discovery

A researcher falls down a rabbit hole of academia in “Chronovisor,” a singular indie that sneaks up on you. Filmmakers Jack Auen and Kevin Walker — who operate under the name Cosmic Salon — make movies in the belief that intellectual pursuits can be both exciting and cinematic. “Chronovisor,” a pleasurably hand-crafted curio, firmly asserts that the sensorial possibilities of film can seem infinite.

That said, the movie opens deceptively: Béatrice (Anne-Laure Sellier), a professor of philosophy at Columbia in New York, is clearly boring her two unseen colleagues over drinks with a monologue about her theories of memory and brain function. Alone afterward, however, with the camera following her as if she were a secret agent and the orchestral swell of Gustav Holst’s “The Planets” lending Hitchcockian tension, the real story begins to unfold in large, ornate libraries.

What draws Béatrice’s attention is a fantastical claim made by a Benedictine monk in an Italian magazine article from the 1970s. He insists he discovered an instrument with the power to pull images and sound from the whole of human history, presenting them on a television screen. With this time-shaping device called the Chronovisor, Father Pellegrino Ernetti professed to have seen footage of the crucified Christ and even enjoyed a lost play staged by an ancient Roman dramatist. At the end of a slow zoom shot, we see the article’s title in Italian until it’s translated for us in English: “A Machine Has Been Invented That Photographs the Past.”

With that, “Chronovisor” and its obsessed protagonist enter a trancelike, analog-heavy state in which obscure texts in myriad languages tease a concealed parascientific history of potentially great importance. In other words, get ready to read a lot and yet, surprisingly, to enjoy the immersion, as one might the hushed thrill of a surveillance sequence. As Béatrice’s amateur detective work pulls her in deeper, the strands begin to suggest a conspiracy, one marked by mysterious disappearances and the clandestine sway of the Vatican.

The question of what’s real and not isn’t only Béatrice’s to unpack — you may wonder yourself whether Auen and Walker have fabricated their esoteric source materials and invented the strange saga of Ernetti. They haven’t. Not entirely, that is, which is part of the woozy enjoyment. Enhanced by cinematographer Leo Zhang’s atmospheric 16mm grain and a natural onscreen performance from first-time actor Sellier (a real-life French scholar in behavioral science), “Chronovisor” hums with deep appreciation for research and evidence. We get both a tantalizing armchair mystery steeped in occult-ish authenticity, but also a sly commentary on our own relationship to the pursuit of curiosity.

If your own interpretation of Béatrice’s quest leads to the realization that this supposedly long-lost technology may already be with us, so be it. The filmmakers surely won’t disabuse you of that notion. They save their most disorienting trick for last: a reality-bending sequence that could qualify as video art. Whether it proves anything is, of course, up for grabs, but it surely helps “Chronovisor” remain wonderfully unclassifiable.

ACTOR Vinnie Jones has won a planning battle at his telly farm despite almost 5,000 objections.

The former footballer, starring in Guy Ritchie’s Netflix hit The Gentlemen, will be allowed to turn redundant buildings into seven guest units.

Campaigners argued he wanted to host shooting parties and raised fears over gunfire, traffic and protected wildlife.

Blackwool Farm in the South Downs National Park, West Sussex, features in the Discovery+ reality show Vinnie Jones in the Country.

Protect the Wild said: “National parks are . . . not for commercialised bloodsports or luxury shooting retreats.”

But Jones’s planning team hit back, accusing opponents of making “false assumptions and inaccuracies”.

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Planners sided with Jones, 61, saying: “The application is not for a shooting use, simply ­visitor accommodation that may or may not include shooting.”

Jones has made no secret of his love of country sports. He plays Geoff Seacombe, the loyal gamekeeper on the sprawling Halstead estate at the centre of the show.

After the recent streaming success, Netflix has already confirmed The Gentlemen will return for a third series.

And Jones could reportedly be joined by Meghan Markle, who has been linked with a possible role in the next series.

THE EERIE last words of Deadliest Catch star Todd Meadows to his children have been revealed in the season 22 finale.

Meadows, 25, was killed when he fell overboard while he and his crew mates were filming this latest series which ended on The Discovery Channel on Friday.

The rookie deckhand fell off the Aleutian Lady in a fishing accident on The Bering Sea and died from downing with possible hypothermia on February 25, 2026.

In the final episode of Season 22, a touching segment showed before and after his death, and captured his final conversation with his children just moments before the accident.

In a FaceTime call, he told his three children, all under five, that he was “being safe” and promised a fishing trip when he saw them again.

“I hope you’re being safe,” his daughter said on the call.

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“If you’re not being safe, you better be safe.”

“Oh, I’m being safe,” he told her.

He promised his son a salmon fishing trip when he returned, telling producers on-camera that it was a “heart-wrencher” to leave his children at home for long stretches.

“It’s been one of my dreams and goals to make it up here,” he said, speaking of joining the crew for the season.

“That’s why I’m up here to make it and to try to support my family.”

Another part of the season finale captured the chaos surrounding the moment he fell overboard, without the actual fall or subsequent actions being shown on camera.

Captain Rick, who announced Meadows’ death, is filmed manning the vessel and asking “Everybody OK?” before the crew say that a man has gone overboard.

As he turns the boat and instructs them to ready the ring and crane, he tells the crew: “I got my eye on him.”

They successfully got Meadows out of the frigid sea and the Captain instructed them to perform CPR.

“Come on, man, come on, someone go get the AUD right now,” he says off camera with him tearfully telling the crew to “keep pumping” before a producer says, “He’s gone, Rick.”

A statement on screen read: “On February 25th, 2026, deckhand Todd Meadows went overboard.

“After six minutes and twenty-six seconds in the water, he was recovered unresponsive.”

The episode then showed the aftermath of his death and its impact on the crew.

It ends with a cut back to Meadows as he prepares food in the kitchen and answers a producer’s question about what he would want to say to his children.

“Work towards your dreams and goals, don’t let anything slow you down. If you put your mind to it, you can do anything.

“Just want my kids to know I want them to work hard and be successful in life.”

Weeks before his fall, Meadows suffered a serious head injury onboard and was sent home on medical leave before being cleared again for work on September 18.

His week of medical leave saw him go back to his family while nursing his concussion which would tragically be the last time he saw them.

“The last photo I got of him was when he was building a fire. He was listening to music in the moment and was so happy,” his mom Angela said at the time.

“That’s how I want to remember him.”

Coronation Street fans think they know what Lucy Parkinson has planned for poor Sally Metcalfe, who appears to be a target of the troubled teen amid some dark behaviour

Fans of Coronation Street think Lucy Parkinson’s plans for Sally Metcalfe could get very sinister.

While Lucy has been lashing out at Sally, who has been caring for her since her mother Rachel’s murder, and her dad Richie’s imprisonment for the crime, she also appears to be setting her up. Things are set to continue when next week, Sally is alarmed by a picture Lucy has drawn.

Sally is soon confiding in her husband Tim Metcalfe about Lucy lashing out, and the drama with the picture. But with Sally not sure she can keep looking after Lucy, there could be worrying twists ahead.

Some fans now think they know what Lucy’s plan is, and where this might lead. With Lucy also targeting the kids Sally and Tim have fostered, will Lucy have them taken away from them?

One fan predicted: “After watching tonight’s episode, I’m sure Lucy’s plan is that Tim and Sally lose custody of Joanie, Shanice and herself.” Another fan said: “I am really worried for Sally, she’s either going to get hurt or Lucy is going to get her reported to the care worker which will have consequences for the other kids.”

A third viewer said: “Tim and Sally will be lucky to get out of this alive and still together.” A fourth fan commented: “She really seems to have it out for Sally and manipulates Tim.”

Another theory saw fans wonder if Sally would be attacked. One said: “I strongly suspect this is all building up to Lucy losing it and attacking Sally.” Another said: “There’s going to be a potential stabbing for Sally.”

Another fan wondered if Lucy had targeted someone else before Sally. They said: “After seeing Lucy had obviously given herself the mark and blamed sally, do we think this isn’t the first time she’s done this?

“What if she’s hurt herself before, and blamed her mum, so her dad killed her out of anger?” It comes as some fans speculated over who attacks Eva Price next week, after spoilers teased someone hurts her.

It’s not yet clear if Eva falls down the stairs or is pushed. One theory is that Lucy attacks her after drama airing next week. Other names thrown into the mix as possible attackers are Jodie Ramsey and Ross Wilkes.

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .