How would the late Anthony Bourdain have responded to our political climate in the United States with less than a week before the midterm elections of Donald Trump’s second term?
This speculative thought bubble emerged for me as I watched the last of two Los Angeles episodes Bourdain did through 12 seasons of his CNN food and travel series “Parts Unknown.” It aired just over a year before his death by suicide in France on June 8, 2018.
Set in our Pacific immigrant metropolis, the program predicts Season 2 of Trumpism, if you will. In another way, Bourdain’s ode to L.A. suggests a framework on how to think about the state of our nation as we head to the polls on Tuesday.
The universal glee of getting tacos
Customers line up at Ave 26 Tacos stand in a parking lot next to the Little Tokyo Galleria in 2024.
(Silvia Razgova)
Picture the moment when a taquero hands you a warm paper plate heaping with warm tortillas and meats on a street in Los Angeles. Do you also get that giddy, kid-like feeling for half a second? There’s nothing like it, right?
Halfway through the Season 9 opener of “Parts Unknown,” Bourdain experiences just that. In a moment you might miss without looking closely, that familiar look flashes on his face, an unbridled glee, as a taquero in downtown L.A. hands him tacos. In that moment he’s not some mythical man known to his best friends as “Tony.” He’s just a guy getting tacos. It’s super cute.
I came upon this episode recently, and it struck me as potently relevant for today, just before the midterm elections. Bourdain’s taco happiness reminded me that even when some sectors of U.S. society are calling for an effective de-browning of this country, everyone everywhere still really loves Mexican food.
Daniel Hernandez digs into the stickiest questions around food and culture in Los Angeles and the California borderlands.
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It’s worth pointing out that I’m not a Bourdain superfan. I’ve not seen every episode of TV he made. I didn’t read “Kitchen Confidential” until this year. But lately I’ve been studying him. In the past month I finally watched the biopic “Tony” about his coming of age, and I’ve started reading the entertaining memoir “Care and Feeding” by Laurie Woolever, Bourdain’s former long-term assistant and co-author.
I’m catching up on Bourdain because I’ve noticed that as we pass eight years since his death, the author’s cultural influence upon chefs, cooks and food lovers in general does not seem to be waning. It might even be growing.
“He taught me that being a rebel lets you enjoy life,” said Evil Cooks chef and co-owner Alex Garcia, who has an image of Anthony Bourdain tattooed on his leg.
(Daniel Hernandez / Los Angeles Times)
A multitude of chefs or cooks in L.A. have a depiction of Bourdain hanging somewhere in their restaurants, kitchens or homes. Some even on their skin. At least six portraits of Bourdain are on display along the black-clad walls of restaurant Evil Cooks in El Sereno, for example. Chef Alex Garcia has a Bourdain tattoo on his lower leg.
“I love Anthony Bourdain for his rebellious way of being, but also for his love for Mexicanos because he worked for many years with people from Puebla,” Garcia told me after I had dinner there Tuesday night. “He taught me that being a rebel lets you enjoy life, because the end of the day, being yourself, being happy, is the purpose of this journey that we call life.”
This enduring passion for Bourdain also springs from what so much of his television and writing do: Demonstrate an unflagging empathy for almost anyone he met anywhere in the world. Well, almost anyone — he said pretty clearly he’d never share a meal with Donald Trump.
His 2017 episode “Los Angeles” (currently streaming on HBO Max) proves it more than most. It was filmed in 2016, just before the election that took Trump to the White House. It is worth a rewatch before you cast your ballot anywhere.
The program delves into cultural identity, racism, police abuse and corruption and gentrification. Its whole thesis points to the fallacy of being anti-immigrant or anti-Mexican in 21st century America. “Los Angeles, like much of California, used to be part of Mexico,” Bourdain says in the intro. “Now, Mexico, or a whole lot of Mexicans, are a vital part of … us.”
“This show will air long after the election,” Bourdain tells Hinojosa-Ojeda at Gish Bac. “There is actually a national conversation now, unthinkable in my lifetime, where the notion of rounding up however many millions of undocumented workers in this country all at once … and then kicking them out. I mean, it seems unthinkable. But, you know, they said that in Europe in the ‘30s.”
In his characteristic tone, grumpy yet hopeful, Bourdain showed he believed in a shared human dignity that superceded all ethnic, national, religious or ideological boundaries.
Listening to him, the prospect of total MAGA Republican rule in all branches of government becomes something like a nightmare that we’ve seen play out in real life. It is a long list of gross constitutional violations targeting immigrants and brown-skinned people, and their supporters like slain U.S. citizens Renée Good and Alex Pretti of Minneapolis, on a daily basis in this country.
People gather at a memorial for Alex Pretti and Renée Good, both shot and killed by ICE agents in Minneapolis.
(Stephen Maturen / Getty Images)
Loving immigrants
On Tuesday, voters nationwide are expected to be thinking first of their pocketbooks and of corruption in Washington when they vote. On another level, this election along with the 2016 and 2024 results are also about litigating by the ballot box what it means to “be” an American.
Sandra Zweig, one of the executive producers on the show, told me Bourdain set out to highlight Latino Los Angeles from the very beginning in 2016. In March of that year, she recalled in an interview, he sent producers the initial list of the cities he was thinking of for Season 9, to start the production conversation.
From that first brainstorming session, Zweig found these notes about a second episode in L.A.: “All-Mexico edition.”
“This time we pretend nobody lives in L.A. who isn’t Latino,” the notes continued. “We live, play in that world without leaving it, we will explore Mexican and Central American immigration, how vital this population is to the SoCal economy.”
Those notes show Bourdain wanted to avoid a recycling of the pastoral mainstream modern narrative on L.A., which isn’t inaccurate but can sometimes feel stale: hyping its multicultural, polycentric, polyethnic etcetera identity. No. This time would be all brown.
“He worked in kitchens and restaurants for so long, he knew as well as anyone that a huge portion of that work staff were immigrants from Mexico and Central America,” Zweig told me. “He also knew that being an immigrant wasn’t a bad thing, to use the word pejoratively was just anathema to him.”
Pop figures like Bourdain and Trejo, despite his recent stumble (he was cast in a film by alt-right extremist Ben Shapiro’s film company), have arguably done a lot more to shape Americans’ perceptions of immigrants and Mexicans than any political leader.
“He would always say, ‘Travel allows you to see people, where they live, and understand where they’re coming from, and reducing that fear for the other.’ For the audience, you’re opening up a world that they may not be able to travel to yourself,” Zweig said. “In 2016, there were things being said about immigrants and immigration that he felt strongly about, and this was one way to discuss that.”
Zweig added: “I can’t predict exactly what he’d say, but it’s clear to me that’d be appalled by the whole sort of immigration enforcement and ICE tactics that’s happening now. That’s not a leap to assume that.”
When I look at the audacity and cruelty of the MAGA right’s stance on immigration, the killings of citizens and immigrants at the hands of ICE agents, I always turn back and remind myself how out-of-step with the nation it is to be anti-immigrant.
Alfonso Lira, 61, a dishwasher and busser from Michoacan, Mexico, sweeps the entrance at Chapter One restaurant in downtown Santa Ana during a double shift in 2024.
(Allen J. Schaben/Los Angeles Times)
Gallup polling is a reliable benchmark on weighing Americans’ views on immigration. At its highest point just last year, the trend line showed 79% of Americans believe immigration is a good thing overall to the country by far. Currently that figure is 73%. Only 21% of Americans believe immigration is a bad thing, its second lowest point since 2002.
Polls and sentiments vary widely from there on how to reform and manage the immigration system — although certainly most people in the U.S. are against current ICE raids, roughly by 2-to-1 — but the basic truth is sitting there before us: The country loves and appreciates immigrants. For most of us, it’s always been about welcoming the stranger, honoring hard work, and contributing to the pursuit of social harmony.
Most of us believe anyone can join the party. There just has to be a better process for it. Political leaders therefore must offer a clear plan not for “mass deportations” but for normalizing people who are here and contributing to society, the economy and the tax base. And more than anything, offer as many people as possible a pathway to citizenship.
If anyone ever tells you they are opposed to any version of this notion, remind them that they are in the minority. Americans favor immigrants by 7-out-of-10, Gallup says. And remind them that as his last love letter to L.A. shows, Anthony Bourdain would have tried to snap them out of it if he’d ever gotten the chance.
President Trump has a lot on his plate, and so too does the nation. Sunday, he took to Truth Social to address the people.
“Let’s talk about this COMPLETE AND TOTAL LOSER, Bill Maher,” the president wrote at the top of his longest post ever.
A fireside chat it was not.
The 1,300-word-plus screed was triggered by Friday’s episode of “Real Time With Bill Maher,” a mainstay on HBO since 2003. The comedian referred to Trump as a “lame duck” president with low approval ratings during a segment with his guest, former White House Press Secretary Karoline Leavitt.
Trump, 80, likely expected praise from his fellow curmudgeon Maher, 70, since the men had recently dined together at the White House. It was their second such date following a controversial get-together in March 2025, which Maher juiced for all it was worth in an effort to stand out from his fellow late-night hosts.
Maher’s chummy relationship with Trump has made him an outlier among his peers, many of whom have been in the president’s crosshairs.
CBS canceled Stephen Colbert’s show after decades on the air following pressure from Trump’s Federal Communications Commission chair. Trump has bitterly complained about being treated unfairly by Jimmy Kimmel and Seth Meyers. They, too, now have targets on their backs.
Maher has avoided the same fate by railing on Trump only half as much as his late-night peers, leaning into various MAGA grievances about the “woke” left and forging a fair-weather friendship with the second-term president.
If the Maher of 2003 could see himself now, he’d likely dedicate a searing monologue to the hypocrisy. The host was once positioned as an irreverent comedian whose political satire was guided by his no-BS take on Capitol Hill and American culture. Common sense over party fealty. Political correctness be damned.
But as the political landscape has shifted, so too has Maher’s approach.
Now he plays the role of a staunchly nonpartisan crank on TV while dining with the president in person.
“Yeah, I did it again, b—!” Maher said to his audience Friday. “I know. I’m the bad guy because I go and say face-to-face to the man the things you write in articles that he’ll never read, but OK. You know what? F— you. I like these dinners.”
So brave. So calculated.
Maher was dipping back into the attention he received in 2025, when he first dined with Trump and described the president as “gracious and measured.”
Their rendezvous was just the sort of thing the comedian would have mercilessly lampooned if he wasn’t in fact part of the joke. Fellow comedians such as Patton Oswalt have criticized the HBO host for placating Trump, while Larry David satirized Maher’s first date with the president in a New York Times essay titled “My Dinner With Adolf.”
The controversy was a boon for “Real Time,” boosting its waning relevance by putting Maher back in the news and reinforcing the tired charade that his fearlessness knows no bounds.
This week’s public skirmish was a repeat performance, if not a somewhat pathetic display of both men’s need to agitate for attention.
Maher told his audience on Friday’s episode that he spoke with the president about deadly ICE incidents, Ukraine and how Defense Secretary Pete Hegseth was “dragging” Trump down. In closing, he assured the audience he was no pushover by poking at the president’s recent favorable dealings with Russia (a diesel deal, lifting sanctions), then saying, “I could not have been treated better if I was Russian.”
Given the president’s delicate psyche, Maher knew anything short of absolute praise would be perceived as an insult. As for the knock about Trump’s slumping approval numbers? A sure trigger.
In Sunday’s Truth Social manifesto, Trump referred to Maher as a “biased, dumb SLEAZEBAG” whose program is plagued by low ratings. The president also alleged that the comedian was drunk and had a drink in hand as he toured the White House on Oct. 15, and that Maher is a “major POTHEAD” who “looked like hell this time.”
So much for Trump’s initial comments about their meeting. He had told reporters that it was “a great dinner.”
“Bill Maher, I tell you what, he likes me a lot more than people understand,” Trump said. “And I actually like him.”
Not unlike Trump, Maher also enjoys praise, and blames the “woke left” when he doesn’t get it.
The typically smug host appeared upset earlier this year at the Golden Globes when presenter Wanda Sykes roasted him and another nominee up for best performance in stand-up comedy on television, Ricky Gervais.
“There’s some people pissed off that a queer Black woman is up here doing the job of two mediocre white guys,” Sykes said. “… But first, I want to give them some love.” Addressing Maher directly, she said, “You give us so much. But I would love a little less. Just try less.” The camera panned to a stone-faced Maher, who appeared “butthurt” (a term he likes using to dismiss the gripes of folks he gripes about).
The bruised feelings didn’t stop there. Later, on Maher’s “Club Random” podcast, he vented about being passed over by Hollywood.
“I’ve been nominated for 33 Emmys, and they would never give it to me,” he told his guest Joel Edgerton. “I speak freely, and this woke town f— hates that. That’s OK. I’ve made my peace with that, so I know how this goes.”
If Maher has been “soft-canceled” by the industry, as he claims, then Hollywood has a funny way of showing its disdain: HBO renewed “Real Time” through 2028.
Perhaps he learned from his frenemy Trump that grievance politics sells, and it’s time to cash in.
Previous episodes have been branded as some of the most “harrowing” on TV
The documentary is the perfect watch for fans of 24 Hours in Police Custody(Image: True North Productions/Channel 5)
Another chilling episode drops tonight as the ‘best’ series returns to TV.
A “relentless pursuit of justice” and a world of “secrecy, control and fear” is at the heart of a harrowing investigation tonight as one of Channel 5’s “best” documentaries returns.
The perfect watch for fans of 24 Hours in Police Custody, the third instalment of Murder Scene: The Incident Room returned to Channel 5 last month, giving viewers unprecedented access into criminal investigations across the UK.
Dubbed by viewers as one of the “best”, previous episodes have left fans “angered” as they are plunged into real-world crimes that have shocked a community and beyond. One person branded an episode as “one of the most harrowing pieces of television i’ve ever watched”.
Another brutal episode is set to air tonight (Wednesday, October 28) at its usual 8pm slot on Channel 5, marking the fifth episode of the season. But it will be a chilling watch as one young woman has been reported missing.
However, it is not an ordinary missing persons case as detectives soon discover that the 20-year-old had already warned police that her life was in danger.
An official synopsis reads: “When 20-year-old Banaz Mahmood disappears from South London, detectives launch an urgent search. But this is no ordinary ‘missing persons’ case.
“Banaz had already gone to police, warning that her life was in danger. She claimed members of her own family were threatening to kill her.
“Newly-promoted Detective Chief Inspector Caroline Goode leads a high-stakes investigation that quickly uncovers a world of secrecy, control, and fear.
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“Banaz had fled an abusive marriage and begun a new relationship – a move that, within her tightly-bound community, risked devastating consequences.”
As officers retraces her final weeks, they soon uncover “escalating tensions, violent threats and evidence that suggests this disappearance may have been planned”.
The synopsis adds: “With suspects denying involvement and crucial questions unanswered, the investigation gathers pace. But without clear proof, the case risks slipping away.
“What follows is a relentless pursuit of justice that spans years, continents, and complex political barriers. At its heart lies a young woman who repeatedly tried to make her voice heard – and a team of detectives determined not to let her be forgotten. This is a story of honour, betrayal and an investigation that refused to give up.”
Murder Scene: The Incident Room returns tonight at 8pm on Channel 5. Episodes can also be streamed online.
Michael Gray, who played the teenager who could turn into a superhero in the 1970s live-action Saturday morning children’s TV series “Shazam!,” has died. He was 75.
Gray died Oct. 16 from natural causes in Palm Desert, a representative for the actor announced Thursday. No other details were provided.
Based on the comic book superhero Captain Marvel, who first appeared in an issue of Whiz Comics in 1939, “Shazam!” aired for three seasons on CBS from 1974 to 1976. Gray starred as Billy Batson, a teenager who could transform into a grown-up superhero by saying the magic word “Shazam!” In his enhanced form, Captain Marvel possesses powers such as superhuman strength and speed, heightened intelligence and the ability to wield lightning. The character has since been renamed to Shazam.
“It was a lot of fun,” Gray said of the role in a 2012 interview with Fanboy Planet. “I didn’t know how much I would like it until years later when I found out how much of an influence my character was, and the show was, in people’s lives.
“There were such good moral values to the show,” he added. “I meet people 1792821573 who say, ‘You have no idea what you did for me as a child. You helped me get through life.’ … I didn’t know the show had that much strength and power back then.”
Born Sept. 2, 1951, in Chicago, Gray grew up in Miami Beach before making his way out west to pursue a career in Hollywood. He would frequently grace the covers of teen pop magazines, including Tiger Beat, thanks at least in part to his manager Charles Laufer, the magazine’s publisher.
“The teen idol angle was orchestrated to some degree,” Gray said during a Q&A event in 2012, according to Comic Book Resources. “I was interviewing for ‘The Brian Keith Show’ with Warner Brothers, and they also owned a news company that produced a lot of magazines. They wanted me to be the next David Cassidy. I was on the front cover of ‘Tiger Beat’ and it worked.”
Among Gray’s earliest screen credits were appearances on shows such as “Room 222” (1969), “The Flying Nun” (1970) and “Marcus Welby, M.D.” (1970). His first recurring role was on “The Little People,” also known as “The Brian Keith Show,” where he played a student doctor named Ronnie Collins. Gray also appeared in an episode of “The Brady Bunch” as Marcia’s boyfriend, Jeff.
Gray left acting not long after his run on “Shazam!” after feeling typecast in the roles that were offered to him. His later pursuits included work in children’s theater education and men’s fashion and owning a West Hollywood flower shop.
More recently, Gray’s legacy from “Shazam!” pulled him back into Hollywood. He voiced a version of himself as Sterling Archer’s childhood hero in four episodes of FX’s adult animated series “Archer” from 2015 to 2019. He also appeared in a cameo in the 2023 film “Shazam! Fury of the Gods” where he interacted with the latest incarnation of the superhero played by Zachary Levi.
Gray is survived by his wife, Stacy Benon Gray; his stepchildren Ryan Cooper and Laurel Cooper; and son-in-law Lee Barker.
“Heated Rivalry” will soon steam up a movie theater near you. Special Season 1 marathon screenings will celebrate the one-year anniversary of the smash sports romance series that set HBO Max ablaze last November.
Three sets of paired episodes will screen Nov. 6-30 in more than 650 theaters around the world (in the U.S., Canada, the U.K., Australia and New Zealand): over 275 Regal theaters and 375 others, including AMC and Cinemark locations, distributor Sphere Abacus announced Thursday.
Tickets will cost $9.99 per screening, and Regal showings will include filmed greetings from the cast and show creator-writer-director Jacob Tierney. (The show is based on the novel of the same name by Rachel Reid.) Advanced tickets are available now at Regal (showtimes: Episodes 1 and 2, 3 and 4, and 5 and 6).
”Heated Rivalry” is a global phenomenon creating a rush of social media and press activity wherever it lands. We’re very excited to give audiences the opportunity to watch the drama unfold on big screens,” Hana Palmer, Sphere Abacus’ executive director of global distribution and partnerships, said in a statement.
For a limited time, participating locations will offer themed cocktails, including “Summer in Montreal” and “Russians Don’t Blush.” Shane (Hudson Williams) plays for the fictional Montreal Metros hockey team; although Shane’s cottage, where Ilya (Connor Storrie) agrees to spend the summer, is technically in Lanaudière, Québec, two hours outside of Ottawa.
Ilya, a gruff Russian from Moscow, is a fellow professional hockey player for the fictional Boston Raiders. The latter cocktail references a scene in the Raiders’ locker room: One of Ilya’s teammates sees him secretly texting Shane. “You’re straight up blushing,” he tells him. “Never in life have I blushed,” Ilya snaps back. “Russians do not do this.”
“Heated Rivalry” stars Hudson Williams as Shane Hollander and Connor Storrie as Ilya Rozanov.
(Sabrina Lantos / HBO)
“When a series connects with audiences the way ‘Heated Rivalry’ has, we look for ways to bring it to the big screen and give fans a reason to experience it together,” Regal’s SVP of U.S. content Brooks LeBoeuf said. “Nearly a year after its premiere, we’re proud to work with our partners to turn a season fans have watched again and again into a true theatrical event. It’s a chance to celebrate the story, its creators, and its performances before Season 2 arrives in 2027.”
Filming and production are still underway on Season 2, which is slated for release in spring 2027 on Crave and HBO Max.
The thrilling ITV drama starring Richard Armitage returned for another episode, leaving fans asking the same question
22:56, 21 Oct 2026Updated 23:03, 21 Oct 2026
Richard Armitage fronts ITV’s new crime drama, Winter (Image: ITV)
The new ITV series has left viewers hooked.
ITV’s latest crime drama offering, Winter, aired another chilling episode on Wednesday (October 21), marking the fourth of the six-part series. Actor Richard Armitage portrays unconventional forensic pathologist Dr Ethan Winter, alongside Annabel Scholey as DI Lauren Bell and Jamie Kenna as DS Ellis Daldry, as they uncover and solve complex crimes.
Each episode presents its own gripping, standalone crime narrative, while a personal storyline for Winter threads throughout the entire series.
The latest instalment followed the discovery of human remains, which sparked a chilling investigation for Winter, Bell and Daldry. Winter suspects the body parts have been in the water for around 36 hours and notes the victim has been dismembered.
He also believes the male victim went to the gym frequently based on the development of his arms, but one part has signs of arthritis signalling that the remains belong to two different people.
Previous episodes have followed a brutal double murder that sparked a twisting investigation and the discovery of a faceless body at a Bristol demolition site. Meanwhile, Winter is constantly tasked with uncovering the truth behind Simone’s death after her dead body was found frozen during the first episode.
In the next episode, airing on ITV on Wednesday 28 October, viewers will see Winter race to save a stab victim after a cinema date turns to horror. The final episode airs on November 4 and follows a woodland car crash that hides a darker crime.
Following a string of gripping crime plots, Winter viewers have been left wondering if there will be a second series of the ITV drama after falling in “love” with the debut season.
Turning to X, one viewer wrote: “I loved Winter, better than The Party, can’t wait for the next series.” A second added: “It’s different, and I like that, all wrapped up in an hour too”, while a third asked: “We getting S2?”
“Nothing confirmed for season 2”, noting one fan as another added: “Great show, would love to see another series.”
Praising the ITV show, one person confessed: “Binged watched this in one day. Great series”, with another commenting: “Great series hope there will be series 2.”
Winter continues next Wednesday at 9pm on ITV and ITVX, with the whole series available now on ITVX
Nine months after the US’ January 3 military strikes and kidnapping of Venezuelan President Nicolás Maduro, the Venezuelanalysis team got together to take stock of a whirlwind of changes in Caracas’ domestic and foreign policies.
Lead editor Ricardo Vaz was joined by fellow staff members Jessica Dos Santos, Silvana Solano, and Lucas Koerner. They broke down the US’ semi-colonial regime, the gaps between the official discourse and reality, and the prospects for the different political sectors.
Young adult stories come in every imaginable flavor, and flavor combination, and several are present in “Phony,” premiering Tuesday on Hulu. Based on the four episodes (of eight) out for review, I am all in with this show, but as Doris Day so memorably sang, the future’s not ours to see.
Created and directed in part by Nick Paley (“Marcel the Shell With Shoes On”), it’s a mystery driven by an uncanny event, with the beating heart of a high school dramedy, in the sense that what is dramatic about adolescence is at the same time comical. (Given time.) Temperamentally, it’s closer to “Freaks & Geeks” or “Dazed and Confused” than, say, “Stranger Things,” but I also wrote “Robert Altman” in my notes.
To begin, we are in some mountainous slice of small-town Pacific Northwest, where the Canadian tax breaks call American producers across the 49th parallel and the landscape presses in from all sides. (A reference to Lewis & Clark College suggests the story is set in Oregon, but I can’t remember any other clues; also, it isn’t important.) It’s an ordinary world wrapped in mystery and sometimes mist, but it’s the ordinariness that gives the show its power as much as, or more than, the mysteriousness.
Sonny Cooke (Sam Nivola, from the third season of “White Lotus”) attends Delby High, where his mother, Ellen (Connie Britton), is the principal. This would be a nightmare for many teens, but for Sonny and Ellen, it’s more of a dream, as the two are unusually (which is not to say perversely) close. (There is no father in the picture, nor is one even mentioned.) He operates in the corridors as a kind of unofficial lieutenant to his mother, bringing cheer and care to his fellow students, spreading sunshine all over the place. This is a little strange, but he is not accounted a weirdo.
He has a nice girlfriend, Chloe (Mahaela Park), with whom he has just “decided to be official”; Ellen clucks at this — she’s a little protective. Sonny and Chloe call each other “Bobo,” and in a nice, authentic touch we see he has written that nickname in ballpoint pen on the white sidewall of his sneaker. As we open, Sonny and Chloe are planning to have sex for the first time; there is some comedy written around this. He’s the less mature, more nervous party. (He also has a tendency to fall over and bump into things.) His best friend, Vogel (Maliq Johnson), an injured basketball player, is miffed that he had to hear about this from Chloe and not Sonny, but not seriously and only for a moment.
Best friends Vogel (Maliq Johnson), left, and Sonny (Sam Nivola), who is trying to make sense of his feelings about his mom.
(David Astorga / Disney)
Driving to meet Chloe for their Big Night, after a rare argument with his mother, Sonny swerves to avoid a downed tree and drives into Bucket Pond, where an official sign commemorates the many deaths that have occurred there. When he wakes from a coma a week later, he doesn’t recognize Ellen, and you won’t quite either. However it’s been accomplished, by makeup (or an absence of makeup), prosthetics, digital manipulation, hypnosis or some combination of the above — and by acting, of course — this alteration of Connie Britton, a face we know well, is just enough off to be incredibly creepy. (What have you done with Connie Britton? we want to ask.) There is nothing more frightening than when the familiar starts acting strange, in movies or in life. Sonny’s symptoms mirror an actual condition, Capgras syndrome, which no one here mentions, though to be fair, he hasn’t told anyone who might offer that diagnosis, and is too freaked out to look it up himself. Only Sonny and the viewer notice the difference, which suggests that he may be wrong, or, alternatively, that everyone else is.
Completing a not-quite Scooby Gang are Mallory (Grace Brennan), returning to public school after three years of homeschooling, and her cousin Weldon (Colter Lee), a deadpan original turn on the nerd. Sonny and Mallory shared a kiss once, on a class camping trip, but for … reasons, they meet again on tentative terms. Despite or perhaps because of her offbeat upbringing (religious parents), Mallory is the embodiment of the cool girl who doesn’t need to demonstrate how cool she is, and perhaps doesn’t even know or, more to the point, care. In a series thoroughly well cast (by Jessica Kelly and Lisa Parasyn), Lee and Brennan, especially, stand out as originals, their performances drawn from life, or some private corner of their imagination.
Weldon, who is ready to credit Sonny’s story — he believes, for example, that Avril Lavigne died and was replaced by “someone named Melissa, who has a clubfoot” — connects him with Sharla (Meera Syal), a private investigator he knows from an online forum. “She’s into alternative knowledge. So cryptids, One World Order, face peelers…”
“I know what it’s like to be called crazy,” says Sharla, “but all you really need is one person to believe you.”
“Or two people,” adds Weldon.
“Yep, two people. Two weird people.”
Much of what makes “Phony” special happens alongside the main plot, or doesn’t involve any plot at all — it’s pure atmosphere, bits of background business and chatter in the school halls, and at a party in the woods that occupies much of Episode 4. (Nice use of long lenses by cinematographer Andy Rydzewski.) Party scenes are a yardstick by which I measure the authenticity of a teenage movie — are these characters acting their age, or have they been designed to?
With only four episodes available for review, and nothing revealed, it’s impossible to say where the show is going — is it science fiction, or fantasy, or some super-complicated conspiracy, though why such a thing would be constructed around these people is beyond me. There’s a chance it’ll be brilliant, a chance it’ll be less than brilliant, and a greater than zero chance it’ll be dumb, but given the résumés of the co-showrunners Paley and Anthony King — whose credits include “Search Party,”“The Afterparty” and “Broad City” — I expect it to be interesting. Everything so far is so well done, I don’t mind how it ends; I don’t want it to end at all.
Time returned for a ‘hard-hitting’ third series of the BBC One prison drama starring David Tennant and Siobhan Finneran
BBC One launched a new series of Time starring David Tennant and Louis Shelton(Image: BBC/BBC Studios/Peter Marley)
BBC One viewers were left “shocked” following a violent ending of the new prison drama Time.
Time has returned for a third series, consisting of three episodes, set inside a young offender institution called Alderwick, bringing together David Tennant as officer Bobby Bailey and Siobhan Finneran as prison chaplain Marie-Louise O’Dell.
Written by Jimmy McGovern and co-writer Samuel Bailey and directed by Paul Whittington, Time follows Marie-Louise, who arrives at the institution having lost her faith, where she meets Veteran officer Bailey, a man in the midst of his own crisis.
Away from his day job, Bobby drinks while staring vacantly at the TV as his relationship with his wife, Erica (Vinette Robinson), comes under intense strain.
Back inside the prison, Bobby and Marie-Louise lock horns over how to handle Ushindi, formerly Christopher (Chukwubuikem Molokwu ), a young man with a stammer who has recently reconnected with his birth mother.
Meanwhile, two teenage offenders, Peter (Ollie McNulty) and James (Louis McCartney), struggle through the terrifying first weeks and months of their incarceration, but they are hiding significant secrets.
The most jaw-dropping scene came at the end of episode one, as a mediation meeting between Ushindi and seriously violent offender Patsy Flynn (Louis Shelton) goes horribly wrong, leaving viewers in shock.
Despite the brutal final act of the first episode, Time viewers were left wanting to see what happens next to Patsy and vowed to binge-watch the whole series on BBC iPlayer.
Taking to X, one viewer wrote: “What an ending to EP1, gonna have to binge the lot tonight! #bbciplayer #time”, while a second agreed: “2 more episodes on iPlayer, now #Time.”
“Don’t think I’ve been so traumatised since I saw Scum about 45 years ago #Time”, confessed one viewer.
“#Time.. wow, the best yet. Fantastic writing and acting by all involved. A really shocking watch”, said one impressed viewer of the series.
“What was grim but utterly brilliant! Nobody does hard-hitting drama like the BBC. #Time”, added another.
The next episode of Time airs on BBC One at 9pm on Monday (October 12), while the final episode broadcast on Sunday (October 18) at 9pm.
Time continues on Monday at 9pm on BBC One and iPlayer, with all episodes available now on iPlayer
