Family

The family of pitcher Tyler Skaggs and the Angels reached a settlement Friday, ending a contentious trial as jurors had begun a third day of deliberations regarding Skaggs’ drug-related death on the road with the team. Terms of the agreement, which followed 31 days of testimony and four years of legal wrangling, were not immediately available.

Jury foreman Richard Chung said after the settlement was announced that the panel had agreed to award Skaggs’ family roughly $100 million when they were told to cease deliberations — $60 million to $80 million for economic damages, $5 million to $15 million for emotional distress damages and $10 million to $20 million for punitive damages.

Rusty Hardin, the Skaggs family’s lead attorney, told The Times that although he could not reveal the amount of the agreement, “the Skaggs family is extremely happy with the settlement.”

Early efforts to settle the case had been unsuccessful, with the Angels’ legal team and its insurance carriers rebuffing overtures from the lawyers representing Tyler Skaggs’ widow Carli Skaggs and parents Debbie Hetman and Darrell Skaggs. As recently as Tuesday evening, after the jury had begun deliberations, the lead attorneys from each side met but gained little traction toward a settlement.

The equation changed Wednesday when jurors asked the judge to read back testimony from experts on Skaggs’ future earnings had he lived. The request suggested that that the jury had determined the Angels were responsible for at least a percentage of economic damages. The jury also asked whether it was charged with determining the amount of punitive damages, adding to speculation that it might hand the Skaggs family an award beyond economic and emotional distress damage.

Roughly 95% of civil suits nationwide reach a settlement ahead of or during trial. Plaintiffs and defendants alike overwhelmingly prefer to eliminate the risk of an all-or-nothing jury verdict by agreeing on a compromise dollar figure.

Attorney Rusty Hardin, center, addresses the media Friday on behalf of the Skaggs family after a settlement was reached in their wrongful death lawsuit against the Angels.

(Allen J. Schaben / Los Angeles Times)

Sources on the Skaggs family legal team said they were amenable to a settlement to eliminate the chance of the jury determining the Angels weren’t responsible for Skaggs’ death and denying any award. Also, while either side could have appealed a jury verdict, the settlement ended the case.

Carli Skaggs and Hetman hugged their lawyers and each other when Judge H. Shaina Colover announced that a settlement had been reached and jurors were excused.

“The Skaggs family has reached a confidential settlement with Angels Baseball that brings to a close a difficult six-year process, allowing our families to focus on healing,” the family said in a statement. “We are deeply grateful to the members of this jury, and to our legal team. Their engagement and focus gave us faith, and now we have finality.

“This trial exposed the truth and we hope Major League Baseball will now do its part in holding the Angels accountable. While nothing can bring Tyler back, we will continue to honor his memory.”

MLB declined to comment on the settlement.

A jury verdict favoring the Angels also would have meant the high-powered Skaggs legal team that has spent thousands of hours on the case wouldn’t have been paid. Their contingency fee — typically at least 40% of an award — would have been zero.

Skaggs died July 1, 2019, during an Angels road trip in Texas after snorting an illicit pain pill that was laced with fentanyl.

The pill was given to Skaggs by Angels communications director Eric Kay, who is serving 22 years in federal prison for his role in the pitcher’s death. Skaggs was discovered in his Southlake, Texas, hotel room the next morning, and an autopsy concluded he accidentally died of asphyxia after aspirating his own vomit.

“The death of Tyler Skaggs remains a tragedy, and this trial sheds light on the dangers of opioid use and the devastating effects it can have,” the Angels said Friday in a statement.

Each juror had to fill out a 26-question verdict form during deliberations. The first batch of questions focused on Kay, asking jurors whether the Angels were negligent in their supervision of him, whether the team knew he was distributing illicit pills and whether he was operating within the scope of his employment when he did so.

Carli Skaggs, Tyler Skaggs’ widow, with attorney Rusty Hardin in court Friday in Santa Ana.

(Allen J. Schaben/Los Angeles Times)

If jurors answered “yes” to any of those questions, they were then asked whether the Angels’ negligence and Kay’s “unfitness or incompetence” were substantial factors in the death of Skaggs, as well as harm to his iPad.

Consideration of the iPad, which Skaggs used as a surface to chop up drugs, was related solely to punitive damages.

The first damages the jury considered were economic. Experts for the Skaggs family lawyers testified that he would have made an estimated $102 million had he lived and continued to pitch. Experts for the Angels said his earnings wouldn’t have been more than $30 million.

During closing statements, Skaggs family attorney Daniel Dutko suggested that the Angels were 70 to 90 percent responsible for his death, and that Kay and Skaggs could each be assigned about 10 percent of the blame. Angels attorney Todd Theodora did not suggest a specific percentage, but conceded the jury might find Kay partially responsible for Skaggs’ death.

Also during closing statements, Dutko and Theodora each walked the jury through the nine-page verdict form, suggesting how questions should be answered based on testimony that supported their arguments. While criminal cases require a burden of proof beyond a reasonable doubt, civil cases require only a preponderance of the evidence. At least nine of the 12 jurors are required to agree on a verdict.

Dutko said the Angels for years were negligent in dealing with Kay, a team employee since 1996 whose illicit opioid use became apparent as early as 2009, according to testimony. Evidence showed the Angels concealed Kay’s addiction rather than follow team and Major League Baseball policies in reporting it and punishing Kay, Dutko told the jury.

“Is that reasonable, is that how we want companies in our country to run?” Dutko said. “They didn’t monitor anything. They didn’t do anything.”

“There is no doubt that if Eric Kay wasn’t employed by the Angels, if he wasn’t in that clubhouse, Tyler Skaggs would be alive.”

Kay entered outpatient rehab for substance abuse in the spring of 2019 and returned to work just weeks before he was sent with the Angels to Texas. Skaggs quickly texted Kay asking for oxycodone pills. Theodora argued that the messages showed Skaggs was an uncontrollable addict who had little regard for Kay’s well-being.

Theodora showed the jury a pyramid-shaped graphic with Skaggs at the top and players who evidence had shown were given opioids by Skaggs under him, and argued that Skaggs was as complicit in distributing the drugs as Kay.

The Angels attorney told the jury that the plaintiffs’ stance that Kay should have been fired applied to Skaggs as well. “What you see here is a classic double standard,” Theodora said.

Dutko delivered a rebuttal to Theodora’s closing statement, returning to the theme that the Angels never took any responsibility for Skaggs’ death and told jurors that they can make that clear by reaching a verdict in favor of his wife and parents.

“The only reason Tyler Skaggs is dead is the Angels,” Dutko said. “We have fought for Tyler Skaggs and I will continue to fight for Tyler Skaggs as long as I’m alive. I need you to fight for him, please.”

The jury was close to a verdict that would have favored Skaggs’ family. Chung said the panel was discussing apportionment of responsibility and would have been done by the noon lunch break had they not been told to cease deliberations around 9:30 a.m.

He said his own determination was that the Angels bore 50% of the responsibility for Skaggs’ death while Kay was responsible for 35% and Skaggs for 15%.

“Ultimately, we felt the Angels needed to know that they were at fault,” Chung said. “Just to say, ‘Do better.’ They needed to do better.”

In January 2018, conservative Fox News host Laura Ingraham was having dinner at Toscana, an Italian restaurant in Brentwood, when she spotted the renowned Hollywood director — and unabashed liberal — Rob Reiner.

She asked him to come on her show, “The Ingraham Angle.” He was on set the next day.

After introducing him as “a brilliant director,” who made her favorite movie, “This is Spinal Tap,” Ingraham said: “Last night, the first thing Reiner says is: ‘Are they gonna shut the government down?’’ I’m like, wow, I’m here in L.A.; I wanna talk about Hollywood stuff. But he wants to talk about politics.”

Al Gore and Rob Reiner attend the Tribeca Film Festival in New York in April 2007.

(Scott Gries / Getty Images)

Ingraham and Reiner vehemently disagreed — about alleged Russian influence on the 2016 presidential election, about whether President Trump is racist, about the treatment of conservatives in Hollywood.

But Reiner also called Ingraham “smart as hell.” And Ingraham said Reiner “should be lauded” for being willing to spar with her, unlike many politicians on both sides of the aisle.

It was the kind of blunt but ultimately respectful exchange that added to Reiner’s widespread appeal off-screen, both because of — and in spite of — his views.

Reiner and his wife, Michele, were killed at their Brentwood home last weekend, allegedly by their son, Nick, who has been charged with murder. The couple’s deaths have sent a thunderclap through Hollywood and beyond, partly because the Reiners had so many friends and connections in creative and political circles.

Rob Reiner — who, in the role of Michael “Meathead” Stivic in the groundbreaking sitcom “All in the Family,” played the liberal foil to his bigoted, conservative father-in-law, Archie Bunker — seemed to relish his real-life role as a progressive celebrity activist. That made him a hero to many in blue California but a villain to others, especially the reality-TV-show-star-turned-president, Donald Trump.

In a highly criticized social media post, Trump attributed the deaths to “the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME.”

But while Reiner, a blistering critic of the president, disagreed with many conservatives on policy, he also worked to build relationships with them — in media and entertainment circles, the California State Capitol, and beyond.

Ingraham this week called him “a legend.”

Actors Alec Baldwin and James Woods listen to director Rob Reiner in between scenes for the 1996 film “Ghosts Of Mississippi.”

(Columbia Pictures via Getty Images)

Actor James Woods, a longtime Trump supporter, said in a Fox News interview this week that Reiner saved his career by casting him in the 1996 film “Ghosts of Mississippi” over studio objections. He called Reiner “a great patriot” with whom he shared a mutual respect despite myriad political disagreements.

Andrew Kolvet, a spokesman for conservative powerhouse Turning Point USA, wrote on X that he “shared approximately zero in common with Rob Reiner politically, but I am so saddened by this news” and praying that “justice would be swift and without conspiracies [sic] theories.”

Kolvet said Reiner “responded with grace and compassion” to the September killing of TPUSA founder Charlie Kirk — a violent end that Reiner said nobody deserved, regardless of their views.

Hard-right Republican Rep. Marjorie Taylor Greene, of Georgia, called the deaths “a family tragedy, not about politics or political enemies.” And GOP Sen. Ted Cruz, of Texas, wrote on X that “The Princess Bride” was his favorite film and called Reiner “a comedic and story-telling master.”

Off screen, Reiner had a unique ability to connect with people of all persuasions, in various mediums, at the top of their careers or just starting. He was very much influenced by Norman Lear, the creator of “All in the Family,” who blended his Hollywood career with progressive activism.

Similar to Lear, Reiner didn’t just dabble in social causes and campaigns. He launched them, led them and brought people aboard. “He wasn’t building an operation the way Hollywood typically does, making donations, hosting fundraisers,” said Ben Austin, a former aide to Reiner who worked in the White House during the Clinton administration.

And all the time, he did it while making movies, some of them deeply personal, intertwined with his life as a parent.

Reiner was the driving force behind the successful 1998 California ballot measure, Proposition 10, a landmark policy that put a tax on tobacco products and pumped billions of dollars into preschools, teacher training, and support for struggling families. He enlisted help in that effort from such beloved figures as Steven Spielberg, Robin Williams and his own father, comedy legend Carl Reiner.

After the initiative passed, Gov. Gray Davis, a Democrat, appointed the younger Reiner chairman of the First 5 commission overseeing disbursement of the funds.

Rob Reiner co-founded the group that would help overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California.

(Los Angeles Times)

And in 2009, Reiner co-founded the American Foundation for Equal Rights, which led the successful legal fight to overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California. The group hired legal luminaries from opposite sides of the political spectrum to overturn the ballot measure: the conservative former U.S. Solicitor General Theodore Olson and litigator David Boies, a liberal who squared off against Olson in the U.S. Supreme Court ruling that gave George W. Bush the presidency in 2000.

Former Los Angeles Mayor Eric Garcetti, a Democrat, said in an interview Wednesday that Reiner successfully rallied people to the cause because he was so adept at humanizing the stories of the plaintiffs and other same-sex couples — and emphasizing love.

“I don’t think you can overstate how influential he was at the national, state and local level and how well-liked he was,” Garcetti said. “Politics and movies share this in common: They both need good stories … and he was such a gifted storyteller.”

Garcetti said that while many celebrities lend money and faces to political causes, prettying up political mailers and email blasts, “Rob built those causes. He wasn’t like the frosting on the cake. He actually was the baker.”

Garcetti, then a Los Angeles City Council member, joined Reiner in stumping for 2004 Democratic presidential hopeful Howard Dean, for whom the director was an early backer. Garcetti crossed paths with him often, including during the push to overturn Proposition 8 — and at the Los Angeles City Hall wedding of Paul Katami and Jeff Zarrillo, two of the plaintiffs in the federal case that struck it down.

Katami wrote in an Instagram post this week that Reiner and his wife “stood with us in court for 4.5 years” and that he and his husband sat at the couple’s table in their home many times.

Rob Reiner chats in 2012 with Paul Katami and Jeff Zarrillo, plaintiffs in the case that struck down Proposition 8, which banned same-sex marriage in California.

(Brian van der Brug / Los Angeles Times)

“Because of them, they were able to sit at our table, at our wedding, on a day and in a moment that would not exist without their belief in who we are and how we love,” Katamami wrote.

He added: “They are brave. They are funny. They are generous. They are deeply human. And they make everyone around them feel seen, protected, and encouraged to be more fully themselves.”

Former L.A. Mayor Antonio Villaraigosa, a Democrat now running for California governor, officiated Katami and Zarrillo’s wedding. He said in an interview that Reiner personally bankrolled much of the legal fight because he genuinely believed it was the right thing to do.

In 2008, Villaraigosa kicked off his successful reelection campaign with a private reception at the Reiners’ home.

“You know, the one thing about Rob Reiner: There was no pretense,” Villaraigosa said. “If you go to his house … he’s a very wealthy man — he has been a director, an actor, co-founder of Castle Rock Entertainment — and yet his house was like a home. It wasn’t a mansion. It was like a ranch-style house, very homey.”

Rob Reiner hugs then-Mayor Antonio Villaraigosa in January 2015. The director had just introduced Villaraigosa at a school as the mayor kicked off his Leadership Tour highlighting his support for universal preschool.

(Al Seib / Los Angeles Times)

Villaraigosa and others said Reiner had a granular knowledge of the policies he supported, garnering the respect — if not always the affection — of those with whom he disagreed.

Gale Kaufman, a veteran Democratic strategist who was a longtime advisor to the influential California Teachers Assn., clashed with Reiner over education policy but admired his commitment to — and knowledge about — the issue.

Kaufman told The Times this week that she was amazed by “his attention to detail and his dogged determination that he was right.”

“This was not just someone giving you a pot of money and saying, ‘Go do this.’ This was a guy who was … in every piece of it.”

Cinematographer Reed Morano was one of several in Hollywood whose career soared because of Reiner.

In the late 2000s, Morano was known for filming low-budget projects — often in a gritty, hand-held style. Many of them premiered at the Sundance Film Festival, including the Oscar-nominated “Frozen River.”

In the early 2010s, Morano got a chance to pitch her talents to Reiner and producer Alan Greisman, who were assembling a team to shoot 2012’s “The Magic of Belle Isle,” starring Morgan Freeman and Virginia Madsen and directed by Reiner.

Barely 15 minutes after leaving the meeting, Morano got a call telling her she had the job.

“The thing that strikes me is he could have had anybody he wanted,” said Morano on a call Tuesday from New York City, noting that “Belle Isle” was the biggest budget project she had worked on up to that point. “It’s just he was so open-minded and so forward-thinking, and I think he could see potential that other people couldn’t see.”

Morano then handled cinematography for Reiner’s “And So It Goes,” starring Michael Douglas and Diane Keaton, released to 2014. Reiner, she said, also wanted her to work on “Being Charlie,” the 2015 addiction drama co-written by his son Nick, but she was unable to because of scheduling conflicts. Separately from Reiner, she would go on to win an Emmy in 2017 for directing on the series “The Handmaid’s Tale” and a prize at Sundance for her second film as director, 2018’s “I Think We’re Alone Now.”

A decade before Morano connected with Reiner, Michael Trujillo, now a veteran campaign consultant, went to work for him as a young communications and policy aide for First 5. He was in his early 20s and was stunned to learn he would be working steps from Reiner’s office in the Beverly Hills headquarters of his legendary Castle Rock Entertainment.

Rob Reiner speaks in 1998 to a child development policy group about Proposition 10, which added sales tax to tobacco products to fund early childhood education.

(Robert Durell / Los Angeles Times)

“I show up to Castle Rock Entertainment as a 22-year-old, in Beverly Hills, off Maple Drive. I’m just a Mexican kid from the northeast San Fernando Valley. My dad was a construction worker. My mom was a secretary … and I’m like, ‘What the f— am I doing here?” Trujillo said with a laugh.

Castle Rock, he said, was simultaneously a Hollywood hot spot and “a classroom in politics.” Trujillo said he once played office golf — blue cardboard for water hazards; brown paper for sand traps — with actors Christopher Guest and Eugene Levy while the movie “A Mighty Wind” was being edited. Politicians were always there, too.

Trujillo regularly joined Reiner on his once-a-month flights from Santa Monica to Sacramento for First Five commission meetings and tagged along to news conferences and school classrooms. He usually carried a Sharpie, knowing fans would show up with DVDs or VHS tapes of their favorite Reiner flicks to be signed.

“Rob was able to have conversations with anyone and everyone,” Trujillo said. “If you’re a Republican or Democratic legislator nationally, or even local or in the state, you were still a fanboy. You still wanted to meet his character from ‘All in the Family.’ You still wanted to shake the hand of the guy that made ‘Princess Bride.’ You still wanted to talk to the guy that made ‘A Few Good Men.’”

STATESVILLE, N.C. — A business jet crashed Thursday while trying to return to a North Carolina airport shortly after takeoff, killing all seven people aboard, including retired NASCAR driver Greg Biffle and his family, authorities said.

The Cessna C550 erupted into a large fire when it hit the ground. It had departed Statesville Regional Airport, about 45 miles north of Charlotte, but soon crashed while trying to return and land, the North Carolina State Highway Patrol said.

Flight records show the plane was registered to a company run by Biffle. The cause of the crash wasn’t immediately known, nor was the reason for the plane’s return to the airport in drizzle and cloudy conditions.

Biffle was on the plane with his wife, Cristina, and children Ryder, 5, and Emma, 14, according to the highway patrol and a family statement. Others on the plane were identified as Dennis Dutton, his son Jack, and Craig Wadsworth.

“Each of them meant everything to us, and their absence leaves an immeasurable void in our lives,” the joint family statement said.

Biffle, 55, won more than 50 races across NASCAR’s three circuits, including 19 at the Cup Series level. He also won the Trucks Series championship in 2000 and the Xfinity Series title in 2002.

NASCAR said it was devastated by the news.

“Greg was more than a champion driver; he was a beloved member of the NASCAR community, a fierce competitor, and a friend to so many,” NASCAR said. “His passion for racing, his integrity, and his commitment to fans and fellow competitors alike made a lasting impact on the sport.”

The plane, bound for Florida, took off from the Statesville airport shortly after 10 a.m., according to tracking data posted by FlightAware.com.

Golfers playing next to the airport were shocked as they witnessed the disaster, even dropping to the ground at the Lakewood Golf Club while the plane was overhead. The ninth hole was covered with debris.

“We were like, ‘Oh my gosh! That’s way too low,’” said Joshua Green of Mooresville. “It was scary.”

The National Transportation Safety Board and the Federal Aviation Administration were investigating.

The Cessna plane, built in 1981, is a popular mid-sized business jet with an excellent reputation, aviation safety expert Jeff Guzzetti said. It has two engines and typically seats six to eight passengers.

In 2024, Biffle was honored for his humanitarian efforts after Hurricane Helene struck the U.S., even using his personal helicopter to deliver aid to flooded, remote western North Carolina.

“The last time I spoke with Cristina, just a couple of weeks ago, she reached out to ask how she could help with relief efforts in Jamaica. That’s who the Biffles were,” U.S. Rep. Richard Hudson, a Republican from North Carolina, said.

Wadsworth was Biffle’s friend and helped him with odd jobs, including delivering supplies to places hit by Hurricane Helene, roommate Benito Howell said.

“He didn’t know how to say no,” Howell said of Wadsworth, who had worked for several NASCAR teams. “He loved everybody. He always tried to help everybody.”

The joint family statement also spoke about Dutton and his son Jack, saying they were “deeply loved as well, and their loss is felt by all who knew them.”

With 2025 almost over, there have been 1,331 U.S. crashes this year investigated by the NTSB, from two-seat planes to commercial aircraft, compared to a total of 1,482 in 2024.

Major air disasters around the world in 2025 include the plane-helicopter collision that killed 67 in Washington, the Air India crash that killed 260 in India, and a crash in Russia’s Far East that claimed 48 lives. Fourteen people, including 11 on the ground, died in a UPS cargo plane crash in Kentucky.

Leon Thomas recently dyed the tips of his signature locs dark green. His new hair color — a stark contrast from the vibrant red he’d been rocking for the last four years — is the first thing that stands out about him when he strolls into the Los Angeles Times building on an unusually rainy day in October.

When asked about his hair, which peeks out from underneath a black beret-style hat, a wide grin stretches across his face.

“I had a vision,” the 32-year-old singer says, leaning in. “In [this] vision, I had more tats, a six pack and I had green dreads. And I was like, ‘You know what, let’s work on it.’” He’s been working out more consistently and he has his eyes set on a couple of tattoo artists in L.A. and Europe, but the new hair kicked everything off.

“That’s how the rest of my life has worked: I’ve seen something in my head, I’ve seen a version of myself that’s not there yet and then you work hard to get there.”

This instinct has carried Thomas throughout his 20-plus-year career in the entertainment industry, and has cleared a path for him to emerge as a leading force in modern R&B music. After years of dedicating his skill to acting, writing and producing chart-topping bangers for artists like Drake, Ariana Grande and SZA (he won his first Grammy for her record “Snooze”), for the first time Thomas is up for six Grammy nominations including album of the year and best new artist for his own work.

“I feel like this is a byproduct of me finally having a machine that works,” Thomas says about his team. He signed to EZMNY, a record label co-founded by Grammy-nominated artist Ty Dolla $ign and A&R executive Shawn Barron, in 2021. He takes an audible breath before continuing, “Not to sound cocky or anything, but I just always felt in my heart of hearts that once people could finally hear what I had to offer, it would be a different story. I’m glad that God gave me the foresight to see that.”

He has good reason to be feeling himself these days. “Mutt,” his breakout 2024 single, quietly simmered for months before it was pushed into ubiquity. The track’s metaphorical meaning — comparing his own flawed behavior in relationships to a “mutt” or a dog with good intentions — along with a sensual bassline and knocking drums eventually became a sleeper hit. It also became a favorite for Tems, SZA, Keke Palmer and Issa Rae, who shouted out the song in interviews.

“That’s how the rest of my life has worked: I’ve seen something in my head, I’ve seen a version of myself that’s not there yet and then you work hard to get there,” said Leon Thomas.

(Jason Armond/Los Angeles Times)

By early this year, the song, which is the title track from his sophomore album, had cracked the Hot 100 Billboard charts, recently climbing to No. 1 on Billboard’s radio songs chart, earning double platinum status.

The success of the album and the deluxe edition that followed launched Thomas into a whirlwind of promo: radio and podcast stops, interviews galore and after-party appearances. Meanwhile, he’s still made time to make records with other artists like Wale, Disclosure, Odeal and Sasha Keable. He kicked off his “Mutts Don’t Heel” tour in October, and this year alone, he’s had more than 70 performances, including the Hollywood Bowl with Inglewood-born singer SiR, “Jimmy Kimmel Live” and the BET Awards (where he won best new artist). Earlier this year, Thomas stopped by NPR’s Tiny Desk, a live set that has more than 4 million views and has since been turned into an EP. (His Tiny Desk performance also received a Grammy nod for best R&B performance.)

“It’s been nonstop like something great happening every single week,” says Barron, co-founder of EZMNY.

Long before fans were belting out the lyrics “I’m a doggggg / I’m a mutt,” Thomas was getting his first taste of what it takes to be a musician from his family. Thomas’ late grandfather, John Anthony, was an opera singer who starred in the 1976 Broadway production of “Porgy & Bess.” His mother — a singer — and his stepfather — who played guitar for B.B. King — were part of New York’s Black Rock Coalition and “didn’t believe in babysitters,” says the Brooklyn native who now resides in L.A. He has fond memories of doing his homework while his parents were performing and hopping on stage at times to hit a dance move for a packed crowd.

At just 10 years old, Thomas booked the role of Young Simba on Broadway after a family friend encouraged him to audition. He went on to star in more productions, including “Caroline, or Change” and “The Color Purple,” before booking his first film, “August Rush” (starring late actor Robin Williams), which required him to learn to play the guitar. As a result, he began writing his own songs, one of which impressed his parents so much that they booked studio time and a session bass player to help him to lay down the track. “It definitely influenced my perspective on if I could actually make professional music or not,” recalls Thomas, who plays five instruments, including drums (his first love), guitar, bass, piano and saxophone.

“Not to sound cocky or anything, but I just always felt in my heart of hearts that once people could finally hear what I had to offer, it would be a different story. I’m glad that God gave me the foresight to see that,” said Leon Thomas.

(Jason Armond/Los Angeles Times)

By age 13, Thomas had signed a development deal with Nickelodeon that came with a Columbia Records recording contract. After appearing in various shows like “The Backyardigans” and “iCarly,” he snagged the role of André Harris, a high-school-age singer and multi-instrumentalist, on the tween sitcom “Victorious” alongside star-in-the-making Grande.

When the show ended in 2013, Thomas began working with one of modern music’s most decorated architects, Babyface, who introduced him to producer and songwriter Khris Riddick-Tynes. Together, Thomas and Riddick-Tynes formed the Rascals and began producing records like Rick Ross’ “Gold Roses” featuring Drake (which received a Grammy nomination), “I’d Rather Be Broke” by Toni Braxton and SZA’s “Snooze,” which won best R&B song at the Grammys in 2024.

Still, pivoting from wholesome Nickelodeon star to a grown R&B artist didn’t happen overnight. “The biggest thing for me was just taking time away from the artistry in order to really allow people to celebrate the brand that I had built, but give me room to build something else,” he says. “Space and time can be a tough thing because you’re gonna have to reintroduce yourself even though you did a lot of work in the beginning to build what you had before, but I think it’s beautiful to kind of build a brand from scratch.”

That’s one of the reasons why the cover of his reintroduction project, “Genesis,” features a distorted forest instead of his face. “I didn’t want them to connect with what I was saying, what I was talking about, the feelings [and] the sounds,” he says. With every release, he’s slowly revealed more of himself.

Onstage, Thomas channels the intensity of some of his musical heroes — James Brown, Prince, Jimi Hendrix and D’Angelo. His music may sit comfortably under the R&B umbrella, but he bends and flips genres with ease, especially rock and funk. In TikTok recaps from his current tour, he can be seen ripping on the bass and guitar, whipping his body into turns and effortlessly hitting vocal runs, which fans have attempted to imitate. With him, you never have to question if the mic is on.

“Sometimes I go see R&B artists live and it’s very chill,” he says, but “the school I come from is competitive.” He recalls stories that his stepfather has told him about performing at the Village Underground in New York when he was coming up. “They used to do something called cutting heads, so the first guy would go do his solo, then the guy who came out on the second set had to go even further. He’s playing with his teeth, he’s spinning, he’s on the floor, he’s wildin’,” Thomas says excitedly.

“So I’m in that school of thinking when I hit a stage and for this tour where I get to curate things and really put it together like I want to, there’s gotta be that energy of cutting heads,” he adds.

Just days before launching his 27-city tour, Thomas released a cinematic trailer featuring Rae — who played his neighbor and hookup buddy on “Insecure” — to introduce his latest project, “Pholks.” The seven-track release, created in collaboration with musicians Rob “Freaky Rob” Gueringer and David Phelps, a.k.a. “D. Phelps” (who also worked on “Mutt”), is an homage to the funk, rock and soul artists who’ve inspired him. Led by the singles “Just How You Are” and “My Muse,” which could trigger a “Soul Train” line at any moment, the project feels warm and nostalgic, yet anchored in forward-thinking production and playful storytelling that helps push it into the future.

In April, Ty Dolla $ign brought Thomas out to perform during his headlining set at Coachella, a moment that was a no-brainer for Ty, who recently called Thomas “the new king” of R&B.

“I just can’t even believe that I was the one to be able to do this,” Ty says about working with the singer.

“Sometimes I go see R&B artists live and it’s very chill,” Leon Thomas said, but “the school I come from is competitive.”

(Jason Armond/Los Angeles Times)

In the midst of this busy season, Thomas has been more intentional about maintaining his mental health. “I’m doing a lot of grounding meditations,” he says, noting that family and his tight circle of friends have been an essential support system. “I’ve been picking up the Bible a little bit more.”

He also finds steadiness in revisiting wisdom passed down from his late grandfather, who passed away last year, and reflecting on his “why:” bringing a classic, musician-centered energy back to R&B and encouraging young artists to pick up an instrument.

“When a little kid sees me playing guitar on the Grammy stage or if they see me performing on Instagram playing drums, I want them to ask their mom for a guitar or some drum lessons,” he says. With the rise of AI, he says that live musicianship may become less common. “I hope that we can inspire a revolution of intelligence, people who are intelligently making music and coming from a standpoint of history.”

Thomas will close out his whirlwind year with two shows at the Wiltern on Dec. 22 and 23 before embarking on the European leg of his tour in March and heading to Australia in June. In the meantime, he’s trying to avoid thinking about the Grammys in February — though everyone, including myself, is making it impossible for him not to.

Whether he walks away with a golden gramophone or not, Thomas has already created a body of work that has reinvigorated not only R&B but also music in general, and he plans to continue pushing himself creatively. He’s known all along what he’s capable of and the career he’s destined to have because he’s envisioned it. It’s the world that’s had to catch up.

DOVER AIR FORCE BASE, Del. — President Trump on Wednesday paid his respects to two Iowa National Guard members and a U.S. civilian interpreter who were killed in an attack in the Syrian desert, joining their grieving families as their remains were brought back to the country they served.

Trump met privately with the families at Dover Air Force Base in Delaware before the dignified transfer, a solemn ritual conducted in honor of U.S. service members killed in action. The civilian was also included in the transfer.

Trump, who traveled to Dover several times in his first term, once described it as “the toughest thing I have to do” as president.

The two Iowa troops killed in Syria on Saturday were Sgt. Edgar Brian Torres-Tovar, 25, of Des Moines, and Sgt. William Nathaniel Howard, 29, of Marshalltown, according to the U.S. Army. Both were members of the 1st Squadron, 113th Cavalry Regiment, and have been hailed as heroes by the Iowa National Guard.

Torres-Tovar’s and Howard’s families were at Dover for the return of their remains, alongside Iowa Gov. Kim Reynolds, members of Iowa’s congressional delegation and leaders of the Iowa National Guard. Their remains will be taken to Iowa after the transfer.

A U.S. civilian working as an interpreter, identified Tuesday as Ayad Mansoor Sakat, of Macomb, Mich., was also killed. Three other members of the Iowa National Guard were injured in the attack. The Pentagon has not identified them.

They were among hundreds of U.S. troops deployed in eastern Syria as part of a coalition fighting the Islamic State group.

The process of returning service member remains

There is no formal role for a president at a dignified transfer other than to watch in silence, with all thoughts about what happened in the past and what is happening at Dover kept to himself for the moment. There is no speaking by any of the dignitaries who attend, with the only words coming from the military officials who direct the highly choreographed transfers.

Trump arrived without First Lady Melania Trump, who had been scheduled to accompany him, according to the president’s public schedule. Her office declined to elaborate, with spokesperson Nick Clemens saying the first lady “was not able to attend today.”

During the process at Dover, transfer cases draped with the American flag that hold the soldiers’ remains are carried from the belly of a hulking C-17 military aircraft to a waiting vehicle under the watchful eyes of grieving family members. The vehicle then transports the remains to the mortuary facility at the base, where the fallen are prepared for burial.

Iowa National Guard members hailed as heroes

Howard’s stepfather, Jeffrey Bunn, has said Howard “loved what he was doing and would be the first in and last out.” He said Howard had wanted to be a soldier since he was a boy.

In a social media post, Bunn, who is chief of the Tama, Iowa, police department, said Howard was a loving husband and an “amazing man of faith.” He said Howard’s brother, a staff sergeant in the Iowa National Guard, would escort “Nate” back to Iowa.

Torres-Tovar was remembered as a “very positive” family-oriented person who always put others first, according to fellow Guard members who were deployed with him and issued a statement to the local TV broadcast station WOI.

Dina Qiryaqoz, the daughter of the civilian interpreter who was killed, said Wednesday in a statement that her father worked for the U.S. Army during the invasion of Iraq from 2003 to 2007. Sakat is survived by his wife and four adult children.

The interpreter was from Bakhdida, Iraq, a small Catholic village southeast of Mosul, and the family immigrated to the U.S. in 2007 on a special visa, Qiryaqoz said. At the time of his death, Sakat was employed as an independent contractor for Virginia-based Valiant Integrated Services.

Sakat’s family was still struggling to believe that he is gone. “He was a devoted father and husband, a courageous interpreter and a man who believed deeply in the mission he served,” Qiryaqoz said.

Trump’s reaction to the attack in Syria

Trump told reporters over the weekend that he was mourning the deaths. He vowed retaliation. The most recent instance of U.S. service members killed in action was in January 2024, when three American troops died in a drone attack in Jordan.

Saturday’s deadly attack followed a rapprochement between the U.S. and Syria, bringing the former pariah state into a U.S.-led coalition fighting the Islamic State group.

Trump has forged a relationship with interim Syrian President Ahmed al-Sharaa, the onetime leader of an Islamic insurgent group who led the ouster of former President Bashar Assad.

Trump, who met with al-Sharaa last month at the White House, said Monday that the attack had nothing to do with the Syrian leader, who Trump said was “devastated by what happened.”

During his first term, Trump visited Dover in 2017 to honor a U.S. Navy SEAL killed during a raid in Yemen, in 2019 for two Army officers whose helicopter crashed in Afghanistan, and in 2020 for two Army soldiers killed in Afghanistan when a person dressed in an Afghan army uniform opened fire.

Price writes for the Associated Press. AP writers Konstantin Toropin and Darlene Superville in Washington, Isabella Volmert in Lansing, Mich., and Hannah Fingerhut in Des Moines, Iowa, contributed to this report.

A NOTABLE actress from the 1970s has shown off her ageless appearance, looking younger than her son in a new family photo.

Jaclyn Smith, who played Kelly Garrett on the hit series Charlie’s Angels in the late ’70s and early ’80s, stunned in pics with her son, Gaston Richmond.

The TV star shared the snap on Tuesday on Instagram alongside a throwback of the mother-son duo.

The first pic showed the cover of a Good Housekeeping issue from November 1984, which featured the pair.

Jaclyn, then 41, cuddled her young son, showing their striking resemblance.

The actress looked like she hadn’t aged a day in a second photo she shared of the pair from the present day.

SO AGELESS

Star of iconic 70s TV show looks incredible as she turns 80 – can you guess who?

Jaclyn, 80, in a striped sweater and with her brunette hair flowing down her shoulders, gathered close to her grown son, 43.

She looked exactly the same as she did in the previous over 40-year-old photo, while Gaston towered over her, sporting a green t-shirt, a matching Los Angeles Dodgers hat, and a white and gray beard.

“Then and now Some things never change, he’s still my Sonshine!” The Bourne Identity alum wrote in her caption.

Jaclyn shares Gaston and a daughter, Spencer Margaret, with her ex-husband, filmmaker Tony Richmond, with whom she was married from 1981 to 1989.

The TV star was also married to Roger Davis and Dennis Cole before tying the knot with her current husband, cardiothoracic surgeon Dr. Brad Allen, in 1977.

Jaclyn starred in the Charlie’s Angels series from 1976 to 1981 alongside Farrah Fawcett, Cheryl Ladd, and Kate Jackson. 

She was the only actress to remain on the show throughout its five-year run, appearing in 110 episodes.

Shelley Hack and Tanya Roberts joined her later in the series, and until its end after five seasons.

She later reprised her Charlie’s Angels character in the 2003 remake, Charlie’s Angels: Full Throttle, starring Lucy Liu, Drew Barrymore, Cameron Diaz, and Demi Moore.

The legendary actress is also well-known for her roles in Florence Nightingale (1995) and Windmills of the Gods (1988), as well as many TV credits.

Warner Bros. Discovery has sharply rejected Paramount’s latest offer, alleging the Larry Ellison family has failed to put real money behind Paramount’s $78-billion bid for Warner’s legendary movie studio, HBO and CNN.

Paramount “has consistently misled WBD shareholders that its proposed transaction has a ‘full backstop’ from the Ellison family,” Warner Bros. Discovery’s board wrote in a Wednesday letter to its shareholders filed with the Securities & Exchange Commission.

“It does not, and never has,” the Warner board said.

For Warner, what was missing was a clear declaration from Paramount that the Ellison family had agreed to commit funding for the deal. A Paramount representative was not immediately available for comment Wednesday.

The Warner auction has taken a nasty turn. Last week, Paramount launched a hostile takeover campaign for Warner after losing the bidding war to Netflix. Warner board members unanimously approved Netflix’s $72-billion deal for the Warner Bros. film and television studios, HBO and HBO Max.

In its letter, the Warner board reaffirmed its support for Netflix’s proposal, saying it represented the best deal for shareholders. Warner board members urged investors not to tender their shares to Paramount.

Board members said they were concerned that Paramount’s financing was shaky and the Ellison family’s assurances were far from ironclad. Warner also said Paramount’s proposal contained troubling caveats, such as language in its documents that said Paramount “reserve[d] the right to amend the offer in any respect.”

The Warner board argued that its shareholders could be left holding the bag.

Paramount Chief Executive David Ellison has argued his $78-billion deal is superior to Netflix’s proposal.

(Evan Agostini / Evan Agostini/invision/ap)

Paramount Chairman David Ellison has championed Paramount’s strength in recent weeks saying his company’s bid for all of Warner Bros. Discovery, which includes HBO, CNN and the Warner Bros. film and television studios, was backed by his wealthy family, headed by his father, Oracle co-founder Larry Ellison, one of the world’s richest men.

In its letter last week to shareholders, asking for their support, Ellison wrote that Paramount delivered “an equity commitment from the Ellison family trust, which contains over $250 billion of assets,” including more than 1 billion Oracle shares.

In regulatory filings, Paramount disclosed that, for the equity portion of the deal, it planned to rely on $24 billion from sovereign wealth funds representing the royal families of Saudi Arabia, Qatar and Abu Dhabi as well as $11.8 billion from the Ellison family (which also holds the controlling shares in Paramount). This week, President Trump’s son-in-law Jared Kushner’s Affinity Partners private equity firm pulled out of Paramount’s financing team.

Paramount’s bid would also need more than $60 billion in debt financing.

Paramount has made six offers for Warner Bros., and its “most recent proposal includes a $40.65 billion equity commitment, for which there is no Ellison family commitment of any kind,” the Warner board wrote.

“Instead, they propose that [shareholders] rely on an unknown and opaque revocable trust for the certainty of this crucial deal funding,” the board said.

Throughout the negotiations, Paramount, which trades under the PSKY ticker, failed to present a solid financing commitment from Larry Ellison — despite Warner’s bankers telling them that one was necessary, the board said.

“Despite … their own ample resources, as well as multiple assurances by PSKY during our strategic review process that such a commitment was forthcoming – the Ellison family has chosen not to backstop the PSKY offer,” Warner’s board wrote.

Board members argued that a revocable trust could always be changed. “A revocable trust is no replacement for a secured commitment by a controlling stockholder,” according to the board letter.

David Ellison has insisted Paramount’s Dec. 4 offer of $30 a share was superior to Netflix’s winning bid. Paramount wants to buy all of Warner Bros. Discovery, while Netflix has made a deal to take Warner’s studios, its spacious lot in Burbank, HBO and HBO Max streaming service.

Paramount’s lawyers have argued that Warner tipped the auction to favor Netflix.

Paramount, which until recently enjoyed warm relations with President Trump, has long argued that its deal represents a more certain path to gain regulatory approvals. Trump’s Department of Justice would consider any anti-trust ramifications of the deal, and in the past, Trump has spoken highly of the Ellisons.

However, Warner’s board argued that Paramount might be providing too rosy a view.

“Despite PSKY’s media statements to the contrary, the Board does not believe there is a material difference in regulatory risk between the PSKY offer and the Netflix merger,” the Warner board wrote. “The Board carefully considered the federal, state, and international regulatory risks for both the Netflix merger and the PSKY offer with its regulatory advisors.”

The board noted that Netflix agreed to pay a record $5.8 billion if its deal fails to clear the regulatory hurdles.

Paramount has offered a $5 billion termination fee.

Should Warner abandon the transaction with Netflix, it would owe Netflix a $2.8 billion break-up fee.

Warner also pointed to Paramount’s promises to Wall Street that it would shave $9 billion in costs from the combined companies. Paramount is in the process of making $3 billion in cuts since the Ellison family and RedBird Capital Partners took the helm of the company in August.

Paramount has promised another $6 billion in cuts should it win Warner Bros.

“These targets are both ambitious from an operational perspective and would make Hollywood weaker, not stronger,” the Warner board wrote.

A coalition of Eaton fire survivors and community groups called on Southern California Edison on Tuesday to provide immediate housing assistance to the thousands of people who lost their homes in the Jan. 7 wildfire.

The coalition says an increasing number of Altadena residents are running out of insurance coverage that had been paying for their housing since they were displaced by the fire. Thousands of other residents had no insurance.

“When a company’s fire destroys or contaminates homes, that company has a responsibility to keep families housed until they can get back home,” said Joy Chen, executive director of the Eaton Fire Survivors Network, one of the coalition members asking Edison for emergency assistance of up to $200,000 for each family.

At the coalition’s press conference, Altadena residents spoke of trying to find a place to live after the Jan. 7 fire that killed at least 19 people and destroyed more than 9,000 homes, apartments and other structures. Thousands of other homes were damaged by smoke and ash.

Gabriel Gonzalez, center, an Eaton Fire survivor, shown with Joy Chen, Executive Director of the Eaton Fire Survivors Network (EFSN), left, and other survivors at a press conference in Altadena. They urged Southern California Edison to provide urgent housing relief to keep Eaton Fire families housed this winter.

(Gary Coronado/For The Times)

Gabriel Gonzalez said he had been living in his car for most of the last year.

Before the fire, Gonzalez had a successful plumbing company with six employees, he said. He had moved into an apartment in Altadena just a month before the fire and lost $80,000 worth of tools when the building was destroyed.

His insurance did not cover the loss, Gonzalez said, and he lost his business.

Edison is now offering to directly pay fire victims for their losses if they give up their right to file a lawsuit against the utility.

But members of the coalition say Edison’s program is forcing victims who are most desperate for financial support to give up their legal right to fair compensation.

Andrew Wessels, Strategy Director for the Eaton Fire Survivors Network, speaks about Edison’s Wildfire Recovery Compensation Plan (WRCP).

(Gary Coronado/For The Times)

“If families are pushed to give up what they are owed just to survive, the recovery will never have the funds required to rebuild homes, restore livelihoods or stabilize the community,” said Andrew Wessels. He said he and his family had lived in 12 different places since the fire left ash contaminated with lead on and in their home.

In an interview Tuesday, Pedro Pizarro, chief executive of Edison International, the utility’s parent company, said the company would not provide money to victims without them agreeing to drop any litigation against the company for the fire.

“I can’t even pretend to understand the challenges victims are going through,” Pizarro said.

He said the company created its Wildfire Recovery Compensation Program to get money to victims much faster than if they filed a lawsuit and waited for a settlement.

“We want to help the community rebuild as quickly as possible,” he said.

Pizarro said Edison made its first payment to a victim within 45 days of the compensation program launching on Oct. 29. So far, he said, the company has received more than 1,500 claims.

Edison created the compensation program even though the official investigation into the cause of the fire hasn’t been released.

The company has said a leading theory is that its century-old transmission line in Eaton Canyon, which it last used in 1971, briefly became energized from the live lines running parallel to it, sparking the fire.

The program offers to reimburse victims for their losses and provides additional sums for pain and suffering. It also gives victims a bonus for agreeing to settle their claim outside of court.

Pizarro said the program is voluntary and if victims don’t like the offer they receive from Edison, they can continue their claims in court.

Edison has told its investors that it believes it will be reimbursed for all of its payments to victims and lawsuit settlements by $1 billion in customer-paid insurance and a $21 billion state wildfire fund.

Zaire Calvin, of Altadena, a survivor who has lost his home and other properties, speaks.

(Gary Coronado/For The Times)

Gov. Gavin Newsom and lawmakers created the wildfire fund in 2019 to protect utilities from bankruptcy if their electric wires cause a disastrous wildfire.

State officials say the fund could be wiped out by Eaton fire damages. While the first $21 billion was contributed half by customers of the state’s three biggest for-profit utilities and half by the companies’ shareholders, any additional damage claims from the Jan. 7 fire will be paid by Edison customers, according to legislation passed in September.

Some Altadena residents say Edison’s compensation program doesn’t pay them fully for their losses.

Damon Blount said that he and his wife had just renovated their home before it was destroyed in the fire. They don’t believe Edison’s offer would be enough to cover that work.

Blount said he “felt betrayed” by the utility.

“They literally took everything away from us,” Blount said. “Do the right thing, Edison. We want to be home.”

At the press conference, fire victims pointed out that Edison reported nearly $1.3 billion in profits last year, up from $1.2 billion in 2023.

Last week, Edison International said it was increasing the dividend it pays to its shareholders by 6% because of its strong financial performance.

“Their stock is rising,” said Zaire Calvin, one of the Altadena residents calling on Edison for emergency relief. Calvin lost his home and his sister died in the fire. “They will not pay a penny when this is over.”

Cornwall might be best known for its show-stopping beaches and natural beauty – but there’s a whole host of family-friendly attractions, from theme parks and soft plays to historic jails and kid-friendly museums.

It’s a good idea to have some wet weather ideas up your sleeve, or if you simply want an alternative to exploring Cornwall’s golden sands and picturesque fishing villages. 

We’ve asked Cornwall experts, holiday park staff and Sun readers who have holidayed here for their recommendations of the best family attractions in the county, located near your next £9.50 Holiday park. Here’s what they said… 

Hop on a bus

Carol Harris, 72, from Clacton-on-Sea, Essex, stayed at Parkdean Resorts Lizard Point and her top tip is to take the double decker bus, which stops right outside the holiday park.

She said: “Taking the bus was an unexpected highlight. We took a double decker to Penzance for just £4 for an all-day ticket. The sea views from the top deck were brilliant – and, as passengers instead of driving, we both got to enjoy them.

“We jumped off at Marazion for St Michael’s Mount, which is beautiful. In Penzance we walked along the quay and got unlimited refills of coffee in Wetherspoons for £1.56.”

Cornwall expert and Sun travel writer Ellie Ross also recommends the Atlantic Coaster.

She said: “On a sunny day, children will also love the thrill of riding this open-top bus.

“It links Hendra Holiday Park in Newquay with Padstow, offering amazing views out to sea, and you can hop on and off as you please. It’s also a bargain – with single fares from £2.”

Take a boat

A short ferry ride can add a dose of excitement to a day out, especially for little ones.

You can hop on board the St Mawes Ferry from Falmouth, like Laraine Wells, 73, from Taunton in Somerset, did during her £9.50 Holiday to St Ives.

She said: “Falmouth is a great place to mooch about – there are loads of small, independent shops selling interesting things.

“You can also catch the ferry to St Mawes – it’s a nice boat trip over and St Mawes is a pretty fishing harbour that you can explore or just have a cup of tea in one of the cafes.”

Family tickets cost from £7.56 return for five people; under-threes travel free. You can take a (foldable) buggy on the ferry.

Toddler-friendly attractions

If you’ve got tots in tow, rainy day activities can be a challenge.

In which case, take a trip to Lappa Valley, a train-themed attraction set in beautiful countryside on the outskirts of Newquay.

As well as the steam engine that chugs you into the park from the car park, it features mini golf, outdoor play areas and indoor soft play (tip: check the train timetable before you arrive – they only run every 40 minutes in low season).

It was recommended by Dani Fillery, Owner and Guest Experience Manager at White Acres Holiday Park.

Dani also recommended Newquay Trampoline and Play Park, which has an under-twos area as well as huge soft play for older children (tip: rainy days are especially busy, so book online to avoid disappointment).

Meanwhile, Camel Creek is an adventure park that’s great for kids of all ages. Dani said: “There’s a huge indoor soft play where you can hide away if it rains. It’s reasonably priced, we’ve been going for years with my son who is now six.”

For older kids

Cornwall expert Ellie Ross said: “Located just off the A30, Bodmin Jail is a great option en route to or from Cornwall – or if you’re happy to head half an hour inland from your holiday park.

“The 18th-century prison has recently been redeveloped into an attraction and hotel, and is a great option for families with older children, offering educational tours for children up to the age of 16 (Key Stage 4).

“Highlights include an interactive walk back in time, offering a glimpse into life inside the historic jail.

“Or pop over to Falmouth, where the National Maritime Museum has loads of interactive exhibitions that will engage youngsters while teaching them about Cornwall’s seafaring past, from pirates to packet ships.

“Tickets – which last a year – cost £18 for adults and £9 for under-18s. Under-fives get in free.”

Rob Reiner was a movie director who began as an actor who wanted to direct movies. The bridge between these careers was “This Is Spinal Tap” in 1984, his first proper film, in which he also acted. His original inclination, based on the music documentaries he had studied, had been not to appear onscreen, but he decided there was practical value in greeting the audience with a face familiar from eight seasons of “All in the Family” as Archie Bunker’s left-wing son-in-law, Michael “Meathead” Stivic.

Reiner’s television career began at 21, partnered with Steve Martin, writing for “The Smothers Brothers Comedy Hour.” As an actor, his early years were characterized by the small parts and guest shots that describe the early career of many performers we come to know well. He played multiple characters on episodes of “That Girl” and “Gomer Pyle, USMC,” a delivery boy on “Batman,” and appeared on “The Andy Griffith Show” and “Room 222.” His last such role, in 1971, the same year “All in the Family” premiered, was on “The Partridge Family” as a tender-hearted, poetry-writing, tattooed biker who becomes attached to Susan Dey‘s character and somewhat improbably takes her to a school dance. It’s a performance that prefigures the tenderness and humanity that would become a signature of his work as a writer, director and performer — and, seemingly, a person.

On “All in the Family,” in his jeans and work shirt, with a drooping mustache that seemed to accentuate a note of sadness, Reiner largely played the straight man, an irritant to Carroll O’Connor’s Archie Bunker, teeing up the issue-oriented dialectic. Once in a while he’d be given a broad comic meal to chew, as when wife Gloria (Sally Struthers) goes into labor while they’re out for dinner, and he accelerates into classic expectant-father sitcom panic. But minus the “Meathead” material, “All in the Family” is as much a social drama as it is a comedy, with Mike and Gloria struggling with money, living with her parents, new parenthood, and a relationship that blows hot and cold until it finally blows out for good. He’s not a Comic Creation, like Archie or Edith with their malaprops and mispronunciations, or even Gloria, but his importance to the storytelling was certified by two supporting actor Emmys.

Rob Reiner, Sally Struthers, Caroll O’Connor and Jean Stapleton in a scene from Norman Lear’s television series “All in the Family.”

(Bettmann Archive via Getty Image)

What Reiner carried from “Family” into his later appearances was a sort of bigness. He could seem loud — and loudness is something Norman Lear’s shows reveled in — even when he’s speaking quietly. Physically he occupied a lot of space, more as time went on, and beginning perhaps with “Spinal Tap,” in which he played director Marty DiBergi, he transformed tonally into a sort of gentle Jewish Buddha. In the 2020 miniseries “Hollywood,” Ryan Murphy’s alternate history of the 1930s picture business, the studio head he plays is not the desk-banger of cliche, but he is a man with an appetite. (“Get me some brisket and some of those cheesy potatoes and a lemon meringue pie,” he tells a commissary waiter — against doctor’s orders, having just emerged from a heart attack-induced coma. “One meal’s not going to kill me.”) He’s the boss, but, in a scene as lovely as it is historically unlikely, he allows his wife (Patti LuPone), who has been running things during his absence, to also be the boss.

Reiner left “All in the Family” in 1978, after its eighth season to explore life outside Michael Stivic. (In 1976, while still starring on “Family,” he tested those waters, appearing on an episode of “The Rockford Files” as a narcissistic third-rate football player.) “Free Country,” which he co-created with frequent writing partner Phil Mishkin, about a family of Lithuanian immigrants in the early 1900s, aired five episodes that summer. The same year, ABC broadcast the Reiner-Mishkin-penned TV movie “More Than Friends” (available on Apple TV) in which Reiner co-starred with then-wife Penny Marshall. Directed by James Burrows, whose dance card would fill up with “Taxi,” “Cheers” and “3rd Rock From the Sun,” it’s in some respects a dry run for Reiner’s “When Harry Met Sally…,” tracking a not-quite-romantic but ultimately destined relationship across time.

Future Spinal Tap lead singer Michael McKean appears there as a protest singer, while the 1982 CBS TV movie “Million Dollar Infield,” written again with Mishkin, features Reiner alongside future Spinal Tap lead guitarist Christopher Guest and bassist Harry Shearer; it’s a story of baseball, families and therapy. Co-star Bruno Kirby the year before had co-written and starred in Reiner’s directorial debut, “Tommy Rispoli: A Man and His Music,” a short film that aired on the long-gone subscription service On TV as part of the “Likely Stories” anthology. Kirby’s character, a Frank Sinatra-loving limo driver (driving Reiner as himself), found its way into “This Is Spinal Tap,” though here he is the center of a Reineresque love story.

After “Spinal Tap,” as Reiner’s directing career went from strength to strength, he continued to act in other people’s pictures (“Sleepless in Seattle,” “Primary Colors,” “Bullets Over Broadway” and “The Wolf of Wall Street,” to name but a few) and some of his his own, up to this year’s “Spinal Tap II: The End Continues.” On television, he mostly played himself, which is to say versions of himself, on shows including “It’s Garry Shandling’s Show,” “Curb Your Enthusiasm” and, of all things, “Hannah Montana,” with a few notable exceptions.

Rob Reiner and Jamie Lee Curtis play the divorced parents of Jess (Zooey Deschanel) in Fox’s “New Girl.”

(Ray Mickshaw / Fox)

The most notable of these, to my mind, is “New Girl,” in which Reiner appeared in 10 episodes threaded through five of the series’ seven seasons, as Bob Day, the father of Zooey Deschanel’s Jess. Jamie Lee Curtis, married to Guest in the real world, played his ex-wife, Joan, with Kaitlin Olson as his new, much younger partner, Ashley, who had been in high school with Jess. He’s positively delightful here, whether being overprotective of Deschanel or suffering her ministrations, dancing around Curtis, or fencing with Jake Johnson’s Nick. Improvisational rhythms characterize his performance, whether he’s sticking to the script or not. Most recently, he recurred in the fourth season of “The Bear,” which has also featured Curtis, mentoring sandwich genius Ebraheim (Edwin Lee Gibson); their scenes feel very much like what taking a meeting with Reiner might be like.

Coincidentally, I have had Reiner in my ear over the past couple of weeks, listening to the audiobook version of “A Fine Line: Between Stupid and Clever,” which he narrates with contributions from McKean, Shearer and Guest. A story of friendship and creativity and ridiculousness, all around a wonderful thing that grew bigger over the years, Reiner’s happy reading throws this tragedy into sharper relief. I have a DVD on the way, though I don’t know when I’ll be up to watching it. I only know I will.

Four years after the family of deceased Angels pitcher Tyler Skaggs filed a wrongful death suit against the Angels, and two months into often contentious testimony in an Orange County Superior Court courtroom, jurors are set to begin deliberations on whether Skaggs’ widow and parents deserve hundreds of millions of dollars.

During closing statements Monday, plaintiffs lawyer Daniel Dutko argued that the Angels were negligent in failing to supervise Eric Kay, the drug-addicted team communications director who gave Skaggs the fentanyl that killed him in 2019.

However, Angels lawyer Todd Theodora insisted that Skaggs was a selfish, secretive opioid addict who for years manipulated Kay into obtaining drugs for him. Theodora told the jury that the Angels didn’t owe the Skaggs family any award.

“He died when he was doing things we teach our children and grandchildren not to do — do not chop up and snort pills from the street,” Theodora said.

But it’s not just Skaggs’ family and the Angels who have a lot riding on the jury’s decision. Among those powerful stakeholders who have been watching the proceedings closely are the agencies that insure the Angels.

According to people with knowledge of the Angels’ defense, the team is insured by several companies that each provide coverage with various limits, and it’s possible that those insurers could facilitate a case settlement even before the jury reaches its verdict.

“Insurance companies are in the business of mitigating risk; they don’t like uncertainty,” said Brian Panish, a Los Angeles personal injury lawyer who was not involved in the case but has won several landmark jury verdicts. “They calculate risk and proceed from there. In this case we are talking about multiple insurance companies, a tower of insurance.”

Even though the insurance companies represent the Angels, they ultimately could reduce risk for the Skaggs family and their lawyers through an 11th-hour settlement.

Legal experts say that in cases where enormous sums of money are at stake, the two sides can reach what is called a high-low agreement, with the insurance companies promising to pay plaintiffs an agreed-upon sum even if the jury awards nothing. In exchange the plaintiffs accept an agreed-upon cap to their award — even if the jury thought they deserved more.

A nightmare outcome for the Skaggs family would be the jury awarding them nothing, meaning that in addition to widow Carli Skaggs and parents Debbie Hetman and Darrell Skaggs leaving empty-handed, their high-powered legal team that has spent thousands of hours on the case wouldn’t be paid. Their contingency fee — typically 35% to 40% of an award — would be zero.

A high-low agreement with the Angels would ensure that Skaggs’ lawyers are paid and the family gets some money even if the jury denies them anything.

Both sides are scrambling to assess risk before the jury returns a verdict. Another source of information for the Angels has been a “shadow jury,” a half-dozen or so people hired by the insurance companies to sit in on the trial and provide feedback to the Angels lawyers on their reactions to the testimony.

Next could come negotiations with little time to spare.

“Who is going to blink first?” Panish said. “The posturing and maneuvering is over. The hay is in the barn. The bricks have been laid. I’d be very surprised if they aren’t talking already.”

A person with knowledge of backroom negotiations between the two sides said one insurance company with a relatively low limit on its coverage of the Angels — near the bottom of the tower — has blocked progress toward a settlement. The insurance companies eventually made a “lowball offer” more than a month ago that was rejected by the Skaggs family.

“If a settlement proposal is within the insurance policy limits, there will be pressure on the defense to settle,” Panish said. “But if it is above the limits, say coverage is for $50 million and the demand is $100 million, the insurance companies can’t force the Angels to settle because they would have to pay the excess amount.”

The facts regarding Skaggs’ death are not in dispute. An autopsy concluded the 27-year-old left-hander accidentally died of asphyxia after aspirating his own vomit while under the influence of fentanyl, oxycodone and alcohol the night of July 1, 2019, when the Angels were in Texas for a three-game series against the Rangers.

Kay provided Skaggs with the counterfeit oxycodone pill laced with fentanyl and is serving 22 years in federal prison for his role in the death.

The Skaggs family legal team, led by attorneys Rusty Hardin, Shaun Holley and Dutko, argued that several Angels employees knew about Kay’s own years-long addiction to opioids and ignored team and Major League Baseball policies by failing to report or punish Kay.

Dutko said Kay was operating within his scope of employment when he gave Skaggs and several other players opioid pills — a stance vigorously opposed by Theodora. Dutko referred to testimony that Kay did anything he could to please players — obtaining Viagra prescriptions and marijuana vape pens for them, booking tee times and massages, and humoring them by taking a fastball off his knee and eating pimples off the back of star outfielder Mike Trout.

“From Viagra to vape pens to opioids. Eric Kay’s job responsibility was to get the players anything they wanted,” Dutko said.

Theodora continually portrayed Skaggs as a conniving drug addict who callously pressured Kay to obtain pills for him and doled out pills to teammates, even pressuring Kay to deliver opioids shortly after the longtime employee and admitted drug addict came out of rehab.

On Monday, Theodora reviewed testimony from five of Skaggs’ teammates dating back to 2011 and argued that not only had Skaggs’ drug use escalated over a nine-year period, but that Skaggs had introduced Kay to them and personally obtained pills for the players.

“It’s called the chain of distribution,” Theodora said.

The Skaggs family is seeking not only lost earnings and emotional distress damages but also punitive damages. California law doesn’t allow punitive damages in a wrongful death case, but precedent going back to the O.J. Simpson case makes an exception if the person suffered property damage before death. Skaggs lawyers believe Kay was responsible for fentanyl contaminating the pitcher’s iPad, which was confiscated and never returned to the family.

“The jury first must find the defendant liable for economic and emotional distress damages, and then a second deliberation will determine if punitive damages are appropriate,” said Edson K. McClellan, an Irvine lawyer who specializes in high-stakes civil and employment litigation. “The purpose of punitive damages is to send a message to the defendant: Don’t do this again.”

McClellan said a purpose of closing statements is to “sway hearts,” to persuade jurors who might not have made up their minds. Both sides gave impassioned arguments that the case they presented over two months validated a verdict in their favor.

Anthony Geary, the Daytime Emmy winner who played half of “General Hospital’s” supercouple Luke Spencer and Laura Baldwin, died Sunday. He was 78.

“The entire #GeneralHospital family is heartbroken over the news of Tony Geary’s passing. Tony was a brilliant actor and set the bar that we continue to strive for,” “GH” executive producer Frank Valentini wrote on Monday in two posts on X. “His legacy, and that of Luke Spencer’s, will live on through the generations of #GH cast members who have followed in his footsteps. We send our sincerest sympathies to his husband, Claudio, family, and friends. May he rest in peace.”

The actor died of complications a few days after having planned surgery in Amsterdam, the city he and spouse Claudio Gama called home, Soap Opera Digest reported.

“It was a shock for me and our families and our friends,” Gama told TV Insider exclusively Monday, saying that for more than three decades Geary had been his friend, companion and — for the past six years — his husband.

Geary notched almost 2,000 episodes on “General Hospital,” where he started as a cast member in 1978. Along the way he took a number of breaks from the show before wrapping up his “GH” career in 2015.

Even with those breaks, Daytime Emmys voters nominated Geary 17 times in the lead actor category. He took home the trophy eight times, in 1982, 1999, 2000, 2004, 2006, 2008, 2012 and 2015.

Despite their plot line beginning with Luke drunkenly raping Laura — played by Genie Francis — only to have her fall in love with her rapist, their love story became insanely popular in the early 1980s, appealing to a younger audience and saving the series from cancellation. The characters got married in November 1981. The audience for the wedding, which aired over two days, was around 30 million viewers and remains the highest-rated soap opera event in history.

Tony Dean Geary was born on May 29, 1947, in the town of Coalville, Utah, and raised in the Church of Jesus Christ of Latter-day Saints. After studying theater at the University of Utah, he began his acting career with roles on shows including “Room 222,” “All in the Family,” “The Partridge Family” and “Mod Squad” in the early 1970s. “General Hospital” cast him in 1978, but not before he added shows including “Barnaby Jones,” “The Streets of San Francisco” and “Marcus Welby, M.D.” to his resume. He racked up dozens more credits in his career, but nothing that brought him the fame that “GH” did.

When Geary left “GH” for good in 2015, some former colleagues talked to The Times about working with him.

Jane Elliot, who played another Spencer love interest, Tracy Quartermaine, recalled in 2015 that she acted with Geary when he first screen-tested for the role that was supposed to be only a 13-week arc.

“It’s always awkward with an actor you don’t know,” she told The Times. “I was walking down this flight of stars, and I pass Tony, who is doodling on a piece of paper. He’s doing tic-tac-toe. I immediately know what kind of actor he is, doing something real in an unreal setting. I went up to him, put an O next to his X, and our relationship was established.”

“Tony’s friendship and guidance has meant the world to me,” said actor Jonathan Jackson, who was only 11 when he started on the soap as Lucky Spencer, Luke’s son. “He was always extremely warm and very present, there was nothing condescending in him. He never treated me like a kid. We clicked right away.”

The “Nashville” actor returned to the show after many years away to help Geary wrap up the Spencers’ story.

”When I found out he was leaving, I knew I had to come back,” Jackson said at the time. “He was great. Having those last scenes with me were everything I hoped it would be.”

Meanwhile, on Monday, co-star Genie Francis, who is still on “GH,” remembered her former on-screen love on social media.

“This morning I woke up and went into my husband’s arms. In my sleep, my life was flashing before me and I was afraid of death.” An hour later, she wrote on Facebook, producer Valentini called to tell her that Geary had died.

“I immediately felt remorse, I hadn’t spoken to him in years, but I felt his life end in my sleep last night, and with it a big part of me, and mine,” Francis continued. “He was a powerhouse as an actor. Shoulder to shoulder with the greats. No star burned brighter than Tony Geary. He was one of a kind. As an artist, he was filled with a passion for the truth, no matter how blunt, or even a little rude it might be, but always hilariously funny. He was the anti-hero, always so irreverent, but even the most conservative had to smile. Working with him was always exciting. You never knew what might happen.

“He spoiled me for leading men for the rest of my life. I am crushed, I will miss him terribly, but I was so lucky to be his partner. Somehow, somewhere, we are connected to each other because I felt him leave last night. Good night sweet prince, good night.”

Vanderbilt quarterback Diego Pavia finished second in Heisman Trophy voting to Indiana quarterback Fernando Mendoza.

That, of course, is quite an accomplishment.

But Pavia apparently felt otherwise. After the results were announced Saturday in New York, the 23-year-old senior posted a photo of himself with his offensive linemen on his Instagram Stories and gave it a profane caption.

“F-ALL THE VOTERS,” Pavia wrote, followed by a thumbs-down emoji, “BUT ….. FAMILY FOR LIFE”

On Sunday night, Pavia posted a lengthy apology on X.

“Being a part of the Heisman ceremony last night as a finalist was such an honor,” he wrote. “As a competitor, just like in everything I do I wanted to win. To be so close to my dream and come up short was painful. I didn’t handle those emotions well at all and did not represent myself the way I wanted to.

“I have much love and respect for the Heisman voters and the selection process, and I apologize for being disrespectful. It was a mistake, and I am sorry.”

Heisman Trophy finalists, from left to right, Notre Dame‘s Jeremiah Love, Indiana’s Fernando Mendoza, Vanderbilt’s Diego Pavia and Ohio State’s Julian Sayin pose with the trophy before the award ceremony Dec. 13 in New York.

(Eduardo Munoz Alvarez / Associated Press)

Mendoza received 643 first-place votes and 2,362 overall points to Pavia’s 189 first-place votes and 1,435 points. Notre Dame running back Jeremiyah Love finished third in voting (46 first place, 719 points), and Ohio State quarterback Julian Sayin was fourth (eight first place, 432 points).

Indiana (13-0) is the top team in the College Football Playoff rankings and will play the Oklahoma-Alabama winner in the Rose Bowl. Mendoza has played a large role in the Hoosiers’ success. He completed 71.5% of his passes for 2,980 yards with a national-best 33 touchdown passes and six interceptions. In addition, Mendoza rushed for 240 yards and six touchdowns.

“Fernando Mendoza is an elite competitor and a deserving winner of the award,” Pavia wrote. “I have nothing but respect for his accomplishments as well as the success that Jeremiyah and Julian had this season.”

Pavia also put up huge numbers for Vanderbilt (10-2), which was No. 14 in the final CFP ranking and will play Iowa in the ReliaQuest Bowl on Jan. 1. He completed 71.2% of his passes for 3,192 yards with 27 touchdowns and eight interceptions and rushed for 826 yards and nine touchdowns.

A former walk-on at New Mexico Military Institute, Pavia played two years at New Mexico State before transferring to Vanderbilt in 2024. Leading up to the Heisman ceremony, Pavia declared himself the best college football player of all time. He recently told Sports Illustrated, however, that his self-confidence should not be mistaken for arrogance.

“As an underdog paying to walk on to JUCO, you kind of have to be your own cheerleader,” Pavia said. “And it just never left my head, to be like ‘Oh I arrived, I don’t need to do that anymore.’”

Pavia reflected on his past in his apology post.

“I’ve been doubted my whole life. Every step of my journey I’ve had to break down doors and fight for myself, because Ive learned that nothing would be handed to me,” he wrote. “My family has always been in my corner, and my teammates, coaches and staff have my six. I love them — I am grateful for them. — and I wouldn’t want anything to distract from that. I look forward to competing in front of my family and with my team one more time in the ReliaQuest Bowl.”