executive

Veteran Hollywood film producer Kathleen Kennedy will oversee the opening and closing ceremonies at the 2028 Summer Olympics in Los Angeles, the organizing committee said Wednesday, giving the executive behind the blockbuster Star Wars and Jurassic Park franchises a leading role in staging what has been billed as the biggest athletic event in modern history.

Kennedy will helm a team of producers designing the look and content of dual ceremonies that will kick off the Summer Olympics on July 14, 2028 at the Los Angeles Memorial Coliseum in Exposition Park and SoFi Stadium in Inglewood. She also will lead the team designing the closing ceremony and both ceremonies for the Paralympics, which begin a month later.

“This appointment reinforces LA28’s commitment to harness the unparalleled creativity, cultural influence and storytelling power of the entertainment capital of the world,” an announcement from the Olympic organizers said. The result will be “ceremonies that are distinctly Los Angeles and leave a lasting impression on the global stage.”

At LA28, Kennedy will serve as head of ceremonies and content, a post that had been held by another big-name entertainment executive, Peter Rice.

Rice had a long career at 20th Century Fox, climbing the ranks to become president of 21st Century Fox in 2017. He recently was named chief content officer at Netflix. LA28 said in its announcement that Rice would remain on as an executive producer.

Kennedy ended a 14-year run as president of Lucasfilm in January, a changing of the guard at the Star Wars studio.

LA28 Chairman Casey Wasserman heralded Kennedy as a legend and “one of Hollywood’s all-time greats,” adding: “I can’t think of anyone better to conjure the magic of Hollywood than Kathleen.”

In her own statement, Kennedy said she and her husband and producing partner, Frank Marshall, had attended almost every Olympics since the Games last came to Los Angeles, in 1984. “Sport remains one of the great unifying experiences we share,” she said.

Among the films Kennedy helped produce were “Star Wars: The Force Awakens,” “Rogue One: A Star Wars Story” and “Star Wars: The Last Jedi.” She co-founded Amblin Entertainment with Steven Spielberg, and that company made hits like “E.T. the Extra-Terrestrial” and the “Back to the Future” trilogy.

The production company she founded with Marshall made “The Sixth Sense,” “Seabiscuit” and “Lincoln.”

Management upheaval at Netflix continued Monday as the streamer’s head of films Dan Lin exited, according to two people familiar with the matter who declined to be named.

Lin was appointed to the position in February 2024 and was tasked with making fewer, better and bigger movies. During his tenure, Netflix rolled out movies including crime thriller “The Rip,” starring Ben Affleck and Matt Damon and animated hit “KPop Demon Hunters.” His exit arrives as Netflix is going to release highly anticipated movies in theaters in the coming months including David Fincher-directed “The Mis-Adventures of Cliff Booth” starring Brad Pitt in November and Greta Gerwig-directed “Narnia: The Magician’s Nephew next year.

Netflix did not have an immediate response to a request for comment.

Lin’s exit followed massive layoffs at Netflix that began last week, trimming 6% of staff or roughly 1,000 people. Netflix last Thursday announced the company’s Chief Content Officer Bela Bajaria was no longer at the streamer and named her replacement, Peter Rice, a former chairman of Walt Disney Television and chairman of general entertainment for The Walt Disney Co.

After Bajaria was pushed out, many people in the industry expected Lin would be next, according to sources who declined to be named.

Rice will also oversee the film team until a new film head is announced.

Analysts and investors have raised concerns about Netflix’s growth. In the first half of 2026, hours watched on Netflix increased 2% compared to a year earlier, according to the streamer. Investors had hoped for more robust growth, given that the streamer increased its content budget 11% to $20 billion.

Netflix is profitable and continues to grow its revenue. But analysts say the streamer hasn’t had enough big hits recently and are skeptical about Netflix‘s ability to increase prices and grow its subscriber base if it doesn’t have enough popular content.

Netflix stock has dropped 42% compared to a year ago. By mid-morning on Monday, shares were trading at $69.53, down 1%.

In a note to staff about Bajaria’s exit, Netflix Co-CEO Ted Sarandos wrote that he saw an opportunity to take the streamer’s slate to the “next level” especially in the United States and Canada market, “where we have an outsize impact in creating big, buzzy hits that our members love and drive conversation around the world.”

Lin’s role was controversial in Hollywood, as he was named to the role after former Netflix film chief Scott Stuber left. Under Stuber’s leadership, Netflix ramped up its movie production and produced big budget films including 2022‘s “The Gray Man” starring Ryan Gosling but is not ranked in Netflix’s top 10 films of all time. “The Gray Man” cost nearly $200 million to make and at the time was Netflix’s most expensive movie, according to the New York Times.

Lin’s directive to be more budget conscious also irked some people in the industry.

While films released during his tenure including the animated film “Swapped,” as well as action films “Carry-On” and “Back in Action” made Netflix’s top 10 most-watched films list, based on views at the time of their debut, some of his other films were not as successful, analysts said.

Brandon Katz, director of insights and content strategy at Greenlight Analytics, said Netflix’s five most-watched English-language scripted summer movie releases in their first eight weeks posted the lowest average hours watched compared with the streamer’s top five summer releases in 2025, 2024 and 2023, citing Nielsen data.

Analysts and investors are eagerly anticipating Netflix’s third quarter earnings results Tuesday, as executives are expected to address how they plan to move the company forward.

This is a developing story.

“Sinners” director Ryan Coogler’s “The X-Files” series reboot has been picked up by Hulu.

Described as a “reimagining” of the original series, the new title stars “Station Eleven” alums Danielle Deadwyler and Himesh Patel as “two highly decorated but vastly different FBI agents who form an unlikely bond when they are assigned to a long-shuttered division devoted to cases involving unexplained phenomena.”

Coogler wrote, directed and executive produced the pilot and will serve as executive producer along with showrunner and executive producer Jennifer Yale. Zinzi Coogler and Sev Ohanian (Proximity Media) and “The X-Files” original series creator Chris Carter also serve as executive producers.

“What Chris Carter created is special,” Coogler said in a statement, “and we wanted to honor everything that made the original series connect with so many people while also finding our own way into that world. Danielle and Himesh, along with the rest of our cast, have brought such original perspectives and performances to these characters, and watching that come together has been one of the most rewarding parts of the experience.”

“The X-Files” original series starred David Duchovny and Gillian Anderson, seen in the Season 5 episode “Patient X.”

(Fox)

David Duchovny and Gillian Anderson starred in the original series as paranormal-phenomenon believer Fox Mulder and skeptic Dana Scully, respectively, two FBI agents in an odd-couple pairing who investigate reports of alien lifeforms and monster-of-the-week tales.

The series won 16 Primetime Emmy Awards, including the 1997 award for lead actress in a drama series for Anderson, with 62 total nominations.

“The X-Files” premiered in 1993 and ran through 2001, returned in 2016 for two more seasons (for a total of 11), and resulted in two feature films, “The X-Files” and “The X-Files: I Want to Believe,” as well as video games, toys, books and comics.