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SIR JIM RATCLIFFE’S minority takeover at Manchester United was announced on Christmas Eve in 2023 – and a lot has happened at Old Trafford since…

December 2023 – Man Utd confirm Ratcliffe’s takeover on Christmas Eve, vowing to invest £245m into Old Trafford

January 2024 – Ratcliffe and right-hand man Sir Dave Brailsford photographed meeting Erik ten Hag during tour of Carrington 

January 2024 – Omar Berrada poached from Man City as new CEO 

February 2024 – Ratcliffe’s £1billion, 27.7 per cent takeover officially completed 

February 2024 – Former CEO Richard Arnold quits board as Ineos pair John Rees and Rob Nevin added

March 2024 – Ratcliffe bans words “awesome” and “lukewarm cappuccino” in bizarre move

March 2024 – Matt Johnson appointed head of women’s football

March 2024 – Ratcliffe announces plans to build “Wembley of the North” to replace Old Trafford

March 2024 – Man Utd NYSE share price drops to $13.73 on March 21 – down from $20.52 immediately after Ratcliffe takeover in December

April 2024 – Senior staff club credit cards and private cars cancelled 

April 2024 – John Murtough quits as football director 

April 2024 – Jason Wilcox appointed technical director after compensation package agreed with Southampton 

May 2024 – Ratcliffe turns Carrington “toxic” after sending email to employees slamming “disgraceful” lack of cleanliness

May 2024 – Work finally starts on leaking Old Trafford roof

May 2024 – Man Utd finish eighth in Premier League, worst-ever finish 

May 2024 – Ratcliffe gives employees just one week to decide if they want to accept redundancy 

May 2024 – Staff forced to pay for own transport to FA Cup final and only given one ticket

May 2024 – Pre-match party and hotel for senior staff before FA Cup final axed

May 2024 – Man Utd shock rivals Man City to win FA Cup despite suggestions Erik ten Hag will be sacked regardless of result

June 2024 – Man Utd announce £50m plans to upgrade Carrington training ground 

June 2024 – Ratcliffe introduces strict “back to work” policy forcing staff to come into office

June 2024 – Ratcliffe scores own goal with comments about women’s team

July 2024 – Man Utd finally agree deal to bring in Dan Ashworth as sporting director after four months of gardening leave at Newcastle, who received £3m in compensation

July 2024 – Erik ten Hag signs shock new contract extension until 2026

July 2024 – Ruud van Nistelrooy and Rene Hake appointed assistant managers, Andreas Georgson first-team coach and Jelle ten Rouwelaar goalkeeper coach. Darren Fletcher’s role changes from technical director to first-team coach. Steve McClaren, Mitchell van der Gaag and Benni McCarthy depart.

July 2024 – Ex-Chelsea technical director Christopher Vivell joins on short-term basis as interim director of recruitment 

July 2024 – Jean-Claude Blanc added to Man Utd board  

July 2024 – Man Utd cut down number of staff on US pre-season tour to 125

July 2024 – Ratcliffe makes 250 redundancies including popular media man John Allen, historian Cliff Butler and kitman Alex Wylie

August 2024 – Man Utd splash out £199m in the summer transfer window 

August 2024 – Matchday staff lunchboxes scrapped and some forced to eat beside toilet

October 2024 – Man Utd stop paying £2m-a-year ambassador salary to Sir Alex Ferguson

October 2024 – Staff Christmas party cancelled 

October 2024 – “Back to work” policy costing Utd fortune to convert hospitality suites into temporary offices between home matches

October 2024 – Erik ten Hag sacked with club 14th in Premier League table, costing club £15m

November 2024 – Ruben Amorim appointed new Man Utd manager on deal until 2027 after stumping up £10m release clause 

November 2024 – Coach Ruud van Nistelrooy axed by new manager Ruben Amorim 

November 2024 – Man Utd chiefs locked in blame game over summer shambles including Erik ten Hag situation and transfer signings 

November 2024 – Ratcliffe reportedly set to half £40,000 budget paid to Manchester United Disabled Supporters Association

December 2024 – Ratcliffe admits “mediocre” Man Utd “still in last century” 

December 2024 – Fans protest after OAP and children concessions tickets ditched and minimum home ticket cost up to £66

December 2024 – Dan Ashworth sacked after five months as sporting director

December 2024 – £100 staff Christmas bonus ditched for £40 M&S voucher

December 2024 – Ceiling starts leaking during Ruben Amorim’s press conference after 3-0 defeat to Bournemouth

December 2024 – Reports of a mice infestation at Old Trafford as rodent droppings found in food kiosks and plush suites as food hygiene ratings drops to just two stars

December 2024 – SunSport reveals Ratcliffe cuts £40,000 funding donation to Association of Former Manchester United Players charity

JACK Osbourne has revealed the touching way tributes left by Ozzy’s fans will be saved, with flowers to be buried at his final resting place.

The late rock legend’s son shared a heartwarming clip to Instagram and explained how hand-written letters, memorabilia, and merch are being “carefully preserved”.

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They were left at the Black Sabbath Bridge after news of Ozzy’s death broke and during his funeral procession through Birmingham last week.

Jack told how every item will be recorded on a digital database and given to the Osbourne family.

A video showed all the tributes laid out in rows, being photographed and logged.

“Here’s how tributes for Ozzy Osbourne are being carefully preserved by Central BID,” read the caption.

“All items from the Black Sabbath Bridge and Navigation St Mural have now been moved to a secure location.

“Every piece is being laid out individually, catalogued and treated with care.

“Our team has been working to respectfully sort the items ensuring they’re preserved in the best possible condition.

“We will be working to create a digital record of every tribute over the next few weeks to be sent to Ozzy’s family.

“The flowers are being mulched and bagged, with the compost to be included at Ozzy’s final resting place.

“Thank you for all of your tributes.”

One emotional fan penned: “Such a beautiful way to respect us fans and allow the family to see how much your Dad was adored.”

Another wrote: “Imagine all the different stories in those letters and cards from people old and young, all over the world all being bought together by one person who had an impact on their lives in some way.”

“That is so awesome, Ozzy touched so many people all over the world. What a wonderful way to acknowledge his fans,” shared a third.

Someone else agreed: “This is amazing and show just how much you loved your dad and also respected his fans. You should all be proud of what you did for his legacy.”

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“Wow and wow what an awesome tribute to your dad. God bless you Jack and your family,” added a fifth.

It comes after Jack paid an emotional tribute to his dad and told how his heart has “hurt too much” to speak out.

Ozzy’s youngest son shared a short video compilation of clips and photographs of himself and his father.

The 39-year-old was seen supporting his mum Sharon and his sisters Kelly, 40, and Aimee, 41, at their dad’s funeral.

He appeared on the American reality TV show The Osbournes as a child alongside his father, sisters and mother.

Jack said: “I haven’t really wanted to post anything since the passing of my father.

“My heart has hurt too much. I’m gonna keep this short because he certainly hated long rambling speeches.

“He was so many things to so many people, but I was so lucky and blessed to be a part of a very small group that got to call him Dad.

“My heart is full of so much sadness and sorrow, but also so much love and gratitude.

“I got 14,501 days with that man and I know that is such a blessing. I think this quote best describes my father.”

The tribute was followed by a quote from Hunter S. Thompson, known for writing Fear and Loathing in Las Vegas.

It reads: “Life should not be a journey to the grave with the intention of arriving safely in a pretty and well-preserved body… but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming, ‘Wow! What a ride!'”

Jack went on to say that the quote from the American author summed up his dad, adding “he lived his life fully.”

Meanwhile Sharon earlier revealed Ozzy’s poignant final words about his fans following his farewell Black Sabbath concert.

She told Pollstar: “It was the first time, I think, that anybody’s gone into retirement and done it, where the show is streamed and it goes to charity.

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“So it’s the first time anybody has said goodnight like that, it’s the perfect way, when you’ve had such a long career, to end it – I never wanted Ozzy to just disappear without some big event.

“He [Ozzy] turned around and he said to me that night, he said, ‘I had no idea that so many people liked me’.”

Last Thursday, an “incredibly emotional” funeral service was held for the rocker, a family friend told The Sun.

The family home was decorated with pictures of Ozzy, and mourners were given a photograph of him to take home.

The singer’s nearest and dearest attended, joining his wife Sharon and his children Jack, Kelly, Aimee, and Louis, his son from his first marriage to Thelma Riley.

His official death certificate lists ‘acute myocardial infarction’ and ‘out of hospital cardiac arrest’ under the cause of death section.

It also listed coronary artery disease and Parkinson’s disease with autonomic dysfunction as “joint causes” of Ozzy’s death.

The document described his occupation as a “rock legend, songwriter and performer” in a heart-warming nod towards Ozzy.

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An 18-year-old man has been arrested after the sex toy he allegedly threw during a WNBA game in Phoenix hit a man and possibly a young girl sitting in front of him.

It is one of at least five recent incidents of such objects being thrown by fans at a WNBA game and the second so far to result in an arrest.

Waddell, Ariz., resident Kaden Lopez was booked on suspicion of one felony count for public display of obscene materials and two misdemeanor counts for assault and disorderly conduct. He appeared in court Wednesday and was released on his own recognizance, with his next court appearance scheduled for Aug. 21.

According to a probable cause statement filed by the arresting officer from the Phoenix Police Dept. and viewed by The Times, Lopez was attending the Mercury’s game against the Connecticut Sun at PHX Arena on Tuesday when he “threw a green dildo towards the seats in front of him.”

The statement initially indicates that the object allegedly struck an “adult male victim as well as the victims 9 year old niece.” The document later states that the “male victim” told officers that the object hit him on the back and “then fell to the ground next to them.”

Lopez then attempted to leave the arena, the statement reads, but an arena volunteer who witnessed the alleged incident followed him, tackled him and waited for authorities to arrive.

According to the statement, Lopez told the arresting officers that he bought the toy the previous day to take with him to the game but had not intended for it to “hit anyone” or “fall next to a child.”

“Lopez stated he was very sorry, that it was just a stupid prank that was trending on social media,” the statement added.

The trend of throwing sex toys — seemingly always colored green — at WNBA games appears to have started July 29, when one of the objects was tossed onto the court while the Golden State Valkyries played the Atlanta Dream at Gateway Center Arena. The WNBA announced Saturday that “the subject involved in the incident in Atlanta has been arrested.”

According to an ESPN report, 23-year-old Delbert Carver was arrested on Saturday by College Park, Ga., police in connection with that incident. Carver allegedly told police that the stunt was meant as a joke to go viral.

Court records show that Carver faces counts of criminal trespass, disorderly conduct and public indecency. He was released on bond for an undisclosed amount on Sunday and was scheduled to appear in court the following day.

On Aug. 1, a sex toy was tossed under the basket during a game between the Valkyries and the Chicago Sky. Then, during the Sparks’ win over the Indiana Fever at Crypto.com Arena on Tuesday, another such object landed in the paint near Fever guard Sophie Cunningham with 2:05 remaining in the first half.

A fan video also appears to show one of the objects being thrown toward the court and nearly hitting a child while the Dallas Wings played the New York Liberty at Barclays Center on Tuesday.

According to a USA Today report Thursday, a cryptocurrency group is claiming responsibility for some of the incidents, although it says neither Lopez nor Carver is affiliated with the group. The “pranks” are part of a protest against the “toxic” environment in the crypto world, according to the report, and more such stunts have allegedly been planned.

The WNBA declined to comment for this article and instead referred The Times to a statement it released Saturday.

“The safety and well-being of everyone in our arenas is a top priority for our league,” the league stated. “Objects of any kind thrown onto the court or in the seating area can pose a safety risk for players, game officials, and fans. In line with WNBA Arena Security Standards, any fan who intentionally throws an object onto the court will be immediately ejected and face a minimum one-year ban in addition to being subject to arrest and prosecution by local authorities.”

MANCHESTER UNITED are so desperate for a new midfielder that one fan has launched a GoFundMe to raise money to sign Carlos Baleba.

United have reportedly made contact with Brighton to explore a potential deal for Baleba though it will prove difficult.

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Brighton could potentially ask for as much as £100m for Baleba, who still has three years remaining on his contract.

Other Cameroonian reports have suggested Amex chiefs want £87m on the table to even consider opening talks over Baleba.

The 21-year-old enjoyed an impressive season for the Seagulls, featuring 34 times in the Premier League and scoring three goals for Fabian Hurzeler‘s side.

According to The Athletic, the Red Devils have expressed their interest in the central midfielder.

And, while United may be struggling for money as they flirt with PSR amid the arrivals of Matheus Cunha and Bryan Mbeumo for £133m combined, one fan has taken things into his own hands to try and raise some cash.

Supporter Ian M organised the fundraiser on Wednesday night, titled Baleba to ‘Man Utd fund’.

Alongside a picture of Baleba in a Brighton shirt, the description reads: “We need this to happen we need this to happen we need this to happen we need this to happen.”

The post set an ambitious target of raising 120million.

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BEST ONLINE CASINOS – TOP SITES IN THE UK

At the time of writing, there has been one £5 donation from an anonymous user.

United will need all the help they can get ahead of the pending £74million arrival RB Leipzig striker Benjamin Sesko.

Although a No9 is a clear must, many fans think new midfielder is an even bigger priority.

United are on the hunt for a dynamic midfielder to go in Ruben Amorim’s 3-4-3 pivot after unconvincing displays by Manuel Ugarte in pre-season, with his display against Everton facing scrutiny.

Baleba was one of the Premier League’s top ranked midfielders last season for tackles, blocks, interceptions and recoveries, while his progressive carries and forward passing numbers were also impressive.

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His stock is rising fast, and he’s already been linked with Liverpool and Manchester City.

The Brighton star’s journey is nothing short of remarkable so far. Just three years ago, he was still in Cameroon, uncertain about his future. 

When he finally got his breakthrough move to Lille, tragedy struck, he lost his mother, he says it was sudden and quick. It’s a pain that still drives him.

Baleba previously told SunSport: “It was very difficult for me because I didn’t see my mum. I wanted her next to me, but when I signed for Brighton, she wasn’t here.

“That’s why the first season was really hard. I thought about her a lot. But I vowed that I would be the best version of myself and go as far as I can in my career.”

Brighton have made an incredible profit off the traditional ‘Big Six’ in recent years.

A switch to United would see Baleba follow in the footsteps of midfield stars like Alexis Mac Allister, Yves Bissouma, and Moises Caicedo – who all left the Amex for Prem giants.

The Indiana Fever arrived in Los Angeles draped in momentum: Five straight wins, a knack for winning without Caitlin Clark and betting lines tilting their way. Their tear was proof they could keep pace even with their franchise centerpiece in street clothes.

But another storyline might’ve been tucked beneath Indiana’s.

The Sparks had ripped off six wins in their previous seven outings, probably fueled by the rare luxury of having every piece of their roster back for the first time in more than a year. And by night’s end at Crypto.com Arena, they had won seven of eight, the Sparks grinding out a 100-91 victory.

“Tonight was a great step in the right direction,” guard Kelsey Plum said. “That’s an incredible team, and they’re as hot as anyone. … They got everything it takes to make a run for a championship. So for us to come out and have that level of intensity, I was really proud.”

Sidelined since July 15 with a right groin injury, Clark never touched the hardwood Tuesday. But her presence was impossible to miss.

About an hour before tip‑off, Clark entered the arena to a wave of shrieks. Fans crammed shoulder‑to‑shoulder against the banisters and barricades, stretching jerseys, bobbleheads and posters toward her for autographs. But once the ball went up, Clark left her imprint not in ink but as an assistant coach to her Fever squad.

For all of Clark’s fire from the bench, the Sparks (13-15) seized on her absence to wrest control from one of the league’s hottest teams and move closer to a playoff berth.

“We’ve got enough pieces and talents to make a playoff run,” Sparks coach Lynne Roberts said. “We just got to keep our foot on the gas. As I always say, we didn’t come into the season saying we wanted to beat Indiana at home. We came in the season saying we want to make the playoffs.”

Roberts, who has spent much of the season juggling lineups amid injuries and roster turnover, can finally exhale, with a healthy starting five, Cameron Brink back in uniform and a bench ready to contribute.

With stable rotations came steady results. Plum set the night’s tempo, piling up 25 points and 11 assists. Around her, the Sparks’ scoring core — Rickea Jackson matching with 25, Dearica Hamby dropping 16 and Azurá Stevens racking up 19 — kept the scoreboard humming. Julie Allemand steered the offense in sync, dishing out seven assists to go with five points and eight rebounds.

We all in this room know she [Plum] can go for 40,” Roberts said, “but she wants to win more than go for 30. And if going for 40 is what it takes to win, then she’ll do it. But tonight, she gained so much attention from the other team’s scouting report — as she should — but she’s … trying to win.”

Midway through the first quarter, Brink checked in, snagged a couple of boards, and promptly stuffed a shot by 6‑foot‑2 Natasha Howard for the first of five rejections on the night.

“We’re just getting that chemistry on and off the court,” Jackson said. “But when we’re playing like that and feeding off each other’s energy, that’s fine, and that’s when we’re going on our runs, and that’s when we’re not flinching because we trust each other that much.”

After Rae Burrell spun in an acrobatic layup to put the Sparks ahead 32‑30, they never loosened their grip, stretching the lead to 90‑68 midway through the third quarter. But Aari McDonald and Kelsey Mitchell sparked a 21‑5 run that, suddenly, had the game uncomfortably tight with under two minutes remaining.

But in a building where wins have been scarce, the Sparks clutched this one tight and handed it back to the L.A. faithful.

Sex toy tossed on court

A sex toy landed near Indiana’s Sophie Cunningham after it was thrown from the stands.

The incident occurred with 2:05 left in the second quarter, with the object landing in the lane near Cunningham, who had been vocal on social media admonishing fans for throwing sex toys on the court during other games. The Fever forward jumped back in surprise and then Plum kicked it into the stands.

“I think its ridiculous, it’s dumb, it’s stupid,” Roberts said. “It’s also dangerous and players’ safety is number one. Respecting the game. All those things. I think it’s really stupid.”

Plum added that she thought both teams did a great job “playing on, don’t give it any attention. The refs too, I really appreciate them too, was just like hey let’s go.”

Cunningham walked over to the Sparks bench and was laughing about it.

The Associated Press contributed to this report.

A neon green sex toy was thrown from the stands and landed on the court during the second quarter of Tuesday night’s Sparks win over the Indiana Fever at Crypto.com Arena.

With 2:05 remaining in the first half, the sex toy landed in the paint near Fever guard Sophie Cunningham, who recoiled before Sparks guard Kelsey Plum kicked the object off the hardwood.

Spectators at Crypto.com Arena responded with boos, many turning toward the sections behind the basket closest to the Sparks bench where the sex toy appeared to have been thrown from. Security rushed into the stands in an apparent attempt to identify who was responsible.

“I think it’s ridiculous, it’s dumb, it’s stupid,” Sparks coach Lynne Roberts said. “It’s also dangerous and players’ safety is number one. Respecting the game. All those things. I think it’s really stupid.”

Cunningham, who was seen laughing as she walked toward the Sparks’ bench after the sex toy landed, had previously expressed concern about the trend on social media, saying that it’s “going to hurt one of us.” After Tuesday’s game, she shared that X post with the caption: “this did NOT age well.”

The game continued without interruption, but the incident added to a growing list of cases where fans have thrown inappropriate objects toward the court during WNBA games.

“We did a great job, Indiana included, just playing it off,” Plum said. “Just don’t give it any attention. And the refs — I appreciated them too — just like, ‘Hey, let’s go.’ ”

Tuesday’s incident in Los Angeles was at least the fourth time in less than two weeks that a sex toy has been thrown toward the court during a league game. On Friday in Chicago, a sex toy was tossed under the basket during a play that was stopped. On July 30, a green sex toy landed near the court and bounced forward during a Dream game in Atlanta — an incident that resulted in a fan’s arrest and one-year ban from WNBA arenas.

A fan posted on social media that a green sex toy was tossed toward the court during the Dallas Wings at New York Liberty game Tuesday night, landing in the stands and nearly hitting a child. A similar incident has been reported in Phoenix, where the toy did not reach the court.

The WNBA released a statement emphasizing that throwing objects into the court area is a violation of league policy and local laws.

“The safety and well-being of everyone in our arenas is a top priority for our league. Objects of any kind thrown onto the court or in the seating area can pose a safety risk for players, game officials, and fans,” the league statement read. “In line with WNBA Arena Security Standards, any fan who intentionally throws an object onto the court will be immediately ejected and face a minimum one-year ban in addition to being subject to arrest and prosecution by local authorities.”

On Tuesday, no announcement was made indicating whether the individual who threw the sex toy at Crypto.com Arena was located or ejected.

The NFL has reached a deal to take a 10% ownership stake in the Walt Disney Co.’s ESPN, the league and Disney announced Tuesday evening, a move that is expected to solidify the sports media outlet’s relationship with the league for years to come.

In return for the equity stake valued at more than $2 billion based on recent valuations of the company, ESPN will take over the NFL’s cable properties including the NFL Network and Red Zone, the popular channel that continuously updates fans on the slate of Sunday contests. The NFL Network also has the rights to seven regular season games.

In addition to the sale of NFL Network, the NFL and ESPN are also entering into a second non-binding agreement, under which the NFL will license to ESPN certain NFL content and other intellectual property to be used by NFL Network and other assets.

The deal is a big win for ESPN Chairman Jimmy Pitaro, who took over the Disney unit in 2018 with a mandate to improve the company’s relationship with the NFL.

The equity stake comes ahead of ESPN’s move into the direct-to-consumer streaming business this fall, which gives consumers the opportunity to purchase the company’s sports channels without a cable or satellite TV subscription. NFL Network will also be available on the streaming service.

“This is an exciting day for sports fans,” Pitaro said Tuesday in a statement. “By combining these NFL media assets with ESPN’s reach and innovation, we’re creating a premier destination for football fans. Together, ESPN and the NFL are redefining how fans engage with the game — anytime, anywhere. This deal helps fuel ESPN’s digital future, laying the foundation for an even more robust offering as we prepare to launch our new direct-to-consumer service.”

The new product is aimed at recapturing sports fans who are forgoing cable and satellite services. ESPN has seen its reach in cable decline from 98 million homes in 2013 to around 72 million as a result of cord-cutting.

“Today’s announcement paves the way for the world’s leading sports media brand and America’s most popular sport to deliver an even more compelling experience for NFL fans, in a way that only ESPN and Disney can,” Disney Chief Executive Bob Iger said in a statement.

ESPN has the broadcast rights to “Monday Night Football” and two Super Bowl games in the current NFL contract that runs through 2033 but is expected to be reopened in 2029.

The deal with Disney means the NFL’s other partners — Fox, NBC, CBS, YouTube and Amazon — will be bidding against an entity that the league has a financial interest in next time the media rights come up.

Lachlan Murdoch, executive chairman of Fox Corp., told Wall Street analysts Tuesday he is not concerned the NFL’s partnership with ESPN will impact his network’s standing with the league.

“We have a tremendous relationship with the NFL,” Murdoch said. “We appreciate that they are fans of the broadcast and cable networks, and we look forward to working with them and deepening our relationship with them as we move forward.”

Israel international Shon Weissman was expected to complete move from Spain’s Granada to Germany’s Fortuna Dusseldorf.

Bundesliga 2 side Fortuna Dusseldorf has pulled out of signing Israel striker Shon Weissman in response to fan anger about his social media posts on the Gaza war, German tabloid Bild has reported.

Fan furore erupted online on Monday when news emerged that Weissman was on the cusp of joining Dusseldorf from Spanish side Granada FC.

On Tuesday, the club tweeted: “We looked into Shon Weissman intensively, but ultimately decided not to sign him”.

The club did not reveal the reasons for the decision, but Bild reported the club reacted to fan anger about social media statements from Weissman, who was already in Dusseldorf and had completed a medical exam.

The centre forward, who has 33 Israel caps, made several social media posts after the October 7, 2023 Hamas attack on Israel that set off the Gaza war.

Bild reported that Weissman called for Israel to “wipe Gaza off the map” and to “drop 200 tons of bombs on it”.

The 29-year-old had also liked posts saying “there are no innocents [in Gaza], they don’t need to be warned”.

Weissman, who deleted the posts soon after making them, has since said he made a mistake and was acting in the heat of the moment.

Dusseldorf fans launched an online petition on Monday saying Weissman’s “disrespectful and discriminatory” comments are in stark contrast to the principles Fortuna “stand for and try to promote”.

Weissman has already been the subject of fan protests in Granada, a side he joined in January 2023.

Bild reported that Dusseldorf and Weissman had planned to issue an apology statement for the posts, which was to be made public after the signing was made official.

After 22 months of combat in Gaza sparked by the October 7, 2023 attacks by Hamas that killed 1,219 people and saw hundreds kidnapped, the Israeli army has devastated large parts of the Palestinian territory.

More than 60,933 Palestinians have been killed, according to figures from Gaza’s Ministry of Health, and humanitarian agencies have warned that the territory’s 2.4 million people are slipping into a catastrophic famine.

Germany, as it has sought to atone for the Holocaust, has long been a steadfast supporter of Israel, but concern has risen sharply over the humanitarian crisis in Gaza.

The war has previously made an impact in professional football in Germany.

In 2023, Bundesliga side Mainz decided to sack player Anwar El Ghazi for statements made on social media about the conflict.

El Ghazi, a Dutch international with Moroccan roots, won a wrongful dismissal case in a German court against the club, who have since appealed.

Former Bayern Munich defender Noussair Mazraoui, now with Manchester United, apologised publicly after making several social media posts on the conflict, including one which called for “victory” for “our oppressed brothers in Palestine”.

German football fans are heavily involved in major decisions, from signing players to setting fixtures, due to the so-called 50+1 regulation, which requires club members to retain overall control of professional football sides.

OLIVIA Attwood has responded after a fan begged her to make a return to I’m a Celebrity – two years after being forced to pull out. 

The This Morning presenter, 34, was devastated when concerns over her health in 2022 meant she had to leave the I’m a Celebrity jungle after just 48 hours. 

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Since then, Olivia has always insisted that she will finish what she started Down Under. 

But it seems she’s had a change of heart. 

During an Instagram Q&A, one fan begged Olivia: “Plz do the jungle.” 

She replied: “Oh hunny noooooo.”

Olivia recently opened up about her jungle exit during an appearance on the Staying Relevant podcast with Pete Wicks and Sam Thompson.

Speaking about her early departure, she said: “That is the worst thing that’s happened to me in this industry.

“I really wanted the jungle.

“It was a big c**k up on so many levels. [It was a] medical thing essentially.”

Olivia added: “I tried to fight them on it because I felt like I was fine.”

The Love Island legend told Pete how ITV had “left the door open” for a jungle return one day.

It’s no surprise Olivia hasn’t got time for I’m a Celebrity right now, after being revealed as the newest This Morning presenter.

The Loose Women panellist made her debut last month, co-hosting the show alongside Dermot O’Leary.

AN OASIS fan says she slipped over just yards from where a man plunged to his death at the reunion concert.

The man – aged in his 40s – was understood to be sitting in the upper tier of the stadium when he plunged to his death at Wembley on Saturday night.

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The highest stands in the 90,000-seat venue are some 170ft above the ground.

Police and paramedics attended to the man but he was pronounced dead at the scene.

The Gallagher brothers said they were “shocked and saddened” to hear about the fan’s death.

Now, other fans have blasted the “deathtrap” Wembley stadium, calling for the venue to be “held accountable”.

Gig-goers who danced the night away to Wonderwall say they were forced to hobble along low railings with a steep drop and a “lethal” slippery floor that was “like an ice rink.”

Some are labelling it “horrendous” given “the amount of money they’ve spent on this new Wembley”.

Jade, 31, from Essex, was at the gig and stumbled in a domino effect of falling fans, suffering minor injuries.

A man a few rows up from her fell down, tumbling into her and knocking her down too.

“The floor was slippery from loads of spilled drinks,” she told The Sun.

“My bag got soaked. Everyone in the seated section was jumping and dancing and way drunker than other concerts.”

She fell onto the row in front of her about halfway through the concert, and people helped her up.

“I just got up and carried on. But today I have a dodgy ankle, a few bruises and hurt knees.”

“People were absolutely w***ered,” recalled another on Reddit.

“A bloke near us collapsed, tumbled over a couple of seats and had to be evacuated by the medics – everywhere you looked people were out of their minds.

“It occurred to me that all it would take is one wrong step up there and you’d be a goner.”

One fan said on Facebook: “You’d think a modern venue like Wembley would have sufficient guards for this kind of thing.”

“The top tier is bloody steep. It’s dreadful the barrier is so low,” added another on Facebook.

Not everyone agrees that the stadium is to blame.

One fan said on a fan group: “18 years worth of events, most with 90,000 people attending, and never an incident like it. It’s a tragic accident, and blaming it on the venue or security is ridiculous.”

An eyewitness to the fatal fall wrote on Facebook: “He fell from the top tier into our block. My friend’s daughter did CPR until the paramedics arrived.”

Another shaken onlooker, who was sitting just three seats away, recalled: “Hearing the bang and seeing the aftermath was just something that will stay with you forever.”

“The atmosphere was incredible,” commented a third on Facebook.

“We were nearing the end of the concert, when in the middle of Wonderwall, he fell right in front of us, a few metres away.

“It was very shocking and we left Wembley very upset.”

Oasis released a statement about the man, saying that they are “shocked and saddened to hear of the tragic death of a fan at the show last night.

“Oasis would like to extend our sincere condolences to the family and friends of the person involved.”

Before singing Live Forever on Sunday, Liam Gallagher appeared to pay his respects to the late fan.

He said: “This one’s for all the people who can’t be here tonight, but who are here if you know what I mean, and aren’t they looking lovely.”

But Liam has used that line before singing that hit song on the other tour dates.

In the gig after Ozzy Osborne passed away, the Britpop duo paid tribute by displaying an image of the Black Sabbath singer on stage during Live Forever, then dedicated Rock ‘n’ Roll Star, to Ozzy.

In a statement on Sunday, the Metropolitan Police confirmed a man in his 40s was pronounced dead at the scene after sustaining “injuries consistent with a fall”.

A Wembley Stadium spokesperson said: “Last night, Wembley Stadium medics, the London Ambulance Service and the police attended to a concert goer who was found with injuries consistent with a fall.

“Despite their efforts, the fan very sadly died.

“Our thoughts go out to his family, who have been informed and are being supported by specially trained police officers.

“The Police have asked anyone who witnessed the incident to contact them.

“Tonight’s Oasis concert will go ahead as planned.”

Saturday’s gig was the fourth of seven London shows on Oasis’ blockbuster reunion tour.

The band crashed ticket sites when they announced they were making a comeback last year – as more than 14 million fans tried to secure a seat at the highly-anticipated gigs.

Last month Liam and Noel reunited on stage in Cardiff for the first time since a backstage bust-up broke up the band 16 years ago.

The Britpop icons returned to their hometown of Manchester for five dates in July.

They performed a 23-song setlist of classic hits, including Wonderwall, Don’t Look Back in Anger and Live Forever to a roaring crowd of 80,000 people at Heaton Park.

They will head to America later this month before returning to London for two more gigs in September.

Wembley Stadium said in a statement to The Sun: “Wembley Stadium operates to a very high health and safety standard, fully meeting legal requirements for the safety of spectators and staff, and is certified to and compliant with the ISO 45001 standard.

“We work very closely and collaboratively with all relevant event delivery stakeholders – including event owners, local authorities, the Sports Ground Safety Authority and the police – to deliver events to high standards of safety, security and service for everyone attending or working in the venue.”

4

Dave Edmunds suffered a “major cardiac arrest” and faces a “very long journey” to recovery, according to his wife, who detailed the Welsh musician’s health struggles in a Facebook post.

Best known perhaps for his 1970 hit “I Hear You Knocking,” Edmunds — who also formed the band Rockpile with Nick Lowe — “died in my arms while I desperately tried to keep him alive,” Cici Edmunds wrote in the July 29 post, before doctors revived him “by a miracle.” Dave Edmunds, 81, “very clearly has brain damage and severe memory loss” after the ordeal, Cici Edmunds wrote, and he faces the high risk of another cardiac arrest.

“And if that occurs there is no chance for Dave,” Cici Edmunds added.

Dave Edmunds topped the U.K. pop singles chart for six weeks in 1970 with his rendition of “I Hear You Knocking,” which the R&B singer Smiley Lewis originally popularized in the mid-1950s. Among Edmunds’ other solo hits are “Girls Talk” (written by Elvis Costello), “Born to Be with You” and a cover of the Ronettes’ “Baby, I Love You.” He formed Rockpile in 1976 and later produced records by the Stray Cats and the Fabulous Thunderbirds, among other acts. He also toured as a member of Ringo Starr’s All-Starr Band.

In her Facebook post, Cici Edmunds thanked her husband’s fans “for your support and well wishes” and said they have made “this tremendously difficult journey a little easier.”

It felt like 2022 all over again when Josh Gad took to Instagram to express his heartbreak about contracting a “virus known as COVID” and announce his decision to pull out of playing King Herod in the highly anticipated production of “Jesus Christ Superstar” at the Hollywood Bowl, which staged its first night of a three-night run Friday.

Gad hinted that maybe — if he tested negative — the situation might change. The following day, however, John Stamos announced on social media that his weekend “just got biblical” and that he was stepping in for Gad in the show.

On Friday, things got extra dramatic when Gad said that he had tested negative. Fans on his social media clamored to know what that might mean, but he stayed mum until Saturday when he posted a photo of himself in an elaborate gold lamé costume with the words, “See you all Sunday night.”

A rep for the Los Angeles Philharmonic said that final confirmation that Gad will step onto stage won’t come until noon Sunday.

Stamos appeared onstage as Herod on Friday night, bringing some comic relief to an electric, deeply emotional show.

After one of star Cynthia Erivo’s solos, the audience clapped so loud, long and reverently, that tears came to the singer’s eyes — which only caused the crowd to cheer harder. The moment of symbiotic love lasted for at least 3 minutes, maybe more.

The Bowl was packed with marquee names, including former Second Gentleman Doug Emhoff, Jim Carrey and Ted Neely (who played Jesus in the 1973 film adaptation of the musical). Erivo brought composer Andrew Lloyd Webber onto the stage as a special guest during curtain call.

Still, Gad fans were many — you could tell because they held Olaf dolls and wore Olaf jewelry — and they could be heard expressing their sorrow at the absence of Gad in the crush of the crowd after the show.

Gad’s addition to the cast, which included Erivo as Jesus, Adam Lambert as Judas and Phillipa Soo as Mary Magdalene, was hailed by fans; and in an interview with The Times during rehearsal, Gad spoke about being beyond excited to perform at the Bowl for the very first time with a stellar cast that he called the Avengers of musical theater.

“I’ve wanted to play the Hollywood Bowl forever,” said Gad. “But I never thought I was good enough to play the Hollywood Bowl,” he added with a self-deprecating smile

Even though the role of King Herod entails a single song — a kind of comic interlude that Gad likened to the part of King George in “Hamilton” — Gad showed up at as many rehearsals as possible before he came down with COVID. He just liked sitting on the sidelines, soaking up the scene and the incredible talent on display, he said.

At a Saturday rehearsal before the show, he filmed numbers on phones for various cast members and cheered his heart out. His sense of excitement was palpable. Now he’ll get one night to give “King Herod’s Song” his all.

Shakira Austin didn’t realize how important fashion would become when she entered the WNBA in 2022.

Her introduction to game-day tunnel fashion began at the University of Mississippi in 2020.

“My school started doing their own tunnel fits,” she said. “It was cute, but I definitely didn’t know [the WNBA tunnel walk was] as popping and as big as it is now.”

During the last few years, college and WNBA social media teams have photographed players walking into arenas and to their locker rooms on game day. Tunnel walk fashion now quickly spreads on social media on game days.

The Chicago Sky’s Angel Reese poses on the orange carpet during WNBA All Star Game week in Indianapolis.

(Darron Cummings / Associated Press)

What started as a social media trend that fans enjoyed has become a high-profile chance for WNBA players to show off their personal style and potentially land endorsement deals. A Vogue article published last season declared that “The WNBA Tunnel Is Officially a Fashion Destination.”

Austin has adapted to the spotlight and says she enjoys expressing herself through clothing.

“It gives a little bit of a model essence,” Austin said. “You go through, you pick out your fit for the day, and all cameras are on you, so it’s definitely a nice little highlight off the court before you start to lock in for the game.”

Now in her fourth year with the Washington Mystics, Austin’s sense of style is fully her own.

Without much styling advice from teammates as a rookie, she leaned on her passion for creativity and beauty to guide her looks.

“I’ve just always liked to express myself through beauty — from either masculine or feminine looks,” she said.

At 6 foot 5, Austin has had to work with limited clothing options.

“Being that I am a tall girl, it’s kind of hard to find clothes, so repeating stuff is a big deal for me,” she said. “Also, just making [the outfit] a different vibe each time.”

The Dallas Wings’ Paige Bueckers poses on the orange carpet during a WNBA All-Star Game event in Indianapolis.

(Darron Cummings / Associated Press)

Connecticut Sun center Olivia Nelson-Ododa didn’t get comfortable until she partnered with stylist Kristine Anigwe, a former WNBA player and owner of KA Creative Consulting.

“Figuring out, ‘OK, this is my style, this is what I actually like and enjoy wearing. How can I put it together in something that is comfortable and makes me feel confident?’” Nelson-Ododa said.

She describes being a “serial pieces repeater,” choosing to mix and match rather than follow trends.

“Honestly, it’s fashion, there’s like no rules to it.”

Off the court, fashion is now a way for her to show different sides of herself beyond her basketball identity.

“We already have an amazing job like this, and being able to add on by showing ourselves in a different light is super fun,” she said.

Although she doesn’t have the biggest interest in fashion, Sparks center Azura Stevens has seen tunnel fashion evolve into something much bigger.

The Sparks’ Rickea Jackson poses on the orange carpet during a WNBA All-Star Game event in Indianapolis.

(Darron Cummings / Associated Press)

“It’s cool to put together different fits, kind of show your personality through style,” she said. “I am kind of used to it now — it’s just a part of the game-day routine.”

During her time in the league, fashion has become a natural part of the culture.

“It has become a really big thing for it to be like runways almost before the game. It’s a part of the culture now of the [league],” she said.

Stevens’ teammate, veteran forward Dearica Hamby, has had a career full of fashion transitions since she entered the league in 2015 when fashion wasn’t a major part of the WNBA culture.

“Mine has changed over the course of the years,” she said. “For me, I’m sometimes business-like, but overall just really well put together.”

Hamby credits her time with the Las Vegas Aces as the moment she saw the shift.

“I kind of feel like my time in Vegas is when it really took off. We had a really talented photographer who was able to capture our fits,” she said.

Hamby is still learning what works best for her style. One thing she’s noticed: how an outfit looks in a photo matters.

“Sometimes things don’t photograph well, and that’s what I am starting to learn,” she said. “It could look good in person, but it doesn’t necessarily photograph well, so you wanna wear things that are cut and crisp.”

As tunnel walk content grows on social media, so can critiques of players and their outfit choices.

“I’ve definitely gotten flamed before for certain outfits,” Nelson-Ododa said. “Some people are not fans and some people are fans. I really don’t care, as long as it feels good on me, I’m fine.”

“You definitely know that eyes are going to see, and you’re going to be talked about — whether it’s a positive view or negative view,” Hamby said.

What matters most to Hamby is the feeling behind the fit: “Just remind yourself that if you feel good and you feel like you look good in it, that’s all that matters.”

In the slang, “mid” means disappointingly mediocre, forgettable, uninspiring. On TikTok, a classic rant starts: “It’s called the Midwest because everything in it is mid! Skyline Chili? Mid! Your Cincinnati Reds, who haven’t won a World Series since 1990? M-M-M-Mid!!!”

Today, the Reds are five games over .500, and one of four teams that appear to be competing for the three National League wild-card spots. They added a starting pitcher, an elite defensive third baseman and a veteran utilityman batting .298 ahead of Thursday’s trade deadline.

The Angels are mid.

They are three games under .500, four games out in the American League wild-card race, with four teams to pass, hoping to end baseball’s longest playoff drought at 10 years.

The Seattle Mariners, tied with the Texas Rangers for the final wild-card spot, traded for middle-of-the-lineup corner infielders in third baseman Eugenio Suárez and first baseman Josh Naylor. The Rangers acquired Merrill Kelly to supplement Jacob deGrom and Nathan Eovaldi atop the starting rotation.

The Angels made two trades, picking up two veteran setup men and an infielder batting .152 for three lightly regarded minor leaguers.

Why lightly bolster a team with a 1.3% chance of making the playoffs, as projected by Baseball Prospectus before Thursday’s trades, when you could start building the 2026 roster in the many areas needing improvement?

“Giving them a chance to play this thing out, relative to what was presented [in trade talks], made a lot of sense,” Angels general manager Perry Minasian said.

In large part, he said, this was about the young players.

“The development of our core is obviously very, very, very important,” Minasian said. “Being competitive in August and September is really, really important for this group, not only for the now but for the future — playing meaningful games, understanding there is an expectation to win, showing up to the ballpark every day feeling like you have a chance to win over a six-month period.

“It’s hard to quantify, but I felt like it was very important for this group to go through that, to see what playing in August demands, what playing in September is like.”

Does he see the 2025 Angels playing meaningful games in October?

“I don’t make predictions,” he said.

Beyond shortstop Zach Neto, no one on the Angels’ current roster was likely to command an elite prospect in return.

Yet the Angels could have traded soon-to-be free agents such as pitchers Kenley Jansen and Tyler Anderson, or infielders Yoan Moncada and Luis Rengifo, to fill 2026 needs: a back-end starter, bullpen help, a utility infielder, a defense-first outfielder, upper-level depth in the minor leagues.

Maybe Oswald Peraza, the once-hyped New York Yankees prospect with the .152 average, starts at third base next year, or secures that utility job. Minasian called him “a classic change-of-scenery guy.”

To get him, however, the Angels surrendered $73,766 in international bonus pool money that could have been better used to sign Latin American prospects. Minasian said the Angels had used what they needed of their $6,261,600 pool they needed this year — and the better prospects cost much more than $73,766 — but they cannot afford to close any avenues for talent acquisition.

In 2021, the Angels drafted all pitchers and failed to get a collective 1.0 WAR out of them. The Dodgers basically did the same thing: 20 picks, 18 pitchers, same under-1 WAR, although they have gotten some big moments from Ben Casparius, Emmet Sheehan and Justin Wrobleski.

But the Dodgers spend whatever they need, and then some, on deep and talented rosters of players, coaches and executives, and on player development and player acquisition.

It’s not all about money. It’s about creativity too. The Dodgers inserted themselves into a three-team trade Wednesday to bolster their farm system by trading a surplus minor league catcher for two minor league pitchers. The Dodgers last year inserted themselves into another three-team trade to grab reliever Michael Kopech, then-injured Tommy Edman for a depth bat and two minor leaguers.

The last time the Angels were a party to a three-team deal, Dodgers president of baseball operations Andrew Friedman facilitated that too. The Dodgers got four players from the Miami Marlins, then swapped pitcher Andrew Heaney to the Angels for infielder Howie Kendrick. That was in 2014.

The Angels these days do not spend as much, or as well, on free agents. They do not distinguish themselves in scouting, analytics, player development or international signings.

That forces them to narrow their focus to drafting college players who race through the minor leagues. A weak draft class hurts far more in Anaheim than it does in L.A.

The Angels have their kids, but the optimism inherent in their talk of a young core obscures the fact they are about to have to pay the kids — and, money aside, they are running out of time.

Shortstop Zach Neto has emerged as a young star for the Angels, who are fighting for a wild-card playoff spot this season.

(Mark J. Terrill / Associated Press)

Neto, the lone star to emerge so far from the young core, is eligible for salary arbitration this winter. The Angels control him for only three more seasons — maybe less, if some or all of the 2027 season is lost to a collective bargaining war.

Catcher Logan O’Hoppe and pitcher José Soriano also are eligible for arbitration this winter. First baseman Nolan Schanuel is eligible next winter.

In the big picture, nothing much changed Thursday. The plan today is the same as it was in spring training: hope enough young players blossom that, when Anthony Rendon’s contract expires next fall, Minasian can persuade owner Arte Moreno that spending big on one or two players in free agency could make the difference. If playing meaningful games this August makes those young players that much better, perhaps this trade deadline was worth it.

Moreno resists rebuilding, as an advocate for fans he believes deserve to see a competitive team. No one in Orange County has to watch what something akin to what the Colorado Rockies are offering — or what the Houston Astros were offering before their ongoing run of success. Rebuilding could mean 100-loss seasons and an even greater drop in attendance; competing could mean sneaking into the playoffs with 84 victories.

The Angels could do that this year. It could work. However, it has not worked over the last decade, and in the meantime the Angels have become an unwitting poster child for a players’ union fighting against a salary cap to say, “Market size is not destiny. Look at the Angels.”

You can say the game plan is to contend every year, in the interest of the fans, but you should not try to win every year on a wing and a prayer.

Your most dedicated fans — represented by the hundreds that decorated themselves in wings and halos at Wednesday’s game, flapping their arms as angels in the outfield — were not shy about letting their feelings be known.

You could hear them loud and clear, at the game and on the television broadcast, “Sell the team!”

As Justin Timberlake bid farewell to his Forget Tomorrow world tour, he got candid with fans about his health.

The “Mirrors” and “SexyBack” pop star, 44, on Thursday revealed in a heartfelt Instagram post that he powered through his circuit of live performances as he battled a “relentlessly debilitating” bout of Lyme disease. The singer, who faced backlash for his low-energy performances in recent weeks, said in his lengthy caption that sharing his health issues was to help him “shed some light on what I’ve been up against behind the scenes.”

The Grammy-winning singer and actor went in depth about the disease’s mental and physical toll. Although he said he was “shocked” by the diagnosis, he said it provided some clarity.

“At least I could understand why I would be onstage and in a massive amount of nerve pain or, just feeling crazy fatigue or sickness,” he continued. “I was faced with a personal decision. Stop touring? Or, keep going and figure it out.”

The Mayo Clinic defines Lyme disease as an illness “caused by borrelia bacteria” that humans can get if they are bitten by an infected tick. Symptoms of Lyme disease can include joint stiffness, muscle aches and pains, fever and headache. Antibiotics are used to treat the disease.

Timberlake, amid the “fleeting stress my body was feeling,” said he opted to continue with his tour. “I’m so glad I kept going,” he said.

Pushing through with the tour, which began in April 2024 in Vancouver and ended Wednesday in Turkey, allowed Timberlake to prove his “mental tenacity,” he said. The singer said he would also work to be “more transparent about my struggles” with fans.

Throughout his tour, Timberlake faced a handful of personal and public obstacles. In October 2024, he announced the postponement of several shows to recover from bronchitis and laryngitis. That same month, he also abruptly called off a concert in Newark, N.J., because of an injury.

Notably, the former ‘NSYNC frontman carried on with his slate of shows last year after his DWI arrest in the Hamptons in June 2024. He pleaded guilty to a lesser charge of impaired driving, his driving privileges were suspended and he was sentenced in September to 25 hours of community service at a nonprofit of his choosing. He was also required to make a public safety announcement about the dangers of impaired driving.

After sharing his health update, Timberlake reminisced on his touring experience, continuing his post in his own comments section. He thanked supporters for their “energy and love” and the crew and artists who joined him on the road. Though performing live is “sacred” to the “Suit & Tie” music star, he said the status of his stage career remains unclear.

“I honestly don’t know what my future is onstage but I’ll always cherish this run! And all of them before,” he wrote. “It’s been the stuff of LEGEND for me.”

He ended his post sending love to his actor wife Jessica Biel and their two children. His caption accompanied a carousel of behind-the-scenes photos.

Former Times staff writer Nardine Saad contributed to this report.

Love Island fans were told to vote for which couple they feel are the most compatible – with those with the fewest votes being dumped from the Island – but there may be more…

It was another dramatic night in tonight’s Love Island, as Helena and Blu were dumped from the villa just days before the final. However, the final six can’t relax yet, as at least one more couple are about to be dumped in what appears to be the final dumping of the series.

Tonight, the Islanders took part in the Knowing Me, Knowing You challenge, hosted by Yas and Jamie. The Islanders were asked a series of questions, some light hearted, and some not so light hearted.

Despite a number of arguments, it was Meg and Dejon and Shakira and Harry who came out victorious. To the Islanders, this was just an innocent game – but fans think the producers have added a savage twist…

READ MORE: Love Island’s Helena breaks down in tears as she’s brutally dumped days before finalREAD MORE: Love Island favourites Yas and Jamie spark ‘split fears’ as future plans come to light

At the end of tonight’s episode, viewers were told to vote for who they thought was the most compatible, with those with the least number of votes at risks of being dumped just days before the final. However, fans aren’t certain it’s all in the publics hands…

Yas and Jamie placed in last place during tonight’s challenge, with Ty and Angel coming just above them. Now, fans think they’re already in danger with them proving themselves to know each other the least.

They also predict the dumped Islanders will be making a return to make the decision, just like previous seasons. Dumped Islander Giorgio previously ‘let slip’ that he was going back to Mallorca this week during an interview on This Morning.

Taking to X, formerly known as Twitter, one fan penned: “This is when the dumped islanders will come in. Yas and Jamie and Angel and Ty will be the most vulnerable.”

Another penned: “’I’ve got a feeling that those with the least amount right might be up to be dumped by the other islanders and if it is and the producers let Meg and Dejon cheat I don’t even know how anyone can say it’s not blatant favouritism. I’ll be raging.”

Others fear that Toni and Cach are in danger if the dumped Islanders come back. After Toni chose to couple up with Harrison over Cach, some of the former Islanders aren’t her biggest fans.

“GUYS VOTE TONI & CACH THEY WILL BE DUMPED BY RETURNING ISLANDERS!” exclaimed one fan, while another wrote: “We need more votes for Toni and Cach. I’m scared for them.”

There’s just two more episodes to go before the live final on Monday August 4, but who will come away victorious?

LOVE ISLAND CONTINUES TOMORROW NIGHT AT 9PM ON ITV2 AND ITVX

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Greg Saunier already had reasons to be wary of Spotify. The founder of the acclaimed Bay Area band Deerhoof was well acquainted with the service’s meager payouts to artists and songwriters, often estimated around $3 per thousand streams. He was unnerved by the service’s splashy pivots into AI and podcasting, where right-wing, conspiracy-peddling hosts like Joe Rogan got multimillion-dollar contracts while working musicians struggled.

But Saunier hit his breaking point in June, when Spotify’s Chief Executive Daniel Ek announced that he’d led a funding round of nearly $700 million (through his personal investment firm, Prima Materia) into the European defense firm Helsing. That company, which Ek now chairs, specializes in AI software integrated into fighter aircraft like its HX-2 AI Strike Drone. “Helsing is uniquely positioned with its AI leadership to deliver these critical capabilities in all-domain defence innovation,” Ek said in a statement about the funding round.

In response, Deerhoof pulled its catalog from Spotify. “Every time someone listens to our music on Spotify, does that mean another dollar siphoned off to make all that we’ve seen in Gaza more frequent and profitable?” Saunier said, in an interview with The Times. “It didn’t take us long to decide as a band that if Daniel Ek is going harder on AI warfare, we should get off Spotify. It’s not even that big of a sacrifice in our case.”

A small band yanking its catalog won’t make much impact on Spotify’s estimated quarterly revenues of $4.8 billion. But it seemed to inspire others: several influential acts subsequently left the service, lambasting Ek for investing his personal fortune into an AI weapons firm.

Spotify did not return request for comment about Ek’s Helsing investments.

This small exodus is unlikely to sway Ek, or dislodge Spotify from dominating the record economy. But it may further sour young music fans on Spotify, as many are outraged about wars in Gaza and elsewhere.

“There must be hundreds of bands right now at least as big as ours who are thinking of leaving,” Saunier said. “I thought we’d be fools not to leave, the risk would be in staying. How can you generate good feelings between fans when musical success is intimately associated with AI drones going around the globe murdering people?”

Swedish mogul Ek, with an estimated wealth around $9 billion, may seem an unlikely new player in the global defense industry. But his interest in Helsing goes back to 2021, when Ek invested nearly $115 million from Prima Materia and joined the company’s board. [Helsing, based in Germany, says it was founded to “help protect our democratic values and open societies” and puts “ethics at the core of defense technology development.”]

With his investment, Ek joined tech moguls Jeff Bezos and Palmer Luckey in pivoting from nerdier cultural pursuits (like online bookselling and virtual reality) into defense. The Union of Musicians and Allied Workers said then that Ek’s actions “prove once again that Ek views Spotify and the wealth he has pillaged from artists merely as a means to further his own wealth.”

A range of anti-Spotify protests followed later, like a songwriters’ rally in West Hollywood in 2022 and a boycott of Spotify’s 2025 Grammy party, after Spotify cut $150 million from songwriter royalties. Neil Young and Joni Mitchell pulled their catalogs in response to Rogan spreading misinformation about COVID-19.

Yet eventually, both relented. “Apple and Amazon have started serving the same disinformation podcast features I had opposed at Spotify,” Young said in a pithy note in 2022. “I hope all you millions of Spotify users enjoy my songs! They will now all be there for you except for the full sound we created.”

Daniel Ek, founder and CEO of Spotify, in 2023.

(Noam Galai / Getty Images for Spotify)

Ek’s latest investment seems to have struck a nerve though, especially in the corners of music where Spotify slashed income to the point where artists have little to lose by leaving.

After Deerhoof’s announcement, the influential avant-garde band Xiu Xiu announced a similar move. “We are currently working to take all of our music off of garbage hole violent armageddon portal Spotify,” they wrote. “Please cancel your subscription.”

The Amsterdam electronic label Kalahari Oyster Cult had similar reasoning: “We don’t want our music contributing to or benefiting a platform led by someone backing tools of war, surveillance and violence,” they posted.

Most significantly, the Australian rock band King Gizzard & the Lizard Wizard — an enormously popular group that will headline the Hollywood Bowl Aug. 10. — said last week that it would pull its dozens of albums from Spotify as well. “A PSA to those unaware: Spotify CEO Daniel Ek invests millions in AI military drone technology,” the band wrote, announcing its departure. “We just removed our music from the platform. Can we put pressure on these Dr. Evil tech bros to do better?”

“We’ve been saying ‘f— Spotify’ for years. In our circle of musicians, that’s what people say all the time for well-documented reasons,” the band’s singer Stu Mackenzie said in an interview. “I don’t consider myself an activist, but this feels like a decision staying true to ourselves. We saw other bands we admire leaving, and we realized we don’t want our music to be there right now.”

Ek’s moves with Prima Materia come as no surprise to Glenn McDonald, a former data analyst at Spotify who became well known for identifying trends in listener habits. McDonald was laid off in 2023, and has mixed feelings about the company’s priorities today. It’s both the arbiter of the record industry and a mercurial tech giant that only became profitable last year while spinning off enormous wealth for Ek.

“It’s well documented that Spotify was only a music business because that was an open niche,” McDonald said. “I’m never surprised by billionaires doing billionaire things. Google or Apple or Amazon investing in a company that did military technology wouldn’t surprise me. Spotify subscribers should feel dismayed that this is happening, but not responsibility, because all the major streamers are about the same in moral corporate terms.”

McDonald said the company’s push toward Discovery Mode — where artists accept a lower royalty rate in exchange for better placement in its algorithm — added to the sense that Spotify is antagonistic to working artists’ values. More recently, Spotify rankled progressives when it sponsored a Washington, D.C., brunch with Rogan and Ben Shapiro celebrating President Trump’s return to the White House, and raised $150,000 for Trump’s inauguration (Apple and Amazon also donated to the inauguration).

While Ek’s investments in Helsing are not directly tied to Spotify, the money does come from personal wealth built through his ownership of Spotify’s stock. Fans are right to make a moral connection between them, McDonald said.

“Ek represents Spotify publicly, and thus its commitment to music. Him putting money into an AI drone company isn’t representing that,” McDonald said. “He can do whatever he wants with his money, but he is the face of a company as controversial and culturally important as Spotify. So yeah, people want to hold him to a less neutral standard.”

For artists looking to leave the service, the actual process of getting off Spotify varies. For King Gizzard, which releases its catalog on its own record labels, it was easy to remove everything quickly. Deerhoof and Xiu Xiu needed time to clear the move with several labels and former band members who receive royalties.

Being a smaller, autonomous band enabled Saunier to act according to his values, even at the cost of some meaningful slice of income. He has considered that, by torching his band’s relationship with Spotify, Deerhoof’s music could slip from away from some fans.

“Everyone I know hates Spotify, but we’ve been conditioned to believe that there is no other option,” he said. “But underground music is filled with so many beautiful examples of a mom-and-pop business mentality. I don’t need to dominate the world, I don’t need to be Taylor Swift to be counted as a success. I don’t need a global reach, I just need to provide myself a good life.”

Yet the only artists that might genuinely sway Ek’s investments would be ones with a global reach on the caliber of Swift. She has pulled her catalog from Spotify before, in 2014 just after releasing her smash album “1989.”

“Music is art, and art is important and rare. Important, rare things are valuable. Valuable things should be paid for,” she said, before eventually returning to Spotify in 2017.

It’s hard to imagine her, or other comparable pop acts, taking a similar stand today, especially as the major labels’ fortunes are so bound up in Spotify revenues. Spotify reported a $10 billion payout to rights holders in 2024, roughly a quarter of the entire global recorded music business. Its stock has surged 120% over the last year, but in the second quarter of 2025, the firm missed earnings targets and dropped 11% this week, for the stock’s worst day in two years. “While I’m unhappy with where we are today, I remain confident in the ambitions we laid out for this business,” Ek said in an earnings call.

This recent, small exodus most likely didn’t contribute to that. But it might add to a creeping sense among young listeners that Spotify is not a morally-aligned place for fans to enjoy beloved songs.

“I actually think Spotify will eventually go the way of MySpace. It’s just a get-rich-quick scheme that will pass, become uncool, one that had its day and is probably in decline,” Saunier said. “They wrote an email to me seemingly to do face saving, which makes me think they’re more desperate than we think.”

Acts like Kneecap, Bob Vylan and others have been outspoken around the war on Gaza, at real risk to their careers — proof that young fans care deeply about these issues. While Ek would argue that Helsing helps Ukraine and Europe defend itself, others may not trust his judgment.

“Maybe it’s silly to expect cultural or moral leadership from Daniel Ek, but I don’t want it to be silly,” McDonald said. He thinks fans and artists can morally stay on Spotify, but hopes they build toward a more ethical record industry.

“It’s hard to see what ‘stay and fight’ consists of, but if everyone leaves, nothing gets better,” he said. “If we’re going to get a better music business, it’s going to come from somebody starting over from scratch without major labels, and somehow building to a point where we have enough leverage to change the power dynamic.”

King Gizzard’s Mackenzie looks forward to finding out how that might work. “I don’t expect Daniel Ek to pay attention to us, though it would be cool if he did,” Mackenzie said. “We’ve made a lot of experimental moves in music and releasing records. People who listen to our music have been conditioned to have trust and faith to go on the ride together. I feel grateful to have that trust, and this feels like an experiment to me. Let’s just go away from Spotify and see what happens.”

The victims may be dead, but NBC’s “Dateline” is going live.

NBC News announced Tuesday that the cast of its popular long-running true crime newsmagazine will gather onstage Sept. 28 at the Pinnacle, a new music venue in Nashville.

Ticket-holding fans will see correspondents Josh Mankiewicz, Blayne Alexander, Keith Morrison, Dennis Murphy, Andrea Canning and anchor Lester Holt in panel discussions and Q&A sessions. There will also be criminal justice experts on hand for onstage demonstrations.

The Nashville session — which will also commemorate the 3,000th episode of the program first launched in 1992 — will be a test run, according to Liz Cole, senior executive producer for “Dateline.” A strong turnout could lead to more dates and become additional source of revenue for the program. (NBC News has not revealed prices for tickets, which go on sale Aug. 5.)

“We realized that the anniversary was coming up, and it’s such a big number we wanted to do something special to mark the occasion,” Cole said in an interview. “This seemed like a great way to experiment with the format and go out and meet with our ‘Dateline’ community in real life.”

The television news audiences are shrinking as viewers move from traditional appointment viewing to on-demand streaming. But on-air personalities, whether they are covering politics or true crime, have devoted fans willing to pay to see them up close.

The revenue news shows can generate from live events is probably limited as journalists and anchors need the time to report stories or prepare a nightly program, making it challenging to book lengthy tours. (The “Dateline” correspondents are frequently on the road for their stories.)

“It’s quite an accomplishment getting everyone in one place at one time,” Mankiewicz said in a recent interview. “That usually only happens here when we’re taking the team picture or we’re kicking off the new season.”

Networks with well-known franchises are looking for ways to expand their reach beyond the viewers tuning in each day. Every little bit helps. “Dateline” has been doing it with podcasts — one of which will carry an audio version of the Nashville show — which have attracted younger viewers who don’t watch on TV as often. Podcast versions of “Dateline” TV episodes regularly populate the Apple rankings.

But live events can help create a deeper connection with viewers, as other outlets have discovered.

MSNBC, which will soon be leaving the NBC News family to be a part of the Comcast spin-off company Versant, sold out a 4,000-seat venue in Brooklyn last year for its first “MSNBC Live” gathering.

“MSNBC Live 25” will return in October with a top ticket price of $1,086.05 for an evening session at the Manhattan Center’s Hammerstein Ballroom in New York. The price includes an orchestra seat and a VIP dinner event with hosts Rachel Maddow, Jen Psaki and Stephanie Ruhle in conversation with special guests.

Conservative-leaning Fox News has tapped into its loyal audience annually with its Patriot Awards show that features Sean Hannity and other anchors honoring citizens who “dedicate themselves to their communities with inspirational acts of courage and patriotism.”

A Fox News representative said the event, which is streamed on the network’s Fox Nation site, has sold out every year since its inception in 2019. In the fall last year, the program honored President Trump at the 2,242-seat Tilles Center in Long Island, N.Y., where the top ticket price was $669.

In March, NewsNation anchor Chris Cuomo joined ESPN commentator Stephen A. Smith and former Fox News star Bill O’Reilly for an event billed as “Three Americans Live.” The trio regularly debate on Cuomo’s prime-time program for the Nexstar-owned news channel. No further dates have been booked since their one appearance in Westbury, N.Y.

Cole has seen evidence that the “Dateline” crew can draw a crowd on their own. The correspondents are a top attraction when they appear at CrimeCon, an annual gathering of true crime fanatics.

Many of those fans drive hours from around the country for the weekend event, which will be held in Denver later this year. The $1,800 Platinum VIP level tickets are sold out. (The dress code is “respectful casual” to discourage cosplaying.)

“I love the viewers because they always have questions and observations that I was not expecting, and I see that every year at CrimeCon,” Mankiewicz said. “I also experience it regularly at America’s airports, and I’m expecting that in Nashville.”

New docuseries shows what really goes on behind the scenes at WWE

I was a childhood fan of WWE and Netflix have just added the series I always wanted to watch.

While it was still referred to as a federation, I grew up as the wrestling company entered its Attitude Era. I was all about the rivalry between The Rock and Stone Cold Steve Austin, Dudley Boyz smashing tables and Triple H’s feuds and that Hell in a Cell match.

However, it lost it’s hook in me. Getting older means understanding the soap opera nature of WWE but for some reason or another I lost interest and couldn’t enjoy it in the same way. I did however, still wonder just how the sauce was made. How did they do it?

It’s a common question to ask just how much of it is real. Now, a new docuseries now streaming on Netflix, WWE Unreal, finally gives me the behind the scenes glimpse I’ve craved. It’s almost enough to reignite the passion for the greatest in sports entertainment.

For the first time ever with Unreal, fans are invited to step into the WWE writer’s room and in areas outside the ring that dictates what goes on with your favourite Superstars. According to the synopsis, the drama can be just as intense offstage as it is under the spotlight.

The five-part series shows how WWE made the transition from traditional broadcasting, to its Netflix debut, leading up to this year’s Wrestlemania event.

When Netflix released the Mr McMahon documentary, it didn’t feel like we were being given the full picture of how the company is run. It felt like there were some corners the cameras were still not allowed to focus on. Although it really attempted to hammer home that it was a family business run by people who apparently cared most about the fans.

That last point seems more poignant than ever with Unreal. From Head of Content Paul Levesque, AKA Triple H, AKA Hunter to ‘face of the company’ Cody Rhodes, a soon to be retired John Cena and team of match producers, all who are experienced former wrestlers. Each one of them speak with so much passion about what they do.

Many of the current performers have wrestling in the blood. From Ric Flair’s daughter to Rikishi’s sons they all have no problem showing what being part of the industry means to them.

It’s tough to dismiss their jobs as just faking it. They are all aware they are putting on a show. They just want it to be one of the best shows you’ve ever seen.

This time around, unlike Mr McMahon, Unreal even allows some warts to show. That includes when their Superstars suffer severe injuries but are promised their comeback will be all the sweeter. There’s a debrief when a move goes wrong and plenty of bitter rivals hugging backstage.

There’s even a tense moment when two performers go off script and allow their verbal altercation to get a bit too personal. A message is quickly sent to their locker rooms that it will not be expected and they must keep their professionalism.

WWE Unreal plays a big risk in showing just how much shown during Raw, Smackdown and its pay-per-view events is manufactured. Yet it still dares viewers, in particular, the lapsed fans like myself, to dive right back in.

WWE Unreal is streaming on Netflix.

Before Chris Paul’s voice echoed through the room, his reasons for returning home were staring at him.

His three children, perched quietly next to their mom, Jada Crawley, watched as Paul talked about why he decided to return to the Clippers. Paul’s mother sat in the second row of the news conference with a beaming smile.

Chris Paul was back home.

“It was a no-brainer. The easiest decision in this is sitting right up here,” Paul said, gesturing to his family in the front three rows. “Right here, it’s my family.”

When Paul was first introduced as a Clipper in December 2011, he spoke of measuring up against “big brother” Chauncey Billups and soaring alongside Blake Griffin and DeAndre Jordan — a core that would lob their way into Clippers lore.

Paul’s first message to L.A. were three constants — the allure of the city, the talent beside him and a title that still eluded them.

On Monday, Paul traded the sharp lines of his 2011 debut suit and red silk tie for something looser — flowing black slacks, red Nike Air Jordan 1s and a flash of gold on his wrist. And 14 years after his L.A. premiere, he spoke of sharing the court with James Harden and Kawhi Leonard.

But this time, the Clippers star-studded lineup wasn’t what lit his path home.

“If I’m really honest, I wanted to get back and play here by any means necessary,” Paul said. “I didn’t even care what the team looked like. I just wanted to be home, be here with the Clippers.”

Chris Paul’s wife, Jada Crawley, center, sits next to their children and family during Paul’s news conference at the Intuit Dome on Monday.

(Robert Gauthier / Los Angeles Times)

Gratitude washed over Paul’s words — for his year in San Antonio, for Clippers coach Tyronn Lue, for Clippers owner Steve Ballmer and for a 21st season. But anchoring it all was his family.

Paul is no longer thinking about playing in another city away from his family. The tearful send-offs are behind him. His mornings now begin with sunrise workouts with his son. He winds down in the evenings talking to his daughter.

“To tell you the truth, my wife and my kids probably [are] tired of me already,” Paul said, his wife laughing. “Because ever since I got the news, every time we home, I’m just jumping around talking about, ‘I’m home, I’m home, I’m home.’”

Chris Paul, signs autographs and greets fans during a news conference at the Intuit Dome on Monday.

(Robert Gauthier / Los Angeles Times)

As familiar as he is with the Clippers, Paul said his return still felt surreal — the No. 3 stitched onto a Clippers jersey, his name gleaming above the locker and a “Welcome Back” message circling the halo board.

What makes it even sweeter? A brand new stage. The last time Paul played for the Clippers, they played at Staples Center (now Crypto.com Arena). On Monday, he got an up-close look at the Intuit Dome.

“Walking around now, it’s a total different feeling,” Paul said. “Last time I walked through here, I was just sort of peeking because I didn’t know if a guy on the current team was here and they [were] like, ‘What the hell are you doing here?’”

Paul noted the franchise’s makeover — new colors, new logo — but one thing, he said, hadn’t budged: the fans.

One corner of Crypto.com Arena still lives staunchly in Paul’s memory. Section 114 housed the pockets of Clippers die-hards he’d glance at after every dagger three or rim-rattling “Lob City” spectacle.

Some fans, Paul said, even pledged loyalty in ink. Back then, some made a pact that if the Clippers scored 114 points in a game, they’d get a “114” tattoo. When the team delivered, so did they.

“The fans here are like none other,” Paul said. “They are really fans of the game. … The team and everybody, they deserve good things and deserve to see this team win.”

Paul got a full dose of nostalgia a short time later when dozens of Clippers fans gave him a standing ovation, chanting, “CP3!”

He sank into his seat, shoulders folding inward as he clasped his hands — emotion creeping in as the cheers grew louder.

“This is crazy,” he said.

So as Paul rose from the podium and thanked the media, his mother held her gaze, her smile still stitched in place. For eight years, she’d grown used to goodbyes. But this time, there would be no parting hug.

“This is one of those things I kind of manifested for a long time, sort of tried to speak it into existence,” Paul said. “Because I love to hoop, I love to play this game, but I love my family more than any of it.”