declines

Diversity in last year’s streaming films followed the same downward trend as theatrical releases, a new study found, with the percentage of people of color directing, writing and leading films diminishing.

In past years, streaming was considered a more accessible outlet for early-career female or BIPOC filmmakers, which was reflected in data about gender and racial representation. According to Part 2 of UCLA’s 2026 Hollywood Diversity Report, which was released Wednesday and analyzed all of the original English-language films distributed on major streaming platforms in 2025, that trend reversed across every category studied.

The share of streaming films directed by women declined to just over 23%, the lowest it’s been since 2022, when the annual study began analyzing streaming and theatrical films separately. Among those female directors, an overwhelming majority (81%) were allotted budgets below $20 million, while more than a quarter of the films directed by white men exceeded $50 million.

Only about 31% of streaming films last year had BIPOC directors, down 10% since 2024, when the proportion more closely reflected U.S. demographics.

“This is an industry in flux — and in reverse, especially when it comes to diversification,” Darnell Hunt, UCLA’s executive vice chancellor and provost and the report’s co-founder, said in a statement.

“Unfortunately, as we’ve seen with theatrical films, we’re now seeing the impact of this current political climate in very meaningful and concrete ways,” he continued. “As budgets tighten, opportunities for filmmakers of underrepresented backgrounds are always the first to be squeezed out.”

Despite losing ground behind the scenes and in front of the camera, women and people of color continued to drive streaming viewership in 2025, the report found.

The year’s biggest streaming hit, “KPop Demon Hunters,” was also the most-watched original Netflix film of all time, and according to Neilsen ratings, it was most streamed by women in Latinx households, followed by women in Asian and Black households. The report acknowledged the film as a “bright spot” in a disappointing year for diversity.

Michael Tran, a sociologist who co-authored the report, noted that the film’s impact and earnings potential could have been even greater with a theatrical release.

“It was a missed opportunity for theaters,” Tran said. “We’ve tracked how diverse films tend to succeed at the box office, here and abroad. For ‘KPop Demon Hunters,’ we could have been talking about record-breaking box office receipts in addition to topping the ratings.”

When “KPop Demon Hunters” did briefly screen in theaters — for two days last August, with over 1,750 locations domestically and more than 1,150 sold-out screenings — it was the No. 1 movie that weekend, earning about $18 million in ticket sales (though Netflix does not report exact box office figures).

Data from the report also indicated that streaming films with at least somewhat diverse casts tended to outperform in terms of audience and social media engagement.

However, overall cast diversity in streaming films declined in 2025. For the first time since 2022, films with a majority-BIPOC cast did not represent the plurality of streaming titles. Most notably, the percentage of lead actors of color dropped from a high of 51% in 2024 to 36% in 2025.

Report authors called it an “industry-wide chilling effect” reminiscent of a similar decline in diversity among theatrical films in 2024. That said, streaming films continued to star BIPOC leads more often than their theatrical counterparts, the study found.

The overall number of streaming films also declined. While the annual UCLA report typically examines the top 100 original, English-language movies across streaming platforms, this time, there were only 89 for researchers to analyze.

In addition to studying race and gender demographics in the film industry, the report also examined on-camera representations of disability. According to the study, while adults with a disability make up at least 26% of the U.S. population, actors with a known disability represented 6.5% of total streaming movie actors, which is in line with the previous year.

According to the study’s authors, streamers hoping to compete in a fast-paced, globalized market should increase their diversity efforts in light of these results.

“Kids under 18 are already majority BIPOC. There’s no going back if a studio wants to be profitable and relevant to Gen Z and Gen Alpha,” said report co-founder and co-author Ana-Christina Ramón. “Severing all brand loyalty now will only make it more difficult to regain long-term subscribers in the future.”

SANTAIGO, Chile, May 15 (UPI) — The departure of more than 30,000 Venezuelan workers from Chile’s labor market in recent months has become an unprecedented trend that analysts say appears linked to tougher immigration policies under President José Antonio Kast and, to a greater extent, Venezuela’s political reconfiguration.

A study by the Economic Context Observatory at Diego Portales University found that the Venezuelan labor force in Chile fell 5.4% during the January-March quarter, marking five consecutive months of year-over-year declines.

Over that period, Chile’s overall labor force grew 1.1%.

“This is not an isolated phenomenon. The magnitude of the decline in the Venezuelan labor force had not been observed in previous periods,” economist Juan Bravo, director of the Economic Context Observatory and author of the study, told UPI.

Bravo said the gradual, but noticeable, return home of Venezuelans living in Chile began after the arrest of Venezuela’s president, Nicolás Maduro during a U.S. military operation Jan. 3.

“Venezuela is undergoing a transition and internal reconfiguration process, with some signs of change, but still facing high social tensions and a fragile economic situation,” he said.

With Kast taking office in March after campaigning on stricter measures against undocumented immigrants, Venezuela’s recovery process has become a more significant factor in migration patterns.

“While it is not appropriate to assume that the entire Venezuelan population in Chile will return to their country, it is also unrealistic to assume that no one will,” Bravo said.

The decline in Venezuela’s labor force is concentrated among people who have lived in Chile for fewer than five years, are age 34 or younger, male, single and hold university degrees. That group represents 80.1% of the total decrease.

Researchers warned that the reduced Venezuelan presence is directly affecting jobs in sectors that include delivery services, hospitality and customer service.

“By far, the occupation that could face the greatest labor shortage is motorcycle drivers, where 61.1% of workers are Venezuelan,” Bravo said.

He said Venezuelan workers also are heavily represented among vehicle cleaners, gas station attendants, hotel receptionists, electronics technicians and mechanics, cosmetologists and restaurant servers.

The drop in Venezuelan participation also comes as Kast’s government advances another campaign promise: the construction of a border trench aimed at stopping undocumented migration.

The so-called Border Shield Plan calls for a 37-mile trench in northern Chile along the borders with Peru and Bolivia. Authorities said in late April that 20% of the project had been completed, including an initial 7.5-mile stretch.

At the same time, Kast is seeking to restore diplomatic relations with the government of interim Venezuelan President Delcy Rodríguez to begin deporting undocumented foreigners living in Chile.

Authorities estimate that 75% of undocumented migrants in Chile are Venezuelans who cannot be deported because the lack of consular relations prevents Chilean authorities from verifying their identities and Venezuela will not accept them back.

Ernesto León, national director of migration and international police at Chile’s Investigative Police Department, or PDI, told Spanish newspaper El País that 6,000 deportations to Venezuela remain pending, while another 2,000 Venezuelans have left Chile voluntarily.

ABC late-night comedian Jimmy Kimmel explained his controversial joke about First Lady Melania Trump, but declined to apologize for offending her.

On Monday, President Trump repeated his demand that ABC fire the longtime show host over a joke that aired on the L.A.-based “Jimmy Kimmel Live!” program two days before the White House Correspondents’ Assn. dinner in Washington. Kimmel, who has headlined that event before, staged a pretend roast during his Thursday night broadcast that featured spliced-in footage of Melania Trump, Defense Secretary Pete Hegseth, Vice President Vance and others.

During the bit, a tuxedo-clad Kimmel called the first lady “beautiful,” saying she had “the glow of an expectant widow.” There wasn’t much reaction to Kimmel’s comment at the time, Kimmel said during Monday’s show.

On Saturday, the White House Correspondents’ Assn. gala, to celebrate the 1st Amendment, was interrupted when a gunman sprinted past security at the Washington Hilton, where the event was being held. He did not reach the ballroom. The suspect, Cole Tomas Allen, of Torrance, has since been charged with attempting to assassinate the president.

“There was no big reaction to [the joke] until this morning, when I greeted the day facing yet another Twitter vomit storm and a call to fire me from our first lady,” Kimmel said during Monday night’s telecast.

“Obviously, it was a joke about their age difference and the look of joy we see on her face every time they’re together,” Kimmel said.

“It was a very light roast joke about the fact that he’s almost 80 and she’s younger than I am,” Kimmel said. “It was not, by any stretch of the definition, a call to assassinate. And they know that.”

Kimmel added that he has long been vocal “speaking out against gun violence,.”

Melania Trump, who appeared visibly shaken during the Saturday night scare, expressed her outrage in a social media post earlier Monday.

“Kimmel’s hateful and violent rhetoric is intended to divide our country,” she wrote. “His monologue about my family isn’t comedy- his words are corrosive and deepens the political sickness within America. People like Kimmel shouldn’t have the opportunity to enter our homes each evening to spread hate. A coward, Kimmel hides behind ABC because he knows the network will keep running cover to protect him.”

ABC has not commented about the flap.