM’s “Right Place, Wrong Person,” which reached No. 5 on Billboard’s album chart last year.

Times pop music critic Mikael Wood contributed to this report.

With the high school sports season resuming, it can’t be stressed enough about the importance of schools having athletic trainers to help keep athletes safe when emergencies happen.

That was never more evident than last spring during a track and field meet at Culver City High.

At the end of a 400-meters freshman race, a runner dropped to the ground on his chest near the finish line. The initial impression by most observers was just another exhausted athlete from a grueling race.

Culver City first-year athletic trainer Jonathan Rivas, fresh out of graduating from Cal State Northridge, was immediately on the scene to evaluate. That’s when things got serious.

“He didn’t have a pulse,” Rivas said.

He determined the athlete from Inglewood High was in full cardiac arrest.

He instructed one of his assistants to call 911 and the other to retrieve the AED defibrillator. He started compressions. He hooked up the unresponsive athlete to the automatic defibrillator. It advised one shock. Rivas pushed the button. It worked. The shock brought the athlete back.

Paramedics arrived within five minutes to take over and transport him to the hospital. The athlete would learn he needed a pacemaker. The quick action by the athletic trainer helped save him.

Athletic trainer Jonathan Rivas of Culver City.

(George Laase)

“This was my first cardiac arrest,” the 28-year-old Rivas said. “I was super stressful. Honestly, I went on auto pilot. My main goal was to get this kid help as fast as possible.”

The majority of high schools don’t have athletic trainers. In the City Section, there’s only 12 out of 71 that have 11-man football teams.

Adam Cady, an athletic trainer for Kaiser Permanente, has started a nonprofit trying to help athletes gain access to trainers.

“It’s super important,” Rivas said of schools having an athletic trainer.

This is a daily look at the positive happenings in high school sports. To submit any news, please email [email protected].

The addition of girls flag football is helping fuel rising participation in high school sports nationally, with a record 8,260,891 boys and girls having participated in the last school year, according to the annual survey from the National Federation of State High School Assns. released on Monday.

There were 68,847 girls playing flag football, a 60% increase from the previous year.

Girls sports led the increases, including wrestling rising 15%.

Football remains the most popular boys sports at 1,001,039. Track and field tops girls sports at 513,808.

Girls flag football has been rising in popularity in Southern California. In the Los Angeles City Section, there are now more flag football teams (91) than 11-man football teams (71).

Third-year wide receiver Quentin Johnston was carted off the field after taking a big hit during the Chargers’ opening drive against the Rams in a preseason game at SoFi Stadium on Saturday.

Johnston was trying to haul in a pass from quarterback Justin Herbert when he was hit by Rams safety Tanner Ingle.

After staying down on the field for several minutes, Johnston stood up and was walking under his own power and talking to trainers and doctors before getting onto a cart and leaving the field.

Rookie KeAndre Lambert-Smith took over for Johnston on the drive.

Chargers coach Jim Harbaugh elected to play most of his starters Saturday. Along with Ladd McConkey and Keenan Allen, Johnston is expected to play a leading role in the Chargers’ passing game this season after recording 55 catches for 711 yards and eight touchdowns in 2024.

By midmorning in the Central Valley, the light turns hard and white, bleaching the sky and flattening every shadow. The rows of melons stretch to the horizon, vines twisted low in cracked soil. Pickers move in the rhythm the crop demands — bend, twist, lift, drop — their long sleeves damp with sweat, caps pulled low, bandanas hiding heat-burned cheeks. Spanish drifts along the rows, a joke here, a warning there, carried in the heavy air.

These are the cruelest days of harvest, when the sun turns fields into slow ovens and the heat climbs before breakfast, holding on until the stars are out. By nightfall, the damage is done: another collapse in the dirt, another family handed a death certificate instead of a paycheck.

It’s an all-too-familiar old problem in California. Nearly 20 years ago, in the shadow of four farmworker funerals — Arvin, Fresno County, Kern, Imperial Valley — California enacted the nation’s first heat rules for basic worker safety: water, shade, rest. Mercies you’d think needed no law. My fellow lawmakers and I who wrote those rules, along with then-Gov. Arnold Schwarzenegger who signed them into law, believed they were enough. But two decades on, the grim reaper still walks the rows: 110 degrees, no tree, no tarp, a single water jug growing warm, its handle slick from dust and hands. Breaks denied, not from cruelty alone, but from the unrelenting clock of the harvest.

This is not a failure of the law itself, but of enforcement. Some treated the bill’s signing as the finish line instead of the starting gun. Inspectors are too few. Penalties too light. Investigations too slow. The state auditor’s latest report read like an obituary for Cal/OSHA’s credibility: outdated rules, missed chances, offices too empty to answer the phone.

Meanwhile the climate has turned meaner. Nights that once cooled now hold the day’s heat like a grudge. And the danger in the fields isn’t just the sun. Immigration raids now sweep through the Valley like dust storms — sudden, unannounced, merciless. For more than half of California’s 350,000 farmworkers, the greater threat isn’t heat stroke but a knock on the door before dawn or a traffic stop that ends with a vehicle full of workers detained and trucked to some distant site. The food that feeds the nation is pulled from the earth by people who work under triple-digit skies yet live in the shadows, where one complaint can cost them their job, their home, their freedom.

Twenty harvest seasons later, I’m calling for action — not another bill signing on the Capitol steps, but dollars, real and committed, and the regulations to match. With that will and funding, four simple fixes can turn promise into protection.

First, bring 21st century tools to the fields. In 2005, the “high-tech” solution was a plastic water jug in the shade and a flapping pop-up canopy. Today, for $50 — the price of two boxes of gloves — employers can deploy a wearable sensor clipped to a worker’s arm to track core temperature and heart rate, sending a warning before the body crosses the edge into heatstroke. That’s not Silicon Valley moonshot money. It’s pocket change for agribusiness, and for workers it could mean the difference between walking out of the rows or being carried out.

Second, enforce in real time. If a worker drops to one knee in the heat, the state shouldn’t hear about it days later in a report. Imagine a network linking growers, regulators and emergency crews to the same pulse of information — turning a slow, reactive system that documents tragedies into one that can act quickly and prevent many of them.

Third, train before the first row is picked. Ten minutes — no more — for workers to stand upright and learn, in their own language, the signs: dizziness, nausea, the creeping fog in the mind that means it’s time to stop. Not a photocopied handout in English tucked into an envelope behind a paycheck, not a rushed talk in Spanish at the field’s edge, but a verified safety course — certified by labor contractors and farmers alike. Knowledge here is as life-saving as water and shade.

Lastly, match the urgency we see in other arenas. While Cal/OSHA limps along, starved of staff and mired in red tape, Immigration and Customs Enforcement charges in the opposite direction — spurred by $170 billion in new funding, an immigration-enforcement and border-security blitz hiring thousands, dangling $50,000 signing bonuses, paying off student loans, waiving age limits, even pulling retirees back for double-dip salaries. That’s what happens when a government decides the wrong mission matters most. We pour urgency into chasing farmworkers from the fields, yet can’t muster the will to protect them in the heat. Until Cal/OSHA gets that same drive — inspectors recruited in every corner of the state, incentives to bring in a new generation, hurdles stripped away — the laws we wrote will remain a promise without a witness.

Some will say it’s too much, that the industry can’t bear the cost. But I’ve walked behind the hearses through Valley dust, stood in the gravel lots of farm town funeral homes, watched wives clutch work shirts as if they still held his warmth, seen children in Sunday clothes staring at the dirt. No budget line can measure that loss.

The Valley will keep feeding the nation. The question is whether we will keep feeding the graveyards too.

Once, by enacting heat safety rules, California declared that a life was worth more than a box of produce. If we let that promise wither in the heat, all we wrote back then was a press release. Government systems can fast-track billion-dollar projects, but until this much more affordable priority gets that kind of attention, the rules are just ink on paper, and the roll call of the dead just grows longer.

Dean Florez is a former California Senate majority leader, representing portions of the Central Valley.

Fifty years ago, L.A. free-jazz titan Bobby Bradford moved into a rambling, verdant house in Altadena. The cornet and trumpet virtuoso, who performed in Ornette Coleman’s band and taught jazz history at Pomona College and Pasadena City College for decades, chose the neighborhood partly because it was bustling with artists. He finally had enough bedrooms for his young family to thrive in a bucolic corner of the city with deep Black roots.

In January, Bradford’s house burned down in the Eaton fire, alongside thousands of others in his cherished Altadena. At 91, he never imagined starting his life over again in tiny rented apartments, with decades of memories in cinders.

Despite it all, he’s still playing music. (He said that while he did not receive grants from major organizations such as MusiCares or Sweet Relief, a GoFundMe and others efforts by fellow musicians helped him replace his cherished horn.)

At the Hammer Museum on Thursday, he’ll revisit “Stealin’ Home,” a 2019 suite of original compositions inspired by his lifelong hero — the baseball legend and Dodgers’ color-line-breaker Jackie Robinson, a man who knew about persevering through sudden, unrelenting adversity.

“That’s all I have left,” Bradford said, pulling his horn out of its case to practice for the afternoon. “I’m [91] years old. I don’t have years to wait around to rebuild.”

For now, Bradford lives a small back house on a quiet Pasadena residential street. It’s his and his wife’s fifth temporary residence since the Eaton fire, and they’ve done their best to make it a home. Bradford hung up vintage posters from old European jazz festivals and corralled enough equipment together to peaceably write music in the garage.

Still, he misses his home in Altadena — both the physical neighborhood where he’d run into friends at the post office and the dream of Altadena, where working artists and multigenerational families could live next to nature at the edge of Los Angeles.

“We knew who all the musicians were. Even if we didn’t spent much time all together, it did feel like one big community,” Bradford said. “We knew players for the L.A. Phil, painters, dancers.”

L.A.-based jazz composer/musician Bobby Bradford plays the cornet while rehearsing his original composition in his Altadena home in 2019.

(Gina Ferazzi / Los Angeles Times)

These days, there’s a weariness in his eyes and gait, understandable after such a profound disruption in the twilight of his life. He’s grateful that smaller local institutions have stepped up to provide places for him to practice his craft, even as insurance companies dragged him through a morass. “The company said they won’t insure me again because because I filed a claim on my house,” he said, bewildered. “How is that my fault?”

But he draws resilience from his recent music, which evokes the gigantic accomplishments and withering abuse Robinson faced as the first Black player in Major League Baseball. As a child in 1947, Bradford remembers listening to the moment Robinson took the field, and while he has always admired the feat, his understanding of Robinson has evolved with age.

“It was such a revelation to me as a kid, but later I was more interested in who the person was that would agree to be the sacrificial lamb,” Bradford said. “How do you turn that into flesh-and-blood music? I began to think about him being called up, with a kind of call-and-response in the music.”

The challenge Bradford gave himself — evoking Robinson’s grace on the field and fears off it — caps a long career of adapting his art form to reflect and challenge the culture around him.

With Coleman’s band in the ’50s and ’60s, and on his own formidable catalog as a bandleader, he helped pioneer free jazz, a style that subverted the studied cool of bebop with blasts of atonality and mercurial song structures. He played on Coleman’s 1972 LP “Science Fiction,” alongside Indian vocalist Asha Puthli. “Ornette played with so much raw feeling,” Bradford said. “He showed me how the same note could be completely different if you played it in a different chord. I had to learn that to play his songs.” His longstanding collaboration with clarinetist John Carter set the template for post-bop in L.A., charged with possibility but lyrical and yearning.

American jazz trumpeter Bobby Bradford performs onstage circa 1980.

(David Redfern / Redferns)

He’s equally proud of his decades in academia, introducing young students to centuries of the Black American music that culminated in jazz, and the new ways of being that emerged from it. At both Pomona College and Pasadena City College (where Robinson attended and honed his athletic prowess), Bradford helped his students inhabit the double consciousness required of Black artists to survive, invent and advance their art forms in America — from slavery’s field songs to Southern sacred music, to Louis Armstrong, Charlie Parker, Sarah Vaughan and into the wilds of modernity.

“You always had that one kid who thinks he knows more about this than I do,” he said with a laugh. “But then you make him understand that to get to this new Black identity, you have to understand what Louis Armstrong had to overcome, how he had to perform in certain ways in front of white people, so he could create this music.”

He’s been rehearsing with a mix of older and younger local musicians at Healing Force of the Universe, a beloved Pasadena record store and venue that reminds him of the makeshift jazz club he owned near Pasadena’s Ice House in the ’70s.

Places like that are on edge in L.A. these days. Local clubs such as ETA and the Blue Whale (where Bradford recorded a live album in 2018) have closed or faced hard times postpandemic. Others, like the new Blue Note in Hollywood, have big aspirations. He’s hopeful L.A. jazz — ever an improvisational art form — will survive and thrive even after the loss of a neighborhood like Altadena displaced so many artists. “I remember someone coming into our club in the ’70s and saying he hated the music we were playing. I asked him what he didn’t like about it, and he said, ‘Well, everything.’ I told him, ‘Maybe this isn’t the place for you then,’” Bradford laughed. “You can’t live in Los Angeles without that spirit. There are always going to be new places to play.”

Bobby Bradford rehearses in Pasadena.

(Michael Rowe / For The Times)

He’s worried about the country, though, as many once-settled questions about who belongs in America are called into doubt under the current president. January’s wildfires proved to him, very intimately, that the most fixed points in one’s life and community are vulnerable.

Even Jackie Robinson, whose feats seemed an indisputable point of pride for all Americans, had his military career temporarily scrubbed from government websites in a recent purge against allegedly “woke” history.

“I thought we had rowed ourselves across the River Jordan,” Bradford said, shaking his head. “But now we’re back on the other side again. We thought we had arrived.”

Who knows how many years of performing Bradford has left. But as the sound of his melancholy horn arced through a sweltering Pasadena afternoon, one couldn’t help but be grateful to still have him here playing, even after losing everything.

“You know, in his first game, in three times at bat, Jackie Robinson didn’t get a hit,” he said. “Folks said, ‘Oh, it’s so sad. We told you he couldn’t play on a professional level.’ But when you dig into it, you discover that he didn’t get a hit at the game, but he laid down a sacrifice to score the winning run.”

When 6-foot-5, 315-pound all-league offensive tackle Jorge Gonzalez of Santa Paula High had to take a mandatory two-week break this summer under the Southern Section dead period rules, he didn’t just sit at home. He went to the wheat fields of Santa Barbara and earned money using a weed whacker eight hours a day so he could buy a car.

“My uniform turned green,” he said of his daily work in the fields.

The Santa Paula community is heavily involved in the agriculture business, and football coach Myke Morales said many of his players have worked in the fields.

Gonzalez is a three-year starter with a 3.8 grade-point average and made the trip to Ventura on Thursday for a Tri County League media day that also featured players from Agoura, Hueneme, Dos Pueblos, San Marcos and Fillmore.

Morales and Fillmore’s Charles Weis discussed their 100-year-old rivalry game played at the end of each season. It’s unlike any other as far as uniting both communities.

“It’s the way it’s supposed to be,” Weis said. “It’s a community event. It’s what’s right is for high school football.”

Agoura is ready to welcome back quarterback Gavin Gray, who suffered a season-ending knee injury in the fourth game last season. He’ll have baseball standout Tyler Starling at receiver, plus the Chargers have running back George Hastings, who will become No. 7 on the roster.

Dos Pueblos returns all-league receiver Micah Barnhart.

Hueneme has high hopes for running back Jeremiah Alvarado.

San Marcos might have one of the best multi-sport athletes in the state in elite golfer Austin Downing, who’s also a kicker and plays baseball.

Fillmore will rely on four players who will be three-year starters — linebacker Carlos Cabral, receiver Mauricio Ocegueda, lineman Marcus Lechuga and lineman Genaro Villela.

All the coaches are preparing for possible disruptions because of wildfires and have had experiences in the past.

“Every year, we’re problem-solving,” Dos Pueblos coach AJ Pateras said. “We just navigate.”

Rams quarterback Matthew Stafford, who has been sidelined because of a back issue, will work out for the first time Saturday before the Rams play the Dallas Cowboys at SoFi Stadium, coach Sean McVay said Thursday.

Stafford, 37, is dealing with an aggravated disc, and recently received an epidural for the condition, McVay said, confirming what was first reported by NFL Media.

“Part of getting the epidural was part of the plan,” set up by spine specialist Dr. Robert Watkins, McVay said, adding that Saturday’s workout was “on par with the schedule that we always had.”

McVay said Stafford would practice next week, though he will not participate in a joint practice with the Chargers.

“And then you’ll just continue to see his workload increase as long as he’s feeling good,” McVay said. “If this was in-season he would be playing right now.”

Etc.

Edge rusher Jared Verse left the field assisted by trainers after what McVay said was an incident in which he bumped knees with lineman Braden Fiske.

Surfer dudes. Football dudes.

That’s the best way to describe identical twins Liam and Luke Meeker, football players at Mira Costa High.

Liam is the quarterback and Luke the receiver. They’ve been teaming up their whole life.

“Twin telepathy,” they joke.

Their father, George, who was a member of Edison’s surf team during his high school days, taught them to surf when they were 9. Luke claims to be the best, but it’s football where they are making their presence felt.

Both are 6 feet 2 and 200 pounds. Liam can throw and run. Luke can be physical and protective of his brother. They’re loyal and best friends.

“He’s a great quarterback,” Luke said.

“I know where he is on the field,” Liam said.

With Mira Costa returning eight starters on defense and key skill position players such as the Meekers and standout running back AJ McBean, the Mustangs have a chance to be competitive in a tough Bay League that also has Palos Verdes, Inglewood, Leuzinger, Culver City and Lawndale.

Coach Don Morrow, in his 33rd season, likes the togetherness of his players. There’s good leaders, like linebacker/long snapper Jackson Reach, who’s been a standout since his sophomore season.

On Wednesday afternoon, it was a pleasant 77 degrees, with drums, flutes and cymbals being heard around the Manhattan Beach campus as band members practiced. Cheerleaders also worked on their routines. Then football players took the field to continue preparation for an Aug. 29 opener against St. Francis.

Afterward, anyone could take a walk to the beach and surf. The Meekers have been spending summers in Australia, where their mother was born and raised on a farm. They’ve gotten stronger with all the chores they do each summer.

When it comes to surfing, they know the lingo and the fun.

They’re “stoked” for the football season ahead.

It was 68 degrees and overcast, a cool coastal breeze wafting across the practice fields, when UCLA commenced its first off-campus football training camp in nearly a decade.

San Bernardino, this was not.

With 55 newcomers dotting a roster of 105, not to mention eight new assistant coaches, the Bruins’ camp that started in Costa Mesa on Wednesday morning was more about togetherness than toughness in the triple-digit temperatures of the Inland Empire.

Every offensive player was matched with a roommate from the defense or special teams. A series of bonding exercises was planned inside and outside the nearby team hotel. Everything the Bruins do over the next 2 ½ weeks will be of the get-to-know-you variety.

UCLA linebacker JonJon Vaughns lines up with his hands on his hips and looks across the field during the first day of the Bruins’ preseason camp in Costa Mesa on Wednesday.

(Nate Donlevy / UCLA Athletics)

“I have a lot of tough guys, but it’s more of the connection,” coach DeShaun Foster said. “There’s a lot of new coaches and players, so I just wanted to find a way to make us be able to connect a little bit more, you know? To be able to eat three meals with each other and just get close.”

Foster said the football facilities at Cal State San Bernardino that the Bruins had last used in 2016 weren’t available, forcing the move to his native Orange County.

After going through the initial two-hour practice, temperatures topping out at 75 degrees, the consensus was that the Jack R. Hammett Sports Complex felt more like a day at the beach than one inside a sauna.

“In the beginning, it was a little humid,” linebacker Isaiah Chisom said, “but the sun came out, it was beautiful out here.”

The facilities included three grass fields, a makeshift locker room under one tent and a makeshift weight room under another. Trainers set up near the field, unfurling folding tables next to carts of supplies. Fences lining the field were adorned with signage reflecting the Bruins mantras — “Discipline, Respect and Enthusiasm” and “Do More.”

There was the usual training-camp cadence. Whistles blew and on cue, players wrapped up foam pads and dragged them to the ground. After another whistle signaled the start of stretching, a roar rang out. Players dropped to their knees to commence a series of body bends, twisting their arms and shoulders one way and then the other.

After a series of leg stretches, new defensive line coach Jethro Franklin offered an opening salvo to a group of nearby players.

“Bruin football,” Franklin said, “should not be for the timid or the weak.”

UCLA quarterback Nico Iamaleava warms up during the first day of the Bruins’ preseason camp in Costa Mesa on Wednesday.

(Nate Donlevy / UCLA Athletics)

During the 25-minute media viewing period, new quarterback Nico Iamaleava made a couple of handoffs to running backs, including one to Anthony Woods for a short touchdown, and threw one pass into the end zone that fell incomplete.

“He slings it,” tight end Jack Pedersen said of Iamaleava’s throwing style. “It’s a nice, firm spiral, man, and the guy doesn’t miss. Literally, can’t say enough great things.”

Before the training session, Foster said he was confident Iamaleava had sufficiently mastered the offense after enrolling in June.

“He’s pretty much grasped the playbook already,” Foster said of the transfer from Tennessee. “We haven’t had to hold back on anything. And I know at least he has these first two installs down pretty well. So just looking forward to getting out there and just watching him.”

The practice was staged in relative secrecy. Other than a handful of donors and a few city officials from Costa Mesa, fans were not allowed to attend like they had been in San Bernardino, where they sometimes lined multiple practice fields. The six reporters on hand Wednesday were barred from taking photos or videos of even the warmup periods.

Foster said training camp was about preparation, not publicity.

“We’re here to work,” he said. “We’ve got 16 days to come out and really be able to put a good product out there on the field.”

This is a business trip complete with bed checks and a curfew. Chisom is rooming with running back Anthony Frias II and has a connecting door attached to the room of linebacker Ben Perry and running back Troy Leigber, providing ample opportunities to learn about new teammates.

“I think it makes us build brotherhood,” Chisom said. “You’re staying with some people that you may have never talked to before … it kind of forces us to be close.”

The schedule called for an off day Thursday to accommodate players’ final exam schedules, one of four breaks interspersed among the 14 practices before the team breaks camp on Aug. 16. The Bruins hope that by the time they return to campus, the installation of a new 100-yard grass practice field alongside two smaller artificial turf fields will be complete.

If not, they’ll have new friends to commiserate with as they shift practices elsewhere on campus.

“This is a great opportunity to spend 2 1/2 weeks with a guy you don’t really know, right?” said Pedersen, who is rooming with defensive back Croix Stewart. “Being able to branch out, I think it’s really cool that they do this, and this is now getting an opportunity to meet other guys on the team and branch out and make those lifelong connections.”

Etc.

Although a judge denied wide receiver Kaedin Robinson’s request for a temporary restraining order that would have granted him immediate eligibility, Foster said his confidence level remained in the “90s percent” that Robinson could play for the Bruins this season. Robinson, a transfer from Appalachian State, has a preliminary injunction hearing set for Aug. 18 that will decide whether he’ll be cleared to play. … Freshman defensive lineman Robert James III maneuvered the area on a scooter, his lower right leg encased in a protective boot. … Luke Duncan took the snaps as the top backup quarterback. … Foster said linebacker Weston Port had commenced a Mormon mission and was expected to return by the spring of 2027.

When he first offered to man the grill, Tobias Raymond had no intention of holding onto the role. He was not, by any stretch, a connoisseur of grilled meats. Nor was he experienced cooking over an open flame. Yet this was the offensive line’s first summer barbecue, and somebody on USC’s offensive line needed to step up. So Raymond, the Trojans’ redshirt sophomore right tackle, volunteered.

He didn’t know what he was getting into at the time because what started as a gathering of linemen eventually, by its fourth iteration or so, had evolved into a full-blown team bonding event. That meant grilling up hundreds upon hundreds of hot dogs and hamburgers. And Raymond, by virtue of being the first to volunteer, had become the de facto grillmaster.

It wasn’t the sort of role Raymond might’ve willingly embraced three years earlier, when he first arrived at USC as raw talent at offensive tackle. Since then, Raymond has developed into one of the Trojans’ most trusted linemen, a critical cog at an otherwise uncertain position for USC.

As he stood behind the grill this summer, flipping burgers, his fellow linemen could see just how much had changed during that time.

“He held it down all summer,” center J’Onre Reed said. “He’s standing there with his shirt off, flexing like he’s Captain America. He loves it, man.”

It wasn’t long ago that Raymond tried to actively avoid that sort of attention.

“He was the type of guy who would lead by example and be the hardest worker on the field, not necessarily speak up,” said Tim Garcia, Raymond’s coach at Ventura High.

But on the football field, he had a way of turning heads. He played with a mean streak that stood in total contrast to his chill demeanor off the field. At Ventura High, coaches marveled at his ability to finish blocks and his willingness to push through the whistle.

In high school, Raymond could afford to get by with brute force. He was so athletic for his position that Garcia and his staff gave Raymond some run at tight end ahead of his senior year, just to see what he could do.

That athleticism was enough to convince some college coaches right away of his future in football. But Raymond still had a lot to learn as an offensive tackle. His technique needed work.

“He was still very green, very raw as an offensive lineman,” Garcia said.

Not everyone wanted to pour the time into developing Raymond that would be required. Even USC took until six months before signing day to offer.

“There were some coaches who came on board who were not interested in Tobias,” Garcia said. “Then others said, ‘Well, this guy has it all. I can do this with him, that with him.’”

Raymond wanted the whole recruiting process over as quickly as possible. He took one official visit to California the summer before his senior year and told Garcia right after that he wanted to commit. Just to get it over with.

Three days later, USC offered. Raymond didn’t want to go for the visit at first. He’d seen USC once before, on an unofficial visit. He figured that was enough. He didn’t want to make a fuss. But Garcia convinced him to go through with it.

That Sunday, after the visit, Raymond called Garcia.

“And he says, ‘Hey coach, would it be OK if I commit?’”

It would be a while after that before Raymond finally made his mark at USC. He was slow to develop as a freshman and redshirted. In his second year, he was thrust into action in eight games, speeding up that process.

Still, he tried to fly under the radar.

“I think that was one thing I really needed to work on, saying things when I thought it was the right time,” Raymond said. “I was always really quiet as a freshman and sophomore, just getting into college and learning how it goes. But I feel like I’m in a spot where I can start being a more vocal person.”

It was in the run-up to USC’s bowl game last December that coaches could sense Raymond finally getting comfortable, on the field and off. His progress accelerated from there.

When Zach Hanson took over coaching the offensive line, he kept challenging Raymond to tweak his technique. Every time, he says, Raymond had it corrected within a play or two.

“He’s not afraid to try different things,” said Hanson, who’s entering his first year as USC’s offensive line coach. “A lot of guys get hesitant to do that. But he’s a pro at his craft.”

He’s still getting the hang of being a leader in the room. But what might’ve felt unnatural to him not that long ago, he says, is starting to feel like second nature. Thinking back on where he started, USC coach Lincoln Riley called Raymond’s transformation “radical in every way.”

Now no one in the building bats an eye when Riley declares Raymond to be “one of the best players on the team.”

That’s what Riley will need Raymond to be this season, if USC hopes to hold up along an otherwise thin offensive front. He’s expected to play right tackle to start the season. But his teammates and USC’s coaches have expressed confidence that Raymond could playany position on the line, if need be.

That might have, at one point, seemed like a worrisome proposition. But Reed, the Trojans new center, saw all he needed to see this summer while watching Raymond preside over the most important job at the barbecue.

“It was hot, and he didn’t have no problem sitting there sweating,” Reed said. “He’s got it, bro. He definitely did the thing.”