death

Emmerdale’s Dr Todd, played by Caroline Harker, has been causing chaos in the village but the actress comes from a famous acting family

Dr Todd has caused nothing but chaos since her arrival on Emmerdale.

After bullying young trainee doctor Jacob Sugden (Joe-Warren Plant) at the hospital, Dr Todd, played by Caroline Harker, turned her attentions to Charity Dingle (Emma Atkins).

On Sunday night, Dr Todd sexually assaulted Charity after weeks of blackmailing her over the true parentage of baby Leyla.

Charity served as a surrogate for granddaughter Sarah Sugden and Sarah’s husband Jacob, giving birth to baby Leyla. However, Charity has failed to tell the new parents that she and Ross Barton are actually Leyla’s biological parents following a short fling together.

After Dr Todd discovered this secret, she demanded £100,000 from Charity, and things took a horrifying turn when Dr Todd sexually assaulted Charity on Sunday’s episode.

With Dr Todd currently dominating storylines on the ITV soap viewers may be interested to learn that actress Caroline, 60, hails from quite a distinguished acting family.

Who is Dr Todd star Caroline Harker’s family?

Away from the soap, it transpires that Dr Todd actress Caroline comes from quite a celebrated family. Her mother, Polly Adams, is an accomplished actress who has worked extensively across both the UK and the US.

She is perhaps best known for playing Mrs Brown in the 1990s television series Just William, with further TV credits including Kingdom and The Cinder Path.

In 1975, Polly made her Broadway debut in the award-nominated role of Grace Harkaway in a revival of London Assurance. However, Polly isn’t the only celebrated family member Caroline has.

Her sister is Susannah Harker, who has featured in hit BBC 1995 series Pride and Prejudice as Jane Bennet, alongside Jennifer Ehle, who played Elizabeth Bennet, and Colin Firth, who played Mr Darcy.

Other roles include Midsomer Murders and Grantchester. She also received a BAFTA TV Award nomination in 1990 for her portrayal of Mattie Storin in House of Cards.

Who is Dr Todd star Caroline Harker’s husband?

Caroline is wed to actor Anthony Calf, and together the couple have three daughters: Louise Emma Calf, Cecilia Ann L Calf, and Anemone Georgiana Calf.

The 66-year-old boasts an extensive acting career and is best known for his roles in The Madness of King George, Beau Geste, and I Came By, alongside his appearances in Lewis.

Between 2023 and 2025, Anthony portrayed Lord Brightlingsea in the costume drama The Buccaneers, and has also featured in the film A Teacher’s Gift (2025) and the series Insomnia (2024).

From 2005, Anthony spent a decade playing DAC Robert Strickland in New Tricks, having previously taken on the role of Michael Beauchamp in Holby City (2005 – 2006).

In 2019, Anthony stepped into the role of William Wickham in the hugely popular series Poldark, and also appeared in Doctor Who as Godsacre (2017) as well as Death in Paradise in 2021 as Phillip Carlton. His former brother-in-law is Game of Thrones star Iain Glen.

What else has Dr Todd star Caroline Harker been in?

Away from her work in the Dales, Caroline has cropped up in a host of productions, including Harry Enfield and Chums, Holding On, The Man Who Lost His Head with Martin Clunes, Auf Wiedersehen, Pet, Midsomer Murders, and Doctors.

In 2012, Caroline took on the role of Alicia Davenport for a brief stint in Coronation Street. She is also widely recognised for her portrayal of PC Hazel Wallace in A Touch of Frost, starring opposite Sir David Jason.

Her most recent roles include Julia in the Apple TV series Hijack, Bethany Hastings in The Stolen Girl, and Mrs. Taylor-Brown. Back in 2011, she made a one-off appearance in New Tricks, sharing the screen with her husband, portraying the character Tabitha Hall-Chalmers.

Emmerdale airs Monday to Friday at 8:00pm on ITV1 and ITVX

WASHINGTON — President Trump signed a bill into law on Wednesday that gives his immigration and deportation agenda a nearly $70 billion boost for the rest of his time in the White House.

The bill provides $38 billion for U.S. Immigration and Customs Enforcement and $26 billion for the Border Patrol. An additional $5 billion would cover unforeseen costs, according to the White House.

Trump signed the legislation in the Oval Office a day after House Republicans pushed the measure through by a 214-212 vote over the objections of Democrats. His signature ended a nearly six-month fight over Department of Homeland Security funding that began with shooting deaths of deaths of two U.S. citizens, Alex Pretti and Renee Good, in January during federal immigration enforcement operations in Minneapolis.

Democrats began demanding changes to immigration enforcement after the shootings, creating an impasse — and resulting in the longest agency in history — that ultimately led Republicans to go it alone on the funding.

The agencies will be funded through the next three years. The new law front-loads routine annual funding, ensuring a virtually uninterrupted flow of money as the Trump administration seeks to deport some 1 million people per year.

The legislation had become sidetracked over $1 billion for White House security, including for Trump’s new ballroom, and a $1.8 billion fund to compensate his allies who claim to be victims of political prosecution. Both proposals became politically toxic and were scrapped.

The bill as passed focused exclusively on immigration enforcement, a topic that Republicans have treated as a defining issue between the two major political parties and one the GOP hopes will carry it to victory in November’s midterm elections.

Superville and Binkley write for the Associated Press.

Actor Anthony Head died last week at the age of 72 after complications due to pneumonia.

Last week, the world was shocked and saddened to hear the news that actor Anthony Head had died.

The star was best known for his roles as Giles in Buffy the Vampire Slayer and Rupert Mannion in the comedy series Ted Lasso.

On Wednesday’s episode of The One Show (June 10), BBC presenters Angellica Bell and JB Gill spoke about his death to actor Colin Morgan.

The 40-year-old starred alongside Anthony during his time on the children’s fantasy show Merlin, which ran from 2008 to 2012.

Anthony played King Uther Pendragon in the series, while Colin played the title character in the beloved show

Addressing the news of his death last week, host Angellica said to Colin: “Your big break was in the BBC series Merlin alongside the late Anthony Head, and you must have some fond memories of working with him?”

He said: “Yeah, I was so shocked and heartbroken to hear about his loss last week. He was such a pinnacle of a role model to me and all the young cast of Merlin.

“I have such incredible memories of working with him. Right now, my thoughts go out to his daughters, Daisy and Emily.”

JB added: “Yeah, condolences to his family as well.”

The news of his death was confirmed by his daughter in a statement which was released on Friday, June 5.

The said: “It is with heavy hearts that we announce the death of our extraordinary father, Anthony Head.

“He passed away peacefully of complications due to pneumonia, surrounded by his family. It has been, and forever will be, an honour and a privilege to be his daughters, and to have witnessed first-hand the impact both he and his work have had on so many.”

Since the announcement of his death, tributes have been flooding in from his former co-stars, including Matt Lucas, Charisma Carpenter and Sarah Michelle Gellar.

Alongside a photo of them all years ago, the actress wrote on Instagram: “Tell Giles I figured it out and I’m ok” Well I don’t have it figured out and I’m not ok. But I know I’m the lucky one because I knew you. Thank you to Daisy and Emily who not only shared their dad with me, but with the world.

The One Show is available to watch weeknights on BBC One from 7pm

Channel 5’s The Fortune is set to come to an end this week, but viewers have been blasting the latest episode.

*This article contains spoilers for the latest episode of The Fortune*

Further turmoil appears imminent for Amanda Blakefield (portrayed by Eleanor Tomlinson) following a sinister development in the most recent instalment of Channel 5’s new series, The Fortune.

During Tuesday evening’s broadcast (June 9), audiences witnessed the consequences of Boots’ (Stephen Tompkinson) sudden demise as Amanda escaped to her spouse, revealing she’d concealed from authorities that he’d been shot, worried she’d face accusations.

Yet when she returned to his residence the following day accompanied by her closest friend, Sandy (Danielle Walters), Amanda was stunned to discover his corpse had vanished, and the entire property had been thoroughly cleaned.

Fleeing the location, the camera revealed Anthony Worrall (Callum Woodhouse) concealed nearby, watching from the darkness. Subsequently in the episode, Anthony received a shocking revelation from his mother, reports Wales Online.

During their exchange, she disclosed that Amanda couldn’t possibly be his father’s secret daughter, as he was incapable of fathering children himself. She informed him that Boots was his biological father, explaining they’d adopted him as a youngster.

Devastated by this revelation and refusing to accept what he’d learned, Anthony fled the property. Later, he was shown placing stones into a bag containing Boots’ lifeless body before submerging him in the lake.

Did he murder Boots, or is he protecting somebody else?

Anthony wasn’t alone in facing family turmoil, as Amanda was left shocked when her mum’s care home telephoned, reporting she’d fled the premises. However, Amanda instinctively suspected she’d been abducted by someone.

As the programme concluded, it showed her mum conversing with Amanda’s husband Jimmy (Matthew Lewis) in the rear of a taxi while his hands were tied together. Surprisingly, they were both talking to the taxi driver who had previously transported Amanda on several occasions throughout the series.

Despite the episode’s unexpected developments, some viewers appeared disappointed by the show’s pacing, with one person commenting: “#TheFortune #Channel5 Why is it so s-l-o-w!”

Another wrote: “I really, really wanted to like this … Waste of a good cast #thefortune channel 5.” While a third person questioned: “Can anyone remember Episode 2 of #thefortune? It’s been so long since it was on. Why didn’t C5 just put this on across four days, like they normally do? And if not, just stick it all online from day one.”

Though one viewer championed the programme, stating: “Episode three of #TheFortune tonight. Should be good.”

It appears viewers won’t have much longer to discover what awaits Amanda as the series reaches its conclusion this week.

The Fortune continues Wednesday June 10 on Channel 5 from 9pm

WASHINGTON — Mismanagement at a massive Immigration and Customs Enforcement facility in Texas created unsafe conditions that contributed to detainee deaths and suffering even as millions of wasted tax dollars enriched contractors, according to a federal report released Tuesday.

The Government Accountability Office report documents serious problems at Camp East Montana, a sprawling tent facility at Ft. Bliss in El Paso where three detainees have died in a little more than six months. Evidence in one of those deaths, of a 55-year-old Cuban migrant who died in January after being held down by guards, was “missing or destroyed,” the report found.

ICE rushed to open the camp in August before construction was complete and failed to conduct required oversight to ensure detainees were held in sanitary conditions and receiving adequate medical care, according to the report.

The Department of Homeland Security noted that ICE has replaced the contractor running the facility. “This new contractor will allow Camp East Montana to continue abiding by the highest detention standards with the ability to provide more medical care on-site,” said Homeland Security spokesperson Lauren Bis.

The GAO’s findings echo past reporting by the Associated Press and other news outlets about dangerous conditions at Camp East Montana, which quickly became the nation’s largest immigration detention facility.

But the government report also details previously undisclosed incidents, including a detainee escape in October due to what ICE called the contractor’s oversight failure. In January, a security guard lost a loaded firearm inside the facility that was never recovered.

The contractor failed to administer skin tests to screen detainees for tuberculosis, relying on a questionnaire instead, the report said. The inadequate screening allowed a detainee with tuberculosis to be housed with the general population, which later suffered an outbreak.

GAO is an independent, nonpartisan agency in Congress that investigates how federal funds are spent and evaluates whether programs and policies are operating effectively. The office opened its review into Camp East Montana at the request of Democrats in the House and Senate.

Sen. Dick Durbin of Illinois called the report’s findings “damning.”

“We now know even more details of how dangerous and irresponsible the Trump administration’s mass deportation campaign truly is,” said Durbin, the ranking Democrat on the Senate Judiciary Committee, adding that “those detained are experiencing conditions that shock the conscience.”

A rush to build led to an inexperienced contractor

Facing pressure to increase its detention capacity, the Trump administration routed the contract to build Camp East Montana through the Army to speed construction after ICE twice failed to successfully award one. That resulted in the selection of a small, little-known contractor, Acquisition Logistics, for the $1.3-billion deal despite it having no prior experience operating detention facilities and facing what ICE called a “significant learning curve.”

The Army — and later ICE after the camp was transferred to the agency — wasted millions of dollars paying for services it did not need because the contract did not account for fluctuations in the detainee population, the report said.

The Army blew as much as $11.5 million paying for guards, medical services, transportation and meals in the weeks before the camp held detainees. Millions more were wasted because the government was contracted to pay the cost of meals for the camp’s maximum population of 5,000, even when the number of detainees there dropped to around 1,600, the report said.

Facility didn’t initially meet detention standards

The facility did not meet ICE detention standards or the contract’s requirements in several ways when it opened, in part because it had not been inspected as required by ICE policy, the report said. The camp lacked security cameras on the perimeter and had other surveillance blind spots that raised the risk of sexual assaults or escapes.

The camp could not accommodate detainees using wheelchairs and had no showers compliant with the Americans With Disabilities Act, resulting in the disabled being held in medical care rooms.

The recreation area wasn’t available for several days, and after one yard was opened, it wasn’t enough space to provide required time for detainees. The law library, space to meet with attorneys and a visitation area did not open for weeks, resulting in detainees being deprived of legal resources and contact with family and friends, the report found.

The problems persisted as ICE began transporting more detainees there from across the country, the GAO found. While built to house up to 5,000 immigrants for short-term stays, its population has averaged about half of that from October until April, according to ICE’s most recent data.

Missing evidence and other problems

Detainees held at the facility didn’t receive comprehensive health assessments, which meant that those with chronic conditions received substandard care, the report said.

The contractor cleaned the dormitories weekly rather than daily as required, resulting in unsanitary conditions. Some guards offered detainees cookies if they would clean their own rooms. Acquisition Logistics didn’t reply to messages seeking comment.

The GAO report says investigations into the January death of Geraldo Lunas Campos were undermined after “evidence associated with the incident was missing or destroyed.” It did not elaborate. Campos died after he was restrained by guards and an outside autopsy report ruled the death a homicide due to asphyxia. The contractor at the facility did not provide use-of-force and death reports to ICE as required, according to the new report.

An investigation by ICE’s Office of Professional Responsibility into the death is on hold pending a criminal investigation by the FBI.

On Jan. 14, Nicaraguan detainee Victor Manuel Diaz, 36, died of suicide after staff put him in a medical holding room instead of suicide-resistant cell and left him unattended for intervals longer than 15 minutes, the report said. Staff could not see into the room because the contractor had failed to install vision panels that had been requested months earlier, it found.

“These are huge discrepancies in their failure to prevent suicides,” said Diaz family attorney Randall Kallinen, noting that the report strengthens a potential wrongful death claim he’s considering. “They are part of an entire laundry list of problems at Camp East Montana.”

Biesecker and Foley write for the Associated Press. Foley reported from Iowa City, Iowa.

OSCAR-nominated actor Terence Stamp left ­£1million in his will, ­documents show.

The star, who died last August aged 87, played villain General Zod in the original Superman movie and its sequel Superman II.

High Court records seen by The Sun show Stamp — who was divorced and had no children — left £1,015,564 to his wider family.

Stamp was born in London’s East End in 1938 and worked in advertising before ­winning a drama school scholarship in the 1950s.

His movie debut, Billy Budd in 1962, won him an Oscar nomination.

He dated actress Julie Christie and became a Sixties cultural figure.

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In 1994, he shocked fans by playing trans woman Bernadette in The Adventures Of Priscilla, Queen of the Desert.

The role won him a Golden Globe nomination.

Stamp went on to appear in a string of other films, including Valkyrie with Tom Cruise and Yes Man with Jim Carrey.

He continued to act well into his 80s with parts in various films and in TV’s adaptation of His Dark Materials.

But despite appearing in dozens of productions, he said he was annoyed he had not done more. He revealed: “My only regrets are the films that I passed on because I was fearful.”

Stamp died on August 17 last year, with tributes flooding in from acting royalty.

Judge Emily Marks had previously allowed the execution to proceed, arguing that no execution is entirely without pain.

A federal judge in the United States has permanently blocked Alabama from executing an inmate with nitrogen gas, after declaring that the method violates the ban on cruel and unusual punishment.

On Tuesday, US District Judge Emily C Marks permanently enjoined the state from executing Jeffery Lee by nitrogen gas. Lee was scheduled to be executed Thursday at an Alabama prison.

Her decision came a day after an appeals court reversed her earlier ruling that the method is constitutional.

The case centres on how to interpret the US Constitution’s Eighth Amendment, which bars the government from inflicting “cruel and unusual punishments”.

A spokesman for Alabama Attorney General Steve Marshall said the state is reviewing the decision and considering next steps, including an appeal. The case will likely end up before the US Supreme Court, which has previously let nitrogen executions proceed.

A spokeswoman for Lee’s legal team said they did not have an immediate comment.

In her 26-page ruling, Marks said litigation is a constant in death penalty cases.

“Were Alabama to adopt firing squad as a method of execution, that method would likely be challenged as well. Indeed, there is likely no method — no matter how humane — that would be immune to constitutional challenge,” Marks wrote.

“But the Constitution does not guarantee a painless death, and human life cannot be purposefully extinguished without some risk of pain. The Court, the condemned, and the State must all confront that sobering reality.”

Marks noted that the state has two other authorised execution methods: lethal injection and the electric chair. She said Lee is “not entitled to an injunction barring the State from executing him using one of those methods”.

Marks also ruled that the state could switch to Lee’s preferred method, a firing squad. Inmates challenging execution methods are required to suggest an alternative method.

“The State can readily obtain rifles, ammunition, and other materials necessary to carry out a firing squad execution,” Marks wrote.

“Additionally, the State would be able to modify space at Holman to carry out executions by firing squad. The State is also able to source and train volunteers willing to carry out such an execution.”

Lee is currently housed at Holman Correctional Facility in Atmore.

Netflix’s new hit drama which is climbing the charts stars the late Song Young Kyu as Ryu Gwang-pil.

K-drama Teach You A Lesson was Song Young Kyu’s final job before his tragic death in 2025.

Netflix has just unveiled a new South Korean drama which is already climbing the UK Top 10 chart alongside shows like The Witness, and viewers have been talking about one star in particular.

The series, which is just one of many Netflix K-dramas, is about a school notorious for violence and the decline of faculty authority, which is turned around by an inspector from the Educational Rights Protection Bureau who uses physical intervention and unconventional methods to discipline delinquent students.

The show, based on the Naver webtoon Get Schooled, stars Song Young-gyu as Ryu Gwang-pil – a member of the National Assembly and the father of student Ryu Jun-hyeong (played by Lee Seung-gyu).

Song Young-kyu, also referred to as Song Young-gyu, was a 55-year-old South Korean actor who was best known for his theatre roles, and he made his film debut in the 2002 movie Turn It Up.

He was best known to international audiences for his roles in Netflix’s Narco-Saints and Disney+’s Big Bet, both released in 2022.

In August 2025, the actor was found dead inside a parked car in Yongin, Gyeonggi Province. There was no signs of foul play according to authorities.

Teach You a Lesson was the show he completed filming on before his death and his posthumous appearance in the series is drawing worldwide attention.

The first episode of the series revolves around school violence and it sees Education Authority Protection Bureau supervisor Na Hwa-jin (Kim Moo-yeol) visit Daehan High School, where student Park Dae-seok (Jung Soo-hyun) died.

The ringleader of the violence, Ryu Jun-hyeong, is the son of Congressman Ryu Kwang-pil, a prominent potential presidential candidate.

Relying on his father’s position of power, Ryu Jun-hyeong looked down on students and staff, committing all kinds of atrocities.

Na Hwa-jin even visited Ryu Kwang-pil directly. However, instead of correcting his son’s wrongdoing, Ryu Kwang-pil tried to block Na Hwa-jin using his position and influence and even attempted to dismantle the Education Authority Protection Bureau altogether.

Song Young Kyu, who is survived by his wife and two daughters, appeared in more than 40 TV dramas and numerous films across three decades.

His role as Chief Choi in the 2019 film Extreme Job, which became one of South Korea’s highest grossing films ever, gained him international attention.

One fan took to X, formerly Twitter, to pay tribute to the star after watching Teach You A Lesson, saying: “I was so focused on the plot of Teach You a Lesson that I didn’t even realise the actor playing the bully’s father in episode one was Song Young-gyu.

“The crazy thing is, I’ve seen him in so many dramas over the years, but while watching this one, all my attention was on the story, the tension, and everything happening on screen.

“It wasn’t until now that it clicked. It’s a strange feeling when you recognise an actor after the fact and remember that they’re no longer here. It makes you look at their scenes differently.

“Supporting actors rarely get the same attention as lead stars, but they’re often the ones who make these dramas feel real. Continue to Rest in Peace, Song Young-gyu.”

Teach You A Lesson is on Netflix now

Death in Paradise fans shouldn’t miss out on this “beautiful” series while the BBC hit takes a break.

Death in Paradise fans need to watch this “wonderful” show that’s just made its eagerly anticipated comeback.

Death in Paradise is currently on its yearly break from BBC One, leaving dedicated fans desperately searching for something to fill the void left by the beloved cosy crime drama until it returns.

While they wait, viewers could instead tune into the real-life equivalent of Death in Paradise, documentary series Policing Paradise, which returned for its second series today, Monday, June 8.

The programme follows the day-to-day workings of the Bermuda Police Service, capturing both local and British officers patrolling the tropical islands as they juggle police duties with ensuring thousands of tourists remain safe.

What makes Policing Paradise particularly thrilling for Death in Paradise enthusiasts, however, is its connection to two of the beloved drama’s prominent cast members.

The debut series of Policing Paradise, which aired in March 2025, was narrated by none other than Officer Ruby Patterson actress Shyko Amos.

Yet for this fresh second series, it is the Commissioner himself, actor Don Warrington, who has assumed narrating responsibilities.

Policing Paradise season two continues to broadcast Monday to Thursday at 2pm on BBC One, with the opening four episodes now available on BBC iPlayer.

Series one of the documentary is already accessible to stream, with the remainder of the second series anticipated to follow at a later date.

Beyond the day-to-day hurdles of tackling petty crime and managing summer festivals, Policing Paradise also shines a light on various specialist units, including marine patrols, dog handlers and drug-enforcement officers.

Ahead of its return, one enthusiastic fan praised the first series on IMDb, writing: “This show has it all; insightful access to the full range of Bermuda police duties from dog handling to diving, beautifully photographed with great skill, and narrated with tact, wit and affection by Shyko Amos (Ruby, Commissioner Pattersons’ niece from Death In Paradise).”

They continued: “This show is an informative documentary with the bonus of that lovely camerawork with Shykos’ voice-over work deftly remaining appropriate and informed across the wide-ranging situations. More of this please!”

A second viewer agreed: “Great to see all the places we love and very interesting to see how Bermuda is policed.

“Hoping there will be another series to get a bit more about it and see more on wonderful Bermuda. Island paradise in the Atlantic.”

Policing Paradise is available to stream on BBC iPlayer.

The 79th Tony Awards telecast kicked off with a bang by giving out two major awards in the first 30 minutes — and before viewers could blink both John Lithgow and Laurie Metcalf had each won the third Tony Award of their careers.

Lithgow won best performance by an actor in a leading role in a play for his portrayal of the controversial, beloved British author Roald Dahl in Mark Rosenblatt’s poignant drama “Giant,” directed by Nicholas Hytner. Times theater critic Charles McNulty called Lithgow’s performance “at once terrifying and never anything less than human,” and “one of the bravest” of the Broadway season.

Lithogow’s win, however, was far from assured. He was in the running against Nathan Lane in the season’s most talk-about show’s “Death of a Salesman,” and many bets were surely placed on the latter to sweep.

Lithogow is among a cadre of accomplished film and television actors who have a deep love of the stage. His first Tony win came for best featured actor in a play for his 1972 Broadway debut in “The Changing Room.” His second came 30 years later in 2002 when he he won for best actor in a musical for “Sweet Smell of Success.”

Metcalf won best featured actress for her portrayal of Willie Loman’s protective wife, Linda Loman, in “Death of a Salesman.” This is Metcalf’s third win in less than a decade, and was not a surprise as she has inherited “Helen Hayes’ mantle of First Lady of the American Theater,” according to McNulty.

Perhaps that explains her perfunctory, somewhat rote speech — which still didn’t detract from the joy of her win. Viewers know a towering talent when they see one.

Lithgow, to the contrary, was clearly stunned — and deeply honored.

“I’ve had dozens and dozens of static, ecstatic moments on stage, but I have to tell you right now, this moment has got to be one of the best,” he said as he held his award.

The show that has had everyone clamoring for tickets this spring, Joe Mantello’s cobweb-clearing production of Arthur Miller’s “Death of a Salesman,” won, as expected, for best revival.

Mantello, who received a Tony for his direction (his third such award), swept away the cliches that have accumulated around this American classic to reveal a “Salesman” like none we’ve experienced before. The Loman family home isn’t depicted in a literal fashion but instead fluidly suggested in a warehouse space that allows the actors to move unfetteredly between past and present. (The physical production was honored with awards for Mikaal Sulaiman’s sound design, Jack Knowles’ lighting and Chloe Lamford’s scenic design.)

Laurie Metcalf, confirming her standing as the First Lady of the American Theater, won for her portrayal of Linda Loman, a more formidable than usual interpretation of Willy’s stalwart wife. Metcalf, who endowed her characterization with a sharp-edged autonomy and transfixing gravitas, added another Tony to her two previous acting wins (“Three Tall Women,” “A Doll’s House, Part II”).

Joe Mantello wins the Tony for his direction of “Death of a Salesman.”

(Evelyn Freja / For The Times)

Nathan Lane was in a tight race with John Lithgow, who won for his ruthlessly uncompromising portrayal of a wrathful and dyspeptic Roald Dahl in Mark Rosenblatt’s “Giant.” Lane’s Willy leaves a lasting memory in “Salesman,” but it would be hard to imagine “Giant” having the same impact without Lithgow, who provides a terrifying human foundation to this explosive play about a writer’s political commitments tipping over into toxic antisemitism. (The performance slips into a sinkhole of animus in the uncanny way of one of Dahl’s recognizably terrifying, psychologically plausible stories.) In his almost but not quite valedictory acceptance speech, the 80-year-old Lithgow acknowledged that this Tony win, his third, comes 53 years after his first — and feels every bit as satisfying.

Aya Cash and John Lithgow in “Giant.”

(Joan Marcus)

Rather than a slight to Lane, Lithgow’s win is a sign of the dramatic depth that characterized this otherwise squirrely season. Indeed, Lithgow’s performance was as thrilling to experience as that of British powerhouse Lesley Manville, who won for her portrayal of Jocasta in Robert Icke’s modern reworking of “Oedipus.” The play was categorized by the Tony committee as a revival, but it’s really an original drama — one that gave rise to one of the most enthralling productions of the year.

In a season lifted up by Bess Wohl’s magnificent “Liberation” and capacious enough to include a first-rate “Salesman,” a searing “Oedipus” and a smartly contentious “Giant,” it should be no surprise that there were more great performances than statuettes to dole out.

What was the moment from the season finale of “The Pitt” that finally broke you?

Was it the shot of the day-shift staff watching the Fourth of July fireworks from the hospital roof, the sound of “America the Beautiful” playing in the distance? Maybe it was Dr. Al-Hashimi (Sepideh Moafi) crying in her car, realizing she can’t work around the seizure disorder that makes her a liability in the ER. Or perhaps it came when Noah Wyle’s Dr. Robinavitch (a.k.a. Dr. Robby) swaddled Baby Jane Doe, telling her that “everything’s gonna be just fine,” because she has “so many wonderful things to see and so many people to love.”

But what opened the floodgates for me, after the last half-hour of the episode left me completely dazed and dumbfounded, was Drs. Santos (Isa Briones) and King (Taylor Dearden) exorcising the day’s demons by belting out Alanis Morissette’s “You Oughta Know” at a karaoke bar and demonstrating that primal scream therapy is alive and well three decades into the 21st century.

Which is all to say: “The Pitt” is the only television show I’ve watched that gives me the same feeling I have when I read a great, immersive novel. When the end is near, I’m bereft. I’m Al-Hashimi in her car, wanting to pound the dashboard. I do not want to let these characters go. They’ve given me 15 hours and I still crave more. I would devour a series of short films about odd couple Santos and Whitaker (Gerran Howell) sharing an apartment or a summer spinoff showing Dr. Abbot (Shawn Hatosy) working off-hours as a SWAT medic. Anything to fill the long, “Pitt”-less weeks between seasons.

Instead, I’ll just have to content myself with scrolling through social media, watching fan-made videos of Dr. King self-soothing her way through the day, (this one, set to Vince Guaraldi’s score from “A Charlie Brown Christmas,” is the absolute best) and taking in the compilation of the show’s cast asking, “What’s the status on Baby Jane Doe?” in their best Katherine LaNasa Pittsburgh accent.

“The Pitt” won five Emmys from 13 nominations, including best drama series, for its celebrated first season, a 15-episode run that began with Dr. Robby up on the hospital roof talking down Dr. Abbot after an intense shift. The season ended with Dr. Abbot returning the favor after Robby and his staff ground their way through a day that included a mass shooting, a child drowning and a patient assaulting LaNasa’s no-nonsense charge nurse.

How do you follow that?

For a few episodes this new season, it looked like “The Pitt” wasn’t up to the task. We watched the ER staff dealing with a series of bloody, messy (the disimpaction!) medical maladies, an avert-your-eyes spectacle that felt like the writers were trying to one-up themselves and find the worst possible affliction to make viewers double over. Worse, the thrill of discovery that kept us invested throughout the first season, the slow drip of information about the characters, wasn’t quite there. Something was missing, and it wasn’t just Dr. Robby’s motorcycle helmet.

But the luxury of having 15 episodes is that the writers can take their time laying the groundwork for the story they want to tell.

And what a story it was.

Over the course of the season, we watched Dr. Robby disintegrate, his mental health more precarious than ever because he has done nothing to address his apparent PTSD. “You need help,” Dr. Langdon (Patrick Ball) tells Robby, confronting him in the finale. “Be honest with yourself.”

Robby isn’t the only one struggling, as Dr. Abbot puts it, to “dance through the darkness.” Langdon is back, managing his sobriety. Dr. Mohan (Supriya Ganesh) is having panic attacks. Santos is still dealing with self-harm. Dana remains haunted by that Season 1 patient assault and now carries a syringe containing a heavy sedative just in case somebody emerging from that overcrowded waiting room crosses the line again.

“I’ve seen so many people die that I feel like it’s leaching something from my soul,” Robby says. “I’m tired of feeling like I’m drowning every day.”

And there you have it, the subject of Season 2 of “The Pitt.” Medical professionals are gasping for air, and the American healthcare system, with its focus on profit above all else, is failing them and the patients they treat.

Remember Orlando, the patient with severe diabetic ketoacidosis who arrives at the ER after fainting? Orlando had to ration his insulin because he lacked insurance and felt he had to cut corners. He ends up leaving the hospital early, fearing the cost of treatment. Later he returns, having fallen (jumped) from a catwalk at his construction job, fracturing his skull. But good news: He now qualifies for Medicare and Medicaid due to long-term disability.

It’s a tragedy, one of many reasons the season finale shot of the ER staff holding back tears as they watched the Fourth of July fireworks felt like a body blow. “America the Beautiful”? How can that be true when the current administration is seeking $1.5 trillion for defense spending — nearly 50% more than this year — while cutting healthcare and social safety nets? How can that be true when an act known as the “Big, Beautiful Bill” removed funding from an already frayed healthcare system and exacerbated the shortage of care in rural areas of the country?

That one scene, the culmination of hours of careful, patient storytelling, said more about the disconnect between American ideals and America’s reality than anything else I’ve read or watched this year.

Give “The Pitt” all the Emmys. It has more than earned them.

Ben Gibbard remembers late 2023 as a time of competing realities.

Onstage, the frontman of Death Cab for Cutie and the Postal Service was thriving as his two bands toured together to mark the 20th anniversaries of Death Cab’s “Transatlanticism” and the Postal Service’s “Give Up.”

Behind the scenes, Gibbard’s personal life was in shambles.

“I was getting off phone calls — very difficult phone calls — 20 minutes before going on in an arena,” he says. The singer and his wife, photographer Rachel Demy, were in the middle of an agonizing breakup that would eventually lead to divorce. Yet audiences in the thousands were turning up nightly to see Gibbard reanimate the peak-millennial classics that made him one of indie rock’s defining stars.

“I’d just tell myself, You’re a professional — you’re gonna go out there and do it, and no one’s gonna know,” he recalls. “It was all waiting for me when I got offstage, of course. But for two hours I was able to disconnect and be a performer, which was incredibly …” Gibbard, 49, trails off into a laugh.

“I don’t know if it was healthy,” he says. “But it was helpful.”

Two and a half years later, that split-screen experience — “this idea of how we compartmentalize our pain or our grief or our trauma,” as Gibbard puts it now — forms a through line of Death Cab’s ruminative new album, “I Built You a Tower.” Due Friday from Anti Records, where the group landed after leaving its longtime home of Atlantic amid a corporate shake-up, the LP sets thoughts of broken fences and never-ending storms against tuneful arrangements that can churn, shimmer or chime.

“I pledge myself to your misery / I kneel at its throne,” Gibbard sings in his still-boyish tenor over the sleek new wave groove of “Trap Door,” “Respecting your proclivity / To languish on your own.” In the fuzzed-out “Envy the Birds,” the frontman recounts an argument between two lovers “spraying bullets of grievances”; the driving “Riptides” is narrated by a guy “too tired to end the war.”

“This record is definitely the result of a divorce,” Gibbard says plainly during a recent visit to Los Angeles from his home in Seattle. “But I didn’t want to make a score-settling record or an angry record. This wasn’t an opportunity to defame someone or make this about how I’d been wronged. People drift apart — relationships don’t work. And I think how that’s affected me at almost 50 is a very different mindset than I found myself in when I was 33 or whatever the last time it happened.”

Gibbard means his first divorce, in 2012, from the actor and singer Zooey Deschanel — a split that inspired Death Cab’s 2015 album “Kintsugi,” on which one song asks, “Was I in your way when the cameras turned to face you?” and another chides an unnamed celebrity: “You’ll never have to hear the word ‘no’ if you keep all your friends on the payroll.”

“There’s some gnarly stuff on that record,” says Gibbard, who’d moved to L.A. to be with Deschanel then promptly left as soon as their marriage collapsed. “It’s not exactly a kind album.”

Bassist Nick Harmer, who formed Death Cab with Gibbard in the late ’90s after the two met as students at Western Washington University, agrees that “I Built You a Tower” represents a shift in perspective. “There’s so much more self-examination — and so much more self-indictment,” he says. (Death Cab’s other members are drummer Jason McGerr, guitarist Dave Depper and keyboardist Zac Rae.)

Which isn’t to say that Gibbard entirely resists placing blame. In “Trap Door” he sings about “a trap door in your heart and a button on your desk well-worn from being pressed.”

The frontman says that in recent years he’d “tried to get away from using the word ‘heart’ because that had been a touchstone for so many of our early records.” Yet this line seemed worth holding onto when it came to him.

“I Googled it to see: Did I already write this?” he says, laughing. “Or is there a very popular song called ‘There’s a Trap Door in Your Heart,’ and now I’m just rewriting it? We’ve made a lot of songs at this point — you gotta check your work.”

Indeed, “I Built You a Tower” is Death Cab’s 11th studio LP. After the band’s previous album, 2022’s “Asphalt Meadows,” fulfilled its deal with Atlantic, Death Cab reupped with the major label for one more record, Gibbard says, based on its strong relationship with the company’s then-CEO, Julie Greenwald.

“Julie was our shepherd and our protector the whole time we were there,” the singer says of Death Cab’s nearly two-decade run at Atlantic, which began with 2005’s Grammy-nominated “Plans.” Yet just days after they reached an agreement for “Tower,” Greenwald was fired and replaced by a new leader, Elliot Grainge, about whom the band felt less than optimistic.

Ben Gibbard

(Cielito Mercado Vivas / For The Times)

“We weren’t given the impression that Elliot had spent a lot of time with ‘Transatlanticism’ in college,” Gibbard says of the 32-year-old exec, who made his name signing rappers like Ice Spice and Trippie Redd. With Greenwald’s help, Gibbard says, Death Cab negotiated an exit from Atlantic with ownership of the new album.

Did Grainge try to persuade the band to stay?

“Never heard a word,” Gibbard says.

In an email, Grainge (whose father is Universal Music Group Chairman and Chief Executive Lucian Grange) said that Death Cab’s music “has meant a great deal” to him.

“Working together may not have been in the cards for us; however, that does not lessen my enthusiasm for the band,” he wrote. “They have delivered an impressive body of work over their decades-long career, and I am looking forward to their new music.”

Death Cab’s Harmer says he and his bandmates “talked for half a beat” about putting out “Tower” on their own before thinking better of the idea.

“We’re not businesspeople,” Gibbard says. “Music is the only thing we know how to do.”

At a friend’s wedding in 2024, the frontman had been seated next to the musician Allison Crutchfield, who was then heading up Anti’s A&R department; early this year, Death Cab announced that it had signed to the indie label, whose other acts include Fleet Foxes and Madi Diaz.

This summer, the band will tour behind “I Built You a Tower,” including two shows in August at L.A.’s Greek Theatre. After the “Transatlanticism”/”Give Up” anniversary outing — not to mention a subsequent tour on which the group looked back at “Plans” — Gibbard is “very ready to play some new material,” he says.

Doing the hits was fun. “But at a certain point,” he adds, “it’s really about moving ahead.”

Audiences have been streaming their “favourite role” of Anthony Head’s, following the sad news of his death.

BBC viewers have spent this weekend rewatching a ‘spellbinding’ and ‘phenomenal’ drama.

Following the devastating news of Anthony Head’s death, fans have been paying tribute and watching one of his best roles.

The news of the Buffy the Vampire Slayer star’s death was announced days ago, with his daughters sharing the news that he had died aged 72.

“He passed away peacefully of complications due to pneumonia, surrounded by his family,” his daughters Emily and Daisy said.

Their statement went on: “It has been, and forever will be, an honour and a privilege to be his daughters, and to have witnessed firsthand the impact both he and his work have had on so many.”

Fans have now taken to social media to share they’ve been watching some of his works, including Persuasion, Ted Lasso and Vanity Fair.

“It’s a lovely tribute to remember artists for their work,” one fan wrote on Reddit.

Another replied: “My favourite was him in Merlin,” to which another said: “He was incredible as Uther! So intimidating!” “Right he was so good as Uther,” a fan agreed.

The beloved actor starred as Uther Pendragon, King of Camelot in the BBC fantasy series, alongside Colin Morgan as Merlin, Bradley James as Prince Arthur and Richard Wilson as Gaius.

Merlin aired for five seasons between 2008 and 2012, and followed a reimagining of the legend, in which the young warlock was sent to live with Gaius in Camelot after his mother feared for his life because of his gift of magic.

Working in court, he becomes Arthur’s manservant and spends his talent trying to protect him from evil forces.

Over years, the pair become trusted friends, despite Merlin keeping his magic a secret from all those around him, as he works to help Arthur become the King he was destined to be.

Fans have hailed Merlin as “spellbinding” and “one of the best,” with one writing: “The ending is heartbreaking and may leave you in an eternal sadness but it’s worth it.”

Another said: “I love Merlin, from the 1st episode I knew this would be an excellent show.”

“One of the best TV series of BBC,” another echoed, as one called it “perfection”.

Someone else called it “phenomenal”, as another fan called it “an epic masterpiece”.

Anthony Head previously spoke about how much he enjoyed playing his role in Merlin.

“He has so many levels, and that makes him fascinating,” he said in a 2010 interview.

“We established early on that he wasn’t just a two-dimensional baddie, and now his past transgressions have manifested themselves, which is great fun to play.”

He joked: “I also get to wear the cloak and sword, which reminds me of dressing up as a knight when I was a child.”

Merlin is available to watch on BBC iPlayer.

Kyle Busch‘s family has dealt with a lot since the NASCAR legend’s sudden death at age 41 last month.

On Friday, however, his wife Samantha and their two children — son Brexton, 11, and daughter Lennix, 4 — “wanted to take a moment to say thank you” for all the support they have received.

“The prayers, messages, flowers, meals, hugs, and countless acts of kindness have carried us through the most heartbreaking days of our lives,” they said in a note posted Friday on Samantha’s Instagram page. “While our hearts are absolutely shattered, we have felt God’s presence and arms wrapped tightly around us through each and every one of you.”

Busch, a two-time champion of the NASCAR Cup Series and the winningest driver in the association’s history, became unresponsive while in a racing simulator on May 20 in Concord, N.C., and was transported to a Charlotte hospital. He died the next day.

According to his death certificate, Busch died from hemorrhagic shock and disseminated intravascular coagulation after complications from bacterial pneumonia led to sepsis. He had been experiencing symptoms of bacterial pneumonia for “days to weeks” before sepsis set in, the certificate states.

The Busch family released a joint statement with NASCAR and his team, Richard Childress Racing, honoring Busch on the day he died. Friday’s social media post marks the first public comment directly from Samantha and her children since then.

“The love that has surrounded our family during this unimaginable time has brought comfort in the middle of so much pain,” they said in the post.

“Knowing the impact Kyle had on others and seeing how they are honoring him through each unique act of generosity is a true testament to how special Kyle is to so many people. There are moments when the weight of this loss feels impossible to carry, yet time and time again God, through you all, has shown us we are not alone.”

Kyle and Samantha Busch were married on Dec. 31, 2010. She and their children were among those who appeared at the Coca-Cola 600 at Charlotte Motor Speedway on May 24 to honor Busch’s memory.

“From family and friends to fans and complete strangers, thank you for showing up for us. Thank you for loving our family so well,” their post concluded. “Thank you for loving Kyle. Thank you for honoring him. We may never find the words to fully express what your support has meant to us, but please know that we are deeply grateful.

“❤️ Samantha, Brexton & Lennix”

THE heartbroken girlfriend of James Handy has spoken out in anguish after her own son was accused of brutally stabbing the veteran actor to death.

Wendy Gledhill, 76, fought back tears as she broke her silence outside her home, reeling from the horror of losing her partner and the devastating allegations against her son.

“I’m just trying to make it through one day at a time, a minute at a time,” she said.

“I loved James and my son. I still can’t believe it….I can’t believe my son did it. I’m just trying to …,” she added, before retreating inside, overcome with emotion.

Her son, Michael Gledhill, 44, stands accused of fatally stabbing the 81-year-old actor multiple times in the chest  in a shocking attack at the family home in Tarzana, Los Angeles.

Authorities say the horror unfolded on Wednesday morning when police were called to the property on the 19200 block of Erwin Street following a disturbing 911 call.

A voice reportedly told dispatchers: “I am the son of man, I just killed the man of sin.”

When officers arrived at around 9:30am, they found Handy unconscious and bleeding out in the front yard, suffering from multiple stab wounds.

“We also need [a rescue ambulance] for a male, not conscious, not breathing, suffering from a stab wound,” a responding officer said in chilling dispatch audio.

The beloved actor was rushed to hospital but was later pronounced dead.

In a dramatic twist, Gledhill himself allegedly waved down officers as they approached, telling them he was the suspect they were looking for.

He was arrested at the scene and charged with murder. He is currently being held on a $2,000,000 bond.

Disturbing Ring doorbell footage later emerged showing a man believed to be Gledhill pacing near the home.

He was dressed in a purple or pink shirt and blue trousers, at times touching his face before returning to the property and flagging down police.

Another clip showed him walking back towards the house where Handy’s body was later found, with footage also appearing to capture him leading officers across the lawn.

Neighbours described Gledhill as acting erratically in the past, with one claiming his behaviour raised alarm.

“He looked really rugged … he looks like he doesn’t really change his clothes,” said neighbor Joheina Quibol.

She also recalled a bizarre encounter in which he allegedly questioned her father about cameras inside their home, describing him as “paranoid” and suggesting he may have struggled with mental health issues.

Other neighbours claimed the suspect and Handy had been overheard arguing overnight before the fatal attack.

Despite the brutal nature of the killing, the Los Angeles Police Department said they believe it to be an isolated incident, adding there is no ongoing danger to the public.

A motive for the attack has not yet been established.

Handy’s death has sent shockwaves through Hollywood, with his talent agent Pam Ellis-Evenas confirming the tragedy in a statement.

“With great sadness I can confirm that the gentleman who was attacked and killed on Wednesday in Tarzana was the actor James Handy.”

The New York City-born star enjoyed a glittering career spanning nearly five decades, racking up close to 150 screen credits across film and television.

He was most recently seen as bartender Jimmy in Top Gun: Maverick alongside Tom Cruise.

Handy also appeared in the 2017 superhero film Logan, starring Hugh Jackman, playing a doctor treating an ageing Wolverine.

One of his most memorable roles came in the 1995 classic Jumanji, where he starred alongside Robin Williams, Bonnie Hunt and Kirsten Dunst.

His extensive television career included appearances in hit series such as The West Wing, 9-1-1, NCIS: Los Angeles, CSI: NY, The Young and the Restless, Castle, Criminal Minds, Cold Case, Without a Trace, ER and The X-Files.

He also had notable roles in Alias as Arthur Devlin, and recurring appearances in Melrose Place and NYPD Blue.

Handy’s brutal killing comes less than a year after another shocking Hollywood tragedy involving Rob Reiner, 78, who was found with his throat slit inside his Los Angeles home.

His son, Nick Reiner, 32, has been accused of killing both him and his mother Michelle, 68, while they were in bed on December 14, 2025. He has pleaded not guilty and is awaiting trial.

Japanese filmmaker Chie Hayakawa isn’t afraid to look death in the eye. The writer-director’s 2022 feature debut, “Plan 75,” imagined an unsettling future in which the elderly are offered a subsidy by the government to be euthanized. For her follow-up, she travels into her own past, drawing from memories of her father’s battle with cancer.

But while “Renoir” features no sci-fi elements, the nearness of oblivion remains just as prominent. Shorn of sentimentality, this gentle drama follows a quietly observant fifth-grader who feels the grim shadow of mortality all around her. How the character will absorb that realization is anyone’s guess — including Hayakawa’s.

Newcomer Yui Suzuki stars as Fuki, who lives in a nondescript Tokyo suburb in 1987. Her soft-spoken dad, Keiji (Lily Franky), is suffering with terminal cancer in its final stages, the emaciated man spending as much time in the hospital as he does at home. Fuki’s mother, Utako (Hikari Ishida), doesn’t seem very despondent, though: One senses an emotional exhaustion that comes from preparing so long for the inevitable that she’s now mostly numb, her anticipatory grief having given way to frayed nerves.

Fuki’s pre-mourning process is equally complicated. Outwardly, she shows no signs of being devastated by her dad’s imminent passing, happily playing with him, almost in denial of his fate. But “Renoir” subtly suggests the impressionable girl is more aware than she lets on, surrounding her with random reminders of death. Local news breathlessly reports on random domestic murders. Even when Fuki gets away from the city, the camera lingers on her watching a campfire’s dying embers. The film derives its title from the girl’s interest in “Little Irène,” a painting by influential French impressionist Pierre-Auguste Renoir. She asks if Renoir is still alive. No, he’s dead too.

Hayakawa pulls from her childhood in multiple ways for her sophomore feature, which premiered in competition at Cannes last year. “Renoir” takes place in 1987 specifically because that’s the year she turned 11, and, like her protagonist, she was infatuated with “Little Irène.” But there’s a refreshing absence of nostalgia in Hayakawa’s conception of Fuki and her quizzical processing of her father’s fatal illness.

For school, Fuki writes an essay about her wish to be an orphan. She becomes obsessed with hypnotism and mind-reading, an unorthodox strategy to create a sense of control. And, occasionally, she wanders into daydreams that Hayakawa presents so matter-of-factly that viewers may sometimes be unsure if what they’re seeing is actually happening. In “Renoir,” Fuki’s flights of fancy are as naturalistic as her everyday life — a sharp reminder that, for children, imagination and reality are often indistinguishable.

If death has been integral to Hayakawa’s two features, it’s society’s callous reaction to aging that is her primary focus. “Plan 75” eschewed dystopian-thriller conventions to ponder how Japan might one day treat its senior citizens, viewing them as little more than a drain on resources. “Renoir” makes a similar point within a memory piece. Keiji is the one dying, but it’s telling that Hayakawa centers the story on Fuki and Utako, who each, in their own way, seem more concerned about their own personal dramas.

As Keiji’s situation grows more dire, Utako enters the orbit of Toru (Ayumu Nakajima), a workplace advisor with whom she’s instantly smitten, pondering pursuing him romantically. Ironically, Toru preaches the importance of good communication skills in the office, a lesson the film’s guarded family would be wise to heed. While Utako hides her feelings for Toru, Fuki begins a secret odyssey in which she impulsively joins a phone dating service, engaging in conversations with a creepy college student (Ryota Bando) who pushes her to meet in person. This potentially traumatic subplot is the closest “Renoir” gets to traditional suspense, but even here Hayakawa adopts a muted approach, sidestepping shock value for bittersweet commentary about young people’s confusion around love. Both Utako and Fuki chase after human connections fraught with danger, each trying to insulate themselves from the tragedy waiting at home.

“Renoir” may be a delicate wisp of a film, but it’s flecked with thoughtful questioning about whether childhood’s sorrows leave permanent scars on us as adults. Suzuki exudes the fragility and buoyancy of adolescence, playing Fuki as someone constantly imbibing the world, rarely revealing what she’s doing with that stimulus. The simplest moments resonate the strongest, such as when the moody 11-year-old holds a balloon over the balcony of her family’s high-rise apartment, casually releasing her grip so that it tumbles to the ground far below. Does it speak to a desire to jump herself? “Renoir” won’t say, but the character is so poised you feel confident she’ll survive her father’s death. Who knows: Maybe years from now, she’ll even make a touching, emotionally astute movie about it.

YouTuber Jesse Ridgway and his wife, Ashley, shared that they terminated their pregnancy following a Down syndrome diagnosis. What happened online afterward has shocked the couple, but Jesse said he is hopeful that sharing their experience may help other couples feel less alone.

The YouTuber, who’s been a content creator for 20 years and has more than 4.3 million subscribers on his main channel, shared a video on his personal YouTube channel last week that featured he and his wife receiving the results of an amniocentesis — a test for certain genetic abnormalities, chromosomal conditions, and fetal infections — and the results were consistent with Trisomy 21, or Down syndrome.

After the couple read the results, Jesse said that they’d discussed beforehand whether they’d consider terminating the pregnancy. “I know this is traumatic for the whole community. Now that we have a definitive result, we’ll talk with the counselors, and we’re gonna have some hard conversations,” he said. Both Jesse and Ashley were emotionally distraught and crying throughout the video.

Jesse told The Times over a phone call on Thursday evening, with Ashley beside him as she recovered from her procedure, that sharing the diagnosis online happened accidentally. The couple was in the middle of a gender reveal video when they spotted the preliminary markers for Trisomy 21 on the same report.

“We were filming and ready to celebrate with our audience and we were blindsided,” he said. “What do we tell people? How do we navigate this? I reverted to being honest, and yes, that led us to the last 48 hours.”

On Wednesday, Jesse posted a lengthy statement that disclosed the couple’s decision to terminate the pregnancy. Ashley reposted the statement to her own Instagram.

“This week, my wife and I made the very difficult decision to terminate the pregnancy due to Trisomy 21,” the since-expired Instagram story read.

Jesse continued that the decision was “not made lightly” and said he appreciated the messages of support he and Ashley received. “I know some of you may be very disappointed to hear this news. We are devastated. This has been extremely traumatic for both of us, especially Ashley. She underwent the procedure earlier this week and is on the mend. Thankfully, everything went smoothly, but emotionally we are drained.”

The YouTuber continued the series of posts explaining: “When I first confronted this news, I was shocked but optimistic. … I signed on to be a parent, come what may … but I just didn’t fully understand what Down Syndrome entailed. Once we made it public, it became clear that MOST people don’t know what Down Syndrome entails (and no, it’s not the same as Autism).

“50% of babies with DS have heart defects. 75% will have hearing challenges. Over 50% will have vision problems. Impaired immune function, developmental disabilities, learning disabilities, delayed physical development, poor muscle tone, structural issues with face, decreased lifespan, etc. … Sadly, the list is long, feel free to look it up … Down Syndome isn’t a “blessing”, it is objectively sh— from a health perspective. I didn’t realize just how rough it is for the child, let alone the family.”

According to the National Institutes of Health, about 6,000 babies are born in the U.S. each year with the condition, affecting about 1 out of every 700 babies. “[W]ith appropriate support and treatment, many people with Down syndrome lead happy, productive lives,” the agency notes, but there are often significant lifelong health challenges and risks.”

Ashley had the abortion on Monday. Jesse said he spent the beginning of the week tending to her, and on Wednesday he crafted the post to explain what the couple had decided and why.

“I put it out there for my audience, and then it took on another life. Because it’s a contentious topic, I figured there would be some level of like flak or differing opinions, but to see what it’s become has been pretty shocking,” he said. “There are a million abortions every year, and I’m just shocked that one couple deciding to abort for Trisomy 21 is mainstream news. This is happening every day, and it’s just not talked about.”

Jesse said that his and Ashley’s DMs had been flooded not only with messages of support but also dozens of confessions from strangers who had been through the same experience. And while the supportive messages felt “validating,” Jesse said the couple had received a “tremendous amount of death threats. People saying we’re murderers.”

According to Healthline, nearly 100% of women in Iceland who receive a positive test for Down syndrome terminate their pregnancy. In Denmark, 98% are terminated, in France 77%, and in the United States it’s 67%.

When the Ridgways had finished filming the results of the amniocentesis, they debated whether they should share the video. They said they didn’t even want to watch the tape.

“But I kept coming back to, there are so many people out there like us dealing with these things, and nobody’s talking about it,” he said. “I think if we share this, it will have a net positive for other people, and they can feel more comfortable and less shame confronting these things. … I hope other people can see that, that there is some value in this, but I can’t push it any more than I have. People are going to cast their judgments.”

TOP Gun: Maverick actor James Handy has been stabbed to death with his girlfriend’s son telling cops in a 911 call: “I just killed the man”.

The 81-year-old, who also starred in Logan and Jumanji, was found unconscious with multiple stab wounds to his chest on his front yard.

Authorities rushed to the scene in Tarzana, Los Angeles on Wednesday morning at around 9.30am after receiving a chilling 911 call.

Police revealed a voice at the end of the line said: “I am the son of man, I just killed the man of sin.”

Officials rushed to James’ home on Erwin Street and raced him to hospital where he was pronounced dead.

Some time later, 44-year-old Michael Gledhill – the son of James’ partner – waved down officers as they searched near the home.

GRISLY END

Man bleeds to death after ‘cutting off his penis & slicing throat’ on LA street

Gledhill confessed to carrying out the fatal attack and said he was the one who phoned the police, according to the Los Angeles Police Department.

Gledhill was arrested for murder and taken to Van Nuys Jail with his bail set at $2,000,000.

The LAPD statement said: “Detectives believe this is an isolated incident and there appears to be no danger to the public at this time.”

A motive for the attack remains unclear.

Neighbors have claimed Gledhill and James were overheard arguing overnight.

The star’s talent agent, Pam Ellis-Evenas, paid tribute saying: “With great sadness I can confirm that the gentleman who was attacked and killed on Wednesday in Tarzana was the actor James Handy.”

James’ career spanned almost five decades with his most recent major role being in Tom Cruise’s Hollywood sequel Top Gun: Maverick in 2022.

He played the role of bartender Jimmy.

Another memorable role for James came in 2017 superhero flick Logan as he played the doctor who treated lead man Hugh Jackman.

James also starred in 1995 cult classic Jumanji alongside Robin Williams, Bonnie Hunt and Kirsten Dunst.

His career featured several TV credits such as the role of Arthur Devlin in eight episodes of Alias and recurring stints on Melrose Place and NYPD Blue.

James’ tragic death comes less than a year after Hollywood icon Rob Reiner, 78, had his throat slit inside his LA home.

Son Nick, 32, is currently in jail after being accused of killing both Rob and his mum Michelle, 68, while they were in bed on December 14, 2025.

Nick has pleaded not guilty on both counts of murder and is awaiting trial.

Los Angeles police are investigating the fatal stabbing of actor James Handy, who officials said was killed by his girlfriend’s son Wednesday at a home in Tarzana. The suspect was apprehended after he made a bizarre 911 call.

On Thursday, authorities identified the 81-year-old stabbing victim as the actor, who appeared in the films “Logan,” “Jumanji,” “Top Gun: Maverick” and “Arachnophobia.”

Representatives for the actor confirmed the news to The Times.

On Wednesday morning around 9:30 a.m., West Valley area patrol officers responded to an emergency call in a residential neighborhood of Tarzana. The 911 caller stated, “I am the son of man. I just killed the man of sin.”

When police arrived, they found Handy in the front yard of the Erwin Street home, unconscious and suffering from a stab wound to his chest. According to law enforcement, Handy was taken to a local hospital by paramedics, where he was pronounced dead.

A news release said that Michael Gledhill, the man suspected of stabbing Handy, flagged down officers who were responding to the incident and told them he was the one they were looking for.

Gledhill, 44, lives at the Erwin Street home with his mother, who police said was in a relationship with Handy.

Detectives said they believed this was an isolated incident and there appeared to be no danger to the public at this time.

Gledhill was arrested and transported to Van Nuys Jail, where he was booked on suspicion of murder. His bail was set at $2 million.

Handy has more than 150 acting credits to his name and had acted across television and film since the 1970s. Most recently, he played a bartender alongside Jennifer Connelly in the 2022 sequel “Top Gun: Maverick.” In 2017, he played opposite Hugh Jackman in “Logan” as a doctor who pleads with Wolverine to heal up.

In 2021, he portrayed Father MacGuffin in the comedy “Senior Entourage.” The film’s director, Brian Connors, posted on Facebook last year that Handy was one of the “finest character actors I know.”

Handy also acted in numerous television crime dramas, including “Alias,” “Criminal Minds,” “NCIS: Los Angeles,” “Rizzoli & Isles,” “CSI: NY,” “Cold Case” and more.

The police are asking anyone with additional information about this incident to contact the Robbery-Homicide Division, Valley Section, Dets. Simonyan or Lopez, at (818) 374-9550.

Los Angeles police are investigating the fatal stabbing of actor James Handy, who officials said was killed by his girlfriend’s son Wednesday at a home in Tarzana. The suspect was apprehended after he made a bizarre 911 call.

On Thursday, authorities identified the 81-year-old stabbing victim as the actor, who appeared in films “Logan,” “Jumanji,” “Top Gun: Maverick” and “Arachnophobia.”

Representatives for the actor confirmed the news to The Times.

On Wednesday morning around 9:30 a.m., West Valley area patrol officers responded to an emergency call in a residential neighborhood of Tarzana. The 911 caller stated, “I am the son of man, I just killed the man of sin.”

When police arrived, they found Handy in the front yard of the Erwin Street home, unconscious and suffering from a stab wound to his chest. According to law enforcement, Handy was taken to a local hospital by paramedics, where he was pronounced dead.

A news release said that Michael Gledhill, the man suspected of stabbing Handy, flagged down officers who were responding to the incident and told them he was the the one they were looking for.

Gledhill, 44, lives at the Erwin Street home with his mother, who police said was in a relationship with Handy.

Detectives said they believed this was an isolated incident and there appeared to be no danger to the public at this time.

Gledhill was arrested and transported to Van Nuys Jail, where he was booked on murder charges. His bail was set at $2 million.

The police are asking anyone with additional information about this incident to contact the Robbery-Homicide Division, Valley Section, Dets. Simonyan or Lopez, at (818) 374-9550.

Death in Paradise fans have a while to wait for the next series, but luckily there are three cosy crime dramas that can fill the void

These three brilliant dramas should fill the gap nicely.

Death in Paradise face face a bit of a wait until the next instalment from Saint Marie, but there are a few “cosy” crime programmes that can take its place in the meantime.

The most recent series of the BBC crime staple – starring Don Gilet as DI Mervin Wilson, who investigates various murders on a fictional Caribbean island – concluded in March.

The 16th series isn’t expected to air until early 2027, while the Christmas special remains months away, reports the Express.

Fortunately, there are a few crime programmes to bridge the gap for Death in Paradise fans. We have a look at some of the best ones to delve into during June.

A Taste For Murder

A Taste For Murder premiered in April, following widowed Metropolitan police detective DCI Joe Mottram, portrayed by Warren Brown, who travels to Capri with his daughter Angelica (Beau Gadsdon) as they process their bereavement.

During their stay, he starts getting involved in solving local crimes, including the death of a British holidaymaker and the questionable fate of someone who’d been making a routine dive.

It’s proven tremendously popular with audiences, with some declaring it superior to Death in Paradise.

One viewer posted on X: “Death in Paradise meets Whitstable Pearl meets Recipes for Love and Murder and I’m absolutely here for it.” Another viewer remarked: “If you like light-ish murder mysteries then give it a try. Similar theme to Death in Paradise but I think it’s much better. Gorgeous scenery/food & a better cast imo. It’s entertaining, and it flies by.”

A Taste For Murder is available on ITVX.

You’re Killing Me

Mystery drama You’re Killing Me launched on Acorn TV in May.

Situated in a picturesque New England town, the series follows novelist Allie (Brooke Shields), who joins forces with podcaster Andi (Amalia Williamson) to track down the killer of a friend.

One viewer left a comment on IMDb describing it as a “perfect mystery series”, while another remarked: “You’re Killing Me may find its place in the cosy mystery pantheon.”

Someone else commented: “At first glance, it seems like a reincarnation of Murder She Wrote. Writer, New England location and murders! It rapidly became its own show. Brooke Shields is absolutely hysterical in this. I never saw her movies or series so I didn’t know why to expect but I was instantly pleased. The support cast is enjoyable as well. Kudos to the writers for some clever dialogue.”

The Brokenwood Mysteries

New Zealand-based programme The Brokenwood Mysteries is currently on screens as the crime drama’s 12th season airs.

The series is set in the seemingly tranquil town of Brokenwood, which is “slowly being riddled with murders” and Detective Mike Shepherd (Neill Rea) must solve them.

The series can be found on U&DRAMA and Channel 4, with the official synopsis describing it as a show “about a detective who arrives on assignment in a small town where memories – and animosities – run deep”.

Fans have labelled it “outstanding”, with one viewer declaring: “I look forward to future episodes of this refreshing NZ ‘whodunnit’, which for me rates better than Midsomer, definitely better than Death in Paradise, but perhaps not quite as good as Lewis, Frost, or the Swedish version of Wallander.”

Death in Paradise is available to stream on BBC iPlayer.