ellison

Press freedom groups allege Larry Ellison vowed to oust CNN anchors

Two press freedom groups that own shares in Paramount Skydance are demanding to see the company’s books and internal documents, citing allegations that the company’s leaders may have promised favors to the White House to win approval for Paramount’s deal to acquire Warner Bros. Discovery.

The letter, sent Thursday to Paramount chief legal officer Makan Delrahim, says that media reports alleging that Paramount owner David Ellison and others promised favors to the Trump administration “create credible concern that Paramount leadership has offered, solicited, or effectuated a corrupt exchange,” which the groups argue would “constitute a breach of fiduciary duties” and open the company up to a “range of potential civil and criminal penalties.”

The letter cites Delaware law that allows stockholders to inspect the company’s books and records “for any proper purpose.”

Paramount declined to comment on the letter.

Among the issues raised in the letter are promises reportedly made by David Ellison and his father, Oracle billionaire Larry Ellison, that they would make “sweeping” changes at the news network CNN, which is owned by Warner Bros. Discovery.

The Ellison family acquired Paramount, which includes CBS and the storied Melrose Avenue film studio, last summer.

The letter cites changes implemented in CBS since their acquisition, including their decision to end late night television house Stephen Colbert’s show days after he characterized a settlement Paramount reached with Trump as a “big fat bribe.”

Under Ellison’s ownership, the letter says, numerous high-profile reporters have left the network and its ratings have dropped to “historic lows.”

Larry Ellison, who is backing the financing of Paramount’s proposed takeover of Warner, reportedly told White House officials that Paramount would “implement the CBS playbook” at CNN if the merger is approved, and remove anchors and commentators at the cable news network that Trump doesn’t like, according to the letter.

The effort comes just two weeks after Warner Bros. Discovery shareholders overwhelmingly approved the proposed merger. Investors have supported the Larry Ellison family takeover, which would become the biggest Hollywood merger in nearly a decade. The deal would pay Warner stockholders $31 per share — four times the stock price a year ago.

The letter was written on behalf of the Freedom of the Press Foundation, which develops secure communication tools for journalists and tracks violations of press freedom, and Reporters Without Borders, which tracks press freedom globally.

The organizations are being represented by former federal prosecutor Brendan Ballou, who established the Public Integrity Project this year to challenged alleged government corruption, as well as Delaware attorney Ronald Poliquin.

The missive, which could be a precursor to a lawsuit, opens another avenue of attack against the controversial $111-billion deal, which would transform the smaller Paramount into an industry titan.

With Warner Bros. Discovery, the Ellisons would also control HBO, TBS and the vast film and TV library of Warner Bros., which includes the Harry Potter, DC Comics, and Scooby-Doo, in addition to CNN.

Paramount, led 43-year-old David Ellison, wants to finalize its Warner Bros. takeover by the end of September. President Trump favors the deal; he has long agitated for changes at CNN.

But the proposed merger would saddle the combined company with $79 billion in debt, stoking fears that Paramount would be forced to make steep cost cuts to juggle such a large debt load.

Politicians, unions and progressive groups separately have pressed California Atty. Gen. Rob Bonta to scrutinize the proposed merger, hoping that he brings an antitrust lawsuit in an attempt to upend the deal.

More than 4,000 film industry workers, including Ben Stiller, Bryan Cranston, Ted Danson, J.J. Abrams, Jane Fonda and Kristen Stewart, have signed an open letter imploring Bonta and other regulators to block the merger. The group lamented the proposed tie-up, saying it “would reduce the number of major U.S. film studios to just four.”

Opponents fear the consolidation would lead to massive layoffs and diminish the quality of programming that Warner Bros., CNN and HBO are known for.

Hollywood has sustained thousands of layoffs over the last seven years since Walt Disney Co. swallowed Fox’s entertainment assets in another huge merger. In addition, the film production economy hasn’t recovered from shutdowns during the 2023 labor strikes. An estimated 42,000 entertainment industry jobs were lost from 2022 and 2024.

On Thursday, 34 California Democrats in Congress also sent a letter to Bonta, encouraging him to look closely at the merger.

The deal is expected to become one of the largest leveraged buyouts ever.

Ballou, who is working with the press freedom groups, previously served as a Justice Department special counsel with expertise in private equity transactions.

He resigned from the Justice Department in January 2025 when Trump returned to office. In his book, “Plunder: Private Equity’s Plan to Pillage America,” Ballou examined large leveraged buyouts and found that many of which resulted in bankruptcies.

Source link

Paramount’s Ellison underscores his pledge to make 30 films a year when his company buys Warner Bros.

Paramount Skydance Chairman David Ellison defended his commitment to release 30 movies a year once his media company swallows Warner Bros. Discovery — a goal that some industry observers view as overly ambitious.

During a Monday call with analysts to discuss Paramount’s first-quarter earnings, the tech scion said the target was achievable because his management team would maintain current levels of production. Paramount has doubled its film release capacity to 15 films this year, matching the number of theatrical releases planned by competing Warner Bros.

“The two companies are actually making 30 films to date,” Ellison said. “We really view our pending acquisition of Warner Bros. Discovery as a powerful accelerant to our strategy.”

The company said it was on track to finalize its Warner takeover by the end of September. The $111-billion deal would transform the smaller Paramount into an industry titan with prestigious programming, including Harry Potter, “Game of Thrones,” “Euphoria,” as well as its current slate of Taylor Sheridan-produced franchises, including “Yellowstone” and “Landman.” The combined company also would own dozens of popular TV networks, including CBS, CNN, Comedy Central, Food Network and HGTV.

But the proposed merger would saddle the combined company with $79 billion in debt, stoking fears that Paramount would need to make steep cost cuts to balance such a large debt load. During the quarter, Paramount lined up banks and other institutional investors to provide bridge financing to help pull off the transaction, the company said.

“We’re pleased with the momentum and will continue to take the necessary steps to bring this deal to completion,” Ellison told analysts.

Late last month, Warner Bros. Discovery stockholders overwhelmingly voted in favor of the deal, which will pay $31 a share to Warner investors. The company now must secure regulatory approvals in the U.S. and abroad, and that process is well underway, Paramount said.

Paramount has asked the Federal Communications Commission for permission to exceed a cap on foreign ownership for U.S. media companies. Ellison’s company is expecting $24 billion from three Middle Eastern royal families, who would become part owners of the combined entity. Those total funds will represent about 49% of equity in that new company, exceeding the current foreign ownership cap of 25%.

More than 4,000 filmmakers, actors and industry workers, including Bryan Cranston, Connie Britton, Kristen Stewart, Jonathan Glazer and Jane Fonda, have signed an open letter asking California Atty. Gen. Rob Bonta and other regulators to block the deal, saying it “would reduce the number of major U.S. film studios to just four.”

Late last week, a small group of consumers sued to block Paramount Skydance’s acquisition of Warner Bros. Discovery and unwind Ellison’s Skydance Media’s takeover of Paramount, alleging that both deals reduce marketplace competition.

For the January-March quarter, Paramount’s earnings beat Wall Street’s expectations. Revenue grew 2% to $7.3 billion compared with the first quarter of 2025.

Adjusted earnings before interest, taxes, depreciation and amortization (EBITDA) reached $1.1 billion, helped in part by growth in its streaming services unit. Paramount+ increased its revenue by 17% to nearly $2 billion, compared with the year earlier period when it generated $1.7 billion. The service added 700,000 subscribers, bringing the total to nearly 80 million.

With Warner’s HBO Max streaming platform, the combined service would boast more than 200 million subscribers.

Paramount reported first-quarter net earnings of $168 million, or 15 cents per share, compared with $152 million in 2025, which occurred before Skydance acquired the media company in August.

Executives pointed to “Scream 7,” a late February release that has topped $200 million in global ticket sales, as a success story. Studio revenue grew 11% to $1.28 billion for the quarter.

Television networks revenue declined 6% to $3.7 billion as Paramount’s cable channels continue to contend with the loss of cable cord-cutters, which reduces the company’s collections from pay-TV providers. Nonetheless, Paramount pointed to the strength of Sheridan’s “Landman,” starring Billy Bob Thornton, Ali Larter, Sam Elliott and Demi Moore, and the strength of the CBS television network, which currently has 13 of the broadcast industry’s top 20 prime-time shows, including “60 Minutes,” “Marshals,” and “Tracker.”

The company told analysts it would achieve $30 billion in revenue for the full year and $3.8 billion in adjusted EBITDA. Paramount said it would also make $2.5 billion in cost-cuts by the end of this year and reduce expenses by $3 billion in 2027.

Paramount said it ended the quarter with $1.9 billion in cash and cash equivalents. It also was carrying $15.5 billion in debt. The company had to draw $2.15 billion from its revolving credit facility to pay Netflix a $2.8-billion termination fee that Warner Bros. Discovery had agreed to pay under a previous deal to sell the company to Netflix.

Paramount released its earnings after Monday’s trading day. Its shares closed at $11.13, basically unchanged.

Source link

Jennifer Ellison, 42, strips down to bikini and sexy black mini dress in mirror selfies as she celebrates anniversary

JENNIFER Ellison looked incredible in a series of sexy photos celebrating her wedding anniversary.

The actress and former glamour model, 42, has been with her beau Rob for 18 years.

Jennifer Ellison looked gorgeous on an anniversary getaway with her husband Rob Credit: Instagram
She stripped down to a bikini and snapped some stunning selfies Credit: Instagram
The couple have been together for 18 years Credit: Instagram/Jenniferellisonjellistudios

In commemoration of the special day Jennifer shared a series of snaps on her Instagram page, dressed to impress at the five-star Gleneagles Hotel in Scotland.

In the first snap Jennifer is wearing a sexy black strapless bodycon dress that falls at the knee.

It hugs her figure perfectly, accentuating her curves and snatching in her tiny waist.

She finished off the look by adding a pair of stiletto heels and curling loose waves through her long, blonde hair.

Read more Jennifer Ellison

JENNY IN THE FROCK

Jennifer Ellison wows in see-through gown as she cosies up to husband


STAR TARGETED

Jennifer Ellison’s dance studio targeted by thief as she shares chilling CCTV

Another snap shows Jennifer posing in a brown and white bikini while taking a mirror selfie in a hotel.

It features geometric patterns and high-rise bottoms, flaunting her flat stomach.

Later photos feature her and Rob posing by a mirror, both dressed smartly to enjoy a round of drinks.

Jennifer wore a black blazer and matching dress trousers, paired with large dark sunglasses and a matching black bag with gold accent details.

Rob popped the question to Jennifer while they were on holiday in the Maldives in 2008 Credit: Instagram/Jenniferellisonjellistudios
They enjoyed some celebratory drinks together Credit: Instagram/Jenniferellisonjellistudios

Meanwhile husband Rob opted for a smart navy shirt, smart trousers and a chunky watch.

Penned in the post’s caption, Jennifer gushed all about her man, saying: “18 years of me and you. Had the most gorgeous 2 nights away, from start to finish!

Thank you for everything you have given me @tickle.rob Love doing life with you!

My best mate, my husband, my partner in work and crime my everything. For as both as we long shall live.”

Jennifer finished the caption off by thanking a loved one for taking care of her sons while she was away with Rob.

Fans of the star left their love in the post’s comments section, wishing the couple all the best for their anniversary.

One user said: “Happy anniversary guys,” followed by a stream of red love heart emojis.

A second shared: “Such a beautiful couple.”

A third added: “Beautiful Jen, happy anniversary to you both.”

Jennifer and Rob tied the knot in October 2009 after only a year of dating.

Rob popped the big question in May of 2008 while him and Jennifer were on a trip to the Maldives.

Actress Jennifer played the role of Emily Shadwick in Liverpool-set soap Brookside between 1998 to 2000 before going on to play a supporting character in Phantom Of The Opera in 2004.

Today Jennifer mostly stays out of the spotlight, instead running her own dance studio Jelli Studios.

She prepares students who are interested in getting into the industry of dancing or musical theatre.

Jennifer also made a TV appearance in 2022 where she starred on Celebrity SAS: Who Dares wins.

Jennifer and Rob took in the beautiful scenery of Scotland during their two nights away Credit: Instagram/Jenniferellisonjellistudios

Source link

Warner Bros. shareholders approve controversial $111-billion Paramount takeover

Paramount Skydance’s proposed takeover of Warner Bros. Discovery cleared a major hurdle Thursday as Warner stockholders overwhelmingly embraced the $111-billion deal.

Approval was expected. Paramount Chairman David Ellison’s proposal would pay Warner investors $31 a share — four times the price of the company’s stock a year ago. Warner Bros. officials did not disclose the precise vote count during the nine-minute special shareholder meeting beyond saying the merger “received sufficient votes and has overwhelmingly passed.”

Paramount offered the generous premium to compete with, and ultimately triumph over, Netflix, which withdrew from the auction in late February after Ellison’s father, Oracle billionaire Larry Ellison, agreed to guarantee the financing of his son’s deal.

The merger would create a new Hollywood behemoth by giving Paramount, which owns CBS and the Melrose Avenue film studio, such valuable assets as HBO, HBO Max, CNN, TBS, Food Network and Warner Bros.’ film and television studios in Burbank. Warner controls beloved TV shows, franchises and movies, including “Casablanca,” Harry Potter, D.C. Comics, “Game of Thrones,” “Euphoria,” “The Pitt,” and “Rooster.”

“Shareholder approval marks another important milestone towards completing our acquisition of Warner Bros. Discovery, building on our successful equity and debt syndications and progress across regulatory approvals,” Paramount said Thursday in a statement. “We look forward to closing the transaction in the coming months and realizing the creation of a next-generation media and entertainment company that better serves both the creative community and consumers.”

Paramount now must secure regulatory approvals in the U.S. and abroad. Ellison, who is poised to honor President Trump with a dinner Thursday evening in Washington, hopes to complete the deal by late summer.

Shareholders, however, made known their disdain for Warner Chief Executive David Zaslav’s proposed golden parachute, which could swell to $887 million, depending on when the transaction closes. His cash, stock and options would be valued at more than $550 million. Warner board members also agreed to pay his tax bill, which could approach $330 million, should the merger be completed by year’s end.

Shareholders, in a non-binding vote, voted against Zaslav’s package.

Paramount’s deal has encountered significant opposition in Hollywood and beyond.

More than 4,000 filmmakers, actors and industry workers, including Ben Stiller, Bryan Cranston, Ted Danson, J.J. Abrams and Kristen Stewart have signed an open letter asking California Atty. Gen. Rob Bonta and other regulators to block the deal.

Opponents fear the consolidation would be lead to massive layoffs and diminish the quality of programming that Warner Bros., CNN and HBO are known for. Hollywood has sustained thousands of layoffs over the last six years; the film production economy hasn’t recovered from shutdowns during the 2023 labor strikes.

“This is already an incredibly consolidated industry where writers have seen merger after merger leave fewer and fewer companies in control of what our members can get paid to write,” Michele Mulroney, president of the Writers Guild of America West, said Wednesday during a press briefing organized by Free Press and other progressive groups that oppose the merger.

“A combined Warner Bros. and Paramount would create a media behemoth with tremendous leverage to reduce content, to raise prices, to increase control of production, to suppress member compensation, worsen working conditions and silence the voices of our members,” Mulroney said.

Trump has long agitated for changes at CNN, and few expect his Justice Department to block the transaction. Defense Department Secretary Pete Hegseth echoed the sentiment. “The sooner David Ellison takes over that network the better,” Hegseth told reporters in March.

It’s unclear whether Bonta or other state attorney generals will file a lawsuit to try to stop the deal. Bonta previously told The Times that his office is reviewing the consolidation.

“This deal can get blocked. I personally think it will get blocked — or undone,” Alvaro Bedoya, former Federal Trade Commission member who now serves as a senior adviser to the American Economic Liberties Project, told reporters Wednesday. He pointed to other proposed mergers that unraveled due to fierce opposition, including the proposed combinations of grocery giants Kroger and Albertson’s.

David Ellison has promised to keep HBO entact and the Paramount and Warner Bros. movie studios humming. He promised cinema owners last week that a combined Paramount-Warner Bros. would release 30 movies into theaters each year.

“This transaction uniquely brings together complementary strengths to create a company that can greenlight more projects, back bold ideas, support talent across multiple stages of their careers,” Paramount said in a statement to push back on the opposition. The company would have the power to “bring stories to audiences at a truly global scale — while strengthening competition by ensuring multiple scaled players are investing in creative talent.”

To finance the Warner takeover, Ellison’s billionaire father, Larry Ellison, has agreed to guarantee the $45.7 billion in equity needed. Bank of America, Citibank and Apollo Global have agreed to provide Paramount with more than $54 billion in debt financing.

Paramount has enlisted a former Trump administration official, lawyer Makan Delrahim, who served as Trump’s antitrust chief during the president’s first term.

In a confident move, Delrahim filed to win the Justice Department’s blessing in December — even though Paramount didn’t have an agreement with Warner Bros. Discovery’s board at the time. In February, a key deadline for the Justice Department to raise issues with Paramount’s proposed Warner takeover passed without comment from the Trump regulators.

Source link

David Ellison faces plenty of Hollywood skeptics. Did he win over movie theater owners?

Amid the bustle and glitz of last week’s CinemaCon in Las Vegas, one question loomed over the annual trade convention — how will the proposed Paramount Skydance-Warner Bros. Discovery deal affect the movie theater business?

That anxiety showed up in a state of the industry speech from Cinema United trade group President Michael O’Leary, who reiterated his organization’s opposition to further industry consolidation.

It showed up in a trailer for Amazon MGM Studios’ upcoming film “Spaceballs: The New One,” when a voiceover poked fun at Hollywood studios “merging willy-nilly” as images of the Paramount sign and Warner Bros. water tower flashed across the screen.

And the subject again took center stage — literally — when Paramount Chief Executive David Ellison himself gave a speech during his studio’s presentation at Caesars Palace. He sought to reassure the assembled movie theater operators and exhibition executives that the combined company would indeed release a minimum of 30 films a year.

You’re reading the Wide Shot

Samantha Masunaga delivers the latest news, analysis and insights on everything from streaming wars to production — and what it all means for the future.

“I wanted to look every single one of you in the eye and give you my word,” he said during an onstage speech, in which he also committed to a 45-day theatrical window and 90-day period before films go to streaming services. “People can speculate all they want, but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”

It’s true that Paramount has nearly doubled its theatrical releases since Ellison took over. As he noted in his speech, the storied studio is now planning 15 films this year, up from eight in 2025.

But as I’ve written previously, theater owners and other studio executives question how releasing 30 movies a year across the combined Paramount-Warner Bros. would work — not only in terms of giving each film the proper marketing campaign to succeed in theaters but also because of the massive cost cuts that will inevitably occur once the merger is final.

Still, Ellison’s commitment to 30 films a year got a round of enthusiastic applause — and at least one high-profile boost.

A day earlier, AMC Entertainment Holdings Inc. Chief Executive Adam Aron told me in an interview that he backed Ellison’s takeover of Warner, saying he and AMC believed in the tech scion’s talent as a filmmaker and a movie executive, as well as his pledge to release those 30 films a year.

“We’re enthusiastic that David will fulfill his promises,” Aron said. “And that in the end, this will prove to be a good thing for our company and our industry.”

Not everyone shares that enthusiasm.

More than 4,000 people have now signed an open letter opposing the Paramount-Warner deal, arguing that consolidating two studios will lessen consumer choice and job opportunities for creatives, particularly at a time when Hollywood is already struggling. (Notable signatories include “Dune” director Denis Villeneuve, actors Glenn Close and Emma Thompson, as well as director and producer JJ Abrams.)

O’Leary of Cinema United similarly wasn’t convinced.

“While recent pledges attempt to address the threats of consolidation to our industry, they are not yet sufficient in addressing our concerns,” he said in a statement released hours after Ellison’s speech. “We remain open to tangible commitments that will ensure a vibrant global theatrical exhibition industry for years to come.”

Elsewhere at CinemaCon, the mood was upbeat.

Warner Bros. film chiefs Mike De Luca and Pam Abdy struck a triumphant tone after an award-winning year for the studio, capped off by the best picture win for “One Battle After Another.”

They unveiled footage from new films like the upcoming “Digger” from director Alejandro G. Iñárritu and brought out lead actor Tom Cruise to a sustained standing ovation from the audience. And both De Luca and Abdy espoused optimism for the future of the theatrical business. The studio plans to release 14 films this year and as many as 18 for 2027.

“The film business has always required smart betting, and we have 4 billion reasons from last year to think we’re holding the right cards,” De Luca said during the presentation, referring to the studio’s worldwide box office revenue last year.

“We all know they’re not all going to work. That comes with taking swings,” Abdy said of the studios’ films. “There’s no version of this business that’s risk-free. But our job is to step up, make our bets and own it when it doesn’t work.”

But the end of the presentation felt more somber, with the executives asking the heads of Warner Bros.’ labels to come to the stage and be recognized. Shortly after, they asked Warner Bros. employees in the audience to stand for applause. It was hard to escape the feeling that this may be the end of an era.

Stuff We Wrote

Film shoots

Number of the week

1,000

Last week, Walt Disney Co. began a sweeping round of layoffs that’s expected to cull 1,000 jobs across multiple divisions.

As my colleague Meg James reported, the cuts hit Disney’s television and movie studios, sports giant ESPN, its product and technology unit, corporate functions and marketing. Even Marvel Studios’ visual development team was affected.

The layoffs are one of the first major moves under new Disney Chief Executive Josh D’Amaro, who took the reins of the company last month. In a message to employees, he said the company needed to “constantly assess how to foster a more agile and technologically-enabled workforce to meet tomorrow’s needs.”

What I’m watching

Some friends and I watched “Fukushima: A Nuclear Nightmare” this past weekend, a truly eye-opening documentary that explains what happened during the March 11, 2011, nuclear accident and whether the world has learned anything from it.

Source link

David Ellison hits CinemaCon, reiterates pledge to make more movies.

Paramount Skydance Chief Executive David Ellison made his case directly to theater owners Thursday, pledging to release a minimum of 30 films a year from the combined Paramount and Warner Bros. Discovery company during a speech at the CinemaCon trade convention in Las Vegas.

“I wanted to look every single one of you in the eye and give you my word,” Ellison said in a brief on-stage speech, adding that Paramount has already nearly doubled its film lineup for this year with 15 planned releases, up from 8 in 2025.

He also said all films will remain in theaters exclusively for 45 days, starting Thursday. Films will then go to streaming platforms in 90 days. The amount of time that films stay in theaters — known as windowing — has been a controversial topic for theater owners, as some studios reduced that period during the pandemic. Theater operators have said the shortened window has trained audiences to wait to watch films at home and cuts into theater revenues.

“I have dedicated the last 20 years of my life to elevating and preserving film,” said Ellison, clad in a dark jacket and shirt with blue jeans. “And at Paramount, we want to tell even more great stories on the big screen — stories that make people think, laugh, dream, wonder and feel — and we want to share them with as broad an audience as possible.”

Ellison’s CinemaCon appearance comes as more than 1,000 Hollywood actors and creatives have signed a letter opposing Paramount’s proposed acquisition of Warner. Supporters of the letter have said the deal would reduce competition in the industry and “further consolidate an already concentrated media landscape.”

Some theater operators have also questioned whether the combined company could achieve its goal of releasing 30 films a year, particularly after the cost cuts that are expected after the merger closes.

“People can speculate all they want — but I am standing here today telling you personally that you can count on our complete commitment,” Ellison said. “And we’ll show you we mean it.”

The speech came after a star-studded video directed by “Wicked: For Good” director Jon M. Chu that was shot on the Paramount lot on Melrose Avenue and showcased directors and actors including Issa Rae, Will Smith, Chris Pratt, James Cameron and Timothée Chalamet that are working with the company.

The video closed with “Top Gun” actor Tom Cruise perched atop the Paramount water tower.

“As you saw, the Paramount lot is alive again,” Ellison said after the video. “And we could not be more excited.”

Source link

Businessman a Harsh, Blunt Political Force : Ventura: Thrift store magnate Ray Ellison is called by some a man of integrity. To others, he’s the godfather of mudslinging.

Thrift store millionaire Ray Ellison leaned back in his office chair and laughed.

He knows a liar when he sees one, he said. And he knows a liberal. He doesn’t like either.

“I called him a slimeball, scum-sucking liar,” said Ellison, 65, reciting a description of then-Ventura Mayor Dennis Orrock that he painted on a truck parked near a freeway in 1984.

Ellison took on the mayor’s ally the following year, dubbing Councilwoman Pati Longo “The Phony with The Toni” in full-page newspaper ads that declared her a liar, too.

In 1991, Ellison’s large ads depicted Councilman Donald Villeneuve astride a defecating bull, stating: “Screw the Marketplace.” Last fall, two councilmen and a challenger were featured as smiling fish in ads titled: “A Fish Stinks From The Head. Take A Sniff of These.”

Of the forces that have reshaped Ventura’s political landscape in recent years–pushing campaigns to increasingly personal attacks–none has been consistently harsher than Raymond W. Ellison.

Spending tens of thousands of dollars, including at least $14,000 last fall, Ellison has been described by critics as Ventura’s godfather of mudslinging.

“Based on the ads he ran, I would judge him to be venal and mean, coarse and crass,” said former Councilman Todd Collart, defeated Nov. 5 after he was caricatured as a smelly fish. “He continues to set lower and lower standards to be aimed for by others. And that works against good people seeking elective office.”

Councilman Gary Tuttle–also featured in the “fish ads”–said he considered not running for a second term last year because of Ellison.

“I knew he was going to come after me, and I had to think, ‘Do I want to put my family through this?’ ” he said. “My mom, my wife, my sisters, they got very upset. The Tuttle name has always been a positive in this community.”

Even some candidates backed by Ellison distanced themselves from his methods. Newly elected Councilwoman Rosa Lee Measures called a press conference before the election to say she was not associated with Ellison, and asked that he cancel future ads.

Councilman James Monahan, a recipient of Ellison political assistance for 16 years, said recently that he does not condone his friend’s advertisements, because they “can have a negative effect on everyone. You can turn people off.”

But to many of Ellison’s political allies and friends, the Ventura businessman is far more complicated and admirable than his crude public persona might suggest. And his opinions–though presented in a blunt style–air the frustrations of Ventura’s business community, they said.

Supporters say Ellison holds work, family and religion most dear–that he is generous in his donations to church and charity and in his employment of society’s least employable.

A high school dropout turned business whiz, Ellison says he started the nation’s first privately owned thrift store in 1948 with money he earned as a paratrooper in World War II. Now semi-retired, he claims about 1,300 employees in the 28 stores he and his two sons own or operate in seven states.

Officials at organizations for war veterans say Ellison’s thrift stores keep them in business by paying the charities millions of dollars a year for donated goods or by operating charity-owned stores at a healthy profit.

“The United States could use more Ray Ellisons,” said Jim Pechin, business manager for the Vietnam Veterans of America in Washington. “We probably wouldn’t be here today without Ray, because he developed our funding base.”

Locally, Ellison donates to charity golf tournaments and gives time and money to the First Baptist Church of Ventura. In recent days, he helped decorate the church for Christmas dinners–then washed dishes afterward.

“He’s just a very helpful, generous man,” said Nick Bailey, a church associate pastor. “He’s not afraid when he sees needs in the church community and in the ministry here to be a part of the solution.”

*

Ventura attorney William D. Fairfield, who has known Ellison for 20 years, said of his friend:

“I have tremendous respect for this man–for his integrity, for his business acumen, for him as a family man. And I think he’s done more for this community than any single individual by asking public officials to be accountable.”

Banker Bob Alviani, president-elect of the Ventura Chamber of Commerce, said the comments of Ellison–whose philosophy is pro-growth, pro-business and anti-government waste–reflect the sentiments of others.

“I don’t think Ray Ellison is alone in his feelings or alone in how he expresses his opinion,” Alviani said. “If he wants to pay the price to say what he’s saying, fine. If you take it to heart, fine. If you choose to ignore it, fine too.

“The wonderful thing about our politics in this country is that a person has a right to say whatever they want,” Alviani said.

Gruff, lean and balding, Ellison is skittish about public attention. He wants to have his say every so often in political advertisements and letters to the editor, and leave it at that.

But the nature of his business–and his family’s pioneer role in it–have prompted a series of television and newspaper reporters to knock at his door.

“I’ve had lots of stories,” Ellison said in a recent interview. “You name it–NBC, CBS, ’60 Minutes,’ ‘The Today Show.’ . . . It’s a big pain in the ass.”

The theme of those stories, including a 1987 investigation by The Times, has been that private thrift store operators such as Ellison use charities’ names to collect tax-deductible donations of clothes and household goods, then sell them for large profits, most of which go into the pockets of the operators and not the programs of charities.

*

The Times’ investigation found that private thrift store operators nationwide typically made $1.50 for each $1 the charities got. Ellison, his extended family and the Ellisons’ former employees dominate the private thrift store industry, The Times found.

But in Ray Ellison’s case, the charities generally have not complained about the revenue they receive from the stores he owns or manages for them. They say their share of profits is higher than industry standards. For instance, charity profits reach about $1.45 million a year–about two-thirds of the total profit–at five stores owned by the Disabled American Veterans organization of Colorado and operated by Ellison.

“Ray runs the Cadillac of the thrift store management,” said Fred Friedrich, president of the DAV’s Colorado thrift store committee. “The guy’s good. He’s got a lot of respect out here.”

Ellison’s Ventura-based M & M Management wrote checks totaling $7 million to veterans’ groups last year, including $4 million in profit from the 28 stores, he said. He won’t say how much his company earned, but he has prospered.

Ellison and his family valued M & M at $5 million in 1985, according to public records. His two sons, Matthew and Mark, and the husbands of his two daughters all work in the family business, Ellison said.

Ellison’s 142-acre ranch just north of Ventura is for sale for $3 million. He has a condominium in Colorado, where he spends summers and holidays. His family owns most of the 28 stores they operate. He’s a real estate developer in Texas, where he recently sold 40 acres to Wal-Mart, and in Washington state, where he’s building a 180-house subdivision and shopping center.

Ellison’s prosperity is surely greater than he could have imagined as a Depression-era son of a Salvation Army officer. As a boy, he said he struggled in school because of frequent family moves along the West Coast, and dropped out in ninth grade.

*

But he began to learn the skills that would make him rich. He remembers watching his parents directing teams of men sorting salvaged goods for the Salvation Army.

Family lore credits his mother, Stella, with coining the term “thrift shop” as the Ellisons helped the Salvation Army transform its bulk salvage operation into a retail one in the 1930s.

Eventually Ellison’s father, Orlo, and four uncles all entered the private thrift store business. But it was young Ray and one uncle who Ellison said started the first private thrift store 46 years ago in Santa Ana with $3,500.

By 1965, Ellison, who lived in Ventura briefly in 1947, had returned to the city with his wife, Sue, a Westmont College graduate, to raise his two sons and two daughters, Ellison said.

Since then, Ellison has left a legacy of hard work and hard feelings.

Even in semi-retirement, the Montana-born Ellison said it is not uncommon for him to arrive at M & M’s national accounting office on Main Street in Ventura by 4 a.m.

“Get your buns out of bed, get your work done before the traffic gets too heavy, then go home and enjoy your family,” Ellison once wrote.

In a recent written statement, Ellison described his children and their spouses, all Ventura residents, as loving and hard working. “Neither they, or my wife and I attend social functions, bridge parties, or have our names associated in any way with playing Santa Claus. Our lives focus around our families, church, friends and business,” he wrote.

Despite such tendencies, Ellison has become well known, first as the Ventura Keys homeowner who led a successful seven-year legal battle against the Ventura Port District to force dredging at the mouth of Ventura Harbor.

The 1968 case cost Ellison $50,000 in fees, but is now cited in law school textbooks as an example of a citizen forcing government to keep its word, he said. More recently, he lost two lawsuits that challenged Ventura County’s General Plan and rezoning policies because of changes he claimed lowered the value of his ranch.

“I have no use for people who lie or abuse their authority to rule over me,” he said in a written explanation of the lawsuits. “I give due respect to every type of authority until that body proves unworthy.”

*

Ellison’s dramatic public entry into Ventura politics came in 1984, when he warned the Ventura City Council not to appoint attorney Dennis Orrock mayor, then attacked Orrock so tenaciously that the new mayor asked the council to appoint an ethics committee to investigate the charges.

On one large sign he placed near a freeway on-ramp, Ellison wrote: “For sale cheap, slightly used mayor. Outstanding qualifications. Unethical. Deceitful. Lies Frequently.”

“I still have the sign,” Ellison said with a laugh.

Ellison claimed Orrock, who years before had represented Ellison and other investors in an ill-fated business deal, knew or should have known that the deal’s promoter had failed elsewhere with similar proposals.

Orrock denied the accusation. And after hours of testimony, all carried on local cable television at Ellison’s expense, the ethics committee cleared Orrock of any wrongdoing.

“That was the first time it got nasty,” remembered John McWherter, a councilman for 18 years ending in 1991. “That was the first time that a personal vendetta had come into City Council politics.”

Orrock said he has not seen or spoken with Ellison since. And despite the “hurtful memories,” he even jokes about the experience.

“In 1984, he elevated me to one of 10 movers and shakers in the area, because I was on the front page of the newspaper for 23 days,” Orrock said. “I don’t know what motivates Mr. Ellison. The guy is kind of an enigma.”

Ellison said his motive was that Orrock was not fit to be mayor. The hearings were a whitewash, Ellison said, but that was OK because Orrock did not seek another council term.

“It was my intention that he never run again for anything,” Ellison said. “I didn’t care about the (lost investment). The money didn’t mean squat. I cared about who would represent the city.”

In 1985, Ellison took on Pati Longo. The councilwoman–whose politics were conservative and pro-business like Orrock’s and Ellison’s–had defended Orrock in his squabble with Ellison.

*

Ellison bought a series of newspaper ads attacking her as a phony who had lied to the grand jury. He cited her admissions that she had been evasive when asked if she’d discussed the closed-door proceedings with others.

“I figured the public had a right to know, because she would have been mayor,” Ellison said.

Longo, who lost her bid for reelection, said she thinks Ellison’s reason for challenging both her and Orrock, and in opposing Villeneuve in 1991 and Collart last year, was to improve Monahan’s chances of being mayor.

“Ray Ellison’s motivation was that Jim Monahan had always been his resident politician,” Longo said. So when Monahan had a chance at the mayoralty, Ellison attacked the favorite, she said.

Villeneuve said he also sees a connection between Ellison’s attacks and Monahan’s political fortunes and agenda.

“His interest in politics is in the form of personal vendetta for somebody he disagrees with in ideology or most often in a very personal sense,” Villeneuve said. “He attempts to parallel his protege, Jim Monahan. I’ve had to sit and listen to Jim Monahan extolling the virtues of Ray Ellison. It’s almost hero worship.”

Both Monahan and Ellison said they are friends who generally see eye-to-eye politically. Ellison will occasionally check with Monahan on issues, they said. Ellison said he doesn’t follow politics closely and will ask Monahan about his reelection plans and the voting records of other council members. But he said he doesn’t ask Monahan’s advice.

“I know that Jim can fill me in if I’m wrong on how somebody has voted,” Ellison said. “I don’t even take the (local) newspaper. I don’t go to council meetings any more. I haven’t for many years. I can get behind on my facts. So I call Jim, or somebody else, but normally Jim.”

Monahan said he has never recommended who Ellison should oppose or support in an election.

“Believe me, he knows how to make up his own mind,” the councilman said. “Ray’s the kind of guy who’s a loner. He does everything on his own.”

*

Monahan said Ellison has helped Ventura politics by bringing information to voters, but he said he didn’t care for the recent fish ads, and thought the Orrock hearings were an unnecessary “dog-and-pony show. That was a sad day for everybody.”

If Ellison opposed Orrock and Longo for perceived ethical shortcomings, he said he opposed Villeneuve two years ago and Collart, Tuttle and environmentalist challenger Steve Bennett this year because he did not agree with their politics.

“They’re discouraging almost carte blanche what needs to be done to rejuvenate the city. What it amounts to is no growth,” he said. “They don’t allow anything that will generate money. They spend hundreds of thousands of dollars on stupid studies.”

That was as detailed as Ellison got in critiques of his political opponents during two recent interviews. He had trouble remembering what he had written about them in campaign ads. At one point, he read his Villeneuve ad to refresh his memory about the councilman’s principal flaws.

“Let’s see what I had to say here,” he said. “Well, yeah, I did look up his votes. I ought to keep this crap (advertisements). . . . I don’t remember them. I just make them up and forget about them.”

In the Villeneuve ads–as with his fish ads–Ellison stated his pro-business philosophy and lashed his “liberal” opponents. He said his colorful headlines were only a way to grab voters so they will read his full message.

“You have to get people’s attention,” he said.

He does that. For example, in a Villeneuve ad segment titled “To Wee or Not to Wee,” Ellison repeated a second-hand comment Villeneuve allegedly made at a City Hall urinal during a break in a hearing about dredging the Ventura Keys.

Villeneuve and former Mayor Richard Francis, who had battled Monahan before leaving the council in 1991, said they responded with their own negative campaign this fall.

*

Some of their “Anyone but Monahan” ads were more personal and biting than Ellison’s fish ads, especially a radio spot late in the campaign.

“I knew his ads were coming,” said Francis, a Ventura attorney. “I didn’t want to start slinging mud, but if mud is going to get slung and you’re going to get dirty anyway, you may as well get into the fray.”

Monahan doesn’t accept that explanation. “Richard Francis took a personal attack on me that was far worse than Ray’s comments about these other three,” he said.

Nor does Monahan think it’s fair that Ellison is seen as “the special interest in the black hat,” while Patagonia, an environmentalist clothing company that spent about $15,000 in the last campaign, “is seen as the special interest in the white hat.”

Patagonia owner Yvon Chouinard “doesn’t give a damn about anybody else’s business but his own,” Monahan said. “Ray Ellison cares about everybody’s business, and he’s willing to stick his neck out for it.”

Patagonia spokesman Paul Tebbel said the big difference between the two is that Patagonia endorses candidates positively, while Ellison attacks them personally.

“He’s strongly within his rights to do that,” Tebbel said, “I just hate to see Ventura politics reduced to who can put out the strongest negative ad.”

Ellison did also buy some endorsement ads last fall, backing Measures, Monahan and Clark Owens.

Whether Ellison has had much impact on election results is an open question. Longo, Villeneuve and Collart, who all lost their races after Ellison’s criticisms, think he has. Tuttle, who placed only fourth last fall, does too.

Others, including McWherter and Monahan, said that Longo, Villeneuve and Collart were vulnerable anyway.

As for himself, Ellison thinks his types of ads work. “I think it’s very effective,” he said.

Ellison said he recognizes the personal pain his ads may cause. Public criticism following news stories about his thrift stores has hurt his family too, he said.

“I feel sorry about that,” he said. “They all have kids. Just like our kids went to school and had to put up with having negative things said about their dad. It’s hard on them. But they become accustomed to it over a period of time. . . . It goes with the territory.”

Yet Ellison felt compelled to write a letter of explanation to Collart shortly after the councilman lost in November.

“I imagine you consider me a callous and insensitive disgrace to society,” Ellison wrote.

He said he respected Collart and considered him truthful. “I wish you well, apologize if you took personal offense to my methods, and thank you for your service,” he wrote.

But within the same letter may be an indication of things to come during the campaign of 1995.

While praising Collart for being true to campaign promises, Ellison chastised those “who forgot . . . what they were elected to do.” He pointedly mentioned Mayor Tom Buford and former Mayor Greg Carson as examples of two who have “breached their stated positions.”

*

Carson and Buford, both originally backed by the business community, have been criticized by some businessmen for votes over the last two years. And Ellison referred to Carson in his fish ads as a weak conservative enticed by liberals with the promise of the mayor’s job.

Nursery owner Carson, who describes himself as a moderate and insists he’s broken no promises, said he first felt Ellison’s sting after council members chose him mayor two years ago.

Ellison immediately telephoned Carson to tell him he had considered him “a nice young man,” but now believed he was a jerk, Carson said. “He was upset because Jim Monahan didn’t become mayor.”

Carson said he considers Ellison’s ads detrimental to Ventura politics, and he said the specter of Ellison would not deter him in 1995.

“Somebody like Ray Ellison doesn’t scare me,” Carson said. “If anything, people like Ray Ellison would be a reason I would run.”

Source link