fan

US President Donald Trump welcomed Iraqi Prime Minister Ali al-Zaidi to the White House. Trump praised the ‘tremendous chemistry’ between him and the PM and said the countries will be announcing a new ‘massive’ oil partnership.

Chunky platform sandals, fitted baby tees, butterfly clips on perfectly crimped hair, brightly patterned skirts and tons of sparkles. Pure Y2K-fueled nostalgia filled the Kia Forum on Wednesday night in celebration of all things Hilary Duff.

• Share via Close extra sharing options

Duff graced the stage at the Inglewood venue as part of her Lucky Me tour, her first global headlining tour in nearly two decades. And her fans couldn’t have been more thrilled. The pop singer and actor, who released her sixth studio album “Luck… or Something” in February, performed two back-to-back sold-out shows.

Before the final L.A. show, we caught up with fans to talk about their outfits (many of which were inspired by Duff’s most famous roles such as Sam in “A Cinderella Story” and the title role in “The Lizzie McGuire Movie”), the memories her music brings up for them and why her work still resonates with them. Here’s what they had to say.

(Kayla Bartkowski/Los Angeles Times)

Tristan Hallam, 36, of Chicago

Tell us about your outfit.

This is my wedding dress that I had stuffed in a suitcase. She’s been in a suitcase for 10 years, and I still fit into her, which is nice. People ask me why I keep stuff and this is exactly why: You might get divorced and use it as a costume. My outfit is inspired by “A Cinderella Story.” It’s my favorite Hilary Duff movie. She plays diner girl Cinderella. She disguises herself with a mask and a L.A. Dodgers cap. I did have a tiara, but I didn’t bring it because I didn’t want to be too much. So I figured, you know what, why not buy an apron and a little black crop top, and rep L.A.

I have a tattoo of her signature. It’s a little faded because it’s like 10 years old, maybe older than that now. It was at a book signing at Barnes and Noble at like the Grove or something. I asked her if she would initial my wrist, and I got it tattooed the same night. I literally drove to the tattoo shop on Hollywood Boulevard with my arm out the window because I’m so clumsy and I didn’t want to smudge it. Then the next time I saw her, she asked me, what did your parents say? I said, “My mom asked me how long I kept the Sharpie on so long.”

How long have you been a fan?

I think I was like 8 or 9 years old when I saw “Casper Meets Wendy” for the first time. My grandma took me to like a K-Mart or something, and told me that I could get any movie that I wanted. Then I was into “Lizzie McGuire,” but as soon as Hilary started doing all her like movies and independent work, obviously the music is great. I used to live in L.A., so I went to a bunch of her book signings. I’ve done a lot of meet and greets for her concerts, and right now I’m traveling around. I’m going to 18, technically 19 shows now, and I’m gonna see her in New Zealand, Australia and some other places. I’m actually really excited because one of my friends, I met her in a Hilary Duff fan club chat room in 2005 on MSN Messenger, and we are still friends, so we are going to a ton of shows together.

Why does her work still resonate with you today?

The fact that we’re around the same age, there’s been a lot of relationship similarities. I don’t have any kids, but the struggles with family, with your dad, with your siblings. She’s got some songs that are more mature and relatable for people our age. People who have gone through ups and downs in relationships, struggles with family and figuring out who your real family is, not just by blood but who your chosen family is. I think that’s really important.

(Kayla Bartkowski / Los Angeles Times)

Leilanie Martinez, 30, of South Gate

Tell us about your outfit and the inspiration behind it?

It’s my quinceañera dress. It’s supposedly very traditional to wear a white dress, like young women coming of age. For mine, I wanted to wear something that I didn’t see a lot of people wearing and I was very firm that if I didn’t find the love of my life, I was going to wear a white dress and this was my moment. My quinceañera was such a precious time. It really was a labor of love, and I think it’s one those memories I hold very near and dear. I think it’s an ode to her history, her legacy.

How long have you been a fan?

I remember I was 5 and I was running around in my neighborhood, playing with Barbies and watching “Lizzie McGuire.” I’m here today with my neighborhood and childhood friends. We used to watch it together and now we’re reliving our nostalgia and childhood.

Thinking back on when you first fell in love with her work, why does it still resonate with you today?

There’s a lot of power in her being a woman and she’s going through so many milestones that a lot of people my age are going through like having children and growing her career. Sometimes I think people “wash out” and I think it’s wonderful how she’s combating that narrative in so many ways, and that people are out here supporting her. I think there’s a lot of beauty in being able to be together as young women and relive some of these memories, but also cheer her on as she continues developing further.

(Kayla Bartkowski / Los Angeles Times)

Crystal Chesher, 33, of Mar Vista and Isabella Sanchez, 33, of Culver City

Tell us about your outfit.

Sanchez: We’re channeling “The Lizzie McGuire Movie.” My actual name is Isabella. She gives more Lizzie vibes and I give more Isabella vibes. It’s funny because I’ve literally saved [looks] of Isabella and Lizzie on my Pinterest board and I’ve always wanted to dress up like this. It’s not 100% of what I wanted, but it’s giving what it’s supposed to.

How long have you been a fan?

Chesher: Since I was little. I remember watching “Lizzie McGuire” since the age of 10 at the very least so I’ve been growing up with her movies and shows. She’s definitely my idol.

Sanchez: Same. Growing up, I was bullied so she was a very big part of me being more positive about myself. I can relate to her and she really helped me. It just feels full circle to be able to see her at 33 when I wanted to see her when I was like 10.

Thinking back on when you first fell in love with her work, why does it still resonate with you today?

Chesher: She has a heavy influence in the LGBT community as well especially with the [anti-gay speech campaign]. I loved that. With her movies and her music, it’s all relatable and it resonates with you, the lyrics, the storyline and even her new album that just came out.

Sanchez: She’s just that girl. I’ve never even met her, but I feel like she’s so genuine and real and she’s always stayed consistent with who she is. She’s not like your typical celebrity. She’s just awesome. I’m literally probably going to tear up seeing her on stage.

(Kayla Bartkowski / Los Angeles Times)

Lucca Petrucci, 33, of Santa Monica

Tell us about your outfit.

This is a last-minute choice. It’s very like ’70s or retro. I feel like I’ve seen her wear something like this. I’m wearing wide-legged pants, Doc Martens, platform, new haircut, facial. The inspiration for this fit was elegant pop star like confidence, grounded, a baddie. I’m a baddie who knows my worth and that’s what I wanted to embrace. I feel like she’s like doing that. She has a lyric that’s like ‘I look in the mirror, like I’m a bad b—.”

How long have you been a fan?

Since third grade. I thought she was my crush, but I think I just wanted to be her. So many of my core childhood memories are with her.

Why was tonight a non-negotiable for you?

I wanted to experience with my bestie and her sister. I feel like as a kid I didn’t allow myself to fully embrace it because it would be too girly, too much, too gay. So I feel like as a 33-year-old, I’m reclaiming that experience. I’m so excited just to hear everybody in the Forum sing “So Yesterday” and “Come Clean.” She has always been my number one pop star, to this day, and I’ve never seen her perform.

Why does her work still resonate with you today?

I feel like, especially when she was on “Lizzie McGuire,” she was figuring out who she was, but was open to being her authentic self. So I think that just like hit me when I was like in third and fourth grade, like figuring out myself. I felt so seen by her, and her music just brings back like such good feelings. Younger version of me, life wasn’t always great, but, I don’t know, she made things better.

(Kayla Bartkowski/Los Angeles Times)

Liv Guardado, 8, Priscilla Cruz, 38, Ava Guardado, 10 and Jezelle Velasco of Costa Mesa

Tell us about your outfit.

Cruz: We went thrifting for the first time for this. I’m plus-size, so thrifting is not easy in my size, so we did what we could. We got some overalls from Goodwill. And then we got some cowboy boots because we just wanted to be comfy.

Velasco: I probably stressed the most. I ordered so many pieces and it just kind of came together. I think the nails took the longest. One of my friends did my nails. It took some time but we got it done.

How long have you been a fan?

Velasco: Probably since I was their age. I never got to go to a concert, so this is my first time seeing her live.

Cruz: I definitely got inspired around middle school. I had a friend who was like Lizzie, and I was the best friend, Miranda. People would always say I was Miranda. I was a little older than [my girls], but I definitely have kept tabs on her life, and we love her.

Why does her work still resonate with you today?

Cruz: It definitely feels like memories and home when you think of her music from back then. And now she’s obviously stepped into a different phase of her life, and it matches where we’re at in our phase too so it’s nice.

Velasco: It just brings back the nostalgia from back when we were younger and now being parents, and being able to relate to her and her new music.

(Kayla Bartkowski/Los Angeles Times)

Paige Beard, 34, and Tayler Nelson, 27, of Bakersfield

Tell us about your outfits.

Beard: I was supposed to be wearing purple and she was going to wear green, and we were going to do the Isabella and Lizzie look at the end of “The Lizzie McGuire Movie.” It turned out more pink, but we ran with it.

Nelson: I was all about that performance, so I was like green. Gotta go green. We’ve been planning for a while, like two months.

How long have you been a fan?

Beard: I’ve been a fan for a long, long time, probably since “Casper Meets Wendy.” I was also a really big “Lizzie McGuire” fan, so I got into her acting as well as her music.

Nelson: Same. I was all about the Cinderella movie though, so it’s probably been 10 years for me.

Why does her work still resonate with you today?

Beard: I was telling my sister that I really liked “Lizzie McGuire” because it was one of the first times I saw somebody’s inner dialogue acted out in cartoon form. It showed me that I’m not too much. She’s a little bit older than me and I see her crying on stage and I’m like “OK, it’s OK.”

Nelson: “The Lizzie McGuire Movie” was a big turning point for me. I just loved how she expressed herself with what she wore and how she acted. I feel like I understood her in different ways. I enjoyed the dancing and the singing for sure. She felt free and I’m like, “Dang, I want that.”

(Kayla Bartkowski/Los Angeles Times)

Freddy Lopez, 38, and Raymond Lockwood, 36, of San Bernardino

Tell us about your outfits.

Lopez: Just a ’90s vibe. I guess a little old-school.

Lockwood: The outfits are a little last-minute because we were like we should’ve done diner girl [from “A Cinderella Story”] or one of her other movies, but we chose the little cartoon character from the show.

How long have you been a fan?

Lopez: I’ve been a fan since “Lizzie McGuire” and her movies.

Lockwood: For the past 20 something years. We grew up watching “Lizzie McGuire” and got introduced to Hilary Duff when she started singing.

Why was tonight a non-negotiable for you?

Lopez: We don’t know if she’s going to come back after this, so you’ve gotta take every opportunity. There’s other artists who cannot come back to perform right now. So when she said I’m coming back, we had to.

Lockwood: We’re healing our inner child. As a kid, we didn’t know she was having tours or we couldn’t afford to come out. Now, we’re like we don’t have to ask our mom and dad for anything.

Why does her work still resonate with you today?

Lockwood: For me, it’s being a teenager, watching the “Lizzie McGuire” show and watching the movie and then learning her songs. My favorite song is from the movie, “What Dreams Are Made Of.” It’s just us getting to live back in the past and kind of understanding it a little bit more. As a kid, our dreams are not what they realistically are today. I ended up becoming a nurse. As a kid, I didn’t sit on the couch like “Oh, I’m going to be a nurse,” but that’s what my dream ended up being.

(Kayla Bartkowski/Los Angeles Times)

Stephanie Rodriguez, 32, High Desert

Tell us about your outfit.

If you ask my fiancé, I was hunting for outfits and last-minute I was like, “I’m just gonna order something on Amazon.” When I saw this, I was like, “That’s it.” Total nostalgia with “13 Going on 30.” We went shoe shopping at the South Coast Plaza over the weekend. The metallic is pulling it all together and the butterfly clips.

How long have you been a fan?

Probably since I was like 8 or younger, pretty much very much obsessed. All of my holiday gifts were Hilary Duff. I had her K-Mart home products. Any magazines she was in, I got. Any outfits that I could try and replicate, I would. My first Hilary show was either Wango Tango or a Jingle Ball with KIIS-FM, so it was just a festival with a bunch of different artists but I went specifically for her.

Why does her work still resonate with you today?

I think a lot of us feel like we grew up with Hilary, so all of her music resonated with us then, and now, now that we’re older, through relationships or divorces or motherhood. It’s pretty cool to see just how we’re all kind of growing up together. The first time I think I found out about her was at the Glendale Galleria. I was recently telling my fiancé that my dad had me on his shoulders because she did a meet and greet and the entire mall was packed.

(Kayla Bartkowski/Los Angeles Times)

Kelsie Wagner, 35, of Temecula and Tyler Walsh, 35, of Long Beach

Tell us about your outfit.

Wagner: I’m channeling Lizzie McGuire. My favorite part is the butterfly clips.

Walsh: This is from Company D, which is a discount store for Disneyland. I was like let me get the biggest shirt and make it into a dress, but I’m wearing shorts — it’s still appropriate. I have like six authentic Disney pins here. This is about $200 on my hat. I was like I have to do something that represents. It’s a big hobby, pin trading, that I picked up in 2023. Then I wore my Lisa Franks. I figured I would channel everything from the ’90s and 2000s.

How long have you been a fan?

Wagner: Whenever the “Lizzie McGuire” show came out.

Walsh: I remember going to sleepovers with all of my friends and we would do Lizzie nights. I was on a soccer team and on Saturday nights, we’d go watch the newest episode. It was just so fun because I feel like I had a little clan that loved Lizzie. We went to her concert at the Grove together and it was back when you paid $50 to get in. We were front row and we like smelled her. It was wonderful.

Why does her work still resonate with you today?

Wagner: For me, especially her new album, she talks about marriage, relationships, motherhood, so it’s still relatable in that sense of that stage of life that we’re in.

Walsh: For me, it’s just nostalgia, because I’m not married, I have no kids, like I’m that fun aunt. And I will say, like, because she goes to Disneyland a lot, so I luckily got to meet her too. I asked her for a picture, and she’s like “Yeah, of course, honey.” It’s the most embarrassing photo of me ever though.

Wagner: I told her she should get it printed and wear it to the concert.

Walsh: I should have.

Surely they hear the chants. They must hear the wonderful chants.

“Let’s go, Doyers! Let’s go, Doyers!”

Surely they see the faces? They can’t miss the gloriously diverse faces.

All shades, all colors, 4 million faces surrounding them with resounding support and unrequited love.

The Dodgers do know they play in Los Angeles, right?

Then why in the hell do they insist on embracing the person trying to tear this city apart?

This is an old issue, it’s been written before, it’s been debated ad nauseam, but it’s happening again and remains as sickening as ever.

The Dodgers are going to celebrate their 2025 World Series title with President Trump at the White House on July 23, it was confirmed Thursday.

Just like last season.

Seriously.

“President Trump is excited to welcome the Los Angeles Dodgers BACK to the White House to celebrate their World Series championship!” White House spokesperson Taylor Rogers said in a statement to The Times.

“Back” to the White House.

How embarrassing.

The 2017 NBA champion Golden State Warriors wouldn’t go. The 2018 Super Bowl champion Philadelphia Eagles wouldn’t go. The 2025 NBA champion Oklahoma City Thunder wouldn’t go.

And now this group of Dodgers is going twice?

Their first visit last spring was bad enough, with Trump noting, “That is a very good-looking group of people,” while the Dodgers stood around him in slack-faced awe.

Dodgers owner Mark Walter smiles while listing to President Trump speak during the Dodgers’ championship visit to the White House in April 2025.

(Alex Wong / Getty Images)

Some, including Dodgers officials, argued this was a visit about tradition, not politics. Teams have been visiting the White House since President Andrew Johnson hosted two amateur baseball clubs in 1865. The Dodgers said they were just abiding by this once-revered sports custom. They said they were showing respect for this country’s highest office, not necessarily the man inhabiting it.

Understood. But what happened two months after that first visit altered even that flimsy bit of logic, as the man inhabiting the office rained terror on Los Angeles with the midsummer ICE raids that changed the lives of thousands.

Many impacted were the Dodgers fans who filled the stadium every night for the team with arguably the largest immigrant fan base in sports. Some even were wearing Dodgers caps and jerseys when they were swept up and hauled away.

While other pro sports teams in town immediately condemned the raids, the Dodgers said nothing until finally announcing and fulfilling a $1.1-million donation to community organizations to support families impacted by Immigration and Customs Enforcement.

At the time, only one Dodger spoke out publicly, with Kiké Hernández writing on Instagram, “Los Angeles and Dodger fans have welcomed me, supported me and shown me nothing but kindness and love. This is my second home. And I cannot stand to see our community being violated, profiled, abused and ripped apart. ALL people deserve to be treated with respect, dignity and human rights.”

A year later, Hernández is still on the Dodgers, he has much clubhouse credibility, and yet they’re still going back? Were they not listening?

The roster is filled with other levelheaded veterans who surely realize that by serving as a cheap Trump photo-op, they are honoring a man whose policies have ravaged their fans more than any other group in America, and yet they’re still going back?

An organization cannot boast of sharing a uniform with Jackie Robinson while sharing a very public afternoon with President Trump. That doesn’t work.

Kiké Hernández was the only Dodger who spoke out publicly last year.

(Gina Ferazzi / Los Angeles Times)

An organization that admirably fought back against the wishes of a conservative clubhouse to pioneer Pride Night cannot be the same organization that publicly normalizes the morality of President Trump. That doesn’t compute.

Can’t anyone on Vin Scully Avenue see the big picture here?

Maybe Jose Madera, director of the Pasadena Community Job Center, can show them.

Madera, a die-hard Dodgers fan, hasn’t attended a game since last summer’s ICE raids because he’s lost faith in the Dodgers’ connection with the Los Angeles community.

He says this latest news of a second White House visit only frays that connection further.

“It’s very disappointing to hear that our team is going to shake the hand of a person who has sent so much hate and terror into our community,” he said. “Thousands of families in our city live in fear … we can’t stand for what’s going on.”

Madera said the Dodgers need to remember who they are.

“The Dodgers bring so much joy to our community, but a large part of their fan base is the immigrant community, and they need to stand with us,” he said. “It’s very disappointing that they’re not, and we need to hold them accountable.”

It’s not too late. The Dodgers still have time to change their minds and do the right thing. They still have time to acknowledge that this is not about eschewing tradition or succumbing to politics or anything but common human decency.

The president has treated the Dodgers fans with a careless disregard for their basic humanity, and the Dodgers need to let him know this is not OK.

“They still have a chance to decline,” Madera said. “We’re all hoping they do.”

Yeah, sure, in two weeks they could strut into the most celebrated residence in America as two-time defending champions.

But they would leave it as two-time losers.

Rhea Seehorn was nervous about whether “Pluribus” would be recognized by Emmy voters Wednesday when nominations were announced. So she was jubilant when she and the surreal sci-series on Apple TV scored 18 nominations, the most for a first-year drama.

“I’m just so grateful,” the actor said in a phone interview. “People were like, ‘Why were you nervous?’ Honestly, you never actually know. I’m just so thrilled for the show, my co-stars, the production design, the editing, the writing, the music, the sound. I haven’t moved from my couch since they first announced everything because I’m still trying to call everybody on the show.”

Seehorn received a nomination for lead actress in a drama series for her portrayal of cynical Carol Sturka, a fantasy romance author who finds herself in a mystifying situation after a virus seems to have wiped out most of Earth’s population. The series was created by Vince Gilligan, who created the acclaimed series “Breaking Bad” and co-created its spinoff “Better Call Saul,” which also featured Seehorn.

The actor compared her experience of being nominated for “Pluribus” to “Better Call Saul,” which earned her two supporting actress nominations: “ ‘Better Call Saul’ was such a family that supported and cheered each other on, and I’m so grateful I have that environment again. People could not be happier for each other, and we get to celebrate the show together.”

She added, “The only part that feels different is that it’s my first nomination as a lead. It’s the process of Vince writing this for me and seeing the mountain which he wanted me to climb and going through that process. The whole thing has been its own journey, so ending up with awards and nominations, and being so well received by critics and fans is not lost on me.”

The series has been applauded for its mix of drama, comedy and strangeness in its portrait of a woman coming to terms to what seems like an impossible dilemma.

“I love the storytelling, how much Vince and I would drill down on making this as authentic as we could in terms of an everyman who has to deal with an insane situation,” Seehorn said. “Most of us are just not heroic or leaping off the couch to go save the world. And Carol is dealing with immense grief and confusion in an utter dystopian crisis. I love the humor and the drama that comes out of us being as realistic as we can with her amidst an unrealistic event.”

Fans of “Pluribus” have been relentlessly curious since the finale in December about when the second season will launch.

“I don’t know anything about that,” Seehorn said. “I don’t have to keep secrets because I’m not great at keeping them, and I know nothing. I don’t know what I’m doing with an atom bomb in the driveway. I can’t wait to find out. The writers want to have the same quality and reward the intelligence of the fans and never phone a single thing in. So their process is their process.”

An Argentina fan waves the Israeli flag during his team’s Round of 16 match against Egypt. Some viewed it as a provocation towards Egypt’s coach, Hossam Hassan, who dedicated Egypt’s first-ever World Cup knockout victory to the people of Gaza.

England famously found itself on the wrong side of World Cup history at Azteca Stadium, surrendering Diego Maradona’s iconic “Hand of God” goal and another strike known as the tournament’s “most beautiful goal.”

Maradona and eventual champion Argentina eliminated England 2-1 in the quarterfinals of the 1986 World Cup, leaving the Brits to stew over their link to a soccer legend.

England will return to Azteca Stadium on Sunday to take on World Cup co-host Mexico in a round-of-16 match kicking off at 5 p.m. PDT and airing on Fox and Telemundo.

England coach Thomas Tuchel said during interviews before their departure for Mexico that this will be a way to “make amends” with the stadium that hosted a goal Maradona punched in with his fist, and “karma will come back for us.”

Argentina’s Diego Maradona punches the ball past England goalkeeper Peter Shilton to score his “Hand of God” goal during a 1986 World Cup match at Azteca Stadium.

(Getty Images / Getty Images)

“It’s one of the most beautiful, most exciting matchups you can have — playing Mexico at the Azteca,” Tuchel said during a news conference after defeating the Democratic Republic of the Congo in the round of 32.

But the road to Azteca Stadium hasn’t been easy for England.

England enters this matchup after a hard-fought victory over Congo. The African team took the lead and had chances to extend it, but ultimately paid dearly for squandering those opportunities. Top England scorer Harry Kane stepped up with two decisive goals that helped his team advance. It was England’s first World Cup victory after trailing 1-0 since the 1966 final, which the English team won as a tournament host.

The English have to contend with not only the ghost of Maradona’s two goals, but also the altitude in Mexico City, which is about 7,350 feet above sea level.

Mexico has lost only two of 89 matches at Azteca Stadium, winning 70 and tying 17. The last time it lost an official match there was a 2-1 defeat to Honduras in a 2013 World Cup qualifier.

“There will be many obstacles — the altitude will be a major disadvantage because we can’t acclimate to it,” Tuchel said. “Let’s hope that when we face difficulties along the way, we’ll find the answers.”

Mexico players celebrate after the team’s World Cup win over Ecuador at Azteca Stadium on Tuesday.

(Luke Hales/Getty Images)

Tuchel noted his team got accustomed to heat and humidity while training in the United States.

“At the end of the day, it’s a soccer game,” said England’s Marcus Rashford, who also plays for Manchester United. “We’ve all been playing soccer since we were kids, and we’ve played in different environments and under different conditions — some more difficult than others, some in terrible places. But it’s up to us to find a way to win and to work as a team.”

England expects to face an intense atmosphere, with the majority of more than 80,000 fans backing Mexico.

“It’s one of the great stadiums in soccer. Playing there is a blessing. Mexico is probably the favorite. They’re at home, playing on their home turf; it will be a big challenge for us, but we’ll be ready,” England’s Marc Guehi told the BBC.

The match also will pose a significant challenge for the Mexican team, which has not conceded a goal during the World Cup but will face an English side that excels in aerial play, with lethal scorers like Kane and Jude Bellingham. Mexico’s defensive performance has been credited to the direction of Rafa Márquez, a former Barcelona player who is one of Mexico’s assistant coaches.

“They’re high-caliber players who can make a difference at any moment, and we have to take advantage of playing at home and maintain our current level of play because no one has given us anything for free,” said veteran backup goalkeeper Guillermo Ochoa, another key voice supporting Mexico’s defensive effort.

Less than 72 hours before the game, FIFA explored moving the evening kickoff to noon local time — a change that would have completely disrupted the sporting, logistical and emotional planning of both teams.

FIFA first weighed the unprecedented change reportedly because of the threat of thunderstorms. The Athletic and media outlets covering both teams later reported security concerns after the death of four Mexico fans during round-of-32 postgame celebrations triggered the potential change, but both team pushed back, and Mexico’s security officials assured FIFA they could keep fans safe. FIFA relented and did not change the start time.

Mexico’s Álvaro Fidalgo celebrates after scoring against Czechia during a World Cup match at Azteca Stadium on June 24.

(Silvia Izquierdo / Ap Photo/silvia Izquierdo)

“No one wants a celebration — such an important moment, a once-in-a-lifetime moment — to turn into a sad occasion because of certain things. We don’t want anyone to lose a loved one,” Mexico midfielder Álvaro Fidalgo said.

Contrary to what many experts expected, Mexico has breezed through the group stage and the second round at home. Coach Javier Aguirre has eased some of the pressure on himself by leading the team to its fifth World Cup match — a feat Mexico had not achieved in eight consecutive World Cups. Two of those failed attempts came under Aguirre’s leadership: in 2002, when Mexico lost to the United States, and in 2010, when it lost to Argentina — both in the round of 16.

“We’ll try to keep this momentum going at home,” Aguirre said. “We’ll try to play a complete game.”

With the support of its fans and a sense of hope that grows with every game, the Mexican team will seek to match its best performances from 1986 and 1970 — World Cups it hosted, though with fewer participating teams.

Mexico’s Raúl Jiménez celebrates after scoring against South Africa during a World Cup match at Azteca Stadium on June 11.

(Carl Recine / Getty Images)

“We have to let them know that we’re just as good,” said Raúl Jiménez, Mexico’s leading scorer. “That we can compete on equal terms, we can play a good game, and we have the support of the fans. It doesn’t matter which goalkeeper is in front of us — if we put it in the corner, no goalkeeper can stop it.”

Advancing past England would mark the first time Mexico defeated a past champion in a knockout round, and it also would be the first time the team strung together two knockout-round victories in a World Cup, after beating Ecuador in the round of 32.

Mexico defeated past champions France and Germany in 2010 and 2018, respectively, but those wins came in the group stage.

“It’s a match everyone always dreams of. Being in the round of 16 at the Azteca — not just saying it, but even thinking about it — is incredible,” Fidalgo said. “We have to rise to the occasion.”

A post-game fireworks show went awry at BMO Stadium on Friday night, when fireworks set off on the playing pitch sent flares streaming into the stands, forcing fans to scatter to safety.

Angel City FC played the Orlando Pride at BMO Stadium, coming back from a month-long break to win the match 2-0. But it was the promised post-game fireworks celebration that made the biggest splash.

Videos of the pyrotechnics display show the pitch filling with tall showers of sparks and dense smoke as dozens of fireworks launched upward. At what was to be the climactic finale of the show, however, fireworks began to take off horizontally, headed into the half-filled stands.

• Share via Close extra sharing options

From her club seat with her friends, season ticket-holder Jade Greenhut captured the center circle spectacle. She said she took out her phone and started recording after the first errant missile from the fusillade sped directly toward the Angel City team bench.

“Oh my god!” a woman’s voice on Greenhut’s video screams as at least two fireworks launched into the stands nearby, sending fans scrambling to get clear. Two more fireworks bounded across the field and into the stands. Off-camera, a man says, “Everybody’s running!”

A spokesperson for the soccer club said the organization had no information “of any serious injury” from the wayward pyrotechnics.

“A third party vendor was hired to facilitate the pyrotechnics,” said Stephanie Rudnick, head of communications for the Angel City Football Club, from her home in Australia.

“A fireworks malfunction did occur during last night’s post-match celebration at Angel City FC’s game vs. Orlando at BMO Stadium,” the team said in a statement to The Times. “Our medical and safety teams were on site and ready to respond. Stadium operations confirmed the venue was secure and guests, staff, players, and crew were able to depart safely.

“We are working closely with our pyrotechnics vendor to review the incident and evaluating appropriate next steps.”

Greenhut was nonplussed about the post-match mayhem. She said many fans had already left in the 20-minute interlude between the end of the game and the fireworks show, leaving the stands relatively empty and reducing the likelihood of injuries.

The air was already clearing by the time the stadium was evacuated. Her ticket ambassador approached her afterward to apologize. “He was like, ‘We did this for the [Los Angeles Football Club], and everything was fine,’” she said. “I don’t blame them at all.

“Honestly, the game was great. We played phenomenal,” Greenhut said.

But perhaps next time, she said, Angel City could go with drones.

—Lila Seidman contributed to this story.

SANTA CLARA — The U.S. cannot appeal Folarin Balogun’s red card and ensuing suspension for the Americans’ round of 16 match against Belgium, U.S. soccer officials confirmed.

FIFA rules governing the 2026 World Cup, first cited by the Athletic, state that “a sending-off automatically incurs suspension from the subsequent match. The FIFA judicial bodies may impose additional match suspensions and other disciplinary measures.”

The only instance in which the U.S. could appeal is if FIFA’s disciplinary committee decides to suspend Balogun for more than one game after reviewing the incident.

Broadcast commentators and fans immediately questioned the decision after Balogun was shown a red card during the U.S.‘s win over Bosnia-Herzegovina on Wednesday at Levi’s Stadium.

Balogun crashed into Bosnia’s Tarik Muharemović, landing his foot on top of Muharemović’s during the physical match. Muharemović hit the pitch, howling in pain, and was treated on the field. The referee used the video assistant referee to review the play and determined it merited a red card.

U.S. fans accustomed to appeals in the NBA and NFL suggested that an appeal include video of Lionel Messi receiving no discipline for stepping on an opponent’s calf earlier in the tournament.

The red card on the field, however, remains the final word barring any extra games added to Balogun’s suspension.

“The World Cup is ruining my life,” a neighbor recently said with a laugh. “I’m supposed to be working; instead I’m watching World Cup. I’m supposed to be doing chores; instead I am watching World Cup.”

I laughed in guilty recognition. We had met on the street by chance while I was walking the dog. Having just spent the last two hours watching, then celebrating Lionel Messi’s hat trick during Argentina’s first-game victory over Algeria, I had less than an hour to get back in time to watch Austria play Jordan.

That was on Day 6, and it’s only gotten worse. If I had to calculate my own ratio of work done to soccer watched … well, as I am not a sports reporter, I don’t think my editor would be thrilled. (Though I’m sure she appreciated the England/Congo updates I provided as I finished this piece.)

Like millions worldwide, my family and I have been deeply, and in our case, weirdly, engrossed in this year’s games. “Weirdly” because we do not follow men’s soccer. The World Cup is different, of course — going in, I figured I would check out the U.S., keep an eye on Messi, then tune into the final few games. Perhaps my husband would join (but only if he at least pretended to understand the offside rule), but with our two oldest children out of the house, it is, with the exception of the Super Bowl, unheard of for our family to concurrently view any sporting event in real time.

Until this World Cup. I’m not quite sure how it happened, but suddenly we’ve got game times written onto our calendar. Entire days have been spent in front of the TV with at least one child and the others watching from their homes, our family texts studded with “are you watching…?,” “did you just see that?” and, of course, “OMG MESSI!”

(I would attempt to calculate my recent ratio of chores done to Messi videos watched if I weren’t legitimately concerned that my family would have me committed.)

The fact that my son and his girlfriend live in Kansas City certainly helped spark our newfound fascination. Yes, Los Angeles is also a host city, but L.A. hosts so many things; inevitably we were mostly concerned about what it would do to the traffic. KC, on the other hand, is the smallest and most unlikely of the host cities, and over the last few years we have seen — on visits and through my son’s accounts — all the construction, effort and can-do spirit that has gone into preparing for the event.

We were thrilled when it was announced that Argentina, England, the Netherlands and Algeria would be based in or near KC. We wanted the city to shine, and it has — from nearby Lawrence’s enthusiastic adoption of Algeria to Messi’s historic hat trick at Kansas City Stadium.

Team USA defender Mark McKenzie, left, and Turkey midfielder Baris Alper Yilmaz in the World Cup match at Los Angeles Stadium on June 25.

(Robert Gauthier / Los Angeles Times)

But it’s more than vicarious Midwestern pride. When our older daughter began texting out missives from the earliest games and our son sent pictures of fans streaming into Kansas City Stadium, we started watching as a way to stay connected.

First, as a family, and then to our country and the rest of world.

The games have been inevitably exciting, especially as now that they’re in the knockout round, but the overall sensation was unexpected relief, a soul-soothing balm.

At a time when the news cycle seems to serve up nothing but conflict, crisis and woe, the World Cup offers shelter, a truly international event in which conflict is defined by long-term sports rivalries and questionable referee decisions.

We want our national or preferred teams to win, of course, but no matter the outcome, it’s impossible not to be thrilled by the sight of phenomenal play, underdog tenacity and so many adoring and enthusiastic fans.

Soccer is called the beautiful game for many reasons, and hours/days/weeks of sustained beauty is impossible to resist. Even social media has surrendered to spectacular highlights along with tales of Japan supporters cleaning up stadiums, fans of the victorious consoling fans of the defeated and Europeans discovering the glories of free refills and ranch dressing.

None of this changes the realities we face in America and the rest of the world. Grocery and gas prices remain catastrophically high; Iran continues to contradict U.S. claims of diplomatic resolution to an unpopular war. The unnecessarily revamped reflecting pool in Washington remains a swamp of algae and tourist arrests, as the semiquincentennial struggles under the weight of our president’s self-centered hubris.

But for a few blessed weeks, the World Cup offers inspiration, escape and cultural healing.

It has also, thus far, escaped President Trump’s so often internationally insulting social-media notice and more importantly, his presence. Historically, the leaders of host countries attend the opening match; Trump has, apparently, been too busy (including planning and attending the UFC Freedom 250 cage match recently held on the South Lawn.)

Given his tendency to suck the oxygen out of any room (like his recent reception at Game 3 of the NBA Finals in New York), it’s definitely for the best. If nothing else, the World Cup has given us a chance to take a break from politics and talk instead about Messi, France’s Kylian Mbappé, England’s Harry Kane and all the amazing goalkeepers, including Cape Verde’s now-iconic Vozinha.

Never before have I so understood the therapeutic power of sport.

Who wouldn’t want to at least take a break from rising measles cases, the latest federal or Supreme Court decisions and primary tea-leaf readings to lose themselves in a game where exquisitely patient passing suddenly bursts into spectacular feats of speed and footwork? Where a well-defended ball can suddenly become a goal with a nearly undetectable flick of a foot, or a perfectly placed shot blocked by a goalie’s incredible ability to launch into space? Where an outcome that seems assured can be overturned in the final minutes to the collective roar of an international cast of thousands?

Vozinha of Cape Verde makes a save during the World Cup match between Spain and Cape Verde at Atlanta Stadium on June 15.

(Justin Setterfield / Getty Images)

Like many Americans, I have been occasionally embarrassed by the World Cup’s exposure of my world-geography ignorance — I know where Bosnia and Herzegovina lies on a map, but until recently, I couldn’t place Cape Verde, Curacao or, if I’m being completely honest, Cote d’Ivoire.

Isn’t it wonderful, though, to have a reason to reacquaint yourself with a world map that isn’t related to war, natural or man-made disaster or economic and political tension? The current U.S. administration may seem to be at odds with just about everyone, but visiting World Cup fans are here to remind us of all we share, beneath our crazy wigs and face paint, our cheers, groans and chants.

And we, as hosts, have shown them that America is so much more than the sum of our current government’s policies and posturing.

Watching all this happen, in real time, has been magical, miraculous and magnetic.

Not every moment, of course. Various visa issues created unnecessary and embarrassing drama; high ticket prices and transportation issues were blamed for empty seats at some of the early games. Members of the Iranian team and its coaching staff criticized the way they were treated (though the team left a handwritten note in the dressing room of Los Angeles Stadium, thanking L.A. for its hospitality). The controversial hydration breaks, and the extra commercials they accommodate, can be irritating (though when it’s close to 100 degrees in many stadiums, quite necessary). And though it didn’t matter in terms of standing, watching the U.S. lose to Turkey wasn’t much fun for American fans (though the Turkish exuberance was pretty infectious).

Overall, the 2026 World Cup has done exactly what it was supposed to do: create, in this country, a stage for the finest teams and players in the world’s most popular sport and, more important, carve out five weeks in which we can all spend a few hours removed from the political and cultural divisiveness that threatens to define us.

It’s space in which we can cheer, gasp and leap out of seats along with our families, friends and all the millions we will never meet but to whom we are connected all the same.

Now if you’ll excuse me, the next game is about to start.

METALLICA roadies were forced to intervene when a fan jumped on stage at the heavy metal band’s gig in Glasgow.  

The US-based group are currently on their M72 World Tour and performed to 56,000 fans at Hampden Park last week.  

But one Metallica fan ended up missing most of the show as he was apprehended by security when he jumped on stage before the concert started. 

A tense clip posted on social media showed the animated concert-goer aggressively refusing instructions to get down. 

In the end one of the security team was to shove the man from the stage with him being caught by another roadie. 

In a separate clip the troublemaker was escorted from the venue by police as fans rushed to comment on the shock events. 

FOR GROOM THE BELL TOLLS

Metallica’s James Hetfield, 62, engaged to stunning girlfriend, 45

No Repeat Weekend

Metallica UK tour 2026 – when are the dates and how to still get tickets

One wrote: “How to waste your night in one easy swoop.”

And someone else said: “Money well spent [eye-roll emoji].”

It comes after The Sun revealed Metallica are thrashing out a deal to land a huge residency at Las Vegas music venue the Sphere.

A source said earlier this year: “Metallica having a residency at the Sphere is all anyone is talking about on the Strip.

“They have been to see the bosses and met all the tech team to talk through and plan out a show in principle.

“The contracts are still to be signed but we were told they are 90 per cent there. Metallica will bring a different feel to a show there and there is a lot of excitement from bosses at the Sphere about what this could look like.”

MEXICO CITY — Mexico once again enjoyed a night of celebration with its fans, this time after defeating an old nemesis — the knockout stage of the World Cup.

El Tri won its first knockout match at a World Cup since 1986, beating Ecuador 2-0 on Tuesday night at the majestic Azteca Stadium packed with 80,824 fans.

From 1994 to 2018, Mexico failed to win a World Cup knockout game and, in 2022, failed to advance past the group stage — its worst showing at a World Cup since 1978.

“Bringing joy to the fans is the best thing that can happen to us,” Mexico coach Javier Aguirre said after the win. “Our duty is to give it our all on the field. Our duty is to defend our crest and represent our country with dignity.”

Thanks to an expanded 48-team World Cup format with a knockout round of 32 teams and a formidable home-field advantage, Mexico achieved a goal that had seemed impossible.

Mexico players celebrate after the World Cup round of 32 win over Ecuador in Mexico City on Tuesday.

(Fernando Llano / Associated Press)

Ecuador, which finished second in the South American World Cup qualifiers, put up a strong fight, bombarding the Mexican team with crosses, albeit without much organization.

Fans roared their approval for the Mexican national team, which took a lap of honor after the match, as the crowd sang “El Rey” and other songs to express their love for their team.

Julián Quiñones scored the first goal for Mexico in the 22nd minute on a counterattack, while Raúl Jiménez added the second in the 31st minute, in a match where El Tri had numerous scoring opportunities against an Ecuador side that did not appear to be well-organized defensively despite having advanced after defeating Germany in the group stage. The victory over Germany helped Ecuador become one of the third-place finishers to advance to the knockout round.

Mexico will play one more match in Mexico City, facing the winner of the England versus the Democratic Republic of Congo match to be played Wednesday in Atlanta. Mexico’s round of 16 game is scheduled for Sunday. The team is one step away from matching its best World Cup performance — a run to the quarterfinals it achieved in 1970 and 1986 when Mexico hosted both tournaments.

El Tri is now 4-0 in World Cup matches and has yet to concede a goal, both firsts for the Mexican national team.

Tuesday night’s showdown with Ecuador was delayed by an hour because of lightning.

The Ecuadorian team complained before the match that their fans had not received the tickets required by FIFA and that Mexican fans made noise all night outside the Ecuadorian team’s hotel — a common practice in Latin America designed to prevent the opponent from getting a good night’s sleep the night before a decisive match. Finally, Ecuador’s coach, Argentine Sebastián Beccacece, complained about the logistics of the trip to Mexico, claiming it involved long journeys that were an undue burden for his team.

Frustration flared up throughout the match, with both teams briefly crowding the sideline after a hard foul.

When Ecuador could not earn shots on target and time was running out during the second half, Piero Hincapié ran toward forward Santi Giménez and covered his mouth while speaking.

The referee saw the exchange and stopped play, calling for video review. Once he confirmed Hincapié’s action, the referee issued a red card and the Ecuador player became the second player this World Cup for violating FIFA’s restriction against players covering their mouths during heated exchanges. Since Ecuador lost, Hincapié will serve his red-card suspension during the team’s next international match.

FIFA established the new rule to prevent players from trying hide use of offensive language.

Paraguay’s Miguel Almirón was the first player to get a red card for the infraction against Turkey earlier in the World Cup.

Other players have covered their mouths while speaking to opponents during the World Cup, but a red card is only issued if the conversation occurs during a confrontation or heated exchange.

As La Cruz continues to break down barriers for the LGBTQ+ community in reggaeton, the rising Venezuelan star enjoys living out his gay fantasies in his music videos. Take the sultry video for his 2023 breakthrough single, “Quítate La Ropa,” which sees shirtless men perreando (twerking) before him in a locker room.

But at the same time, La Cruz has come to understand that his platform as a gay reggaeton artist coincides at a time when conservatism is sweeping the globe — and queer rights are receding.

“It fills me with happiness to represent a community that has been denigrated, treated badly and pushed into a corner for many years,” a bedheaded La Cruz says over Zoom from his New York City hotel room. (He had just performed at a Pride event the night before.)

“It’s a fact that [LGBTQ] rights are becoming progressive, but they’re rolled back even faster than they advance,” he adds. “This is very painful and concerning. This is happening in every country in different ways. During these difficult times, I’m going to keep putting my heart into my music more than ever.”

La Cruz is the stage name of Alfonso La Cruz. The native of La Guaira, a coastal city in Venezuela, pursued a music career after relocating to Spain in 2015. Following a brief stint on the singing competition “Operación Triunfo” three years later, La Cruz was closeted and found his momentum stifled. In 2022, he took the brave step of singing about his affection and lust for other men in his debut album, “Hawaira.”

Venezuelan reggaeton singer La Cruz released his new EP, “El Nene, Vol. 2,” on June 11.

(Maria Camila Pinzon)

Backed by the beats of reggaeton, a genre that had historically excluded the LGBTQ+ community, La Cruz found both his groove and his tribe with hits like “Te Conocí Bailando” and “Quítate La Ropa.” Early supporters included Colombian superstar Karol G, as well as Mexican American R&B singer Omar Apollo.

Alongside Puerto Rican provocateurs like Young Miko and Villano Antillano, La Cruz has continued to queer the heteronormative urbano space. He has also pushed his sound to broader horizons in his new EP, “El Nene, Vol. 2,” which includes “Sírveme,” a Brazilian funk banger with drag pop star Gloria Groove — and “Te Perdí,” a touching tribute to the victims and survivors of the 2016 Pulse nightclub shooting in Orlando, Fla.

La Cruz’s EP dropped on June 11, the day before the 10th anniversary of that tragedy, which largely impacted the queer Latino community. In an interview with The Times, he opened up about being a gay reggaetonero and “Te Perdi,” his tribute to the 49 people lost at Pulse.

It’s been three years since you first went viral with “Quítate La Ropa.” What have you learned about yourself during that time?
There are songs that have brought me a lot of love and I’m thankful to my fans that consider that song to be a classic. It’s brought me a lot of blessings. At this moment, I feel like I have the best opportunities in my life. However, I feel like the industry is a bit uncomfortable with an artist that’s openly gay and wants to be a part of this. That hasn’t stopped me at all. It’s the gasoline in my motor. It’s what pushes me to keep working hard. My fans are what’s building my career and I won’t let them down. I’m sticking with this until the end.

You connected with Karol G early in your career. Did she give you any advice when you met her?
I want to say publicly that I would love to open for her concerts on her Viajando Por El Mundo Tropitour. I’m very close to her. I love her so much. She has always treated me with so much love. I hope that something between me and her can happen sometime. I know everything happens in due time. I told her that I love the way she is and how she connects with her fans. When I see her singing and performing, I feel like she’s a sister to me. A big piece of advice that she gave me and that I’ll always carry with me is to never lose the humility and closeness that I have with my fans. The key to success is humility. I never want to be out of reach. I want people to see me and say, “I want to achieve my dreams like he has.”

How did your collaboration “Sírveme” with Gloria Groove come together?
I love her so much! I’ve always been a big fan of hers. I’ve gotten close to a lot of artists in Brazil and Gloria has been one of them. We didn’t think twice about making this song. Gloria was coincidentally traveling to the amusement parks in Orlando. I told her: “Baby, let’s go! I’m ready for you in Miami.” She told me: “Baby, I’m going to Miami!” We met one afternoon to create this song. She paused her vacation to go to the studio with me. It was very beautiful. I love my Brazilian fans.

With “El Nene, Vol. 2,” why was it important for you to also shed a light on the 10th anniversary of the Pulse nightclub shooting?
In 2016, when I recently arrived in Spain and my brother recently arrived in the U.S., we had a call with our family. My brother said, “There was a shooting close to where I live and it was in a gay club.” My family has supported me since I first told them about my sexuality. I thought that that could’ve happened to me.

I’m following up on this tragedy because it shaped my life. As the years go on, information about this attack has faded away. Each day people are talking less about it. It’s a tragedy that’s super important to remember, like 9/11 and the [2017] Las Vegas shooting, because it’s one of the worst attacks in U.S. history. Why are we not talking about it anymore? We have to keep talking about things so that they don’t happen again.

What inspiration did you pull from the Pulse tragedy for your song “Te Perdí”?
On this path, I’ve gotten to know the stories of people that survived that shooting. For example, there was a boy with his mother that lost her life and he survived. There’s a lot of stories of love from that club that have [since] come out. When I went to the studio, I was inspired by loss, or a love that’s gone away, with respect and love for the community that supports me. It is my gift, to be a voice for this situation that should never be repeated. There are people that don’t know about this tragedy and I want to let the world know that this happened. I hope that the victims’ families and the people that survived are living lives of peace and calm.

The Dodgers won the World Series last year, and the year before that. Their lead is the largest in any division this year. That success, and the money that nourishes it, has battalions of fans beyond Los Angeles all but marching outside ballparks with picket signs reading “SALARY CAP NOW.”

It’s a reasonable thought: The Dodgers can’t possibly keep winning if they can’t keep outspending the competition.

Or can they?

“There are a lot of little things that happen behind the scenes that people don’t see,” pitcher Will Klein said. “I understand where people are coming from. It’s easy to be a fan of a smaller team and get mad at other teams outspending you.

“But I think there’s a level of care here, and wanting to win, that exceeds other groups.”

The obvious disclaimer: Any team would be better with Shohei Ohtani and Freddie Freeman and Mookie Betts and Yoshinobu Yamamoto, at a combined price of $1.6 billion. The counter argument: The Angels had Ohtani and Mike Trout and, well, you know.

It takes a roster. In Klein and pitcher Eric Lauer, the Dodgers have done something they do well besides spend: develop valuable contributors out of players discarded by other teams.

The Dodgers grabbed Lauer last month, desperate to fill a hole in their starting rotation. The Toronto Blue Jays had cut him, and he would be joining his seventh major league organization. The logical thought: The Dodgers had found a healthy arm to eat up some innings until they could find someone better.

That still might happen. But Lauer, who is set to pitch Monday, has put up a 3.22 earned-run average in four starts with the Dodgers. Four starts is a small sample size, but in that time, Lauer is a career league-average pitcher performing 28% above league average.

“They got me immediately,” Lauer said. “They figured me out right away, and they knew exactly what was going to help me.”

For Lauer, the changes affected his delivery, but the specifics were not as important as finding a kindred spirit in Connor McGuiness, the Dodgers’ assistant pitching coach.

“I’ve always had a really hard time explaining myself and what I do, because I think a little differently,” Lauer said.

“When I was with the Brewers, it was running joke that it was ‘the language of Lauer,’ because I would describe things so differently and feel things so differently that, if you weren’t close to me and you didn’t know how I operate, it was very hard to understand what I was trying to do.

“Connor just immediately got it. It was like he’s been speaking it forever.”

At one point in his career, Lauer said, he struggled to explain the sensation of catching his heel on the mound as he completed his delivery toward home plate.

“I would describe it as, ‘I was falling backwards and I would catch myself,’ and it’s a really weird concept to think somebody was falling backwards when it doesn’t look like you’re falling at all,” he said. “It looks like you’re just moving forward.

“So they were like, ‘That’s not what you’re doing’ and I was like, ‘That’s what I’m feeling.’ We have to make the connection between the feel and the real so that we can understand each other.”

Klein, who joined his fourth organization when the Dodgers acquired him in a minor league trade last June, is in his first full major league season. He has a 2.37 ERA, and his 0.7 wins above replacement is better than any Dodgers reliever besides veteran closer Tanner Scott.

Klein said other teams had made suggestions on how to improve his game, and with the Dodgers, he has added a sweeper and dumped a slider. But what he needed to do most was throw more strikes, trusting that his lively fastball and curve were good enough to beat the best players in the world.

In the minors, Klein issued 6.9 walks per nine innings. This season, he has issued 3.6 walks per nine innings.

The credit, he said, should be shared with the Dodgers’ mental skills coaches.

“It’s easy to see the guys in the batter’s box — especially when you come up watching baseball and being fans of these guys, it’s easy to see them being above yourself,” Klein said.

“But you’re on the mound with them, so you have to see that too. There’s a lot on the mental side that’s helped me here.”

Dodgers pitcher Will Klein delivers against the Tampa Bay Rays at Dodger Stadium on June 16.

(Eric Thayer / Los Angeles Times)

The Dodgers did not include Klein on their postseason roster for the first three rounds last year, but he said coaches at all levels — in the majors, at triple-A and at the Arizona training complex — never stopped checking in on him, during the season and throughout October.

“When you’re down there, they don’t forget about you up here,” he said. “That kind of commitment and care was levels above what I had experienced.”

When the Dodgers added him to the World Series roster, Klein saved the season, with four scoreless innings to close out an 18-inning victory in Game 3.

Lauer called the communication in the Dodgers’ organization “miles ahead” of any other organization in which he has played.

“The training room, the weight room, the coaching staff, the players to each other,” he said. “Every form of communication is so seamless. Everybody knows what’s going on all the time. There’s no gray area.

“It’s all: ‘This is the plan, this is what we want to happen, this is how we’re going to make it happen,’ instead of: ‘This is the plan, this is what we want to happen, figure out a way to make it happen.’”

Klein raved about how the Dodgers treat player families, and about a high-tech pitching machine so lifelike that he could see what it would be like to bat against him. Lauer reflected on his experience as a first-round pick turned journeyman who went to South Korea to revive his career.

“I have a hard time saying anybody has done a better or faster job of helping me than the Dodgers,” Lauer said.

What Lauer and Klein say substantially echoes what Dodgers president of baseball operations Andrew Friedman said at last year’s World Series about turning the team into a preferred destination for players, and not just because the team wins and spends.

“Communication, being honest, having a really strong player development group in place at the major-league level, and how you treat families and treat the players,” Friedman said then, “I think matters a lot in that.”

To be clear: There is no indication the players’ union is willing to consider, let alone approve, a salary cap.

But, if that were to happen, Klein believes the Dodgers would be just fine.

“Our owners want to win, so they want to get the best product on the field, so they go and spend money,” he said, “and then everyone is mad that they want to win.

“I think they’ll find ways to win more if they can’t spend as much money. Friedman was with the Rays when they weren’t spending as much money and still had success there.

“I think they’re just better at wanting to win than some other people.”

MEXICO CITY — The Mexican national team overcame a lackluster first half to rout the Czechia thanks to a dream second half that allowed it to finish the group stage undefeated on a night that will be remembered as one of the greatest in Mexican World Cup history.

The celebration of Mexico’s 3-0 win Wednesday at Azteca Stadium turned into a tribute to legendary goalkeeper Guillermo Ochoa, who entered the game in the final minutes to receive a standing ovation unlike any other Mexican player has ever received in the history of the tournament.

With the loss, the Czechia was eliminated after failing to earn more than one point in the tournament. In the other group match, South Africa defeated South Korea 1-0 in Monterrey and advanced in second place. South Korea will have to wait to find out if it advances as one of the eight best third-place teams or it was eliminated.

Czechia put up a strong performance during the first 45 minutes, during which Mexico showed little offensive clarity, mainly due to a lack of control in midfield.

Everything changed in a matter of six minutes during the second half, when El Tri figured out Czechia and secured its best victory in the group stage.

Mateo Chávez, 22, opened the scoring in the 55th minute with the help of Mexico’s lethal counterattack. Luis Romo set up the goal by shaking off three Czechia players at midfield and pushing forward, passing to Chávez, who beat Czechia’s Michal Sadilek and buried a shot to the left side of goal.

Forward Julián Quiñones extended the lead in the 61st minute, exploiting Czechia’s defensive confusion in the penalty area.

Álvaro Fidalgo, who was a second-half substitute, capped the win with a stoppage time goal. The run on the final goal was set up by a booming Ochoa kick and triggered a raucous celebration by the goalkeeper and his teammates.

The match encapsulated both the present and the future of the Mexican national team.

Gilberto Mora, a 17-year-old midfielder from Tijuana and the team’s youngest player at the World Cup, was instrumental in the second half, setting up several of the plays that decided the outcome. With a 2-0 lead, one of the greatest moments for a goalkeeper in World Cup history unfolded. Ochoa replaced starting goalkeeper Raúl Rangel and was greeted with a standing ovation from a large portion of the 80,824 fans at Azteca Stadium.

Mexico’s Julian Quinones celebrates scoring his side’s second goal against Czechia during a World Cup match in Mexico City on Wednesday.

(Silvia Izquierdo / Associated Press)

The fans chanted Ochoa’s name every time the goalkeeper touched the ball, honoring a player who has competed in six World Cups for Mexico.

Coach Javier Aguirre said that finishing first in the group was a “primary objective” for Mexico, which had already qualified for the next round. The team achieved a first for a Mexican national team by securing three consecutive wins without conceding a goal in the group stage of a World Cup. Mexico defeated South Africa 2-0 in the opening match and South Korea 1-0 in the second game.

The national team, which is co-hosting the tournament alongside Canada and the United States, will face its next opponent — one of the best third-place finishers — on Tuesday at Azteca Stadium.

The only sour note for Mexico came in the scoreless first half when the restless crowd unleashed a popular homophobic chant at least twice. FIFA has previously sanctioned the Mexican soccer federation in an effort to stop fans from saying the chant.

MIAMI GARDENS, Fla. — World Cup tickets are expensive. Flights to North America are expensive. Hotel rooms in many places are expensive.

Then there’s the price of beer.

There are some fun — and yes, sometimes pricey — food and drink offerings at the venues playing host to the World Cup. A $75 caviar-topped tray of tater tots and a $40 empanada weighing in at 5 pounds for the daring or for sharing in Miami. Ribeye tacos for $8 in Guadalajara, Mexico. Something called a Twinkie cheeseburger that has nothing to do with dessert for $22 in Los Angeles.

Prices, in many cases, aren’t all that different from what U.S. fans would experience on NFL Sundays or college football Saturdays. But some international fans aren’t used to such pricing and are calling foul, especially over beer prices that can top $20.

“It’s unfair. It’s not right. It’s wrong,” said Thomas Schüller, an engineer from Germany in Toronto to watch his national team play over the weekend, as he held a beer that cost him 24.25 Canadian dollars (about $17). “It’s three times the cost of what I pay in my country.”

But is that stopping him?

“Well, no,” Schüller acknowledged.

Beer prices become a mild pint of discord

There is clearly some sticker shock among international visitors to this World Cup, especially when it comes to the concession prices. In Europe, it’s not uncommon for beers to be perhaps around 4 or 5 euros (about $5-6).

There’s also no shortage of intrigue on the menu at the concession stands at stadiums across the U.S., Canada and Mexico.

“Never seen anything like it,” said Janine Arbetter, a fan from Austria, as she waited for a hot dog, chips and soda combo in Miami last week. The pre-tip price: $19.35, which included a discount for using Visa. “It’s a lot of food for a little snack.”

Some Argentina fans happily showed off their $34 lobster rolls from a match in Kansas City on social media, but in Toronto, the brisket sandwich with chips and a bottle of soda for nearly 40 Canadian dollars ($28) had some online commenters lamenting it as “robbery.”

“It’s OK, more or less, for the World Cup,” German fan Daniel Feldmann said of the food prices while watching a match in Vancouver last week.

Concession offerings vary from stadium to stadium

FIFA, the sport’s governing body and the tournament organizer, has very specific rules on just about everything related to the World Cup — and there are guidelines that concessionaires have to follow as well. But prices can vary by market, as do the food and drink offerings. And that means the experience in one city might look, or taste, nothing like what’s offered in another.

The “Fancy AF Tots” for $75 at Miami Stadium aren’t really tots at all — it’s three deep-fried hash brown patties, with caviar, creme fraiche and chives. (For those who just want the caviar, it’ll be $70.) Southern California’s Twinkie cheeseburger is in fact a burger topped with a Texas Twinkie — a bacon-wrapped jalapeño stuffed with brisket and cream cheese.

But there’s also a slew of choices specific to a local market; for example, Vancouver offers short rib poutine along with a maple bacon smokie (smoked sausage topped with bacon onion jam that features Canadian maple syrup).

And in Miami, the signature offerings include pan con lechon (a Cuban-style sandwich with pork, infused with citrus mojo sauce and served on a toasted full Cuban loaf) and Empanada Mundial (the five-pound, handmade, chicken-and-cheese-stuffed dish named after the World Cup).

Both Vancouver and Miami have Sodexo Live as a food and beverage provider, and the typical game-day menus in both stadiums were revised a bit to accommodate a soccer crowd.

“We want it to feel like Miami when you’re here,” said Zach Williams, Sodexo Live’s vice president of operations at Miami Stadium. “Everything we do around the Miami Stadium, we want to make sure everybody understands that when they come here, they’re getting a Miami experience.”

Atlanta Stadium keeps prices low

In Mexico City, a beer could cost a day’s pay — literally. The daily minimum wage in Mexico City is just 315.04 pesos (roughly $18). Some beers at Mexico City Stadium were selling for between 299 and 310 pesos — about twice as much as fans would ordinarily pay in the same stadium when the World Cup isn’t in town.

But in Atlanta, where Falcons owner and stadium operator Arthur Blank promised the low concession prices he’s championed for many years would hold for the World Cup, pizza slices were $3, 32-ounce sodas were $4, a cheeseburger was $5, chicken tenders with fries were $6 and beers could be had for as little as $8.

Jonathan Arango, a 33-year-old from Greenville, S.C., was at a match in Atlanta with his wife, daughter and father.

“In total for what we got — three orders of tacos, a slice of pizza, two waters and a Coke — we spent like $50,” Arango said. “Compared to what we’ve paid at other events … it’s nice after you paid a lot for a ticket.”

And Schüller pointed out that even though the tournament does come around every four years, it still feels like a once-in-a-lifetime experience.

“The entire football world is having fun,” Schüller said, “so cheers to that.”

Reynolds writes for the Associated Press.

England head coach Thomas Tuchel has admitted he is not a fan of the controversial hydration breaks being used at the World Cup.

Tuchel, 52, was speaking before England’s second Group L game against Ghana in Boston on Wednesday (21:00 BST), where rain and cool temperatures are forecast.

England’s fans started the now customary jeering of the breaks when play was stopped in the first half of their opening game against Croatia in Dallas, despite the match being played under a roof in an air-conditioned arena.

The breaks will continue to be used in Boston irrespective of the weather, but Tuchel expressed his reservations about them and the impact they are having on games.

“I think that it interrupts and changes the identity of a football match much more than I thought. I had hydration breaks before when it was really, really hot and needed, but they were shorter,” Tuchel said.

“They were shorter and they were just in a few matches. In the interests of fairness here, it is now done in every match for every team.

“It breaks the match almost in four quarters. And I think it changes the characteristic of the match more than I thought.”

KATIE Price has slammed “beggy” women after Lee Andrews is sent a saucy snap from a fan asking him to “forget” his wife.

The Sun revealed how the self-proclaimed ‘billionaire businessman’ – who had spent the last month locked up in Dubai’s notorious Al-wir prison –was freed earlier this month.

Lee, 43, wasted no time trying to make some cash out of his notoriety and began selling messages on Cameo.

However, an upset Katie, 48, took to Instagram to share a sexy snap her husband received in his DMs.

The woman, who we will not identify, wrote: “Just forget Katie and let me come look after you x.”

The fan also sent Lee a racy image of herself dressed in a leather miniskirt and black stockings.

‘SHOULD BE ASHAMED!’

Katie Price wishes Dwight Yorke a ‘s*** Father’s Day’ in savage post

KISSED & DISMISSED

What happened to Katie Price’s exes who vanished from the spotlight?

Lee had not accepted or replied to the message and Katie slammed the woman in her Instagram stories.

Posting the conversation, she said: “Why are some girls so beggy messaging my husband?

“Have some decorum, says a lot about @***.*****, I’m embarrased for you.”

Yesterday, Katie made a cryptic post about the hardship couples who are meant to be together sometimes face.

The TV star took to Instagram to share a quote for her followers and left it standing alone with no extra input on her story.

The former model – who recently reconnected with her estranged husband Lee also debuted a bruised new pout after fresh injections during a sweet reunion with daughter Princess Andre.

The reality star teased: “Me & My Princess Ready For Filming.”

However, Katie’s face appeared heavily bruised and tender, with purple marks along her upper lip line.

Lee also appears to have had a makeover as he left Dubai’s notorious Al Awir jail with what appeared to be a fuller head of hair.

Lee marked his social media comeback with a video showcasing a suspiciously dark, freshly overhauled mane.

The Sun revealed how he had visited a hair salon to enquire about a permanent wig – but he didn’t go ahead with it in the end.

He has also claimed he has lost 20lbs after spending weeks in the hellhole Dubai jail.

TIJUANA — About 150 miles from SoFi Stadium, south of the Mexican border, sits the hotel housing Iran’s World Cup team for its games at the Inglewood venue.

The entrance to the Marriott in Tijuana is barricaded, flanked by police and members of the Mexican National Guard, guns held close. No one enters without a hotel reservation or special pass.

Despite the tensions and challenges surrounding Iran’s participation in the World Cup, early Saturday morning finds the mood inside the four-star hotel relaxed, even jubilant. Several dozen fans mingle and bond over their shared excitement to see the squad’s players before they depart for their second group-stage match at SoFi.

“I wanted to come down to support Iranian soccer, and cheer for them when they exited the building and make them happy,” says Lucas Zarrabi, 13. The teen, who attended Monday’s 2-2 draw with New Zealand and has a ticket for Sunday’s match against Belgium, is one of several fans from Los Angeles who made the drive to stay with the team. Others flew in from San José and even Miami, turning up at the hotel not quite four miles from the U.S. border crossing.

Showing up is important, some said, because of what they describe as unfair conditions imposed on the team. After the outbreak of war, the Iranian team was forced to move its base camp from Tucson to Tijuana. Eleven team officials and staff members did not receive U.S. visas. The Trump administration has also denied Iran’s requests to arrive two days before matches — and mandated that the team must leave immediately after each game.

“Every little technicality is making it difficult for the team,” says Abbas Eftekhari, 65, who was born in Iran and has lived in the U.S. for more than 40 years. “I think this is going to drain them psychologically and also physically.”

Iran’s soccer federation has been vocal about the obstacles, saying it would lodge a complaint with FIFA.

“Football shouldn’t lose its power to politics,” Hedayat Mombeini, secretary-general of the Iran Football Federation, said Friday. He added that the restrictions “are certainly having a negative effect on us, but we are trying to overcome these problems with our Iranian pride.”

Since the team landed on June 7, Ali Eslami has visited the hotel gates nearly every day.

“It’s the best pleasure for me. I wished them the best luck. I told them it’s hard but they’re doing excellent things,” said Eslami, who splits his time between Southern California and Tijuana.

He was there again Friday, waiting for the players to return from afternoon training blocks away at the Estadio Caliente, home to the Liga MX’s Xolos.

“I have been in America for 50 years — this has been the most emotional thing, to see the team that I have not seen in 50 years,” he said.

Some Iran fans fear reprisal from fellow members of the diaspora for supporting the team, insisting they were in Tijuana for the love of soccer and the players, not politics. Eftekhari worries that the mood at Iran’s first match, where fans and protesters clashed, affected the players.

“As soon as they see that their countrymen have slogans against them, it also has a negative psychological effect on them. But, that’s how things are at this time,” Eftekhari says.

Just over 24 hours until Sunday’s noon kickoff, it’s not just Iranian fans contributing to the atmosphere. A group of flight attendants from China staying at the hotel embrace the excitement, donning jester hats and waving scarves colored red, white and green. And soccer fans from Tijuana are eager to show some local hospitality. Iran has diplomatic ties with Mexico, unlike with the U.S., and sought to move its group-stage matches to the country where it has an embassy.

“We love the Mexican people very much, and for us, the best situation is for our games to be held in Mexico,” Abolfazl Pasandideh, the Iranian ambassador to Mexico, said at the time.

Leonardo Ramirez Lopez, a 10-year-old soccer fanatic from Tijuana, clutches his autograph album in hopes he’ll get new signatures.

“It’s a new team that I don’t have experience with how they play,” he says. But Iran is already his third-favorite team, behind Colombia and Argentina.

After more than two hours of waiting, several dozen fans break into cheers as players finally file through the lobby. The squad smiles and waves, stopping for a few autographs. As each player leaves, he kisses a Quran, pressing his forehead against it before boarding the bus to Tijuana’s airport.

“Iran, Iran! Whoop, whoop!” fans cry, breaking into song.

Angueira writes for the Associated Press.

As the noise-rap-electro act Jane Remover shrieked and pleaded through a 90-minute marathon set at the Fonda on Thursday night, one very young couple dressed right out of a conservative‘s nightmare — gender-ambiguous, purple hair, facial piercings — tapped me on the shoulder. They politely asked if I could mind their newly bought vinyl for a bit as they thrashed in the heaving crowd. Of course, this unc obliged them.

Anyone who laments that L.A. crowds don’t dance should go to one of the last sets of Jane Remover’s three-night stand at the Fonda this weekend. It had the most genuinely raucous pit I’ve seen in 2026, made all the more feral for how sweet and earnest it was. After a hotly tipped Coachella set, this Live Exhibit tour affirmed that the subculture Jane Remover built may or may not have wider pop potential, but it’s getting big enough to count for stardom in the fractured music world of today.

Jane Remover is a trans polymath producer and singer-songwriter with influences across rave, shoegaze, trap and beyond. They’ve built up a ferocious elaboration on the hyperpop of predecessors like Sophie, who similarly packed so many good ideas into songs they became talismanic to fans, a tonic to reinvent yourself (new Charli XCX opener Underscores is another fellow traveler).

The music itself sounds like reverse-engineering the moment in the 2000s when metalcore kids discovered EDM. Only now it’s Discord-disaffected youth ramping up hardstyle techno, autotuned girlypop ballads and rage-rap to an explosive fusion point. “Census Designated,” Jane’s brash and dramatic 2023 coming-out LP, tipped them as a force beyond the underground. But they soon eclipsed it with 2025’s “Revengeseekerz,” a deliriously overheated mix of romantic yearning, internet score-settling and virtuosic production prowess.

Backed by just a DJ (Dazedgxd, who opened the set) and a retina-scorching light rig up front, Jane acknowledged on Thursday that the stakes were getting much higher. They joked that they’d played the El Rey like three times before this tour, and to judge by the wild-eyed passions out in the audience, the Fonda will probably be the smallest venue they’ll play for some time. “It gets so cold this high up,” Jane sang on “Turn Up or Die.” “Can’t go to hell but I can drop you off.”

The sentiments driving the music are ultramodern: self-aware, vicious and desperately vulnerable. The hilariously zesty “Angels in Camo” (home to the all-time banger of a line: “Jesus never had it with a freak b—”) wrapped up with a bloodletting plea that “I can’t let you b— win.” Jane wields that word like the flaming sword on the “Revengeseekerz” album cover, with all the casual lustiness of Future but also the wrath of a reclaimed slur.

On “Professional Vengeance,” they grappled with the weird lures of celebrity and intimacy, where no one really knows anyone but desire still courses; “Experimental Skin” found them craving and fighting off God and nihilism and technology and addiction all at once.

The tension in these tracks are the binding agent for Jane’s fan base — the music is full of contradictions and incompatibilities smashing together that just feel like being young right now. Other than a quick affirmation that fans of all identities and backgrounds will always be welcome at their shows, they let the contorting, violent music speak for itself about the way queer fans are feeling about life under siege in the United States.

If the set was a bit too long for the limited setup onstage, it was because Jane simply had that much music to let out — that caliber of emotion to unburden, that much want to acknowledge. It seemed like the set was closing with “In the Dark,” an aching ballad from their Venturing side project, plainly declaring “I still dream of us” through a fog of effects. But instead they ramped it back up for one last cathartic blast to close, sending their faithful out onto Hollywood Boulevard, sweaty and filthy and fundamentally known.

HARRY Styles dramatically stopped his Wembley gig midway through a song to help a fan in distress.

The 32-year-old halted singing Taste Back when he realised a concert-goer needed support.

“You can’t find your sister?”, Harry said over the mic as he spoke to a member of the audience.

He then beckoned over security who rushed to their aid.

Harry added: “You looked very concerned.”

Asking if everything was OK, Harry said: “You’re good? We’re good.”

READ MORE ON HARRY STYLES

styles counsel

Insiders reveal the surprising woman shaping Harry Styles’ bold new era

WILDE TIMES

Olivia Wilde breaks silence on Harry Styles romance & says ‘it upset people’

He then made a thumbs up to security.

Harry kicked off a record-breaking 12-night run at Wembley Stadium on Friday for his Together, Together tour.

Harry released his latest album — Kiss All The Time. Disco Occasionally — in March and it immediately shot to No1 in the charts.

Addressing crowds, this week the pop star said: “Just outside of this building 16 years ago, my sister brought me to London for the very first time for my X Factor audition.

“So driving here today, and anytime I come through Wembley, means so much to me.

“It was in that building that I was put into a band, my sister is here tonight. It means a lot to be here tonight.”

He added: “My mum entered me into the X Factor without me knowing and I wouldn’t be here today if she hadn’t done that, so thank you so much.

“You changed my life, all of you, so thank you so, so much.”