Don

A GARDENER’S World fan-favourite has passed away suddenly, with BBC anchor Monty Don admitting he is “heartbroken”.

The 71-year-old revealed the sad news on his Instagram page and admitted they suffered a “very short illness”.

Monty‘s Yorkshire Terrier pooch Patti, who made her Gardener’s World debut in 2020, has passed aged seven.

He uploaded a series of snaps showing his adorable pet exploring the great outdoors, and one image showing her cuddled to his chest, with the caption: “I have sad news.

“Our lovely Patti died suddenly this morning after a very short illness.

“She was much loved, and lit up our lives.

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“We are all heartbroken”.

One fan was quick to send condolences and wrote: “Such a shock for you, Patti was a lovely little dog we always enjoyed seeing her on GW. X”

A second put: “So very sorry for your loss”.

A third then posted: “Monty, I’m so sorry to hear this very sad news, today! Thinking of you all at this difficult time.

“Patti was adored not only by you but the nation too! RIP dear Patti”.

She is the smallest of Monty’s dogs, with the gardening icon also owning Golden Retriever Ned, who also appears on screen.

In 2023, Monty told how an accident in lockdown led to Patti retreating from camera life.

Replying to one concerned fan online, he penned: “She hates the tripods because one fell on her during lockdown.

“That is why you always see me holding her. When the cameras are not here she is out with me all the time.”

His fellow Golden Retrievers Nigel sadly passed in 2020, while pooch Nell died three years later.

Don Nelson, the second-winningest coach in NBA history who won five championships as a player with the Boston Celtics, died Sunday. He was 86.

Nelson’s death was announced by the Golden State Warriors, one of the teams he coached. They did not release details.

Nelson is one of two coaches in NBA history to have at least 250 wins with three different franchises — Milwaukee, Dallas and Golden State — also serving as general manager for all three franchises. He was a three-time coach of the year and made the playoffs 18 times in 31 seasons. He went to the conference finals three times with the Bucks and once with the Mavericks, never winning a title.

Nelson introduced what is now known as the point forward, and his up-tempo style of offense created a buzz. He said the idea of shifting from the dominant big men of the 1970s to an offense focused on speed and the fast break came from his playing days under Hall of Fame Celtics coach Red Auerbach.

The Celtics’ Don Nelson drives to the basket under pressure from Milwaukee’s Cornell Warner on May 12, 1974, in Milwaukee.

(Associated Press)

“The league really hadn’t seen an offense like the one we were running, and the results were undeniable,” Nelson wrote in 2016 in the Players’ Tribune.

Nelson said that “without Red Auerbach teaching me the mechanics of running the fast break, none of it would have been possible. He deserves all the credit for Nellie Ball, and for how fast the game of basketball is played today.”

Nelson played 11 of his 14 seasons in Boston and was on five Celtics championship teams under four different coaches. He became an assistant coach in Milwaukee after retiring as a player, then took over after coach Larry Costello resigned 18 games into the 1976-77 season. Nelson coached the Bucks for 11 seasons starting in 1976 and won seven straight division titles.

In Nelson’s second season, Milwaukee overcame a 29-point fourth quarter deficit to beat Atlanta 117-115 in regulation.

“I coached the team as though I was still playing for the Celtics, while implementing a few of my own strategies,” Nelson wrote. “I knew I wanted to play unconventional basketball and use speed to my advantage.”

His fast-paced offenses were probably best on display with Golden State in the “Run TMC” era featuring future Hall of Famers Tim Hardaway, Mitch Richmond and Chris Mullin. Nelson said he wanted them on the court at the same time.

Nelson spent 11 seasons over two stints with Golden State. The first one was punctuated by a rift with rookie star Chris Webber, who was traded away a month into his second season. Nelson, demoralized by the trade, missed nine games that season because of illness and resigned under pressure three months later in February 1995.

In between, Nelson was fired after less than one season in New York in 1995-96, then coached in Dallas for eight seasons, missing 21 games with the Mavericks starting in December 2000 to recuperate from prostate cancer surgery.

Nelson’s son, Donnie, joined his father as an assistant coach with the Mavericks in 1998, later became general manager and remained with the organization until 2021. Together they persuaded 20-year-old German star Dirk Nowitzki to pass up European basketball and join the Mavericks. Don Nelson also developed Steve Nash into one of the NBA’s top point guards before Nash went on to win back-to-back MVPs with the Phoenix Suns in 2005 and 2006.

Golden State Warriors coach Don Nelson celebrates with his team after breaking the record for NBA career coaching victories with a victory over the Minnesota Timberwolves on April 7, 2010, in Minneapolis. It was Nelson’s 1,333rd win.

(Paul Battaglia / Associated Press)

“Don Nelson was a true innovator whose influence on the game of basketball is still felt today,” current Warriors coach Steve Kerr said. “He consistently challenged conventional thinking, experimented with different lineups and styles of play and saw possibilities in the game that others often did not. So much of what is now commonplace in the modern NBA can be traced back to the way Nellie approached the game.”

At Golden State, Nelson’s “We Believe” Warriors led by Baron Davis upset Nowitzki and the top-seeded Mavericks in the first round of the 2007 playoffs in one of the biggest shockers in NBA history. In his final season as a coach, Nelson mentored rookie Stephen Curry in 2009-10.

“One of the big reasons I was drafted by the Warriors was because of Don Nelson. The story is he never liked rookies, but from Day 1 he challenged me and gave me an opportunity to be my best self on the court,” Curry said in a statement released by the Warriors. “He taught me a lot during our one season together and I’ll never forget the night he became the winningest coach in NBA history in Minnesota. We were so happy for him. He had an immeasurable impact on the sport and will go down as one of the greatest minds in the history of the game.”

Davis added: “When I think of Nellie, I’ll always think of the ‘We Believe’ team and our incredible run in 2007. He understood what made us go and made us believe we could beat anybody, ultimately helping us make history as the first No. 8 seed to defeat a No. 1 seed in a seven-game series. That time in my life and career was truly special, and Nellie was a huge part of making it possible.”

Don Nelson laughs while receiving the Chuck Daly Lifetime Achievement Award during a news conference on June 8, 2025, in Oklahoma City.

(Kyle Phillips / Associated Press)

Nelson retired as the NBA’s career coaching wins leader with 1,335, just ahead of Lenny Wilkens’ 1,332. Nelson kept that top spot for nearly 12 years before close friend and now-retired San Antonio coach Gregg Popovich passed him in March 2022.

Nelson was inducted into the Naismith Memorial Basketball Hall of Fame in 2012. In 2025 he received the Chuck Daly Lifetime Achievement Award, presented by the National Basketball Coaches Assn. Miffed that the Mavericks sent Luka Doncic to the Lakers in a blockbuster trade, Nelson wore a pair of Doncic’s signature Jordan Brand sneakers to the awards ceremony. He called the trade a “tremendous mistake.”

Born in Muskegon, Mich., Nelson attended high school in Rock Island, Ill., and averaged a double-double in college at Iowa. He spent his retirement years living on the Hawaiian island of Maui and owned several short-term rentals on the island.

Aug. 7 (UPI) — Former CNN anchor Don Lemon is seeking to have a federal indictment against him in Minnesota, arguing that he is being illegally targeted for vindictive prosecution.

According to Lemon’s attorneys, U.S. President Donald Trump‘s anger towards the journalist “is well documented, stretching back over a decade.”

The attorneys argued in court filings that Lemon was charged by the U.S. Justice Department “as punishment for his First Amended protected reporting on protests related to Operation Metro Surge in Minnesota.”

Lemon is one of several journalists facing charges — along with a number of protestors — for violating the FACE Act, which bars interfering or intimidating people as they exercise their constitutional rights to practice religion. He has pleaded not guilty.

Federal prosecutors have alleged Lemon and another independent reporter took part in a “takeover-style attack” of Cities Church in St. Paul. Lemon live-streamed anti-ICE protestors entering the charge on Jan. 18. He said during his live-stream as well as afterwards that he entered the church to report on the protest.

In the court filing, Lemon’s lawyers cited public remarks by Trump, as well as current and former Justice Department officials, that were aimed at Lemon ahead of his indictment in late January.

The Justice Department first tried to file a criminal complaint against Lemon, but a magistrate judge ruled against it, citing a lack of probable cause.

The Justice Department then sought intervention from the chief judge and the Eight Circuit Court of Appeals but was rejected. Prosecutors then secured an indictment from a grand jury. Lemon was arrested in Los Angeles on Jan. 30 to cover the Grammy Awards. He has said he sought to turn himself in but never heard back from the Justice Department.

Don Iwerks, an Academy Award-winning special effects pioneer whose innovations transformed film and Disney theme parks, died peacefully Thursday at the age of 96, the Walt Disney Co. announced.

For Disney and his own studio, Iwerks Entertainment, Iwerks helped develop technologies and techniques like Circle-Vision, the 360-degree camera behind “America the Beautiful” and other early Disney attractions, and the 3-D effects used in attractions like Captain EO and the Star Tours ride.

“There was a ‘can-do’ attitude I learned from Walt and my father,” Iwerks said, according to a statement shared by the Disney Co. “Walt gave everyone a feeling that they were creating things that others had never thought of before, of being a part of history.”

Born July 24, 1929, Iwerks received his first camera at age 14 as a gift from his father, animator Ub Iwerks.

The elder Iwerks met fellow artist Walt Disney when both men were teenagers working at a Kansas City, Mo., art studio. They would go on to work together at the Disney Brothers Cartoon Studio, where Iwerks designed and animated “Plane Crazy,” the first Mickey Mouse cartoon.

After a stint at his own animation studio, Ub returned to Disney as a special effects engineer, pioneering techniques like the 360-degree motion-picture camera.

“He was absolutely my inspiration because he was technically minded. He made my childhood and formative years one of the greatest times of my life,” Don Iwerks told The Times in 1998.

The Iwerks family moved to the San Fernando Valley in 1936, where Don graduated from Van Nuys High School in 1947.

He served as a photographer in Germany during the Korean War and joined his father at Disney following his 1952 discharge from the U.S. Army. An allergic reaction to chemicals used to develop film led to his transfer to the company’s Studio Machine Shop, where he spent the next 34 years.

Don spent three months in the Bahamas manning underwater cameras for the 1954 Disney film “20,000 Leagues Under the Sea.” He then worked as the camera technician on “A Tour of the West,” an original Tomorrowland attraction at the soon-to-be opened Disneyland. The immersive 360-degree film was shot on the Circarama camera system his father invented.

Together, Don and Ub developed technologies like the “endless loop” system that enabled a single film print to run for up to 10,000 performances with minimal intervention and refinements to the photography processes used in “Mary Poppins” (his favorite of the Disney films) and other movies.

His own hands were used as the model for those of the Abraham Lincoln Audio-Animatronics figure in “Great Moments with Mr. Lincoln,” which opened at Disneyland in 1965. The “Iwerks Hands” now appear on similar figures at Disney parks around the world, according to his family.

In 1986, he co-founded Iwerks Entertainment, which soon became a major player in the film and theme park industries. The company specialized in large-format films and created the 3-D projection system used in the Terminator rides at Universal Studios parks in Hollywood and Florida.

His innovations were honored with the Academy of Motion Picture Arts and Sciences’ honorary Gordon E. Sawyer Award and an Academy Scientific and Technical Award, among other prizes.

“It’s very obvious that computers are playing a big role in motion pictures today. The digital technology in film is able to put elements of scenes together on a film and have them look lifelike. It’s hard to know where that will go,” Iwerks said in a 1998 interview.

“My view is that technology should support a good story and add to it. Technology for technology’s sake?” he said with a shrug. “You still need good films.”

Iwerks is survived by his wife of 54 years, Betty; his sons, Larry and John; John’s wife, Chris; his daughter Leslie, and great-nephew,Mike, both of whom have also worked for Disney, according to an obituary shared by his family. His daughter Tamara preceded him in death.

“Like his father, he was a humble genius, a consummate problem solver, and delighted in sharing knowledge, encouraging others, and approaching every challenge with confidence and grace,” his family said in the statement from Conejo Mountain Funeral Home in Ventura.

Both Don and Ub Iwerks are commemorated in a storefront window on Main Street U.S.A. in Disney World’s Magic Kingdom. Located above the Main Street Bakery, the window is a lasting tribute to a family who made some of the park’s magic possible.

“Iwerks-Iwerks Stereoscopic Cameras,” the lettering reads. “No Two Exactly Alike.”

The bass legend and superproducer Don Was didn’t expect to be covering Curtis Mayfield’s Civil Rights-era anthem “This Is My Country” on the road in 2026. But lately, the chaos in the United States made the song seem regrettably apropos.

“It wasn’t supposed to still feel potent. It was supposed to be something that served a moment,” said Was, who included the defiant single on his 2025 album “Groove In the Face of Adversity.”

“It’s shocking to be here in 2026 and, whatever distance we traveled from 1966 until now, to see it all get reset,” Was said. “That song’s a more powerful statement now than it was then. It was inconceivable that it would still be relevant — this is supposed to be the utopian age of Aquarius. This is not the way it was supposed to turn out.”

Was remembers the tumult, violence and hope that came out of that era in his hometown of Detroit. The city’s music, famed for rough-hewn virtuosity from blues to soul to techno, is the spring that waters “Adversity.” It is, remarkably, the 73-year-old’s first solo album after a career spanning the pioneering electro-pop band Was (Not Was) and deep producer relationships with the Rolling Stones, Bob Dylan and Bonnie Raitt.

He also spent years in Bob Weir & Wolf Bros with the late Grateful Dead founder, and will play from the Dead’s landmark “Blues for Allah” on his tour that stops at Lodge Room on July 7.

With a backing band of studio killers dubbed the Pan-Detroit Ensemble, “Adversity” has an expansive modern atmosphere, yet a lived-in, filament-bulb quality in the playing that carries through funk, jazz, rock and R&B. It’s largely a covers record, but you wouldn’t know it from the depth of the revisions — veering from the Yusef Lateef standard “Nubian Lady” to Hank Williams’ “I Ain’t Got Nothin’ But Time,” closing with funk group Cameo’s “Insane.”

“I’ve been carrying it around in my head for 30 years,” Was said. “This first album to me is really a handshake, a ‘nice to meet you,’ this jambalaya of Detroit sounds.” While much of the source material comes from elsewhere, the cumulative mood is extremely personal to an artist who has spent his life helping the greats find true expression.

“I’ve come to admire artists who are willing to go in deep inside their most personal thoughts for the sake of helping the listener understand their own lives,” he said. “To help them deal with the trauma of being human — especially in these times, man.”

Tops on that list is the late Grateful Dead founder Bob Weir — who died in January at 78 — as a model for a band staying fearless and uncompromising. Was, still heartbroken about the loss of his friend and bandmate, recalled their first time on tour.

“When Bobby called asking me to play bass with the Wolf Bros, I thought at the very least, this is going to be a master class in losing self-consciousness and forgetting about fear,” Was said. “If the band stumbled, the audience wouldn’t walk out. They appreciated the fact that you were trying to do something new for them. Then there’d be a couple moments every night with an incredible exchange between the musicians and you can feel the audience becoming a member of the band.”

Playing the Dead’s “Blues for Allah” on this tour — an LP rooted in Middle Eastern scales, pirouetting time signatures and improvisational telepathy — put him in communion with his old friend.

“I used to think that songs like ‘King Solomon’s Marbles’ were just jams and conversations on the spot. But when we really got into it, there’s a form underneath and you can take tremendous liberty with that form,” Was said.

Was’ production career was built on a similar principle.

His early band Was (Not Was) remains a visionary electro-pop act with subtle, salient politics. “Out Come the Freaks” is a favorite on Pride month dance floors — “If you just wanted to do poppers and dance all night, it worked, and if you wanted to think about the government careening out of control, it worked too,” Was said of the band’s club material.

The late Ozzy Osbourne sang on the band’s international hit “Shake Your Head,” alongside a winking, very game Kim Basinger. The actor was a replacement after Madonna backed out, leaving the proto-rave tune one of the era’s most unlikely collaborations.

He recalled Ozzy fondly. “In 1975, this folk group I was in booked us to open for Black Sabbath at the Toledo Sports Arena, playing for a bunch of 14-year-old white boys on amphetamines,” Was said. “They weren’t having it. I’ve heard the tape of that show, and the drummer was bleeding from being hit by so many bottles that we had to stop playing. That was my first exposure to Ozzy, so I was a little afraid to do the session, but he was up for an adventure.”

Don Was and the Pan-Detroit Ensemble

(Gemma Corfield)

A Stones confidant and producer from 1994’s “Voodoo Lounge” up until 2023’s “Hackney Diamonds” (where Andrew Watt took the helm), Was had nothing but praise for the band, and still admits to a twinge of fandom in their presence.

“There’s never been a day in the studio with the Rolling Stones where I didn’t look around the room and go, ‘Oh my God,’” he said. “I’ve known Mick for over 30 years, but the last time they played L.A. at SoFi Stadium, Mick came walking down that stage and I was like, ‘Wow, there he is, it’s 1965 again.’”

With Dylan, he recalled the mercurial genius’ impish side. “I was producing Dylan, and George Harrison came in to play guitar. Bob was messing with him, Bob pushed the engineer aside and he ran the tape machine. George had never heard the song before, didn’t know what key it was in, and Bob just starts the tape. George played a respectable solo, but clearly it was rough. Bob, just to be funny, stopped the machine and said ‘That’s it, perfect.’ George turns to me and said, ‘What do you think, Don?’ And Bob goes, “Yeah, what do you think, Don?’ I’m looking at these two guys and time slowed down. I remembered trying to sell my car to get a ticket to go to New York to see the Concert for Bangladesh. Now they’re asking me what I think. I was paralyzed.”

“A voice appeared in my head,” he said, “Telling me, ‘He’s not paying you to be a fan.‘ So I said to George, ‘It was good, man. Let’s see if we can beat it.’ You can’t allow the iconography to dictate the outcome in the studio. You have to put that aside.”

As president of Blue Note Records, the estimable jazz label he’s led for more than a decade, Was relentlessly looks forward. He’s released restless modern records by Domi & JD Beck, Fathers, Makaya McCraven and Julian Lage (the hotshot jazz guitarist now playing with Dylan). He’s refreshingly optimistic about challenging music in streaming’s ruthless economy.

“Don’t make music for the delivery system,” Was said. “I don’t think about streaming, I think about touching people. If you do that, nothing has changed fundamentally in the music business. If your purpose is to get under people’s skin and make them feel something, that’s the same job it was for Mozart. How people listen can keep changing, but I don’t think the palette of human emotion changes, and that’s who you’re addressing.”

Was came from a working-class industrial city, making music reflective of Detroit’s technological upheaval and economic neglect. “Adversity” is a beacon to keep playing in spite of everything.

“I think that the salvation of musicians is that no matter what happens, what technological advancements come along, there’s still nothing like the experience of being in the same room as people who are playing together,” Was said. “It’s always been tough, man. It’s harder these days to buy a Ferrari as a musician, but I don’t know that that’s necessary. I have total confidence that the opportunity is there for anybody who is willing to give the audience a meaningful experience.”

Death in Paradise fans shouldn’t miss out on this “beautiful” series while the BBC hit takes a break.

Death in Paradise fans need to watch this “wonderful” show that’s just made its eagerly anticipated comeback.

Death in Paradise is currently on its yearly break from BBC One, leaving dedicated fans desperately searching for something to fill the void left by the beloved cosy crime drama until it returns.

While they wait, viewers could instead tune into the real-life equivalent of Death in Paradise, documentary series Policing Paradise, which returned for its second series today, Monday, June 8.

The programme follows the day-to-day workings of the Bermuda Police Service, capturing both local and British officers patrolling the tropical islands as they juggle police duties with ensuring thousands of tourists remain safe.

What makes Policing Paradise particularly thrilling for Death in Paradise enthusiasts, however, is its connection to two of the beloved drama’s prominent cast members.

The debut series of Policing Paradise, which aired in March 2025, was narrated by none other than Officer Ruby Patterson actress Shyko Amos.

Yet for this fresh second series, it is the Commissioner himself, actor Don Warrington, who has assumed narrating responsibilities.

Policing Paradise season two continues to broadcast Monday to Thursday at 2pm on BBC One, with the opening four episodes now available on BBC iPlayer.

Series one of the documentary is already accessible to stream, with the remainder of the second series anticipated to follow at a later date.

Beyond the day-to-day hurdles of tackling petty crime and managing summer festivals, Policing Paradise also shines a light on various specialist units, including marine patrols, dog handlers and drug-enforcement officers.

Ahead of its return, one enthusiastic fan praised the first series on IMDb, writing: “This show has it all; insightful access to the full range of Bermuda police duties from dog handling to diving, beautifully photographed with great skill, and narrated with tact, wit and affection by Shyko Amos (Ruby, Commissioner Pattersons’ niece from Death In Paradise).”

They continued: “This show is an informative documentary with the bonus of that lovely camerawork with Shykos’ voice-over work deftly remaining appropriate and informed across the wide-ranging situations. More of this please!”

A second viewer agreed: “Great to see all the places we love and very interesting to see how Bermuda is policed.

“Hoping there will be another series to get a bit more about it and see more on wonderful Bermuda. Island paradise in the Atlantic.”

Policing Paradise is available to stream on BBC iPlayer.