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‘The great puzzle’

While Massie has long dominated elections in Kentucky’s 4th district, polling this year shows a tighter race than expected.

A Quantus Insights survey conducted from April 6 to 7 showed Massie leading Gallrein 46.8 percent to 37.7 percent.

Another survey conducted by Big Data Poll in early April had Massie ahead with 52.4 percent to Gallrein’s 47.6 percent.

The relatively close primary could be a bellwether for Republican voting trends nationwide, according to Stephen Voss, a political science professor at the University of Kentucky.

“Massie is an early opportunity to see what Republican voters will do when their pro-Trump leanings clash with their conservative leanings,” Voss said. “That is the great puzzle of this race.”

This is not the first time Trump has turned against Massie, though. In 2020, another election year, Trump famously petitioned to “throw Massie out of the Republican Party”.

But by 2022, Trump had reversed course, endorsing Massie over a challenger who questioned the congressman’s commitment to the president.

Still, the past year has widened the rift between Trump and Massie, leading the president to make his most aggressive moves yet to unseat the congressman.

The two Republicans clashed on a range of issues in 2025. Massie, for example, opposed the president on his tax and spending measures, fearing increases to the national debt.

That meant voting against Trump’s signature piece of legislation, the One Big Beautiful Bill Act, last July.

The Kentucky Republican also denounced Trump’s campaign of foreign intervention. Last June, NBC News reported that it was after Massie criticised Trump’s strikes on Iran that the president’s allies began laying the groundwork for a primary challenge.

Massie also led the charge to compel the Department of Justice to release all the files related to the investigation into Jeffrey Epstein, the late financier and convicted child sex offender.

Shortly thereafter, Trump gave his stamp of approval to Gallrein, posting on his Truth Social site, “RUN, ED, RUN.”

By that point, Gallrein, a military veteran and fifth-generation farmer, had yet to enter the race. Four days later, on October 21, he launched his bid.

Critics argue Gallrein’s platform does not offer much of a distinction from Massie’s. His campaign website lists his priorities as cutting taxes, reducing government spending, protecting gun rights and opposing abortion — issues Massie also supports.

“I don’t think he’s offering any kind of alternative, except for being the selection of Donald Trump,” Kahne said. “I think that’s it. That’s the only thing he has to offer.”

But Gallrein has drawn heavily from Trump’s endorsement, using it as a badge of loyalty and authenticity.

“You deserve an authentic, true Republican conservative that stands shoulder to shoulder with our president and the Republican Party,” Gallrein declared at the Trump rally in March.

Trump, meanwhile, told the crowd he had grown so frustrated that he just wanted “somebody with a warm body to beat Massie”.

CHRISTINE McGUINNESS has revealed she is closer than ever to Paddy – even though their marriage ended four years ago.

In fact, the former model claims Paddy has even checked out the women she is dating, branding herself a “five star lesbian” in her most revealing interview to date.

Mum-of-three Christine, 38, who finalised her divorce from ex-Top Gear host Paddy, 52, in 2024, spoke of her decision to date men and women last year.

And, with the pair still living under the same roof as their three children in leafy Cheshire while they wait for it to sell, she says Paddy is fully supportive of her choice,

But now she is looking to the future — and plans to have a woman by her side as a life partner.

“I would love to have a wife one day,” Christine explains on new podcast It Started With A Kiss out today.

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“Not like a legalised marriage, but like a blessing, a celebration of love.

“I’ve been there, done it, spent an absolute fortune and probably aged about ten years throughout it all.

“I don’t want to do that again.

“I would love to just be saying, ‘This is my wife.’”

Christine’s unusual set-up with Paddy means the pair juggle dating outside of the home.

“I love a double life,” Christine added.

“It’s ideal for me because I don’t want to bring somebody into my personal life too quick.

“I like the separate life.

“My family, my kids, my home is up there, then I come to London, step off that train and I can work, have fun, sleep in and I don’t need to worry about everything.”

It is the freedom of Christine’s new lifestyle, and the support of Paddy, which she says has allowed her to start again.

Although her openness with Paddy may shock some.

On the podcast Christine is asked: “Are you showing him pictures like, ‘Oh look at her, she’s fit. What do you think of her?’

And Christine tells the hosts Amy Spalding and Gareth Valentino: “There’s times where we have, yeah.”

For now Christine insists she is still dipping her toes into the dating pond and has yet to properly settle down.

“I’m just seeing how things go, just figuring it out.

“I’m trying to not plan too far ahead,” she explains.

“I’ve dabbled in people who are in the industry.

“I’ve been trying to think what really works better.

“I quite like that people that aren’t in it are usually a bit more . . .  they’re happy to just take it slow and they understand that I don’t want to just put you on Instagram the next day because of my work and everything.

“So that’s usually quite nice.

“But I tend to just meet people out and about, at events and stuff.

“I’m quite lucky that I mix in circles with a lot of gay, bi, pansexuals.

“I’ve never gone too serious with anybody in the industry, it’s always been more of a fun fling type thing.

“I’ve spent time with a lot of women in sport.

“I’ve spent time with women in music.

“I’ve spent time with actresses.

“With me, I can panic and I can pause if I think of the future too much.

“So I’m just trying to enjoy the now.

“Enjoy the moment.”

Christine chose to speak about wanting to date men and women after signing up to E4 TV series Celebs Go Dating in April last year.

It came after Christine and Paddy announced their separation in 2022.

At the time, the pair released the news in a joint statement and said: “A while ago we took the difficult decision to separate but our main focus as always is to continue loving and supporting our children.

“This was not an easy decision to make but we’re moving forward as the best parents we can be for our three beautiful children.

“We’ll always be a loving family, we still have a great relationship and still live happily in our family home together.”

The couple first crossed paths in 2007 at the Liverpool International Tennis Tournament when Christine was working as a model for boutique shop Cricket.

Months later they started dating and in June 2011 they married at Thornton Manor in Cheshire.

After being married for just over a decade, Christine said it was her late diagnosis with autism that gave her the courage to admit their marriage was not working.

She documented her diagnosis in a BBC documentary, Unmasking My Autism, in 2023 and said at the time: “Starting life on my own is scary, I struggle making decisions.

“I was only 19 when I met Patrick and for the last 15 years my role has been wife and mum.

“When I was diagnosed, I set out on a journey to find out who I was.

“I have separated from my husband in the process, I’m shedding my old identity and finding out who I am.

“I’ve only ever had this one man in my life, I don’t know what it is like to date.

“I can’t imagine being single or with another man.

“But I’m going into a new chapter on my own which is petrifying for someone who doesn’t like change.”

Two years later, she started to date both men and women and now says she has found her type.

“I’m a sucker for a stud and a masc,” Christine explained, suggesting she prefers more masculine women.

“I swear they come for me.

“This one date, well, it wasn’t a date, it was when I did the whole hotel thing and not the whole date thing.

“Because I didn’t want to ever just meet someone and it just be sex, but then kind of did find myself in a place in life where I was like, ‘Do you know what? I actually do just want to do that.’

“I’ve been married, I’ve had situationships, I was single, I was celibate for six months, and with all of that, I just had a moment of, ‘Do you know what, I wouldn’t mind just meeting up with someone and just seeing how it goes.’

“So I got to this hotel and I’m thinking, ‘This is just sex, it’s fine.’

“She was very, very beautiful, like that perfect, pretty, handsome, like masc stud type woman, really gorgeous, dark skin, like she had everything.”

Christine adds: “We’re just chatting away and she said that she was a Gold Star Lesbian.

“So I’m like, love that, love a Gold Star Lesbian.

“I went, ‘Stop . . .  because you might be a Gold Star Lesbian, but I’m a Five Star Lesbian.’”

Of her first kiss, Christine is just as open, saying: “The first time I kissed a woman, again after my husband and no disrespect to him, it had been a while.

“I remember that first kiss just being so soft and so nice and so feminine.

“I knew I always felt it and it wasn’t something that I was worried about never doing again because when I married, I married for life, genuinely.

“But I was really happy that I was doing it again.

“And I’m really happy that now I am dating women again and that I am having fun.

“I’ve got some of the best stories, some of the wildest memories, like the craziest experiences that only I and one other person would ever know.”

During the episode of It Started With A Kiss, Christine said she has drawn the line at introducing a partner to her children early.

Joking that women in same sex relationships move forward quicker when it comes to love, Christine says: “It’s two weeks and you’re moving in, you’ve got a cat and a flat . . .

“For us two, if we ever end up in something where it progresses and it turns into a relationship and then they want to live with you or whatever.

“I don’t want any more children because a lot of the women that I meet usually don’t have children and they want children, whereas I’ve had them.

“So that’s something that I try to be honest about at the beginning to anybody that I’m even talking to.”

Of settling down for good, Christine says neither she or Paddy are in a rush.

She adds: “We know it’s going to take a while because we’ve got children.

“Going back home, we both kind of get that reality check of we can’t just go and move in with somebody just yet.

“But we’ll talk, we’ll have a laugh, we don’t go into too much detail about anything.”

• Christine’s full interview on It Started With A Kiss is available on YouTube and all podcast platforms now

Chinguetti, Mauritania – Bookkeeper Muhammad Gholam el-Habot gently pulled a pair of white gloves onto his slender hands and set about his routine in his high-ceilinged, cool library lined with steel bookshelves.

He opened a thick manuscript printed in Arabic. After leafing through its brown and frail pages, looking for damage, el-Habot closed the book with a satisfied thud, rubbed his fingers over the wrinkled leather cover, and carefully placed it in a white cardboard box.

“These books are very important to my family and me,” the librarian said, as the midday sunlight spilled in through open wooden doors. He spoke in Hassaniya Arabic, the dialect spoken in Mauritania, his voice low, his sentences halting and poetic. Fat flies buzzed around his long oval face as he worked.

“My relationship with them is like that of a father and his son,” he continued. “We must protect them until God takes the land and all the people who are on the land.”

The el-Habot family library is only one of a handful of its kind still operating in Chinguetti, a medieval fortress town or ksar in Mauritania’s northern Adrar region. Once a centre of commerce and Islamic learning between the 13th and 17th centuries, it is now largely abandoned as, over the decades, locals have sought opportunities in bigger cities.

Chinguetti is also at the mercy of a changing climate.

Mauritania, in northwest Africa, is 90 percent Sahara desert and has faced desertification for centuries. Now, human-induced climate change is an accelerant. Sand and flash storms occur more frequently, while extreme hot or cold seasons last longer than usual.

Those pressures are a “big deal” for precious books, said Andrew Bishop, a researcher at the University of Wyoming studying climate impacts on Saharan cultures.

“Extreme heat and less predictable rainfall patterns means that texts are increasingly damaged by water or heat, making many manuscripts beyond repair. More than that, the mud libraries themselves are not built for sudden rain and longer summer of over 40 degrees (Celsius, or 104 degrees Fahrenheit),” he told Al Jazeera.

Many of Chinguetti’s 4,500 residents now live in cement buildings outside the original confines of the abandoned ksar, built out of dry stone and red mudbrick. There are fears that the entire area, which is about 500 square kilometres (200 square miles) – about the size of Prague – is at risk of being buried by surrounding sand dunes in the long run, although there is not a clear timeline yet.

Islam’s ‘seventh holiest city’

El-Habot did not always want to be a bookkeeper.

But when his father grew sick in 2002, he took over the approximately 1,400 manuscripts out of obligation. It was an honour in his culture to be selected, he said.

It would be out of the question now, the 50-year-old librarian said. He imagines that his two sons would reject the duty, as many of their peers have left to explore economic opportunities in the capital city, Nouakchott, or elsewhere.

“This is something that we have to do; it is a family obligation,” el-Habot said, with a bewildered expression. “This is not even a question to be asked.”

The family manuscripts are sacred because they are rare. The bookkeeper’s ancestor, Sidi Mohamed Ould Habot, was one of about two dozen Chinguetti scholars who travelled around the Muslim world between the 18th and 19th centuries, from Egypt to Andalusia, in search of knowledge.

Between them, the scholars amassed a vast fortune of about 6,000 scripts. They covered almost every topic: Islamic jurisprudence, the hadith or teachings of the Prophet Muhammad, mathematics, medicine, and poetry. Some of the works came from the scholars themselves, including the older el-Habot, who wrote about the science of poems.

The books were stored in about 30 libraries in Chinguetti, open to people from all over the world.

At the time, the town was famous because of its location at the crossroads of trans-Saharan trade routes linking the Sahel and the Maghreb. Camel caravans guided by nomadic Berber traders transporting goods – mostly salt and gold – between northern Africa and the southern empires used the city as a way station, transforming it into a commercial hub.

Muslim pilgrims on their way to Mecca on foot or camel would gather in Chinguetti and prepare themselves spiritually and mentally for their long, difficult journey before heading on to Cairo. Islamic and scientific texts were exchanged, bought and sold in the town.

In West African lore, Chinguetti was referred to as Islam’s seventh holiest city. Others nicknamed it the “Sorbonne of the Sahara”, according to UNESCO.

Generation after generation managed the libraries. Over time, as the caravan trade declined due to new European sea routes, the old town emptied and several libraries closed.

“Chinguetti was the mother of all people,” el-Habot said, referring to the town’s old status as the main capital of the region. Indeed, the area now known as Mauritania was called “Bilad Shinqit” or Land of Chinguetti. In the local Soninke language, it translates to “spring of horses”.

“People had to go because they wanted to feed themselves, get education for their kids, and get better opportunities for themselves too,” el-Habot said, adding that there were no universities close by, and only a handful of primary and middle schools.

Some within his family have moved on, as well, the bookkeeper said. Those, like him, who stayed back, wanted to respect their ancestor’s three wishes.

“His wishes were that the library stay in Chinguetti, that it should be open to all seekers of knowledge, and that a male descendant of his who is religious and morally upright be the bookkeeper,” el-Habot explained. Not following those instructions, he said, could invite God’s anger.

Chinguetti’s decline is largely due to the lack of support for its traditional lifestyle, Bishop said. Annual rainfall in Mauritania has decreased by 35 percent since 1970, making it harder for herders to graze or for date palms to produce fruit.

In 1996, UNESCO granted Chinguetti and three other Mauritanian ksour World Heritage Status, cementing their rich legacy. The few people still living in the old town are allowed to renovate but only minimally, to keep its original stone architecture and the typical Moorish structuring where houses are lined up along narrow alleys that lead to a mosque with a square minaret.

Just outside Chinguetti are the excavated ruins of Abweir, a town of 25,000 believed to have been founded in 777 AD, and believed to be the “original” Chinguetti. Its residents moved from the settlement, locals believe, in 1264 – likely after a conflict. Over time, the area was completely swallowed by sand.

Saving the manuscripts

El-Habot’s job, while enjoyable much of the time, is also taxing, he admitted.

Preserving old books by reprinting or digitising the most worn-out manuscripts before they become unreadable is a costly process. He often needs chemicals to keep away book-eating insects and has to fund more suitable storage.

Then, there is the weather, which is out of his control. Mauritania swelters in the dry season between April and December, and is bitingly cold in the winter months that follow. Old pages are sensitive to both extremes and can become brittle, el-Habot said. Sometimes, when it is really hot, he places buckets of water around the library hall to spur humidity.

Flash floods, meanwhile, threaten water damage.

Visitors to the library usually pay a small fee, but tourist numbers dropped drastically across Mauritania in the mid-2000s, when armed groups attacked foreigners. The COVID-19 pandemic also reduced the flow of travellers.

Mauritania has since clamped down on violence. Tourists are slowly coming back, el-Habot said, and some of the locals who left have also returned.

In 2024, a $100,000 UNESCO restoration project provided air-conditioning units, computers and printers, as well as shelving units and storage boxes to 13 family libraries to stimulate the sector. But most libraries remain closed, their texts scattered among members. The lack of capacity of young people who are not as interested in preserving Chinguetti’s culture will continue to pose a challenge, Bishop said.

Back in the library, el-Habot continued working, his thin frame bent over his manuscripts. He opened one book and pointed excitedly at its pages: They depicted the moon in its luteal phases, and an eclipse. A third page showed the holy cities of Mecca and Madina.

“I have to protect this heritage,” el-Habot said in his low voice. “As mine, and also for all of humanity.”

Sanaa, Yemen – It was August 2023, and Enaya Dastor was reading a school textbook while also keeping an eye on her goats as they grazed near her village, Jabal Habashy, in central Yemen’s Taiz governorate.

Whenever the livestock moved away, the then-13-year-old would walk or run to bring them back to the pasture near her house.

That afternoon, she was following them as usual when an explosion rang out.

A landmine had detonated beneath her.

“People gathered around me after the blast, and I was taken to the hospital immediately. It was a horrible moment, ” Dastor told Al Jazeera. Surgeons were forced to amputate her left leg, leaving her with a lifelong disability.

The incident took place more than a year after fighting between Yemen’s government and Houthi forces largely stopped, following a ceasefire in April 2022.

But landmines left behind on former battlefields and front lines continue to kill and injure Yemenis.

The hidden risks have turned fields, roads, and villages into areas of ongoing danger. Landmines and other explosives have killed at least 339 children and injured 843 since the 2022 truce, according to Save the Children. The organisation found that nearly half of child casualties related to the conflict were due to landmines and explosive remnants of war.

‘Sleeping killers’

The parties to Yemen’s conflict planted thousands of mines during the civil war, which began in 2014.

Two months before Dastor’s incident, a boy in a nearby village had stepped on a landmine. One of the boy’s legs was amputated in the explosion, she told Al Jazeera.

“Landmines are sleeping killers, waiting for the innocents to step on them or move them without caution. That is how they wake up to shed blood and take human souls,” said Dastor.

“I used to go with other girls to the pasture. We grazed the cattle and play for hours. We were not aware of the danger, and we did not know when these deadly objects were planted,” she added.

After the landmine explosion took her leg, her family and others fled the village, which had previously been on a front line.

To date, Dastor’s family has not returned. They now live in the city of Taiz.

“I do not want to see another child harmed or hear another landmine explosion. I loathe walking on the soil under which mines were planted,” she said.

In the first half of 2025 alone, 107 civilians were killed or injured, most of them children, according to Save the Children. Included in that number are five children who were killed while playing football on a dirt field in Taiz.

Lost hope

From 2015 through 2021, ground fighting was brutal, and warplanes continuously bombed across Yemen, killing and injuring thousands of civilians.

The landmines have added a lasting layer of danger. A study carried out in 2022 by Yemeni human rights groups found that 534 children and 177 women were killed by mines between April 2014 and March 2022.

In addition, 854 children, 255 women, and 147 elderly people were injured during the same period in 17 Yemeni provinces, with the heavily fought-over Taiz recording the highest number.

In 2018, Mohammed Mustafa lost his left leg in a landmine explosion in Taiz’s Maqbna district. He was only 20 years old. Eight years on, he can still recall the details of that moment.

“I stepped on a landmine when I was walking in a mountainous area at sunset time. After the blast, I looked towards my feet, and I found my left leg was gone,” he told Al Jazeera.

Mustafa was in a rural area with no hospitals nearby. He had to travel five hours by ambulance to the city of Taiz, and the distance he covered to reach a healthcare centre added to his pain.

“I fainted repeatedly on the way to Taiz city. The next day, I woke up in the hospital, and saw my leg amputated up to the knee,” he said.

With support from family, relatives and friends, he recovered. Mustafa is now a member of the Yemeni Amputee Football Federation, a father, and a small business owner.

“My family and friends stood by me, lifted my morale, and accompanied me on outings in the city to help me forget my pain and worry. I realised I was not alone,” he said.

De-mining challenges

Efforts to remove landmines from many areas in Yemen continue. But totally ridding the country of the problem remains complex, particularly as no final deal has been agreed upon to end the war.

Project Masam, a de-mining team funded and initiated by Saudi Arabia, said in a statement in March that, since the project’s launch in July 2018, a total of 549,452 mines, unexploded ordnance, and improvised explosive devices (IEDs) had been removed by March 20, 2026.

During the same period, the project’s teams cleared explosives from 7,799 hectares (19,272 acres) in Yemen. Similarly, the Danish Refugee Council (DRC) said early this month it has cleared more than 23,302 square metres (250,820sq ft) of Yemeni land from mines and explosive remnants of war.

Adel Dashela, a Yemeni researcher and non-resident fellow at the MESA Global Academy, focusing on conflict and peace building studies, said that many factors make the de-mining process challenging.

“The mines have been planted indiscriminately in different areas, and some of the territories are under the control of different armed groups, which makes them inaccessible to de-miners,” Dashela told Al Jazeera.

“Other challenges facing the de-mining process in Yemen include the lack of clear maps and the lack of qualified local personnel to handle these mines effectively. There is also a shortage of government’s modern equipment for detecting these devices and explosives,” he added.

Dashela noted that flash floods, such as those Yemen experienced in August 2025, sweep away explosives from one area to another, complicating the clearance process and exposing more people to further risks.

This means many more Yemenis will likely suffer.

The loss of a limb might bring lasting sorrow to landmine survivors, but some, like Dastor, are determined not to dwell on the past. She is focusing on the future.

“Today, I am in tenth grade, and I will finish high school in two years,” she said. “After that, I will enrol in law college and will graduate as a lawyer. I want to defend those who face injustice.”

“The injury has changed how I move or walk, and separated my family from our home,” she said. “But it cannot disable my mind or stop my dreams.”

SHE became the youngest ever Bond girl at 21 – and Gemma Arterton thinks one reason she landed the role as MI6 agent Strawberry Fields is because she teased 5ft 10in Daniel Craig about his height at the audition.

Now 40, the actress recalls how she had been relaxed about applying for the part in Quantum Of Solace because she did not realise quite how huge the 007 films were — and just tried out for “fun”.

Talking about Daniel, 58, who played Bond for 15 years, she says: “He’s got his sense of humour, so that was good.

“I used to poke him a bit, like, I think that’s why I got the job.

“I did a screen test with him and I came on set and said, ‘Hi’, and he said, ‘Hi’. I said, ‘You’re not as tall as I thought you would be in real life’.

“He said, ‘That’s really nice of you to say so’. I was joking with him. I didn’t think I’d get it.”

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After she landed the part, Gemma — who is 5ft 7in — says Daniel had to use height-boosting shoes for a few scenes when she was ­wearing stilettos.

Gemma, whose parents split when she was young, grew up on a Kent council estate with her mum Sally-Anne, a cleaner, and younger sister Hannah.

She said at the 2024 Marrakech International Film Festival: “I knew nothing about the Bond legacy because I grew up in an all-female household where we didn’t really watch movies.

“I literally didn’t know how big James Bond was, which sounds ridiculous because everyone else does. The ­surprise of how big it was — I couldn’t believe it.

“I auditioned for it because my agent told me to, not expecting to get it, and got it and just did it because it was fun.

“But I had an amazing time making it and it was huge. I had no idea what I was letting myself in for.

“We went on all these amazing locations. I had just left drama school, it was one of my first jobs, and it was the first time I was on a big film set.”

Now, Gemma is about to appear in another spy thriller — but this time she will take on the lead role in new ITV crime drama Secret Service, which starts tomorrow night.

She plays Kate Henderson, who balances being a suburban married mother of two teenagers with secretly being a senior MI6 operative and heading the Russian desk at the intelligence service.

It is based on the book of the same name by ITV newsreader Tom Bradby.

Gemma says: “She trains spies and finds out some very important information, which is that there is a Russian spy within the British government.

“Her mission is to find out, by hook or by crook, who that is. It’s really gripping. It’s edge-of-your-seat stuff.”

For this role, Gemma did plenty of research and, with writer Tom’s help, she even met a real-life spy to perfect the part.

She told ITV’s This Morning: “I was lucky enough to meet someone who could advise me on how they negotiate their lives and live day to day — you know, their family and their kids.

“There’s a scene where I tell my kids what I do and they don’t believe me, they laugh it off. And that came from this ­previous spy and what happened when he told his daughter and she thought, ‘You’re joking’.

“But it was invaluable to me because it’s not just the high-stakes lives they live, it’s about the attributes they have to be a spy, which are very specific — very risk averse, good at problem solving.”

Gemma has been acting since she was a teenager and was 16 when she first considered it as a career.

She says: “I come from a humble family. My father was a metal worker, my mother is a cleaner, and not involved in the arts in any way.

“I always liked performing and showing off. I didn’t know that acting was a profession really until I was about 16 and I was doing a lot of amateur dramatics as a hobby.

“There was a lady there who said, ‘You should go to college to study acting’.

“I thought, ‘OK let’s see what happens’. Then I saw Breaking Away and Dancing In The Dark and I was inspired.

“That’s when I realised I would like to give it a go.”

She first broke through with comedy film St Trinian’s in 2007, followed by Quantum Of Solace a year later.

Since then, she has made more than 30 films, including 2018’s Vita & Virginia, in which she played author Vita Sackville-West, who had a romantic ­relationship with fellow writer Virginia Woolf.

Talking about why she left Hollywood films behind to make more independent movies, Gemma says: “I think at the time it was very different in the industry to how it is now for women.

“In those films — not the Bond film. I had a really good time making that film, but the other ones — I didn’t feel very empowered.

“I didn’t feel like I had a voice and I didn’t feel comfortable. I always felt good doing independent films.

“My taste is that as well. I like independent film, it’s my passion. Usually, the stories are better and the characters are stronger and I felt like I had a voice on set.”

Films such as Byzantium, The Voices, Their Finest and The Disappearance Of Alice Creed followed, alongside performing with the Royal Shakespeare Company and starring in stage productions such as Nell Gwynn, which won her an Olivier Award in 2016.

On the Dish podcast, Gemma told how, when she starred in The Little Dog Laughed at London’s Garrick Theatre in 2010 with Tamsin Greig, Rupert Friend and Harry Lloyd, they had a novel way to try to dispel their nerves.
Laughing, she said: “We used to play this game called bum slap.

“We’d be on stage before the audience came in, obviously, and you have to run around and smack each other’s bum.

“Basically, you have to smack as many bums as you can. And it was the best warm-up ever because you were all loosey goosey.

“I think I’d rather do bum slap than any of the old acting rituals.”

Gemma loves working in Britain because she gets to perform different accents.

She said: “I do enjoy a Liverpool, that melting pot of accents that is Lancashire, Manchester and Blackburn, it’s insane.”

Gemma herself had a Cockney accent before gaining her scholarship to the Royal Academy Of Dramatic Art, where it “softened up a bit”.
London is now her home, but her mum still lives in Gravesend — and now does watch films, thanks to her famous daughter.

Gemma says: “She’s grand, she’s living the life. She’s down in Kent where I grew up, the same home — I paid off the mortgage.

“I think she does eventually watch my shows. She takes her time and needs to watch them with the subtitles on, maybe to absorb them.

“She’s very honest. She’ll say, ‘Why did you do that? You sold out there’.”

Gemma has her own family now, too — son Theo, three, and a baby boy whose name she has not revealed — with her husband, Peaky Blinders actor Rory Keenan, who she married in 2019.

They do not live a showbiz life, but he is supportive of her work.

Gemma says: “My family life is my world now, whereas before it was work.

“It’s made me hyper-focused on what I do want to do.

“Before, it was like, ‘I will do that with that director or that actor I like’, even though it wasn’t the best thing for me.

“But now it’s made me really specific about what I want to do, because if I’m going to be away from them, which I inevitably will, it’s hard.

“But if I’m in it and enjoy the work, then it’s OK.”

Timeline of James Bond actors

Over the years there have been seven actors who have played 007.

The first ever James Bond film was in 1962, and this is who has played the lead role over the years:

• Sean Connery – The late star was the first ever actor to play Bond, and reprised the role for seven movies.
• George Lazenby – The star only played Bond once, but was the youngest actor to ever play the spy.
• Roger Moore – The late movie star spent 12 years making seven films in the famous franchise.
• Timothy Dalton – The smooth actor took over from Roger Moore and appeared in The Living Daylights and Licence to Kill.
• Pierce Brosnan – The handsome star played Bond for four movies from 1995 to 2002.
• Daniel Craig – The British star was the first blonde James Bond and the sixth actor to win the role in 2005.

Deir el-Balah, Gaza – Early this morning, Salama Badwan, his wife and daughter headed to a polling station in Deir el-Balah, central Gaza, to participate in the municipal elections, which are taking place for the first time since 2006.

The 43-year-old said he was delighted to be casting a vote after such a long absence, and overjoyed that his daughter, who recently turned 18, could vote for the first time in her life.

The vote is also the first since a “ceasefire” took effect in Israel’s genocidal war against Palestinians in the Gaza Strip. The war has affected all aspects of life, including the electoral process itself. With many of Deir el-Balah’s buildings damaged or destroyed during the war, polling stations have been set up in temporary fibreglass tents on open land.

“I am very happy today, because this is a truly Palestinian democratic celebration. Many generations have been deprived of it for more than 21 years, and today my daughter is voting for the first time,” Badwan told Al Jazeera.

For him, the importance of the elections is providing Palestinians in Gaza with a chance to achieve change through peaceful and democratic means.

“We must change everything through the ballot box … whoever wins, it is their right, but not through inheritance … change must be in the hands of the people.”

But despite this enthusiasm, the reality in Deir el-Balah, in central Gaza, remains complex amid the ongoing “ceasefire”.

The city, which Badwan describes as “always calm,” has become a refuge for hundreds of thousands of displaced people from across Gaza, putting unprecedented pressure on its infrastructure.

“The city received large numbers of displaced people, each coming with different ideas, circumstances, and harsh suffering … This created enormous pressure on water networks, sewage systems, and waste management, and exhausted the previous municipality.”

Deir el-Balah was given the opportunity to hold elections because its infrastructure was less damaged than that of other cities in Gaza during the war.

Badwan places his hopes on a new municipal council capable of handling the scale of the crisis left by the war, away from the political divisions that have swept the Gaza Strip between Hamas and Fatah, the two main rival factions.

“We want a very strong municipal team that does not belong to any faction … one that can secure support from donor countries and meet people’s needs, because today Deir el-Balah is hosting all.”

On the street, he describes the atmosphere of the elections as “positive and enjoyable”, despite general frustration with the political class.

“People are fed up with politicians and unfulfilled promises,” he says, adding that he encouraged those around him to participate in the elections in the hope of creating change.

“I told my friends and children we must go and vote … we cannot just sit at home and wait for change.”

‘I finally have a voice’

Standing beside her father, Dunia, Salama’s 18-year-old daughter, did not hide her joy at casting a vote, despite the exceptional circumstances surrounding her.

“I’m very happy that I can vote in my country and my city, Deir el-Balah … and that I, like others in my generation, can finally participate and have a voice,” said Dunia, a first-year nursing student at Al-Aqsa University.

“Honestly, I had never voted before and didn’t have a clear idea … but when the elections came, my father explained how things work and how our voices could help change the difficult reality we live in, even a little,” she said.

Like many of her peers, Dunia’s motivations are practical and directly tied to daily life, which has sharply deteriorated since Israel launched the war in October 2023. She chose a candidate list composed mostly of young people, describing them as “capable and experienced in their work,” reflecting her hope for a more efficient municipal administration.

“The reality the city is living after displacement is far from stable… the situation is tragic, especially cleanliness, public streets, healthcare, and even education … everything is in very bad condition.”

“I hope these elections help create a situation where students return to schools, and new housing alternatives and camps are provided for displaced people instead of using schools,” she said.

“We want things to go back to how they were … schools should return to students instead of being shelters, hospitals should improve, and streets should be cleaned,” she says.

A long-delayed moment

For Awda Abdel Karim Abu Baraka, 73, the elections represent an opportunity to choose those capable of “reviving society and institutions that have been stalled for years”.

He believes that the local elections could carry broader significance beyond Deir el-Balah. “They are part of a larger system … the West Bank and Gaza,” he explains.

“Holding elections today in Deir el-Balah shows the world that we are a democratic people, and we choose our representatives without imposition,” he adds, expressing hope that “the international community will support this path.”

He also stressed the need for the winners of the vote to respect the city’s residents who have suffered for years amid Israel’s war. “There must be real programmes, not high slogans that later fall … the citizens must be respected, and their dignity and humanity – violated by war – must be restored.”

Despite recognising the scale of challenges, he remains committed to gradual change. “We know the challenges are big and that change takes time … a long journey begins with a single step, and hopefully, this is the first step on the way.”

‘Born out of nothing’

Meanwhile, Mohammad Abu Nada, coordinator of the Deir el-Balah electoral district, moved between voters and staff inside tents set up in place of school polling stations, describing an electoral process that was “born out of nothing”.

He recalls greeting the initial announcement of the elections by the Central Elections Commission in the West Bank with a mix of surprise and a sense of responsibility.

“At first, the news was unexpected … there was joy that we were returning to work after two and a half years of suffering under war, but at the same time, there was a strong sense of responsibility.”

That feeling quickly collided with the complex logistical reality in a city suffering from widespread destruction and severe shortages of resources.

“Capabilities are extremely limited … even this place was just empty land. We relied on tents from international organisations to use as polling stations,” he says, noting that most schools have been turned into shelters for displaced people.

Despite these challenges, polling centres were set up across the city, in a task he describes as far from easy.

The difficulties did not stop there. Essential electoral materials, usually transported from Ramallah, were prevented from entering Gaza.

Abu Nada explains the challenges in securing logistical items such as ballot boxes, stamps, papers, and campaign materials.

“We had to rely on our local capabilities … ballot boxes were designed and manufactured here in Deir el-Balah, and they served the purpose fully.”

Even electoral ink was unavailable after being denied entry by Israeli authorities. “We used ink previously used by the World Health Organization during vaccination campaigns … we tested it, and it stays on the finger for days and worked well,” he explains.

Amid shortages and soaring prices – “multiplied 10 times” – work continued intensively.

“We worked day and night … everything was difficult, from papers to stamps, but in the end we managed,” he says, noting that approximately 70,000 voters are eligible in the city.

While turnout appeared to be limited in the early morning, it picked up later in the day, Abu Nada said, attributing the slow start to people’s focus on meeting basic needs.

“People are standing in lines for water and bread … but we expect turnout to increase.”

The choice of Deir el-Balah for holding elections was not random, but due to its relatively better conditions compared to other areas.

“It is impossible to hold elections in completely destroyed areas like northern Gaza or Khan Younis … so the decision was to start in an area with minimal capacity, hoping to expand later.”

Still, the challenges facing the upcoming municipal council remain significant.

“Deir el-Balah today is not what it was before the war … population pressure is huge, and expectations from the new municipality are high,” he says.

As for the campaign, Abu Nada explains it was conducted in record time and with intense efforts.

“We worked like a beehive … organised more than 20 awareness workshops, worked with local institutions and influencers, and distributed posters and materials explaining how to vote and encouraging participation.”

At the end of his remarks, he expresses a sense of achievement despite the difficulties.

“Today, in front of everyone, we are exercising our electoral right despite all conditions … and that in itself is a success,” he says.

“And hopefully, this is the first step on a longer road.”

STRUTTING the red carpet at The Devil Wears Prada 2 premiere, dazzling Anne Hathaway was like a different woman.

Gone was the so-called “in-authentic” air that critics once claimed she exuded, leading to her being branded “Hollywood’s most hated woman”.

Instead, more than a decade after the trolling began, 43-year-old Anne appeared determined to shake off her difficult reputation once and for all.

Not so long ago, it could be argued she was best known for snapping at interviewers, snubbing fans and even, it is claimed, rubbing some co-stars up the wrong way.

A campaign known as “Hathahate” had kicked off in 2011, when Anne was panned for her Oscars hosting performance with James Franco.

Two years later, as she picked up awards for playing Fantine in the 2012 film adaptation of Les Miserables, her acceptance speeches were widely dubbed overly dramatic and insincere.

The hate spiralled from there. But Anne, who wore a sexy, cutaway Versace gown to The Devil Wears Prada 2 premiere, appeared to be launching a charm offensive as she flashed her Hollywood smile at the paparazzi in Leicester Square on Wednesday night.

Her shiny, orchestrated comeback was almost derailed this week when she was accused of “playing Muslim” by casually dropping “Inshallah” — the Arabic phrase for God Willing — into an interview.

The online hatemongers immediately went into overdrive.

In the viral interview with People magazine, Anne — who has been married to jewellery designer Adam Shulman since 2012 and has two sons with him — was asked about her plans for the future.

Without hesitation, she responded: “I want to have a long, healthy life. Inshallah, I hope so.”

While the phrase is widely used, Anne’s decision to say it has sparked debate.

One person questioned: “Is she playing Muslim now?”, while another moaned: “Anne Hathaway and her Inshallah clickbait make me not want to see Devil Wears Prada 2 and I had been looking forward to it.

“It’s not a religious thing. It’s the obvious clickbait as a marketing tactic. It’s insulting.”

As she signed autographs at the premiere in London this week, Anne was gifted a copy of the Qur’an, an Islamic religious text.

She replied: “Thank you so much. That’s very kind,” before moving on.

But insiders tell us that drama over her use of the word “Inshallah” is the last thing she would have wanted.

A source revealed: “Anne, like many people, uses that expression all the time and meant no offence.

“She has spent years stepping on eggshells and she just wants this press run to be smooth sailing without everyone hating her again.”

Anne’s every move has not always been so heavily scrutinised.

She has spent years stepping on eggshells and she just wants this press run to be smooth sailing without everyone hating her again

Source

Her breakthrough role as Mia Thermopolis in the 2001 Disney hit The Princess Diaries is still a fans’ favourite and later, she was revered by her peers following roles in the likes of Brokeback Mountain and The Devil Wears Prada.

But then the tide turned. In an interview with Vanity Fair in 2024, she revealed that she once Googled herself and the top article was titled, “Why does everyone hate Anne Hathaway?”.

She claimed the backlash affected her work, telling the magazine: “A lot of people wouldn’t give me roles because they were so concerned about how toxic my identity had become online.”

According to an LA-based source who has worked with Anne in the past, interactions with her can be tricky, and her mood depends on whether people are in or out of her favour.

They said: “The thing with Annie is, if she likes you, you’re golden.

“If she doesn’t, you’ll know about it fast. A lot of people complain about her attitude. She often comes across as frosty because she is so focused on work and she can’t stand time-wasters.

“After all, there are not many Hollywood actresses who take their work so seriously they would shave all their hair off just a couple of months before their wedding, like she did for Les Miserables.

“When Annie is in that mode, the advice is usually to steer well clear.”

Anne was born in Brooklyn, New York, to stage actress mum Kate and lawyer father Gerald.

She says she knew she wanted to be a star aged three after watching Kate play Eva Peron in Evita.

By eight, Anne was obsessed with becoming an actress, further inspired by her mother playing Fantine in a US tour of Les Miserables — a role Anne later portrayed on the big screen.

She has previously told how she got an agent at 11 and landed her first major TV role at 16 in comedy drama Get Real.

Anne had starred in a string of movies before her 2011 Oscars debacle, which followed a plan to team her with co-host James Franco in a bid to pull in younger viewers.

‘Needed a break’

It backfired spectacularly and their lack of chemistry was widely mocked, as was Anne for having eight outfit changes.

Afterwards, Anne admitted she was “slightly manic and hyper-cheerleadery on-screen”.

Meanwhile, Franco, who stepped away from the spotlight after settling a $2.2million class action sexual misconduct lawsuit in 2021, said: “I think the Tasmanian Devil would look stoned standing next to Anne Hathaway.”

From then on, Anne’s reputation for being difficult grew.

Much of the criticism was ridiculous and unfounded.

Comic book fans even moaned when she was cast as Catwoman in Christopher Nolan’s The Dark Knight Rises because they did not think she was sexy enough.

But other complaints seemed to hold more weight. In a 2012 interview, which resurfaced and went viral in 2024, journalist Kjersti Flaa called her “dismissive” for providing short, unenthusiastic answers during a Les Mis press day.

When asked, “Do you believe people loved more passionately back then?” and, “Do you remember your first crush?”, the star bluntly replied, “No”.

Anne followed up with an apology to Kjersti for being so curt, attributing her behaviour to personal circumstances.

The actress went on to win a slew of awards for her performance in Les Mis, including an Oscar, a Bafta and a Golden Globe. But her acceptance speeches were criticised for being too rehearsed or self-absorbed.

Following her Golden Globes victory, Anne said: “Thank you for this lovely blunt object that I will forevermore use as a weapon against self-doubt.”

Later, she was accused by many on Twitter of putting on “The Anne Show”. Amid the fierce backlash, she stepped away from the public eye, and said in 2014: “My impression is that people needed a break from me.”

Curt answers

By 2022 the actress was back, in movie Armageddon Time, but was yet again called out online over a video of her refusing to pose for photos with fans as she left a Valentino fashion show.

Other clips included a red carpet chat in which Anne was asked what Vogue editor Anna Wintour — the inspiration for The Devil Wears Prada’s fictional magazine editor Miranda Priestly — had said about the movie.

The actress first appeared frosty as she retorted, “Why would I tell you?”, before laughing raucously.

When the interviewer pressed, “Because I’m a fan and I need to know”, Anne said, “I know, but you weren’t there”, followed by another cackle — leading to claims she was trying to pass her curt answers off as banter.

The original Devil Wears Prada was an overnight success when it was released in 2006, and saw fans obsessed with Meryl Streep’s character Miranda Priestly — the editor of fictional magazine Runway.

The sequel centres on Miranda navigating the decline of traditional print media as she finds herself at odds with former assistant Emily Charlton, played by Emily Blunt, now a powerful executive at a luxury group controlling crucial advertising revenue.

I think the Tasmanian Devil would look stoned standing next to Anne Hathaway

James Franco

Andy Sachs, played by Anne, is a features editor who reunites with Miranda in an attempt to save Runway.

As the stars hit the red carpet on Wednesday night, Anne exuded a glow that bore no resemblance to her frosty past demeanour.

She smiled for fans and appeared gracious when stopping to chat to press on the red carpet — desperate to prove she was more darling than devil.

But as mixed reviews of the trailer for The Devil Wears Prada 2 flood in before the full movie even hits cinemas, has Anne done enough to silence the Hathahaters?

Maybe it’s better the devil you know

By Dulcie Pearce, The Sun’s film critic

IT’S been 20 years since they bitched, backstabbed and brought the house down in feisty fashion film The Devil Wears Prada.

During that time, the much-loved comedy has become a cultural reference, with the characters becoming household names.

But after two decades, has The Devil Wears Prada 2 lost its bite?

Well, one thing is for sure, the cast of Anne Hathaway, Meryl Streep, Emily Blunt and Stanley Tucci have clearly found the formula for time travel, as they all look younger than they did in 2006.

Taking to the very red carpet at the European premiere in Leicester Square on Wednesday night, the foursome eradicated wrinkles and turned up their smile wattage to ultra.

They also, clearly, had to get on board with the film’s “partners” Diet Coke, with three-time Oscar-winner Streep’s outfit – red, white and black with a metallic sheen – looking like it was inspired by a can of the sugar-free pop.

Those attending were all given their own DC to sip on, too, and I don’t think it’s a spoiler to say that it’s the beverage of choice for characters throughout the film.

Audiences seeing early showings of the much-anticipated sequel also signed paperwork ensuring the film cannot be reviewed until a day and a half before it hits cinemas on Friday, May 1.

So no one is giving much away, with red carpet responses being, “It was so much fun” from Hathaway, and Streep saying: “This is a fun fashion movie. There’s a lot of music; there’s a lot of laughs.”

It hasn’t gone unnoticed that, as part of the excessive publicity campaign, Streep has joined forces with Vogue editor-in-chief Anna Wintour, who her character, Miranda Priestly, is based on.

The pair cosied up together on the cover of this month’s Vogue magazine, which is a huge contrast to the first film, which Wintour had nothing to do with.

So much so, designers and fashion figures were scared to be linked with the movie in case they offended her.

Streep recalls in the Vogue interview: “Everybody was afraid of Anna on the first one, so we couldn’t find any clothes.”

Fans fear the film has hung up its devil horns and slipped on some heavily branded wings.

Ramallah, occupied West Bank – Hani Odeh has spent four and a half difficult years as mayor of Qusra, southeast of Nablus.

Surrounded by illegal Israeli settlements and outposts, the small Palestinian town of approximately 6,000 in the northern West Bank faces relentless settler attacks that left two residents killed last month.

Many are unable to access their agricultural fields as settlers repeatedly damage the village’s water pipes. But when his Palestinian neighbours go to the polls for municipal elections on Saturday, he will not be on the ballot.

“The resources are limited, the demands are many, there’s the settlers, the army – the problems don’t stop,” he says. “You can’t do anything for them. I’m exhausted. I just want to rest, honestly.”

Only three months ago, the Palestinian Authority (PA) announced that there would be local elections on April 25 for municipalities and village councils, the first such elections in nearly five years. There have been no national elections since 2006, keeping the Fatah-ruled PA in power in the West Bank more than 17 years after its initial mandate expired.

Odeh, who will be stepping down, doesn’t believe there is much point to the vote. “It won’t change the reality,” he says, pointing out that the gate to enter Qusra has been shut by the Israeli military for two years.

Meanwhile, the PA civil servants that Odeh relies on to run Qusra receive salaries of just 2,000 shekels ($670), a fraction of what they are owed, as Israel continues to withhold tax revenues earmarked for the Palestinians.

According to the Palestine Elections Commission, 5,131 candidates are competing across 90 municipal councils and 93 village councils on April 25, with nearly a third of the electorate between the ages of 18 and 30.

Across the West Bank, many agree with Odeh, and express doubts that these elections can move the needle on anything that actually matters.

‘Sense of futility’

In the days leading up to the vote in Ramallah, there have been no campaign posters hanging along the streets. That is because Ramallah – the city where the PA is headquartered – is not holding competitive elections this Saturday. Neither is Nablus, another major city in the West Bank.

Instead, both cities are being decided through a process known as acclamation, in which a single list of candidates is elected without a formal vote. Across the West Bank, 42 municipal councils and 155 village councils will be filled this way – a majority of local administrative authorities.

Historically used in small villages where extended families agreed on candidates, the process is now being applied in major cities that are PA strongholds – such as Ramallah and Nablus – where Fatah mobilisation has discouraged challengers.

“There is definitely a sense of futility in certain places,” says Zayne Abudaka, cofounder of the Institute for Social and Economic Progress (ISEP), which regularly surveys Palestinian sentiments and views, “and I think that makes it easier for places to just not have an election.”

Fatima*, a businesswoman who runs an education centre in el-Bireh, says she hasn’t voted in an election since the last Palestinian national election 20 years ago – and she doesn’t plan to this time, either. “They will choose a new group of decisionmakers, and I believe they will do the same according to the old decisionmakers,” says Fatima. “We don’t see any difference between them. It is not fair.”

Sara Nasser, 26, a pharmacist who commutes to Ramallah for work from the village of Deir Qaddis, west of the city, says she has simply grown accustomed to elections not happening and will not vote. “It’s been since before I was aware that there were significant elections,” she says. “We’ve always lived like this.”

Some hopeful, others less so

Not everyone is so pessimistic. Iyad Hani, 20, works at a children’s store and is enthusiastic to vote for the first time in his life in el-Bireh. “Hopefully, the one coming is better than the one who left,” he says. “There should be construction in the town and fixing the streets – that’s the most important thing.”

Muhammad Bassem, who is a restaurant manager in Ramallah, is also showing up to the polls, optimistic for what change may bring. “It is the new faces that bring about change for the better – always for the better,” he says. “We want our country to be beautiful, clean and to offer plenty of comfortable employment opportunities, tourism and development.”

Others are not so sure. Amani, who is from Tulkarem but works in Ramallah as a receptionist, watches the campaigns play out on her phone, though she does not plan to vote. “Right now, they keep saying, ‘we’re going to do this, we’re going to do that,’” she says. “But I don’t know if any of it will actually yield results.”

The Tulkarem issues she is thinking of, such as inadequate waste management, no parks for children and roads in disrepair, fall squarely into the kinds of changes that local elections might have an impact on, she suggests. “I just hope that something genuinely new and positive comes out of this.”

‘There isn’t a credible setup’

Underlining the question of these specific elections is a broad disillusionment with the PA that colours nearly every conversation about Palestinian political life.

Fatima says she and her whole family are politically aligned with Fatah, the effective governing party of the PA. “We don’t hate Fatah,” she says. “We hate the decisions they are taking right now.” While she says her business has contracted 85 percent in recent years, the PA still charges her 16 percent VAT.

That same disillusionment extends even to the elections in small localities like Qusra, which Mayor Odeh calls “a family affair, not a political affair”.

“People have lost faith in the parties, lost faith in the [Palestinian] Authority, lost faith in the whole world,” he says, expecting low turnout on Saturday. While most candidates in Qusra are politically aligned with Fatah, Odeh says no candidates in Qusra’s election this Saturday are doing so officially. “If they run under political affiliations, no one will support them.”

According to the Palestine Elections Commission, 88 percent of those on the ballots this year are doing so as independent candidates.

While polling suggests roughly 70-80 percent of Palestinians distrust the PA as an institution, Obada Shtaya resists framing this simply as a PA problem, considering the PA’s hobbled finances and its shrinking autonomy in Areas A and B under Israeli occupation. Israel continues to expand settlements and military raids in the West Bank, and the PA has no power to respond, with the prospect of a Palestinian state increasingly distant.

“Pessimism, lack of hope, helplessness – it is beyond the classical distrust in the PA,” he says. “It is looking at the PA and potentially understanding that these people also don’t have much that they can do to help themselves.”

A new amendment to the local elections law, requiring all candidates to affirm their commitment to agreements signed by the PLO – widely understood as a measure to exclude Hamas and other opposition factions – now threatens to taint how people perceive these elections. “If you want to run, you need to pre-agree to things at the national level,” says Shtaya. “But this is about local service delivery. Why am I having to sign things that deal with agreements between the PA and Israel?”

Despite the many naysayers in this election, “Palestinians are thirsty for democracy,” says the pollster, including those in Gaza. What is missing is not the will, he says, but the proper architecture for it: elections announced years in advance, a functioning legislature, and accountability that extends beyond voting day.

“There isn’t a credible setup that shows people their vote makes a difference,” says Shtaya. Without that, sporadic elections take place at what he calls the surface level: real enough that some people show up, but shallow enough that not much changes underneath.

Soon to be relieved of his mayoral duties, Hani Odeh plans to open a toy shop and set up a house for himself. “Let people breathe,” he says. “We’re here. We’re not going anywhere.”

AFTER literally breaking the scales, Alison Hammond has spent recent years vehemently denying fat jabs helped her to shed 13st. 

And we can reveal her astonishing weight loss is actually the result of an adventurous gym routine, a toyboy boyfriend and a £2.85 supermarket secret.  

A close pal said: “Alison was mortified when she stepped on the scales in 2020 and her weight was so high the sensor broke. 

“It stopped at anything over 29st, so she has no idea exactly how much she weighed back then. 

“It was a real wake-up call and she began a strict diet that day. 

“People are constantly accusing her of cheating and saying that she’s on fat jabs, but she’s not.

“They weren’t even around then.”  

Instead, the Great British Bake Off host, 51, has been munching on Itsu crispy seaweed thins — with just 24 calories in a pack.  

Her mate added: “When shoppers see her in Tesco the trolley is usually packed high with boxes of Itsu seaweed snacks.

“She eats about four packs a day.

“Instead of toffees she’s addicted to seaweed.” 

It is a far cry from the terrifying moment a few years ago that kickstarted her bid to get healthy. 

The scale shock prompted her to visit the doctor, who confirmed she was prediabetic and needed to slim down or face an early death. 

Being prediabetic — the point where your blood sugar is higher than normal but not high enough yet to be diabetic — genuinely terrified her as it can bring serious health problems.  

Following her doctor’s grave warning in November 2020, and in a desperate bid to reverse her diagnosis, the popular This Morning host made a plea to viewers live on air.  

Begging for help 

“I need some help,” she said bravely.

“I’ve really got to change my ways, if you guys see me out there buying sweets or chocolates, please I’m begging you, I’m not allowed to have it. 

“It’s serious now.”  

Viewers were quick to react, messaging the show in their droves with supportive comments and sharing their own struggles too.  

I thought, ‘I have to be an adult about this’. The sweets had to stop and the fatty foods.

Alison of changing her life

“Ali knew she was morbidly obese and was genuinely concerned that she was going to die,” says her pal.

“But the encouragement from viewers really touched her.

“It inspired her to make changes.” 

She previously said that her mother Maria, who died in January 2020 from lung and liver cancer, influenced her decision to overhaul her lifestyle. 

“My mum had type 2 diabetes,” she said.

“She was worried for me, so when I then found out I was prediabetic, that was frightening.  

“I thought, ‘I have to be an adult about this’. 

“The sweets had to stop and the fatty foods.”  

It was not the first time Alison had tried to lose weight.  

She had a gastric band fitted after a chair broke underneath her while she was interviewing actor Matt Damon in 2007.  

However, following the op, Alison experienced complications and “couldn’t keep anything down”. 

After two years, she decided to have the procedure reversed.  

Then, ten years later, she appeared on TV show Sugar Free Farm, which followed celebs as they embraced a sugar-free diet and farm work. 

While she managed to lose two stone on the show, the side effects from the sugar withdrawal left her feeling dizzy and sick.  

Now Alison, who is mum to Aidan, 21, works out three to five times a week with her personal trainers Lui Mancini and Ellis Gatfield.  

She combines strength training, boxing and Pilates rather than cardio and when she is busy working she enjoys walking.

A video posted by Lui displayed her hard at work with kettlebells, medicine balls and a punching bag. 

But no doubt also helping Alison’s confidence — and her weight loss — is her lover.  

She met David Putman, 29, a former Russian model, when she booked in for a massage in 2023.

The couple kept their relationship secret for about a year but now it is very much out in the open and despite the 22-year-age gap they are desperately in love.  

“It was pretty much love at first sight,” said her pal.

“She fell totally head over heels with David and he’s besotted with her.

“When you see them together it’s so sweet.

“He gets on really well with her son too.” 

But a change in her diet has had the most dramatic effect on her.

In a bid to reverse her prediabetes she has cut back on sweets and fatty foods — which has not been easy, especially as the host of C4’s Great British Bake Off, where she is surrounded by temptation.  

“Ali was completely addicted to toffees,’ says her pal.

“She would eat bags of them.” 

For people who need to use them, weight-loss jabs are a good thing. But for me, as soon as I hear any scare story, I get frightened.

Alison on using fat jabs

But these days she relies on seaweed.

The salty snack, combined with a rigorous exercise regime, has seen her weight drop to under 17st.  

She now drinks two litres of water a day and has a high-protein diet with lots of chicken and turkey mince bolognese.  

“She eats half of what she used to eat,” revealed her friend. 

Alison, who also hosts Your Song on Channel 4, previously told how weight loss jabs were not for her because she was “frightened” by “scary” stories surrounding them. 

She said: “For people who need to use them, weight-loss jabs are a good thing.

“But for me, as soon as I hear any scare story, I get frightened. 

“So I haven’t wanted to use them, but that’s not to say I wouldn’t in the future, and I certainly wouldn’t look down on anyone who did.” 

But industry insiders have warned there could be an issue if her slimdown becomes too extreme, especially as she vies for the presenting gig on Strictly.  

“There’s a fear that if she gets too skinny she might not be as popular with her fans,” said another source.  

Pals insist Alison has no intention of losing her curves or trademark sparkle.

Her journey has never been about fitting into a certain dress size but building a healthy life.  

During an interview on Loose Women last year, she summed up her attitude perfectly: “You know what, all I can do is be me.

“I can’t do anything else. 

“I’m a black, big, bubbly woman, who is slowly deflating a little bit.” 

Only time will tell if Alison’s next steps will be into the ballroom. 

But one thing is for certain, it will be seaweed, and not Ozempic, in her handbag. 

MORE than three decades after London helped launch her career, Tori Amos is back in the city, headlining the Royal Albert Hall for a tenth time. 

The US singer is chatty and upbeat despite staying up until 5am, still riding the high of her gig the night before. 

With her striking red hair falling in waves and her vivid green eye make-up, Maryland-raised Tori, who has called Cornwall home since the late Nineties, looks every inch the star. 

“London was the place that gave me my big exposure explosion,” she says.

“It really did shake my life up. And here we are again. 

“London broke Silent All These Years in the autumn of 1991, and then launched [debut album] Little Earthquakes, which rippled out to the States and the rest of the world.

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“America really discovered me through London, and then the UK did, too. From there, it just kept rippling outwards.” 

On her forthcoming 18th album, In Times Of Dragons, Amos turns political dread, female resistance and personal storytelling into something unique and mythic.  

She says: “I’m very reclusive at home and I’m not very sociable there so when I’m on tour I go from this insular life, where I do a lot of reading, music and writing, and step into this much more exposed life.” 

The contrast between Amos’s secluded home life and her role as a performer feeds directly into an album shaped by both personal reflection and political unease. 

The record is a response to the current political climate in America because, as a songwriter “a lot of my work is documenting time,” she tells me. 

“That’s what I did with Little Earthquakes, which followed my time of failure after [her synth band] Y Kant Tori Read when I had to go back to play piano bars.  

“I have a history of documenting things — my miscarriage in 1998 and that journey, then my 2002 album Scarlet’s Walk which documented 9/11 when I actually wrote some of it on the tour bus.” 

The idea for In Times Of Dragons came through the muses — otherworldly entities — that Amos believes bring her music.  

She has spoken widely about these guiding forces, which she says have inspired her songwriting since childhood.

And last year she published children’s book Tori And The Muses, all about them. 

She says: “This message came to me through the muses that I needed to document America at this pivotal time in history. 

“And I had to personalise this.

“It came to me a year ago that I needed to be me in the story and be closely connected to one of these people, and what that would look like, because they are personally affecting us. 

“I had to turn the volume on that to create this narrative, whatever turning into a dragon looks like.” 

The album follows the story of Tori trapped in a world run by billionaire tech moguls and lizard dragons, who threaten democracy through corporate greed and authoritarianism. 

Amos says: “Jane Mayer writes about the genesis of this in Dark Money, which is one of the most important books people need to read if they’re asking, ‘How did we get here?’. 

“This has been going on since the Seventies.

“As Mayer documents, figures like the Koch brothers — and I use that as an umbrella term for a wider movement — helped shape it, along with super PACs [organisations that spend millions supporting political candidates] and all the rest. 

“It seems there was an understanding that progressive teaching in universities had to be excavated, cut back and penetrated by a very tight right-wing philosophy that is now upon us. 

“And I’m not just talking about Republicans and Democrats. I’m talking about tyranny versus democracy.

“If you had asked me about this even around the Scarlet’s Walk era, I was already going after it through that record, and then through [2007 album] American Doll Posse during the Bush-Cheney administration with the wars, the manipulation, all of that. 

“Then there was a period of relief, when a different, more inclusive philosophy came in, whatever your politics are. 

“For me, it’s about the philosophy.

“As a songwriter, I’ve been tracking that through my career. 

“On this record, I had to take a personal journey and look at the effects of what this very small cabal of men is doing — and there are women involved too, we can’t get confused about that. 

“There’s Cambridge Analytica, the involvements of the Mercers, Rebekah Mercer [the right-wing US heiress and political donor] and all those interconnections.” 

The album’s story sees Amos’s character flee and reunite with her daughter.

This part is played by her real-life daughter Natashya, who co-wrote tracks Veins, Strawberry Moon and Stronger Together — the latter of which she also sings backing vocals on, and is one of the most emotional songs on the record. 

“She was in DC at the time, in law school, and she graduates in a few weeks,” says Amos proudly.  

“She’s going into criminal law and really had her finger on the pulse. 

“On a daily basis she’s seeing things that the wider public probably isn’t, unless you’re a political journalist. 

“We’re so inundated that the little freedoms being quietly taken away can be missed. 

“Criminal law is her calling.

“So, writing these songs with her, with her understanding of what’s happening in the field she’s chosen, and her exposure to the shock of what is being torn to pieces, was hugely important. 

“She says we are past constitutional crisis and what’s going on is absolutely shocking.” 

The final song, written last- minute for the album, is Ode To Minnesota — a response to the deaths caused by ICE agents there. 

She says: “Heinous, atrocious crimes are being committed and so this is the world of the record.”  

Amos, 62, has a long history of addressing America in song, and In Times Of Dragons continues that while exploring wider patterns of male power. 

It’s also a reminder of her role as a feminist icon and the influence she’s had on artists such as Lady Gaga, Florence Welch and St Vincent (real name Annie Clark).  

“Annie’s one of my dear friends,” she says of St Vincent.

“She’s fabulous. We have a giggle and I’m thrilled for her, for her art, and for the way she’s balancing motherhood so beautifully. 

“It’s lovely to see people who came to my shows when they were younger. 

“She’s talked to me about Choirgirl [Tori’s 1988 album From The Choirgirl Hotel] and what it meant to her when she first heard it, and we’ve had laughs about that. 

“And it’s the same with the guys too. 

“I’m off to an event later and the guy doing the Q&A used to stand by the stage door as a teenage gay kid.  

“To see these people grow up, and to still be able to bask in their creativity and development, is a beautiful thing to witness.” 

But while Amos is moved by the artists and fans who have grown up with her work, she is hesitant to define her own feminist legacy. 

She says: “It’s not for me to say, that’s more for other people to decide. 

“Believe it or not, I’m a bit introverted about that.

“What I think I’ve tried to do, and what I have done, is there for those who know it. 

“What’s important to remember is that there was no social media then.

“When people ask, ‘Was it easier back then?’, well, in some ways no, and in others yes. 

“We did have a music business with a few women in record companies, though only a few in executive positions.

“One or two could balls their way through, but you really had to.

“And if you didn’t have that tenacity in the Nineties — especially to get played on radio — it was tough. 

“At an alternative station in the States, they might add two women out of 64 slots, and the other 62 would be men.  

“I’ve spoken about that with some of my contemporaries over the years, Alanis [Morissette] being one of them, and it was not a good feeling — knowing that talented women with very good records were simply not being added to the station. 

“And touring took money. 

“That’s why I never had tour support.

“In the early days, I went out with just a piano, my tour manager and a sound guy. That was it. 

“We kept the costs down, and luckily the shows sold out, because the Press had really got behind me.” 

Today, Amos points to Dolly Parton as proof that women can keep evolving, performing and owning the stage on their own terms as they get older.

“She is fantastic and she’s aware we are a different generation that played this game and played it well,” says Amos.

“There are women who are still playing the game beautifully, and they still have the physicality and the health to do it.  

“I used to have a three-and-a-half octave range when I was doing those one-woman shows.

“But with the change of life — becoming a dragon, if that’s the menopause analogy — you adapt or you collapse.

“For me, it wasn’t a crisis in the way it has been for some women we’ve read about in the Press, and I have huge empathy for that.

“But vocally, I did have to make changes. 

“I didn’t want to alter the top lines of songs with those very high, wide-ranging melodies, so on the last tour I simply didn’t play them.  

“Then I thought, ‘No, that isn’t what I want.

“I want the whole catalogue available to me as a storyteller’. 

“So, I decided to bring in backing singers who could hit those notes.

“It was a strategic, compositional choice.

“I didn’t want to be in a position where I could only perform 40 per cent of my catalogue because of range. 

“And we’re having a blast. 

“They’re amazing singers. 

“I’ve gained four notes at the lower end and I feel like I’m down there rocking with Nick Cave, but that’s the trade-off. 

“I gained more on the lower end, while recognising that if I want to play those songs, you can only transpose them down so far before they lose their essence. 

“I have so much respect for Nick Cave.

“I used to run into him in the early Nineties.

“His work has always been a beacon of beauty and darkness — expansive work that makes you think.” 

Like Cave, Amos remains restlessly creative, and she is already thinking about where to go next.  

“After something as demanding as this, I’m doing a prequel to children’s book Tori And The Muses — that will be out next year,” she says.

“Her journey as a little girl with her muses.  

“It’s due next April — and there may be music to go with it too.” 

•  In Times Of Dragons is out on May 1. 

TORI AMOS 

In Times Of Dragons 

★★★★☆

THEY were once ‘like brothers’, touring the world together and dealing with global superstardom after being propelled into the spotlight aged just 16.

But now in their early 30s, Niall Horan and Harry Styles are “worlds apart” and living “vastly different lives”. Here, an insider tells us why the relationship has soured between the pair, and how the rest of One Direction are keeping their distance.

Fans first noticed cracks between the pair last month when Niall, 32, made barbed remarks about the cost of fame on an American podcast just days after Harry, also 32, said he found his superstardom “deeply isolating”.

Speaking on the Zach Sang show earlier this month, Niall cheerfully revealed how delighted he is to be living a “completely normal life” in London, travelling on the tube, walking his dog and going for beers with his mates in local boozers.

When asked if he minds being stopped by fans, the Irish singer remarked: “You cannot have your f***ing cake and eat it”.

Fans were quick to point out that the comment came shortly after Harry spoke about the cost of superstardom – and wondered if it was a dig in his direction.

Speaking to Runners’ World magazine for their May cover, Harry said that he found fame ‘deeply isolating’ and felt the need to withdraw from public life to protect himself.

As part of this, he moved to Italy, because it allows him to ‘live a quiet life’ and ‘reset’.

But the differing attitudes toward fame are part of reason why the pair are no longer close.

A source tells us: “The boys used to be like brothers, they were the best of friends and used to joke about what life would be like when they were old men and still hanging out together.

“Now they are about a million miles from that. They have gone their separate ways and are all living such different lives. 

“Niall is a real homebody; he loves being at their place in London with Mia and the dog, or with his family in Ireland. He’s not a kid anymore; he feels settled now, while Harry still jets all over the world and never seems to stay in one place for long.

“The pair of them hardly have anything in common now, and while Niall would never come straight out and criticise Harry, some things he says definitely make Niall’s eyes roll.”

While the Irish singer songwriter, who is worth £52 million, is completely at ease with being recognised when he’s out and about, scared Styles recently admitted all the unwanted attention left him wanting to become a recluse.

Speaking to US media, Niall claims he can live carefree in London. He says his life with long-term girlfriend Amelia Woolley – known as Mia – is not built around his work schedule and fame.

He added that he’s never minded being mobbed by One Direction’s devoted army of fans: “I don’t ever want it to be like, poor me. That was just the way it was – there were a lot of people around. 

“I just get out and do it, and people are going to come up to you and say hello. And that’s fine. 

“I used to be nearly afraid of that. I love it now. I basically live a completely normal life, really, apart from the fact that if I walk in somewhere, someone’s going to come up and say hello, that’s fine. 

“I walk the dog every day and go on the tube and go into town and go for beers. There’s nothing special.

“It’s a great thing. It’s something that when you were younger, you yearned for.

“We all want that normalcy in effect. You cannot have your f****ing cake and eat it, though, either. 

“I want to be out there doing my thing and getting up on stage. It’s the best f***ing thing in the world.”

This latest spat between the pop legends comes after we revealed Zayn Malik punched Louis Tomlinson in the face during a vicious row, cutting his head and leaving him concussed.

The former pals’ bruising clash came as they filmed a three-part road trip for a nostalgic Netflix documentary about the band, which has since been scrapped.

It emerged that Zayn had made a scathing remark about Louis’ mum, Johannah Deakin, who died of leukaemia in 2016.

Despite the frenzy of worldwide adulation, Niall says that down-to-earth fashion buyer Mia, 28, from Birmingham, keeps his feet firmly planted on the ground.

He went on: “You can sit at home and go like, it’s hard for me to do these things.

“But at times, it being uncomfortable or something can be a reason why you don’t do them. Or you can choose for that to not be a reason and you can do them anyway.

“When you shut out a lot of the things that are assumed can be negative, you also just unconsciously shut out a ton of positive things.

“We live a completely normal life outside of this.

“It’s like someone’s pressed pause on a stopwatch, and then when it clicked back in, I was just this different person. It’s really cool. It happened gradually, but when I think about it in hindsight, it felt like just night and day.

I basically live a completely normal life, if someone’s going to come up and say hello, that’s fine

Niall Horan

“My life just went from being all encompassing to having this good divide.

“I love it. I like having the balance. It’s pretty cool.

“I’ve gotten very good at. When I’m at home, I’m completely at home. I’m not doing anything. I just want to be at home.

“But I like going to work now and then being at home, I like it that way.

“Hopefully, I can keep doing that because it’s a nice little balance I’ve got going on. And it takes time to get to that.

“Amelia’s got her own life. She’s been doing her thing, and everything can’t be just surrounding me.

“It’s already weird enough that she used to fly to Amsterdam to come in on a five o’clock flight on a Friday. It can’t be like that all the time. 

“Bringing her into that is a really cool thing. And she feels that sense of pride and looks at the fans and sees the way they’re thinking and things like that. 

“It’s such a cool thing for her if I play her a song; she’s never had that before. It’s not like people were coming home in the evening from work and going, ‘Hey, I wrote you a song today.’

“That’s a new thing for her, too. The whole thing is a shock to the system, but our life is just not all about that.”

Niall previously dated Hailee Steinfeld and Ellie Goulding – resulting in Ed Sheeran writing the hit track Don’t about an apparent love triangle between the trio.

But Harry, who rented a mansion outside Rome and ran marathons using pseudonyms, feels very differently.

He explained recently: “A large part of the last couple of years has just been about, honestly, learning to like myself away from having so much of my value baked into whether other people are enjoying me or not.

“Learning that fears and feelings aren’t facts, and you can have a feeling about yourself and taking the time to be able to see what that is and see where that comes from.”

A new, longer-range version of the Rapidly Adaptable Affordable Cruise Missile (RAACM) has been unveiled by CoAspire at the Sea-Air-Space 2026 exposition near Washington, D.C. The development comes just days after the U.S. Air Force launched market research for its Family of Affordable Mass Missiles — Beyond Adversary’s Reach (FAMM-BAR), reflecting the service’s interest in low-cost, long-range strike weapons, specifically for anti-surface warfare.

Jamie Hunter of TWZ spoke about the RAACM-ER (RAACM pronounced ‘rack-em;’ ER for Extended Range) with Doug Denneny, founder, CEO, and owner at CoAspire.

First off, it’s worth looking at the original RAACM, a modular, low-cost cruise missile that leverages 3D printing to bring down cost and enable rapid production ramp-up.

“When we designed the original RAACM, we knew that it was going to be the size of a GBU-38,” Denneny said, referring to the 500-pound version of the Joint Direct Attack Munition (JDAM), which is 92.6 inches long and has a wingspan of 14 inches.

An official video promoting the original RAACM:

RAACM Rapidly Adaptable Affordable Cruise Missile

“When you go to that size, there are great reasons to do it, but it doesn’t go as far as a larger variant could do,” Denneny continued. “We really wanted to take everything we learned and now have an extended-range version. And what’s beautiful about the additive manufacturing that we use is that we can really optimize fuel tank volume, which means this can go very far.”

According to the manufacturer, the RAACM-ER has a range greater than 1,000 nautical miles.

This is especially remarkable considering the relatively compact size of the weapon. Indeed, when it comes to anti-ship missiles, the only weapon in the U.S. inventory that comes close is the BGM-109 Block V Maritime Strike Tomahawk (MST). This can be launched from destroyers, submarines, and the U.S. Army’s Typhon system. Like the RAACM-ER, it is subsonic, but a single round costs $3.64 million, according to the Navy. While the RAACM-ER clearly has a degree of low observability, it is not to the same degree as on the MST.

Like RAACM, the extended-range model is designed for launch from aircraft, as well as from the ground and from naval vessels. For surface-launched applications, the RAACM-ER adds an additional rocket booster behind its turbojet, meaning it can be propelled out of its launch canister.

Despite the nomenclature, the RAACM-ER is a new design, rather than a modification of the RAACM.

Denneny explained: “Our engineers came to us and said, ‘Hey, if we’re going to make a bigger one, should we make it look just the same?’ I mentioned earlier that RAACM was made that shape just to ease integration. We’re an engineering company, so we said, ‘Let’s optimize fuel volume, let’s optimize survivability features, let’s optimize physics so that this thing can go as far as possible and take the sensors needed. That’s why it’s in this slightly different shape.”

The RAACM-ER is somewhat reminiscent of the AGM-158 Joint Air-To-Surface Standoff Missile (JASSM), in terms of appearance and capabilities, but Denneny is keen to avoid direct comparisons.

“Physics is physics,” he added. “When people look at shapes, they look similar, but just like an Airbus looks like a Boeing, but what they have different inside is really what matters, and that’s how we differ in many ways.”

In terms of sensors, the RAACM-ER is currently fitted with a GPS navigation system, suitable for air, ground, and surface launch.

“Both our RAACM and our RAACM-ER also have a long-wave infrared sensor in the nose,” Denneny continued, “so we have the opportunity to search and find targets as well.”

Unlike the JASSM and similar cruise missiles, however, the RAACM-ER, like the RAACM before it, is optimized for low cost.

For Denneny, “the most important thing is affordable mass. [This] means keeping the cost down, so that the nation and our allies can purchase these at scale. That’s number one. Number two is to use as many commercial off-the-shelf parts, so that we’re we are not locked into a single supplier for anything. The final thing is to have something that can survive enemy countermeasures, and also hit the target, whether it’s stationary or moving. Those are the main requirements.”

When it comes to price point, CoAspire has optimized mass rather than the highest-end capabilities. This is a reflection not only of the sheer number of targets that the U.S. military and its allies would face in a potential conflict with China, but also the fact that a considerable proportion of missiles won’t make it to their targets anyway. Still, as recent conflicts have shown, the ability of lower-end drones, especially, to overwhelm adversary air defenses when fielded in large numbers is significant. After all, quantity has a quality all of its own.

Denneny confirmed that CoAspire plans to test-fly the RAACM-ER “very soon.”

The original RAACM has already undergone flight trials aboard a contractor-operated A-4. CoAspire is now under contract to the U.S. government for RAACM, and the weapon is in production at the company’s plant in Manassas, Virginia.

In the past, we’ve learned that both the Air Force and the Navy have funded work on the RAACM project. It has also been reported that CoAspire is one of two companies producing Extended Range Attack Missiles (ERAM) for Ukraine — this may well involve the RAACM or a related weapon.

As for the RAACM-ER, this was unveiled only a week after the Air Force launched market research for its Family of Affordable Mass Missiles — Beyond Adversary’s Reach (FAMM-BAR).

“The potential procurement objective is to produce an inventory for the [U.S.] Government and Foreign Military Sales. The expectation is that the annual production orders will range from 1,000 to 2,000 units per year for five years (procurement numbers will vary by year),” the Air Force says in the request for information.

The FAMM-BAR program lists five desired attributes for the potential weapon: a range of at least 1,000 nautical miles, a speed of at least 0.7 Mach, the option of palletized delivery from a cargo aircraft, the ability to receive midcourse navigation updates, and the manufacturing capacity to produce more than 1,000 rounds annually. The main target set for the weapon is “slow-moving maritime” vessels.

A video showing a demonstration of the Rapid Dragon air-launched palletized munitions concept, using surrogate weapons delivered from the cargo holds of a C-17A and an EC-130J:

Rapid Dragon Flight Test

This requirement reflects the growing focus on anti-surface warfare as the U.S. military plans for a high-end conflict in the Pacific, especially against China. The U.S. military is increasingly investing in a diverse mix of anti-ship capabilities, part of a broader strategic shift driven by China’s growing maritime power. At the same time, real-world operations have exposed how rapidly missile stockpiles can be depleted, intensifying concerns that sustaining the massive volumes of anti-ship fires required in a China conflict will demand significant expansion of U.S. production capacity and inventories.

At the same time, the RAACM-ER would be useful for striking static land targets during an Indo-Pacific war, too. With such a considerable range, the weapon will also be better able to deal with increasingly far-reaching air defenses, something that the Pentagon is increasingly concerned about, including the likelihood of enemy missiles that can target its aircraft at ranges as great as 1,000 miles.

It should be noted that there are already other FAMM programs underway, namely the FAMM-Palletized and FAMM-Lugged cruise missiles for the Air Force. However, these require ranges of 250-500 nautical miles.

At this point, the low-cost, long-range strike weapon field is becoming increasingly crowded. Other contenders include designs from Anduril, General Atomics, and Zone 5 Technologies. From the last of these companies, the Rusty Dagger recently underwent release tests from an Air Force F-16 as part of the FAMM-L effort.

Global Technical Systems is also pitching a cruise missile with a range of 1,200 nautical miles and an anti-ship warhead.

However, with the original RAACM already in production, and proven in flight tests, the new RAACM-ER looks well-positioned to go far — figuratively and literally — in the FAMM-BAR program.

Contact the author: thomas@thewarzone.com

Footage of an Israeli soldier attacking a Christian statue depicting the crucifixion of Jesus in southern Lebanon with a sledgehammer was difficult for Israel’s political establishment to ignore. The country has long tried to frame itself as a defender of Christians, and is allied with the powerful Christian Zionist movement in the United States.

But as Israel continues to lose support in the US and the West for its genocidal war in Gaza and attacks in Lebanon and Iran, support among Christians has also dipped – even before the video of the desecration of the Christian statue surfaced.

Responding to the footage on Monday, a day after it first went viral, Israeli Prime Minister Benjamin Netanyahu pushed his regularly repeated line that Israel respects all religions, even as critics point out that his government regularly does the opposite.

But, with even some of Israel’s supporters voicing anger at the soldier’s actions, Israel announced on Tuesday that he had been jailed for 30 days, along with another soldier who had been filming him. Six other soldiers have been summoned for questioning.

The decision to pursue action against the two soldiers stands out because it is in marked contrast to Israeli military investigations conducted into violations by soldiers, which overwhelmingly find them not to have been at fault. In fact, no Israeli soldier has been charged with killing a Palestinian this decade, despite the thousands killed even outside of the Gaza war context, including the 2022 killing of Al Jazeera’s correspondent in the occupied West Bank, Shireen Abu Akleh, who was herself a Christian.

Yossi Mekelberg, a senior consulting fellow with Chatham House, noted that it was important for the Israeli government to ensure that its response to the attack on the statue of Jesus was visible, particularly in light of the important role Christian supporters of Israel – including the US ambassador to Israel, Mike Huckabee – play in the administration of US President Donald Trump.

Those supporters frequently justify their support for Israel by relying on Christian Zionist interpretations of the Bible, and emphasising a “Judeo-Christian” value system and shared cultural heritage.

But official Israeli action in this case makes inaction in other cases more glaring.

“This [attack on the statue of Jesus], and the attacks upon mosques by settlers and the killing of Palestinians are all war crimes,” Mekelberg said. “The problem is that we don’t know how widespread it is. We only know about this one because they filmed it.”

History of violence

Through much of the conflicts in Gaza and Lebanon, observers and analysts have pointed to the stark difference in Israeli government responses to attacks on Christian symbols and places of worship and what has been the large-scale destruction of Islamic sites.

In March, Netanyahu found himself having to explain the decision to block the passage of Cardinal Pierbattista Pizzaballa, the Latin patriarch of Jerusalem, from entering the Church of the Holy Sepulchre to mark Palm Sunday, one of the holiest days of the Christian calendar. Before the end of the same day, Netanyahu had posted to social media, explaining that there had been “no malicious intent whatsoever, only concern for his safety”.

Last July, Netanyahu again found himself apologising for a strike on a third church in Gaza following pressure from the Trump administration, when three of the hundreds of people sheltering there were killed and several others injured, including the parish priest who regularly spoke to the late Pope Francis.

In a statement issued through his office, the Israeli prime minister claimed he deeply regretted the strike on the church, which he said was an accident.

“Every innocent life lost is a tragedy. We share the grief of the families and the faithful,” he said, without referencing the almost 60,000 men, women and Palestinian children his forces had killed by that point in the war.

Throughout the war, Israel’s defenders have emphasised the concept of Judeo-Christian values in an effort to justify Israel’s attacks and its repeated breaking of international law. But evidence of a shared civilisational bond is thrown into question by attacks on Christian symbolism, such as in Lebanon, and by Israel’s long-standing treatment of Palestinian Christians, who face the same dispossession and occupation as their Muslim neighbours.

“I think a lot of Israel’s defenders in the West like to portray it as being ‘us’, just over there, as if ‘over there’ is some form of dark jungle,” said HA Hellyer, a senior fellow at the Center for American Progress and senior associate fellow at the Royal United Service Institute.

“So, they can make excuses for Israelis killing Arabs in their thousands,” Hellyer said. “They can even make excuses for them killing Christians. But when you see Israeli soldiers destroying Christian symbols, it becomes much harder to defend those actions and to stem the growing trend of US supporters, both Democrat and Republican, moving away from Israel.”

What’s next for Israel’s relationship with Christians?

While the Israeli government has been keen to preserve evidence of the Judeo-Christian bond, complaints of harassment by Christian groups within Israel are growing, particularly with the increase in strength of the Israeli far right, including in government.

In 2025, the interreligious Rossing Center for Education and Dialogue recorded 155 incidents targeting Christians in Israel, a marked increase from the previous year. While physical assaults were the most common, comprising 39 percent of incidents, there were also accounts of spitting, hitting, and pepper-spraying.

Christian holidays, specifically those around the time of Easter, have become particular sources of tension, the report noted, with priests and nuns wearing visible Christian clothing in West Jerusalem and occupied East Jerusalem facing the risk of harassment every time they enter public spaces.

“We’ve entered a period of what [Australian genocide studies scholar] Dirk Moses called ‘permanent security’, where anything different, anything that might be a threat, or could even be a threat in the future, has to be destroyed,“ prominent Israeli sociologist Yehouda Shenhav-Shahrabani told Al Jazeera.

That difference is inherent to the Christian faith.

“It’s not about left or right,” Shenhav-Shahrabani explained. “It even goes to language. In everyday Hebrew, people refer to Jesus as Yeshu, which is a curse word, rather than Yeshua, which is correct.”

“That’s commonplace. That’s how it’s used in everyday media,” he continued. “If that’s where you begin, it doesn’t matter if it’s stupidity or ignorance, it all leads to the same place.”

WHEN Jack Whitehall decided to leave Sky’s A League of Their Own in 2018 to try and crack America, he feared it would leave his friendship with his co-stars James Corden and Freddie Flintoff in tatters.

Fast forward eight years, and it appears Jack’s prophecy may have come true. Both Flintoff and Corden skipped his £250k nuptials on Saturday –  with Flintoff posting photos of himself on the golf course in Slough instead.

And neither Corden 47, who attended the stag do in London on March 30th, nor Flintoff, 48, – who was involved in a horrific and life-changing crash while filming the BBC’s Top Gear – have congratulated Jack and his new wife Roxy Horner online. 

Their absence at the bash raised eyebrows – and sparked rumours of a feud between the former best mates.

One guest tells us: “Of course, people noticed that Freddie and James weren’t there. They were huge parts of Jack’s life for so long.

“But Freddie has been through so much over the last few years, and people suspected he just didn’t want to be at such a public event. 

“All the guests were photographed for Vogue, and it was actually quite a big spectacle, so it wouldn’t be surprising if Freddie didn’t want to be part of the circus.

“Why James missed it is another matter and very bizarre considering he was at the stag do.”

‘Very bizarre’

Other guests, including Jamie Redknapp, who also worked on the Sky show, shared gushing posts about the nuptials on Instagram. Corden however, is no longer following Whitehall. 

Meanwhile, Redknapp certainly made his presence known; he posted his Vogue snaps from the big day and gushed: “Congratulations to Jack and Roxy on your big day. I honestly couldn’t be happier for you both. I think the world of you guys, and I’m so proud to be there to see it all

“Jack, you’re like a little brother to me, although somehow still my favourite man baby. And Roxy, fair play… you’ve taken on a lifelong project there.

“Wishing you both a lifetime of laughs, love, and just enough chaos to keep things interesting. Have the best day, and an even better life together.”

Roxy sent a pointed response, saying: “Thank you so much for being there on our special day x”

Whitehall, known for Fresh Meat, tied the knot with Roxy at Euridge Manor in Wiltshire over the weekend, with their daughter Elsie by their side.

His stag do took place at the end of March in London and saw him joined by fellow celebs Jamie Redknapp and James Corden as well as ex-rugby star, Lawrence Dallaglio.

The boozy day out, which Whitehall says started at 11am with a Guinness, ended up getting so rowdy that the comedian can barely remember what happened.

The lads sank pints at The Devonshire pub, before visiting the infamous and very sexy nightclub The Box, which is believed to have put on a private show just for Whitehall and his rowdy group of mates.

They then moved on to mini-golf hotspot, Swingers and ended the night with drinks at the Soho Hotel bar.

Images from the night showed Whitehall staggering down the street with Corden and Redknapp,  but Flintoff was absent.

The four mates started working together in 2012, at the time Whitehall was a relative unknown, while Flintoff and Redknapp were sporting legends, and Corden had made his name in comedy Gavin & Stacey.

‘Breaking up the friends’

Whitehall’s career started to take off, and despite League of Their Own being a huge hit, he decided to quit in 2018 to pursue a career in America like Corden.

He admitted at the time he was worried about leaving his mates behind and said: “It was very sad ­sitting down with Jamie and ­Freddie and telling James on the phone. Jamie wept.

“I’m the b*****d breaking up the friends. But I think they still like me.

“I think we’re all still pals, it will probably help going forward with our friendship as we won’t see each other all the time.”

His career skyrocketed from there, and a few years later, Corden quit A League of Their Own and then Flintoff left a year later. 

Former cricket star Flintoff landed a place on Top Gear in 2019 but in December 2022, he was involved in a terrifying accident while filming the BBC show.

He was airlifted to hospital after his three-wheeled Morgan flipped, leaving him with devastating facial injuries, which meant he needed reconstructive surgery, as well as suffering some broken ribs.

He became a social recluse, not leaving the house for over six months, and struggled with his mental health, including suffering from PTSD, flashbacks, and anxiety.

Whitehall appeared in Flintoff’s 2025 Disney+ documentary about his accident and recalled their first meeting, he said: “I remember being quite intimidated. I was meeting Freddie Flintoff, who I looked up to a lot as a kid, for the first time.

“So many people think of him as so strong and so alpha, but he’s definitely fragile.”

Asked if he had a message for Flintoff, whose friendship with Top Gear co-host Paddy McGuinness also struggled post-crash, Whitehall replied straight-faced: “Answer my texts.”

Sina* is a 28-year-old video editing assistant who fought hard to build a life in Tehran. After completing mandatory military service, he refused to return to his hometown of Neyshabur in eastern Iran, knowing opportunities for a young man with a background in film editing and independent student theatre were bleak there. Through a college friend, he found his footing at a video content creation studio in the capital, climbing from camera assistant to assistant video editor within six months, before losing his job as a result of the US-Israel war on Iran. As told to Arya Farahand. 

It has been a few days since the guns fell silent, and the sliver of hope I felt when the ceasefire was announced is already fading. Out of all the resumes I sent in desperation, only one company called me for an interview. The salary they offered would not cover the bare minimum to survive. My family keeps calling from Neyshabur, repeating the same line: “Come back, there’s work for you here.” What they intend as a lifeline feels like salt in the wound.

I had stopped taking money from my father, my salary grew, and I was buying gifts for my two sisters. I was, for the first time in my life, truly independent. Now, I am sitting in my grandmother’s empty apartment in Tehran, staring at a phone with almost no internet, waiting for a job offer that’s not coming.

This is what the war has done to me. Not a scratch on my body, but everything else – gone.

Croissants on the roof

The morning the war started, we were in a briefing meeting, drinking tea. A colleague had brought fresh croissants. Then we heard the roar of a fighter jet, a whistle, and seconds later, an explosion.

Our initial instinct wasn’t terror, but naive curiosity. Against every survival guide we had read from the previous war, we piled into the elevator and went up to the roof, mugs still in hand. Pillars of smoke were rising across the city. Then, another explosion hit, deafeningly close. We sprinted for the stairs.

Our manager sent us home. The city had seized up. My driver called to say he couldn’t get through the gridlock, so we started walking – 40 minutes under the glaring sun, past stranded people and stalled cars. At one point, a middle-aged driver lost his nerve, swerving into the bus lane against traffic. A bus appeared head-on and deadlocked the lane. Trapped, he looked ready to explode. I didn’t stick around. I just kept walking.

I went to my grandmother’s house. Hard of hearing, she hadn’t heard a single blast and was simply overjoyed to see me. I drank tea, sat in front of the television, tried to process what was happening, then ate lunch and slept.

The city hollowing out

When I woke up, I reached for my phone, only to be reminded that the internet was dead. I am someone who fills every spare moment with online gaming or Instagram. Without either, the boredom was stifling. I couldn’t smoke in front of my grandmother, and the forced abstinence only added to my agitation.

In the days that followed, the city hollowed out. Whenever I stepped into the alley – using a quick errand as a pretext to sneak a cigarette – I saw fewer and fewer people. In our building, only five of the 12 units remained occupied. I could tell by the empty spaces in the parking garage.

When my cigarette supply ran out, the corner shop didn’t have my brand and the supermarket was charging double. With no certainty that my March salary would be paid, I settled for a cheaper, unknown brand. It was like inhaling truck exhaust.

The days blurred: the unemployment anxiety, the stifling boredom, the desperate secret cigarettes. I tried buying VPNs twice. The first worked for a single day. The second – the seller blocked me the moment I transferred the money.

The closest I have come to death

The true nightmare came on the night of March 5. A mild explosion jolted me awake around 4m. I walked to the kitchen for water. Then a blast ripped through the air – a sound seared into my brain for life. I froze. My grandmother stumbled out of her bedroom in terror. I pulled her into the kitchen.

Then came the barrage. More than 10 consecutive explosions, each less than 10 seconds apart. My grandmother sat on the floor beside me, arms wrapped tightly around my leg, head buried. It was the closest I have ever felt to death.

When it finally stopped, the windows held. My grandmother, shaken, recalled how during the Iran-Iraq war, sirens had warned them in time to reach shelters. What she found most painful about this war was the absolute lack of warning – no sirens, no shelters. Just sitting, waiting for the next blast. With tired legs, she climbed back into bed. I did not sleep until morning.

Ten voices in my head

Through all of it, I kept telling myself, “Hold on”. Our manager had hoped this war, like the previous conflict, would end in under two weeks. Whenever my parents called, begging me to return to Neyshabur, I said no.

On March 17, we had our final online meeting. The studio’s debts were mounting, invoices unpaid, and our manager saw no end in sight – for the war or the internet blackout. For the new Iranian year, starting on March 21, only 200 resources staff would remain. The rest of us were laid off, without pay.

As the call ended, it felt like 10 different voices were screaming in my head. I couldn’t rely on my grandmother’s meagre pension. My father was already supporting a family of four. The calculation was merciless: move back to Neyshabur and work at my uncle’s supermarket. Instead of planning how to improve my life, I was plotting survival.

I packed up and left. It was a gruelling 10-hour bus ride through eerily quiet roads. What haunted me most were the final moments in Tehran. The city felt hollow, silent, swallowed by a darkness I had never seen before.

The void

From Neyshabur, I called my manager, hoping against hope. He laid out the brutal math. During the previous war and the December protests, waiting out the shutdowns had been viable. But a relentless year of economic bleeding, capped by this blackout, had driven revenue to zero. Even if the internet were restored tomorrow and we worked nonstop for months, it wouldn’t be enough. The studio hadn’t paused. It had collapsed.

I updated my resume, bought a return bus ticket, and went back to my grandmother’s apartment. There was nothing to go back to. I just needed to feel like I was doing something.

When the ceasefire was announced, I felt a sliver of hope. It lasted about a day.

My life used to be a blur of motion: the studio, independent theatres, cafes with friends, early mornings and late nights. Now, my entire existence has shrunk to four walls. The war has ended, at least for now. The internet remains largely throttled, the economy is in ruins, and the job market that existed before February 28 has not returned with the ceasefire.

Outside, people are beginning to move through the streets again. For them, perhaps, something is resuming. For me, there is nothing to resume.

I don’t know how much longer I can hold out.

*Name changed for security reasons

Mukalla, Yemen – The Yemeni government’s measures to curb the devaluation of the Yemeni riyal have finally borne fruit, but they have created another problem: A severe liquidity crunch.

The government’s central bank, based in the southern city of Aden, has shut down unauthorised exchange firms it says were involved in currency speculation, centralised internal remittances under a controlled system, and formed a committee to oversee imports and provide traders with hard currency.

These measures have helped curb the riyal’s freefall, from about 2,900 to the United States dollar months ago to about 1,500 today, a move that was initially welcomed. But the gains have been short-lived, as public frustration has grown over a worsening shortage of cash in riyals.

People across government-controlled cities such as Aden, Taiz, Mukalla and others have said they are facing an unprecedented shortage of Yemeni riyals in the market. Many, particularly those holding US dollars or Saudi riyals, said local banks and exchange firms are refusing to convert foreign currency, or are limiting daily exchanges to as little as 50 Saudi riyals per person, citing a shortage of local cash.

This has left many Yemenis unable to access cash or use their savings in hard currency at a time of mounting economic pressure, paralysing businesses and giving rise to a black market where traders exchange foreign currency at more unfavourable rates to the customer.

Businesses grind to a halt

Mohammed Omer, who runs a small grocery shop in Mukalla, said he has spent hours crisscrossing the city’s exchange firms trying to convert a few hundred Saudi riyals he received from customers. “I’ve gone from one exchange to another, and they refuse to exchange more than 50 riyals,” said Omer, a man in his early 50s with a salt-and-pepper goatee. “It’s a waste of time and effort – I’ve had to close my shop.”

Yemen has endured an economic meltdown for more than a decade, stemming from a war between the Saudi-backed government and the Iran-aligned Houthis that has killed thousands and displaced millions.

Alongside the fighting on the battlefield, the warring sides have targeted each other’s main sources of revenue, leaving both the Houthis and the government strapped for cash, struggling to pay public-sector salaries and fund basic services in areas under their control.

At a board meeting in March, the Central Bank in Aden said it was aware of the cash shortage and had approved several unspecified “short- and long-term” measures to address the problem, noting that it is pursuing “conservative precautionary policies” to stabilise the riyal and curb inflationary pressures.

Government employees have also complained that the cash-strapped Yemeni government is paying salaries in low-denomination banknotes – mainly 100 riyals – forcing them to carry their wages in bags.

Munif Ali, a government employee in Lahj, took to Facebook to express his frustration, posting a video of himself sitting beside large, tightly packed bundles of 100- and 200-riyal notes that he said he received from the central bank. Munif, like many Yemenis on social media, said traders are refusing to accept large quantities of low-value notes. “Merchants are refusing to recognise this,” Munif said, referring to the stacks of 100- and 200-riyal notes in front of him. “Legal action should be taken against them.”

People who have kept their savings in Saudi riyals, the de facto currency in parts of Yemen, as well as Yemeni expatriates who send remittances in hard currency to their families, and soldiers paid in Saudi riyals, are among those most affected by the cash shortage.

Finding workarounds

To cope with cash shortages and the refusal of exchange firms to convert hard currency, Yemenis have adopted a range of workarounds. Some rely on trusted shopkeepers who allow delayed payments, while others exchange foreign currency at local groceries or supermarkets, often at lower, unfavourable rates. Banks and exchange firms have also introduced online money transfers, which have helped ease the crisis for some.

In rural areas, where internet access is limited and exchange shops are scarce, the problem is even more acute.

Saleh Omer, a resident of the Dawan district in Hadramout, told Al Jazeera that he received a remittance of 1,300 Saudi riyals sent from Saudi Arabia. But the exchange firm that handed him the money refused to convert it into Yemeni riyals, citing a lack of cash, and advised him to try nearby shops.

With the official exchange rate at about 410 riyals to the Saudi riyal, a shopkeeper agreed – after repeated appeals – to exchange only 500 riyals, and at a lower rate of 400. “I nearly begged the shopkeeper to exchange 500 riyals,” Saleh said. To convert the remaining 800 riyals, he added, he would have to return another day and go from one shop to another. “We are suffering greatly just to convert Saudi riyals into Yemeni riyals.”

Connections matter

Well-connected individuals are often better positioned than others to navigate the cash shortage, with some relying on personal contacts at banks and exchange firms to access cash. Khaled Omer, who runs a travel agency in Mukalla, said most of his business transactions are conducted in Saudi riyals or US dollars. But when he needs Yemeni riyals to pay employees or cover utilities, he turns to a trusted contact at a local exchange firm. “We work with a money exchange trader when we need riyals to pay salaries or meet basic expenses,” Khaled told Al Jazeera. “Exchange companies say they are facing a liquidity crunch.”

On social media, Yemenis say some patients have been denied medication as health facilities refuse to accept payment in Saudi riyals, while exchange firms decline to convert the currency into Yemeni riyals.

In Taiz, Hesham al-Samaan said a local hospital refused to accept Saudi riyals from a relative of a patient, forcing him to roam the city in search of someone to exchange the money to pay for treatment. “Is there any justice for the people, oh government? Will anyone hold accountable those who refuse to exchange currency and exploit people’s needs?” al-Samaan wrote in a Facebook post that drew dozens of comments from others reporting similar experiences, including being denied medical services because they did not have local currency.

For traders who import goods from Saudi Arabia, the cash crisis has become something of a blessing in disguise, as Saudi riyals are increasingly available at discounted rates. A clothing trader in Mukalla told Al Jazeera that he accepts payments in both Yemeni riyals and Saudi riyals, partly to attract customers and partly to secure the foreign currency he needs for his business. “As a businessman who sells goods in Yemeni riyals, I benefit from the cash shortage,” he said on condition of anonymity. “Exchange companies that need local currency I hold sell me Saudi riyals at lower rates.”

Tehran, Iran – United States President Donald Trump’s announcements about securing major concessions from Tehran have riled supporters of the Iranian establishment, prompting rejections and clarifications from the authorities.

Several current and former senior officials, state media and the Islamic Republic’s hardcore backers expressed anger, frustration, and confusion after the US leader made a series of claims, with days left on a two-week ceasefire reached on April 8.

Trump on Friday said Iran and the US would jointly dig up the enriched uranium buried under the rubble of bombed Iranian nuclear sites, and transfer it to the US. He claimed Iran had agreed to stop enriching uranium on its soil.

He also said the Strait of Hormuz had been opened and would never be closed again, while the US naval blockade of Iran’s ports remained in place, and sea mines were removed or were in the process of being removed.

Trump also emphasised that Iran would not receive billions of dollars of its own frozen assets abroad due to US sanctions, and that the 10-day ceasefire between Israel and Lebanon was completely unrelated to Iran.

Amid Pakistan’s ongoing efforts to mediate another round of negotiations, Iran’s Parliament Speaker Mohammad Bagher Ghalibaf, who led the Iranian delegation to the Islamabad talks earlier this month, rejected all of Trump’s claims.

“With these lies, they did not win the war, and they certainly will not get anywhere in negotiations either,” he posted on X early on Saturday.

By Saturday noon, the Khatam al-Anbiya Central Headquarters of the Islamic Revolutionary Guard Corps (IRGC) released a statement, saying the Strait of Hormuz is once again heavily restricted and under “strict management” of the armed forces. It cited continued “acts of piracy and maritime theft under the so-called label of a blockade” by Washington as the reason.

‘Haze of confusion’

In the hours it took between Trump’s flurry of announcements on Friday and official responses from Iranian authorities, supporters of the establishment voiced serious concerns about any major concessions.

“Is there no Muslim out there to talk to the people a bit about what is happening?!” Ezzatollah Zarghami, a former state television chief and current member of the Supreme Cyberspace Council that controls the heavily restricted internet in Iran, wrote on X.

Alireza Zakani, the hardline mayor of Tehran, said if any of Trump’s claims are true, then the Iranian establishment must beware “not to gift the vile enemy in negotiations what it failed to achieve in the field”.

A fan account on X for Saeed Jalili, an ultrahardline member of the Supreme National Security Council who has opposed any deals with the US for decades, said “dissent” may be at play. It said Supreme Leader Mojtaba Khamenei, who has not been seen or heard from outside of several written statements attributed to him, must release a voice or video message to confirm what is happening.

Jalili’s main account distanced itself from the comment, saying the fan account – which was subsequently deleted – was a sign of “infiltration” by enemies of Iran who were trying to sow discord.

Iranian state media released another written statement attributed to Khamenei on Saturday to mark Army Day, but made no mention of the political drama unfolding hours earlier, or the negotiations with the US.

The dissonance was clearly on display on state television and other state-linked media on Friday, especially those affiliated with the IRGC.

Multiple state television hosts and analysts harshly attacked Foreign Minister Abbas Araghchi because he tweeted on Friday that the Strait of Hormuz was “declared completely open for the remaining period of ceasefire, on the coordinated route as already announced by Ports and Maritime Organisation”.

One of the hosts demanded Araghchi must immediately clarify. Another said the top diplomat’s tweet was in English, and since the Iranian people do not have access to X due to the state-imposed near-total internet shutdown for seven weeks, the message was not directed at the people.

With a huge Hezbollah flag in the background, a furious presenter on state television’s Channel 3 claimed that Araghchi was somehow “the representative of the people of Lebanon, Yemen and Iraq” because they are a part of Iran’s “axis of resistance” of armed forces, so he should demand concessions on their behalf from Trump.

Morteza Mahmoudvand, a representative for Tehran in the Iranian parliament, went as far as saying Araghchi would have been impeached had it not been for “the excuse of war”.

The Fars and Tasnim news sites, which are affiliated with the IRGC, also heavily criticised Araghchi and called for further explanations on Friday evening, with Fars arguing that “Iranian society was plunged into a haze of confusion.”

Armed supporters in the streets

Critical comments from supporters of the Iranian government also flooded social media, including local messaging applications and the comments section of state-run sites.

“We took to the streets every night with clear demands, but you shook hands with the killer of our supreme leader and handed our strait to the Zionists,” one user wrote on Friday in the local app Baleh, in reference to Israel.

“After all these years of sanctions and war and costs imposed on the people, if you are to give up the uranium and the strait, then why did you play with the people’s livelihoods and the blood of the martyrs for so long?” another user wrote.

A large number of analysts and media personalities, including Hossein Shariatmadar, the head of the Kayhan newspaper, who was appointed by late Supreme Leader Ayatollah Ali Khamenei, also voiced criticism and demanded answers on Fars and other outlets.

Regardless of whether there will be more mediated negotiations in Pakistan or whether the war will continue, Iran continues to encourage and arm backers to take to the streets to maintain control.

State media on Friday aired footage of more armed convoys moving through the streets of Tehran while waving the flags of Lebanon’s Hezbollah, Iraq’s Hashd al-Shaabi and other groups. The video below shows women and children crewing heavy machineguns mounted on the back of pick-up trucks during a rally in downtown Tehran.

With no end in sight to the state-imposed internet shutdown that has wiped out millions of jobs in Iran, in addition to steel factories and other infrastructure that were destroyed, the Iranian economy continues to suffer.

The timing of the back-and-forth between Trump and the Iranian officials meant that oil prices dropped before Western markets closed on Friday, and the Iranian currency experienced more volatility.

The rial was priced at about 1.46 million against the US dollar on Saturday morning, the first day of the working week in Iran. But it shot back up to about 1.51 million after the IRGC announced the repeated closure of the Strait of Hormuz.

AFTER the whirlwind success of No1 hit Stick Season, Noah Kahan didn’t rush back into the studio.

In fact, he stopped completely. Facing writer’s block and still processing everything that had happened, he stepped away for six months, forced to rethink not just the music, but what success meant.

His 2022 album Stick Season — rooted in Vermont and exploring mental health, identity and small-town life — transformed the singer from a cult folk artist into a global name.

Topping the charts in the UK, the record was also certified multi-platinum in the US, where it sold over four million copies and had billions of global streams.

Kahan was nominated for a Grammy for Best New Artist and the emotionally raw, nostalgic and deeply personal record was widely seen as one of the defining albums of the decade.

“I just couldn’t write for a while,” he confesses. “When I first got off the road, I didn’t make any music in a long time.

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“I spent months not doing anything and it was painful because I like to be busy.

“It took so much strength for me to push that feeling away.

“I’m aware of how rare the moment was, how big the moment was and how lucky and fortunate I was, but my whole life I was trying to prove to people that I had a place here. So when the huge moment was happening, instead of being like, ‘Yeah, I made it’, I was like, ‘Oh my god, how am I going to stay here?’.”

That pressure quickly took its toll. Kahan said: “Writer’s block is such a lonely feeling — it makes you feel like your value’s been taken away. I felt completely unable to open up about it, but I ended up reaching out to friends.

“Marcus Mumford really helped. He understood what it’s like to be under a lot of pressure and afraid of failing and gave me great advice.”

Kahan also had to redefine success. It was not chasing numbers — just being able to make music was enough.

He says: “I learned the hard way about burnout. Success is a double-edged sword. I’ve always said if I had any, or if my tour sells out, I’d be happy. But the second it sells out, you’re looking at the next thing to achieve.

“Starting off this new album was really scary. I had to realise I didn’t need to be the biggest artist in the world or where Stick Season took me. I didn’t need to be successful to be loved.”

Kahan is in London for a few days to promote The Great Divide, his fourth studio album, which is out next Friday.

Taking time off to reset both mentally and emotionally was essential to writing again.

“I’ve struggled with my mental health,” he says candidly.

“But I was struggling more than anybody knew. I’ve struggled with anxiety, depression and body dysmorphia, but it was the OCD that I hadn’t figured out.

“I was diagnosed with OCD last year. It’s not about washing my hands a thousand times — it’s obsessive thinking. I was struggling with a lot of self-esteem and confidence issues, but I’d never dealt with anything so acutely like OCD. I’m supposed to be the singer who’s open about his mental health, but I felt so much shame.

“I needed medical intervention and therapy, and I didn’t want to be open about that because I was afraid. It was frightening as I’d been stripped of

this thing I loved.

“I couldn’t express myself through music any more, and so I didn’t tell anybody and it came to a breaking point.”
Through help and time, Kahan started to recognise his disorder in ways he hadn’t before.

“Now I wake up knowing my day is not going to be decided by what I see on my phone,” he says when discussing how therapy has helped him.

“Before, I’d have 700 brilliant words of praise, but it would be the one negative word that would shatter me. For a long time, I thought I was crazy.”

In August 2025, Kahan married his longtime partner Brenna Nolan, bringing a new sense of stability to his life.

The singer has also made a Netflix documentary — Noah Kahan: Out Of Body. It captures this difficult period, which he sees as part of his healing.

He says: “Making the film was a strange but amazing process. Having people follow you around took time to get used to, but they captured a really honest moment for me. Watching it back with my family was emotional. It showed how we really are.

“It was hard seeing how unhappy I was then, but in the end, it told a beautiful story.”

He adds: “My family are on the new record. I love the song American Cars. It’s about my sister.

“Whenever things were tough at home, she’d drive up from New York in a rental car, sunglasses on, just a total badass.

“She’s a surgeon, she just gets things done. She’d come back and help us through it, and the song came from that. Like, you need to come home and help fix this.”

The Great Divide is an album about friendship, miscommunication, regret and personal growth, and the title track became the guiding, emotional “north star” of the record.

He says: “Yeah, The Great Divide is really about a friendship that didn’t work out — one where I wasn’t able to express myself.

“And then there’s a song, Dan, which is about the opposite — being open, telling each other how much you care, facing hard truths. It ends in a way that really encapsulates the whole record. It’s probably my favourite song we made.

“There are a lot of stories,” he adds.

“It’s very emblematic of my childhood and a lot of people’s, young men in particular. Talking about feelings or asking difficult questions can feel like more discomfort than it’s worth, but the consequence is you don’t really know someone as well as you think you do.”

It’s an expansive album with 17 tracks, including the gorgeous We Go Way Back, Willing And Able, Haircut and Porch Light.

He adds: “I can’t wait to see crowds singing back Willing And Able, and Haircut started from that idea of someone coming back to town changed — like they’ve outgrown it. I felt like I’d become that person, only going home for inspiration instead of really being there.

“The song is almost someone singing to me, saying, I’m glad you’ve figured things out, but at least I’m still here and still real. You’ll leave again, and we’ll still be here. That’s what it’s about.

“Then, Porch Light is really about my biggest fear — how I’ve changed.

“I worry about going home and feeling like people see me differently, like I’ve become this ‘Hollywood’ version of myself, too big for where I’m from. That my relationship with Vermont has been changed by success and leaving Vermont for Nashville.

“But my family has always kept me grounded. They’re so happy for me. I wanted to write about that fear you have in your head before you even pick up the phone.

“You’re always anticipating what people might think. But there’s a silver lining in Porch Light. It’s about people saying, ‘We still care about you, we’ll still be here — but you need to figure things out first’.”

And that sense of place runs throughout the album.

“Yeah, the first and last songs really frame the album — I wanted them to feel like an intro and an outro,” Kahan says.

“The first track, End Of August, is this big, building track about that time of year in Vermont . . . It’s that moment when the tourists leave and the people who live there can finally come out of hibernation — like, ‘They’re gone’.”

He’s been working with Stick Season collaborator Gabe Simon, The National’s Aaron Dessner — best known for his work with Taylor Swift, Bon Iver and, more recently, Gracie Abrams — plus Ed Sheeran and Mumford & Sons.

Kahan says: “Gabe and I are really close — we went through a lot making Stick Season, so on this album we leaned on each other. He’s like a brother and the perfect person to go through this with.”

Aaron Dessner brought calm, structure and creative balance to the process.

“Aaron came in early on, but I was intimidated at first,” admits Kahan. “I looked him up on Wikipedia and was terrified of his success. This guy’s a legend.

“This was where Taylor Swift writes and Justin Vernon (Bon Iver), who works with Aaron, is my hero. Aaron has a magic to his music — a real understanding of what an artist is trying to say. But he’s a sweet, calm man who lives a very humble life in upstate New York on a farm.

“I needed him to stabilise me creatively. He is regimented in how he makes music and I need a routine. He is an amazing producer and this album sounds so f*****g cool because of what Aaron did.”

The sound on the new album is more expansive than Kahan’s earlier music and includes horns, guitar and richer production.

He says: “Honing on a sound and a theme started the process. Aaron’s place had dirt bikes, fishing rods and skeet shooting — all the things that I grew up doing.

“We couldn’t make the music in Vermont this time and the setting was really important, feeling connected to nature and beauty.

“It’s hard for me to make music in a city. Whenever I’m in a city, all I write is, ‘Get me out of the city’ songs.”

He adds: “We were also still in the middle of touring and I was over the Stick Season songs.

“There’s a lot of electric guitar on the new record, and bouzouki and mandocello, instruments we haven’t really used before. It’s a new confidence, but having spent three years on the road, I just want to make music that’s exciting to play live.”

It’s the connection with his audience that remains key.

He says: “I love it when I see fans singing back my songs as it means they’re feeling it.

“I’m always honoured when someone says my music has helped them to reach out for help. Though it can be overwhelming when people tell me they’re struggling with difficult thoughts.

“I don’t always feel equipped to handle that and I worry I’m not helping in the way they need. It’s hard when you feel you’re letting someone down.”

Now, his attention is focused on bringing the album to the stage.

He says: “I’m looking forward to playing these new songs. This record tells a story, so we’re working on the stage design, setlist and lighting to tell that story. We’re playing stadiums now, but I want fans to still have an intimate experience.”

Kahan returns to historic Boston baseball stadium Fenway Park, the home of the Boston Red Sox, for four nights this July.

He will also be back in the UK, including three nights at London’s O2 in November.

He says: “I’m excited about those dates, but my dream is to play Stamford Bridge.

“It’s my favourite sport and I love Chelsea FC. But I was told you can’t play there. I’ve achieved so much already, but that is my ultimate dream.”

• The Great Divide album is out next Friday, April 24.

NOAH KAHAN – The Great Divide

★★★★★

SHE was 35 and in her prime when Smash Hits magazine published images of her parading the stage in a skimpy bra – and scoffed: “Calm down, grandma!”

But the cutting headline, which accompanied a review of her Girlie Show tour in 1993, did nothing to deter the uniquely stylish Madonna.

In a career spanning more than 40 years, she became the hottest female singer in the world, selling over 400million records.

But through it all, the Queen of Pop faced intense backlash over her appearance.

Critics have judged everything from her cone bra in 1990 to her Met Gala “bondage”-style outfit in 2016, when she was 57.

But now, as Madge prepares to return to the spotlight with her 15th studio album, she has done what many thought would never be possible.

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Aged 67, she is finally cool again.

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

Now, Confessions On A Dance Floor: Part II is promising to be a continuation of the project.

And Madonna is still not letting her age define her fashion, posing in a blue leotard, fishnets, a silver jacket and shades in a defiant photo to promote the record.

A music insider said: “Madonna has locked in for this project and it’s not at all what you’d expect from any other woman who is nearly 70.

“It has roots in New York house music and rave culture and her record label believes it will usher in a whole new generation of fans.

“Confessions 1 showed Madonna at her coolest and, after straying into other genres on her last few albums, this feels wonderfully authentic.”

Madge is yet to release the album’s first single, but she has been steadily building a Gen Z fanbase, who have been discovering her back catalogue.

Last month, her 1985 chart-topper Into The Groove returned to the Top 20 after going viral on TikTok.

Cruz Beckham, KSI, Aitch and Sam Thompson were among those who shared videos of themselves dancing to the song 41 years after it was a No1 hit.

And she is heavily tipped to make a live return tonight at the buzziest festival of the year alongside one of the world’s hottest young pop stars, Sabrina Carpenter, 26.

The Espresso singer will headline the second weekend of Coachella in California and has extended her set by ten minutes, further fuelling industry whispers that Madge may join her on stage.

It would be the veteran pop star’s first performance there in 20 years. She delivered a memorable set in 2006 following the release of her first Confessions album.

Sabrina idolises Madonna as a blueprint for pop music — and there are suggestions they may have collaborated on a song.

In 2024, she paid tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and so exactly how you expect her to be — just, like, so magnetic.”

Many of the current crop of pop starlets have named Madonna as their top inspiration.

Dua Lipa has said her 2020 No1 album Future Nostalgia was heavily influenced by Madge, and she worked with her on a remix of her song Levitating.

Jade Thirlwall said last year: “She is one of the best pop stars we will ever get.”

In fact, Madge has such pulling power, supermodel Kate Moss, plus film stars Benedict Cumberbatch and Gwendoline Christie, are set to have cameos in her comeback music video.

It is a sea-change from previous generations who used Madge as a verbal punching bag.

When asked to name the most overrated person in pop, Lily Allen once said: “Madonna. She might have meant something once, but I don’t know many people my age who care.”

And Lady Gaga insisted she could not be compared to the megastar, explaining: “I play a lot of instruments. I write all my own music . . .  I’m a producer. I’m a writer. What I do is different.”

On Wednesday, Madonna released a snippet of upcoming track I Feel So Free, which heavily samples the 1989 house tune French Kiss by Lil Louis.

The original features more than two minutes of sex noises — something which seems fitting for pop’s most notorious provocateur.

For Confessions II, Madonna has teamed up again with British producer Stuart Price, who was musical director on her 81-date Celebration Tour in 2023 and 2024.

Meanwhile, her boyfriend, former footballer Akeem Morris, 29, is regularly seen dancing and larking around with her in videos on TikTok, where her clips have been liked over 45million times.

Last month, Madonna was in Venice shooting for the second series of the Apple TV show The Studio, in which she will appear opposite Julia Garner.

But now it is full steam ahead with her music, after re-signing with Warner Records — her label for the first 24 years of her career.

Madonna said of her new album: “When Stuart Price and I first started working on this record, this was our manifesto: We must dance, celebrate and pray with our bodies . . .  To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people.”

Gen Z will not know what has hit them . . . 

Kharkiv, Ukraine – Hushruzjon Salohidinov, 26, was working as a courier in Saint Petersburg, Russia’s second-largest city and President Vladimir Putin’s hometown.

But last year, the Tajik man and practising Muslim says he was arrested while picking up a parcel which police claimed contained money stolen from elderly women.

Salohidinov says he never interacted with the alleged criminals, but nevertheless spent nine months in the Kresty-2 pre-trial detention centre about 32km (20 miles) from the city, while a judge refused to start his trial because of the “weak evidence” against him.

But instead of releasing him after that, prison wardens threatened to place him in a cell with HIV-infected inmates who, they said, would gang-rape him – unless he “volunteered” to fight in Ukraine.

“They said, ‘Oh, you’ll put on a skirt now, you’ll be raped,’” Salohidinov, who has raven black hair and a messy full beard, told Al Jazeera at a centre for war prisoners in northeastern Ukraine, where he is now being held, having been captured in January this year by Ukrainian forces.

Using a carrot-and-stick tactic, the wardens also promised him a sign-up bonus of 2 million rubles ($26,200), a monthly salary of 200,000 rubles ($2,620) and an amnesty from all convictions.

So, in the autumn of 2025, Salohidinov signed up as he “saw no other way out”.

Officials in Kresty-2, St Petersburg’s prosecutors’ office and Russia’s Ministry of Defence did not respond to any of Al Jazeera’s requests for comment.

‘Catching migrants’

Salohidinov is just one of tens of thousands of labour migrants from Central Asia coerced by Russia to become soldiers as part of the Kremlin’s nationwide campaign, according to human rights groups, media reports and Russian officials.

Hochu Jit, a Ukrainian group that helps Russian soldiers surrender, has published verified lists of thousands of Central Asian soldiers like Salohidinov.

“They are literally sent to be killed, no one considers them soldiers that need to be saved,” the group wrote in a 2025 post on Telegram. These soldiers’ life expectancy on the front line is about four months. “Losses among them are catastrophic,” the group reported.

With its low birthrate and large oil wealth, Russia has for years been a magnet for millions of labour migrants from ex-Soviet Central Asia, especially Tajikistan, Uzbekistan and Kyrgyzstan.

The campaign by the Kremlin to force Central Asians to fight in Ukraine dates back to 2023 – the year after Russia’s invasion of Ukraine – when police began rounding up anyone who didn’t look Slavic and charging them with real or imagined transgressions such as a lack of registration, expired or “fake” permits or blurred stamps on their documents. Sometimes, migrants are simply bused straight to conscription offices.

In 2025, Al Jazeera interviewed another Tajik man who said he had been detained with an expired work permit and was then tortured into “volunteering” while being subjected to countless xenophobic and Islamophobic slurs from his officers.

Migrants say they are abused, tortured and threatened with jail or having their entire families deported.

“The main way of recruiting as many migrants as possible is pressure on them with threats of deportation,” Alisher Ilkhamov, the Uzbekistan-born head of the London-based Central Asia Due Diligence think tank, told Al Jazeera.

Sometimes, migrants are simply duped.

Salohidinov said one serviceman in his squad was an Uzbek who “didn’t speak a word of Russian” and was fooled into “volunteering” while signing papers at a migration centre.

In their reports about “catching” migrants, officials frequently use derogatory terms about them, and also when they describe men who have obtained Russian passports but skipped registration at conscription offices. Since the Soviet era, such registration has been obligatory for all men and, since 2024, a newly naturalised Russian national can lose his citizenship if he fails to do it.

“We’ve caught 80,000 such Russian citizens, who don’t just want to go to the front line, they don’t even want to go to a conscription office,” chief prosecutor Alexander Bastrykin said in May 2025, referring to the migrants’ alleged patriotic sentiments.

He boasted that 20,000 Central Asians with Russian passports were herded to the front line in 2025.

The year before, he said 10,000 Central Asians had been sent to Ukraine.

Such remarks resonate with the Russian public that lives with “a high level of xenophobia in the stage of fear and helplessness,” Sergey Biziyukin, an exiled opposition activist from the western city of Ryazan, told Al Jazeera.

“For them, such phrases from Bastrykin are a form of sedative.”

What makes Central Asians easy targets is that they hail from police states, which depend on Moscow politically and economically, observers say.

“While the migrants are frightened into signing contracts, their motherland doesn’t really pay any attention,” Galiya Ibragimova, an Uzbekistan-born, Moldova-based regional expert, told Al Jazeera.

Despite hefty signup bonuses and relentless propaganda, the number of Russians who want to fight in Ukraine fell by at least one-fifth this year, and Moscow will strive to recruit more Central Asians, she said.

‘We’ll have our fingers broken’

After signing the contract and leaving his debit card with his sign-up bonus with his parents, Salohidinov was sent to the western city of Voronezh for three weeks of training that did little to prepare him for the war.

“We just kept running back and forth with guns,” he said.

Their drill sergeants, he says, told the conscripts that the standard-issue flak jackets, helmets, boots and flashlights were of subpar quality and urged them to pitch in a million rubles ($13,100) each for “better” gear.

The incident corroborates reports on dozens of similar cases in Russian military units.

Salohidinov was ordered to work in a kitchen – and was verbally abused and beaten for the slightest transgression.

Of 28 men in his unit, 21 were Muslims – but their ethnic Russian officers ignored their pleas not to have pork in meals, repeating a decades-old practice of ignoring religion-related dietary restrictions dating back to the Soviet army.

The commanders demonised Ukrainians, telling them “that if we surrender, we’d be tortured, have our fingers broken, maimed, get [construction] foam up our a**, have our teeth yanked out one by one, have our arms broken”, Salohidinov says.

In early January this year, the conscripts were bused to the Russia-occupied Ukrainian region of Luhansk.

Salohidinov says he was tired, frightened and disoriented – Ukrainian drones were “always” above them and a grenade explosion nearby damaged his left eardrum.

‘Glad I got captured’

On the fourth day of his service, Salohidinov was ordered to run beyond Ukrainian positions as part of Russia’s new tactic to send two or three servicemen to infiltrate the porous front line.

The mission was suicidal because the terrain was open, dotted with landmines and the bodies of dead Russian soldiers, while Ukrainians were firing machineguns and flew drones above them.

“I ran and ran and saw we were being shot at,” he said. “Me and my commander decided to surrender voluntarily instead of dying for nothing.”

They detached their assault rifles’ magazines, raised their hands and yelled they were surrendering.

What followed was “a calm feeling, beautiful”, he said. “They fed us, let us have a smoke, gave us food and water and even cake.”

Now, Salohidinov hopes to return to Tajikistan and panics at the thought of being made part of a prisoner swap – these have taken place several times each year – and returning to Russia because he would be sent back to the front line.

Tajikistan and other Central Asian nations have never endorsed Russia’s war in Ukraine, but nor have they openly criticised it.

In August 2025, Tajikistan’s Prosecutor General Habibullo Vohidzoda declared that no Tajik national would be charged for fighting in Ukraine.

So, what Salohidinov needs right now is an extradition request.

“I’m even glad that I got captured, because I’m not fighting anyone now, not risking anything,” he said. “I’ll even say thanks to Ukraine for taking me prisoner.”

The Tajik embassy in Kyiv did not respond to Al Jazeera’s request for comment.

AFTER becoming the first Love Island star to make Forbes’ 30 Under 30 list, savvy Molly-Mae Hague has a nifty plan to ‘Fury-proof’ her finances.

With a staggering £22million in the bank and a second baby with boxer fiancé Tommy on the way, there are whispers that a watertight pre-nup featuring a “loyalty clause” is in the works.

Molly, 26, took the shamed boxer back a year ago after cheating allegations against him led to their shock split in 2024.

And while her £600,000 engagement ring is back on and she is pregnant with a sibling for three-year-old Bambi, there is no sign of a wedding on the horizon.

Now sources close to the business-minded beauty say she is determined to make sure Tommy, 26, is 100 per cent dedicated to her before tying the knot.

An insider explained: “Molly has more than proved she knows a thing or two about making money and she knows full well what marriage could mean for her wealth.

“There’s been talk that she would want him to sign a contract before they commit any further, which would have a cheating clause and allow her the access to her money she feels she might need to move on.”

Molly was already a popular influencer when she appeared on Love Island in 2019 and met Tommy but her rise to super stardom and extreme wealth after the show is unprecedented.

‘Old home is back up’

She did not just land a fast fashion deal like other Islanders. She became Pretty Little Thing’s creative director, earning a reported £400,000 per month.

She also secured deals with huge companies such as L’Oreal and Fairy.

And recently she is said to have been paid more than £2million to collaborate with Adidas.

Molly would not be the first woman to demand a cheating clause.

Catherine Zeta Jones is said to have included a similar one in the pre-nup prior to her 2000 wedding to fellow actor Michael Douglas.

It was reported that if he ever cheated he would have to pay ­Catherine £1million for every year they were married.

Justin Timberlake and Jessica Biel also allegedly have a clause in their prenup that would entitle Jess to £400,000 if he cheated.

It was late in the summer of 2024 that Molly dumped Tommy, telling her followers: “Never in a million years did I think I’d ever have to write this.

“After five years of being together I never imagined our story would end, especially not this way.”

The couple had been planning to move into a £5million mansion but after Tommy was accused of kissing a blonde beauty on a lads’ holiday to Macedonia, Molly stayed put in her £4million Cheshire home and booted Tommy out.

There’s been talk that she would want him to sign a contract before they commit any further, which would have a cheating clause

Insider

But the couple were seen sharing a kiss at a New Year’s Eve party and officially reunited in May 2025.

And while they now live in their new family home, we can reveal Molly has kept hold of her first mansion, which is solely in her use.

Our insider said: “Molly has been very reluctant to sell the Cheshire home and knows it’s probably wise to keep hold of it as a back up.”

At the start of the year fans were shocked when Molly quietly announced she was expecting another baby with Tommy, and was already six months pregnant.

Pals say the star opted to have another child with Tommy because she was keen that her children all have the same father.

Another source adds: “Molly is very traditional in lots of ways and Tommy is, of course, also very old school, so they wanted to have more children together.”

A blended family was not an option for Molly, the source said.

Molly’s dream

“She wants her kids to have ­consistency like she had growing up. It’s one of the main reasons she got back with him.”

Casting doubt over their relationship, Tommy’s dad John Fury said in the family’s Netflix show, At Home With The Furys: “Molly is a lovely person, but she can’t help the life she’s been brought up in, it’s contrasting to ours.

“But she’s put up with some s*** hasn’t she, so fair play to her – she’s not a bad girl.

“I’m also going to be there to support them. Let’s see what happens.”

Tommy’s half brother and former world heavyweight boxing champion Tyson has also been critical of Molly’s career.

She wants her kids to have consistency like she had growing up. It’s one of the main reasons she got back with him.

Source

In the new series of his show he appears mocking of influencers, warning his daughter Venezuela: “If you are an influencer your private life is non-existent. Look at Tommy and Molly. If you want to make money out of doing nothing, ­basically privacy doesn’t exist.

“I’ve done a million-thousand achievements. I can write a table full of them. We’re just in an era where you can get famous for what? Getting our tits out on telly.”

But Molly, a dropout from the London College of Fashion, has come a long way since Love Island.

Forbes might have put Tyson at No3 in its ranking of the highest-paid athletes in the world, with his earnings being estimated at £120 million, but Molly is hot on his heels (wearing her sold-out Adidas shoe collection).