empire

Reagan Recants ‘Evil Empire’ Description

President Reagan, standing within the fortress walls of the Kremlin with a smiling Mikhail S. Gorbachev at his side, said Tuesday that he no longer sees the Soviet Union as “the evil empire.”

“You are talking about another time, another era,” he said in an exchange with a handful of reporters clustered around a 39-ton cannon dating from 1586 that stands in a plaza in the center of the Kremlin.

Reagan was disavowing one of his most famous indictments of the Communist state–a description of the Soviet Union that seemed to symbolize his ultraconservative, anti-Communist views when he used it seven years ago in one of his first presidential speeches.

The change seems to reflect an evolution in his views on the Soviet Union. It has been noticeable in his statements and policy decisions for some time but has emerged with dramatic vividness here in the President’s face-to-face encounter with Moscow.

The question about the “evil empire” statement came near the end of a walking tour of the Kremlin grounds and fabled Red Square, with all its memories of celebrations of the Bolshevik Revolution and May Day parades of Soviet military power.

Explains His Position

Asked if he still considers Moscow to be the seat of evil, Reagan answered, “No.” Surprised, reporters asked why.

Reagan hesitated, leaned his head to one side and thought a bit. Soviet leader Gorbachev tried to prompt him. “Are you happy with that concept?” he asked in Russian. The President then responded by saying that the phrase belonged to an earlier time.

Reagan recanted even though Gorbachev had told a crowd of Russians that he did not mind Reagan’s criticisms over the years. “We are so critical of our own country that even the President’s criticisms are weak,” the Soviet leader said. “We know what our problems are.”

In some ways, the President’s walk across Red Square was just as symbolic as his rejection of the concept of “the evil empire.” It would have been hard at the outset of his presidency to conceive of Reagan taking in the sights of Red Square and enjoying them. But on Tuesday the President said:

“I have always heard of Red Square. Mr. Gorbachev was kind enough to show it to me. And now I have seen it and set foot on it. It was much more impressive than I had imagined.”

Reagan’s determination to show how his mood had changed in recent years was evident later in the day when he spoke with writers and artists at the House of Writers in Moscow. In a short but warm speech that described his philosophy of acting and how it had helped prepare him for the White House, Reagan described the importance in the theater of avoiding rigid, stereotyped thinking and instead understanding the unique character of each situation and individual.

No Straitjacket

“Pretty soon,” he said, “at least for me, it becomes harder and harder to force any member of humanity into a straitjacket, into some rigid form in which you all expect to fit.

“In acting . . . you become in an intimate way less taken with artificial pomp and circumstance, more attentive to the core of the soul–that part of each of us that God holds in the hollow of his hand and into which he breathes the breath of life.”

Whatever view he may once have had of Soviet leaders and citizens, he could not be accused now of keeping them in a straitjacket. There was little doubt about the President’s warm feelings for many of them now, and this could be seen on his morning walk.

After meeting for more than an hour in the Kremlin, Reagan followed the Soviet leader on a tour of the grounds and Red Square. As the two men walked slowly, Gorbachev, with sweeps of his hand, pointed out the turrets, churches, palaces and other buildings. A cluster of aides and a long line of limousines trailed behind.

Red Square, an enormous plaza alongside the northeast wall of the Kremlin, is known to the outside world as the site of the massive demonstrations of Soviet military power on the annual May 1 celebration of the Bolshevik Revolution. But it has existed for five centuries, and its name has nothing to do with communism.

‘Red’ Means ‘Beautiful’

The plaza has been known as Red Square for three centuries. When the square was first named, the present-day Russian word for “red” meant “beautiful.”

Gorbachev pointed out the sights of the square: St. Basil’s Cathedral with its famous onion domes, the huge GUM department store, the Historical Museum and the Lenin Mausoleum that contains the body of V. I. Lenin, the first Soviet leader.

“We are not going to change anything here,” Gorbachev said as the two leaders stood outside the tomb. “There is no perestroika needed.”

Reagan made no attempt to enter the mausoleum to honor a man who has become a god-like figure in the Communist world, and Gorbachev made no attempt to try to persuade him.

The exchanges of Reagan, Gorbachev and some of the Russians in the square left little time for true sightseeing, but they were consistent with both leaders’ efforts to surround the tough negotiations over arms control with an aura of better feeling.

Need for Dialogue

At one point, Reagan and Gorbachev, talking with some Soviet citizens, turned philosophical about the need for face-to-face dialogue.

“What we have decided to do,” the President said, “is to talk to each other and not about each other, and that’s working just fine.”

Gorbachev used a Russian proverb to make the point: “If arguments are at the boiling point, then truth evaporates. So we should have dialogue.”

During this conversation, Reagan put his arm around Gorbachev and said, “I’m glad we are standing here together like this.”

In talking with one group of Russians, the superpower leaders said they had discussed annual student exchanges. “I have a dream,” the President said, “that if all young people of the world could get to know each other, it would be a better world.”

‘Grandfather Reagan’

At another point, a woman holding a small child told the President, “We want our children to live in peace.” Gorbachev then took the child from the mother’s arms and told the child, “Shake hands with Grandfather Reagan.”

Reagan took the child’s hand in his.

After the walk in Red Square, Gorbachev led Reagan back within the Kremlin walls, directing him to a small group of journalists and camera crews waiting near the huge cannon, which had never been fired. Gorbachev evidently had an announcement for Soviet television.

“We have received several important telegrams to tell the Reagans that newly born boys and girls are being named Ronald and Nancy and Reagana,” the Soviet leader said.

But the foreign journalists were interested in other issues. “Do you still believe you are in the evil empire?” Reagan was asked. “No,” he replied, surely and quickly.

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L.A. Times Book Prize winners talk AI, book bans, diverse novels

Some of our finest contemporary writers got their laurels Friday night at the 46th Los Angeles Times Book Prizes ceremony at USC’s Bovard Auditorium.

At the awards ceremony, which opens the annual L.A. Times Festival of Books weekend, Oakland-born writer Amy Tan and literary nonprofit We Need Diverse Books received achievement honors, and finalists in 13 other categories became prize winners.

The presenters and awardees who took the stage balanced a spirit of playfulness — Times senior editor Sophia Kercher called the weekend’s festival “my personal Coachella” and Times columnist LZ Granderson saluted his fellow “booktroverts” — and one of reverence as they celebrated writing as an instrument for advocacy, imagination and history-keeping.

As Bench Ansfield virtually accepted his award in the history category for “Born in Flames: The Business of Arson and the Remaking of the American City,” which exposes a pattern of landlords setting residential fires to collect insurance payouts, he said, “It’s a scary time to be a historian in the United States.”

“Our field, like so many other fields, is under attack,” Ansfield said. “To understand the crises in front of us, we have to understand our history.”

Among the crises highlighted was AI encroachment, the subject of science and technology category winner Karen Hao’s “Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI.” The AI expert and investigative journalist’s book is a critical investigation into the rise of OpenAI and its impact on society.

In Hao’s acceptance speech, read by presenter Jia-Rui Cook in her absence, the author said she “can’t help but be disturbed by how the themes of this book have grown more relevant by the day.”

“That said, I have never been more hopeful of our chance to advance a different future,” the author said, adding that L.A.’s history of resistance movements — including the recent Hollywood strikes — made it an apt place to accept her award.

“Gatherings like this are one of many radical acts of resistance against the imperial project that seeks to strip us of our meaning and our humanity,” Hao said. “Let us continue to resist defiantly together and let us remember lessons in history: When people rise, empires always fall.”

Tan echoed Hao’s sentiments as she accepted the Robert Kirsch Award, which celebrates literature with regional and thematic connections to the Western United States, for her acclaimed portfolio of writing exploring identity and cultural inheritance — often through the lens of the immigrant experience.

In her speech, “The Joy Luck Club” writer said that while she never particularly considered herself a “political writer,” her stance on that has changed as government actions have made her think critically about her own identities.

“My birthright and that of millions of others is now being argued before the Supreme Court, and no matter what the outcome is, it’s been a kick in the gut to know that those in the highest echelons of government and those who support them believe that we don’t belong.”

As an author, Tan said, “I imagine the lives of the people I write about,” and that act of compassion, for writers, inherently “reflects our politics and our beliefs. And so yes, I am a political writer.”

Later, Caroline Richmond, executive director of We Need Diverse Books, celebrated the work of her nonprofit — the recipient of this year’s Innovator’s Award — which has made it so her daughter “has never really had to look that far to find herself on the page.”

Still, she said ongoing book bans are threatening those strides toward a more diverse literary marketplace.

“The work is very much far from over,” Richmond said, “but I have to remind myself that the people banning books are never the good guys in history, and it’s up to us in this room and beyond — as readers, as book lovers — to fight back because diverse books, we really need them now more than ever.”

As the ceremony wore on, the room was as charged with celebration as it was with resistance.

When writer-editor and former child actor Adam Ross accepted the Christopher Isherwood Prize for “Playworld,” a semi-autobiographical novel about a teen growing up in 1980s New York, he gleamed with joy about his second novel being out in the world and finding readers.

“When it became clear to me that I was writing something that was going to be a lot bigger and take a lot longer than I planned, I promised myself I would use all of my ability to capture my experience of a particular era in an enduringly magical city, and to hopefully express it in such a way that any reader willing to embark on a journey with me, but upon finishing close the book and say, ‘Yes, I know exactly what that was like,’” Ross said in his acceptance speech.

“Winning this award makes me feel like I succeeded in that endeavor,” the author said.

Other winners included Ekow Eshun, who topped the biography category for “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them,” which parses Black masculinity as embodied by various civil rights activists, philosophers and other visionaries, and Bryan Washington, who accepted the fiction award for “Palaver,” which details the tense reunion of a Jamaican-born mother and her queer son, who are navigating years of estrangement in Tokyo.

The 31st annual L.A. Times Festival of Books will host 500-plus authors and celebrities and 300-plus exhibitors across more than 200 events including panels, book signings and cooking demonstrations. Top-billed guests include musician-memoirist Lionel Richie, veteran actor and recent Golden Globe Carol Burnett Award honoree Sarah Jessica Parker, and the mastermind behind “Curb Your Enthusiasm,” Larry David.

The schedule for the Saturday-Sunday event can be found here.

Here’s the full list of finalists and winners for the Book Prizes.

Robert Kirsch Award

Amy Tan

Innovator’s Award

We Need Diverse Books

The Christopher Isherwood Prize for Autobiographical Prose

Adam Ross, “Playworld: A Novel”

The Art Seidenbaum Award for First Fiction

Andy Anderegg, “Plum”

Krystelle Bamford, “Idle Grounds: A Novel”

Addie E. Citchens, “Dominion: A Novel”

Justin Haynes, “Ibis: A Novel” | WINNER

Saou Ichikawa translated by Polly Barton, “Hunchback: A Novel”

Achievement in Audiobook Production, presented by Audible

Molly Jong-Fast (narrator), Matie Argiropoulos (producer); “How to Lose Your Mother”

Jason Mott, Ronald Peet, and JD Jackson (narrators), Diane McKiernan (producer); “People Like Us: A Novel”

James Aaron Oh (narrator), Linda Korn (producer); “The Emperor of Gladness: A Novel”

Imani Perry (narrator), Suzanne Mitchell (producer); “Black in Blues”

Maggi-Meg Reed, Jane Oppenheimer, Carly Robins, Jeff Ebner, David Pittu, Chris Andrew Ciulla, Mark Bramhall, Petrea Burchard, Robert Petkoff, Kimberly Farr, Cerris Morgan-Moyer, Peter Ganim, Jade Wheeler, Steve West, and Jim Seybert (narrators), Kelly Gildea (producer); “The Correspondent: A Novel” | WINNER

Biography

Joe Dunthorne, “Children of Radium: A Buried Inheritance”

Ekow Eshun, “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them” | WINNER

Ruth Franklin, “The Many Lives of Anne Frank”

Beth Macy, “Paper Girl: A Memoir of Home and Family in a Fractured America”

Amanda Vaill, “Pride and Pleasure: The Schuyler Sisters in an Age of Revolution”

Current Interest

Jeanne Carstensen, “A Greek Tragedy: One Day, a Deadly Shipwreck, and the Human Cost of the Refugee Crisis”

Stefan Fatsis, “Unabridged: The Thrill of (and Threat to) the Modern Dictionary”

Brian Goldstone, “There Is No Place for Us: Working and Homeless in America” | WINNER

Gardiner Harris, “No More Tears: The Dark Secrets of Johnson & Johnson”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Fiction

Tod Goldberg, “Only Way Out: A Novel”

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Mia McKenzie, “These Heathens: A Novel”

Andrés Felipe Solano translated by Will Vanderhyden, “Gloria: A Novel”

Bryan Washington, “Palaver: A Novel” | WINNER

Graphic Novel/Comics

Eagle Valiant Brosi, “Black Cohosh”

Jaime Hernandez, “Life Drawing: A Love and Rockets Collection” | WINNER

Michael D. Kennedy, “Milk White Steed”

Lee Lai, “Cannon”

Carol Tyler, “The Ephemerata: Shaping the Exquisite Nature of Grief”

History

Char Adams, “Black-Owned: The Revolutionary Life of the Black Bookstore”

Bench Ansfield, “Born in Flames: The Business of Arson and the Remaking of the American City” | WINNER

Jennifer Clapp, “Titans of Industrial Agriculture: How a Few Giant Corporations Came to Dominate the Farm Sector and Why It Matters”

Eli Erlick, “Before Gender: Lost Stories from Trans History, 1850-1950”

Aaron G. Fountain Jr., “High School Students Unite!: Teen Activism, Education Reform, and FBI Surveillance in Postwar America”

Mystery/Thriller

Megan Abbott, “El Dorado Drive” | WINNER

Ace Atkins, “Everybody Wants to Rule the World: A Novel”

Lou Berney, “Crooks: A Novel About Crime and Family”

Michael Connelly, “The Proving Ground: A Lincoln Lawyer Novel”

S.A. Cosby, “King of Ashes: A Novel”

Poetry

Gabrielle Calvocoressi, “The New Economy”

Chet’la Sebree, “Blue Opening: Poems”

Richard Siken, “I Do Know Some Things”

Devon Walker-Figueroa, “Lazarus Species: Poems”

Allison Benis White, “A Magnificent Loneliness” | WINNER

Science Fiction, Fantasy & Speculative Fiction

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Jordan Kurella, “The Death of Mountains”

Nnedi Okorafor, “Death of the Author: A Novel”

Adam Oyebanji, “Esperance”

Silvia Park, “Luminous: A Novel” | WINNER

Science & Technology

Mariah Blake, “They Poisoned the World: Life and Death in the Age of Forever Chemicals”

Peter Brannen, “The Story of CO2 Is the Story of Everything: How Carbon Dioxide Made Our World”

Karen Hao, “Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI” | WINNER

Laura Poppick, “Strata: Stories from Deep Time”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Young Adult Literature

K. Ancrum, “The Corruption of Hollis Brown”

Idris Goodwin, “King of the Neuro Verse”

Jamie Jo Hoang, “My Mother, the Mermaid Chaser”

Trung Le Nguyen, “Angelica and the Bear Prince” | WINNER

Hannah V. Sawyerr, “Truth Is: A Novel in Verse”

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