discovery

NEW YORK — Lawyers for the BBC say President Trump is trying to delay sitting for a deposition in the defamation case he brought against the British broadcaster until January 2027.

In a filing this week, they asked a Florida court to compel the president to appear in the $10 billion case after they say he canceled an agreed-upon date this week, citing “matters of national importance.”

“Two months of discovery remaining, the BBC still has not been able to depose, and does not even have a schedule to depose, the most central figure in this case: Plaintiff himself,” attorney Charles D. Tobin wrote in the filing. “Those delays have flouted the cooperative spirit of discovery and precluded the BBC from obtaining the evidence necessary to robustly litigate its defense.”

Trump, who has a history of avoiding depositions, filed the lawsuit against the BBC last December, seeking $10 billion in damages as he accused the British broadcaster of defamation as well as deceptive and unfair trade practices related to a documentary, “Trump: A Second Chance.”

Britain’s publicly funded national broadcaster admitted filmmakers spliced together quotes from different sections of the speech Trump delivered to his supporters on Jan. 6, 2021, before the storming of the U.S. Capitol, to make it seem like he was directly urging violence.

The 33-page lawsuit accused the BBC of broadcasting a “false, defamatory, deceptive, disparaging, inflammatory, and malicious depiction of President Trump,” calling it “a brazen attempt to interfere in and influence” the 2024 U.S. presidential election.

The broadcaster apologized to Trump over the edit and the head of the BBC and the British broadcaster’s top news executive both resigned. But the broadcaster has denied Trump’s claims that it defamed him.

In the filing this week, BBC lawyers said that they first requested dates for the deposition in July, and followed up repeatedly. Both sides, they said, eventually agreed on Oct. 16.

However, after weeks of silence, they wrote, “Plaintiff’s counsel responded on September 28, 2026, indicating that ‘the President is no longer available for his deposition on October 16 due to other matters of national importance’ and that counsel would ‘endeavor to provide you with a replacement date by the end of this week.’ He did not.”

Instead, they said, they were told last week that Trump “has no availability whatsoever for a deposition” before discovery is set to close on Dec. 18. and were told that Trump would instead make himself available the second or third week of January.

In a statement in response to the filing, a spokesperson for Trump’s legal team did not address the reasons for Trump’s delay, but repeated its allegations against the BBC and said the president was holding the broadcaster “accountable for its defamation and reckless election interference just as he has held other fake news mainstream media responsible for their wrongdoing.”

Trump voluntarily dropped a $500 million lawsuit he filed against his former lawyer and fixer Michael Cohen in 2023, days before he was set to give a deposition in that suit.

Colvin writes for the Associated Press.

Exactly a week after the new Skydance corporation — the product of the Paramount-Warner Bros. Discovery merger — was officially formed, Hollywood’s newest media giant is already raising streaming prices.

Discovery+, one of Skydance’s new streaming assets, will now cost $6.99 a month for its ad-supported tier, up $1. Its ad-free tier is also up $2, costing viewers $11.99 a month. The prices take effect immediately for new subscribers. Existing subscribers will get 30 days’ notice and see the higher rates on bills dated on or after Nov. 12.

Skydance did not immediately respond to a request for comment.

The platform first launched in 2021, at $4.99 a month for its ad-supported tier and $6.99 for ad-free. Nearly six years later, the price of the cheapest tier has risen roughly 40%, and the ad-free tier has jumped about 72%. This is the service’s second price hike since January 2025.

The standalone streaming service features tens of thousands of TV episodes from cable networks like HGTV, Food Network and TLC.

Before the merger, each company maintained its own streaming services, with HBO Max and Discovery+ under Warner Bros. Discovery and Paramount+ under Paramount Skydance. The services are currently operating as separate entities. But David Ellison, Skydance’s chairman and chief executive, has said he plans to merge the two platforms into one streaming service. It’s unclear when that might happen, what it would cost, or where Discovery+ fits in. The company has not publicly laid out plans for the service.

Prices for HBO Max currently range between $10.99 and $22.99 monthly. Paramount+ costs between $8.99 and $13.99 a month.

Streaming is one of the biggest open questions for Skydance as it enters a new era. The company is carrying roughly $80 billion in debt and is targeting more than $6 billion in cost savings over three years. Skydance has said those savings will come primarily from technology, procurement, marketing and real estate, and Ellison has said the bulk won’t come from layoffs. Industry observers expect that debt load to add pressure for more price increases across Skydance’s streaming lineup.

This price increase also comes at a time when many streaming platforms are similarly hiking their prices — in part to cover the rising cost of programming and talent. Discovery+ joins platforms like Netflix, Apple TV, Hulu and Disney+ which have all raised their subscription fees in the last year. Prime Video raised the cost of its ad-free add-on in April.

A researcher falls down a rabbit hole of academia in “Chronovisor,” a singular indie that sneaks up on you. Filmmakers Jack Auen and Kevin Walker — who operate under the name Cosmic Salon — make movies in the belief that intellectual pursuits can be both exciting and cinematic. “Chronovisor,” a pleasurably hand-crafted curio, firmly asserts that the sensorial possibilities of film can seem infinite.

That said, the movie opens deceptively: Béatrice (Anne-Laure Sellier), a professor of philosophy at Columbia in New York, is clearly boring her two unseen colleagues over drinks with a monologue about her theories of memory and brain function. Alone afterward, however, with the camera following her as if she were a secret agent and the orchestral swell of Gustav Holst’s “The Planets” lending Hitchcockian tension, the real story begins to unfold in large, ornate libraries.

What draws Béatrice’s attention is a fantastical claim made by a Benedictine monk in an Italian magazine article from the 1970s. He insists he discovered an instrument with the power to pull images and sound from the whole of human history, presenting them on a television screen. With this time-shaping device called the Chronovisor, Father Pellegrino Ernetti professed to have seen footage of the crucified Christ and even enjoyed a lost play staged by an ancient Roman dramatist. At the end of a slow zoom shot, we see the article’s title in Italian until it’s translated for us in English: “A Machine Has Been Invented That Photographs the Past.”

With that, “Chronovisor” and its obsessed protagonist enter a trancelike, analog-heavy state in which obscure texts in myriad languages tease a concealed parascientific history of potentially great importance. In other words, get ready to read a lot and yet, surprisingly, to enjoy the immersion, as one might the hushed thrill of a surveillance sequence. As Béatrice’s amateur detective work pulls her in deeper, the strands begin to suggest a conspiracy, one marked by mysterious disappearances and the clandestine sway of the Vatican.

The question of what’s real and not isn’t only Béatrice’s to unpack — you may wonder yourself whether Auen and Walker have fabricated their esoteric source materials and invented the strange saga of Ernetti. They haven’t. Not entirely, that is, which is part of the woozy enjoyment. Enhanced by cinematographer Leo Zhang’s atmospheric 16mm grain and a natural onscreen performance from first-time actor Sellier (a real-life French scholar in behavioral science), “Chronovisor” hums with deep appreciation for research and evidence. We get both a tantalizing armchair mystery steeped in occult-ish authenticity, but also a sly commentary on our own relationship to the pursuit of curiosity.

If your own interpretation of Béatrice’s quest leads to the realization that this supposedly long-lost technology may already be with us, so be it. The filmmakers surely won’t disabuse you of that notion. They save their most disorienting trick for last: a reality-bending sequence that could qualify as video art. Whether it proves anything is, of course, up for grabs, but it surely helps “Chronovisor” remain wonderfully unclassifiable.

ACTOR Vinnie Jones has won a planning battle at his telly farm despite almost 5,000 objections.

The former footballer, starring in Guy Ritchie’s Netflix hit The Gentlemen, will be allowed to turn redundant buildings into seven guest units.

Campaigners argued he wanted to host shooting parties and raised fears over gunfire, traffic and protected wildlife.

Blackwool Farm in the South Downs National Park, West Sussex, features in the Discovery+ reality show Vinnie Jones in the Country.

Protect the Wild said: “National parks are . . . not for commercialised bloodsports or luxury shooting retreats.”

But Jones’s planning team hit back, accusing opponents of making “false assumptions and inaccuracies”.

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Planners sided with Jones, 61, saying: “The application is not for a shooting use, simply ­visitor accommodation that may or may not include shooting.”

Jones has made no secret of his love of country sports. He plays Geoff Seacombe, the loyal gamekeeper on the sprawling Halstead estate at the centre of the show.

After the recent streaming success, Netflix has already confirmed The Gentlemen will return for a third series.

And Jones could reportedly be joined by Meghan Markle, who has been linked with a possible role in the next series.

THE EERIE last words of Deadliest Catch star Todd Meadows to his children have been revealed in the season 22 finale.

Meadows, 25, was killed when he fell overboard while he and his crew mates were filming this latest series which ended on The Discovery Channel on Friday.

The rookie deckhand fell off the Aleutian Lady in a fishing accident on The Bering Sea and died from downing with possible hypothermia on February 25, 2026.

In the final episode of Season 22, a touching segment showed before and after his death, and captured his final conversation with his children just moments before the accident.

In a FaceTime call, he told his three children, all under five, that he was “being safe” and promised a fishing trip when he saw them again.

“I hope you’re being safe,” his daughter said on the call.

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“If you’re not being safe, you better be safe.”

“Oh, I’m being safe,” he told her.

He promised his son a salmon fishing trip when he returned, telling producers on-camera that it was a “heart-wrencher” to leave his children at home for long stretches.

“It’s been one of my dreams and goals to make it up here,” he said, speaking of joining the crew for the season.

“That’s why I’m up here to make it and to try to support my family.”

Another part of the season finale captured the chaos surrounding the moment he fell overboard, without the actual fall or subsequent actions being shown on camera.

Captain Rick, who announced Meadows’ death, is filmed manning the vessel and asking “Everybody OK?” before the crew say that a man has gone overboard.

As he turns the boat and instructs them to ready the ring and crane, he tells the crew: “I got my eye on him.”

They successfully got Meadows out of the frigid sea and the Captain instructed them to perform CPR.

“Come on, man, come on, someone go get the AUD right now,” he says off camera with him tearfully telling the crew to “keep pumping” before a producer says, “He’s gone, Rick.”

A statement on screen read: “On February 25th, 2026, deckhand Todd Meadows went overboard.

“After six minutes and twenty-six seconds in the water, he was recovered unresponsive.”

The episode then showed the aftermath of his death and its impact on the crew.

It ends with a cut back to Meadows as he prepares food in the kitchen and answers a producer’s question about what he would want to say to his children.

“Work towards your dreams and goals, don’t let anything slow you down. If you put your mind to it, you can do anything.

“Just want my kids to know I want them to work hard and be successful in life.”

Weeks before his fall, Meadows suffered a serious head injury onboard and was sent home on medical leave before being cleared again for work on September 18.

His week of medical leave saw him go back to his family while nursing his concussion which would tragically be the last time he saw them.

“The last photo I got of him was when he was building a fire. He was listening to music in the moment and was so happy,” his mom Angela said at the time.

“That’s how I want to remember him.”