Documentaries

Jeremy Spake became a firm favourite on the BBC series Airport, which first aired in 1996, and has since gone on to enjoy a successful media and aviation career before alleging workplace issues

Jeremy Spake, who was first catapulted into the limelight an astonishing 30 years ago on the BBC series Airport, is now almost unrecognisable. The programme, similar to ITV’s own successful Airline, gave viewers a behind-the-scenes look at the daily workings of Heathrow Airport and the aircraft departing from there. Now 56, Jeremy was featured on the show in 1996 during his stint as a ground services manager for Russian airline Aeroflot.

He swiftly became a viewer favourite during his time on the show, which subsequently paved the way for additional television opportunities. He went on to host Toughest Jobs in Britain, a documentary series that followed workers in some of the UK’s most challenging and physically demanding roles, as well as the medical programme City Hospital.

He also authored two books, titled Jeremy’s Airport and The Toughest Job in Britain. Jeremy’s Airport drew from his experiences working at Heathrow, guiding readers through a typical week on the job, while The Toughest Job in Britain saw him reflect on some of the incredibly tough jobs he tackled while presenting the show.

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While pursuing his media career, Jeremy was also steadily ascending the corporate ranks in his day job. Proficient in Russian, Jeremy eventually climbed to the position of services manager for Aeroflot before being promoted to Deputy Director of Isle of Man Airport.

Nevertheless, Jeremy chose to resign from his position at the Isle of Man airport, describing ‘bullying, harassment and mobbing on an almost industrial scale’ via his LinkedIn profile. Reports emerged in 2023 that he was pursuing legal action against the Isle of Man government for personal injuries, alleging damage to his mental wellbeing.

He subsequently fronted a six-episode documentary series aired on the BBC, The Airport: Back In The Skies. The fresh series witnessed Jeremy returning to his roots, reuniting with former colleagues, and examining closely how the sector was recovering following the coronavirus crisis.

Production for The Airport: Back In The Skies kicked off in October 2021, after approximately eighteen months of lockdown measures, travel restrictions, and vaccine passport requirements, while the airport was working to rebuild operations and restore full capacity.

Thankfully, Jeremy has never been one to stand on the sidelines and pitched in by helping to prepare a Boeing 737 for departure and lending a hand to holidaymakers stranded during the turmoil.

The television personality has also released his own audio book, Jeremy’s Airport Audio Book, which recounts the Airport narrative with extra commentary and fresh anecdotes that didn’t feature in the original BBC television programme. Adding another dimension to Jeremy’s repertoire, he now presents daily aviation updates on Instagram, for Air News Daily.

However, Jeremy now has a dramatically different look. His brown hair has disappeared as the star is now completely bald and he has swapped his smart goatee for a clean-shaven look. The website for the channel says: “Jeremy is a seasoned broadcaster and aviation professional with 40 years experience of working with some of the largest airlines and airports around the world and brings his unique insight to every show.”

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The documentary series has been branded a must watch for fans of true crime

A harrowing BBC Two documentary will return to screens with another chilling episode that true crime fans are being urged not to miss.

Forensics: The Real CSI has returned for a brand new series plunging viewers into real life drama as it follows West Midlands Police Force, investigating serious crimes in real time.

In a race against the clock, viewers witness plenty of chaos as officers uncover horrific truths and a sense of urgency in their search for justice. The series also gives a deeper insight into the forensics work that puts together vital evidence during an investigation, with specialised officers often working with little to no evidence.

Branded the perfect watch for fans of 24 Hours in Police Custody, the BBC documentary series returned with a harrowing episode earlier this month, which viewers said left them “shocked”.

Another brutal episode is set to air tonight (March 22) at 9pm on BBC Two. A BBC synopsis reads: “In Cumbria, a 999 call comes in at 1.00: a supermarket cash machine is being broken into by a gang of thieves. They’re working at speed, using high-powered cutting equipment.

“They make their getaway before the police arrive, taking thousands of pounds. It’s the second cash machine in the county targeted in 24 hours.”

It continues: “Seventy miles away, reports of the Cumbrian raids are shared with a specialist West Midlands Police task force who have been chasing a prolific gang of organised criminals suspected of attacking cash machines around the country.

“Their method of breaking into the machines using specialist machinery known as the ‘jaws of life’ has led to them being named the JOL Gang.

“While the task force gathers intelligence in the West Midlands, Cumbria Police takes the lead on forensics. The investigation becomes more urgent when there’s a third attack in Cumbria.”

Taking to social media, one viewer described it as a “brilliant series”. Commenting on last week’s instalment, one viewer said: “Have you watched the latest The Real CSI episode 2 it’s brutal.”

A third added: “Forensics is absolutely fascinating.” One person said the new instalments had their “blood boiling”.

Previously, West Midlands Police promoted the harrowing series as one viewer commented: “I watched it last night. It was very eye opening. The forensics and camera and phone tracking and hacking were brilliant.”

Another said: “Just watched, truly disturbing.” A third added: “Best programme on the t.v, it’s scary the number of teenagers carry knives need to get them off the streets”

A fourth penned: “Easily the best programme on the tv at the moment. The work that the forensic experts do to bring a criminal to justice is unreal.”

Forensics: The Real CSI returns tonight at 9pm on BBC Two.

The TikTok Killer is currently streaming on Netflix and tells the shocking case of the murder of Esther Estepa, 42, and how the social media platform helped piece the tragedy together

Netflix’s chilling true crime documentary The TikTok Killer tells the horrifying story of 42-year-old Esther Estepa, whose final days were pieced together through TikTok videos, messages, and digital clues. It’s the kind of nightmare ripped straight from a thriller film – but Netflix ’s chilling true-crime documentary The TikTok Killer tells a story that is horrifyingly real.

The two-part series explores the murder of 42-year-old Esther Estepa – and the suspect at the centre of it, convicted killer-turned-TikTok influencer José Jurado Montilla. What unfolds is a disturbing case of deception, digital footprints and a man who appeared to be hiding in plain sight.

At the heart of the story is Esther – a free spirit with a love of travel. Raised in Seville, she left her hometown in 2013 to “spread her wings,” living a nomadic lifestyle across Spain while remaining incredibly close to her family – especially her mother, Josefa “Pepa” Pérez. They spoke every single day.

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By 2022, Esther was trying to rebuild her life after leaving an allegedly abusive relationship. For a time, she stayed in women’s shelters across Spain, determined to start again. In August 2023, Esther met Montilla.

According to his account, the pair met at a hostel in Alicante and bonded over their shared nomadic lifestyle. They travelled together along Spain’s east coast, hiking for days and eventually reaching Gandía, near Valencia, around August 20.

He claimed their hiking journey ended when Esther became unwell, suffering from a swollen leg and severe headache, and that he accompanied her to a health centre before she left to meet friends. He insisted that was the last time he saw her.

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On August 23, 2023, Esther’s mother received a string of bizarre WhatsApp messages. The texts claimed Esther was broke, living on the streets in Argentina and planning a new life in Buenos Aires. But Pepa immediately sensed something was wrong.

“She didn’t have any friends there,” she says in the documentary. “It made me doubt that it was her writing it.” When she tried to call, Esther’s phone went straight to voicemail.

Even more chillingly, Esther had left behind her beloved dogs – something her family insist she would never have done voluntarily. Suspicious and frightened, Pepa demanded a voice note; otherwise, she would go to the police. None came.

After that, contact stopped completely. On August 26, Esther was officially reported missing. Then came the phone call that would change everything. Out of the blue, Montilla contacted Esther’s family, claiming he last saw her on August 21 when she left to meet friends for a job in Castellón.

But instead of stepping back, he did something deeply unsettling. He kept calling. Asking about the investigation. And, most bizarrely of all, he began retracing their journey – posting videos about it on TikTok.

To Esther’s family, alarm bells rang. What ultimately began to shift the case was something distinctly modern. Investigators began analysing Esther’s digital footprint, alongside Montilla’s own online activity. TikTok videos, messages and geolocation data allowed police to reconstruct her final movements in remarkable detail.

Crucially, his own posts placed him with Esther – effectively documenting key moments himself. Director Héctor Muniente describes becoming transfixed by the footage, noting Montilla’s ability to switch emotions instantly – from warm and engaging to cold and detached.

“It feels like watching psychopathy unfold in real time,” he suggests. For months, the case appeared to go cold. Then came a grim breakthrough.

Partial human remains – including a skull – were first discovered in a remote area near Gandía, close to Bairén Castle and a canal junction in February 2024. At the time, their identity was unknown.

It wasn’t until June 21, 2024, when further remains were found in the same location, that the full horror became clear. DNA testing later confirmed they belonged to Esther Estepa. Medical experts concluded she had died from blunt force trauma to the head.

As suspicion grew, a far darker picture of Montilla emerged. The man who had presented himself as a reflective travel influencer had, in fact, spent decades behind bars for a string of brutal killings in the 1980s in the Málaga region.

Between 1985 and 1987, he carried out four murders. For these crimes, he was sentenced to 123 years in prison. However, he was released in December 2013 after serving 28 years, following a European Court of Human Rights ruling on Spain’s “Parot Doctrine,” which changed how sentencing reductions were applied.

By the time Esther’s remains were identified, Montilla was already in custody. He had been arrested in connection with the murder of a 21-year-old student in Málaga, who was found shot in the back and neck on a family farm. DNA found on the victim’s backpack ultimately linked back to his family tree.

Prosecutors now allege that evidence recovered from his phone connects him to Esther’s assault and murder, including chilling photos and videos of a woman’s body hidden inside a sleeping bag in a remote field.

Despite this, he denies any involvement. Investigators also relied heavily on digital evidence throughout the case – not just Esther’s data, but Montilla’s own social media activity, which helped place him with her.

As of March 2026, José Jurado Montilla remains behind bars in Spain, awaiting trial for the murders of Esther Estepa and a 21-year-old man in Málaga — allegations he continues to deny.

It is a case study in manipulation — and a chilling warning about trusting online personas. A man who appeared calm, reflective and charismatic on screen, while allegedly committing acts of extreme violence, and someone who built a false, carefully curated online identity.

Perhaps the most unsettling aspect of The TikTok Killer is how ordinary everything appeared on the surface. He wasn’t hiding. He was posting videos. Gaining followers. Telling stories. All the while, investigators allege, concealing a far darker reality.

For Esther’s loved ones, this is more than a documentary. It’s a fight for answers. They became investigators themselves – analysing footage, tracking movements and refusing to let her story disappear.

But questions remain. What really happened in those final hours? And could there be more victims? Because while José Jurado Montilla documented his journey online, Esther Estepa was unknowingly living out her final days.

And for her family, the truth that followed was more devastating than they could ever have imagined.

The TikTok killer is available to stream on Netflix now.

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Some viewers have dubbed the new documentary a ‘wake up call’

A brand new documentary just added to Netflix has been dubbed a “wake up call” by terrified viewers.

The Plastic Detox arrived on the streaming service just this week, exploring the impact of exposure to everyday plastic items such as clothing fibres, cosmetics and kitchen tools on human health and fertility.

The feature-length film centres around six couples who are all trying for a baby. They all have one thing in common: they have been unable to conceive, with some of the pairs having spent years trying unsuccessfully to make it happen.

They are tasked with lowering their exposure to plastics over the course of three months supported by scientists and researchers to see if doing so can turn their fortunes around.

Netflix’s official synopsis reads: “Strange symptoms. Unexplained infertility. Human extinction? Six couples cut back on plastics while trying to conceive in this absorbing documentary.” The film is directed by Louie Psihoyos who was behind 2024 Netflix documentary, You Are What You Eat: A Twin Experiment.

Viewers have been quick to flood social media with their first thoughts about the documentary, with one warning fellow viewers: “I was not prepared to be so enraged and also disgusted. So many chemicals. In everything. All the time. Just watch at your own risk.”

A second said: “Everyone needs to watch this. It’s a wake-up call,” as a third remarked: “I just made the grave mistake of watching The Plastic Detox on Netflix and that was a mistake. I mean, it wasn’t, but it was. I would not recommend if you’re a spiraller… because, wow.”

Environmental and reproductive epidemiologist Dr Shanna Swan who appears in the documentary, told Netflix’s Tudum: “I think it empowers people to know that they can do things to protect themselves, at least if not completely, to a large extent.

“And that’s what the film really shows — when these couples took action and reduced their exposure, they saw differences.”

At time of writing, it has been revealed that three of the six couples that took part in the experiment have since gone on to become pregnant. One of the couples, Monique and Bruno, are actually expecting their second baby at the end of this month.

As well as seeing a difference in fertility, the couple shared that they had seen a huge impact in their overall health too. They shared with Tudum: “We sleep better, our skin is less dry, and Bruno’s extreme eczema has decreased considerably.”

The Plastic Detox is now available to stream on Netflix.

Fronted by James Blake, the hour-long film exposes a heartbreaking side to the manosphere’s influence

Louis Theroux’s deep dive into the manosphere is officially the most-watched film on Netflix right now, with the documentary lifting the lid on the lives of some of the most well-known content creators in the space.

The respected documentary-maker meets influencers across Miami, New York and Marbella who all have amassed huge online followings by promoting an uber-macho way of life. Among those he meets is Fresh and Fit Podcast host Myron Gaines, who has carved out a niche humiliating female adult content creators on his show.

Louis also shadows streamer Harrison Sullivan who goes by the moniker HS Tikky Tokky and has developed a following for his fitness , dating and finance content. When viewers meet him in the film, he has half a million followers on Telegram alone who are consuming his tips on how to make a quick buck, though Louis finds little success with his own £500 investment.

However, months before Louis made his documentary on the topic, TV presenter James Blake fronted one for the BBC titled Men of the Manosphere. Rather than focus on the loudest voices in the space and give them an even bigger platform, he met three young men based in the UK and Northern Ireland who had been taken in by the manosphere’s messaging.

It makes for a heartbreaking watch, showing how the words of manosphere influencers can have dangerous consequences for those that buy in to it all. Rather than stoke fury and anger at the subjects on screen, it encourages tenderness, kindness and understanding in the face of horror.

Sam, an isolated 16-year-old is one of the subjects in the film. He admits he has swapped real-life friendships for an online community made up of like-minded males all seeking self-improvement.

One of these boys is a 17-year-old from the US named Vincent, who Sam says is his best friend, despite never having met in person. He shows Vincent’s attempts at making his own YouTube videos, in which he tells his viewers: “You should do things that hurt every single day because that’s what makes you grow. You should hate your body so that you have the motivation to get nice and strong.”

Elsewhere in the film, James also meets university graduate Shayne, from Liverpool, who struggles to feel secure in his relationships and finds solace in the ‘red pill’. Meanwhile builder Jack, from Northern Ireland, is chasing discipline, status and direction when James meets him.

Documentary host James said his film was about “understanding”, and this is clear from the opening minutes. His calm approach and genuine curiosity results in some fascinating – and deeply disturbing – revelations from his interview subjects, with the consequences of the manosphere’s insidious messaging laid out plainly for all to see.

Men of the Manosphere is now available to stream on BBC iPlayer.

A new documentary has been announced by 5, revealing the devastating impact of a crime that shook two continents

A chilling documentary has been confirmed after a devastating crime, and it will likely leave fans in tears.

5 has announced a compelling two-part documentary series, Trial By Jury: The Killing of Claire Leveque, which offers exclusive access to the murder trial at the Edinburgh High Court that followed the tragic death of the 24-year-old Canadian. The series will also feature Claire’s family as they faced the “harrowing” days of the trial and beyond.

Claire was brutally killed by her boyfriend while living on the Shetland Islands in 2023. Filmed with rare in-court camera access, granted by the Lord Justice General, the chilling events surrounding Claire’s murder will be examined across two hour-long episodes.

The instalments will reveal the “horrific details that shook a close-knit island community in Shetland and left a family in North America heartbroken.”

The case also highlights the profound toll of intimate partners violence, and the challenges of uncovering domestic abuse in rural areas.

Using a fixed in-court rig, Trial By Jury follows the eight-day trial that led to a unanimous guilty verdict and a life sentence with a minimum term of 25 years for Claire’s boyfriend, Aren Pearson.

Judge Lord Arthurson previously described the crime as “a sustained episode of feral butchery”, while paying tribute to the “dignity and restraint” shown by Claire’s family, who travelled from Canada to attend every day of proceedings.

A synopsis for the documentary reads: “From Claire’s small Canadian hometown to the windswept Shetland village where she lived in near-isolation, the documentary pieces together her final months through testimony, archive footage and investigative reporting.

“The series also follows [Claire’s father] Clint and his fiancée, Jenny, as they make an emotional journey to the island to confront their grief.”

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In a statement, Claire’s heartbroken dad, Clint, said: “My little girl was stolen from me. I’ll never get to hug her again, hear her laugh or see her smile. I’ll never see the woman she would have become. She’ll never have the chance to be a mother or grandmother, or to know the love a parent has for their child and know that is the love I have for her.”

Gary Davies, consultant editor for commissioning at 5, added: “This thoughtful series gives a deeply human account of an unimaginable tragedy. It shines a light on the justice process and honours the courage of Claire’s family as they seek truth and remembrance.”

Mark Procter, executive producer for Big Little Fish, echoed the sentiment, saying: “We are profoundly grateful to the Judicial Office for Scotland and to everyone who enabled our access to the trial.

“Above all, we are honoured that the Leveque family have entrusted us to document what happened to Claire. We hope this series serves as a respectful tribute – giving her the voice that was so cruelly taken from her.”

Trial By Jury: The Killing of Claire Leveque will be released on 5

If you’ve been affected by any of the issues raised in this story, organisations including Refuge, New Beginnings Peer Support and Women’s Aid can provide further support and information. The 24-hour, freephone National Domestic Abuse Helpline is 0808 2000 247

The brutal episode will plunge viewers into another chilling investigation

A chilling new episode of a harrowing true crime documentary will be released tonight.

Viewers are once again plunged into a race against time as Forensics: The Real CSI’s brand new series continues, giving fans an unprecedented insight into a local police force. Focusing on the forensic evidence gathered in the search for justice, the documentary, now in its sixth series, has been branded the perfect watch for fans of true crime.

Plunging viewers into complex investigations and searches within the West Midlands Police Force, another brand new episode is set to air tonight (March 15) at 9pm on BBC2 with yet another chilling case.

Tonight’s instalment will investigate a harrowing phone call where one teenage girl calls 999 to say her friend has been attacked as his life hangs in the balance.

A BBC synopsis reads: “It’s the early hours of the morning when a frantic teenage girl calls 999 to say that her friend has been attacked and stabbed in a car park. Police rush to the scene, where they find a 16-year-old boy with a life-threatening stab wound to his stomach.

“While his life hangs in the balance, the case is escalated to West Midlands Police’s homicide team, and forensic investigators get to work. They discover two discarded weapons at the scene – a kitchen knife and a machete.”

The episode will also be available to stream on BBC iPlayer shortly after broadcast, with other instalments also available to stream online.

Titled Ambush in the Car Park, the upcoming episode marks the third instalment within the new series, with viewers having to wait every week for new episodes to be released.

Previously, viewers have witnessed a brutal attack in a public phone box with investigators searching for evidence, as well as a young boy who was fatally stabbed on his way home from school with police suspecting a 14 year old, but needing forensic proof.

Viewers claimed the new series has broadcast the “worst” episodes yet, with one saying last week’s instalment was “absolutely shocking”.

Another described the latest series as “unbelievable” as a third said they were “speechless”. A fourth added: “Made me feel sick.”

Spanning across six seasons, the BBC documentary has been branded as the “best ever”, becoming a firm favourite amongst true crime fans.

Taking to TikTok, one true crime fan said the upcoming series was a must watch, adding: “I love this show… they’re really interesting. Some of them are quite brutal what you see.”

One person commented: “Real CSI is my most favourite programme I’ve watched every single series.” Another wrote: “Been waiting so long for a new series.” A third added: “Forensics is one of the best documentaries.”

Forensics: The Real CSI airs tonight at 9pm on BBC Two. For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

For years, Magaluf has been a go-to party resort for Brits seeking fun in the sun. But a darker side to the tourist spot has emerged, with reports of spiked drinks, sexual assaults, and rape

With the promise of sun, sand, booze, and parties, Magaluf is a major party resort – but beneath it hides a dark underbelly. Popular amongst a younger demographic, it’s been seen to epitomise a typical ‘lads holiday’ or girls’ trip abroad, with tens of thousands of British 18 to 30-year-olds flocking there each summer.

Dubbed ‘Shagaluf’, alcohol-sodden tourists descend on the ‘strip’ in their droves, lured through the promise of cheap accommodation, cheap booze, and no-strings sex. However, it hides a seedier scene where vulnerable young girls are being exploited – duped into drinking too much and pressured into sex acts.

In 2014, viral mobile phone footage showed a British 18-year-old giving oral sex to 24 men on a Carnage Magaluf pub crawl, egged on by a DJ who called her a ‘slag’. The ‘prize’ was a free drink. In the horrifying video obtained by our newspaper, the vile music host is seen shouting: “This is Carnage and this is what we do” as a no-holds-barred sex act takes place in the middle of a bar. When the girl appears to stop, the DJ – who has a Geordie accent – bellows: “You little sl*g, stop f****** about. This is Carnage and this is what we do. We need to see someone get b*nged here don’t we? Who wants to see someone get sh**ged?”

And this week, eight men were jailed after a British teenager was filmed being gang-raped at a hotel in Magaluf. The accused, seven French nationals and one man from Sweden, subjected the 18-year-old to a sickening attack in at the BH Mallorca Resort on August 14, 2023.

The men agreed to plead guilty in exchange for reduced sentences. The five rapists accepted jail terms of nine to 11 years for sexual assault, with three receiving higher prison sentences because they repeated their crimes. The three men who didn’t take part in the sex attack but filmed it were handed prison sentences of two years and three months.

Reports at the time said three of the suspects had met the girl hours earlier while partying in Magaluf. After sexually attacking her, one went out into the hotel corridor to encourage strangers returning from their own night out to have ‘free sex’ with her.

“There, the accused men, during approximately half an hour, aware of the semi-conscious state the young woman was in and at one point seeing she had fallen in a state of unconsciousness, and taking advantage of the closed room she had been taken into, stripped her naked leaving her with only her bra on,” a 14-page indictment laying out the public prosecution case read.

“They then carried out different sexual acts on her, acting by common consent and without her consent.” The indictment further detailed how the woman had been raped, spat on, and “hit and smacked”.

“The accused men, each one with a mobile phone, throughout the actions previously described, recorded several videos focusing on the young woman’s private parts in which they appeared forcing her to to carry out sexual acts,” it added. One of the suspects was accused of filming 14 videos lasting 170 seconds, and another of filming five videos lasting 142 seconds.

Sadly, it’s not an unusual story. The dark underbelly of Magaluf was explored in the 2024 Channel 4 documentary Magaluf Undercover: Predators and Parties. It followed journalists Ellie Flynn and Emily Birtley as they went undercover for three nights, posing as drunk or vulnerable tourists to expose the predatory behaviour on the strip, in clubs, and on the beach.

In one instance, footage saw Ellie pretend to be drunk and slump on a sun lounger before being approached by two men. One asks: “Are you good? Do you want to talk for a little bit?” When she replies, “I’m good”, he continues to bombard her, saying: “You are my last chance, do you want to kiss a little bit?”

Ellie tells him “No”, and secret cameras, hidden around the lounger, show the man walking away. But instead of leaving, he goes to recruit another man. “She’s completely wasted,” he tells him in Spanish, before calling out “Let’s go for it.” A third man then moves in beside Ellie on the sun lounger saying: “If you want, I can keep you company.”

Reflecting on the encounter, Ellie said: “The arrival of the third male ­startled and genuinely scared me. I had seen the first two together, but the sudden appearance of another – and having no idea at the time if they were together – was enough for me to signal security to get me out.

“I leave the beach upset and frightened, feeling like I’ve experienced an orchestrated attempt to target drunk women alone on a night out in Magaluf. Shockingly, this was not an ­isolated incident, but a pattern that emerged across my three nights in the resort town.”

Another young woman, meanwhile, said she ended up alone on the beach after her drink was spiked. “I just started to feel worse and worse. I could barely speak, I could barely walk,” she said.

We spoke to Ellie about the latest arrest of the eight men – and the dangers that women can face abroad. She told the Mirror: “It’s just so horrifying, isn’t it? I guess first impressions are just, I’m so, so sorry for that girl, what she’s been through.

“I think having been on these holidays when I was younger myself – I went to Magaluf when I was younger – and similar places, I think I really understand some of the problematic culture there.

“I think that these holidays, unfortunately, can create a breeding ground for this kind of behaviour, because you have young people who are particularly vulnerable, perhaps away from home for the first time, with their friends, trying to have a good time, drinking, trying to party.

“And unfortunately, there are predatory people there who are looking to take advantage of those vulnerabilities. I think what’s so shocking about this case [is that] it’s not even the first or the only one of these kind of horrific group rapes. It says so much, I think, about this toxic culture that eight people got involved with that.”

Dr Charlotte Proudman, a barrister and academic who specialises in women’s rights, echoes these concerns, and believes the problem has been fuelled by the so-called ‘manosphere’ – an online space that often champions masculinity to the extreme. The online space includes content creators with huge followings, such as HS Tikky Tokky, who promote the ideals of masculinity – and even misogyny – via YouTube videos and podcasts.

“What we are seeing in places like Magaluf is the collision of toxic online misogyny with a holiday culture of excess, where alcohol, group dynamics and anonymity embolden some men to act with shocking entitlement towards women’s bodies,” she tells The Mirror.

“The influence of the ‘manosphere’ has normalised the dehumanisation of women and the idea that sexual aggression is a form of male bonding or status,” Dr Proudman explains. “The fact that some perpetrators even film these attacks is profoundly disturbing; it shows that for some men, sexual violence is not only committed but performed for an audience for entertainment.

“This is not about lowered inhibitions on holiday, it is about a culture that still allows misogyny and sexual violence to be trivialised, excused and, in some cases, celebrated.”

Indeed, an independent survey undertaken as part of the documentary exposed disturbing levels of predatory behaviour and sexual abuse – primarily toward women – on party holidays. The survey, which asked over 500 men and women aged 18 to 35 about their experience on party holidays, revealed:

• Almost of quarter of those surveyed said they’d experienced sexual assault with almost 1 in 10 women reporting experience of a sex act – including rape – without consent
• Nearly 35 percent of women reported unwanted sexual touching whilst on a party holiday
• 1 in 5 of the men surveyed admitting to touching a stranger in an intimate area without their consent
• More than 30 percent of the men surveyed admitted they had kissed someone without their consent during a night out on holiday
• Nearly a quarter of men believed that someone dancing or standing alone indicated they were looking for a sexual partner
• 33 percent of the women reported they had been followed whilst on holiday
• Nearly 40 percent of women surveyed felt that they had been taken advantage of whilst being alone on a party holiday
• More than 1 in 4 of the men believed that someone chatting to them on a night out meant that person wanted to be sexually intimate with them

In an effort to take control back on the streets of Magaluf, the government passed a new law in January 2020 to target “tourism of excesses and for the improvement of quality in tourist zones”.

At the time of the approval of the decree, Balearic tourism minister Iago Negueruela stated that it represented “one more commitment to a sustainable tourism of quality” and that it was part of “the fight against anti-social behaviour caused by excessive consumption of alcohol”.

Key rules include a six-drink limit per day for all-inclusive guests, a ban on shop alcohol sales between 9:30 PM and 8 AM, and prohibitions on pub crawls. There are also fines for being topless and naked in public, and the police presence has increased.

Ellie added that “it’s really hard to imagine and it’s horrifying” that one of the men went into the corridor and offered ‘free sex’ with the teenager, saying: “It’s almost difficult to um comprehend that anybody would respond to that in any way other than calling the police.

“I think it’s really symptomatic of how dangerous these holidays or these kind of environments can be, not just for women but you know mostly for young women.

“What I find the most shocking about it is the fact that they were, it’s such a bleak fact that this group of men who did not know each other, thought that this was something they would get involved in and I think that it shows how pervasive this kind of this culture of abuse of women is because you know in that environment people were willing to get involved in the most horrific crime.

“There’s something about these holidays, I think, where hedonism and abuse, the lines become so blurred and I think that people kind of go in with these attitudes of wanting to have sex, wanting to meet people, and unfortunately what we see in a society where, like, women are systematically abused and often used for kind of male gratification is this blurring of lines between sort of hedonism and trying to have fun and then really really serious abuse.”

When making her own documentary and surveying holidaymakers, Ellie noted, “a huge percentage of the men that we surveyed thought that someone standing near you was an indication that they might be interested in sex”. She added, “it was so shocking and I think there is this assumption that if you are on these holidays, if you’re out with your friends having a good time, having a drink that somehow that that makes you you know constantly available for sex – you know even if you’re unconscious”. Een if someone is “showing no signs at all that is what you want, there are people out there who will take advantage of the fact that you that you were just there”.

She added, “That was what really shocked me about the documentary,” pointing out that some people responded to the documentary in bizarre ways, “there were people who were replying to me on Instagram who were like, ‘Well you know, why would you go somewhere like Magaluf if you weren’t prepared to experience something like that?’ And I think it shows that we have such a long way to go in terms of actually stopping Violence against women and girls.”

Discussing the algorithmic silos that see totally different conversations about gender, sexual violence, and abuse taking place at once, Ellie said: “We’ve never seen a further divide between young men and young women and their views and their experiences.

“And there was a period in time where I think it felt like things were moving in the right direction. You know, we were taking women seriously, and we were listening to their stories and we were, saying all the right things to try and combat violence against women and girls and stop this kind of insidious abuse, but you know at the same time you have the rise of, you know, certain influencers and the manosphere and this kind of narrative that young boys are isolated and don’t know how to treat girls and are scared of kind of making any approaches, and and we have these kind of two conversations happening simultaneously and taking people down in completely different directions and I think that is where things are now particularly concerning.”

She added that “on one side you have young men,” hearing one message and “almost being justified in some cases in the abuse of women and in this mistreatment of women and in degrading women, because there are people, there are high profile figures, who have made them feel like it’s okay to do that.”

Ellie continued, “It’s clear that we need to be having conversations that include both sides of this argument.” She adds, “I have two sons and I don’t want them to grow up feeling like they are inherently bad because they are male, that’s not true, and I think that somewhere along the way that’s a narrative that some young boys have learned to believe, and so things have gone wrong in a sense that things have gone that way, but also ignoring the very real epidemic of violence against women and girls and highlighting those issues isn’t the answer. We should be able to do both at the same time.”

The BBC war drama depicts a fictional nuclear attack on Britain by Russia and its devastating aftermath – and was so disturbing it was banned from broadcast for two decades

In the face of escalating conflicts worldwide – from the intensifying US-Israel joint operation against Iran in the Middle East, Israel’s ongoing war on Gaza following Hamas’ October 2023 attack, to the four-year-long Russia-Ukraine war still in progress – it’s no exaggeration to say we’re witnessing a catastrophic level of global unrest.

Amidst this turmoil, the looming threat of nuclear warfare is ever-present. The aftermath of such a conflict would bring about unimaginable destruction and devastation – the fallout is too horrific to contemplate.

This chilling scenario was portrayed in a BBC documentary from 1965, a film so disturbing it was banned from television broadcast for two decades by the British Broadcasting Corporation itself.

At the time, the corporation justified its decision to prohibit the documentary, stating: “The effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting. It will, however, be shown to invited audiences..”

The controversial pseudo-documentary finally aired in Great Britain on 31 July 1985, twenty years after its initial scheduled screening date of 6 October 1965. This broadcast coincided with the week leading up to the 40th anniversary of the Hiroshima bombing, reports the Express.

The War Game is currently available for free streaming on BBC iPlayer or can be bought for £5.99 on Amazon Prime Video.

Written, directed and produced by Peter Watkins for the BBC, The War Game depicted a fictional nuclear strike on Britain by the Soviets and its devastating consequences.

The docu-film’s official synopsis states: “In this British documentary, a hypothetical Chinese invasion of South Vietnam triggers a new world war between East and West. In the town of Rochester, Kent, the anticipation of a nuclear attack leads to mass evacuations.

When a stray missile actually explodes, the ensuing firestorm blinds all those who see it. It’s not long before the fabric of society is ripped apart owing to radiation poisoning, a lack of infrastructure and rioting for food and other necessities.”

On 13 April 1966, The War Game had its premiere at the National Film Theatre in London, where it screened until 3 May. Barred from broadcast, the 47-minute docu-drama subsequently appeared at numerous international film festivals, including Venice, where it secured the Special Prize.

The recognition continued – the prohibited BBC production went on to claim the Academy Award for Best Documentary Feature in 1967, alongside two BAFTAs for Best Short Film and the UN Award.

Boasting a near-flawless 93% approval rating on review aggregator site Rotten Tomatoes, The War Game has earned widespread acclaim from critics and viewers.

One reviewer commented on the docu-drama: “Nothing that you have heard or read can fully prepare you for Peter Watkins’ 1965 faux documentary on the aftermath of a nuclear attack on Great Britain.”

Another reviewer added: “One of the most disturbing, overwhelming, and downright important films ever produced.”

A third critic described it as essential viewing, noting: “It was produced by the British Broadcasting Corp. but never televised because it was felt its showing would be both horrifying and depressing. It is. It also is realistic, informative and shattering. It is a movie that everyone should see.”

Whilst one critic said: “Still packs a whallop. Will stick with you for life. Don’t say I didn’t warn you,” another commented on the nuclear war drama, “One of the most skillful documentary films ever made.”

Viewer reactions mirror this sentiment, with one audience member writing in an extensive review: “The War Game, although created as a TV movie for the BBC for the 20th anniversary of the bombing of Hiroshima and Nagasaki, is easily the one of the most disturbing movies I have ever seen, on par only with Gus van Sant’s “Elephant. ” It accurately portrays the effects and aftermath of a nuclear attack and uses a handheld documentary style that makes everything chillingly real.

“There were several times during the film when I had to remind myself that Britain had never suffered a nuclear attack and the footage I was looking at was not real. There are very few films that have left me in the state that this one did when it was over. Much like “Schindler’s List” or “American History X,” this is the kind of movie I think everyone should watch because it is so incredibly informative and brings the viewer so much closer to understanding the pain and monstrosity of a nuclear attack.”

Another viewer described it as: “A harrowing punch in the gut that nothing prepared me for. Unforgettable.”

Meanwhile, one audience member remarked about Watkins’ drama: “Really shook me up and left me reeling for a while after seeing it. Peter Watkins ruined my 3 day weekend with this masterfully done piece of film. Needs to be required viewing for every being capable of understanding images and sound.”

The War Game can be streamed free of charge on BBC iPlayer until July 2026, or purchased for £5.99 through Amazon Prime Video.

It is based on a true story but some find it difficult to watch

An award winning and 100% rated drama that ended up causing controversy at the BAFTA ceremony has just been added to Netflix.

I Swear has just been included on the streamer’s extensive library as of today (March 10). Originally released in cinemas for a limited run just last year, the title tells the true life story of John Davidson, who grew up with Tourette syndrome in 1980s Scotland.

According to the synopsis, he was diagnosed at just 15 and was targeted as ‘insane’ by his peers. The film shows how he struggled with a condition few had witnessed.

He eventually becomes a campaigner to increase public awareness and fighting for acceptance of the condition of Tourette’s as an adult. He finds his life’s purpose and accepted his MBE from the Queen in 2019.

While the film is a dramatised version of John’s life, he has appeared in documentaries before. He starred in a BBC film back in 1988 and a documentary released in 2009 called I Swear I Can’t Help It.

The biopic was welcomed with overwhelmingly positive reviews by critics upon its release. So much so that it boasts a perfect 100% rating on website Rotten Tomatoes.

However, more recently the film’s subject was attached with some controversy. While leading man Robert Aramayo picked up the BAFTA for Best Actor thanks to his performance, it was not the most talked about event of the night.

The subject of the film John Davidson was also in attendance on the night. His presence became apparent by those watching along from home at first as they heard some shouting during the show.

Actor and host of The Traitors US Alan Cumming was presenting and he asked for patience from the audience at the time. He told them during the show: “You may have noticed some strong language in the background. This can be part of how Tourette’s syndrome shows up for some people as the film explores that experience. Thanks for your understanding and helping create a respectful space for everyone.”

However, in one instance, while actors Michael B Jordan and Delroy Lindo were on the stage, a racial slur was shouted out by John and included on the BBC’s broadcast. It eventually lead to the stream of the awards ceremony being removed from the iPlayer.

In an interview after the Baftas, Davidson has said the BBC should have “worked harder to prevent anything that I said” being broadcast. He added that he shouted about 10 different offensive words during Sunday’s ceremony as a result of his tics.

Some have argued that the incident only highlights the importance of the film itself. As one person posted online: “I Swear is an audacious biopic that has no issues tackling the roots of a serious topic, and its dedication to that task does lead to some scenes that will certainly be upsetting to some viewers.”

Another added: “Robert Aramayo delivers a fearless, deeply human performance in this compassionate biopic. I Swear balances humour and heartbreak while shedding light on Tourette syndrome, reminding us how much empathy society still owes.”

While a third commented: “Honestly I left the cinema seriously thinking if I’d ever seen a better movie! It’s so perfect from the casting to the time jumps. It’s a beautiful written story that really captures the essence of what it is to be different and how hard it must be to live with Tourette’s. Several goosebumps moments with a lot of humour!”

Someone else said: “This is a fabulous film which made me laugh and cry in equal measure. It captured the difficulties and complexities of living with Tourette’s syndrome with a startling level of authenticity. The acting was superb and I came out realising that I’d seen something very special. I’ll be thinking about it for weeks.”

I Swear is streaming on Netflix.

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Louis Theroux has spoken to key male influencers on social media in the Manosphere for new Netflix project

As a concerned father-of-three, Louis Theroux has admitted he doesn’t know what his own kids are looking at online half the time. So this might explain why he has got involved with male content creators online, with millions of followers, who are part of what is dubbed “The Manosphere” for his new documentary.

Louis says: “These aren’t figures on the margins – anyone who’s got kids, and especially boys, will know that they are making inroads into the culture. Their influence is being felt in schools, in the workplace and all across the internet.

“Going back to the earliest days of my programmes I’ve always been interested in the taboo and people who believe things which run against the grain of values I’ve grown up with. Those in the manosphere embody a swaggering machismo that is by turns misogynistic, homophobic, antisemitic and racist. So there’s a whole bunch of red flags there which I find interesting.”

TV host Louis, 55, starts the Netflix documentary by saying he noticed a few years ago “parts of the internet were being taken over” by a collection of male influencers who claim to give young men “cheat codes to win at life”.

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Asked about his own sons and what they are watching, Louis replies honestly: “I think as a parent you hope that your influence will outweigh whatever they’re being fed online, but truthfully they probably spend more hours looking at their phones than they do talking to us and we don’t always know what they’re looking at.”

In his 90-minute film, Louis explores how key figures, including Harrison Sullivan (known online as HSTikkyTokky), Myron Gaines, Nicolas Kenn De Balinthazy (AKA Sneako), Justin Waller and Ed Matthews, are helping to reshape young men’s ideas about masculinity and fuelling a resurgent global men’s rights movement.

Louis immerses himself in their world, encountering prominent figures within the movement, each presenting their own interpretations of traditional gender roles and values.

Sullivan, 24, was handed a one-year suspended prison sentence at Staines Magistrates’ Court in November last year after pleading guilty to dangerous driving and driving without insurance.

He has also been disqualified from driving for two years. Asked what his message is, he tells Louis: “I coach boys how to be f**king boys, how to make money, how to be outside the system, how to not have a boss telling you want to do.

“I teach guys to be proper boys and not gimps that walk around in the modern world.”

These men online have similar ideas to those of influencer Andrew Tate, a self-proclaimed misogynist.

A 2025 YouGov poll suggested one in eight Gen Z men (aged 14-29) had a “favourable view” of Andrew Tate, one of the leading figures of the manosphere, while more than one in three believed misandry – hatred or discrimination against men – was widespread in the UK.

Sounding worried about their impact, Louis said: “It was my kids who first made me aware of Andrew Tate – it would have been around 2022 and they kept referencing him and what he was saying – I had no idea who he was. Four years later, he’s still got cultural influence because he has millions of hours of content sitting out there for people to discover.

“As a parent I’m obviously concerned about the impact that that has, and it would be easy to say; ‘oh well, they don’t take it too seriously’, which a lot of the time I think they don’t, but at a certain point, a joke is no longer a joke – especially when it’s unchallenged and repeated. So we try to stay on top of what they’re watching and try to have conversations with them about it, but it’s hard.”

Louis encounters difficulties in the film which see the male influencers film him for their own social media and subject him to abuse and questions they receive from their followers whilst streaming footage live. It leads to Louis being abused about his previous documentary with the late Jimmy Savile.

He also witnesses homophobic behaviour by HSTikkyTokky whilst Myron Gaines speaks in front of his girlfriend about wanting multiple wives in the future.

Sullivan says he would “disown” his own daughter if he had one and she joined Only Fans, despite claiming to own an agency that represents girls on there. He also says he could not have a son who was gay.

There is also much discussion in the documentary on the notion of ‘red-pilling’ which Louis explains can mean “that men and women are fundamentally different and that women don’t want what they say they want – all they actually care about is big, rich guys with big dicks.”

Asked why he thinks the manosphere is attractive to many teenagers, Louis said: “I think there’s a lot of lonely men out there, and there’s now a whole industry dedicated to them. There are millions of hours of podcasts that talk about the masculinity crisis – how we’ve seen a decline in manufacturing jobs in the west and how there’s been efforts to correct the patriarchal skew in society that has in turn triggered a backlash.”

Louis also defended his decision to make the documentary in the first place, which could be seen as amplifying potentially harmful ideologies and helping the men to get even more followers thanks to them being shown on Netflix.

For him it is a case of trying to understand and challenge the ideas which are being pushed to youngsters.

He said: “My view is always I’m not trying to embarrass them or trick them in any way. I am trying to tell the truth and I will confront them appropriately. I’m not trying to pick a fight. I’m just trying to understand them, get my questions answered and then challenge and push back on the parts that don’t make sense to me or strike me as dangerous. At the end of the day I’m trying to make TV that engages people – so a few fireworks don’t go amiss and some raised voices or a sense of menace is actually quite helpful.”

In the concluding moment of the documentary, after spending weeks with these male influencers, Louis concludes: “In a world that’s changing at dizzying speed with narrowing opportunities, where the old entitlements of manhood have been challenged. It is perhaps not surprising that some have sought the comfort of a simplified world of game hacks and conspiracy theories. It struck me that the matrix they rail against more accurately describes the algorithmic prison they’ve created for their followers, an illusion of endless wealth and power that actually only enriches a few at the top.

“We are in a world where the fringe is no longer fringe. Where we are all increasingly, inside the manosphere, and it’s up to us how we get out.”

* Louis Theroux: Inside The Manosphere is available on Netflix from March 11.

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The Channel 4 documentary is said to be “both harrowing and moving in equal measure”

A “moving” true crime documentary newly released on Channel 4 has left viewers “crying all the way through”.

The Dunblane Tapes takes viewers back to 1996 to a tragic mass shooting that saw over a dozen primary school children killed. The heartbreaking documentary spans across 73 minutes as it tells the devastating impact of those still dealing with the loss, as well as the successful campaign launched to ban weapons in the UK.

With previously unseen footage, a Channel 4 synopsis states: “After the 1996 mass shooting at Dunblane, a campaign was launched to ban private handguns in the UK. This remarkable story is now told through unseen footage filmed by a bereaved parent.”

The documentary, released to mark the event’s anniversary, was previously aired on Channel 4 last month, but is now available to stream online for those who missed it.

It has been dubbed an “emotional roller coaster” and viewers have been left in tears following the harrowing instalment. Taking to social media, one viewer previously wrote: “Just finished watching The Dunblane Tapes on Channel 4. Extremely upsetting watch, but the families who were devastated by what happened changed the law of the land and definitely stopped it happening again.

“Also extremely pleased the perpetrator’s name was not mentioned, I won’t mention it either as he doesn’t deserve to be mentioned. Please watch it, it’s humbling and devastating and I remember it like it was yesterday, it was 13th March 1996.”

One TikTok viewer, who was wiping away tears while discussing the film, said in a video: “Well I went into this documentary knowing it was going to be sad but oh my God… It is heartbreaking.”

They added: “It’s awful it’s so sad but definitely give this a watch. It’s really well made, just heartbreaking.”

In another video, one person said: “It’s meant to be an absolute emotional rollercoaster. I’m not sure if I can handle this one I’ll be honest.”

Another replied: “I just blubbed the whole way through the Dunblane Tapes”, as one person commented: “Cried all the way through the Dunblane one so so sad.” A third commented: “The Dunblane Tapes was so moving. I cried my eyes out.”

Over on X, one Channel 4 viewer said: “Watching #TheDunblaneTapes.. 7 mins in and I’m already in tears. Gonna be a difficult watch. So close to home.”