fan

More than 20 years after Michael Jackson was acquitted on charges of child molestation — and two months since the global superstar’s record-breaking biopic skirted any mention of abuse allegations — a new Netflix docuseries brings his trial and the aftermath to the foreground.

“Michael Jackson: The Verdict,” a three-part documentary directed by Nick Green and released Wednesday, chronicles his 2005 trial in Santa Maria that began with a search raid of the pop star’s sprawling Neverland Ranch and ended with a jury finding him not guilty on 10 counts, including four counts of child molestation. At the center of the case was Gavin Arvizo, a then-15-year-old cancer survivor from Los Angeles.

Because recording was not allowed in the courtroom, the documentary relies heavily on archival footage from media surrounding the trial and firsthand accounts of key figures involved, including prosecutor Ron Zonen, Jackson family attorney Brian Oxman, journalist Diane Dimond, two trial jurors, and friends and supporters on both sides of the case.

The episodes also delve into the 2003 documentary “Living With Michael Jackson,” in which the pop star is interviewed by British journalist Martin Bashir, that sparked questions about his behavior, leading to the charges against Jackson. Jackson’s historically questionable relationships with children, the media circus surrounding the trial and the effect it had on fans, the family at its center and Jackson himself are explored, too.

Here are six key takeaways from “The Verdict.”

Jackson allegedly had his personal assistant order child pornography

One of the docuseries’ most revealing interviews came from Vincent Amen, a former Jackson associate who worked at Neverland Ranch from 2002 to 2003. He said he was put in charge of taking care of the Arvizo family during their stay at the property following media backlash from Gavin Arvizo’s appearance in “Living With Michael Jackson.”

At that time, Amen said, he “wholeheartedly” believed in Jackson’s innocence, especially because Jackson’s friend Frank Tyson, also known as Frank Cascio, a member of the family who filed a lawsuit against Jackson’s estate in April detailing alleged sexual abuse, vouched so strongly for him. Cascio, who met Jackson when he was 5 years old and later became his personal assistant, told Amen, “Michael would never do this with a child.”

Amen’s conviction shifted, however, after he discovered a disturbing magazine that apparently belonged to Jackson in Cascio’s possession.

“Frank cleaned out his house of anything that came from the Neverland Ranch. And he hands me a Nike bag,” Amen said in the docuseries. “I took the bag and I’m driving home, and I felt, ‘Something’s a little suspicious.’ And I said, ‘Let me take a look in this bag.’ I start taking videos to document this. I open the bag. I start looking, and I see a magazine.”

The series shows shaky footage of Vincent apparently finding a nudist magazine called “Naturally.” He flips to a video ordering section with titles circled in black marker, including videos called “Nudist Youth Weekend” and “Euro-Nudist Family.”

“I confronted Frank, I said, ‘Frank, what is this magazine? Because, you know, there’s circles around videos with naked children,’” Amen recounted. “He said, ‘That’s just a phase that Michael and I went through. He circled the videos that he wanted, I ordered them, and it was a phase that we went through.’ They watched them together.”

The Arvizo children called Jackson ‘daddy’ and had their own bizarre nicknames

Along with footage of the nudist magazine, Amen held on to other evidence of his time with Jackson and the Arvizo family, including a set of Polaroid pictures featuring Gavin’s mom, Janet, and younger brother, Star.

In one, Star points directly into the lens. It’s captioned, “You my daddy Michael.” Another photo of a smiling Janet and Star includes a handwritten caption from Janet that says, “Dearest loving Michael, we appreciate you being our family. What God brings together, no man can undo. We love you.”

Under a photo of Star with a cross-eyed expression, he wrote, “I love you, my daddy Michael. Your son, Blowhole.”

“These are the nicknames that Michael would give these young boys,” Amen said.

Bashir documentary marked a pivotal shift in the perception of Jackson

Martin Bashir in “Michael Jackson: The Verdict.”

(Netflix)

Though the first allegations of child molestation against Michael Jackson emerged in 1993, it was footage from Bashir’s “Living With Michael Jackson” that ignited public concern about Jackson’s relationship with Gavin.

In a pivotal scene from the 2003 documentary, Jackson brings Gavin in as an example of a child with cancer that he helped. Gavin, 13 at the time, leans his head on Jackson’s shoulder and holds his hand. Jackson tells Bashir that the two often share a bed at the Neverland Ranch, though in another scene he stresses that it’s not sexual.

“I realized that we had something that was hugely significant, but I didn’t realize the extent of the bombshell until the broadcast,” Bashir recalled in “The Verdict.”

“You can see it. You can look at that moment in the Martin Bashir documentary and you can actually pin the end of his life to that very moment,” J. Randy Taraborrelli, Jackson’s childhood friend and biographer, said in the docuseries.

Given Jackson’s stardom, news and tabloid media swarmed the scene of the trial along with droves of dedicated fans (and a much smaller contingent of detractors). And the archival footage from “The Verdict” shows the extent to which fandom and media frenzy influenced the proceedings.

Jackson’s fans stationed themselves throughout the route he’d take to the Santa Maria courthouse with signs showing their support, sometimes standing and shouting and other times driving alongside him and honking. Jackson had his director of security, Kerry Anderson, film these drives while he waved and engaged with supporters.

As many as 1,000 fans showed up on the first day of the trial, and many would line up starting at 5 a.m. for raffle tickets that would allow them to enter the courtroom. One fan interviewed for the docuseries, Sheree Wilkins, said she quit her job as a preschool teacher to move to Santa Maria for the trial. When the “not guilty” verdicts were announced, she fainted and had to receive medical attention.

TV news stations from around the world, including Taiwan, Japan and Mexico, sent crews to cover the trial.

Even inside the courtroom, where cameras were not allowed, enthusiasm for Jackson’s music could not be contained. Attendees recalled everybody, from the jury to the judge and even the prosecution, “swaying in their seats” when songs played as part of an evidence display.

“I remember me moving in time to his music,” prosecutor Ron Zonen said. “At one point Tom [Sneddon, the District Attorney leading the prosecution] jabbed me and said, ‘Would you stop moving your foot?’ ”

Jackson’s mental and physical health deteriorated

Mark Geragos briefly served as Jackson’s defense attorney.

(Netflix)

According to numerous interviews in “The Verdict,” Jackson’s substance use was problematic before and during the trial.

Jackson was not at Neverland during the raid that predated his charges. According to journalist Dimond, her sources said he was in Las Vegas “having wild parties.”

“There were cigarette burns in the leather couches and chairs. There were empty liquor bottles on every table. And this is where Michael Jackson had been for several days, entertaining young teenage boys, who all spoke German,” she said.

Later, Jackson’s well-publicized physical pain became the catalyst for controversy when he was hospitalized overnight, where he was allegedly given enough pain medication “to tranquilize an elephant,” and failed to show up on time for court the next day. The judge threatened to issue a warrant for his arrest if he didn’t make it to the courthouse within the hour, leading Jackson’s team to speed there at 90 mph.

Throughout the trial, stress took an enormous toll on Jackson, defense attorney Mark Geragos said in the docuseries.

“I watched him just disintegrate, literally disintegrate. The ingestion of substances was just astronomical. There was a time when I actually saw him in the fetal position on the floor, and I thought, ‘What do we do?’ I mean, you don’t want his death to be on your hands because you took some inaction,” he said. “We had genuine concerns whether he could even withstand a trial — physically, mentally.”

The prosecution’s case fell apart at the hands of key witnesses

“The Verdict” lays out, step by step, how the trial ended in Jackson’s full acquittal. One major contributor, the docuseries seems to argue, is the downfall of the prosecution at the hands of its own witnesses.

Defense attorney Tom Mesereau was an expert at discrediting witnesses, subjects told the filmmakers, but certain key witnesses, like Janet Arvizo, struggled to connect with the jury on their own.

“I called her Janet from another planet,” admitted juror Melissa Herard. “Sorry, but that’s just how she acted.”

Jackson’s ex-wife Debbie Rowe was meant to take the stand as a smoking gun for the prosecution but instead revealed no new information and came to Jackson’s defense.

The prosecution also partially hinged its case on past allegations of child sexual abuse against Jackson, but conflicting testimony caused these efforts to backfire. A former Neverland employee claimed to witness Jackson molest Wade Robson when he was a child, but Robson took the stand and denied anything happened.

“It’s hard to convince a jury when the subject of the act itself said it didn’t happen,” Zonen said.

In 2013, Robson reversed his stance and filed a lawsuit against the Jackson estate alleging sexual abuse. His allegations, along with those of James Safechuck, were the subject of the 2019 documentary “Leaving Neverland.”

Nothing could possibly generate a headline Tuesday night when the worst American League team — the Angels — played host to the perhaps the worst National League team — the Colorado Rockies.

Except. . .

This.

A fly ball conked Angels right fielder Jo Adell on the head and bounced over the fence for a home run, reminding fans of José Canseco’s similar gaffe 33 years ago.

Adell chased TJ Rumfield’s fourth-inning drive onto the Angel Stadium warning track and reached up to catch it. The ball grazed his glove before bouncing squarely on his noggin and over the wall.

The ball caromed back into the outfield and Rumfield momentarily stopped at second base. But the umpires confirmed the home run, coupling Adell with Canseco in numerous social media posts.

Canseco, the steroids-fueled, defensively challenged left fielder of the Texas Rangers, made a similar blunder on May 26, 1993, when a ball hit by Cleveland’s Carlos Martínez bounced off his head and over the wall.

Mike Trout presumably has witnessed every possible blooper, blunder and boo-boo in 16 seasons with the woeful Angels. The center fielder stood only a few feet from Adell when this one occurred and did not make himself available for comment afterward.

To his credit, Adell faced reporters.

“It looks like I’ve never played in the field before, which is disappointing, because it’s beyond the truth,” he said. “I’m the only one that really knows what happened. I was out there, and it happened to me, so it is what it is.

“It was kind of the icing on the cake, because I was [expletive] all the way around the whole day today.”

Adell was hitless in four at-bats, striking out twice, in the 8-2 loss that dropped the Angels to 23-39, the worst record in the AL.

The play was emblematic of Adell’s seven-year career with the Angels, who made him a first-round draft pick in 2017. At first blush, his lifetime Wins Above Replacement of 0.3 would indicate that he’s little better than the fictional minor league “replacement player” to which MLB players are compared in calculating the statistic.

Yet Adell’s physical tools and occasional highlights scream stardom. He shouldn’t be an ordinary Jo. The antithesis of the embarrassing episode Tuesday night came less than two months ago when he robbed the Seattle Mariners of three home runs in one game.

“It was the Jo Show,” Angels manager Kurt Suzuki said at the time. “This guy works as hard as anybody I’ve ever been around. His work ethic, attention to detail, his desire to improve every single day. To see him do that, I don’t believe you’ll see that again.”

Suzuki, who was Adell’s teammate in 2021 and 2022, likely never thought he would see a fly ball bounce off the outfielder’s head and into the stands, the Jo Show shifting to Oh, No!

“I saw the play, but for me, Jo’s made great strides defensively from when I played with him,” Suzuki said Tuesday. “And obviously, he had the night he robbed three home runs. It was a tough play tonight, but at the same time, the strides that he’s made defensively have been great.”

Adell was considered a defensive liability early in his career and was saddled with a four-base error in 2020 when a fly ball hit his glove and went over the fence. But he steadily improved and became a Gold Glove Award finalist in 2024.

That didn’t stop the “Tarps Off” throng of shirtless fans at Angel Stadium from chanting Adell’s name after the gaffe against the Rockies. For his sake, they likely will revert to imploring Angels owner Arte Moreno to “sell the team” soon enough.

Adell might have to stay away from social media forever, but he would like to forget the ball bouncing off his head as soon as possible.

“That’s what we have to do,” he said. “I mean, there’s really no other way around it. Let it fester and tumble over, but these are plays I’ve made hundreds and thousands of times. I’ve got to just keep going, and as a team, we’ve got to keep going.”

Brooke McCree, a 22-year-old recent UCLA graduate, is the first to admit she’s been going to the movies a lot less.

Back when Regency operated the local Village and Bruin theaters in Westwood Village, she would often take advantage of the student discount and see as many movies as possible. But in the two years since the theaters closed, she said moviegoing for many UCLA students has become inaccessible.

“At UCLA, it’s been rough because I’ll have to walk really far or take the bus [to the movies]. There’s nothing really nearby,” said McCree, who recalled fond memories of seeing movies like “Madame Web” and a “Hunger Games” prequel in a dense crowd of excited college students. “I was pretty devastated when it initially closed.”

There is still hope for the Village Theatre, which recently received a breath of new life thanks to some of Hollywood’s biggest names.

For the first time since 2024, the theater opened its doors early last month for the Los Angeles debut of Billie Eilish and James Cameron’s co-directed concert film, “Hit Me Hard and Soft: The Tour. ” Hundreds of fans filled the college town’s sidewalks, and streets were closed for the black SUVs that dropped off A-listers and executives on the bright blue carpet.

The event was reportedly the first of a limited number of premieres and screenings planned for this summer to support a 12-month renovation set to begin this fall.

The revival is being led by Village Directors Circle, a group of 35 filmmakers who purchased the theater in 2024. They include prominent directors Jason Reitman, who is leading the effort, and Christopher Nolan, J.J. Abrams, Guillermo del Toro, Judd Apatow, Steven Spielberg and Chloé Zhao.

A representative for Reitman declined to comment on the plans.

Nissan GT-R NISMO sports cars are seen outside the Fox Westwood Village Theatre, promoting the “Gran Turismo” movie in 2023.

(AaronP / Bauer-Griffin / GC Images )

The $25-million restoration, which organizers previously told The Times would be completed next year, includes plans for a restaurant, bar, gallery and a multipurpose space in the lobby for filmmakers and hosting premiere-related events.

Last year, the coalition of directors announced that American Cinematheque would operate the theater, hosting special screenings of new releases and repertory titles and conversations with filmmakers. The film non-profit already runs Santa Monica’s Aero Theatre and co-programs both the Egyptian Theatre in Hollywood and the Los Feliz 3.

Historically, the neighborhood has been a tricky market for businesses, said Jonathan Kuntz, a former lecturer at the UCLA School of Theater, Film and Television. He worked in the area for nearly 40 years and saw much turnover among local businesses due to high rents and inadequate parking.

“We’ve had some great things, like bookstores and eateries that have flourished sometimes for a decade or two, but it faded out,” Kuntz said. “[The theater] will certainly help Westwood if it is a success.”

For that to happen, Kuntz said, 1400-seat theater will need to screen a regular supply of films to a diverse customer base, including nearby students that have long been among its most frequent customers.

Many current UCLA students are already eagerly anticipating the theater’s reopening, said Ingrid Fan, a senior at the university majoring in public affairs.

“It’s been a bummer to have it closed for so long,” said Fan. “My friends and I always talk about how we just wish it opened sooner.”

While the theater’s renovation timeline won’t be complete before she graduates, she’s certain that other students will make good use of it when it reopens.

“Westwood is a college town, and we are always looking for a new source of community. It’s a space a lot of students would definitely flock to,” Fan said.

Broxton Avenue in Westwood Village during one of UCLA’s First Thursdays community events.

(Myung J. Chun / Los Angeles Times)

A historic movie hub

The university and its surrounding village, including the theater, were developed simultaneously throughout the 1920s and 1930s. Designed by Percy P. Lewis, the Westwood Village Theatre originally opened as a part of the Fox Theatres chain in 1931.

Despite launching during the Great Depression, the Westwood Village Theatre had a prime location working in its favor.

Westwood was imagined as a satellite town in West L.A. that would eventually support the growing UCLA campus. The neighborhood became known as the third major movie theater hub, behind downtown and Hollywood. In the 1920s, when the Chinese and the Egyptian theaters opened on Hollywood Boulevard, Westwood was next in line as a booming premiere destination.

“It was much more convenient to those folks than going to downtown Los Angeles, or even to Hollywood,” Kuntz said.

This was an era of moviegoing when premieres were essential to a movie’s box office success, drawing substantial marketing opportunities. The volume of films being produced at the time made it necessary to have multiple premiere-ready theaters around L.A., Kuntz said.

A “Terminator” poster is unveiled at the world premiere of “Terminator 3: Rise of the Machines” in 2003.

(Robert Mora / Getty Images)

Over its 95-year history, the venue has been remodeled a handful of times, including in the 1950s when television became a mainstream medium. Soon, multiplexes emerged, which put the Westwood Village location at a disadvantage. To this day, the theater can only show one film at a time.

In the 1970s, the venue joined the Mann Theatres chain, and in 1988, it was designated a historic cultural monument.

Regency Theatres took over the Village Theatre and its neighboring film venue, the Bruin, in 2010. Notably, in 2018, Quentin Tarantino used the Bruin during the filming of “Once Upon a Time … in Hollywood,” which is set in late-1960s Los Angeles.

The ticket booth at the Regency Bruin theater in Westwood Village all boarded up, as seen on the afternoon of Nov. 3, 2020.

(Carolina A. Miranda / Los Angeles Times)

Regency continued to operate the two locations until its lease ended in 2024. Although the group of Hollywood directors was quick to bid on the Village (the Bruin was not included in the deal), the theater has remained closed since then, with the exception of the recent Billie Eilish premiere.

As theaters continue to navigate rough waters amid hopes of a durable post-pandemic recovery, celebrity buyers have become a driving force in the effort to preserve some of L.A.’s historic venues. Tarantino operates both the New Beverly Cinema and the Vista, and most recently, Kristen Stewart purchased the Highland Park theater.

“A lot of people in Hollywood want to preserve at least some of what made classic Hollywood successful, like the big screen experience,” Kuntz said. “These folks are the ones who could afford to buy a movie house or two, program it and keep that tradition alive.”

L.A. Times staff writers Josh Rottenberg and Meg James contributed to this report.

Three weeks ago The Times published an article in which general manager Perry Minisian said the Angels are “very competitive” and “our best baseball is in front of us.” He then cited run differential and team ERA as examples. After getting swept by the Dodgers by a combined 31-3 the Angels had the worst run differential, worst won/loss record and are at or near the bottom in all pitching and hitting categories in MLB.

Since owner Arte Moreno believes that “winning is not a top priority,” he must be very pleased with both the work of his GM and the team’s performance so far this season. That the three games against the Dodgers were sold out was not because of fans’ desire to see this “very competitive” Angels team.

Rob Nelson
Dana Point

The Angels’ ultimate indignity is its own hometown newspaper doesn’t regard it highly enough to staff its games with a full-time writer. The Angels are irrelevant in Southern California and the owner isn’t self aware enough to realize it.

Ron Yukelson
San Luis Obispo

I just wanted to give praise to the Angels TV and radio broadcast teams. Even with the Angels having the worst record in baseball, and having suffered 10 straight losing seasons, the broadcast teams approach the games professionally and always with a positive attitude. As a lifelong Angels fan, it always reminds me of that saying “hope springs eternal.”

Steve Shaevel
Woodland Hills

Police in Budapest are studying camera footage to identify supporters fighting before Saturday’s Champions League final between Arsenal and Paris St-Germain.

A police statement said the incident occurred in the early hours of Saturday morning.

Footage emerged on social media showing what was said to be about 30 supporters of each club brawling and lighting flares.

“Several fans got into a fight on May 30, 2026, at around 00:20 in Budapest’s 7th district, on Kiraly Street,” a police statement said.

“The BRFK 7th District Police Department has initiated proceedings against unknown perpetrators for the crime of gang violence, within the framework of which the camera recordings are also being analysed.”

Nearly 4,000 police officers will be deployed across the Hungarian capital for the Champions League final, with tens of thousands of fans expected to travel to Budapest without tickets.

On Tuesday, Hungary’s deputy national police chief Zoltan Janos Kuczik said: “This will be the largest single-day police deployment in Hungary’s history.”

It was described as a “high-risk event” with security preparations beginning more than a year ago.

Two Portuguese and a British man were arrested on Friday following a fight at the Champions League fan festival site and charged with disorderly conduct.

Police said a British man who climbed on to the roof of a parked car and damaged the vehicle was also arrested.

The prodigal “Daughter From Hell” returns: Gracie Abrams just announced her upcoming tour, and it includes four nights in her hometown of Los Angeles.

The 64-date Look at My Life tour hits arenas across North America and Europe starting Dec. 2 in Denver, before the singer lands in L.A. later that month. Abrams will take the stage at Inglewood’s Kia Forum for four nights: Dec. 14, 18, 19 and 20. The North American leg of the tour concludes in Brooklyn in March, and she kicks off the European leg in April.

The tour will follow the release of Abrams’ third studio album, “Daughter From Hell,” which drops July 17 via Interscope Records. Abrams took to Instagram to share her upcoming tour dates, teasing fans with the caption, “we’re baaaaaack.”

At the Kia Forum, Abrams will be supported by openers Rachel Chinouriri and Holly Humberstone, both popular British singer-songwriters. Fans can sign up on Abrams’ website for access to the June 2 pre-sale for all dates before tickets go on sale to the general public June 5.

Abrams most recently played in L.A. as part of a three-night residency at the Kia Forum in August 2025 for the Secret of Us Deluxe tour. There, she brought out surprise guest Audrey Hobert, Abrams’ longtime best friend and collaborator. Abrams’ other frequent collaborator, musician and producer Aaron Dessner, co-wrote and produced her latest single, “Hit the Wall,” which dropped in mid-May in advance of her new album.

“There’s nothing I wouldn’t tell either of them, so it makes it easy to be completely open when writing,” Abrams told The Times of Hobart and Dessner in 2024.

Her September 2024 shows at L.A.’s Greek Theater sold out so quickly that the singer-songwriter had to add two additional dates to meet demand. At the time, Abrams told The Times that she would keep performing if the fan support continued.

“As long as they’ll have me, I’ll do this,” she said.

Spotify Technology SA announced several new initiatives — from concert ticket perks to a major AI-generated music licensing deal — that the Swedish audio streaming company said will help fuel growth over the next four years.

At the first investor day led by new co-chief executives Gustav Söderström and Alex Norström, Spotify outlined a vision revolving around features that will allow people to personalize their listening experience, whether with music, podcasts, audiobooks or working out. Investors liked what they heard, pushing Spotify shares up as much as 18% over the course of the presentation.

Spotify addressed one of Wall Street’s biggest concerns about artificial intelligence by announcing a major new licensing deal with Universal Music Group NV. The agreement will let Spotify launch a tool to let fans create covers and remixes of their favorite songs from artists and songwriters who opt in. Powered by generative AI, the tool will be available as a paid add-on for Spotify Premium users. It will open up additional revenue streams for Spotify and create a new source of income for artists and songwriters on top of what they already earn on the platform, according to the companies.

Spotify has been working with the music industry on ways to harness the power and consumer interest in AI without violating artists’ rights. Last October, the company announced an agreement with the biggest record labels to use AI in a “responsible way,” but didn’t specify at the time what those tools would look like.

“This era of generation doesn’t need to threaten the future of music,” said Charlie Hellman, Spotify’s head of music. “Because we built the system legal, trusted and aligned, we can make sure that the value flows back to the people who created it.”

In another big announcement, the company laid out plans to work with Live Nation Entertainment Inc. to offer Spotify subscribers the option to purchase two tickets to their favorite star’s concert before they go on sale to the general public. The move could help resolve some of the issues fans have had in beating ticket resellers to face-value tickets, while encouraging customers to stay on as subscribers even as Spotify raises monthly fees.

Fans have long complained about the ticketing process for live performances, which often pit people against bots and scalpers, leading to high prices and sold-out shows.

“It’s frustrating for fans,” said Rene Volker, head of live events. “It’s frustrating for artists too, who look out at a crowd and wonder, are the fans who built my career actually here?” The new “Reserved” perk is designed to relieve some of that tension. “No racing bots, no chasing around online for presale codes. Just two tickets held for you,” she said.

The presentations Thursday were designed to comfort investors and prove that Spotify can still innovate. Wall Street has been skeptical that the company can rein in costs while staying ahead of competitors, particularly as it relates to AI. Those concerns have weighed on shares this year, sending them down 25% through Wednesday’s close. While the company makes most of its money through subscriptions, the executives sought to reinforce the idea that they have other levers to pull in order to generate sales beyond monthly fees and that people are willing to spend more for certain features.

The company outlined its growth targets through 2030, including a compound annual growth rate in the mid teens, a gross margin of 35% to 40% and an operating margin above 20%. Spotify remains committed to its long-term goal of 1 billion subscribers, $100 billion in revenue and over 40% in gross margin, the executives said.

Spotify sees its podcast and audiobook features as complementary to music and said the combination of the multiple verticals has helped broaden its community and convert users from free listeners to paid subscribers. Today, more than 500 million people have streamed a video podcast on Spotify, up nearly 50% from a year ago. And in just a few years, Spotify has captured about 20% of the audiobooks market in the US, executives said. People who use all three verticals — music, podcasts and audiobooks — are engaging with Spotify almost every day of the month, according to the company.

Giving people the tools to personalize their listening experience helps keep them in Spotify’s universe — creating what executives described as the “all day user.”

Personal Podcasts, for example, lets people write a prompt in the Spotify app and AI will create a unique podcast in response.

“We see this much more as a daily brief and a recommendation engine than something that would replace you listening to one of your favorite podcasts,” Söderström said in an interview. He noted that 60% of users in mature markets for Spotify don’t yet listen to podcasts, so features like Personal Podcasts could get them to dive into the medium.

The company said its podcast business has been profitable for two years.

Spotify’s Audiobook+ tier gives listeners more than their allotted 15 hours of audiobook listening per month for an additional fee. It has 1 million subscribers and is on track to generate $100 million in annualized revenue, the company said. To capitalize on the demand, Spotify will start selling even more audiobook hours to super users. Additionally, it will allow podcasters to offer memberships, so subscribers can access special episodes and other content. Spotify will take an undisclosed slice of revenue from the memberships.

Carman writes for Bloomberg.

Russell Crowe has pushed back against TMZ’s coverage of his recent interactions with a crowd of autograph seekers.

“Clickbait,” the “Gladiator” actor wrote in a Monday post on X. “Everybody got their autograph and selfie, the passage to the hotel was kept free for guests, and I still got to the airport on time. One man, no security. Handled. What’s your problem ?”

Earlier that day, the outlet had posted a video of Crowe addressing a crowd of fans and autograph seekers outside of a Paris hotel before making his way to them to sign various memorabilia.

“If you needed a reminder that fans are not always priority No. 1 — turn to Russell Crowe — cause the guy was absolutely not having it outside of his Paris hotel,” TMZ wrote in its since-deleted X post sharing the video. The outlet also framed the video as Crowe “explod[ing] on Pushy Autograph Seekers” in its news story.

In the video, the Academy Award winner is shown giving clear directions to those gathered for his autograph or to snap a photo with him.

“Stay where you are, don’t f— push in on me, I’ll come to you,” Crowe says. “Give everybody space. As soon as somebody’s a d—, I’m gone.”

The actor then approaches the crowd to sign various items held out in front of him. The short clip ends soon after Crowe declines a request to also write “Maximus” — the name of his “Gladiator” character — next to his signature as he continues to sign other things.

Crowe’s temperament, blunt demeanor and distaste for certain aspects of “celebrity” have long been fodder for news coverage. In 2005, the actor made headlines for throwing a phone that hit a Manhattan hotel concierge.

“If I ever was going to torture somebody, I’d put them in a room where they can’t leave and have someone new come in every three minutes and ask the same question over a number of days and then weeks,” Crowe said in a 2010 interview with The Times, describing what happens at a movie press junket on the eve of embarking on one.

“Some people believe celebrity is a power that should be used. Ultimately, your dollars are more powerful,” Crowe said in that interview. “I’m famous for making movies. Celebrity just happens to be an unfortunate byproduct of what I do.”

The Vicar of Dibley star Dawn French was taken aback when a fan yelled at her in the street enthusiastically but had mistaken her for her fellow sitcom legend Dame Joanna Lumley

Dawn French was taken aback aback when a fan mistook her for Dame Joanna Lumley. The comedienne, 68, is best known playing the title role of Geraldine Granger in The Vicar of Dibley, while former model Joanna, 80, starred as boozy fashion magazine editor Patsy Stone in Absolutely Fabulous alongside Dawn’s sketch comedy partner Jennifer Saunders.

The TV star took to social media on Bank Holiday with a humorous video where she recounted the situation for her fans and followers as she appeared to take it all in good humour.

She said: “So I did something on the telly and come out of there, just walking along and [someone shouts] ‘Hey you, you! You are absolutely fabulous.’

READ MORE: Dawn French shocks fans with talk of ‘funeral’ plans and the sad story behind new projectREAD MORE: Joanna Lumley says she believes secret to not ageing is not eating meat as she turns 80

“Oh, thank you very much!’ [And they said] ‘No, you are Absolutely Fabulous, Joanna Lumley. That’s you!’ Yeah that’s me all right!” Captioning the post, she wrote: “ABSOLOOOOTLY FABLUSS!!!”

Fans were quick to react to the post, with one simply writing: “Joanna Lumley,” and leaving behind a string of crying-laughing emojis. Referring to a moment from the second series of The Vicar of Dibley, in which Geraldine is mistaken for a celebrity, another fan wrote: “Its like someone thinking you’re Alison Moyet all over again!”

Another joked: “You’ve finally made it [face palm emoji]” and a fourth said: “Recognition get it where you can! and another said: “Poor fella probably thinks Joanna Lumley was a lady vicar.”

Author and singer Jann Arden wrote: “joanna lumley!! just the best. I once had someone come up to me in the grocery store, they were awfully excited and then proceeded to tell me that I looked like Jann Arden’s mother. So there’s that.”

Dawn is actually part of the history of Absolutely Fabulous, which followed the capers of hapless PR guru Edina Monsoon and her best friend Patsy.

The sitcom, which ran sporadically over the course of 20 years, was initially based on a sketch that appeared as part of French & Saunders titled Modern Mother and Daughter, where Dawn played the part of Edina’s straight-laced daughter Saffy, and the part was eventually taken on by Julia Sawalha when the project was greenlit as a full series.

Dawn later made a cameo appearance as a television presenter in the first series, and reprised the role for Absolutely Fabulous: The Movie in 2016, alongside a host of other guest stars like Rylan Clark, Kate Moss and Dame Joan Collins.

Joanna’s early career consisted of appearances in Coronation Street and The New Avengers but she has also gone on to become known for narrating a host of travel documentaries, and has found renewed sitcom success with a starring role in Amandaland.

Meanwhile, as well as French & Saunders and The Vicar of Dibley and more recent TV roles with Can You Keep A Secret? , Dawn has carved out another career as an author, having recently released her fifth novel Enough.

It follows a woman named Etta who at 68 invites all of her family to go to the beach as the sun is rising, where she tells them that by sunset, she won’t be there anymore.

“She’s made a decision to excuse her kids from the difficult, prickly last part of life,” Dawn said as she appeared on The One Show. “And she has made this decision thinking that it’s extremely selfless to do that.”

The star told the BBC show’s hosts Angellica Bell and Clara Amfo that she felt that the fact her own father had died by suicide gave her some “permission” to write the story. Dawn also shared that her own age – 68 – was also a factor when she penned the book.

She said: “I feel a little bit of permission to write this theme because I am a child of suicide myself. My dad took his life when I was 19. And I have lived with the various stages of grief about that for my whole life.”

Like this s tory? F or more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram ,Twitter , Facebook , YouTube and Threads .

Lifelong Angels fan Johnny Gonzalez has reached his boiling point as the team sits at the bottom of the standings, but he’s not giving up. And he’s not alone.

The Angels completed a surprise sweep of the Rangers Sunday, but the team still is tied for the worst record in Major League Baseball with a 20-34. Their fans spent the holiday weekend pushing back against the idea that the franchise would never be more than a bargain option amid rising prices all around them.

Frustrated fans have gone shirtless during the Angels’ homestand and chanted for owner Arte Moreno to “sell the team.” And about 75 fans heeded Gonzalez’s call for a protest, gathering in front of the Angel Stadium State College Boulevard entrance on Saturday chanting “sell the team,” “we want playoffs” and “winning matters.” Drivers passing the spectacle honked their horns in support.

“They’re not doing much for us fans,” said Gonzalez, who organized the protest using the Instagram account @AngelsBoycott. “It seems like every other team is just doing a lot more than us, despite us having a huge following [and] having some of the best players to ever play the game. I mean, it’s just like a lack of commitment, to say the least, and that’s why we’re here today.”

Angels fans wave signs and urge owner Arte Moreno to sell the team to an ownership group willing to invest more in winning during a pregame protest Saturday at Angel Stadium.

(Joaquin Ruiz / For The Times)

It has been three months since Angels owner Arte Moreno told the Orange County Register that, according to Angels survey results, winning was not a top-five priority for fans and that data showed they valued affordability, safety and a “good experience” first.

Outrage over the remarks has grown as the Angels remain anchored at the bottom of the standings.

With a megaphone in his hand, Gonzalez pointed to the Ducks’ recent Stanley Cup playoff run as proof that Anaheim enjoys winning. He also noted how the nearby Dodgers and even the Padres demonstrate how Southern California teams can play for the postseason.

The Angels have missed the MLB playoffs for 11 consecutive seasons — including six with stars Shohei Ohtani and Mike Trout on the roster — and have reached the postseason six times since Moreno purchased the team in 2003 after the franchise’s sole World Series title win in 2002.

Team officials did not respond to The Times’ request for comment on the fans’ protest, but manager Kurt Suzuki addressed the “sell the team” chants that are so loud they can be heard during Angels television broadcasts.

“I know it’s a thing, the no shirts and waving,” Suzuki said. “But yeah, we see it. We recognize it. They have the right to their opinion, and … they cheer for the guys, they roll-call them. I think it’s pretty neat for them to have that kind of support.”

A fan wears a bag over his head that says “Sell the Team Arte!!!” during a game against the Rangers on Friday at Angel Stadium.

(Mark J. Terrill / Ap Photo/mark J. Terrill)

Suzuki added that the Angels remain focused on winning and haven’t paid the chants too much attention.

The Angels entered Sunday’s game ranked No. 9 in MLB attendance with 34,555 announced fans per night, according to ESPN. There are swaths of empty seats during every home game, suggesting some season ticket holders are choosing to stay home.

There is an expanding contingent of fans in the upper deck adjacent to the right-field foul pole who have chanted “sell the team” while waving T-shirts, joining in on a trendy “tarps off” fan movement across MLB sparked by Cardinals fans in St. Louis.

Angels fans who haven’t joined the protests are pleased to see the calls for change.

“I think it’s good that there’s fans that are passionate enough to actually speak out, to want to see a better team and really want to get us back into the playoffs,” Darren Shimasaki, an Angels fan from Yorba Linda, said Friday.

Debbie and Reed Olive, meanwhile, said they usually attend games for the promotions.

“You’re not going to come away with the wins,” Debbie said. “So, we got to get something for our ticket price.”

Even the fan experience unrelated to winning that Moreno touted has taken a hit.

Angels officials said they quickly resolved a rodent infestation Orange County health inspectors flagged at an outdoor food stand in View Level Section 432. Videos of stadium workers capturing a possum in one fan section and spraying gnats on the field during the last few weeks haven’t helped the team’s image.

Reed said the rodent infestation “was a bad look” and that the Angels need a new stadium in addition to a new owner.

Catcher Logan O’Hoppe, who has spent his five-year career with the Angels, said he understands the fans’ frustration.

“We don’t like not doing well, either,” O’Hoppe said. “It’s not OK to us. It doesn’t matter how much we’re getting paid or that we get treated great throughout the league and things like that. We hate it, too. I think people definitely don’t realize that. I think I can speak for a lot of guys in here that we dedicate our lives to this. … We’re not happy with how it’s going, but we’re doing everything we can to fix it.”

O’Hoppe is a New York Rangers fan and gets frustrated when his team struggles, but he said he reminds himself that “we’re all humans.”

The Rangers’ Josh Jung is tagged out at home by Angels catcher Logan O’Hoppe on Friday at Angel Stadium.

(Mark J. Terrill / Ap Photo/mark J. Terrill)

Angels left fielder Wade Meckler, who made his debut on Friday night, is an Orange County native who grew up cheering for the team.

“I mean, I get it,” Meckler said. “It’s a hungry fan base. The fan base is hungry for a winning team. So I understand, you know, being frustrated. They just really want a winning team.”

Meckler has been following the Angels since age 5 and remembers feeling dejected after attending the Angels’ 4-1 home loss to the Royals in Game 2 of the 2014 American League Division Series.

“It’s a super loyal fan base,” Meckler said. “I feel like they show up with energy every day.”

The Angels are on track to miss the postseason for a 12th consecutive season, prompting restless fans to call for new owners who will invest in building a team capable of reaching the playoffs.

“Arte don’t know what he’s talking about,” said Austin Kleschka, an Angels fan who joined Gonzalez at the front of Saturday’s protest. “Winning is a priority. We want that.”

Losses by 6-0. 15-2. 10-1. How do you want to spin the Angels now, GM Perry Minasian? Are things still grand in Arteville?

Humiliations galore!

Jim Fredrick
Manhattan Beach

Really? The Angels cannot hit, cannot pitch and certainly cannot field. Their hitting coach, pitching coach and manager Kurt Suzuki‘s terrible management are much higher on the list of what’s wrong with this miserable team this year. So sad.

Michael Reuben
Anaheim Hills

The recent emergence of shirt-waving fans at Angel Stadium urging ownership to “sell the team” is an opportunity for reflection. With the long ago departure of the controversial former Clippers owner Donald Sterling, is Arte Moreno now truly the worst owner in sports? Sterling was truly detestable in his time, but at least he fielded a highly competitive and exciting Lob City squad led by legendary coach Doc Rivers. For the 2026 Angels, the dog days have already begun — before Memorial Day weekend.

Rob Fleishman
Placentia

Going into Memorial Day weekend, the Dodgers are in first place and the Angels are in last place. Plus the Angels’ shirtless fans in the stands are screaming at owner Arte Moreno to “Sell The Team!” The more things change, the more they stay the same. Ho hum.

Chris Sorce
Fountain Valley

WASHINGTON — The NAACP is calling on Black athletes and fans to boycott the athletic programs of public universities in states that are taking steps that the nation’s oldest civil rights group says are restricting Black voting rights.

Launched on Tuesday, the “Out of Bounds” campaign urges prospective Black athletes, their families, alumni and fans to “withhold athletic and financial support” from major public universities in states that “have moved to limit, weaken or erase Black voting representation.”

If Black athletes participate in the boycott, it could deplete rosters for powerhouse football and basketball programs across the Southeastern Conference and Atlantic Coast Conference.

The NAACP is among groups responding to a wave of gerrymandering in the aftermath of a Supreme Court ruling that winnowed a key provision of the Voting Rights Act of 1965.

The boycott comes as civil rights activists have mobilized across the South to protest redistricting plans by Republican state legislatures that eliminate majority-Black congressional districts after the high court’s ruling. Activists have looked for pressure points to dissuade GOP-led states from redistricting maps, including calls for mass protests and economic boycotts.

“Across the South, Black athletes have helped build some of the most profitable college athletic programs in America,” said NAACP President Derrick Johnson. Johnson noted that the programs “generate hundreds of millions of dollars in annual revenue, national television value, alumni donations, merchandising sales, ticket sales, and brand equity — much of it powered by Black football and basketball talent.”

The NAACP’s campaign calls out Alabama, Florida, Georgia, Louisiana, Mississippi, Texas and South Carolina as states to boycott, arguing that the athletic programs of those states’ flagship universities are especially reliant on Black athletic talent and should protect Black political interests.

“Black athletes should not be asked to generate wealth, prestige, and power for state institutions while those same states strip political power from Black communities,” said Johnson.

Black lawmakers themselves are also putting pressure on athletic leagues to take action against Republican-led states that may redistrict longtime Black members of Congress.

The Congressional Black Caucus on Monday sent a letter to the commissioners of the SEC and ACC athletic conferences, as well as NCAA President Charlie Baker, that its members will oppose the SCORE Act, a bill to standardize athletes’ contracting rights across the country, unless conference leaders oppose GOP-led redistricting efforts in states that include major conference members.

“The Congressional Black Caucus believes institutions that profit from Black talent and Black communities have a responsibility to stand with those communities when their fundamental rights are under attack,” the CBC said in a Monday statement. “Silence in the face of injustice is not neutrality — it is complicity.”

Brown writes for the Associated Press.

“It’s so intimidating to walk through here,” says an arena staffer as she scurries under the sight line of a video camera on a tall tripod. It’s a couple of hours before the Sparks’ home opener against the Las Vegas Aces on Mother’s Day. None of the photographers or videographers or security guards respond. She says it again. Still they don’t react, but they’re not being rude. They’re just all laser-focused on a 6-foot-4 blond wearing a stunning white Alaïa runway set that happens to be both a perfect ab showcase and an unmistakable style gauntlet thrown.

As every WNBA fashion watcher already knows, the blond can only be Sparks forward Cameron Brink, a Vogue favorite and a staple on LeagueFits, the Instagram account that has amassed a million followers since 2018 with a curated stream of tunnel fits. How do they differ from regular off-court attire? These are highly stylized, high-stakes pregame outfits that many professional athletes wear when arriving at the stadium or arena, capitalizing on the opportunity to get seen on their own terms.

Cameron Brink wears an Alaïa top and skirt and Louboutin shoes.

The popular images share a common visual language: The players show up in outfits so expressive they raise an exhilarating middle finger to the very idea of quiet luxury. The backdrops are always drab; concrete floors and metal doors. The stark contrast between the two, and the suggestion of backstage access, make the photos irresistible to fans.

No one skips the tunnel walk. The Sparks rookies are here early, Ta’Niya Latson first, followed by Ji-Hyun Park and then Chance Gray, all arriving while the last section of sparkly black carpet is still being laid down on the literal tunnel, which is finally emblazoned with the team logo. That’s the one they’ll all walk in uniform to get onto the court. We are in the proverbial tunnel, it is the bustling back-of-house that players must traverse on their way to the locker room, which means that all around us the enormous task of staging a pro ballgame is unfolding in a practiced frenzy.

Less than a month ago, Latson went classic Hollywood at the WNBA draft with a glamour girl dress, meticulously laid spit curl and elbow gloves, but today she comes in sporty and fun, in a Puma top and jeans with a folded-down waistband. It’s her very first league game, and the moment is surreal, joyful. “It doesn’t even feel like I’m here, but I am,” she says.

A team staffer pulls a forgotten wad of blue painter’s tape off the floor. A photographer checks her light levels. Three gaffers rush by with heavy coils of electric cord slung over their shoulders. Park is next to arrive. A basketball star in Korea, she’s new to L.A. but already wearing a sweatshirt from a local brand, Madhappy, and does not seem at all intimidated by the cameras, giving them a playful pose, head cocked and leg kicked out. Not long after, Gray, in a plaid mini, is also posing at the photographers’ request, switching effortlessly between signature Gen Z stances, chin resting atop a bent hand. She, too, showed up at the draft in a flawless gown, but today all three rookies seem to have wisely cast themselves in a sort of spirited younger sibling role.

Ta’Niya Latson wears a Puma top and Louis Vuitton bag.

Jihyun Park arrives for her tunnel walk in a Madhappy sweatshirt and Nike sneakers.

Chance Gray wears a Revolve top and shoes, I.am.Gia. skirt and Ganni bag.

Word spreads that Sparks starter Kelsey Plum will be there soon and everyone straightens up. More team staffers rush by. To play basketball you need only a ball and a basket. To magic a WNBA production into existence, you need so much more. A man bearing a dozen brand new jerseys, designed as a callback to the original 1997 uniform, weaves past a line of people going the other way, carrying orange Gatorade coolers and stacks of branded blankets wrapped in thin plastic. An assistant speeds back and forth, loaded down with pallets of snacks, her long hair streaming behind her.

And then Nneka Ogwumike steps into view. After two seasons in Seattle, her return to L.A. is triumphant. As president of the Women’s National Basketball Players Assn., she helped secure a historic new agreement, signed March 24, with salary numbers that mean real money across the board. And in case there were any lingering doubts about her loyalty, she’s made a pointed clothing choice: a pair of custom tapestry pants constructed from a Lakers logo blanket, created by KA Originals designer and former player Kristine Anigwe. The message is simple. “L.A. for life,” says Ogwumike.

Nneka Ogwumike wears custom KA Originals tapestry pants constructed from a Lakers blanket.

Now the rush begins. As we’re talking to Ogwumike, Sania Feagin slips by in a multicolored knit beanie, smile unmissable, holding a bouquet of Mother’s Day flowers from one of the league’s social media managers. Then Emma Cannon embraces the holiday by pulling her son and twin daughters behind her in a wagon. As the family is photographed, several Aces members come in and pause for a brief hug and coo before ducking quickly out of frame. The energy could not be more different from a boxing weigh-in. No spotlight stealing. No antagonistic peacocking.

It is, indisputably, the home team’s turf. And Plum, next to arrive, treats it like her runway. Willy Chavarria sunglasses on, textured Ferragamo trousers glittering with each camera flash, she strides through without pausing. The look has her signature rebel edge, but the guard is working with a new stylist, Karla Welch, who’s known for transforming actors into fashion darlings — her client Greta Lee (“Past Lives”) is the face of Dior’s latest campaign.

Soon after, we get another speed strut from guard Erica Wheeler, whose giant “EW” initial chain from the GLD Shop is the iced out topper to an outfit that’s a master class in artful layering, composed with the assistance of stylist Miguel Moss. Wheeler dipped into Willy Chavarria’s Adidas collab with both her shorts and a pair of black sneakers with a metal-tooled toe in a floral pattern that the designer named after the Compton Cowboys.

WNBA LA Sparks player Emma Cannon with her three children.

Kelsey Plum wears Ferragamo top and pants, Willy Chavarria sunglasses and Jude boots.

The entire time players are walking through, music has been booming through the hallways. Gradually, it becomes clear that the game DJ and host are also getting ready, running through their playlists and patter. When Rae Burrell enters, the game announcer is rehearsing, exhorting the not-yet-arrived crowd to cheer for their team. Burrell may have worked with a shopper to procure options, but she styled herself in this cheer-worthy outfit — a gray minidress that satisfyingly contrasts with a pair of bright white Moon Boots, all pulled together the night before.

Star stylist Brittany Hampton, who has worked with Brink and Plum, says, “historically, [the players] were told to kind of put themselves in a box … to shrink themselves.” The league had very narrow standards for how women were expected to look. But now, according to Hampton, their fashion choices are a projection of power: “It’s an act of their own ownership.”

Before she headed to the locker room, Burrell thanked everyone and called out a cheerful invocation, “Successful first game!” That’s the appeal of the tunnel walk. You cannot stay suspended in pure potential. There is always a ticking clock. A game will be played. Someone will win and someone will lose. None of us know yet that the Sparks are about to get trounced by the Aces, losing by 27 points. It might seem like it would be more sensible for this ritual to take place after the game, for the victors to stage a triumphant, high-style parade and for everyone else to slink out, unnoticed. But where’s the glory in that? To be an athlete is to prove yourself constantly, to always be risking your ego and your body. Without these stakes, without the backdrop of the tunnel and the promise of the competition, it would just be a runway.

In the third quarter, as the Aces’ points keep piling up, the Jumbotron lingers on a fan wearing a simple white T-shirt, probably self-made, emblazoned with an iconic 2024 image of Kelsey Plum in black sunglasses and head-to-toe black leather. Plum is braless, her vest open to reveal a shimmery pile of silver chains, her abs on defiant display. It is a potent, and lasting, assertion of self. The fan in the T-shirt smiles as their image, and Plum’s, looms over the arena.

Dearica Hamby poses with her daughter, Amaya, and wears an Ottolinger set, Steve Madden shoes and Balenciaga.

Rae Burrell wears Prada sunglasses and Diesel bag.

Ariel Atkins wears Zara pants, Charles Keith top, Bape shoes and Ganni bag.

Sania Feagin wears Mnml pants and jacket and Supreme beanie.

Head coach Lynne Roberts.

Jade Chang is the author of the novel “What a Time to Be Alive.”

This article contains spoilers for the penultimate episode of “The Boys.”

There’s just one episode to go in the fifth and final season of Prime Video’s irreverent superhero satire, “The Boys.” The topical, darkly funny, whip-smart series from Eric Kripke follows a band of vigilante misfits who fight to expose the all-powerful, corrupt conglomerate Vought International and its stable of villainous superheroes.

Among the ragtag crew of antiheroes is Frenchie, played by Tomer Capone. Frenchie is the de facto chemist and inventor of the group, a former assassin for hire whose drug-addled brain is constantly concocting news ways to kill immortal Supes (superheroes). Yet he’s deeply connected with the feral Kimiko (Karen Fukuhara), who was nonverbal when he helped save her from human traffickers who sought to cash in on her Supe strength. Their bond — both are outsiders who suffered abuse as children — is one of the few emotional soft spots in the otherwise fast-moving series about America’s rotten power structure, manipulative media and the gullibility of the public.

Though fans of the show are already mourning the end of “The Boys,” they were dealt another major blow Wednesday, when in Episode 7 beloved Frenchie met his fate at the hands of the sociopathic head Supe, Homelander (Antony Starr). Israeli actor Capone talks about the scene, the end of the show and how to cope with the loss of Frenchie. This conversation has been edited for clarity and length.

OK, so the big question first. Do you actually speak French?

En vous? Moi? [Laughs] OK, a little bit, but it’s a different kind of French. But that wasn’t the difficult part. Frenchie, to me, is one of those characters for an actor, that’s a gift. It’s something I prayed for. It’s a full-on character. He’s an outsider. He’s a foreigner. The way he walks, the way he talks. We can also talk about the crop tops and the hairstyle …

He’s a full-on character, and the French aspect was only part of it. There was also the sign language with Kimiko, and the connection. For me, the emotion and connection was the bigger aspect of portraying Frenchie.

Are you ready for all the tears of your fans once they witness Frenchie’s demise? He sacrifices himself to lure Homelander away from Kimiko. She is saved, but he is killed in the process.

Oh my God, I can’t watch it. I didn’t watch it. I can’t. I’m too involved.

Tomer Capone on the scene with his character’s demise: “Oh my God, I can’t watch it.”

(Jasper Savage/Prime)

So you really haven’t watched the scene yet?

No. It’s the longest character I ever had in my career, and I can’t. Something tells me not yet.

When you shot that scene, was there an intensity on set? How did that play out?

Intensity is always around the show because there’s so much to accomplish doing “The Boys.” But funnily enough, that specific scene was the most tranquil and quiet set I’ve experienced. I remember standing there with the amazing people of the cast and crew, and we’re talking about how the scene is going to play out. I felt this quietness, like everybody was like inside themselves, so I started to get nervous. I said, “Oh my God, they’re expecting something.”

But very quickly, I decided that I’m just going release all the [plans], thoughts or ideas that I had about the scene. I literally went into this mantra that said, “Frenchie, here’s the keys. Drive the car.” And you know what? It was the right way to go. It made sense. It felt very respectful and spiritual. Those kind of scenes come once in never, where you feel like you’re letting the character drive, and you’re just gliding behind it.

“The Boys” is based on the 2000s comic book series of the same name by writer Garth Ennis and artist Darick Robertson. But the show is unlike any comic book adaptation out there. In fact, it mocks superhero culture.

The biggest gift of working [with] Eric Kripke, the writers and this show is that even as things are moving fast and big things are happening, they’re emotionally backed up. And as a character and an actor, it’s like, OK, I understand what I’m doing. This is the world and what we’re playing. You get where it is going, and why it needs to happen.

Were you surprised when you first learned about Frenchie’s fate?

I wasn’t surprised when I heard from Eric that Frenchie was continuing on to the big field [in the sky]. I had this feeling. I didn’t want to say it out loud. It’s like, at this point, the fifth season, we all felt it. We knew where it was going,

But Frenchie is the empathy and compassion of this series. I actually cried when he was killed off. The empathy is gone, and now we’re left with soulless, terrifying Homelander.

But Kimiko lives.

True, but I haven’t seen the finale. How does Kimiko go on without Frenchie?

Well, let me tell you… [laughs]. I can’t tell, but I can say that I do think Episode 8 is going to blow the audience and fans’ minds with where it goes. That’s the only thing I can say. It evolves into something that resonates.

When it comes to pushing the envelope, “The Boys” is renowned for going where most shows won’t. It drove a speed boat into the side of a whale, imbued superheroes with powers such as toxic vomit and a giant killer penis. Then there was the flying killer sheep. Was there ever a moment too far for you?

Almost every episode has those moments … I remember they told us about the whale, and they said they were still figuring out how. It was a surprise. So I’m driving to set, and it was a sunny day on the shore of Toronto, then all of a sudden, my windshield, everything is covered with this [big shadow], and I’m like what’s going on? Clouds? Is going to rain? The day is ruined! Then I look up and see them [trucking] in a real-size animatronic whale. People that had nothing to do with the show were stopping their cars and looking at this whale moving on the Toronto shore. It was like, OK, here we go.

And there was the musical sequence [in Season 3, Episode 5, when a hospitalized Kimiko imagines her and Frenchie dancing to “I Got Rhythm.”]. Karen and I were on set, and there’s like 30 professional dancers stretching behind us, beautiful and fresh and clean. And we’re looking at each other like, what is this show? What are we doing here? As an actor, you pinch yourself. It’s an experience.

Frenchie (Capone) and Kimiko (Fukuhara) in Season 3’s musical number.

(Amazon Studios)

The musical number, did you actually have to practice the choreography for that?

Oh, day in and day out. I thought I knew how to dance. Apparently I needed some work. Luckily, Karen is a total badass in terms of her commitment, and we practiced it day and night, even working on it off set between other scenes, just working in the movements, trying to get it right. But I learned something very fun about myself. Usually, I don’t like to watch myself on screen, like a lot of actors don’t. From time to time, I would watch an action scene or me fighting because I want to see if I got the choreography right. And I learned that I can watch myself dance too.

With all the fighting in that show, that’s also requires quite a bit of physical acting.

We have the best stunt teams in the business. They made our life very easy compared to the crazy stuff we had to do. Saying that, I don’t miss the harnesses that they put on us. I will not miss that

Harnesses?

I remember when we shot the first episode where Frenchie, Hughie (Jack Quaid)and Mother’s Milk (Laz Alonso) are captive in the camp. And then I think Starlight flies me off out of the camp. It was like minus 40, snowing. We’re on our harnesses, and we’re just flying away. It’s an experience.

“The Boys” has brilliantly captured the political craziness in America, but told through the world of egotistical superheroes. For example, Homelander claimed he was lord and savior around the same time President Trump posted an AI image of himself as Jesus.

How they predicted some of the stuff, it beats me. You’re going to have to ask Kripke and his writers. But I love that the show tackles all that. For me, portraying Frenchie is about humanity. About how in chaos and in fear and in the craziness of “The Boys’” world, people still choose love and compassion and that’s really the heart of “The Boys.” Or maybe that’s just from Frenchie’s perspective, where it’s all about family, loyalty and protecting the ones you love.

How did you imagine the character of Frenchie when you first learned of the show?

When I got the audition, I didn’t know about the source material. I didn’t know about the novel, or the graphic comic book. So I went online, and I started researching Frenchie. And the first picture that came in was this buzz cut, crazy, goggle-wearing character. I said, what really? Frenchie specifically is illustrated and drawn so different from volume to volume. It gave me so much space to create something in between those worlds. Then picking the brain of Eric Kripke and building a whole story and backup story for the characters. We already knew, in a way, where it was going, so we had the privilege of understanding the arc of the bigger picture for “The Boys.”

Do you have a favorite Frenchie moment?

Yeah, I do, but it’s not what you might expect to hear. It’s from Season 1. There was this scene with Frenchie and Petit Hughie. Hughie comes out of his father’s house [and he’s upset]. I say that I understand because my father was bipolar too, and [he tried to smother me with a] Hello Kitty duvet. It’s just it’s one of those moments when we couldn’t get those two lines out. We kept breaking. I think it’s the longest scene Jack and I ever had in the show. It was something like 14 takes. All the cast and crew were breaking too. It was like, should we just give it up? But I was fighting for it. No, I can do this! Now it’s a [fan] favorite quote. So that means a lot. I fought for that line!

Have you thought about how you’ll console distraught fans once they’ve seen Episode 7?

Oh, my God. Do you have any tips for me, please?

Sorry, no. I’m in mourning too.

Frenchie will live forever. Viva la Frenchie.

CELEBRITY Juice star Leigh Francis has revealed a nasty face injury after an encounter with a fan during his DJ set in London.

The TV star, 53, was spinning tunes at Sound Bites festival in Syon Park when an overzealous fan left him with a gory wound.

Explaining on TikTok, Leigh said: “I went into the crowd and someone was overcome with joy, so that was a nice feeling, and she went ‘I love you’ and put her hands towards my face and her thumbnail, which was quite long, did that.”

He then showed a raw red scratch that ran across his temple and stopped very close to his eye.

Leigh added: “Could’ve been worse, could’ve gone in my eye but yeah bit of a naughty one that, innit?”

His followers were shocked by the scratch, with one writing: “Omg Leigh that’s awful.”

READ MORE ON LEIGH FRANCIS

fresh juice

Leigh Francis sparks rumours hit show is returning as fans beg for a reunion

WOE SELECTA

Keith Lemon star Leigh Francis reveals real reason Celebrity Juice was scrapped

Another said: “Ouch! I’m glad you are OK!”

A third wrote: “Blimey! Close one, cool shirt! Heal fast mate.”

In a follow up video, Keith adopted his alter-ego Avid Merrion and said the injury made him look like a “sexy action hero” but warned people from getting too drunk.

The event, which celebrated all things music and food, featured other star DJs Sister Bliss, Denise Van Outen and Laura Whitmore.

Last autumn, Leigh told fans he didn’t know when he’d return to TV after Through The Keyhole and Celebrity Juice were put on ice.

“I haven’t pitched any ideas for TV shows in ages,” he said.

“If I do and someone likes it then I’ll be back but if I don’t, I won’t.”

He continued: “It’s gone mad, you can’t make anything without it upsetting people. If you think you’re gonna be offended you shouldn’t watch but I can’t be bothered to get into this deep conversation.”

The Sparks signed guard Kate Martin to a developmental player contract Sunday just hours before their first game of the season. About 45 minutes before tipoff, Martin arrived in Los Angeles.

“It’s been chaotic, but honestly, found a lot of clarity, a lot of confidence, and where I’m at and where the future of my career is heading,” she said. “So honestly, kind of all over the place, but feeling really good and having a lot of clarity right now.”

Martin was a surprising end-of-training camp cut for the Golden State Valkyries after she averaged 6.2 points per game in 42 contests last season. But Golden State was deep at the wing position, making Martin expendable with its other positional needs.

Speaking publicly for the first time since being cut, she was emotional, but excited for the opportunity with the Sparks.

“I chose L.A. because of the way they approached me,” she said. “I just feel honored for the opportunity. And opportunities don’t always come around in this league. And so for the year that I got cut to be the year where there are development spots, I feel very grateful for that.”

The Sparks had one developmental spot left after signing Louisville graduate Laura Ziegler during training camp.

Martin will be available to be on the active roster for 12 games, while receiving a weekly stipend of $750 in addition to a pro-rated minimum salary of $6,000. She has the most experience of any player signed to a developmental contract across the league with two full seasons under her belt.

“(Martin is) great in the locker room, great teammate, super hard worker,” said Las Vegas Aces coach Becky Hammon, who coached Martin in her rookie season. “She’s somebody who came in with pro habits and a lot of times from college, that’s hard to do, but she came in and was a nice piece for us.”

The 25-year-old was a fan favorite with the Valkyries and had the third highest-selling jersey in the WNBA last season despite coming off the bench for Golden State.

Martin first went viral during the 2024 draft when she was selected 18th overall by Las Vegas and was in the room to support her Iowa teammate, Caitlin Clark. She averaged 2.6 points per game in 34 games as a rookie with the Aces before being selected by the Valkyries in the expansion draft in December 2025.

“Now my expectations for myself are to buy into being an L.A. Spark,” Martin said. “I know that roles are ever changing throughout the season, but right now, I’m gonna be where my feet are, and I’m going to buy into this role as a development player. I’m going to learn, I’m going to grow, and I’m just going to make the most of this opportunity.”

It’s unclear how much Martin will play with the Sparks, but she might have a path because they lack wing depth. The Sparks are backcourt heavy, then have three bigs in Nneka Ogwumike, Cameron Brink and Dearica Hamby. Rae Burrell and Sania Feagin fill that role, but Martin could bring a three-point shot and energy off the bench.

“It’s a great fit for us,” Sparks coach Lynne Roberts said. “Thrilled how that worked out. It’s no secret, I love shooters. I think it’s a great add. And I think this gives her a chance in the developmental spot to just kind of settle and really pour into the player development. Her work ethic is unbelievable.”

MUSIC fans were divided after Oli Sykes slammed them for leaving his band’s gig early.

Oli, 39, fronts the massive band Bring Me The Horizon and went on the rant at their recent gig in Nashville, USA.

Kneeling on the stage wearing a large cowboy hat with a pink feather hem, Oli angrily pointed in the direction of the crowd in a video posted to TikTok by user @professionalconcertgoer.

“Now I start seeing t***s leaving early to beat the traffic… I can see one there, that c***t and he’s a VIP one too,” Oli said looking into the audience.

“Why did you pay all that money for?”

Fans of the band explained their reasons for needing to leave gigs before they finished and also slammed Oli’s attitude.

ASH’S JOURNEY

My dad still hasn’t listened to my music, reveals country star Ashley McBryde

THEATRE OF DRUMS

Man Utd’s Dalot annoys team by playing music NOBODY likes in dressing room

“I always think it’s wild when artists talk about the fans that lined their pockets like this. I thought better of Oli,” wrote one person in the comment section of the TikTok.

Another added: “Oli my brother in Christ the last bus / train home is like 10:45 we have to leave early or we’re sleeping on the street.”

But a third commented: “I’ll never understand why people leave early. I’ve done it a couple of times and have regretted it every time.”

While a fourth posted: “He said this in toronto too, i felt bad but he’s gotta take it up with go transit 😭 if i miss my train i’m stranded in the city, i don’t have money or a credit card to get a hotel for the night.”

Bring Me The Horizon formed in 2004 and have released six studio albums.

They have been nominated for two Grammys and this year won a Brit for Best Rock/Alternative Act. They’ve also scooped seven Kerrang! gongs in a career that dates back 20 years.

There was no greater sign of a mainstream breakthrough than when they collaborated with Ed Sheeran for a souped-up version of his hit Bad Habits at the Brit Awards in 2022.

Adding rocky riffs and synths to the catchy pop tune, the heavier element clearly thrilled Ed who performed the collab with a big grin.

Last year, Oli officialy became a dad after his Brazilian model wife Victoria Alissa Salles Silva announced she had given birth to twins.

In an Instagram post, she shared an image of the tots – writing, “amor infinito,” which translates to “infinite love”, adding, “grey & zélia.”

I walked around a street fair in Irvine over the weekend, checking out the crowd while waiting for my daughter’s dance team to perform. We were a few short miles from Angel Stadium, but you wouldn’t have known it: lots of people wearing Dodgers caps, someone wearing a Shohei Ohtani cap, someone else wearing an Ohtani jersey, someone else wearing a Clayton Kershaw jersey, a dog wearing a Dodgers bandana, and people repping the Padres, Giants, Athletics and Yankees.

After 25 minutes, someone walked by in an Angels cap.

If the passion wanes, apathy can set in. I wondered if that is where the Angels might find themselves now, with a slice of their fan base finding a more enjoyable way to spend its summers than watching one losing season after another, and with the shadow of baseball’s best team extending ever more securely into Orange County.

Something else happened over the weekend that made me wonder. On the heels of a winless road trip, and on the day before the Angels would claim the worst record in the major leagues, Angels general manager Perry Minasian said this to reporters: “Our best baseball is in front of us. There’s no doubt about that.”

No doubt?

Angels general manager Perry Minasian declined to predict in the team would make the playoffs this season.

(Elsa Garrison / Getty Images)

On the Angels’ broadcast the previous night, reporter Erica Weston presented play-by-play announcer Wayne Randazzo with a birthday gift: a figurine of Grogu, a character in the Star Wars family. Randazzo said he would keep Grogu in the broadcast booth, as a good luck charm for the Angels.

“We certainly could use one,” Randazzo said.

Minasian, the sixth-year general manager, has yet to deliver a team that finished better than 17 games out of first place. On Wednesday, I asked him to explain why he was so confident in saying he had “no doubt” the team’s best days were ahead.

“We’ve been very competitive,” Minasian said. “Our wins and losses aren’t where we want them to be, but we have lost a lot of one-run games, a lot of tough games.”

The Angels have lost six one-run games. So have the Yankees, the team with the best record in the American League.

The Angels’ run differential is minus-14. They are four games behind in the AL West, where the first-place Athletics have a .500 record and a minus-21 run differential. You never know.

So far, however, the Angels’ offense is all about the three true outcomes: They strike out the most of any major league team and rank among the top six in walks and home runs, but they do not rank among the top 10 in runs. Only five teams have given up more runs.

“Going to the bullpen has been a harbinger of danger for the Angels,” Randazzo told viewers. The Angels’ bullpen entered Wednesday with a 5.35 earned-run average, the highest in the AL.

Owner Arte Moreno cut payroll this year, amid the implosion of the FanDuel regional sports networks. Edwin Díaz was not walking through the bullpen door.

Angels owner Arte Moreno.

(Ashley Landis / Associated Press)

But the Dodgers find solid bullpen arms in ways beyond buying them: Evan Phillips was cast off by the Baltimore Orioles during a 110-loss season; Alex Vesia was acquired from the Miami Marlins after putting up an 18.69 ERA in his first five major league games.

“We’ve had guys like that,” Minasian said.

He cited Brock Burke, a waiver claim who gave the Angels two solid seasons in middle relief. Minasian traded him last winter for outfielder Josh Lowe, and any general manager would trade a middle reliever for a middle-of-the-order bat. To this point, Lowe has a .198 on-base percentage and a .287 slugging percentage.

Lowe is but a data point in illustrating this primary point: Minasian’s margin for error is smaller than it otherwise would have been if Moreno had not withdrawn from the market for top-tier free agents or had approved trading Ohtani for elite prospects that would have accelerated rebuilding. Smaller, but other teams do more with less.

“We’ve got to be able to develop our own players,” Minasian said.

On the day Minasian said he had “no doubt” better days were ahead for his team, the Angels, their triple-A affiliate and their double-A affiliate all were in last place.

Analysts perennially rank the Angels’ farm system among baseball’s worst. Minasian said he’ll put his faith in four homegrown starters: José Soriano, Reid Detmers, Jack Kochanowicz and Walbert Ureña. Their combined ERA so far: 2.99.

“When you look at good teams and sustainable winners, they build rotations, whether that’s through trades or free agency or your own,” Minasian said. “We’re doing it with our own. You can’t microwave that overnight.”

You can’t make fans wait forever for October either. Angels fans have heard enough about building a competitive team and needing patience.

They have not seen their team in a playoff game in 12 years. When are they going to see that?

Angels pitcher Walbert Ureña delivers against the New York Mets at Angel Stadium on May 1.

(Luke Hales / Getty Images)

“I’m not in the prediction business,” said Minasian, whose contract expires after this season. “They’re going to see a team that plays hard every day. They’re going to see young, talented players day in and day out.”

That’s fine, but when are they going to see a winning team?

“The proof will be in the pudding,” he said. “It doesn’t matter what I say. I could say all these things. At the end of the day, we’re going to go play 162 games. We’ll see where we end up and who’s done what, and we’ll go from there.”

On Wednesday, the Angels won a series for the first time since April 12. They’re 3-2 with Grogu in the broadcast booth.

The schedule gets more challenging: a trip to Toronto and Cleveland, then back to the Big A to play the Dodgers. The same distant Angel Stadium seat available on the resale market for Wednesday’s game for $5 (fees included) is available for $103 for the opener of the Dodgers series.

Orange County loves a winner. There was a long line at that Irvine street fair to collect souvenirs from one booth — the one for the Anaheim Ducks.

The Los Angeles Organizing Committee for the 2026 World Cup announced on Monday the details of the 10 official fan zones that will be set up at locations throughout the L.A. region during the 39-day tournament.

These venues will complement the start of the tournament following the opening of the FIFA Fan Festival Los Angeles, scheduled for June 11–14 at the Coliseum, which will serve as a central gathering point for fans.

The goal is to transform the city into an extended celebration of the World Cup, providing live broadcasts of the matches and various experiences designed to bring the tournament atmosphere to communities throughout L.A.

Match broadcasts in the fan zones will be available via Fox and Telemundo, allowing attendees to follow the tournament live throughout the competition. Each venue will have different programming, so fans are encouraged to check the schedule in advance to be sure they catch their preferred games.

The organizing committee urged fans to plan their travel in advance, highlighting the Metro public transit system as the most convenient option for getting to both FanFest and the various Fan Zones located throughout the region.

Here is the watch party schedule:

The Original Farmers Market: June 18–21

Ticket prices: $5 per day/$17 multi-day pass; free admission for children 3 and under.

It will feature a full lineup of group stage matches, including the United States vs. Australia and Mexico vs. South Korea.

The event will include soccer zones for the whole family, beer gardens, and international cuisine from more than 40 restaurants and specialty market shops.

City of Downey: June 20

Free community event with optional VIP packages available for purchase.

It will feature highlight matches from the group stage, such as Germany vs. Ivory Coast and Tunisia vs. Japan.

There will be an opening ceremony, a massive viewing area, entertainment, soccer exhibitions, an arts and crafts fair, interactive booths, and food and beverage vendors.

Union Station: June 25–28

A free multi-day event in the heart of downtown Los Angeles.

It will feature live broadcasts of key matches and international games, including the United States vs. Turkey.

It will include DJ performances, meet-and-greets with guests, interactive challenges, competitive activities, and immersive experiences.

Hansen Dam Lake: July 2–5

Ticketed outdoor event: $25 general admission, with VIP options available.

The event will feature round of 16 and quarterfinal matches in a festival-like atmosphere.

The event will feature a transformed lakeside area with DJs, international cuisine, beer gardens, an outdoor movie theater, muralists, games with prizes, and continuous entertainment.

Earvin Magic Johnson Park: July 4–5

Free community celebration.

Will include quarterfinal games.

It will feature activities, a community market, local resources, music, food trucks, drinks, and more.

Whittier Narrows Recreation Area: July 9–11

Free community celebration.

It will feature semifinal matches and other moments from the tournament.

It will include cultural activities, a community market and a variety of local dining options. After the matches, fans can tour the park and explore the San Gabriel Valley.

Venice Beach: July 10–11

Ticketed fan zone on the waterfront: general admission starting at $10, with VIP options available.

Will feature single-elimination matches at one of the city’s most iconic destinations.

There will be international food vendors, beverage areas, live music, DJs, cultural performances and additional family-friendly programming.

Fairplex: July 14–15 and 18–19

Ticketed event.

$10 for all four days through May 31; $20 after that date.

VIP options available.

Packages will include multiple matches, including the semifinals, third-place match, and final.

There will be interactive games, recreational activities, appearances by local mascots, educational exhibits on the “science of soccer” and a resident DJ.

San Pedro’s West Harbor: July 14–15 and 18–19

Waterfront experience with ticket: $5 per ticket, with VIP options available.

Will feature the tournament semifinals and final.

Will offer soccer-inspired activities, interactive experiences, food, drinks, and live DJ music.

Downtown Burbank: July 18–19

Ticketed event starting at $25.

The event will feature the tournament’s final matches, including the World Cup final.

The event will include live entertainment, family-friendly games, VIP experiences, and an adjacent free international fair showcasing cuisine and cultural expressions from around the world.

This article first appeared in Spanish via L.A. Times en Español.

Chris Clarke had gone the traditional route, pitching for three years at USC after starring at Newbury Park High, then toiling for six more seasons in the Chicago Cubs’ minor league system after being a fourth-round draft pick in 2019.

But his big-league dream abruptly became a wake-up call last August when the Cubs released him a week before his wife gave birth to their first child. No more paychecks. No more health insurance.

So imagine how jarring it was for Clarke to take the mound in front of a record 102,000 fans in the Texas A&M football stadium Saturday, which had been converted to accommodate (sorry Dodgers) the most popular team in baseball: the Savannah Bananas.

“It was surreal,” Clarke said. “In fact, it was so incredible, I didn’t feel anything. My body went numb. There was a moment in the third inning when everybody was screaming. I couldn’t hear myself talk.”

It was the most people ever crammed into Kyle Field, the nation’s fourth-largest college stadium, trailing only Michigan (107,601), Oregon (106,572) and Ohio State (102,780).

Clarke pitched for the opposing team, the Texas Tailgaters, one of five squads created by Bananas founders Jesse and Emily Cole that serve as touring partners to face the yellow-clad star attraction. All six teams practice at a complex in Savannah, Ga.

The game in College Station attracted the largest crowd in the Bananas’ six-year history, and Clarke shined, striking out five in four innings. He also entertained, as all players in the Banana Ball Championship League are cheerfully required to do.

“The amount of joy it brings to fans and even people online, it’s really something,” Clarke said. “There definitely is a winner and a loser — which holds some weight — but for the most part, fans are there because it’s a really good show.”

Clarke, a 6-foot-7 right-hander, was the third overall pick in the inaugural Banana Ball draft held in November. Tailgater coaches contacted him beforehand to gauge his interest and he told them, “Pick me.”

March 2019 photo of former USC pitcher Chris Clarke during the 2019 Dodger Stadium Classic.

(John McGillen/USC Athletics)

That level of bold fits right in. Banana Ball is fast-paced, hilarious and maximizes fan engagement. It features innovative rules: Fouls caught by fans count as outs, for example, and batters who walk get to run the bases until all nine defensive players have touched the ball. Choreographed dances, acrobatic tricks, a pitcher on stilts and other antics keep the entertainment flowing.

“I like to think of every game as a stepping stone to the next show,” Clarke said. “Whether it goes well or is terrible, we will make it better for next time. Banana Ball is a relaxed culture, so when it comes to the entertainment stuff, there is no fear of failure. We are seeing what works and what doesn’t.”

Guest stars are frequent and on Saturday, the Bananas sent Texas-grown YouTube sensation Tyler Toney, a member of the sports comedy troupe Dude Perfect, to the plate as a pinch-hitter. Clarke struck him out on four pitches: a called strike, a swinging strike, a ball Clarke purposely launched high into the stands for laughs, then strike three swinging on a cut fastball.

It was a rare humbling moment for Toney, who, with fellow Dude Perfect members Cody Jones, Garrett Hilbert, and twins Cory and Coby Cotton, generates more than $20 million annually from YouTube, merchandise and tours.

Clarke had watched Dude Perfect videos religiously when he was at USC and was starstruck to meet them in person.

“Dude Perfect is the reason I failed econ twice,” he said. “I watched every single Dude Perfect video. To meet them and shake their hands was fun. It was the only moment in my life where I was a fanboy.”

He’s also a breadwinner again for his family. The burgeoning popularity of Banana Ball has made the gig more lucrative than playing in the minor leagues.

“I’m making five times as much and playing half the time,” Clarke said. “My contract is also for 12 months of the year. In affiliated baseball, it’s only six months. So, there’s that. I’ve never met anyone in baseball who has had the luxury to spend time with a newborn child. To come to Banana Ball and actually feel like there is respect, a culture and guidelines, that was something I hadn’t experienced.”

It is also giving him notoriety. Twenty-five Banana Ball games this year are being streamed on the ESPN app and Disney+, with select games airing across ESPN networks and ABC. The first Bananas broadcast on ABC will take place at Autzen Stadium in Eugene, Ore., June 27 and 28. The games have been sold out since October.

Highlights from Saturday’s game flooded social media and traditional outlets alike. Family friends and former teammates reached out to Clarke. What was it like pitching in front of 100,000 people? Are you improving your dance moves?

“The entertainment side of it takes pressure off performance,” he said. “Performing well is still very much there, but there is a level of relaxation that makes it easier.”

Clarke admits he thinks back to USC and the 2019 season, when he posted a stellar earned-run average of 1.03. He also occasionally misses the heightened competition and quest to make the major leagues of affiliated baseball.

He pitched two seasons in triple A and is only 27. Would he leave Banana Ball next year if an MLB team offered him an invite to spring training?

“I’m not in a situation to close any doors,” he said. “That’s the mindset that got me here. I wanted to investigate Banana Ball and I told them I’d give them a full year for us both to evaluate it. Either way, I think it’s a win. Just comes down to what’s best for my family.”

Meanwhile, more games in packed stadiums await. In addition to a handful in football stadiums against the Bananas, the Tailgaters will play three games a week against other Banana Ball League teams throughout the summer, mostly in minor league baseball stadiums from Tulsa, Okla., to El Paso, Texas, to Nashville, Tenn., to Charlotte, N.C.

Exponentially larger crowds than those venues are accustomed to are a given.

Kid Cudi has fired M.I.A. as an opening act on his Rebel Ragers tour following backlash over her onstage comments in Dallas, where she said she “can’t do illegal” and appeared to accuse audience members of being in the country illegally.

The controversy first gained steam on Reddit where concertgoers expressed their concerns about her comments at Saturday’s show, including that she reportedly claimed she was canceled for being a brown Republican voter, prompting boos from the audience. Although she is not a U.S. citizen, she endorsed Donald Trump’s 2024 presidential campaign.

In one video, she says she “can’t do illegal, though some of you could be in the audience,” drawing audible gasps.

In a statement Monday, Kid Cudi announced that M.I.A. was no longer with the tour and noted that he had previously had his management tell her team that he “didn’t want anything offensive” in his shows and that he was assured this message was understood.

“After the last couple shows, I’ve been flooded with messages from fans that were upset by her rants,” he wrote in a statement on Instagram. “This, to me, is very disappointing and I won’t have someone on my tour making offensive remarks that upsets my fanbase.”

The rant came as she introduced her song “ILLYGIRL,” which has lyrics that say “I’m illegal, f— your law.” In another video, she can be heard saying, “I’m illegal, half my team are not here because they didn’t get the visa,” before instructing the audience not to listen to “what the bots say on the internet.”

After Cudi’s announcement about her being removed from the tour, she responded in an all-caps message on X, writing, “I WROTE BORDERS AND ILLYGAL AND PAPER PLANES BEFORE YOU THOUGHT IMMIGRANT RIGHTS WERE COOL. I’VE HAD [THESE] BATTLES BY MYSELF WITHOUT THE HELP OF MILLIONS OF FANS BACKING ME.”

M.I.A., whose real name is Mathangi “Maya” Arulpragasam, is a British-born rapper with Sri Lankan parents. She spent her early childhood in Sri Lanka before her family returned to London as refugees during the country’s civil war.

She is best known for her 2008 smash hit “Paper Planes,” which includes the lyrics “If you catch me at the border I got visas in my name.” Several of her songs deal with themes of immigration, politics and war.

In 2022, she announced her conversion to born-again Christian, which inspired her recently released album M.I.7, featuring heavy Christian themes.

In her X statement on Monday, she accused people of gaslighting her song lyrics, noting that “IS THE WORK OF SATAN.” She also made comments about Jesus being an immigrant and a rebel and said he returned to lead the world to fight injustice. She ended the post with a call for everyone to listen to M.I.7.

Kudi’s 33-show Rebel Ragers tour kicked off March 28 with M.I.A. and Big Boi billed as the opening acts. On Monday, he also announced that his Tuesday show in Birmingham, Ala., was canceled due to low ticket sales. The tour is set to continue with Big Boi as an opener and A-Trak, Me N Ü and Dot Da Genius slated to open at certain shows.

NEW YORK — John Sterling, the longtime New York Yankees radio broadcaster known for extravagant, individualized home run calls, died Monday. He was 87.

Sterling had undergone heart bypass surgery this winter and after the procedure was attended to by health care aides at his home in Edgewater, New Jersey. He died Monday at Englewood Hospital, according to his former wife, Jennifer.

“John Sterling breathed life and excitement into Yankees games for 36 years while wearing his passion for baseball and the Yankees on his sleeve,” the team said in a statement. “He informed and entertained generations of fans with a theatrical and unapologetic style that was uniquely his own. John treasured his role as the voice of the New York Yankees, and his enthusiasm for the art of broadcasting perfectly complemented our city and our fans. The symmetry between John and his audience was both undeniable and magical, and his signature calls will resonate for as long as we put on pinstripes — especially after every Yankees win.”

He had called 5,631 games — 5,420 regular season plus 211 postseason — when he retired in April 2024 just after the season’s start, citing fatigue. Sterling broadcast 5,060 consecutive games from September 1989 through July 2019 after beginning with the Yankees as a pregame host. He came out of retirement to broadcast Yankees games during the 2024 postseason.

Sterling’s call for a player’s home run became as treasured a part of a Yankees identity as an initial set of pinstripes or a championship ring. As rookies prepared for debuts and former opponents arrived in trades, fans speculated how he would label the newcomer’s first longball.

From “Bernie goes boom! Bern, baby, Bern!” for Bernie Williams, to “It’s a Jeter jolt!” for Derek to “It’s an A-bomb from A-Rod!” for Alex Rodriguez, “The Giambino!” for Jason Giambi and ”A thrilla from Godzilla!” for Hideki Matsui, Sterling created personal stamps resonating from the clubhouse to the bleachers.

“It wasn’t meant that way. I just happened to do something for Bernie Williams. He hit a home run and I said, `Bern, baby, Bern!′ And it kind of mushroomed from there,” Sterling said at the time of his retirement. “But it never was intended for every player, because, frankly, I’m not smart enough to do something for every player. But I did the best I could, and it’s amazing what started out as — became so big.”

“I did say `A-bomb from A-Rod!′ when he hit a home run and I did say: `Robbie Canó, don’t you know,′ and I think those were pretty good,” Sterling said of calls for Rodriguez and Robinson Canó.

Born Josh Sloss on July 4, 1938, Sterling grew up in Manhattan and left college to work for radio stations. He had wanted to be a broadcaster since hearing “The Eddie Bracken Show” in the 1940s.

“I didn’t want to be Eddie Bracken. I wanted to be the guy who says: `Live from Hollywood!’” Sterling said. “And I knew that maybe a year or two later, but before puberty I knew I was going to be on the air. And it really helped me because I didn’t worry about school, because I knew what I was going to do. And it was a good thing because I was a terrible student — terrible.”

He started his radio career in 1960 at a station in Wellsville, New York.

“I was preparing this all my life. It was easy,” he said. “I could always open my mouth and talk.”

Sterling cited Mel Allen, Russ Hodges and Jim Karvellas as influences. He wound up joining Allen in the history of memorable Yankees broadcasters along with Red Barber, Phil Rizzuto, Bill White and Frank Messer.

Sterling announced the NBA’s Washington Bullets and Morgan State football in his early years and gained notoriety for shrieking “Islanders goal! Islanders goal!” during the hockey team’s games from 1975-78. He broadcast for the NBA’s Nets from 1975-80.

Sterling’s first connection with the Yankees was during WMCA pregame radio talk shows from 1971-78. He moved to Atlanta and worked for the Braves from 1982-87 and Hawks from 1981-89 before switching to the Yankees, where he replaced Hank Greenwald.

Sterling was seldom in the clubhouse and dressed in Brooks Brothers suits even though he was on the radio.

He partnered with Jay Johnstone (1989-90), Joe Angel (1991), Michael Kay (1992-2001), Charley Steiner (2002-04) and Suzyn Waldman (since 2005). Sterling and Waldman were inducted into the New York State Broadcasters Hall of Fame in 2016.

He was married to the former Jennifer Contreras from 1993 to 2004. In addition to her, he is survived by triplets Bradford, Derek and Veronica, and daughter Abigail.

Sterling was proud of his unique style.

“Harry Caray told me some years ago,” he recalled in 2024 of the famous Chicago Cubs and White Sox broadcaster, “and he says, ‘John, all the guys are great. We just have different styles.’ And no one has a more different style than I have.”