Deep

Tight vote on Blanche exposes deep skepticism of Trump’s Justice Department

President Trump’s choice for attorney general is facing a tight vote for confirmation in a Republican-controlled Senate nearly halfway through his second term, reflecting mounting doubts about his leadership of the Justice Department as bipartisan concerns over the weaponization of justice intensify.

The confirmation of Todd Blanche hangs on the support of two Republicans who have repeatedly criticized Trump’s stewardship of the department, where Blanche has served as deputy and acting attorney general, roles he assumed after working as the president’s personal lawyer for nearly two years.

Republican senators resisted Trump’s approach to the Justice Department from the start of the presidential transition, rejecting his first choice to lead it, Matt Gaetz, amid concerns he would use the department to pursue political retribution. But after Gaetz withdrew, Trump’s replacement, Pam Bondi, won bipartisan confirmation with the support of the entire Republican caucus.

Blanche is already guaranteed a narrower margin, with Sen. Susan Collins of Maine announcing she will vote to reject his confirmation, and with Sen. Mitch McConnell absent for health reasons. Democrats are expected to be united in opposition against him.

Sen. Lisa Murkowski of Alaska, a figure the president has referred to as a “terrible,” “Trump-deranged” “loser” who “should never be elected,” has refused to comment on her plans.

Her staff has said she is reviewing a commitment Blanche made in writing to formally rescind a controversial, $1.8-billion “Anti-Weaponization Fund,” announced in May to compensate Trump’s political allies, including those who stormed the Capitol on Jan. 6, 2021.

Blanche also said he would limit immunity offered to Trump and his family for future tax audits, although his wording left the door open to negotiating a future deal along similar terms.

“I think certainly the fact that he has signed this order, basically disbanding [the Anti-Weaponization Fund] — that’s a pretty good step,” Murkowski said , adding that she would “like to find out a little bit more about the negotiations.”

Blanche has taken steps to curry Murkowski’s favor in recent months, visiting Alaska and announcing a $400-million settlement benefiting Alaska natives’ healthcare in July.

Republican Sen. Bill Cassidy of Louisiana, the other uncommitted lawmaker in the chamber, said he had concerns that Blanche was still effectively working as Trump’s personal attorney under the guise of public service.

“I am very concerned about so-called lawfare — people being prosecuted not for a valid reason beyond somebody in high office being angry at them,” Cassidy said.

“So, I’ve not made a decision regarding Mr. Blanche,” he added. “I’ve got to be convinced that he is an attorney general who just happens to have once been President Trump’s personal attorney, as opposed to President Trump’s personal attorney who is now the attorney general. I think there’s a big difference between the two.”

Senate Majority Leader John Thune of South Dakota said that he was still working to secure the votes needed for Blanche’s confirmation.

“I’m hoping we’ll get there eventually,” he told reporters on Wednesday.

Blanche became the acting attorney general in April after Bondi was fired. Blanche had previously served as deputy attorney general and has been linked to some of the most controversial policies of the Trump administration.

His connection to the settlement between Trump and the Internal Revenue Service took center stage during his confirmation hearing in front of the Senate Judiciary Committee.

Blanche said during the hearing that the controversial fund created as part of the IRS settlement was dead.

But Republican Sens. John Cornyn of Texas and Thom Tillis of North Carolina refused to vote for Blanche until he issued a more explicit order that killed the fund, which was designed to provide payouts to allies of Trump.

Cornyn and Tillis also demanded that the Justice Department provide constraints to tax audit immunity that was granted to Trump, two of his sons and their business as part of the lawsuit settlement.

The federal judge who presided over the IRS case blasted the proceedings and the agreement as “improper” saying that the two sides — Trump and the IRS — were not truly independent of each other.

The written assurances provided by Blanche were enough to win support from Cornyn and Tillis, though Democrats pointed out that they did not foreclose the possibility that a similar fund could be resurrected in the future.

“The president himself has largely telegraphed that’s his plan,” Sen. Dick Durbin (D-Ill.), the top Democrat on the committee, said Tuesday before the vote.

Blanche has been the face of the administration’s release of files related to deceased sex abuser Jeffrey Epstein. Bondi told the House Oversight Committee in May that Blanche had overseen the process, which included delays in the release of files and major redaction issues.

Blanche also faced criticism for a July 2025 prison interview he conducted with Ghislaine Maxwell, who was convicted of facilitating Epstein’s abuse.

Shortly after the interview, she was moved from her Florida prison to a low-security prison in Texas where she has reportedly gotten favorable treatment.

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Commonwealth Games 2026: Soppy socks & a slathering of deep heat – rain causes chaos in Glasgow

Some athletes struggled in the conditions.

England’s Morgan Lake did not clear the bar with any of her three efforts in the high jump.

Similarly, Scotland’s Steven Stone had attempts with his glasses on his face and the top of his head in the men’s T20 long jump but did not register a clean effort.

Northern Ireland’s Kate O’Connor said she was “gutted” with her throw of 12.85m in the heptathlon shot put.

“It just kept slipping out of my hands,” she said.

“When your chalk gets wet, it’s like you might as well have dish soap on your hands and I just probably spent too much time and effort trying to stay dry rather than doing the cues that I work on in training.

“I can’t blame anybody else apart from myself for not executing.”

But there were also a number of impressive performances given the conditions.

O’Connor responded by running a dominant 24.14 seconds in the 200m to reclaim top spot of the heptathlon competition. England’s Jade O’Dowda was only eighth quickest and slipped back to second, 49 points in arrears.

In the men’s 100m, Eseme’s winning time of 9.83 was a Commonwealth Games record, the third-fastest time this year and moved him third on the all-time list of African sprinters.

The hammer throw and the high jump were briefly paused but when the former did resume Canada’s Camryn Rogers produced another Games record – 74.91m.

Even Hunt, who was slow out of the blocks and off the pace for the first 60m, finished 0.01secs outside her lifetime best of 10.97 in the women’s 100m.

“I am just proud of myself for gritting it out and trusting my long legs,” she said.

“Ultimately, we all have to race in the same conditions. We are all on the start line together freezing.

“You just have to get out there and get it done.”

A smattering of hardy locals even stayed until the final anthem was sung as the clocked neared 11pm.

It was a night few will forget.

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Tradition-rich UCLA softball has deep impact on AUSL

Natasha Watley grew up dreaming about playing for the Atlanta Braves.

Sharlize Palacios wanted to suit up for her hometown San Diego Padres.

Megan Grant and Maya Brady thought softball would end after graduation.

The 2003 Honda Award winner. A 2024 second-team All-American. The single-season NCAA home run record holder. And a freshman of the year honoree.

The Portland Cascade's Megan Grant fields the ball during a game against the Oklahoma City Spark.

The Portland Cascade’s Megan Grant fields the ball during a game against the Oklahoma City Spark on July 4 in Edmond, Okla.

(Courtesy of AUSL)

All of whom never dreamed of being a professional softball player. Not because their love for the sport dwindled. Nor because professional routes were not an option. Pro softball leagues have existed since 1976, but they have lacked the visibility and accessibility imperative to flourishing and gaining popularity.

“From my experience growing up, and it’s the same amongst a lot of athletes that are my age, we didn’t have a lot of role models to look up to,” said Chicago Bandits outfielder Jessica Clements, who spent her senior season at UCLA in 2025. “We had Jennie Finch, Natasha Watley, Monica Abbott, but the odds of playing professionally were slim. There wasn’t a lot of opportunity, and a lot of younger kids were unsure of what the environment would look like in many years.”

That’s changing with AUSL, the Athletes Unlimited Softball League.

The AUSL — which launched in 2025 and builds off previous iterations of professional softball — saw a 181% increase in average viewership across ESPN platforms in one year, including a record-high 404,000 viewers for a June 21 game between the Portland Cascade and Texas Volts.

Among the 96 active players in the AUSL, 13 are former UCLA softball players — omitting two general managers, a head coach and an assistant coach that are a part of the AUSL and hail from the Westwood program — making UCLA the most well-represented school in the league. That pipeline was on full display this weekend at Texas A&M’s Davis Diamond, where the Utah Talons — who boast a roster with five former Bruins, including UCLA softball associate head coach Lisa Fernandez as the general manager — clinched their second straight AUSL title over the Chicago Bandits on Sunday. UCLA alum Jadelyn Allchin was named the AUSL championship MVP.

And UCLA softball’s presence in all facets of AUSL is no coincidence.

The Bruins feature 12 NCAA championships and 119 All-American honorees, both of which rank first all time, and that’s not including an AIAW title and one All-American before the NCAA era. But while the program is known for its accolades, the influence UCLA and its players have made on the sport stretches far beyond any banners or trophies.

“When you look at the history of softball in the last 40 years, you can’t see a U.S. national team, any pro venture or excellence at any level of softball without having an influence of UCLA in it,” said Oklahoma City Sparks general manager Kirk Walker, who spent 24 years coaching as an assistant coach in Westwood.

There have been only three coaches — Sharron Backus, Sue Enquist and Kelly Inouye-Perez — in UCLA history, all of whom created unparalleled success and a program built on a standard of excellence and a familial culture. But no aspect of the UCLA culture may be more significant than the “Bruin Bubble” — a concept at the very heart of the program centered on alumni involvement.

“It comes from the women who were there from the beginning, paving the way for players like us and players that are to come,” said Sparks infielder Delanie Wisz, who competed at UCLA from 2020 to 2022. “The idea of the ‘Bruin Bubble’ and buying into something bigger than yourself, coach Sue Enquist, coach Sharron Backus and coach Inouye-Perez have done a really good job of keeping that at the forefront, and making sure that we’re playing for something much bigger than any individual award.”

While the childhood aspirations of the Bruins in the AUSL never reached the height of professional softball, a common goal connected them all — playing for their dream school in Westwood and learning from individuals who have achieved immeasurable success greater than any record or championship.

Utah Talons General Manager Lisa Fernandez shows off her 2025 AUSL championship ring in Salt Lake City, Utah.

Utah Talons General Manager Lisa Fernandez shows off her 2025 AUSL championship ring in Salt Lake City, Utah.

(Courtesy of AUSL)

Backus and Enquist set the foundation for what softball is today, paving the way for new opportunities by sacrificing for the greater good of softball’s future.

While the duo set the trail ablaze, they have passed the baton to a trio of coaches — Inouye-Perez, Walker and Fernandez, who have spent a combined 72 years in Westwood.

And the group has not stopped running since.

The Bruins are not only responsible for creating the next generation of pro softball players through the UCLA program, but also furthering the message and mission of Backus and Enquist.

“From when I was in college to now, there’s been a big shift in how things go,” said Rachel Garcia, two-time Honda Cup winner at UCLA and a Volts pitcher in the AUSL, “but at the end of the day, Lisa Fernandez, Kelly Inouye-Perez, Kirk Walker, that would be who I’d want to play for every single day, because I know that they are able to give the girls what they need in order to perform at the best that they can be.”

While Inouye-Perez continues to steer the Bruin ship, Walker and Fernandez serve in general manager roles for the Sparks and Talons, respectively.

The Utah Talons' Jordan Woolery fields the ball during a July 11 AUSL game against the Oklahoma City Spark.

The Utah Talons’ Jordan Woolery fields the ball during a July 11 AUSL game against the Oklahoma City Spark in Edmond, Okla.

(Morgan Givens / AUSL)

Grant emphasized that all three coaches could easily walk away because of the imprint they left and the resume they built. Yet, Inouye-Perez and Fernandez not only chose to stick around the game, but to reinvest their time in furthering the league and sport altogether.

“I accept the responsibility to help carry the torch and move it forward, and hand it off to the Jennie Finches and the Cat Ostermans,” Fernandez said. “They’re going to hand it off to the next generation that are going to continue to build this game and hopefully it’ll become something where little girls can go, ‘I’m going to be a professional softball player, and be a role model for those who have the opportunity to watch me.’ And at the end of the day that’s the true value.”

Integral to pushing the game forward is taking advantage of the traction and momentum gained by the 2028 Summer Olympics, where softball will return to the stage for the first time since 2021.

Fernandez highlighted that when softball was added to the Olympics in 1996, it was the pinnacle of the sport. But when it was removed following 2008 because the IOC didn’t see enough global competition for the gold medal, she felt that she failed. It was a setback that inspired her push to get the sport to a place where it did not have to rely on the host country to include it among Olympic events.

“A mission that’s close to my heart is the growth of the sport globally because it is so important for it to be in the Olympics, not just in 2028 but in 2032,” said Talons pitcher Megan Faraimo, who competed at UCLA from 2019 to 2023. “I don’t want to be the last generation to make it into the Olympics. I want to protect the future of everyone coming after me, and that means capitalizing on it being in L.A. We can use that to then push the sport into 2032 and hopefully get back on that Olympic rhythm.”

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Japan Finds Rare Earth Rich Deep Sea Mud Near Remote Island

Japan has identified a high concentration of valuable heavy rare earth elements in deep sea mud recovered from waters near the remote Pacific island of Minamitori, marking another step in its efforts to reduce dependence on Chinese critical mineral supplies.

The Japanese government said on Friday that analysis of rare earth rich mud collected earlier this year showed medium and heavy rare earth elements accounted for about 54% of the total rare earth content. However, officials did not disclose the overall size of the deposits, saying the limited scope and duration of sampling meant the available data was insufficient to estimate total reserves.

The samples were collected during a month long expedition in February by Japan’s scientific drilling vessel Chikyu near Minamitori Island, approximately 1,900 kilometres southeast of Tokyo. The mission marked the world’s first successful continuous recovery of rare earth bearing seabed mud from depths of around six kilometres beneath the ocean surface.

Strategic Push for Mineral Security

The project forms part of Japan’s broader strategy to strengthen supply chain security for critical minerals following tighter Chinese export restrictions on heavy rare earth elements and magnets, which are widely used in defence systems, electric vehicles, semiconductors and other advanced technologies.

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Researchers recovered approximately 50 metric tons of seabed mud during the expedition.

Analysis identified several strategically important rare earth elements, including yttrium, used in aerospace, semiconductor and energy technologies; gadolinium, widely used in medical imaging and other high technology applications; and dysprosium, a key component in high performance permanent magnets used in electric vehicle motors.

Commercial Mining Trial Planned

Japan plans to conduct a month long large scale mining trial in the same waters beginning in February 2027.

The trial aims to recover approximately 350 tons of seabed mud each day. The material will first be dewatered on Minamitori Island before being transported to mainland Japan for separation, refining and smelting tests.

The project will evaluate whether domestic deep sea rare earth production can become commercially viable. A comprehensive assessment of industrial scale production is expected by March 2028, according to Kazushige Kikuchi, project manager at the Japan Agency for Marine Earth Science and Technology, which operates the Chikyu research vessel.

China Remains Dominant Supplier

Japan’s exploration efforts come amid growing concern over China’s control of global rare earth supplies.

Beijing introduced export controls on several heavy rare earth elements and related magnets in April 2025 and later tightened restrictions on exports to Japan in January, followed by two additional rounds of measures the following month targeting major Japanese companies.

Rare earth elements are essential components in advanced manufacturing, including electric vehicles, renewable energy systems, military equipment, consumer electronics and semiconductor production.

Analysis

Japan’s latest findings highlight the growing strategic importance of securing independent supplies of critical minerals as geopolitical competition increasingly shapes global supply chains. Although the newly analysed deposits have yet to be proven commercially viable, the discovery strengthens Japan’s long term effort to reduce reliance on Chinese exports. If future mining trials demonstrate economic feasibility, deep sea resources could become an important pillar of Japan’s critical minerals strategy while encouraging other resource poor countries to accelerate investment in seabed mining technologies despite ongoing environmental concerns.

With information from Reuters.

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‘Humans may go Splat!…but there’s still hope,’ says Deep Purple’s Ian Gillan ahead of the band’s 24th studio album

THE word “splat” has been on Ian Gillan’s mind for a few years now.

To him, it is a word to conjure with, one to fuel his wild flights of imagination.

When Deep Purple frontman Ian Gillan first considered Splat! as an album title, he thought it sounded ‘too terminal’ and may sound like the band’s final album Credit: Olaf Heine
The band playing live in Japan earlier this year Credit: DABOSS

To most of us, it summons visions of insects hitting windscreens or ripe tomatoes falling to the floor.

As you will discover, however, the Deep Purple singer and lyricist — he of the legendary full-throated holler — has given “splat” a much deeper meaning.

What if it represents the end of humanity as we know it?

Then, as he suggests with an “optimistic” spin on the notion, “What if we morph into something else that’s metaphysical?”

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When Gillan first considered Splat! as an album title, he thought it sounded “too terminal”.

He says: “I knew how the interviews would go — ‘So this is your last record, right?’ ”

It soon becomes clear from talking to the hard rock survivor that Deep Purple, the last band standing in a so-called “unholy trinity” alongside Led Zeppelin and Black Sabbath, are very much alive and kicking.

When it came to writing themed lyrics for Purple’s 24th studio LP, Splat! screamed out from the pages of the notebook Gillan keeps to record his ideas.

Deep Purple is made up of Simon McBride, Ian Paice, Don Airey, Ian Gillan and Roger Glover Credit: Olaf Heine
Gillan performing with Deep Purple in 1971 Credit: Getty

Now, in tall, spidery type, it adorns an album cover housing some of the band’s heaviest, most riff-driven, yet most concise music in years.

As Gillan attests, Splat! summons the devil-may-care spirit of iconic early albums Deep Purple In Rock and Machine Head — and songs like Child In Time, Smoke On The Water and Black Night.

“What I’m hearing now is the band as it was in ’69,” he says.

There’s no doubting that the current line-up of Gillan, founder member Ian Paice (drums), another stalwart in Roger Glover (bass), Don Airey (keyboard player since 2001) and recent recruit Simon McBride (guitar) has hit a purple patch.

“You can give all kinds of reasons, but, quite simply, I think it’s human chemistry,” says Gillan, who lives in Portugal and turned 80 last August.

“The songs are coming easy.

The band is cranking live.

When all the elements work well, they feed off each other.”

Gillan agrees Splat! summons the devil-may-care spirit of iconic early albums Deep Purple In Rock and Machine Head Credit: Getty
Classic Deep Purple lineup: Roger Glover, Ian Gillan, Ian Paice, Jon Lord and Ritchie Blackmore. Credit: Getty

He salutes Northern Irish guitarist McBride, who replaced Steve Morse in time for previous album =1, for adding a dynamic gut-punch to proceedings.

He agrees with me that the songs on Splat! don’t “outstay their welcome”, crediting legendary Canadian producer Bob Ezrin (Alice Cooper, Pink Floyd, Kiss) for “keeping the arrangements snappy”.

Gillan recalls how it used to be: “With the band having no leader — we never have really — it was often a case of sitting there and one of us would say, ‘Let’s make this bit longer, let’s put another section in there’.

“We might spend weeks arguing or debating an arrangement.

But Bob just comes in and says, ‘I’m not liking that’, and cuts it out.”

Gillan considers Purple to be “an instrumental band”, with the music always getting written first.

Then it’s time for him to step in with the lyrics and those still mighty vocals, delivered with all the theatricality you might expect from someone who took the part of Jesus on the original Jesus Christ Superstar album.

It’s fair to say that Splat!, also the name of the album’s emphatic closing track, represents one of Gillan’s most ambitious concepts, so let’s return to his thought process.

Frontman Ian Gillan in his 70s heyday Credit: Getty
Gillan is still rocking at 80 Credit: Getty

“For some time now, I’ve been trying to make an album sound as if all the songs belong,” he says.

“There’s one exception on this record and I’m not happy about it,” he announces by way of a slight digression.

When I suggest that the track in question might be Third Call, which seems more to do with sex than metaphysics, Gillan replies: “Oh, how did you guess?

It should have been called Sore Thumb.

“I’ve done my own little album on my computer, replacing it with a song destined to be a B-side or bonus track called Hoot ’n’ Slither, which does fit.”

So, let’s hear about his mind-boggling concept, so big that it almost hurts the brain.

“I’ll probably find myself in pseud’s corner again,” he mutters with a smile, before launching into his explanation.

“I’ve been fascinated by the word eternity since I was eight.

I couldn’t understand how things could go on forever.

As a child, it didn’t seem possible to me.

“One summer night, I started thinking about the end of the road, the end of the country, beaches, the sea, the sky, the stars.

“I started panicking, so I built a brick wall around my universe, as many kids have, I’m sure.

“That was it, I was safe.

And then, a horrible thought occurred to me: ‘What’s behind the bricks?’ ”

Gillan says that “later in life”, Edwin Abbott’s classic novella Flatland, a satirical study of a two- dimensional world written in 1884, got him thinking about other dimensions, the afterlife and spiritual worlds.

Then he considered that the population of Earth had “virtually tripled” during his lifetime.

He continues: “For some years, this explosion has seemed unsustainable to me and that the only way to escape is not by flying through the solar system in tin cans.

“It has to be metaphysical.

I’m hopeful.

Perhaps we might become some sort of intelligent energy.”

Gillan draws my attention to the song The Only Horse In Town, one of the last recorded for Splat! and driven by Airey’s fulsome keys and McBride’s shimmering riffs.

It was inspired by a real-life encounter with someone close to death near Noble Street Studios in Toronto where Purple were doing a recording session.

“The snow came down and we saw there were these vagrants living under a blue tarp,” he says.

“The place looked like a rubbish dump.

“We offered them some hot food when we went out to get our takeaway for lunch — and they didn’t want it.

They just wanted dollars for crack.

“I thought of this one guy who probably had days to live.

I imagined his final hit.

“Then (in my mind) I stepped into his shoes and started walking across America until I got to the high plains of New Mexico and found this derelict film set.

“Along with a clapped-out old horse, this guy finds solace, a haven.

It fits very nicely with the overall pattern of the album.”

Next, we take a dive into more of the Splat! songs, starting with the three-minute opening blast, Arrogant Boy, about a bloke called Billy.

“The attitude in the music screamed frustration to me,” says Gillan.

“I had this idea of an ordinary guy down the pub who doesn’t give a monkey’s toss about what goes on at the higher levels of society.

He’s sick of the political pendulum.

“Everyone knows that nothing’s happened in the last fifty, sixty years.

We’ve built nothing.

We’ve done nothing.

We’ve gone backwards in almost everything.

The great institutions are useless piles of rubble.

“So Billy is sticking his head up out of a hole and saying, ‘Get on with it!’”

This brings us to the wild Diablo, recorded in Nashville and featuring guitar solos from none other than country rock star Keith Urban, whose studio the band were occupying.

Here, Gillan truly lets his imagination run riot.

“Diablo is a place where young people go for their rite of passage.

It’s dangerous and many don’t come back,” he says.

“This is the story of Dra-ma.

She pickles her knuckles and has 20 fights before beating up Guts McKenzie in the final.

She celebrates with a bucket of wine and falls into the glitter pool.

It’s all a bit surreal.”

You may think Gillan’s gone off on one but this ceaselessly entertaining character is also partial to a bit of humour.

The Rider is not about someone on a horse, but more about the notorious demands of rock stars when they go on tour.

He says: “I’m not going to mention his name, but he’s a very famous musician in a very famous band.

I was sitting having a beer with him and he said, ‘Someone got a fear of flying so we hired a psychologist.

The next week, there were four psychologists on the plane, one for each member of the band.

Then someone got a bad back so we got a physiotherapist.

The next week, there were four of them.’’

So what about his band’s riders?

“Deep Purple have never been extravagant,” he answers.

“When I was with Black Sabbath, it was a slightly different story, more funny than extravagant.

“I remember Geezer [Butler] complaining that the ham was round and the bread was square, that his sandwich was an incongruous mess which didn’t look right.

“My rider has always been very simple.

It’s bread and cheese, some tea bags — it has to be PG Tips — and a kettle.”

Elsewhere on Splat!, Jessica’s Bra has got to be one of the most eye-catching song titles of the year.

It was supposed to be Bar but, as Gillan admits: “I can’t see too well and make loads of typos these days.

“It’s a sort of Irish pub song.

I grew up in pubs with a beer in one hand, a fag in the other, and in fantastic company.

“My pals were drinking pals — I didn’t smoke a joint until I was 38.

We were pub guys who got locked in, behaved outrageously, but it stayed within the walls.

No harm done.”

Guilt Trippin’, with its gorgeous piano intro and outro and screaming vocals, is about “God and Charlie Darwin having a pint”.

Gillan says: “God is saying, ‘We’ve got to get the numbers right next time,’ but Darwin just goes, ‘Humpty, humpty’.

He doesn’t want to interfere!”

The Lunatic, inspired by the plight of George Orwell’s 1984 protagonist Winston Smith, summons a bout of indignation from Gillan.

“I can’t believe the prescient nature of that book, which was published in 1949,” he says.

“More recently, the NHS proscribed the word lunatic.

I take great offence at that.

Most of my friends are lunatics and always have been — and I happily follow the moon around.”

Through the song Scriblin’ Gib’rish, Gillan vents his spleen at those online matrixes where you have to identify motorbikes or traffic lights, “proving that I am a human being to a f***ing robot”.

Of note here is that he’s heading to UK theatres next spring for his Talking Gib’rish spoken-word tour, a departure from the arena-sized norm.

It’s an opportunity for him to regale audiences with stories from more than six decades in the business.

On a personal level, it’s clear that Gillan is pressing on despite the rigours of live performance and, as he reports, “failing eyesight”.

“Over the past few days, I’ve been taking a deep breath and looking at the future,” he says.

“A few years ago I was doing a talk and the theme was positive ageing.

I realised that when people retire, they stop making long-term plans — even if it’s small things to do with the house or garden.

“But I keep thinking some years ahead with projects, and don’t worry whether I complete them.

“That’s a self-creating energy, like nuclear energy.

It’s incredible.

So, I’m making long-term plans and to hell with it!”

If that’s the template for his mind, what about his body?

Alluding to his younger self — that skinny figure in tight flared jeans with a shaggy mane — he says: “Obviously, I used to be quite athletic when I was young, but I can’t pole vault anymore!

“Well into my sixties, I used to run upstairs two at a time, and now I run down ten at a time.

“So, you’ve got to have a laugh.

Otherwise, you’d sit down and cry.”

One thing is for certain, Ian Gillan and Deep Purple are NOT about to go Splat!

Deep Purple’s new album Splat! will be released in the UK on 3 July Credit: Supplied

DEEP PURPLE

Splat!

★★★★☆

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‘The crisis is deep’: The view from Russia as fuel shortages worsen | Russia-Ukraine war News

Moscow, Russia – Russia faces a severe fuel deficit as Ukrainian drone strikes knock out a significant portion of its refining capacity.

With continuing war in Ukraine and agricultural harvesting under way, the government is scrambling to re-route supplies, maintain price caps and enforce export bans to prevent further domestic shortages.

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Long lines at petrol stations are now a common sight throughout the country, including in the prosperous capital Moscow.

People wait for hours to fill up their cars. In some places, the pumps are completely dry.

There is a sense of patience but also mounting anxiety in the air.

“I’m deeply frightened by the uncertainty and the lack of understanding where the situation is heading,” a woman named Irina, waiting to fill up her car in Moscow, told Al Jazeera.

Igor, another Moscow resident, said: “I think things can get out of control if the crisis causes major industries to shut down.”

Both interviewees requested to withhold their surnames.

Russia
President Putin has dismissed concerns about the fuel shortages, saying the situation is not ‘critical’ [Al Jazeera]

Analysts predict that increased fuel prices will mean higher transportation costs followed by significant price hikes for goods and services.

Stanislav Mitrakhovich, an expert at the National Energy Security Fund at the Russian Financial University, said the crisis is “deep, yet for a long time, Russian authorities were unwilling to acknowledge it”.

He added that the Russian response has led to “greater public distrust” of authorities and, consequently, triggered panic buying.

“Indirect evidence indicates that Ukrainian drone attacks have disabled about a quarter of Russia’s oil refining capacity,” he told Al Jazeera. “Seasonal demand has also contributed to the problem. The crisis has led to rising fuel prices and local shortages, as some regions simply lack oil refineries.”

The situation is “even worse” in regions close to the combat zone, he said. “Measures to restrict and ration fuel sales have long been in place there.”

To tackle the problem, Russia has imposed fuel rationing. Sales are often limited to about 20-30 litres (about 5-8 US gallons) per vehicle, and drivers must pump fuel strictly into vehicle tanks. Filling jerry cans is largely prohibited.

Earlier, the government banned petrol and jet fuel exports. Officials are now weighing a ban on diesel exports, too.

Authorities have loosened fuel-quality regulations, temporarily allowing lower-grade fuel for the domestic market.

In Russia-controlled Crimea, a state of emergency has been declared.

As the approaching agricultural harvesting season relies on a steady stream of diesel, authorities are prioritising farming allocations to prevent a hit to food security.

To offset the domestic shortfall, Moscow has sought fuel imports from neighbouring countries, such as Belarus, as well as Asian markets. Moscow has shipped in 60,000 to 80,000 tonnes of petrol from India, according to industry sources cited by the Reuters news agency. Russia reportedly plans to import 400,000 tonnes of petrol monthly from various countries.

‘I would say it is not critical’: Putin

While Russian President Vladimir Putin acknowledges the crisis, he appears reluctant to end the war in Ukraine and insists the situation is under control.

“These attacks on our facilities certainly create problems, that is obvious. We are currently seeing a certain shortage, though I would say it is not critical,” he said.

“First and foremost, we have to rapidly and significantly increase production of air defence systems that are most in demand. We must also continue to improve them … Repairs at refineries must be completed more quickly.”

Ukraine is seizing its opportunity. President Volodymyr Zelenskyy has authorised a 40-day military and intelligence campaign, aimed at pressuring Russia into ending the war.

Mitrakhovich said the way the crisis unfolds from here depends on what’s more effective: Ukraine’s drone strikes or Russia’s air defences.

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Inside Ukraine’s AI-Enabled Drone Campaign Targeting Russian Logistics Deep Behind The Lines

Over the past several weeks, news began emerging about Ukraine’s use of modified, AI-enhanced kamikaze drones to target Russian cargo trucks, fuel tankers, railroad cars and even vessels as far as 150 miles behind the front lines. Dubbed the mid-range strike campaign by Kyiv, this effort is having a devastating effect on Russian logistics, cutting off key highways to Crimea, helping to halt Moscow’s gains and pave the way for Ukrainian advances.

To learn more about this campaign, we reached out to one of the soldiers leading this effort from the unit that created it. In an exclusive interview, an Unmanned Systems Department Officer for the First Corps Azov of the National Guard of Ukraine offered us unique insights into how the program began, how it’s going, where it is headed and how AI is helping to identify and hit targets deep behind the lines. It’s a capability we described in great detail — about how it was rapidly gestating and would arrive on the battlefield around now. The officer spoke on condition of anonymity to discuss operational details.

Some of the questions and answers have been edited for clarity.

Q: Walk me through the genesis of the mid-range strike campaign.

A: I will first of all start with answering the question of why. So the reason why we are currently conducting this campaign is to hunt enemy logistics capabilities, and currently we have a lot of quite cheap assets that can strike enemy targets at quite a deep range. So the overall meaning, the overall sense of this campaign is to strike enemy concentrations of cargo in the places where this concentration is the highest and the protection of those enemy logistical assets is at the lowest level.

So, if we’re talking about enemy logistics very close to the front line, to the line of contact, we are mostly talking about a person with a backpack. Then, if we are moving deeper into the enemy controlled area, further from the front line, then we’re talking about cars. Then even deeper we’re talking about trucks. Even deeper we’re talking about long haulers with trailers, so a higher concentration of cargo. Even deeper into the enemy controlled area, we’re talking about the railroads, the trains that are carrying supplies. So the deeper we go from the line of contact, the higher is the concentration of enemy cargo.

The other part of answering this question is basically about how the enemy protects their logistical assets. So the deeper we go from the line of contact, not only is the distance larger, but also the areas that the enemy needs to protect. So just simple mathematical calculations show us that the distance of 50 kilometers deep from the line of contact is usually the most concentrated area the enemy has to defend against our strike assets. But if we go to the depths of 300 kilometers, then the areas that the enemy should protect are much larger, and it’s basically impossible to saturate that area with all the necessary protection assets that the enemy needs to strike down our drones.

The point I would like to make is that we conduct those strike operations at deeper ranges with basically the same assets that we use for the tactical depths, for example, at the depths of 50 kilometers. That means we do not increase the cost of our assets. We just introduced some technical modifications, and we can use the same assets to strike in the deep area.

How Ukraine Uses the US-made Hornet AI Strike Drone To Disrupt And Cut Russian Logistics Lines thumbnail

How Ukraine Uses the US-made Hornet AI Strike Drone To Disrupt And Cut Russian Logistics Lines




Q: What drones are you using to carry out these attacks and how are you increasing the ranges?

A: Basically, we’re using fixed-wing kamikaze drones with some modifications in terms of communication systems. We’ve installed Starlink systems on those drones, and we have also introduced a number of modifications in terms of the engine of the drones – in terms of the overall propelling unit. And this allowed us to increase the range of the assets that we used previously for the range up to 50 kilometers, with some modifications for longer distances.

Q: What kinds of drones are you using?

A: Just the simple fixed-wing chemical drones, such as Hornet systems, such as the Darts systems, and also some other assets that, for now, we prefer not to mention.

Darts thumbnail

Darts




Q: Can you provide additional details about the modifications you have made to these drones and what is their maximum range?

A: Well, I would say that these are quite technical things, and I wouldn’t want to disclose those, because I would want to avoid the situation where the enemy is going to do the same modifications.

Q: Are you reaching as far as 100 kilometers?

A: From what we can say now, we can cover distances of up to 250 kilometers, but as you might understand, with time we will cover longer and longer distances.

Q: Can you describe how these attacks work? Do you operate these as first-person view drones through a video feed? Do they have a terminal seeker? 

A: The process is really simple. So, for example, we select a section of the road, or the road as a whole and we distribute that road or the sections among our units. And I would like to mention that this is an all Ukrainian operation. It’s not a task for just one single unit, and basically each unit has its own area of responsibility and its own section of the road. 

And then we just send drones there in hunting mode, and I cannot disclose how this works from the standpoint of intelligence, but the overall principle is that the intelligence just gives us the priorities for the targets. For example, they say that you need to target this type of vehicle with these types of cargo.

And in terms of the targeting, I remember that you were also asking the question about how the targets are selected. For this we use both the AI tools and also the operator himself, so we’re using both methods for that.

Q: I want to get back to AI in a bit, but what area of operations do you cover?

A: Our area of interest and area of responsibility is related to all the roads that the enemy is using to bring in supplies to the area of operations of our corps, which is roughly in the area of the town of Dobropillia in eastern Ukraine, and for example, this may be the route from Rostov that goes to Mariupol and then goes to Donetsk, and this could be any other route that the enemy might use to bring military cargo to the area of operations of our corps.

First Corps Azov works in and around the area of Dobropillia in the Donetsk region of Eastern Ukraine. (Google Earth)

Q: What were some of the more successful mid-range drone strike missions you carried out?

A: That’s basically an easy principle. When I said that we are hunting the enemy’s logistics, I mean that this is a daily process. This is a continuous process, and this is not about one standalone mission, when we fly somewhere, when we hit a target and the mission is over.

Q: How are these mid-range strikes on Russian logistics affecting their ability to fight?

A: This is causing shortages of fuel for the enemy. This was already commented on by our media, and also the media resources of the enemy, and now we understand that this is true, not only for Crimea, where there is a severe shortage of fuel now, but also this is true about the other Russian-controlled territories. And basically, when we are striking enemy logistical supplies of fuel, this affects the overall situation, because what is fuel? Fuel is basically the blood of war, which is necessary to fuel the generators that the enemy is using for the FPV operations. The fuel is used for the vehicles that basically bring in those FPVs to the combat zone.

I’d like to add an additional explanation of how this works. If we destroy a car that brings fuel to the line of contact, then we’re talking about destroying like two canisters, so that’s approximately 40 liters of fuel. But if we strike a fuel tank and a tank vehicle, which is bringing fuel to the overall area, so then we can talk about several tons of materials.

Q: Is this setting the stage for a Ukrainian advance in the east or Zaporizhia?

A: I would say that blocking the logistical supplies to the Zaporizhia Oblast and also to Crimea is a byproduct of our attacks aimed at cutting enemy logistics to our area of operations. Because we’re targeting the roads that go through Mariupol, also to Crimea, to supply the Zaporizhia region, and as well our area of operations. But as for the most strategic aspect of this question of whether this might influence some counter-offensive capabilities of the Ukrainian Defense Forces, I think that is not the question within my scope of responsibility, because I’m an officer responsible for the UAS component of the corps, and I think that this is more of a question that should be directed to the general staff of the Armed Forces of Ukraine.

Q: Tell me how you came to use the U.S.-made Hornet drones.

A: I would say that this is also a question that should be directed at one level up from my level. We get those drones, we deploy those drones, but the questions of how we get them and what are the specifics of their supply, this is not a question that I can answer.

A one-way attack Hornet Drone is set up during a demonstration in the 7th Army Training Command’s (7th ATC) Grafenwoehr Training Area, Germany, March 25, 2026. The demonstration provided leaders with insight into how AI-enabled one-way attack systems operate alongside Army fires formations. (U.S. Army photo by Spc. Thomas Dixon)
A U.S.-made Hornet drone. (U.S. Army photo by Spc. Thomas Dixon) Spc. Thomas Dixon

Q: When did you start getting them?

A: We have been receiving these drones for almost a year.

Q: When you got the Hornet drones, were you given any instructions on what missions to accomplish with them or what targets to pursue?

A: I think that the principle thing to explain here is that the Hornet drone is a tactical level UAV system. It can be used at the maximum range of 50 kilometers – the maximum range of the basic configuration of this drone. The drones we are currently using are the modification of the Hornet drone, but the basic configuration of this drone is only a tactical-level UAV. This is why our mid-strike operations, which have started only recently, are using modified drones.

I think that it is important to add that these modifications are conducted by the units themselves.

Q: When did you begin to make the modifications and was the mid-range strike concept something that Azov developed?

A: Yeah, I would say that basically that was Azov development. So the first tests of these new modifications started in early winter. After approximately a month of testing, we started combat deployment of those drones approximately in January or February of this year. And we use those new modifications to ensure our middle strike operations. In terms of the tactics, I would also like to say that Azov developed new tactics of the deployment of middle strike drones, because the previous tactics they were mostly concentrated on the use of very expensive assets, which are available in limited numbers, so the targeting cycle was different, which is why we needed to develop new tactics and change this targeting cycle.

Q: What systems were you using before that were so expensive?

A: Well I’m not really talking about some specific assets here. I’m mostly talking about the overall tactics and the targeting cycle. So, the tactics of middle strikes were developed for expensive assets that the Corps didn’t have at the moment. So, this is basically why we started developing our own assets that could ensure that we have those middle strike capabilities, and we can also engage targets at the operational level.

Q: When you added Starlink, did you have to seek permission from SpaceX to use their system for these weapons?

A: The first thing that I would like to say is that we do not use only Starlink. It is just one of the possible communication systems and communication solutions that we’re using. And the second thing that I would like to add is that all the international issues, international cooperation questions, are the issues that should be dealt with at the level of our ministries and at the level of our central government, so once again, this is not a question that I can answer.

Q: Can you tell me what other communications systems you use?

A: No, this information is still secret, because none of those assets have been taken by the enemy, so the enemy doesn’t know yet that we’re using those. But I think that in some time we will be able to go public with those assets and tell more about what we use, apart from Starlink.

Q: Are you using Starlink and the other systems on the Darts drones as well, or just Hornet?

A: Yes, we are using Darts for those middle strike attacks. So, basically, the overall tactics of those mid-strike attacks with small UAV systems, it can use any fixed wing kamikaze drones with modifications which is why we are using Hornets, we are using Darts and also the other types of drones.

Q: Can you talk about the other types of drones? 

A: Unfortunately, no. The enemy has not yet got hold of those assets, and if one of them will be shot down, or if one of them will be captured by the enemy, then I think that we will be able to go public with those assets.

Q: Can you talk more about how you are using AI for the Hornets and Darts?

A: The AI is used for the so-called last-mile system. I’m talking about the terminal guidance here, and also the AI can also be used to identify the targets, especially when the drone is flying in the autonomous mode. It can recognize the type of the target and it can automatically engage the target. So all of these processes can happen without the involvement of the operator. This allows us to launch several drones at the same time, and this also allows us to ensure a higher level of coordination for those attacks.

I think that one of the examples of these attacks was captured by one of our videos that you might have seen when one fixed-wing drone is observing the target and the other drone is actually hitting it. 

1-й корпус НГУ «Азов» контролює ворожу логістику під Донецьком. Знищення російської техніки thumbnail

1-й корпус НГУ «Азов» контролює ворожу логістику під Донецьком. Знищення російської техніки




Q: Is there a man in the loop or a man on the loop during the terminal phase of the attack or is it fully autonomous?

A: Since we are trying to control the whole process, usually it is the person who takes the final decision and actually makes this decision to strike the target, because we do not want to over rely on the artificial intelligence. If necessary, this whole process can also happen without human involvement, but as I have already mentioned, our policy is that the decision should be made exclusively by the operator.

Q: So this is man in the loop?

A: Yes, so technically men can be out of this loop, but in our case we involve humans in this system, so that’s man in the loop.

Q: Have the Russians developed countermeasures for this effort?

A: Since the overall intent was to go to the massive deployment of those drones against the enemy logistics at once, as for now, the enemy has not yet had enough time to adapt to these tactics of ours. And now they’re desperately trying to find some countermeasures to find some ways to react to this. 

Several images showing the unusually painted Russian trucks have appeared on social media channels in recent days. So far, examples of Ural and KAMAZ heavy-duty truck designs have appeared. There are at least two distinct patterns so far: a zebra-style application of broadly straight lines, and a more organic leaflike, swirling design. In both cases, they extend over most external surfaces, including the wheels and tires. The white paint is simply applied over the base color of dark green.
Images showing unusually painted Russian trucks have appeared on social media channels in recent days with a paint scheme designed to throw off Ukraine’s AI-assisted mid-range strike drones. (Via X) via X

They are putting on anti-drone nets deep into their controlled territory. They are placing people armed with shotguns every 50 meters of their critical roads, but basically, as for now, there is no Russian tactic that would be effective in protecting their logistics. I do not say that they will not come up with this tactic in a month or so, but as for now, they do not have an effective countermeasure for that.

The only thing that I would like to add is that we approximately know the direction in which the enemy is moving to ensure counter measures to this tactic of ours, and we already have countermeasures for their countermeasures.

Q: Is the AI enhancement helping to mitigate Russian jamming and electronic warfare measures?

A: Well, I would like to say that EW is not the only way to counter UAVs. So, in addition to EW assets, there are other counter drone methods. Nets can be used. Air observation posts can be used. The drones can be shot down with enemy interceptor drones, and also there are hundreds and hundreds of people armed with shotguns who can also try to shoot the drones down. So the EW systems are just a small part of this overall system of drone countermeasures, and it is a general misconception that all anti-drone efforts are from the EW system. I would say that EW accounts for approximately 10% of overall counter drone efforts.

The main idea of the use of the AI systems is not only to help operators to counter enemy drone countermeasures, but the AI also helps the operator with navigation, with orientation, with the identification of the targets. So this is a complex system that helps the operator with many tasks.

Q: What are the lessons that the U.S. can learn from your mid-range drone strike campaign, given the importance of logistics everywhere.

A: Well, I would say that the main lesson that the U.S. can learn from our experience is that drones in their basic configuration, right out of the box, is not something that can work, and this is not something that can bring you the best results at once. This is why every unit should have their own drone laboratory that can reconfigure those drones and modify them, and I’m not only talking about reconfiguring tactical level drones to turn them into middle strike capacities. I’m talking about all warfare in general.

U.S. Soldier Sgt. Kevin Tran, assigned to 173rd Airborne Brigade, sets up a one-way attack Hornet drone during a demonstration in the 7th Army Training Command’s Grafenwoehr Training Area, Germany, March 25, 2026. The demonstration provided leaders with insight into how AI-enabled one-way attack systems operate alongside Army fires formations. (U.S. Army photo by Spc. Thomas Dixon)
U.S. soldier Sgt. Kevin Tran, assigned to 173rd Airborne Brigade, sets up a one-way attack Hornet drone during a demonstration in the 7th Army Training Command’s Grafenwoehr Training Area, Germany, March 25, 2026. The demonstration provided leaders with insight into how AI-enabled one-way attack systems operate alongside Army fires formations. (U.S. Army photo by Spc. Thomas Dixon) Spc. Thomas Dixon

Assets become obsolete very quickly and in three months everything can change, starting from the navigation systems and ending with the control systems. For example, today the GPS signal works, in a month it doesn’t work anymore. Today we use this set of frequency ranges, and in a month all those frequency ranges are jammed by the enemy. So I’m saying this for you to understand that for example, if the U.S. government purchases Hornet drones for their units, then the units are going to have good tactical level drones. But if you want to squeeze all of the possible benefits from those drones, then you will need to modify the structure of your units and include the departments, include the sections that will deal with the modification and reconfiguration of those drones to ensure the most efficient results that can be achieved.

From what I see now, the U.S. is mostly just giving the unit some assets, but they are not thinking about re-configuring or repurposing those drones.

Q: Is there anything I haven’t asked you that you would like to address?

A: I think that we have covered all the topics. The only thing that I would like to add is that I would like your audience to see that Ukraine introduces new innovations that can basically change the battlefield, and this is why trying to forecast the outcome of the war based on the number of tanks or aircraft or bombs that would be incorrect, so the victory will belong to the side capable of adapting faster and not to the side that has more resources.

Contact the author: howard@twz.com

Howard is a Senior Staff Writer for The War Zone, and a former Senior Managing Editor for Military Times. Prior to this, he covered military affairs for the Tampa Bay Times as a Senior Writer. Howard’s work has appeared in various publications including Yahoo News, RealClearDefense, and Air Force Times.




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‘Time and Water’ review: Iceland’s deep connection to glaciers, in crisis

Glaciers aren’t stationary. Immense and imposing, formed through the downward trajectory of water from mountains as it collects and freezes, they have always moved. Now, however, they’re leaving. The demise of glaciers is a fact inherent in all the bad news about the effects of climate change on what once seemed permanent. But for Icelanders, whose connection to glaciers is ancient and mythic, our human epoch has become an extended hospice for the landscape of their lives.

Somehow, though, Sara Dosa’s documentary on this matter, “Time and Water,” avoids playing like a funeral in waiting. Built around Icelandic writer Andri Snær Magnason’s voiced lamentations on a vanishing frozen world, along with archival footage of his family, it’s no simple howl of grief, even when it takes us to a publicly held memorial in 2019 for Iceland’s Ok glacier, the first such “death” diagnosis in the country’s history. Rather, Dosa’s film is a meditation on change — both the kind that we accept with a heavy heart and something more general. “Time and Water” is a curiously vibrant elegy, teeming with appreciation for the intimate majesty that is all life, generational and geologic.

Dosa has finessed this emotional-meets-elemental space before in her Academy Award-nominated 2022 documentary “Fire of Love,” about married volcanologists Katia and Maurice Krafft. That was a wonderfully eccentric romance forged in molten lava. Here, she’s in a collaboration of sorts with her subjects, both human and elemental. Magnason’s opening narration over spectacular footage of glaciers — up close and from far away — gently informs us that we’re watching a time capsule, one where the bonds of family and environment are intertwined.

We learn how Iceland’s glaciers, essentially rivers of varying pace, begat their unique ecosystems, but also how they provided the breathtaking terrain upon which Magnason’s grandparents Hulda and Árni fell in love. (Grandma Hulda was the first woman to fly in Iceland, itself a very cool fact.) The onset of dementia in Árni spurs his grandson to consider what’s lost when the markers of memory depart. “Time and Water” touches on the epic verse called rimurs, passed down via chanted song by Icelandic women, their descriptive, sorrowful tales like dispatches from previous ages.

“Tone poem” is an overused term in cinema, but the humbling “Time and Water,” graced with a playful, atmospheric Dan Deacon score, earns that distinction. Naturally, it helps that you can never tire of all the air-crisped glacier imagery, captured digitally and in 16mm. Folded into the cozy slide-show vibe of Magnason’s home videos and the carefully chosen archival footage, the movie plays like a scrapbook portrait in which home just happens to boast the grandest of backyards.

How much longer will Icelanders enjoy it? The glaciers are predicted to be gone within 200 years. That’s an eternity or a drip, depending on whose survival we’re talking about. Still, “Time and Water” collapses the notion that we are somehow separate from these ancient, essential formations: an encouraging hello to the future from inside a sobering goodbye.

‘Time and Water’

In English and Icelandic, with subtitles

Rated: PG, for some thematic elements, smoking and brief language

Running time: 1 hour, 33 minutes

Playing: Opens Friday, June 5 at Laemmle Royal and Laemmle Glendale

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