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Mel Brooks has been watching movies for about as long as anyone alive. The comedy icon, who turned 100 in June, was born in the silent era and grew up in Brooklyn devouring double bills at his neighborhood theater in the 1930s. That movie-mad kid would go on to become one of the giants of filmmaking, directing classics like “The Producers,” “Blazing Saddles” and “Young Frankenstein” and giving us a song-and-dance Frankenstein’s monster, cowboys farting around a campfire and the mystical power of the Schwartz.

So when the American Cinematheque recently invited Brooks to program a series of his favorite films — something he had never done before — there was no telling where his tastes might lead.

Beginning Sept. 3, the Cinematheque will bring Brooks’ 20 selections to the big screen in “Programmed by Mel Brooks: 100 Years at the Movies,” running through Nov. 12 at the Aero, Egyptian and Los Feliz 3 theaters. The lineup spans nearly nine decades of Brooks’ own lifetime: The oldest film he chose was released when he was 4; the newest came out when he was 93.

What made the cut? Some choices make perfect sense for Brooks: comedy classics like Charlie Chaplin’s “City Lights” (1931) and the Marx Brothers’ “A Night at the Opera” (1935). Others are more surprising, from Kevin Costner communing with the Sioux in “Dances With Wolves” (1990) to Eddie Murphy resurrecting a blaxploitation legend in “Dolemite Is My Name” (2019). The list is overwhelmingly American with just one foreign-language film, Federico Fellini’s bittersweet 1953 comedy “I Vitelloni.”

For Brooks, the exercise offered a chance to reconnect with what drew him to movies in the first place.

“It was wonderful compiling a list of all these marvelous movies for American Cinematheque,” Brooks said in a statement to The Times. “It reminded me about why I first fell in love with the art of film.”

Earlier this year, with Brooks’ centennial approaching, the Cinematheque began thinking about how to mark the milestone. The organization has screened his films regularly for decades and Brooks has appeared at its theaters a dozen or so times to discuss his work and collaborators. Simply putting “Blazing Saddles” and “Young Frankenstein” back on the marquee wasn’t going to cut it.

“The question was: How do we do something different and interesting?” says Chris LeMaire, the Cinematheque’s director of programming, in a phone interview. “Then it became: What if we reached out to Mel and asked if he wanted to put his programmer hat on and take over our calendar and see what he would come up with?”

The Cinematheque already invites filmmakers and other guests to choose individual films for its weekly Sunday Print Edition series, but handing someone an entire series to program was another matter.

“We didn’t even say how many films it could be,” LeMaire recalls. “We kind of said, ‘How many do you want to show?’ ”

Brooks conveyed his selections through his assistant, who would speak with him by phone and relay the titles to the Cinematheque by email. Rather than arriving all at once, the list grew over several days as Brooks kept thinking of movies he wanted to add.

“It was really neat to see it unfold because he sent an initial list and we were like, ‘Wow, this is great,’ ” LeMaire says. “Then a few hours later, he thought, ‘Well, we can’t forget John Ford. We’ve got to throw in ‘The Grapes of Wrath.’ Fast-forward a few more of these cycles where he was thinking about it and that’s how it got up to 20.”

Brooks is letting the selections speak for themselves, offering up the movies he loved without feeling the need to make a case for them.

“He didn’t provide much explanation, didn’t say why he was picking all these films,” LeMaire says. “I think that’s really beautiful in that sense.”

To LeMaire, the breadth of the list reflects both Brooks’ long view of movie history and the eclecticism of his own work.

“He was born before the sound era, so you get the sense that he’s put this list together based on actual experience, watching firsthand as cinema evolved over the decades,” LeMaire says. “There’s such a mix of genres on this list, and that mirrors how his films work — the love of cinema history and the lovingly satirizing ways of dealing with genre.”

Some connections to Brooks’ own career are particularly direct. He produced David Lynch’s 1980 drama “The Elephant Man,” while Alfred Hitchcock’s 1960 horror classic “Psycho” inevitably calls to mind Brooks’ 1977 Hitchcock spoof “High Anxiety.” Brooks also included one of his own films, “The Twelve Chairs,” his 1970 comedy based on the Russian novel.

Hardly one of his best-known films, “The Twelve Chairs” has proved one of the trickier titles for the Cinematheque to screen. LeMaire says it and Paul Mazursky’s 1986 comedy “Down and Out in Beverly Hills,” another Brooks selection, lack readily available digital restorations, making suitable screening materials harder to track down.

Brooks left the screening order up to the Cinematheque. LeMaire chose “City Lights” to kick off the series. “When Mel Brooks says he wants to show a Charlie Chaplin film, it just seemed like: Well, that’s the way we’ve got to open,” LeMaire says.

Brooks is not currently expected to appear at any of the screenings. Could he nevertheless turn up as a surprise? LeMaire isn’t making any promises.

“I wouldn’t want to get anyone’s hopes up,” he says. “I’ll be there with everybody else, wishing and hoping.”

Asked to name his own favorite Brooks film, LeMaire doesn’t hesitate: “Young Frankenstein.”

“I might have seen that more than any other film ever, honestly,” he says. “So it really is such a dream come true that he responded with enthusiasm and put this together for us. It’s a dream come true for me personally.”

Here is the complete lineup for “Programmed by Mel Brooks: 100 Years at the Movies”:

Sept. 3 — “City Lights” (1931), Aero Theatre
Sept. 4 — “When Harry Met Sally…” (1989), Aero Theatre
Sept. 5 — “I Vitelloni” (1953), Aero Theatre
Sept. 6 — “The Grapes of Wrath” (1940), Aero Theatre
Sept. 9 — “The Elephant Man” (1980), Aero Theatre
Sept. 19 — “This Is Spinal Tap” (1984), Los Feliz 3
Sept. 20 — “Shane” (1953), Los Feliz 3
Sept. 23 — “The Miracle Worker” (1962), Los Feliz 3
Oct. 6 — “Down and Out in Beverly Hills” (1986), Los Feliz 3
Oct. 10 — “Top Hat” (1935), Aero Theatre
Oct. 11 — “Dances With Wolves” (1990), Egyptian Theatre
Oct. 16 — “Jojo Rabbit” (2019), Los Feliz 3
Oct. 17 — “Double Indemnity” (1944), Egyptian Theatre
Oct. 18 — “Schindler’s List” (1993), Egyptian Theatre
Oct. 20 — “A Night at the Opera” (1935), Los Feliz 3
Oct. 22 — “Dolemite Is My Name” (2019), Los Feliz 3
Oct. 24 — “Broadway Melody of 1940” (1940), Los Feliz 3
Oct. 25 — “Ed Wood” (1994), Egyptian Theatre
Oct. 31 — “Psycho” (1960), Egyptian Theatre
Nov. 12 — “The Twelve Chairs” (1970), Egyptian Theatre

“Other than the needle drops, this is probably my favorite part about making ‘Beef,’” says creator Lee Sung Jin of the show’s episodic title cards, which in Season 2 marry historical paintings with abridged quotations from authors and poets. For the finale, which sees its two feuding couples (Carey Mulligan, Oscar Isaac, Cailee Spaeny and Charles Melton) swept up in a seemingly inescapable fight for survival, the paintings of Giuseppe Arcimboldo’s “The Four Seasons” matched with the title “It Will Stay This Way And You Will Obey,” a reference to a passage in Marion Woodman’s “Coming Home to Myself: Reflections for Nurturing a Woman’s Body & Soul.” “It’s almost prisonlike because these very prominent faces of literally nature have created this wall that the title is stuck in. We wanted to express the cycles and how the four seasons come for you no matter what,” Lee says, alluding to the season’s central idea that people often repeat the same destructive habits. “The final shot is homage to the Buddhist concept of samsara. It was important for us to allow the audience to take a moment after all the craziness of the season to think about their own lives, think about society at large … and depending on where you are, come to your own conclusion.”

After nearly a month of mulling his options, LeBron James announced in a social media post that he will sign with the Philadelphia 76ers on a two-year, $8-million contract.

James, a small forward, will join guards Tyrese Maxey and V.J. Edgecombe, forward Jaylen Brown and center Joel Embiid in a star-studded 76ers lineup. James’ deal includes a player option, Klutch Sports Group Chief Executive Rich Paul told ESPN.

In a series of X.com posts, James said he contemplated retirement before choosing the 76ers over several other suitors.

“I was honest at that last press conference when I said I needed to look at myself and decide if I still love this game. I still truly love this game, and I have more to give,” he said.

James will hope to break a 43-year championship drought for the 76ers, much the same way he erased a 52-year streak without a title for the city of Cleveland when he won a championship with the Cavaliers in 2016.

This likely will be the final free agency decision James will make as the 41-year-old enters a record-breaking 24th season. He said winning a fifth NBA title is his primary motivation.

“This is my last decision. I’m not going for money. I’m not going for family. What am I really playing for at this point?” James wrote on X. “I still want to sacrifice. I still want to work. I still want to grind. I still want to compete, to win and to have a chance at the feeling of winning another championship.

“I believe I can help make the Philadelphia 76ers a championship team and I am so excited to energize a new fan base and start this incredible journey one last time.”

The 76ers finished 45-37 and seventh in the Eastern Conference last season. However, they traded for Brown, a bona fide superstar, sending Paul George, two first-round draft picks and two second-round picks to the Boston Celtics on July 6. Brown, a nine-year veteran, averaged 28.7 points a game last season and helped the Celtics win the NBA title in 2024.

This was the fourth foray into free agency for James, who played the previous eight seasons with the Lakers, his longest continuous stint with any franchise.

It was widely reported that James would accept the $3.9 million veterans’ minimum exception. He will be paid far less than the approximately $57 million new teammates Embiid and Brown each will make, but James has made a record $584 million in career salary and his net worth is an estimated $1.4 billion thanks to endorsements and investments.

Reaction to the signing was swift. Nobody seemed more excited than Dawn Staley, the decorated South Carolina women’s basketball coach and a Philadelphia native. A longtime friend of James and his family, she posted a video while courtside at a game.

“Yo Philly, yo Philly, yo Philly! We got the King, y’all!” Staley said before telling James’ wife, Savannah, that she is available for advice on a school for the James’ daughter. “Savannah, we got you! ‘Bron, ‘Bron, good, great choice. My guy!”

James’ new teammates also expressed delight on social media. Maxey compared his recruiting skills to his college coach John Calipari, while Edgecombe recreated James’ famous “Can’t believe this is my life” meme.

James, an Akron, Ohio, native, played his first seven seasons with the Cavaliers after being the first overall draft pick in 2003 at age 18, spent four with the Miami Heat then returned to Cleveland for an additional four years before signing with the Lakers ahead of the 2018-2019 season. He has won four NBA championships, including one with the Lakers in 2020.

James informed the Lakers on June 30 that he would be signing elsewhere. Since then several teams made pitches for his services, with the Golden State Warriors, Heat, Cavaliers and Minnesota Timberwolves considered favorites along with the 76ers.

Not only were fans of those teams anxious to learn his decision. Last week, NBA commissioner Adam Silver said the regular-season schedule had not been set because the league was waiting on James.

“We have to finish up the schedule. And where LeBron plays will affect the schedule,” Silver said at the CNBC Sport x Boardroom Game Plan Summit in New York. “So I would like him to make his announcement already, so we can finish the schedule, because, as you might imagine, the teams are calling us, the networks are calling us, and everybody wants to lock in the schedule. But it will influence how we set the schedule, how we set opening week, Christmas Day, etc. So I need him to make a decision.”

A day later, James stood on stage at Fanatics Fest in New York and said he wanted to join a team that “shares the same model as myself, and that’s like practicing championship [habits] every day, but trusting the process more than anything.”

A false alarm became part of the narrative when the Heat posted a link July 21 to a scheduled livestream titled “LeBron James Introductory Press Conference” to its YouTube channel. A team spokesperson said it was a mistake, that the club’s social media department was preparing for the possibility of James’ signing. The post was deleted.

James has announced his agreements with new teams in various ways. When he left the Cavaliers in 2010 to team with Dwyane Wade and Chris Bosh on the Heat, he announced his choice on a live television special called “The Decision,” saying “I’m taking my talents to South Beach.” On Friday morning, a thread on X relayed the big news.

Fans in Cleveland burned his jersey, and Cavaliers owner Dan Gilbert posted a letter on the team website calling James’ decision a “cowardly betrayal.”

Four years and two NBA championships with the Heat later, James returned to his home state of Ohio to play for the Cavaliers again in 2014. His first-person Sports Illustrated essay written with senior writer Lee Jenkins shared his “I’m Coming Home” choice with the world.

“I always believed that I’d return to Cleveland and finish my career there,” James wrote. “I just didn’t know when. After the season, free agency wasn’t even a thought. But I have two boys and my wife, Savannah, is pregnant with a girl. I started thinking about what it would be like to raise my family in my hometown. I looked at other teams, but I wasn’t going to leave Miami for anywhere except Cleveland.”

James led the Cavaliers to four consecutive NBA Finals and a championship in 2016 when Cleveland overcame a 3-1 deficit to defeat the Warriors. It was the greatest NBA Finals comeback in history and brought the Cavaliers their first title.

But it turns out most of his child-rearing came in Los Angeles. In 2018, James decided not to pick up his player option and signed a four-year, $153.3-million contract to play for the Lakers, choosing them over the 76ers and a return to the Cavaliers. His salary escalated each year, rising to $52.6 million last season.

“LA has welcomed the arrival of Rabbit, Logo, Stumpy, Big Dipper, Captain, Silk, Magic, Big Game, Diesel, Mamba, Spaniard and now welcomes a King!!” Lakers co-owner Joey Buss tweeted.

In James’ second season in L.A., the Lakers won their 17th NBA championship in a bubble at Walt Disney World to cap the pandemic-shortened 2020 season. James notched a triple-double in the clinching Game 6 and earned Finals most valuable player for the fourth time in his career.

James set the league all-time scoring record while wearing the purple and gold, but his eight seasons with the Lakers also included failures. The 2021-2022 season is widely regarded as the most disappointing in team history. The overwhelming favorite in Las Vegas to win the championship when the season began, the Lakers finished 33-49 and missed the playoffs.

The Lakers never made it past the Western Conference finals over the next four seasons, including getting swept in the conference semifinals by the Oklahoma City Thunder in 2026. James averaged 20.9 points, 6.1 rebounds and 7.2 assists last season while adding to his list of NBA records, setting marks for games played, all-time wins and field goals made.

The Lakers pivoted quickly after James announced he wouldn’t return, overhauling the roster to complement star guards Luka Doncic and Austin Reaves. They traded for 7-foot-2 center Walker Kessler and signed free agents Sandro Mamukelashvili, Quentin Grimes, Collin Sexton, Matisse Thybulle, Ziaire Williams and Kevon Looney.

Meanwhile, James methodically listened to pitches from a handful of teams, ultimately settling on the 76ers.

Paul, James’ agent and close friend, said on a podcast Monday that the ample time James took making the decision was necessary because the choice was difficult.

“I think it’s important for people to understand: We’re not making this about attention and a spectacle,” Paul said. “It’s not about a ‘Decision’ or anything like that. He has a choice to make. He has a business choice to make.”

Giving himself the best shot at a fifth title was key. James has played in 302 postseason games, by far the most of any NBA player, and scored 20 or more points in 261 of them. His teams are 42-15 in playoff series and 188-114 in games. He has scored the most points in the playoffs (8,521) in addition to the most points in the regular season (43,440).

“It’s amazing what he’s done for the sport, for the league, and he deserves the opportunities that were presented to him to be able to make his own decision on what’s best for him and his family,” Silver said last week. “So I completely respect that.”

Tokyo isn’t one city. It’s many cities, and each is its own universe.

Occasionally — at a certain subterranean bar big enough for only seven people, or a sushi counter on the fifth floor of a random office building — I feel as if I’m stepping into another time or dimension.

Finding your way to any of the millions of restaurants, cafes, bars and shops (some are micro-businesses in an alley in a village in the city) can be like figuring out a many-layered puzzle. Like Tokyo, each experience is dense.

Use these handy dining guides for all of your summer travel, near and far.

The Japanese word for hospitality is omotenashi. But its meaning goes far beyond just customer service. Even the translations “wholehearted, selfless hospitality” or “flawless care” don’t cover all of the philosophies that make up omotenashi: magokoro (“true heart” or “sincere feeling”), ichigo ichie (“one time, one meeting”) and kuuki wo yomu (“reading the air”). The last refers to the intuitive ability to anticipate guests’ needs before they ask — an idea rooted in tea ceremony, which is rooted in Buddhism. It’s hard to grasp that level of selflessness.

Here are some of our favorite places to lose yourself in Tokyo. — Betty Hallock

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell.

We received more than 500 questions for Justin Turner after putting out the plea a couple of weeks ago, which is a record. (Some were the same question asked by multiple people.) I selected a few, and Turner answered them via email between games with the Tijuana Toros.

Mark Haendel in Santa Monica asks: Any ideas of staying in baseball after you actually retire? Coaching, managing, college or pro level, etc.?

Turner: I will definitely stay in the game in some capacity. I love it too much and my son loves being around it too much to step away.

Kristen Lazalier in Norman, Okla., asks: Please share three favorite memories of your years with the Dodgers. Thank you for always bringing such passion and joy to your play — both on and off the field!

Turner: It would have to be winning the World Series in 2020. Winning the Roberto Clemente Award in 2022. The walk-off homer in the NLCS and winning the fan vote for my first All-Star Game in 2017.

Chris Nayve asks: What is your go-to mindset or thought that helps you when things get challenging in baseball or just in life?

Turner: The best thing is just to simplify things and not try to do too much. Take the results out and trust the process. Live in the moment and control what is in front of me.

Robert Scott Wallace asks: First and foremost, I wanted to thank JT and his wife for all the good they do for the city of Los Angeles. A basic question: Who is the toughest pitcher you had to ever face in the big leagues and why?

Turner: Felix Hernández was the nastiest. Cliff Lee and Tyler Glasnow, after the 2020 World Series, own me. (Editor’s note: Turner was 0 for 3 with two strikeouts against Hernández, one for 20 against Lee with four strikeouts and 0 for 11 against Glasnow with 10 strikeouts.)

Paul Mihalow asks: Did anybody on your MLB teams ever complain about the “pine tar” on the back of your jersey — like clubhouse managers or laundry guys?

Turner: No. I asked the clubhouse guys and they said it was actually very easy to get out every night.

Jeff Plotkin asks: Who were some of your favorite teammates?

Turner: That’s a tough one. I get along great with just about everyone. But my favorite baseball guy of all time is, hands down, Chase Utley.

Gabriel Ortega asks: What is one lesson you’ve learned from fatherhood that has surprised you the most, and how has it changed the person you are both on and off the field?

Turner: Being a dad definitely taught me patience and understanding. That just because i know what I’m saying or asking doesn’t mean Bo or anyone else does. Sometimes you have to get creative to get your message across.

Robert Shannon asks: Where does the 2004 College World Series championship with Cal State Fullerton rank on your career highlights?

Turner: That has to be way up near the top. That’s one of the hardest tournaments to win and that was always a special group of guys.

Marshall Fong asks: What adjustments did you make as you aged to remain a competitive player?

Turner: The biggest thing is time management and learning how to get my work in that needs to be done without killing myself and my energy for the game.

Thanks again to Turner for taking the time to answer reader questions.

Andy Pages has a burden

Last week, colleague Liana Handler wrote a nice story on Andy Pages and the struggle he has as his family lives in Cuba. He is unable to see them and sometimes he can’t get reach them on the phone, which is when the fears really loom large.

A few key passages from Handler’s story:

Unlike his teammates — both American and those on visas — Pages is distinctly cut off in the United States, where he lives with his wife, Alondra, but is separated from his parents and sister in Mantua. The third-year Dodgers center fielder is making $800,000 this year but can’t spend his money on flights home or on bringing his family to the country where he plays baseball. The tense relations between the U.S. and Cuba — the Trump administration has imposed economic sanctions and made diplomatic threats — don’t allow for that.

“I haven’t found any way that gives me that tranquility and peace,” he told The Times in Spanish two weeks ago. “Because the way things are there, what’s always on your mind is that it could happen. Anything, any time. And I have all my family in Cuba. So, you have to live with that worry all the time.”

Most of Pages’ family can only listen to his baseball games on the radio or through fuzzy images on the television.

No one understands that more than Dodgers infielder Miguel Rojas. A Venezuelan immigrant, Rojas said he felt a personal responsibility for Pages, who is caught between wanting to speak more about the situation and being guarded because of his budding career and the fact that he’s not yet eligible to be a free agent.

“We need to preserve our job, because this is our only way to make an income, and a lot of us are the head of the family, so we got to continue to think about it that way,” Rojas said. “I would like to be more vocal and be a little bit more present for my community, but it’s really hard because I’m performing my job, and if I stop doing this, I don’t know how to do anything else.”

As Rojas describes, it is not easy to focus on your job when you see people you know at home suffering.

“We are here to perform and actually provide entertainment to people, and sometimes we are seen like that,” he said. “The problem is when the lights are off at night, when you have to go home, when you become a regular human being that is on the streets.”

The story is well worth your time and can be read here.

Perfect Father’s Day present

Shohei Ohtani missed Friday’s game to be present for the birth of his second child with his wife, Mamiko.

“We are again overjoyed to experience this wonderful day in our lives together,” Ohtani said on Instagram. “Thank you for being born safely. We would also like to express our heartfelt gratitude to everyone who has supported us throughout this journey.”

Injury updates

—Will Smith has an inflamed disk in his neck and recently had an injection there to help reduce it. The earliest he will be back is Friday, as he is not going on the team’s trip to Minnesota.

—Teoscar Hernández will begin a rehab assignment in triple-A this week and could be back before the end of the month.

—An MRI on Blake Treinen‘s elbow showed no structural damage, so he should be back as soon as he can come off the 15-day IL.

—Reliever Edwin Díaz is progressing well and remains on track to return after the All-Star break.

—Reliever Evan Phillips has pitched in six games for triple-A Oklahoma City. In 5-1/3 innings, he has given up five hits, walked four and struck out five. He should return in early July.

—Reliever Brock Stewart could be activated before today’s game against Minnesota. If not, then sometime this week.

These names seem familiar

How notable players who were with the Dodgers the last couple of seasons are doing with their new teams (through Sunday). Click on the player’s name to be taken to their full stats page:

Anthony Banda, Twins: 2-0, 4.22 ERA, 2 saves, 32 IP, 26 hits, 14 walks, 29 K’s, 104 ERA+

Cody Bellinger, Yankees: .276/.370/.473, 324 PA’s, 15 doubles, 3 triples, 11 homers, 49 RBIs, 133 OPS+

Walker Buehler, Padres: 4-3, 3.96 ERA, 72.2 IP, 73 hits, 23 walks, 65 K’s, 105 ERA+

Mike Busch, Cubs: .247/.377/.396, 337 PA’s, 13 doubles, 2 triples, 8 homers, 42 RBIs, 122 OPS+

Michael Conforto, Cubs: .222/.328/.434, 116 PA’s, 9 doubles, 4 homers, 13 RBIs, 116 OPS+

Justin Dean, Cubs: .500/.500/1.500, 2 PA’s, 1 triple, 3 RBIs, 443 OPS+

Caleb Ferguson, Reds: 0-0, 1.50 ERA, 12 IP, 10 hits, 5 walks, 12 K’s, 302 ERA+

Jack Flaherty, Tigers: 1-8, 5.35 ERA, 65.2 IP, 69 hits, 34 walks, 78 K’s, 81 ERA+, on the IL

Kenley Jansen, Tigers: 1-3, 4.00 ERA, 9 saves, 18 IP, 10 hits, 10 walks, 22 K’s, 110 ERA+

Craig Kimbrel, Rays: 0-2, 5.50 ERA, 18 IP, 19 hits, 8 walks, 18 K’s, 78 ERA+

Gavin Lux, Rays: on the IL

Dustin May, Cardinals: 5-6, 4.30 ERA, 83.2 IP, 78 hits, 22 walks, 77 K’s, 94 ERA+

Zach McKinstry, Tigers: .177/.272/.259, 171 PA’s, 4 doubles, 1 triple, 2 homers, 11 RBIs, 48 OPS+

James Outman, Tigers: .169/.238/.286, 84 PA’s, 4 doubles, 1 triple, 1 homer, 5 RBIs, 44 OPS+

Joc Pederson, Rangers: .237/.333/.419, 235 PA’s, 7 doubles, 2 triple, 9 homers, 25 RBIs, 119 OPS+

Luke Raley, Mariners: .241/.303/.503, 210 PA’s, 6 doubles, 1 triple, 14 homers, 35 RBIs, 126 OPS+

Ben Rortvedt, Mets: in the minors

Corey Seager, Rangers: .186/.284/.373, 204 PA’s, 6 doubles, 9 homers, 24 RBIs, 91 OPS+, on the IL

Justin Turner, Tijuana (Mexican League): .273/.483/.461, 196 PA’s, 14 doubles, 6 homers, 25 RBIs

Trea Turner, Phillies: .227/.280/.336, 328 PA’s, 12 doubles, 7 homers, 22 RBIs, 67 OPS+

Miguel Vargas, White Sox: .236/.353/.465, 324 PA’s, 12 doubles, 1 triple, 16 homers, 44 RBIs, 126 OPS+

Kirby Yates, Angels: 0-3, 3.68 ERA, 1 save, 14.2 IP, 9 hits, 7 walks, 19 K’s, 116 ERA+

Up next

Monday: Dodgers (*Eric Lauer, 2-5, 5.37 ERA [1-0, 3.22 ERA with Dodgers]) at Minnesota (Zebby Matthews, 3-4, 4.78 ERA), 4:40 p.m., SportsNet LA, AM 570, KTNQ 1020

Tuesday: Dodgers (*Justin Wrobleski, 8-2, 2.72 ERA) at Minnesota (Joe Ryan, 5-3, 2.99 ERA), 4:40 p.m., SportsNet LA, TBS, AM 570, KTNQ 1020

Wednesday: Dodgers (Shohei Ohtani, 7-2, 1.47 ERA) at Minnesota (*Connor Prielipp, 2-5, 5.17 ERA), 4:40 p.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Dodgers star Shohei Ohtani announces birth of second child

Shaikin: Why MLB’s Pride Night cap condemnation isn’t the anti-Christian crackdown conservatives claim

Lopez: There might be one advantage to climate change: More home runs at Dodger Stadium

Dodgers Debate: BLISTER WATCH. Should Shohei Ohtani be shut down?

Shaikin: The Dodgers are ruining baseball! Stop them! But first let me vote for all their players

And finally

Vin Scully tells us “Don’t be afraid to dream.” Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Koe Wetzel brought his brawny yet soulful new country-rock album, “The Night Champion,” to the Grammy Museum in Los Angeles on Monday night. It’s the 33-year-old Texas native’s follow-up to 2024’s hit “9 Lives,” which spun off a chart-topping single in “High Road”; it’s also his first LP since the birth last year of his daughter, Woods. After the show — in which he was accompanied by his producer Gabe Simon, who’s also known for his work with Noah Kahan — I spoke with Wetzel about the album’s inspirations and about the food-court staple that rhymes with his last name.

My favorite song, you didn’t play it: “I’ll Lock Up.” That’s a song where your vocal is mournful, but you’re resigned — it’s an emotionally sophisticated song. How’d you write it?
We kind of came into it to be as realistic as possible. When people go through stuff like that — through breakups, whatever it is — no matter what it is, I’m probably still gonna take you back at the end of the day. And I think kind of being in that situation, kind of going back on past relationships, we just took a lot of past experiences from different folks and made it what it was. The scornful sadness from it, that might have came from a couple bottles of wine that I had before I got in the vocal booth.

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You write about toxic relationships, but now you appear to be in a stable relationship with the mother of your child. Have you lost the juice?
I don’t think so — I think it’s always gonna be there. Those are the easiest songs to write. It’s really hard for me to write a love song. And who knows, maybe this is the turning of the tide. I’ve got almost 12 years of toxic relationship songs, so maybe these next 10 years is the love, happy-go-lucky songs.

You’ve talked about cleaning up your act a little bit: drinking less, eating better, working out. Was there an animating head-on-the-floor moment?
I think whenever I found out that I was gonna be a dad, that was obviously a moment for me. I’d started cleaning up before she got here. And then when she got here, it was like, “All right, you got to get your s— together.” Not to say that I’m completely reformed — I still have my nights.

Back in your dark days, best bar in L.A.?
I never really went out a whole lot.

Drinking in the hotel room, huh? Dark.
That’s where all the songs come from.

You have two bar-restaurants, Koe Wetzel’s Riot Room — one in Fort Worth, one in Houston. I want to have a salad tonight. Should I have the blackened chicken Caesar or the grilled chicken Cobb?
Grilled chicken Cobb, for sure.

OK, great.
Do we serve those at the restaurant?

Biggest mess you’ve ever gotten into as a restaurateur?
I don’t know, honestly. I’m more on the party side of things, so they don’t ask me about, “Hey, we’re gonna make this tweak to the menu — what do you think about it?” It’s more like, “What are the bottle girls wearing tonight?”

One more food-service-related question: You’re at the mall, you want a pretzel. Auntie Anne’s or Wetzel’s Pretzels?
Wetzel’s Pretzels all day, man. Go get you some — I get a little royalty there.

According to Mediabase, your song “High Road” was the most-played song on country radio in 2025. In what month did you start changing the channel when it came on?
I started changing it before it even came out. We finally got the new record out, and I’m sick and tired of it, because I’ve been listening to it for a year and a half now. But that’s pretty much how it was with “High Road.” So grateful for all the success — it’s really cool that people have jived with it and listened to it the way they have. But whenever I hear it now, I kind of turn a deaf ear to it, if that’s possible.

Your friend Morgan Wallen had a viral moment recently where he tipped over a piano. What instrument have you smashed?
Quite a few. Depending how much Jack Daniel’s I drank onstage, I was definitely smashing the bottle — glass everywhere. I destroyed the drums. There was actually a shirt we had that says “Koe Destroys Everything.” My bass player and guitar players, they know that whenever I get that stare, it’s kind of like: Protect your s—, or I’m gonna come smash it.

By my count, you say “f—” nine times on this record. Is that your favorite four-letter word?
It’s a pretty good one, man. Only nine times on the record?

Seems low to you.
I’m a big Tarantino and Scorsese fan, so I don’t know. I think it’s just such a fun word.

Last one: Your current radio single is called “Hurts Like You.” I’m gonna give you three songs that have “hurt” in the title, and you have to pick your favorite.
OK.

“Hurt” by Nine Inch Nails or Johnny Cash. “Hurts So Good” by John Mellencamp. “Everybody Hurts” by R.E.M.
“Hurt,” Johnny Cash.

I’m sorry, that’s not right.
It’s not? What is it? Is there a right answer?

Your favorite song is John Coug, “Hurts So Good.”
OK. [Sings] “Hurts so good…” Is that my favorite song?

Yeah.
All right. Let’s go, Coug.

SAN FRANCISCO — The toughest decision of the Sparks’ season to date is fast approaching.

Within the next few games, the team will have to decide whether they are going to keep fan-favorite Kate Martin around.

She joined the roster on a developmental contract at the start of the season after being waived by the Golden State Valkyries the day of roster releases. Developmental contracts were introduced this year as part of the league’s new collective bargaining agreement.

Each team can carry up to two players on developmental deals. Those players are allowed to practice and travel with the team, but they can only be active for a maximum of 12 games during the season.

The Sparks’ Kate Martin shoots over the Fire’s Nyadiew Puoch at Crypto.com Arena on June 7.

(Luiza Moraes / Getty Images)

Typically, developmental players are used as emergency depth, stepping into the lineup only when injuries create a short-term need. That hasn’t been the case for Martin, who has been active for eight of the Sparks’ first 13 games, making her a regular part of the team’s plans.

“I’ve been activated for quite a few games and that is a blessing,” Martin said. “I feel very grateful to have been activated for so many games so far, but I think just like not knowing until like game day, trying to figure out, like, ‘Oh, am I going to be activated, am I not?’ I think that’s probably the biggest difference, but you know, they don’t treat me any differently.”

When given the opportunity, Martin has brought energy and impact off the bench. She is shooting 47.4% from the field and taking 1.6 shots from three-point range per game despite playing just 7.4 minutes. Martin often receives the loudest cheers from fans during home games.

She delivered her strongest offensive performance in a loss to the Tempo on May 17, scoring 11 points on 4-of-7 shooting, but since then she has been used as a first-half rotation player to rest the Sparks guards as a reliable shooter and defender.

Even with the Sparks at full strength against the Portland Fire last week, Martin still earned eight minutes of play. Then she played four minutes in Saturday’s overtime win against Phoenix.

“We’re figuring it out in real time,” Sparks coach Lynne Roberts said. “These are new positions, and so each player only gets 12 games, but Kate does have experience. She is a spark off the bench. Everyone out there trusts her. There’s value to that. It’s hard, though, as a [developmental] player, to play one game and not play the next, and like it’s just hard for the rest of the group. So that part’s been tricky, and we’re figuring it out as we go.”

With seven active appearances already used, Martin has just four games remaining under the terms of her developmental contract. The Sparks must either preserve those appearances for later in the season or make a long-term commitment by signing her to a standard contract or she will become a free agent again.

The challenge is that Los Angeles does not currently have an open roster spot, meaning the team would need to waive a player to make room.

The Sparks’ Dearica Hamby and Kate Martin chest bump to celebrate after scoring against the Dallas Wings at Crypto.com Arena on June 5.

(Luiza Moraes / Getty Images)

Rookies Jihyun Park and 2026 second-round draft pick Ta’Niya Latson have both appeared in fewer games than Martin, as have veteran Emma Cannon and second-year forward Sania Feagin, who was injured earlier this season but hasn’t claimed a rotation spot since her return.

Martin was a regular part of the rotation with the Valkyries in her one season with the franchise, playing in 42 games and averaging 6.2 points per game and 31% shooting from three-point range. She was inconsistent at times, but also provided a spark off the bench and it was a surprise when they cut her.

After an emotional few days after being waived, Martin joined the Sparks, where she was excited for the opportunity to develop. Now, she sees herself as a fit beyond the 12-game limit.

“The system that we want to run at a very fast pace,” Martin said. “Spread the floor and shoot a lot of threes, and I think that I am good at spacing the floor, and I think that what they want to run here offensively benefits my game in a lot of ways, and I think I fit kind of seamlessly in that way.”