entertainment

BBC nuclear war drama ‘too horrifying’ for TV banned for 20 years – now on iPlayer

The BBC war drama depicts a fictional nuclear attack on Britain by Russia and its devastating aftermath – and was so disturbing it was banned from broadcast for two decades

In the face of escalating conflicts worldwide – from the intensifying US-Israel joint operation against Iran in the Middle East, Israel’s ongoing war on Gaza following Hamas’ October 2023 attack, to the four-year-long Russia-Ukraine war still in progress – it’s no exaggeration to say we’re witnessing a catastrophic level of global unrest.

Amidst this turmoil, the looming threat of nuclear warfare is ever-present. The aftermath of such a conflict would bring about unimaginable destruction and devastation – the fallout is too horrific to contemplate.

This chilling scenario was portrayed in a BBC documentary from 1965, a film so disturbing it was banned from television broadcast for two decades by the British Broadcasting Corporation itself.

At the time, the corporation justified its decision to prohibit the documentary, stating: “The effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting. It will, however, be shown to invited audiences..”

The controversial pseudo-documentary finally aired in Great Britain on 31 July 1985, twenty years after its initial scheduled screening date of 6 October 1965. This broadcast coincided with the week leading up to the 40th anniversary of the Hiroshima bombing, reports the Express.

The War Game is currently available for free streaming on BBC iPlayer or can be bought for £5.99 on Amazon Prime Video.

Written, directed and produced by Peter Watkins for the BBC, The War Game depicted a fictional nuclear strike on Britain by the Soviets and its devastating consequences.

The docu-film’s official synopsis states: “In this British documentary, a hypothetical Chinese invasion of South Vietnam triggers a new world war between East and West. In the town of Rochester, Kent, the anticipation of a nuclear attack leads to mass evacuations.

When a stray missile actually explodes, the ensuing firestorm blinds all those who see it. It’s not long before the fabric of society is ripped apart owing to radiation poisoning, a lack of infrastructure and rioting for food and other necessities.”

On 13 April 1966, The War Game had its premiere at the National Film Theatre in London, where it screened until 3 May. Barred from broadcast, the 47-minute docu-drama subsequently appeared at numerous international film festivals, including Venice, where it secured the Special Prize.

The recognition continued – the prohibited BBC production went on to claim the Academy Award for Best Documentary Feature in 1967, alongside two BAFTAs for Best Short Film and the UN Award.

Boasting a near-flawless 93% approval rating on review aggregator site Rotten Tomatoes, The War Game has earned widespread acclaim from critics and viewers.

One reviewer commented on the docu-drama: “Nothing that you have heard or read can fully prepare you for Peter Watkins’ 1965 faux documentary on the aftermath of a nuclear attack on Great Britain.”

Another reviewer added: “One of the most disturbing, overwhelming, and downright important films ever produced.”

A third critic described it as essential viewing, noting: “It was produced by the British Broadcasting Corp. but never televised because it was felt its showing would be both horrifying and depressing. It is. It also is realistic, informative and shattering. It is a movie that everyone should see.”

Whilst one critic said: “Still packs a whallop. Will stick with you for life. Don’t say I didn’t warn you,” another commented on the nuclear war drama, “One of the most skillful documentary films ever made.”

Viewer reactions mirror this sentiment, with one audience member writing in an extensive review: “The War Game, although created as a TV movie for the BBC for the 20th anniversary of the bombing of Hiroshima and Nagasaki, is easily the one of the most disturbing movies I have ever seen, on par only with Gus van Sant’s “Elephant. ” It accurately portrays the effects and aftermath of a nuclear attack and uses a handheld documentary style that makes everything chillingly real.

“There were several times during the film when I had to remind myself that Britain had never suffered a nuclear attack and the footage I was looking at was not real. There are very few films that have left me in the state that this one did when it was over. Much like “Schindler’s List” or “American History X,” this is the kind of movie I think everyone should watch because it is so incredibly informative and brings the viewer so much closer to understanding the pain and monstrosity of a nuclear attack.”

Another viewer described it as: “A harrowing punch in the gut that nothing prepared me for. Unforgettable.”

Meanwhile, one audience member remarked about Watkins’ drama: “Really shook me up and left me reeling for a while after seeing it. Peter Watkins ruined my 3 day weekend with this masterfully done piece of film. Needs to be required viewing for every being capable of understanding images and sound.”

The War Game can be streamed free of charge on BBC iPlayer until July 2026, or purchased for £5.99 through Amazon Prime Video.

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‘Phenomenal’ war period drama is a ‘must-watch’ on Amazon Prime

The critically acclaimed war drama is currently streaming on Amazon Prime and stars an Oscar-winning Hollywood A-lister in a completely unrecognisable avatar.

A compelling wartime period drama has been branded essential viewing by audiences and critics, featuring an exceptionally gifted actor whose portrayal earned him an Academy Award.

Helmed by Joe Wright from a script by Anthony McCarten, this 2017 historical drama chronicles Winston Churchill’s tenure as Prime Minister during the Second World War, specifically focusing on the critical May 1940 war cabinet crisis.

The film takes its name, Darkest Hour, from the phrase used to describe those perilous early war days, when British forces were stranded at Dunkirk, France teetered on the brink of collapse, and impossible odds faced Britain and the Allied Forces. Churchill himself had used the term ‘Darkest Hour’ in his public addresses during that period.

The official synopsis reads: “The fate of Western Europe hangs on Winston Churchill in the early days of World War II. The newly appointed British prime minister must decide whether to negotiate with Hitler or fight on against incredible odds. During the next four weeks in 1940, Churchill cements his legacy as his courageous decisions and leadership help change the course of world history.”

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Gary Oldman takes on the leading role of Winston Churchill, becoming utterly unrecognisable as the British PM through a transformation requiring over three hours daily to achieve, using intricate makeup and delicate prosthetics.

Speaking to ABC News, Oldman revealed of his dramatically transformed look in the film: “It took three hours, 15 minutes and then getting into the costume and everything, it was just under four hours, 48 days consecutively.”

He added: “And then I would be dressed as Winston by the time the director arrived and the other actors for rehearsal. So it was very odd. They did not see me as Gary for three months for the entire shooting because I was always in my makeup.”

Shedding the character at the end of each gruelling day proved equally challenging. The acclaimed actor explained to the publication it was a “very slow process” whereby a special solution was required to dissolve his appearance, resulting in approximately 18-hour working days.

Oldman confessed he genuinely feared he “would not have the stamina” to endure the entire shoot, yet somehow pushed through and “loved every minute of it”.

Raking in $150 million at the global box office against a production budget of $30 million, Darkest Hour proved an undeniable commercial triumph, reports the Express.

Oldman was joined by Kristin Scott Thomas, Lily James, Stephen Dillane, Ronald Pickup, and Ben Mendelsohn who rounded off a stellar supporting cast.

Beyond its box office success, Darkest Hour earned widespread critical acclaim, securing six Academy Award nominations including Best Picture, Best Cinematography, Best Makeup and Hairstyling, and Best Actor – the latter of which Oldman triumphantly claimed, along with the Oscar for makeup and hairstyling.

Boasting an impressive 84% critics’ approval rating on Rotten Tomatoes, Darkest Hour received widespread acclaim from reviewers, with one writing: “As a portrait of leadership at its most brilliant, thoughtful and morally courageous, “Darkest Hour” is the movie we need right now.”

Unsurprisingly, Oldman’s portrayal garnered particular praise, with one critic saying: “Oldman brings a wicked wit and compassionate heart to the role, one for which he seems almost superhumanly suited for – and that’s really saying something, consider how many great actors have played Churchill.”

Another impressed reviewer wrote: “It’s an amazing performance: the only star turn I’ve seen in which a famous actor visible in nearly every scene would be unrecognisable if we didn’t know his name already.”

Whilst a fourth critic succinctly said: “Darkest Hour is a one man show for Oldman. And what a show it is.”

Audience responses echoed similar sentiments, with one admirer writing: “A deeply gripping and entertaining vignette of leadership from one of history’s greatest. Superbly well cast and designed. I wasn’t expecting to enjoy it as much as I did. Highly recommended.”

Another viewer said about the film: “One of those films that gives you goosebumps as Churchill bumbles his way into history (again). Oldman is superb as Churchill and the filing is so atmospheric you almost feel as if you’re in the House of Commons or his house with him. Kirsten Scott-Thomas and Lily James along with Ronald Pickup are perfect in their roles. If you’ve ever been in the War Rooms in London you can sense the claustrophobic hive of activity that unbelievably held the British war effort together. A film that I could watch more than once.”

A third admirer added: “Gary Oldman was indeed phenomenal on this one. And even without Gary’s performance, this would still be a worthy watch.”

Darkest Hour is currently available to stream on Amazon Prime Video.

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The Heat chaos as ITV2 show sparks co-star ‘feud’ just two episodes in

ITV2’s The Heat sees aspiring chefs vying to impress award-winning cook Jean-Christophe Novelli

Tensions are already mounting just two episodes into ITV’s brand new reality competition, The Heat.

Fronted by Olivia Attwood, the culinary programme follows ten ambitious chefs working in an upmarket Barcelona restaurant led by award-winning cook Jean-Christophe Novelli.

The determined group are challenged with operating the restaurant daily in a bid to impress Jean-Christophe.

But it’s not just their kitchen exploits that take centre stage, cameras also track the young competitors on evenings out as well as during their leisure time.

Wednesday’s (February 25) episode saw unexpected drama unfolding between the chefs as Seren and Kat both developed feelings for the same bloke, reports the Daily Star.

Whilst visiting a local Spanish bar, Seren confided in her close mates that she fancies Djordje but there’s a complication. She said: “I think he’s very fit. However, he likes Kat.”

The fashion marketing student went on to disclose that she had noticed chemistry developing between Kat and Djordje when they worked on the pastry section together during the day.

Seren later acknowledged her genuine feelings in the confessional room, saying: “I would love to tell you that I’m deeply happy for them, but do I wish it was me? Possibly.”

The Buckinghamshire chef had already revealed her feelings to Djordje the previous night, but that didn’t prevent Kat from making her own advance.

Kat even recognised that her connection with Djordje could create a rift with her co-star. “Seren told Djordje last night that she liked him,” she said.

“So I am feeling a little bit awkward. I don’t want to be stepping on toes.”

Despite her reservations, Kat and Djordje subsequently enjoyed a flirtatious conversation and chose to leave together.

Wakefield-born Djordje then discussed their budding connection, revealing: “I had an amazing chat with Kat tonight, it went exactly as I planned.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Yet he made it clear she wasn’t his sole focus. “But you know me, my doors are always still open. I’m here to have fun in Barcelona,” the chef remarked.

Meanwhile, Seren remained optimistic about her chances with the tattooed chef. She confided to producers: “It’s not over yet.”

A preview for episode three hints at the fallout from Kat and Djordje’s evening together, though viewers will need to tune in to discover whether Seren will make her move to gain the advantage.

The Heat continues on ITV2 and ITVX tomorrow at 9pm

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FCC reject claims of censorship, announces probe into US show The View | Entertainment News

Brendan Carr, the chair of the Federal Communications Commission (FCC) in the United States, has confirmed that the agency launched an investigation against ABC’s daytime talk show The View over a recent appearance by a politician.

In comments to reporters on Wednesday, Carr indicated the probe would examine whether The View violated a new interpretation of an “equal time” rule implemented under President Donald Trump.

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Fox News had been the first to report on the investigation in early February. The segment in question involves an appearance from Texas state Representative James Talarico, a Democrat who is vying for the US Senate.

The confirmation comes as Carr attempted to shut down claims that the government censored an interview between Talarico and late-night talk show host Stephen Colbert.

“There was no censorship here at all,” Carr said.

“Every single broadcaster in this country has an obligation to be responsible for the programming that they choose to air, and they’re responsible whether it complies with FCC rules or not, and it doesn’t, and those individual broadcasters are also going to have a potential liability.”

The controversy with Colbert likewise stems from the Trump administration’s decision to shift definitions under the “equal time” rule.

What is the ‘equal time’ rule?

The rule is part of section 315 of the 1934 Communications Act. Under that law, if a broadcaster allows one candidate for public office to use its facilities, it is required to “afford equal opportunities” to all other candidates in the same race.

But the law includes exceptions for “bona fide newscasts” and “bona fide news interviews”.

For nearly 20 years, talk shows and late-night comedy programmes were included in those categories.

In January, however, the FCC issued new guidance (PDF) that significantly narrows how it interprets the “bona fide news” exemption. In a memo, it described daytime talk shows and late-night comedy as “entertainment programs” that fall outside the exception.

“The FCC has not been presented with any evidence that the interview portion of any late night or daytime television talk show program on air presently would qualify for the bona fide news exemption,” the memo reads.

The commission also suggested that many such programmes are “motivated by partisan purposes” and are therefore not “bona fide” news.

The new interpretation of the “equal time” rule, the FCC argued, is designed to “ensure that no legally qualified candidate for office is unfairly given less access to the public airwaves than their opponent.”

Controversy with Colbert

That new interpretation came roaring into the spotlight on Monday, after a broadcast of the CBS comedy programme The Late Show with Stephen Colbert.

In one of his opening segments, Colbert alleged that the network lawyers barred him from airing a planned interview that night with Talarico.

“Let’s just call it what it is,” Colbert told his audience. “Donald Trump’s administration wants to silence anyone who says anything bad about Trump on TV, because all Trump does is watch TV. OK? He’s like a toddler with too much screen time.”

Trump has previously criticised both Colbert’s show and The View for what he considers a left-wing slant.

Instead of broadcasting his interview with Talarico on network television, Colbert instead posted the segment on the programme’s YouTube page, where it has gained more than 6 million views as of 3:30pm Eastern Time (20:30 GMT) on Wednesday.

According to Carr, Colbert’s show could have aired the Talarico interview if it had complied with the equal time rule.

That would have involved allowing other candidates in Texas vying for the Senate seat to come on the show. Carr also suggested that another solution could have been to restrict the broadcast in Texas.

But the FCC has continued to face criticisms for its actions. In Tuesday’s broadcast, Colbert addressed the issue a second time.

He read aloud a statement from his broadcast channel that read, in part, that The Late Show “was not prohibited by CBS from broadcasting the interview” and that it was instead “provided legal guidance that the broadcast could trigger the FCC equal-time rule”.

CBS added, in the statement, that Colbert could have invited onto the show Talarico’s rivals, including fellow Democrat Jasmine Crockett.

“I am well aware that we can book other guests,” Colbert responded. “I didn’t need to be presented with that option. I’ve had Jasmine Crockett on my show twice. I could prove that to you, but the network won’t let me show you her picture without including her opponents.”

Colbert has been a vocal critic of CBS’s parent company, Paramount Global, particularly after it settled a lawsuit last year with the Trump administration for $16m in the run-up to a critical merger for which it needed government approval.

Talarico, meanwhile, accused the FCC of censoring his interviews. Nevertheless, on Wednesday, he noted that the uptick in media attention from the scandal has helped him gather donations.

“Our campaign raised $2.5 million in 24 hours after the FCC banned our Colbert interview,” he wrote on social media.

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Robert Duvall, Oscar-winning actor and star of The Godfather, dies aged 95 | Arts and Culture News

The legendary US actor was nominated for seven Oscars and won for his role as a washed-up country singer in Tender Mercies.

Oscar-winning actor Robert Duvall, best known for his work in The Godfather and Apocalypse Now, has died aged 95, his wife has announced in a Facebook post.

“For each of his many roles, Bob gave everything to his characters and to the truth of the human spirit they represented,” Luciana Duvall said in a statement on Monday.

Duvall was best known for playing forceful roles such as his depiction of Tom Hagen, consigliere to the Corleone Mafia family in The Godfather.

He also played Lieutenant Colonel Bull Meechum in The Great Santini and the title character in Stalin, as well as broken-down and fallen characters in Tender Mercies and The Apostle.

Duvall, the son of a US Navy admiral and an amateur actress, grew up in Annapolis, Maryland in the United States. After graduating from Principia College in Illinois and serving in the US Army, he moved to New York City, where he roomed with Dustin Hoffman and befriended Gene Hackman when the three were struggling acting students.

After working on a variety of television shows, Duvall made a strong impression in his first forays onto the big screen, such as his first movie part as the mysterious recluse Boo Radley in To Kill a Mockingbird.

Duvall got the part at the suggestion of the film’s screenwriter, Horton Foote, who had liked Duvall’s work in one of his plays. Foote later wrote Tender Mercies, a 1983 film for which Duvall won the Academy Award for best actor as a washed-up country singer.

Duvall was nominated for another six Oscars, including for his work in Frances Ford Coppola’s 1979 Vietnam epic Apocalypse Now. Duvall played the off-kilter, surfing-obsessed Lieutenant Colonel Bill Kilgore.

The character’s famous line, “I love the smell of napalm in the morning”, became legendary.

In all, Duvall appeared in almost 100 movies. And when he grew weary of Hollywood, he made his own films. He wrote, directed and won an Oscar acting nomination for The Apostle, the story of a conflicted preacher.

Duvall did the same with Assassination Tango, a movie that allowed him to exhibit his passion for the tango and Argentina, where he met his fourth wife, Luciana Pedraza.

In later life, Duvall split his time between Los Angeles, Argentina and a farm in Virginia, where he converted the barn into a tango dance hall.

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