executive

Bruce Davis spent more than two decades as the motion picture academy’s chief executive. Even when he retired in 2011, it was not because he didn’t still love the work. In fact, he kept at it in retirement, retaining an office at the Pickford Center for Motion Picture Study where he focused on writing a definitive history of the early days of the Oscars.

“I don’t think I’ve been bored for a minute in 30 years here,” Davis told the Associated Press upon leaving the academy. “I feel like such a rube sometimes. To this day, when I get out of the car on Oscar night and step up there onto that carpet, you get that rush of energy. The lights are popping — not that anybody’s aiming at me — but still I think it’s one of the great rushes, emotionally speaking, that a person can have.”

Following a battle with leukemia, Davis died Saturday. He was 83.

Davis’ career at the academy was, according to wife Joann, partly a matter of being in the right place at the right time.

“Not that he wasn’t really good at what he did,” she says by phone. “But he was also a lucky man.”

Davis was working as chair of the theater department at Juniata College in Pennsylvania when he and Joann loaded all of their belongings atop their Mazda GLC and headed to Los Angles in pursuit of Hollywood dreams. Davis had been working on a few screenplays while teaching, and his agent told him needed to move closer to the action to network and take meetings.

“Neither of us had jobs when we left Pennsylvania,” Joann says. “We just bit the bullet and drove out. It was a leap of faith.”

Shortly after arriving, Davis met someone at a party whose wife worked at the motion picture academy. That soon led to Davis taking a job arranging lectures and seminars and, later, overseeing the organization’s public programming.

Davis became the academy’s seventh executive director in 1989, leading it through a sizable expansion of staff, relocating the academy’s Margaret Herrick Library to the Beverly Hills Waterworks building in 1991 and setting up its film archive at the Pickford Center for Motion Picture Study in 2002.

“Bruce would drive back and forth to work and see that Waterworks building at the time that they were looking for places for the library to expand,” Joann says. “And one day, it just occurred to him that maybe that would be a building, and so initiated conversation with Beverly Hills. It was kismet.”

Davis had hoped to build an academy museum next to the Pickford, convincing the group’s board of governors to purchase a nearby 3.5-acre site in 2006 for a reported $50 million, but the 2008 recession derailed those plans. His successor, Dawn Hudson, led the push to partner with the Los Angeles County Museum of Art, eventually building the museum at the former May Co. building at Wilshire and Fairfax. It opened in 2021.

Davis was also instrumental in doubling the Oscars’ best picture category from five nominees to 10 in 2009, establishing the preferential ballot system that determines the academy’s top prize.

“That way, best picture reflects the choice of the greatest number of people,” Davis told The Times.

Davis’ Oscar book, “The Academy and the Award,” was first published in 2022, long after he originally anticipated it would hit stores.

“He thought a couple months of research, a couple more months to write it, and voila, in two years, he’d have it done,” Joann says. “But he kept finding new things he wanted to explore.”

Shortly before it published, Davis told The Times that he hoped the book would dispel myths surrounding the Oscars, including Susan Orlean’s assertion in her Rin Tin Tin biography that the dog received more votes than any male actor at the first Academy Awards and that Bette Davis gave the golden statue its nickname because its backside mirrored that of her then-husband Harmon Oscar Nelson.

“There’s a lot of nonsense out there,” Davis said, “and the real story is almost always more interesting.”

“He was deeply committed to preserving the academy’s history, establishing dedicated homes for our library and film archive, and relaunching the concept of creating a museum,” current academy CEO Bill Kramer and President Lynette Howell Taylor said in a statement. “He had a profound love for the academy.”

Davis loved to read and collect books, devouring anything from John Updike and Margaret Atwood, among other authors, a passion that necessitated having bookshelves in every room of his home. Language itself was an obsession, with many family dinners ending with Davis pulling out his unabridged Oxford English Dictionary to share the derivation of a word.

“He was a really fascinating guy,” Joann says.

Perhaps the only thing Davis didn’t like about the Oscars was the ceremony’s annual in memoriam segment, which pays tribute to those who died in the previous year.

“It is the single most troubling element of the Oscar show every year,” Davis told the Associated Press, “because more people die each year than can possibly be included in that segment.”

Next year’s ceremony now has one certain addition.

In addition to Joann, Davis is survived by four daughters: Brangien Davis, Alexandra Davis, Archer Davis and Roxanne Davis.

“Obsession,” the indie horror movie written and directed by Curry Barker, has proved to be one of this year’s most successful films. Made for a reported budget of about $750,000, it has earned more than $500 million at the global box office since Focus Features released it in May — the biggest hit in the distributor’s history, according to a new lawsuit.

But one of its producers, Leonora Ann Darby, is claiming she hasn’t received her share of the profit.

Darby, who rose to become one of three producers at Tea Shop Productions, the U.K. company behind the movie, sued Tea Shop, its Delaware affiliate The Tea Shop & Film Company, and co-founders James Harris and Mark Lane in Los Angeles County Superior Court. The 135-page complaint lays out 10 causes of action — among them, breach of contract, retaliation for wage complaints, whistleblower retaliation and unfair competition — and describes a seven-year pattern of “unequal treatment and broken compensation promises.” Darby has demanded a jury trial.

Harris and Lane allegedly treated Darby “as their subordinate, including in a highly demeaning and gendered manner,” and continually refused to compensate her properly, “culminating in ruthlessly cutting Darby out of the overall net profits” for “Obsession,” the lawsuit says.

“Ms. Darby has brought serious and substantial claims, supported by a detailed factual record,” Darby’s lawyer Thomas K. Richards of the Beverly Hills firm Singh, Singh & Trauben, said in a statement. “She is confident in her case and intends to pursue it fully.”

Tea Shop has already rejected the core of her claim. In an Aug. 13 letter attached to the complaint as an exhibit, the company’s lawyer wrote that Darby “was an employee and, subsequently, a consultant” who has never been a member, shareholder or owner of Tea Shop, and therefore has no right to inspect the company’s financial records. The parties’ written agreement, the letter says, does not entitle her to profit participation or collection-account status on “Obsession” or on any other film not previously identified in writing, and she “has been compensated in accordance with the parties’ agreement.” Tea Shop Productions did not respond to a request for comment.

Darby is credited on screen as an executive producer of “Obsession,” rather than as a producer — a decision she says the company made despite Lane’s absence from the production in 2025 and limited involvement with the film. She claims she functioned as a lead producer under Tea Shop’s own internal definition, a distinction at the center of the case, because the profit deal she is suing over applies only to films she lead-produced.

The complaint alleges that she stepped in at a point when the edit had been taken away from Barker and handed to a new editor, leaving the movie “mired in an edit that was not working.” She “provided fundamental and critical creative and structural notes that changed the course of the film,” “advocated heavily” for the edit to be returned to Barker, and recommended the reshoots that followed, according to the suit. She then took on the post-production, credits, clearance and delivery work that got the film finished in time for its Toronto International Film Festival premiere, where Focus bought it for about $16.2 million — well above the $14 million to $15 million that trades were reporting during negotiations.

Once the value of the movie became apparent, the lawsuit alleges, she was iced out. She wasn’t invited to the Los Angeles premiere and was “deliberately” cut out of major trade articles and interviews, the suit says, including a May profile of Harris and Lane that didn’t name her. Her name was added to that piece in August, after she complained.

Darby first started working at the company in 2019, as a development and production executive. In this role, the lawsuit said, she was responsible for originating and developing projects, attaching filmmakers, assembling financing and producing films from preproduction through delivery. She originated and produced movies including “A Banquet,” “Tornado” and “The Surfer,” which stars Nicolas Cage.

In 2024, she and Tea Shop allegedly reached an agreement raising her salary to 100,000 pounds and entitling her to a third of the net profits Tea Shop itself receives on films she lead-produced, “together with direct participation in the applicable collection account management agreements” — the deals that govern how money from a film is divided among its participants.

Tea Shop has allegedly honored that arrangement on other films. On “Obsession,” the complaint says, Darby was paid $300,000 out of the film’s initial minimum guarantee after Tea Shop directed her company, Runt Productions, to invoice for “Services: Obsession.” That payment, the suit argues, was fixed compensation for her producing services — not a settlement, release or buyout, with no writing calling it full and final.

In addition to her share of Tea Shop’s profits on “Obsession,” Darby is seeking a full accounting for several projects as well as unpaid wages, expenses and relief for retaliation.

A new three-part documentary series on Netflix will explore the life and struggles of Matthew Perry and feature an interview with his sister Mia Perry Bowick, along with unreleased photos and videos from the private archive of the Perry family.

“The One About Matthew Perry” will premiere on the streaming platform Oct. 27, according to an announcement by Netflix on Tuesday. The docuseries, directed and executive produced by award-winning director Mary Robertson (“Quiet on Set”), will tell the story of Perry and his journey from rising comedic star to the man behind the Emmy-nominated role of Chandler Bing on “Friends.”

“Through his many films, TV and stage performances, and his unforgettable portrayal of Chandler Bing, he made millions of us laugh, connect, and feel a little less alone,” Robertson said in a statement. “He also gave us so much more by bravely speaking about addiction. Yet the public only knew part of his story. That’s why we set out to make this series: to let the people who knew and loved Matthew reveal the person behind the public figure.”

The documentary will explore new details about Perry’s private struggles with prescription painkillers and alcohol through firsthand memories from his family and collaborators. The actor died in 2023 from acute effects of ketamine, according to the Los Angeles County medical examiner. Five people were sentenced to prison for supplying Perry with the drug, including his assistant, two doctors, a former drug counselor and a drug dealer known as the “Ketamine queen.”

Perry Bowick hopes the series gives everyone who loved him an appreciation of who he truly was and the legacy he leaves behind.

“It’s taken time for me to feel ready to share these memories and what it was like to love Matthew through all the complexity of his life — to see him as a whole person, not just as Chandler, and not just as someone who struggled with addiction,” she said in a statement.

“The One About Matthew Perry” is the latest documentary about the late actor; “Matthew Perry: An American Tragedy” was released on Peacock last year. The Netflix docuseries is produced by Maxine Productions, a part of Sony Pictures Television. Lisa Kalikow, Eli Holzman and Aaron Saidman are executive producers along with Robertson, Lora Moftah is co-executive producer and Jessica Call is producer.

The U.S. Postal Service is poised to launch a hastily built, error-riddled computer system that could jeopardize the process of mail voting relied upon by one-third of all voters, according to a whistleblower statement released Tuesday by Democratic Sen. Richard Blumenthal.

The effort is part of the implementation of President Trump’s executive order limiting mail voting and has been temporarily halted by a federal judge. The ruling is being appealed by the administration and the directive may ultimately end up back before the U.S. Supreme Court.

The disclosure from the unidentified whistleblower contends that the Postal Service has been scrambling to try to build a complex system that would normally take a year or more in only three months, sometimes in defiance of the judge’s orders halting work. The goal is to have it ready for use in the midterm elections.

The disclosure contends that, due to the new procedures, a single scanning error in a batch of tens of thousands of ballot envelopes could prevent any from reaching voters. It details a system that election officials have already warned could not be implemented before the first mail ballots begin going out Friday in North Carolina.

“The Postal Service has designed a system to disenfranchise millions of Americans,” Blumenthal told reporters in advance of releasing the whistleblower information. “This administration seems hell-bent on changing the framework on casting ballots in this country clearly for political reasons.”

Executive order is subject to furious court action with midterms nearing

Trump’s executive order, signed in March, directed U.S. Citizenship and Immigration Services and the commissioner of the Social Security Administration to develop state citizenship lists and then required the Postal Service to send mail ballots only to voters who are on such a list. Ballot envelopes would have to comply with new Postal Service rules and include bar codes.

The online portal that is the subject of the whistleblower complaint is intended for states to deliver their lists of verified voters to the Postal Service.

The Postal Service did not comment on Monday night. The White House did not immediately respond to a request for comment Tuesday. The White House has called the mail voting provisions “commonsense measures” necessary to combat fraud.

Trump has long opposed voting by mail, even though he has repeatedly used the method to cast his own ballot. He falsely blamed mail voting for his 2020 election loss and has spent years spreading conspiracy theories about it. A report by the Brookings Institution published in 2025 found that mail voting fraud occurred in only about four cases out of every 10 million mail ballots cast.

Since returning to office, Trump has said Republicans should be “taking over” vote counting in Democratic areas and launched a sweeping attempt to reinvestigate the 2020 election, despite a mountain of evidence that he lost fairly to Democrat Joe Biden.

Until Trump came out against mail voting in 2020, the system was used equally by both parties. Since then, it has become more common among Democratic voters. More than 29% of all voters in 2024 cast their ballots through the mail.

After Trump issued his executive order, Democrats and civil rights groups sued and eventually won a ruling from U.S. District Court Judge Indira Talwani in Boston barring implementation of the system before the November midterms. But without ruling on the legality of Trump’s order, the Supreme Court’s conservative majority last week found that was premature and overruled Talwani, momentarily clearing the way for its implementation.

On the night of Aug. 21, the Postal Service released a final rule outlining how it would implement the order.

It said it would only send mail ballots for states that got approval for the design of their envelopes and submitted a list of voters receiving them through the still-not-active online portal. That rule gave plaintiffs a chance to sue again, and Talwani on Thursday night issued a 14-day restraining order against implementation of the measure.

Whistleblower complaint says portal development is rushed and sloppy

The letter from Blumenthal and an accompanying summary of the whistleblower’s statements says the Postal Service began work on the portal on June 15 and stopped on June 25 after Talwani’s initial order. Then on July 29, the Postal Service restarted the work. That was when the administration appealed the judge’s order to the Supreme Court. The high court did not strike Talwani’s injunction down until Aug. 24.

Talwani last week found the Postal Service violated her order by continuing to work on the final rule, but she imposed no sanctions on the government. On Monday, she issued a ruling refusing to lift the restraining order that also said the Postal Service could continue work on its portal, as long as it wasn’t forcing states to use it.

In its summary of the whistleblower’s statement, the group Whistleblower Aid says the hurried construction of the portal, with a goal of being active on Tuesday, meant it did not undergo full testing.

“The apparently sloppy and rushed manner in which the Federal Ballot Mail Portal and supporting IT systems are being built poses significant risk,” the group wrote. “Potentially millions of American voters may not receive their mail-in ballot this election cycle in a timely manner, or at all.”

The statement also says the Postal Service is implementing a “zero percent” rule in which any errors in any mail ballots sent out by an election office could lead to all of them being discarded — even if it’s simply one problem amid tens of thousands of legitimate ballots.

The rule requires ballots to be handled in a physical post office by an election official. Those will then be scanned to ensure they match the voter database. During three layers of checks, a single apparent error could cause the whole batch to be rejected, the statement says.

Blumenthal said he has “a very strong hope and some faith that our system of justice will strike down this unconstitutional and unconscionable rule.” But, he added, if it somehow goes into effect for the midterms, he would not advise voting by mail.

Riccardi writes for the Associated Press. AP writer Lindsay Whitehurst contributed to this story.

1 of 3 | A poster shows the name change from Lake Ontario to Lake America, as President Donald Trump signs an executive order on the renaming, amid a recent trade war with Canada, in the Oval Office of the White House on Thursday. Photo by Al Drago/UPI | License Photo

Aug. 27 (UPI) — President Donald Trump signed an executive order Thursday to rename Lake Ontario as “Lake America” after his dispute with Canada over tariffs last week.

Trump threatened to rename the lake Tuesday on Truth Social, saying, “The United States is giving serious consideration to changing the name of Lake Ontario to Lake America in that we don’t expect to be doing much business with Ontario any longer.”

“We’re going to be changing the name of Lake Ontario, effective immediately, to Lake America,” the president said just before signing the order.

In the Oval Office, a reporter asked what message he was trying to send with the renaming.

“No message,” he said. “As you know, Canada has been ripping us off for a long time on trade, very, very sadly. Even the military. You know, we defend Canada for nothing.”

Canada is a founding member of NATO.

The order says that within 30 days, Secretary of the Interior Doug Burgum will update the Geographic Names Information System. The GNIS works with the U.S. Board on Geographic Names to standardize geographic names for federal use.

Trump renamed the Gulf of Mexico to the Gulf of America and Mount Denali to Mount McKinley on his first day in office in 2025. He can’t force other countries or private entities to use the new names, but he can force the federal government to.

Because it’s an international boundary water, Canada and the U.S. jointly manage Lake Ontario through the International Joint Commission under the Boundary Waters Treaty of 1909.

Order declares a national emergency over an ‘unusual and extraordinary foreign threat’ to the grid.

United States President Donald Trump has declared a national emergency over what his administration describes as security risks linked to foreign-made equipment used in the US electricity grid.

Trump signed an executive order on Wednesday that restricts the purchase and installation of certain foreign-produced equipment used in the bulk-power system.

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The order cited an “unusual and extraordinary foreign threat” from foreign-made systems, saying they could create vulnerabilities for US national security.

The directive targets certain bulk-power system equipment as well as related software and digital capabilities that the Trump administration said could create cybersecurity or operational risks.

The Department of Energy has 120 days to publish formal rules implementing the policy. In the meantime, experts are watching utility companies, which face the enormous task of compiling an inventory list of equipment flagged by the Trump administration.

“Blocking new purchases is the easy part. Knowing what’s already running is where the real work starts,” John Bruggeman, virtual chief information security officer of the telecommunications company CBTS, told Al Jazeera. “Utilities running foreign-sourced grid equipment … have a live compliance clock starting today.”

The move is the latest effort by the White House to address potential foreign security threats against the grid. Last year, US experts reported finding undisclosed communication devices in some Chinese solar power inverters. In July, the Federal Communications Commission banned all new foreign-made power inverters designed with remote communication capabilities and operating within the electric utility grid.

Still, the order does not prohibit all foreign-made equipment used in the US electricity system. US Energy Secretary Chris Wright has been directed to establish conditions for the continued use and operation of affected equipment.

“The executive order establishes the authority to act,” Michael Centrella at the cybersecurity company SecurityScorecard, told Al Jazeera. “The difficult next step will be giving operators scalable, independent visibility into which assets and vendor relationships present the greatest risk without disrupting the reliability of the power system.”

José Alberto Suárez, a Telemundo executive, died in a helicopter crash on Wednesday in Kenya.

The 55-year-old — who was president and general manager of Telemundo 31, Telemundo 49 and Telemundo Ft. Myers-Naples — was among the seven deceased following an aircraft incident at Mt. Ololokwe, that took place at about 9:13 AM.

The Kenyan Civil Aviation Authority shared on X that the group left Loisaba to travel to Ewasonyiro on a Eurocopter, EC130 B4, operated by the charter service company Lady Lori Helicopters. Guests on board were said to be part of a luxury safari tour by travel agency andBeyond.

In a statement by NBCU News Group Chairman Cesar Conde, NBCU Local Chairman Valari Staab and Telemundo Station Group President Jose Cancela, they shared that Suárez was a “deeply respected leader” and “beloved friend and colleague.”

“The suddenness and circumstances of José’s passing make this loss especially difficult to comprehend,” read a statement to The Times. “Our hearts are with his loved ones, and with all of José’s colleagues and friends across NBCUniversal who are grieving this terrible loss.”

Over the course of his 20-plus years with NBCU Local and NBCU News Group, Suárez led stations in San Antonio, Sacramento, Fresno, Salt Lake City and Las Vegas. Earlier in his career — inspired by Cuban American journalist Jose Diaz-Balart — he served in programming, digital and creative leadership for Telemundo Station Group, NBC6 and Telemundo 51 in Miami.

“José was an exceptional colleague and mentor to many. He cared deeply about his teams, the communities they served and the essential role our stations play in people’s lives,” continued the statement. “He brought energy, humor, warmth and a strong sense of purpose to his work, and his impact was felt far beyond the stations he led.”

Some of Suárez’s colleagues took to social media to pay homage to the storyteller, including Elizabeth Chavolla, a bilingual multiplatform producer for NBC4 and Telemundo 52 Los Angeles, who uploaded a picture of the two on Instagram.

“I will always remember your kindness, professionalism, sense of humor and words of encouragement,” said Chavolla in an Instagram post. “You always knew how to make people smile, lift their spirits and remind them that everything was going to be okay.”

Brian Lozano, a news anchor for Telemundo 33 in Sacramento, wrote “part of me is leaving with him,” in a heartfelt Instagram post.

“He had his own way of being there for others, helping, accompanying and of leaving a deep imprint on every person who was lucky enough to cross his path,” Lozano wrote.

In a video tribute released by Telemundo 60 San Antonio, they describe Suárez as a meteorology fanatic who helped elevate the station into a robust weather reporting, while become a fan of Texan western wear and food.

“We appreciate you to the heavens for everything you did for the team, especially your joy, passion and journalistic commitment, but above all the lessons that you instilled as the great human that you’ve always been,” the video stated.

NBC Nightly News anchor Tom Llamas also paid homage to the news executive at the end of his Wednesday program, describing him as a “loving and funny guy in a tough and unforgiving business.”

“José was not only a mentor to me but also a good friend,” said Llamas. “I, and we, will miss him so much but we know his legacy will live on in all those newsrooms, big and small, that he touched.”

Following the Wednesday tragedy, more clarity on who was on the aircraft has also come to light.

Among the deceased were Roger Duarte, a 42-year-old Miami restaurateur and seafood businessman, as well as pilot Josh Outram, a fourth-generation Kenyan and wildlife conservationist.

Two couples were also onboard, including Michele Sensi-Contugi, a 44-year-old Ecuadorian intelligence chief, who died alongside his wife, Stephany Hollihan, a 42-year-old Ecuadorian fashion designer. Husbands Henry Parra, a 55-year-old aviation software executive and Adam Hlavaty, a 42-year-old real estate developer, also died.