death

In the last decade or so, Angelina Jolie has been on screen less frequently. So when she is — and not in forgettable tentpoles like “Eternals” — it’s worth paying attention. There seems to be a thoughtful intentionality to the roles she now chooses, almost as if this astoundingly famous woman wants to tell us something vital about herself, offering clues into her understandably guarded personal life.

Take 2015’s “By the Sea,” which she wrote and directed. Coincidentally or not, that pained study of marital dissolution, co-starring Jolie’s then-husband Brad Pitt, intersected with the couple’s real-life breakup — not to mention Jolie’s grief over the death of her mother, Marcheline Bertrand. Two years ago, Jolie portrayed a version of the elusive, emotionally closed-off opera singer Maria Callas in “Maria.” The conception of the role, marked by a dim view of stardom’s suffocating alienation, was something Jolie clearly understood. Moviegoers should be careful not to read too much autobiography into an actor’s creative choices, but Jolie makes such speculation tantalizing, adding additional layers of drama to her films.

The intermittently affecting “Couture” feels similarly close to her heart, depicting a filmmaker whose life is interrupted by a cancer diagnosis — a reality Jolie knows all too well. In 2013, she underwent a preventive double mastectomy over concerns of her likelihood to develop breast or ovarian cancer. (Bertrand died of cancer in 2007.) Knowledge of Jolie’s circumstance will inform a viewer’s reaction to her wounded, resilient performance, but our inherent sympathies can only take French writer-director Alice Winocour’s ensemble piece so far.

Jolie plays Maxine, an American indie director hired to create a flashy opening film for Paris Fashion Week. Newly arrived in the City of Light, she has only a few days to put together the short, assisted by her trusted cinematographer Anton (Louis Garrel). As we deduce from the phone calls Maxine makes back home, she’s also going through an acrimonious divorce and has trouble connecting with her blasé teenage daughter. At least this Paris paycheck gig will bolster her finances — and get her ready for the feature film she’s been wanting to make for years.

Just then, though, Maxine’s future gets a rewrite. A French doctor (Vincent London) tells her she has breast cancer and needs a double mastectomy immediately. Maybe she can finish the Fashion Week film, but her passion project must wait. An artist and mother who has spent her adulthood in constant motion will have to learn what it means to stop everything and be still.

The film’s title would appear to be a reference to the story’s setting, but in French, “coutures” can also mean “stitches,” and indeed Winocour sews together three thematically linked story strands. As Maxine wrestles with her cancer diagnosis, an inexperienced South Sudanese model named Ada (Anyier Anei) works Fashion Week so she can send money home to her family. (Ada has no interest in modeling, hoping instead to become a pharmacist.) Meanwhile a makeup artist, Angèle (Ella Rumpf), longs to be an author, although she cannot get anyone interested in her writing. Each one becomes a part of the fabric of Fashion Week, but their disparate problems are a far cry from the glitzy event’s self-importance.

Winocour has often made films about women balancing their public-facing life with their private selves In 2019’s “Proxima,” Eva Green played an astronaut missing her young daughter. In 2022’s “Paris Memories,” Virginie Efira starred as an interpreter recovering from the shock of surviving a terrorist attack. Winocour shows us the intimate, vulnerable spaces within her characters that those on the outside don’t have access to.

“Couture’s” three principals rarely interact with one another, but those meaningful exchanges argue that, amid the mad clatter of the everyday, a brief, unguarded moment with a stranger can be supremely restorative. Unfortunately, the juggling of storylines ends up being more schematic than insightful. Angèle’s narrative never catches fire and while Anei is striking as Ada, that section of the film feels slightly patronizing, reducing this immigrant tale to yet another strained salute to perseverance.

This leaves Jolie as the movie’s magnetic center, with Maxine drifting through despair as she ponders what to do. Her doctor insists that the surgery cannot wait, but putting her ambitions on hold means losing a part of herself — a different kind of death sentence than the one she’s now facing.

The character is underwritten but Jolie picks up much of the slack through her silently shattered expression. As she’s gotten older, the Oscar winner has become more comfortable doing less in her performances, allowing for a fragile serenity that is belied by the anguish and anxiety roiling underneath. It’s not just our recognition of the real-life parallels that make Jolie so touching in “Couture” — it’s that ineffable star power she’s possessed for so long. In a story about a potential tragedy, what’s saddest is that Winocour’s film cannot match its lead’s effortless command.

Netflix show, Building the Band, was Liam Payne’s last completed project before his heartbreaking death in October 2024 aged 31 when he fell from a hotel balcony

Netflix has decided not to renew Liam Payne’s final TV project according to reports. The tragic singer’s series, Building the Band – which was filmed four four months before his death – is said not to have been recommissioned, despite the music competition launching the careers of four new groups.

Liam, who tragically died in 2024 aged 31 after falling from a hotel balcony in Argentina, served as judge on the series alongside Nicole Scherzinger and Kelly Rowland, while AJ McLean hosted the contest.

The winning act, 3quency, received a global platform through Netflix, while several contestants have since secured recording contracts following the show’s release. However, there a reportedly no plans for a second series.

A source told The Sun: “Although there are currently no plans for a second season of Building The Band, bosses at Netflix are really proud of what they achieved. That’s because the show led to the creation of four amazing groups and all of them have since signed record deals.”

The source added: “The finalist groups – 3quency, SZN4, Soulidified and Midnight Til Morning – have all released original music, toured internationally – and attract hundreds of thousands of listeners each month. And Midnight Til Morning are performing at BST Hyde Park at the end of this month.”

Building the Band challenged 50 singers unknown to each other to form new groups, relying on vocal chemistry before progressing through a series of performances.

The winning act received a global platform through Netflix, while several contestants have since secured recording contracts following the show’s release.

The programme had been completed and ready for release before Liam’s death, leaving Netflix to decide whether it should proceed with the series.

After consulting the star’s grieving family, the streaming service chose to air the competition and dedicated it to the late singer.

Liam, who rose to stratospheric fame as a member of One Direction after the group was formed on The X Factor in 2010, appeared on the show mentoring aspiring singers hoping to recreate the success enjoyed by his own chart-topping band.

Since his death, tributes from his former bandmates Harry Styles, Niall Horan, Louis Tomlinson and Zayn Malik have continued to resonate with fans, while discussion around Liam’s legacy has remained a recurring topic across the music industry.

However, although Building the Band attracted significant attention because it featured the star’s final on-screen appearance, it failed to make a major impact with UK audiences, which Netflix will be aware of.

The Mirror has contacted Netflix for comment.

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Caracas, June 26, 2026 (venezuelanalysis.com) – Venezuelan casualties from Thursday’s double earthquake continue to rise amid ongoing search and rescue efforts to remove survivors from flattened buildings.

On Thursday night, Venezuelan authorities reported 235 people dead and over 4,300 injured. There are 250 buildings with serious damage or completely collapsed. 

The death toll is expected to rise sharply with unofficial missing people databases compiling more than 40,000 unaccounted persons. However, the figure has steadily decreased in recent hours, while organizers have also pledged to remove duplicate filings.

Social media channels have been flooded with reports of missing friends and relatives.

The Caribbean nation was struck by 7.2 and 7.5-magnitude earthquakes in quick succession on Wednesday. The tremors were concentrated in central and northern states, including the capital. Coastal La Guaira State was the worst affected, with government officials reporting over 100 collapsed buildings.

Search and rescue efforts continued on Thursday as civil protection teams and volunteers rushed to locate survivors and remove them from under the rubble. The Venezuelan government called on the private sector to collaborate with heavy machinery. Several areas of La Guaira are also hard to reach.

Venezuelan grassroots organizations also mobilized, organizing the collection of food, clothes and medicines for displaced families and setting up makeshift shelters.

Videos on social media showed the Venezuelan armed forces likewise moving equipment and mobile surgical units to the coastal area. Commercial flights to and from Simón Bolívar International Airport airport in La Guaira, the main air hub serving Caracas, have been temporarily suspended following damage to a major runway and the air traffic control tower.

Acting President Delcy Rodríguez visited the most affected areas on Thursday afternoon and oversaw ongoing efforts to deploy heavy machinery and provide food and shelter for displaced families.

“We express our support and solidarity to all those affected and we hope to find as many survivors as possible,” she told reporters. “We are working around the clock and we have called for international assistance.”

Venezuelan efforts were reinforced on Thursday night with the arrival of emergency teams from Mexico, the Dominican Republic, and El Salvador. Additional brigades are reportedly on the way from Colombia, Brazil, and the US, among others.

Alongside search and rescue teams, the US Department of War announced a deployment of logistical support assets.

In a statement, the US Southern Command (SOUTHCOM) announced the deployment of the amphibious transport ship USS Fort Lauderdale and the littoral combat ship USS Billings alongside Hercules transport aircraft. Marine Corps Major General Kevin J. Jarrard landed on Thursday night and will reportedly oversee the efforts.

The Trump administration is providing $150 million in humanitarian aid to be channeled through “assistance” partners including Catholic Relief Services and multiple UN agencies.

Washington has, however, opted to maintain its punishing economic sanctions regime against the South American country. On Thursday, the US Treasury Department issued General License 60 (GL60) authorizing transactions related to earthquake relief efforts. However, Venezuelan assets abroad, including bank accounts, remain frozen, meaning that aid efforts will still face hurdles or require US approval.

Caracas has also been unable to access around $4.8 billion in gold held by the Bank of England as well as nearly $5 billion in IMF Special Drawing Rights issued during the Covid-19 pandemic. 

Since January, the Trump administration has issued multiple sanctions waivers to allow Western corporations to secure favorable energy and mining agreements with the acting Rodríguez government. Transactions between Caracas and its historic allies in China, Russia, Cuba, and Iran continue to be prohibited by the waivers and subject to secondary sanctions. The White House has likewise seized control of Venezuelan export revenues, disbursing a portion back to Caracas at US officials’ discretion.

Edited and with additional reporting by Lucas Koerner in Caracas.

Lawsuit claims Tesla’s Autopilot shortcomings led to fatal crash; family seeks $1m in damages and punitive measures.

The family of a Texas woman who was killed has filed a lawsuit against Tesla after a driver using a Model 3’s automated driving assistance system crashed into a suburban Houston home last week.

The complaint, filed on Tuesday, argues that Tesla should be held liable for the wrongful death of 76-year-old Martha Avila. The family alleges that the automaker, led by Elon Musk, failed to adequately warn drivers about alleged defects in its Autopilot and Full Self-Driving systems.

Avila’s daughter, Jennifer Barbour, and her husband, Justin Barbour, said the Model 3’s driver, Michael Butler, told law enforcement he engaged Autopilot before ploughing through the front wall of Avila’s home in Katy, Texas, the United States, on June 19, pinning her before she succumbed to her injuries at a nearby hospital, according to the complaint.

Video obtained by KHOU – Houston’s CBS affiliate — shows the car travelling at top speed over the front lawn of Avila’s home in the Houston suburb before slamming into the front room.

The driver told the Harris County Sheriff’s Office that he was using the technology at the time of the accident. The driver in the incident was not under the influence of alcohol and is cooperating with authorities.

Butler is also a defendant in the Barbours’ lawsuit. It is unclear whether he has a lawyer.

Musk, the world’s richest person, posted on X on Monday night: “FSD drives slowly through neighbourhood streets and this was a high-speed crash!”

Ashok Elluswamy, vice president of AI software at Tesla, posted on X in response, saying that “the driver manually overrode self-driving by pressing the accelerator all the way to 100% of the accel pedal in this residential area.”

The lawsuit filed in a Harris County, Texas, state court seeks more than $1m in damages, and punitive damages reflecting Tesla’s alleged “reckless disregard for a substantial risk of severe bodily injury”.

The National Highway Traffic Safety Administration (NHTSA) has been investigating the crash.

Since 2016, the NHTSA has opened nearly 50 special investigations of Tesla crashes believed to involve advanced driver assistance systems. About two dozen deaths were reported.

In March, the NHTSA escalated its probe into 3.2 million Teslas equipped with Full Self-Driving, on concern the system may fail to detect or warn drivers in poor visibility. In 2023, Tesla recalled about two million vehicles, nearly all of its electric vehicles on US roads, to better ensure that drivers pay attention when using Autopilot.

Tesla has said Autopilot enables vehicles to steer, accelerate and brake within their lanes, while Full Self-Driving lets vehicles obey traffic signals and change lanes.

The carmaker has also said both technologies require “fully attentive” drivers whose hands are on the wheel.

The incident comes as the Musk-owned company is rolling out robotaxis using automated software in several US cities this year and plans to invite Tesla owners across the country to put their cars into the fleet using the same system.

Walk into the Grammy Museum in downtown L.A., and you’ll see Clive Davis’ legacy everywhere.

The museum’s intimate performance space is named for the late record executive, and his visage greets guests at the front door. (Davis was the first million-dollar donor to the nascent Recording Academy archive and exhibition space.) His sprawling roster of acts — Bruce Springsteen, Miles Davis, Whitney Houston, Alicia Keys, Earth, Wind & Fire — defined an entire art form and business model as preserved in the Grammy Museum. Davis’ pre-Grammy gala was the most coveted invitation in music every awards season.

Davis’ death at 94 is “devastating,” said Michael Sticka, chief executive and president of the Grammy Museum. “Clive was always a north star of music and talent and artistry. We’re all lucky to have his legacy to look up to.”

Davis’ death marks the end of perhaps the most important and enduring career in the record industry. Sticka spoke to The Times about Davis’ remarkable longevity, creative vision and how a career like his will likely never be possible again.

Clive was a giant of the record business. How did his career shape the modern record industry?

His career was iconic. He really had a unique ability to not just bring an artist to their fullest potential artistically, but commercially. From attending Monterey Pop and first seeing Janis Joplin to Whitney Houston and Alicia Keys, I don’t think anybody had that ear in them the way that he did.

With Clive, what you got was not just hearing commercial viability, but an understanding of what was going on in the zeitgeist. That’s what propelled his career and legacy beyond most record executives.

His name’s on the building at Grammy Museum’s theater. What did he mean to the institution — not just for fundraising but as a living connection to music history?

He didn’t just donate to the museum. He donated his time, his historical knowledge of music, his firsthand perspective. He always kept tabs on what was happening in music. I always say the Clive Davis Theater is the toughest ticket in town for its intimacy and the level of programming we do. But he did an annual program at the museum where people could come hear stories directly from him. Once he decided he was in, he was all in.

His gala was the place to be every Grammy season too.

I don’t think anybody could gather a roomful of luminaries like that from entertainment, tech and politics in the way that Clive did. We were lucky to be a part of that. Even with the stature he had, he was still a physical presence there, he was approachable. He was always looked at as this living legend, but his legacy was continuously being built.

That’s true over the arc of his career, which saw him lead Columbia, Arista, J Records and more. He had a lot of resurrections as well as successes.

He had this ability to resurrect. Look at Santana and “Supernatural,” he was a producer on that album that was inducted into the Grammy Hall of Fame just last year. So many of us would just give up, but he just had this resolve to continue, and thank God he did.

The record industry is so different now than when he began his career. Artists find audiences on social media rather than being discovered by label executives. Is a career like his — a famous executive driven by their own taste and individual savvy — even possible today?

That’s true, artists break on social media before they’re even on record executives’ radars now. I don’t know if we’ll see that kind of career arc again. Clive had a rare combination of gravitas and being recognized so publicly. The man and his legacy are not going to be replicated.

Beyond the name on the theater, how do you hope the Grammy Museum will honor him with its programming in time to come?

I don’t know yet. We weren’t really prepared for this. We’re gonna have to sit down and think how to pay tribute to such a legacy. I think that the impact the Clive Davis Theater has, bringing in 120 artists a year — I couldn’t think of a more apropos name on the door.

Liam Payne’s 9-year-old son has inherited the late singer’s fortune.

Bear Grey Payne, the only child of Payne and British singer and former “X-Factor” judge Cheryl Cole, has been named the sole beneficiary of the former One Direction star’s estate, according to court documents reviewed by People.

Bear now has more than $29 million to his name. According to the filing, a portion of the inheritance can be accessed now, but the majority will be held in a trust for another nine years, until Bear turns 18.

During a 2019 appearance on “The Jonathan Ross Show,” Payne opened up about fatherhood and spending time with Bear after the singer and Cole had called it quits.

“He comes over to my house every so often, and we just hang out and do whatever,” Payne said of his then-2-year-old son. “I think you put pressure on yourself as a dad sometimes. It’s hard to connect with it with a 2-year-old … but they literally will laugh at anything. We put this Batman costume on him in the house, and it was a little bit slidey on the floor, and he kept falling off the sofa. And if I said ‘Whoopsie-daisy!’ and it was like the best thing ever.”

Payne, who was one-fifth of the global boy-band sensation One Direction, died Oct. 16, 2024, after falling from a balcony at the CasaSur Palermo Hotel. Officials determined the 31-year-old singer died from multiple traumas caused by the fall. He had traces of alcohol, several narcotics and a prescription antidepressant in his system when died, according to officials.

The boy-band star turned solo artist had been open about his battle with addiction and mental health and shared updates on his sobriety journey on social media.

After Payne’s death, the National Criminal and Correctional Prosecutor’s Office of Argentina charged five people for alleged involvement in the pop singer’s death, including a representative for Payne and the manager and the head of reception of the Buenos Aires hotel where the British singer fell to his death.

Another hotel employee and a waiter whom Payne met in a restaurant were charged with supplying the singer with narcotics.

Times staff writers Alexandra Del Rosario and Karen Garcia contributed to this report.

Death in Paradise star Ralf Little has been acting for over three decades, and he has reflected on nearly 30 years since his Royle Family journey began.

For four years, Death in Paradise audiences watched Ralf Little portray Detective Inspector Neville Parker in the enduring BBC drama. The actor departed the programme in 2024, with Don Gilet assuming the role as the lead DI in the cherished show.

However, prior to solving crimes in the BBC series, Ralf was recognised as Jonny Keogh in the sitcom Two Pints of Lager and a Packet of Crisps.

His acting journey commenced over three decades ago when he featured as Robbie in the 1990s ITV children’s drama Children’s Ward, which he credits with securing him a part in The Royle Family, the breakthrough that propelled his career.

In a clip he posted on Instagram from the programme Ricky & Ralf’s Very Northern Road Trip, he detailed the audition process for becoming Antony Royle, reports the Express.

He captioned the post: “It’s been nearly 30 years since my Royle Family journey began! It all started after I was on an ITV drama called ‘Children’s Ward’, which also launched the careers of Danny Dyer and Stephen Graham. Here’s the backstory, taken from ‘Ricky & Ralf’s Very Northern Road Trip’.”

Ralf told Ricky: “I’d done a few episodes of that, and I can only assume that Caroline (Aherne) and Craig (Cash), when they were doing the Royle Family, they couldn’t be bothered seeing hundreds of kids, like what normally happens.

“They said, ‘Just send three or four lads that you know’. I walked in, I sat down, and I read the script with them. I must’ve have been in the room more than three minutes, four minutes tops.

“I walked out going, ‘I did nothing, nothing interesting, nothing different’. Got to my car, got a parking ticket that was £50, which I couldn’t afford. It was like, ‘This is the worst day of my life. Got in the car, drove home back to Bury, got in, this was before mobile phones.

“I walked in, and my mum said, ‘Just had a phone call from Granada, they offered you the part’ before I’d even got home! Never happens like that, it was bonkers.”

It didn’t take long for the comments to flood in, with fans quick to reminisce about his iconic past role. One person said: “So glad they picked you to be in The Royle Family, leading to an amazing career for a fantastic actor.”

Another wrote: “Still going strong & still an incredible actor. Well done Ralf.” A third chimed in: “Right choice! And this was just the beginning of a versatile, great career. Thx for so many wonderful TV moments.”

One follower added: “Great story. Time is flying.” While another remarked: “Dang, I can’t believe it is going to be almost 30 years.”

Ricky & Ralf’s Very Northern Road Trip is available to watch on U.

NEW YORK — A 51-year-old man fell to his death from an upper deck of Madison Square Garden during a rock concert Saturday night, police said.

Officers responding to a 911 call around 9:51 p.m. found the man unconscious and unresponsive with injuries indicating a fall from an “elevated position,” New York City police said. Police did not say how far the man fell, but said he was in Section 300. They declined to release his name.

The man was with his wife, according to police. He was taken to a hospital, where he was pronounced dead.

The rock band Goose was performing. In a statement on Facebook, the band said it was “deeply saddened and heartbroken to learn of the tragic event that occurred.”

TOM Parker’s pregnant widow Kelsey has revealed her emotional struggle ahead of the first anniversary of her stillborn baby’s death.

Kelsey, 36, tragically lost her son Phoenix in June 2025 after he was born sleeping.

Kelsey has two children with The Wanted singer Tom, who died in 2022 aged 33, – Aurelia, six, and Bodhi, four – but had been expecting her third child with new partner Will Lindsay.

In May, she announced she is pregnant with her rainbow baby but she explained she is now set to tackle a bittersweet weekend.

Amid her pregnancy joy, it will be the one-year anniversary of Phoenix’s passing and in a candid Instagram upload, she admitted she “deeply misses my little boy and wish things had been different”.

Kelsey uploaded a selfie showing her in the sunshine, wearing a white vest top and sunglasses with a gold chain.

bump’s day out

Kelsey Parker shows off growing baby bump in first public appearance

MUM’S PAIN

Kelsey Parker opens up about the moment ‘she knew’ son would be stillborn

In a frank message posted alongside it she put: “I’ve been really quiet on here the last couple of days.

“Truthfully, I’ve been working a lot, trying to keep busy and just processing the fact that Sunday is a big day.

“It’s Phoenix’s first anniversary and it’s Father’s Day too.

“Grief is a strange thing. Some days you can keep going and stay busy, and other days it all catches up with you.

“I’m learning that both things can exist at once. I can feel excited about this next chapter of life, be grateful for everything I have, and still deeply miss my little boy and wish things had been different”.

Giving advice to her followers, Kelsey added: “If you’re navigating grief, anniversaries or simply carrying something heavy right now, please know you’re not alone.

“As always… stop waiting, start living. But also, give yourself permission to feel it all”.

Recently, the brave mum appeared on ITV daytime series Good Morning Britain to reveal her home was “treated like a crime scene” after Phoenix arrived into the world.

Kelsey’s spouse Tom died in 2022, aged 33, following a brain tumour battle.

She previously admitted that that grieving Phoenix was “harder than grieving Tom” as she spoke on the Mum’s The Word podcast.

She shared: “It was so hard. I think with Phoenix, it was harder than it was with Tom.

“I think because they [her kids] were so much younger, it’s like I could just be like, ‘daddy wasn’t coming back.’ 

“And you know, when I said about the angels taking daddy, ‘we won’t see daddy again’, it was like they accepted that and we sort of moved on. 

“And now as time’s gone on, they asked me more questions about their dad and stuff, but that initial I suppose with Bod as well. He was 18 months old. It wasn’t a question that he even thought.”

At the time of Tom’s death, Aurelia was around three, and Kelsey’s co-host Georgia pointed out: “They were almost ages where they didn’t understand. 

“So you almost didn’t have to explain it too much. You obviously have to explain it, but it’s very different to having a child that completely understands, knows what death is”.

A federal judge on Friday rejected former President Biden’s attempt to block the Trump administration from releasing to a conservative group the recordings that Biden made with a ghostwriter.

U.S. District Judge Dabney Friedrich found that the public interest in the material outweighed whatever privacy rights Biden had.

The recordings were obtained by special counsel Robert Hur in the course of his investigation into whether Biden improperly retained classified documents while a senator and vice president. Republicans in Congress demanded them after Hur declined to file charges against the then-president.

Biden’s Democratic administration refused to turn over the 2017 recordings and transcripts, leading congressional Republicans to hold his attorney general, Merrick Garland, in contempt.

President Trump’s Department of Justice authorized the release of the materials. That led Biden last month to sue to seek to block the release to a staffer at the conservative Heritage Foundation who had formally requested the records.

Biden objected to the release as an invasion of privacy, saying the recordings included him discussing sensitive personal matters such as the death of his older son, Beau Biden. But Friedrich found that the administration redacted that material.

The judge wrote that the materials “contain no mention of highly sensitive topics like illness or death, nor do they mention any non-public persons, including members of Biden’s family.”

Representatives for Biden did not immediately comment but asked Friedrich to bar release of the material while they appeal her decision. The Justice Department did not immediately respond to a request for comment.

Friedrich was nominated by Trump, a Republican, in 2017.

Riccardi writes for the Associated Press.

What is the angriest acting performance you’ve ever seen?

Maybe it’s Joe Pesci in “Goodfellas.” (“Funny how? Do I amuse you?”) Perhaps it’s James Caan kicking the stuffing out of his ne’er-do-well brother-in-law Carlo in “The Godfather.” John Goodman enforcing the rules of bowling in “The Big Lebowski”? It’s in the conversation.

Did Ben Kingsley in “Gandhi” cross your mind? Probably not.

The 82-year-old Oscar winner thinks it should.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Don Logan or Mahatma Gandhi? The answer isn’t as plain as you might think.

Not long ago, I spoke with Kingsley just before an Emmy FYC event for “Wonder Man,” the enjoyable new Marvel TV series that finds him revisiting Trevor Slattery, the washed-up, drug-addled actor he first played in 2013’s “Iron Man 3.”

“Wonder Man” follows struggling actor Simon Williams (Yahya Abdul-Mateen II), trying to land a big break in Hollywood while keeping his superpowers hidden. Trevor befriends Simon. Initially he has ulterior motives, but soon becomes Simon’s mentor, turning the series into a look at the indignities that actors face while pursuing their profession.

Taking notes while watching the show’s eight episodes, I wrote, “Ben Kingsley’s seething anger is everything.”

You may remember Kingsley’s bullying and badgering and swaggering menace playing the underworld sociopath in Jonathan Glazer’s 2000 crime-thriller “Sexy Beast,” still my favorite Kingsley performance, one that earned him a supporting actor Oscar nomination. (He lost to Jim Broadbent in “Iris.”)

Is that kind of boiling rage as fun to play as it is to watch?

“If the expression of rage or indignation is completely dramatically justified and that expression of indignation is of enormous benefit to the tribe, yes,” Kingsley answers.

(Larsen&Talbert / For The Times)

Kingsley says Itzhak Stern, Oskar Schindler’s loyal aide and factory manager in “Schindler’s List,” was, “bless him,” all about “contained rage.”

“And a colleague of mine who saw ‘Gandhi’ said, ‘That’s the angriest performance I’ve ever seen on screen,’” Kingsley continues. “That righteous indignation propelled him, and it can be expressed in many ways. Sometimes the safety valve is efficient enough to allow it to come through language and gesture, and sometimes the safety valve can’t hold it.

“That was Don Logan in ‘Sexy Beast.’ No safety valve.”

Let’s circle back to that thought of how rage can help the “tribe.” In “Wonder Man,” Trevor proclaims that “acting is not a job. It’s a calling, the single most consequential thing anyone could ever do with their life.”

“I would broaden the definition and refine it back to its origins,” Kingsley says when I ask if he shares Trevor’s view on acting. “There are images, thoughts and threads that I find nourishing and sustaining, and I treasure them. The tribal storyteller is a very consequential figure in the tribe, and if the mantle of the tribal storyteller falls upon that person’s shoulders, that is the single most consequential thing that person can do in their lives.”

“Trevor expresses it quite differently, and that’s fine,” Kingsley says. “That’s in the script. I honor the lines. But for me personally, as a rather convoluted answer, the tribal storyteller is the hand I hold and the baton I want passed on to me. Maybe it has. I hope I’m worthy, but it’s …” Kingsley widens his eyes and whispers, “Wow.”

“It is the single most consequential thing I can do with my life.”

The “Love Island USA” production team is mourning the loss of executive producer James Barker, who died last week while on set in Fiji.

“Love Island USA” producers ITV America and Peacock confirmed Barker’s death in a media release shared with The Times on Monday. The announcement said that Barker died after “an unexpected medical emergency” but did not provide additional details, including the day of his death and a cause of death. Barker was 40.

“James’ unimaginable loss has been deeply felt across not just the entire Love Island USA production, but throughout all of ITV and Peacock,” the television companies said in a joint statement. “He was a beloved and greatly valued member of our collective family whose kindness, talent and dedication left an indelible mark on all of us and everyone who had the privilege of knowing and working with him. We extend our heartfelt condolences to James’ family, friends and colleagues.”

Barker began his tenure on “Love Island USA” in 2020, first working as a story producer. He has worked as an executive producer on the series for the last three seasons and was also a member of the producing team on “Love Island” companion series “Love Island Games” and “Love Island: Beyond the Villa.”

Barker, according to Monday’s statement, also oversaw the hit series’ pop soundtrack. For an interview with Rolling Stone in 2025, Barker recalled watching the original British “Love Island” series and how pop music supplemented the on-screen romances and heartbreak: “I think that is where my brain immediately said, ‘One, this is amazing, and more shows should be like this.’ And two, ‘How do I work on “Love Island”?’”

Barker also noted in the interview that he drew inspiration for the “Love Island USA” villa sound from his pre-TV career as a nightlife DJ and spoke about the process of hand-selecting music from established pop acts and up-and-coming artists.

“In the past, there was such a stigma about reality shows that a lot of artists didn’t want their music associated with reality shows. And that’s starting to turn around now,” Barker told the outlet. “[Artists are] more and more seeing, well, one, the financial aspect of having your music synced in these kind of shows, and also just the wide reach of viewers.”

Before “Love Island USA,” Barker was a producer on reality series “Pawn Stars,” “Counting Cars” and “Forged in Fire.” He later served as a story producer on “Queer Eye,” “Cosmic Love” and “Are You My First?” Outside of his TV work, Barker often performed as DJ Chaotic at gay bar C’mon Everybody in Brooklyn.

“Love Island USA,” which began its eighth season earlier this month, will pay tribute to Barker in Tuesday’s episode.

He is survived by his mother Malinda.

A weekend BASE jumping accident in a Utah canyon killed two people, one of them a daredevil athlete best known for performing onstage with Madonna at the 2012 Super Bowl, authorities said.

The Sheriff’s Office in Grand County, Utah, confirmed one of the dead was Andy Lewis, an extreme athlete known for feats in BASE jumping, a dangerous sport that involves parachuting to the ground after jumping from a tall fixed object such as a building, a bridge or a desert cliff overlooking a deep canyon.

In BASE jumping circles, Lewis had a huge following and a reputation for pushing the envelope — leaping into tighter spaces or deploying his parachute later than his peers would dare, said John McEvoy, a BASE jumping instructor in Twin Falls, Idaho, who has jumped with Lewis.

“He had an incredible level of athleticism and skill that was developed over years of practice,” McEvoy said. “But then he would take an incredible amount of risk.”

Lewis’ other sport made him an overnight celebrity, thanks to Madonna

Lewis was also a prominent figure in the niche sports of slacklining and tricklining, which combine elements of high-wire walking with aerial acrobatics — sometimes at perilous heights.

Lewis went from obscure athlete to overnight celebrity when he appeared onstage in Madonna’s 2012 Super Bowl halftime show. Dressed in a Roman toga, Lewis bounced and executed tricks on his inch-wide line as though it was a trampoline while Madonna sang behind him.

“My phone actually rang itself to death three days in a row,” Lewis said soon afterward in an appearance on Conan O’Brien’s late-night show.

Emergency responders were dispatched Sunday to a report of people injured in a BASE jumping attempt at Mineral Bottom, a remote desert area near the Utah-Colorado line, according to the Sheriff’s Office. Lewis and an unidentified 50-year-old man died at the scene, the office said in a news release.

Sheriff’s Lt. Al Cymbaluk confirmed to the Associated Press that it was Lewis the extreme athlete who died. He said he had no further details on the fatal accident.

BASE jumping is far more dangerous than skydiving

Though there’s no official tally of BASE jumping deaths, a list compiled by the website BASEaddict.com shows 540 total fatalities worldwide since 1981 — including 30 people killed last year. Prominent deaths include BASE jumper Dean Potter and his climbing partner, Graham Hunt, who were killed in 2015 while attempting a wingsuit flight in Yosemite National Park.

A study focused on BASE jumping in Norway, published in a medical journal in 2007, estimated that BASE jumping carried risks of injury or death five to eight times greater than skydiving.

Lewis openly acknowledged the sport’s inherent danger.

“It’s weird to think about how many people are dead, because it’s like a normal thing,” Lewis told documentary filmmaker Ella Warnick in an interview published last year.

Lewis owned BASE Jump Moab, a business that offered excursions to inexperienced customers using tandem jumps, in which the customer was harnessed to a guide wearing the parachute.

Sheriff’s spokesperson Cymbaluk said he didn’t know whether Lewis and the other man killed were performing a tandem jump.

Tandem BASE jumping carries additional risk because it straps together two people, one of whom generally lacks experience, under a single parachute, McEvoy said. But because they involve novices, they also tend to be the most low-risk, basic types of jumps.

“Within BASE, it’s a very controversial topic,” McEvoy said. “There’s a lot of people who say it’s the stupidest thing in the world and others arguing, `No, we’re giving people the experience of their lives.’”

No one immediately returned phone, text and Facebook messages left Monday for BASE Jump Moab.

Lewis won four straight world championships in competitive slacklining from 2008 through 2011. Lewis set a Guinness World Record for slackline surfing, swaying his feet side to side in a rocking motion that mimics surfing, while keeping his balance above China’s Diaoshuilou waterfall in 2011.

In 2014, he walked a slackline suspended between two hot air balloons more than 4,000 feet above the Nevada desert.

Bynum writes for the Associated Press.

The outbreak caused by the rare Bundibugyo virus strain has reached 782 confirmed cases.

The number of confirmed cases in the Democratic Republic of the Congo (DRC)’s Ebola outbreak has surged to 782, with 178 deaths, marking one of the largest daily jumps so far as regional conflict, patient escapes, and limited contact tracing undermine containment efforts.

The Ministry of Public Health confirmed 72 new cases on Sunday over the previous 24 hours, a record single-day increase, with 29 additional deaths.

The Bundibugyo virus strain has a 22.8 percent death rate so far, with 40 patients recovering, officials said.

“We remain committed to supporting affected countries until transmission is stopped. We call on partners and donors to urgently mobilise resources to strengthen the response and save lives,” Jean Kaseya, director general of the Africa Centres for Disease Control and Prevention, said on Sunday.

The outbreak stems from the rare Bundibugyo strain, which has no approved vaccine or treatment, unlike the Zaire virus responsible for the DRC’s previous 16 Ebola outbreaks.

Contact tracing coverage has plummeted to 56.5 percent, a sharp decline from the 95% target, Health Ministry officials said.

Doctors Without Borders, known by its French initials MSF, warned that “no one knows the true scale” of the outbreak due to dangerous gaps in surveillance and testing.

Eastern Ituri province remains the outbreak’s epicentre, harbouring nearly 95 percent of all confirmed cases. The virus has since breached into North Kivu and South Kivu provinces and spread across the border to Uganda.

Ituri’s humanitarian crisis exacerbates the medical emergency. Nearly one million residents have fled overlapping armed conflicts involving multiple groups, including the M23 rebel movement that controls Goma, the capital of North Kivu province. The area has endured decades of instability, with United Nations reports documenting massacres of more than 100 civilians in gold-rich Ituri villages as various factions vie for control of the region’s mineral wealth.

Thousands of artisanal miners routinely shuttle between clandestine mining sites scattered across the mineral-dense region, creating transmission hotspots that evade health monitoring. The outbreak is believed to have originated in the mining-intensive Mongbwalu Health Zone in Ituri province.

The World Health Organization announced it is ramping up diagnostic testing and contact surveillance operations. However, MSF reports a critical funding gap of $21.5m hampering response efforts.

There are more than 100 Emmy categories, and if you scroll through each and every one of them on the Television Academy’s website, you’re probably one of those people who read the terms and conditions on a document before signing your name.

This hasn’t been the greatest year for television, which has had the converse effect of prompting me to sample more shows than ever in a quest to unearth that one hidden gem that merits a place on my mock Emmy ballot. Truth be told, I’m still looking. I’m sure I’ve missed something. And I’m sure you’ll let me know.

In the meantime, here are my picks for the top 15 categories — five each for comedy, drama and limited series — along with a brief line of reasoning for each. And if it’s predictions you’re after, you can find our full BuzzMeter panel’s choices here. Emmy nominations will be announced July 8.

Comedy series

“Abbott Elementary”
“The Bear”
“The Comeback”
“Hacks”
“The Lowdown”
“Margo’s Got Money Troubles”
“The Fall and Rise of Reggie Dinkins”
“Shrinking”

Sterlin Harjo’s “The Lowdown” feels like it’s on the same trajectory as his last series, “Reservation Dogs,” an under-the-radar charmer that grows in estimation as its audience builds. Noir crime stories don’t come more delightful.

Comedy actress

Quinta Brunson, “Abbott Elementary”
Rose Byrne, “Platonic”
Ayo Edebiri, “The Bear”
Elle Fanning, “Margo’s Got Money Troubles”
Lisa Kudrow, “The Comeback”
Jean Smart, “Hacks”

“Platonic” heightened the chaos and conflict in its second season, affording the gifted Byrne additional room to flex her comic chops. How do you sleep on a show starring a newly minted Oscar nominee?

Comedy actor

Yahya Abdul-Mateen II, “Wonder Man”
Ethan Hawke, “The Lowdown”
Tracy Morgan, “The Fall and Rise of Reggie Dinkins”
Jason Segel, “Shrinking”
Martin Short, “Only Murders in the Building”
Jeremy Allen White, “The Bear”

Morgan acting oblivious is one of the funniest things ever.

Comedy supporting actress

Hannah Einbinder, “Hacks”
Janelle James, “Abbott Elementary”
Ashley Padilla, “Saturday Night Live”
Michelle Pfeiffer, “Margo’s Got Money Troubles”
Sheryl Lee Ralph, “Abbott Elementary”
Jeanne Tripplehorn, “The Lowdown”
Jessica Williams, “Shrinking”

The Padilla Pause is one reason I’m watching “Saturday Night Live” again.

Comedy supporting actor

Harrison Ford, “Shrinking”
Marcello Hernández, “Saturday Night Live”
Ben Kingsley, “Wonder Man”
Ebon Moss-Bachrach, “The Bear”
Nick Offerman, “Margo’s Got Money Troubles”
Stephen Root, “Widow’s Bay”
Tyler James Williams, “Abbott Elementary”

Hernández’s charisma and physical comedy is another.

Drama series

“Industry”
“A Knight of the Seven Kingdoms”
“The Night Manager”
“Paradise”
“The Pitt”
“Pluribus”
“Slow Horses”
“Task”

How many Emmy voters finally caught up on “Industry,” the fast-paced drama about a group of cutthroat Gen Zers? Four seasons in, it’s more addictive than ever.

Drama actress

Caitriona Balfe, “Outlander”
Myha’la, “Industry”
Chase Infiniti, “The Testaments”
Michelle Pfeiffer, “The Madison”
Rhea Seehorn, “Pluribus”
Zendaya, “Euphoria”

Now that “Outlander” is over, it’s time to pour one out for Balfe. Over the course of eight seasons, she hopscotched through time, enduring and overcoming numerous assaults and kidnappings, dealing with grief and trauma and enjoying lots of emotionally grounded sex. Balfe has earned a final reward.

Drama actor

Sterling K. Brown, “Paradise”
Peter Claffey, “A Knight of the Seven Kingdoms”
Tom Hiddleston, “The Night Manager”
Gary Oldman, “Slow Horses”
Mark Ruffalo, “Task”
Noah Wyle, “The Pitt”

Claffey turned bumbling into art.

Drama supporting actress

Isa Briones, “The Pitt”
Taylor Dearden, “The Pitt”
Fiona Dourif, “The Pitt”
Supriya Ganesh, “The Pitt”
Katherine LaNasa, “The Pitt”
Sepideh Moafi, “The Pitt”
Karolina Wydra, “Pluribus”

LaNasa should have bumped herself up to lead. As Whitaker explains to Langdon in Season 2’s penultimate episode, Robby’s the Professor of the ER and LaNasa’s Dana is the Skipper. And the Skipper should be lead.

Drama supporting actor

Patrick Ball, “The Pitt”
Diego Calva, “The Night Manager”
Shawn Hatosy, “The Pitt”
Gerran Howell, “The Pitt”
Ken Leung, “Industry”
Tom Pelphrey, “Task”
Carlos-Manuel Vesga, “Pluribus”

Pelphrey has called his desperate single dad on “Task” the role of a lifetime. No argument here.

Limited series

“Bait”
“Beef”
“DTF St. Louis”
“Death by Lightning”
“Half Man”

I put off watching the finale of the punishing “Half Man” for weeks. Does that mean the show worked?

Limited series/TV movie actress

Sally Field, “Remarkably Bright Creatures”
Camila Morrone, “Something Very Bad Is Going to Happen”
Carey Mulligan, “Beef”
Sarah Pidgeon, “Love Story”
Robin Wright, “The Girlfriend”

I like her! Right now (and always), I like her!

Limited series/TV movie actor

Riz Ahmed, “Bait”
Charlie Hunnam, “Monster: The Ed Gein Story”
Matthew Macfadyen, “Death by Lightning”
Mitchell Robertson, “Half Man”
Michael Shannon, “Death by Lightning”

The young actors on “Half Man” — Robertson and Stuart Campbell — outshone their well-known counterparts.

Limited series/TV movie supporting actress

Linda Cardellini, “DTF St. Louis”
Grace Gummer, “Love Story”
Laurie Metcalf, “Monster: The Ed Gein Story”
Cailee Spaeny, “Beef”
Joy Sunday, “DTF St. Louis”
Constance Zimmer, “Love Story”

Both Cardellini and Sunday for “DTF St. Louis”? No way, José, you say? Yes way, I say. All the way!

Limited series/TV movie supporting actor

(Larry Horricks / Netflix)

Jason Bateman, “DTF St. Louis”
Stuart Campbell, “Half Man”
Richard Gadd, “Half Man”
David Harbour, “DTF St. Louis”
Charles Melton, “Beef”
Nick Offerman, “Death by Lightning”

The mutton-chopped Chester A. Arthur joins Ron Swanson’s ’stache in television’s facial hair hall of fame.

EXCLUSIVE: The Death in Paradise spin-off star opens up about cast changes in Beyond Paradise

Barbara Flynn thought she had lost her job after one week of filming the Death in Paradise spin-off.

The beloved actress, who portrays Anne Lloyd and has also appeared in Death in Paradise, has offered a glowing tribute to a guest star following their departure from the BBC drama.

The fourth series of Beyond Paradise concluded earlier this year, featuring Anne Lloyd stepping in to prevent Humphrey Goodman (Kris Marshall) from being dismissed from his position. The episode additionally saw Zoe Williams bidding farewell to Shipton Abbott for travels abroad.

New arrival Mr. James Smith (Vincent Franklin) was also exposed by Anne for conducting an affair with a DI from Heston Morley station. Anne, who featured on a repeat broadcast of Love Your Weekend with Alan Titchmarsh today, previously discussed filming alongside Vincent, describing the performer as “funny”.

She told Reach PLC: “We got on incredibly well. He’s a funny man, and we had enormous fun off-screen as well as on. He was a lovely addition and a bit of a mystery, and it’s going to all end in… not tears, but chaos or something.

“And, of course, because Anne decides to get much more involved than that, then there’s a real, there’s a real kind of shift,” reports the Express.

Reflecting on increased collaboration with Kris Marshall’s character, Barbara continued: “Well, they all find it difficult having Anne in the station.

“I mean, Humphrey is as polite as he could be. He was never rude, but he’s so in his head, and so Anne is constantly bemused by him, but at the same time, very fond.”

Kris similarly expressed his appreciation for working with Vincent, who portrayed his adversary, calling him a “genius actor”. During the repeat episode of Love Your Weekend, Anne chatted with Alan about the series and how she finds it “a joy” to go to work.

“It is lovely,” Barbara said, going on to heap praise on the show’s writers, “Tony Jordan and Tim Key are an amazing pair. Death in Paradise has such a huge following around the world, and I think it is just something pleasant.

“I said to Sally (Bretton) once, because most of my scenes are with her, who I absolutely adore, I said, ‘Look, Sal, here we are sitting on a bench on a beach’.

“We are at work, and we were doing yoga on a beach, and it was a complete delight.”

She went on to reveal that she broke her ankle after just one week of filming, which made shooting certain scenes particularly challenging. She added, “The rest of it was filmed of me from wheelchairs and crutches. I thought I’d lost a job after the first week, but they said, ‘No, no Barbara, we will wheel you up and down’.”

Beyond Paradise is available to stream on BBC iPlayer.

For two weeks, the fate of Major General Rabe Abubakar (rtd) had become a barometer for testing whether Nigerian authorities could secure the release of a high-ranking military officer from the hands of terrorists operating in the northwestern region.

The answer came on Saturday, June 13, in a press statement by Nasiru Muazu, Katsina’s Commissioner for Internal Security and Home Affairs. The retired general could not be rescued, the Katsina government itself said. Rabe, who served as the Director of Defence Information at Nigeria’s Defence Headquarters between 2015 and 2017, died while in detention at the hands of the terrorists who abducted him. 

Rabe was abducted alongside his wife, Hajia Amina, on May 30. A native of Batsari from Katsina State, he was kidnapped on the Matazu–Sayaya road, a road that has now become one of the most volatile in the North West. 

“It is with profound sadness that we confirm the General’s death while in bandits’ captivity. Despite the relentless and concerted efforts of the State Government and various Security Agencies to secure his safe release, the situation ended in this tragedy. The deceased Retired General died a natural death from complications of diabetes and hypertension,” Nasiru said in the statement.

The abduction of the general had exposed how deeply terrorism has eaten into the fabric of Nigeria, especially the North West, where criminals have turned into full-time armed gangs that engage in kidnapping, pillaging, and other forms of terrorism. 

For over a decade, Katsina and other states in the region have faced incessant attacks from these terrorists, forcing local authorities to consider a “reconciliation” with the armed groups to restore peace. Some local government areas in Katsina, such as Jibia, Batsari, Kurfi, Safana, Danmusa, Matazu, Musawa, Kankara, Faskari, Malumfashi, and Bakori, have agreed to establish peace accords with terrorists in their areas. 

However, while some of these areas have seen relative calm, the situation in Matazu, Bakori, Musawa, Kankia, and Malumfashi has only deteriorated. The Marabar Musawa – Musawa – Matazu – Kafin Soli road (where the General was abducted) became volatile after the peace deal broke. 

Even before May 30, there were several cases of abduction on the road as well as attacks on communities and towns in the area. HumAngle reports that Muhammadu Fulani, the terrorists’ leader in the Matazu – Musawa area, is accusing the state government of arresting three of his men and seizing his livestock. 

Ambush on a wedding road 

Rabe was travelling with his driver and wife to Katsina for a wedding ceremony when the terrorists emerged near a village called Zakin Baure, blocked the road, and opened fire on his vehicle, a red coloured Peugeot 406 car, according to media reports. That forced the vehicle to a halt, enabling the terrorists to abduct him and his wife and push them into a nearby forest. His driver, however, escaped with gunshot injuries and was later admitted to a hospital. 

They were heading toward Katsina city for a family wedding through the perilous corridor, Marabar Musawa–Musawa–Matazu–Kafin Soli, which sits at the fault line of a regional peace architecture that has become increasingly fragile.

Abduction timeline 

June 6: The terrorists released a video clip of the couple begging for the government to rescue them. The wife, who spoke, asked the government to facilitate the release of some three terrorists arrested by security agents in exchange for the couple’s freedom. 

June 8: The terror group leader, Muhammadu Fulani, said he would not release the wife of the General, Amina, as promised, after the government dispatched security agents to the area to fight him. 

June 11: A video clip of the General, his wife and four others went viral on social media. HumAngle checks revealed that the other four persons in the video were members of the All Progressive Congress (APC) from Danja Local Government Area of the state who were abducted last month on the same road. 

June 12: A special prayer session was organised at the Sa’ad Bin Abi Waqqas Mosque in Barhim Estate, Katsina city, at 5 p.m.. Several relatives and friends of the Major General attended the prayer session, where the Imam called on the government to ensure the safe return of Rabe, his wife, and all abducted victims.

June 13 (morning): A WhatsApp message began circulating, especially in Katsina. The message said the General had died Friday night, June 12. “Innalillaihi wa ina ilaihil rajiun. This is to announce on a sad note. The death of General Rabe Abubakar last night at the hands of the bandits.” A HumAngle reporter also received a message from a retired civil servant asking for confirmation. 

June 13 (afternoon): The Katsina State government, through the Ministry of Internal Security and Home Affairs, confirmed the General’s death, saying that he died “a natural death from complications of diabetes and hypertension”. 

A symbol, and a warning

General Rabe’s death has reverberated through Nigeria’s security establishment and social media platforms precisely because of who he was: a man who had once stood before cameras explaining the state’s fight against terrorism. It also brings renewed attention to Nigeria’s growing terrorism and persistent security challenges facing several northern states despite ongoing military operations against the armed groups. 

Dikko Umaru Radda, the Katsina State governor, called the episode a “dark moment,” saying it highlighted the urgent need for a stronger, more coordinated security response, while pledging that those responsible would be pursued.

For residents of Katsina’s volatile corridors, Rabe’s death is a confirmation of what many have long understood: on the state’s insecure roads, rank, fame, and a lifetime of service offer no immunity at all.

His wife’s status was not addressed in Saturday’s statement, and her deceased husband was buried according to Islamic rites, but sources told HumAngle she was released alongside her husband’s remains.

Glenn Close is not going to be ignored this time around, as the eight-time Oscar nominee will finally receive recognition from the academy this fall.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter, working up a healthy World Cup fever even if it’s just an excuse to head to Lucky Baldwin’s for a pint or two and watch Cristiano Ronaldo one last time.

But let’s circle back to American football and my digital cover story with “Beef” stars Cailee Spaeny and Charles Melton, who watched a Super Bowl together, though they were cheering for different teams.

That Super Bowl in question was Super Bowl LIX, pitting the Philadelphia Eagles against the Kansas City Chiefs. Melton hosted a watch party, and since he considers Kansas home and played football for Kansas State University, you might think he’d be rooting for the Chiefs.

Nope.

“When I was living in Germany, I fell in love with Donovan McNabb,” Melton, an army brat, tells me, name-checking the longtime Eagles quarterback.

Spaeny, it turns out, was the only Chiefs fan at the party. To enter Melton’s home, she had to step on a doormat that was fitted with a red-and-white Chiefs jersey. (“It got real dirty,” Melton says with pride.)

Melton and Spaeny enjoy a relaxed and playful give-and-take, borne from the months they spent preparing to play Austin and Ashley, a Gen-Z couple working at a Montecito country club, dreaming and scheming toward upward mobility in “Beef.”

(Erik Carter / For The Times)

The most memorable episode they shared found the couple in an overcrowded, ninth-circle-of-hell emergency room with Ashley, uninsured, experiencing severe ovarian torsion. Her concerns are dismissed and she begs for someone to save her.

“Unfortunately, it’s an all-too-common experience,” Spaeny says. “I probably have a conversation once a month with female friends who go to the doctor’s office and are gaslit by the system, just being made to feel like what they’re experiencing isn’t really happening or they’re making it up. It’s scary.”

Still, being “Beef,” the episode has its share of mordant humor, like the scene where a nurse asks Ashley to rate her pain, zero being pain-free and 10 being excruciating.

“Oh, I thought it was like Letterboxd,” Ashley replies, referring to the movie review social platform. “Two-and-a-half stars out of five is average.”

“My whole life I’ve been a six or seven,” Melton says, noting his own personal pain scale. “I’ll have a cold and I’ll be like, ‘Six or seven.’”

“That sounds like you,” Spaeny says.

“I can get pretty dramatic,” Melton says. “It’s really like the end of the world when I’m sick.”

Spaeny deleted her Letterboxd account because she gets anxious about anything online containing reviews.

“It takes two buttons to click on a movie that I’ve been in and see what people say about me,” Spaeny says. “So I forgot my password and left it that way.”

Melton is an enthusiastic adopter and says he has twice shared his four favorite films, a feature where actors, usually on the red carpet, list a quartet of beloved movies. (Here’s one at the “May December” premiere where Melton enthuses over “The Matrix,” “In the Mood for Love,” “Brokeback Mountain” and “Persona.”)

“I saw them at another event and they were like, ‘Charles, so good to see you.’ And I was like, ‘Do you want my four favorite films?’ And they said, ‘No, you’ve already done it enough,’” Melton laughs. “What can I say? I love movies!”

Elizabeth Olsen has been a regular on our screens for the past 15 years with plenty more to come.

Elizabeth Olsen fans may be surprised to see an unexpected hit ranked as number one.

Actress Elizabeth is no stranger to some of the biggest shows and films around, including none other than the iconic Avengers franchise.

She initially found fame as the older sister of twin actresses Mary-Kate and Ashley Olsen, known for appearing in Two of a Kind, before creating her own path in the entertainment industry.

As it’s now been revealed that Olsen is pregnant with her first child with husband and musician Robbie Arnett, here’s a breakdown of how Elizabeth Olsen’s work is ranked.

Elizabeth Olsen shows and films ranked

10. In Secret

Coming in last place for Elizabeth Olsen’s work is 2013 film In Secret, also referred to as Therese with just 41% on Rotten Tomatoes.

Also starring Oscar Isaac, Jessica Lange and Tom Felton, the official synopsis reads: “Therese is stuck in a loveless marriage to her sickly cousin, Camille.

“Her life changes when she meets Camille’s childhood friend, Laurent.

“They have an affair, but things end rather tragically.”

9. Love & Death

Scoring a more respectable 63%, Love & Death is a 2023 biographical crime drama that aired on HBO Max in the US and ITV in the UK.

The description reads: “Two couples lead peaceful and happy lives in a small Texas Town.

“However, an extramarital affair tragically alters the course of their lives.”

Olsen stars alongside Jesse Plemons, Lily Rabe, Tom Pelphrey and Krysten Ritter.

8. Eternity

Supernatural romantic-comedy Eternity came out last year and earned an impressive 76%.

Starring opposite Olsen in the Apple TV film is Whiplash actor Miles Teller and Masters of the Air actor Callum Turner.

The synopsis reads: “In an afterlife where souls have one week to decide where to spend eternity, Joan is faced with the impossible choice between the man she spent her life with and her first love, who died young and has waited decades for her to arrive.”

7. Doctor Strange

One of the numerous films in the MCU (Marvel Cinematic Universe) to score big for Olsen is Doctor Strange with 73%.

The description reads: “In an accident, Stephen Strange, a famous neurosurgeon, loses the ability to use his hands.

“He goes to visit the mysterious Ancient One to heal himself and becomes a great sorcerer under her tutelage.”

Olsen is joined by the likes of Benedict Cumberbatch, Rachel McAdams and Chiwetel Ejiofor.

6. Kill Your Darlings

Released 12 years ago, the 37-year-old stars in thriller romance Kill Your Darlings with Harry Potter icon Daniel Radcliffe and The Amazing Spider-Man 2 star Dane DeHaan.

The synopsis for Kill Your Darlings, which earned 78% on Rotten Tomatoes, reads: “A literary revolution ensues when Ginsberg meets Carr at college.

“However, an unresolved murder invites trouble for Carr and sets Ginsberg on a path to reveal the truth through controversial poetry.”

5. Avengers: Infinity War

2018’s Avengers: Infinity War is the third Avengers film and the 19th film overall in the MCU (Marvel Cinematic Universe).

Starring as Wanda Maximoff, also known as the Scarlet Witch, Olsen features in all of the Avengers movies with this one ranking 85%.

In this chapter of the Avengers story, the team joins forces with their allies to stop Thanos from finding the infinity stones.

4. WandaVision

Olsen has her own time centre stage in the MCU sitcom WandaVision where “Vision and Wanda live a normal life in Westview and conceal their superpowers. “However, as decades pass by, they start doubting that everything is not what it seems.”

Joining her in the hit series are recognisable stars like Kat Jennings, Kathryn Hahn and Paul Bettany.

WandaVision scores a near-perfect 92% with fans on Rotten Tomatoes.

3. Avengers: Endgame

Of course, it’s no surprise that Avengers: Endgame is among Elizabeth’s most popular films with a whopping 94%.

Once again joined by the MCU’s usual suspects including Chris Evans, Robert Downey Jr and Chris Hemsworth, Endgame became the highest-grossing film of all time, making more than $2.79 billion.

The synopsis reads: “After Thanos, an intergalactic warlord, disintegrates half of the universe, the Avengers must reunite and assemble again to reinvigorate their trounced allies and restore balance.”

However, Avengers: End Game not only isn’t Olsen fans’ favourite but also comes in second place with two other projects scoring higher.

1. Sorry For Your Loss

One of those taking the top spot with a staggering 97% is the two-seasoned drama Sorry For Your Loss.

Originally debuting in 2018, the description for the drama states: “The sudden death of her husband upends and transforms every relationship in Leigh Shaw’s life, also forcing her to realize there was a lot about her husband that she didn’t know.”

Archive 81 and Uncorked actor Mamoudou Athie, Star Wars ’ Kelly Marie Tran and Ozark’s Janet McTeer join Olsen in this Prime Video series.

1. His Three Daughters

Also declared as Elizabeth Olsen’s top project is the 2023 comedy-drama film His Three Daughters with 97% from Rotten Tomatoes.

The description reads: “Three distant sisters reunite in NYC to care for their sick father.

“Tensions rise as they confront past issues, aiming to heal family bonds amid laughter and tears.”

Gilded Age star Carrie Coon and Poker Face’s Natasha Lyonne Rachel both lead the cast with Olsen.

CELEBRITIES are turning up in droves for Jake Hall‘s funeral this afternoon.

Boxer Derek Chisora is among the celebrities arriving at Grade-I church St Mary the Virgin, in Wanstead, London, for the service.

Cops found the 35-year-old former reality show star in a pool of blood after he ran through a single-glazed glass door.

He was found dead at a Spanish holiday villa with head injuries after a night out partying on May 6.

Officers were called to the rented house in Santa Margalida in the north of the holiday island at around 7.30am.

Police quizzed four men and two women staying at the house.

They reportedly told officers that they had been out in the evening and continued partying after returning to the property in the early hours.

Authorities have not released the nationalities of the others who were at the property.

The Guardia Civil confirmed there was no “criminal activity”.

Hours before he died, he shared a last post on Instagram vowing to “remember the good things”.

Set to the Rolling Stones’ classic Beast of Burden, it showed him enjoying painting, Spanish scenery and fashion.

It was captioned: “Life is bollocks sometimes but I’m gonna try remember the good things – ️ looking through things – I’m just making art – in many forms.”

Footballer and model Jake leaves behind the mother of his child, Misse Beqiri, who he had an on-off relationship with since 2016.

The couple share a daughter, River, who was born in November 2017.

Misse posted an emotional tribute, writing: “There was no way you were ever supposed to go. My heart is shattered, and so is our daughter’s.

“You lit up every room you walked into – your smile, your charm, your energy filled the air.”

She then paid tribute to his love of music and creativity, as well as how many people really loved him.

Chloe Lewis also posted a tribute to her “first love” at the time of his death,

Chloe, who began a 10 year relationship with Jake when she was 16, shared a collection of photos on Instagram from their time together and wrote heartbreaking words that moved celeb pals including Michelle Keegan and Ferne McCann.

“My first love, my childhood sweetheart,” began Chloe. “A love that taught me so much about life and myself, and even more so now your presence is no longer here.”

In their early 20s Towie turned them into stars, but fame had a detrimental impact on their relationship.

Chloe said neither of them wanted to be in the public eye and the pressures of the show put a strain on their romance.

Leading tributes to the star at the time of his death was legendary DJ Fat Tony, who shared an image of the star and captioned it: “Devastating news we Love you such an awful loss to the world you beautiful man x.”

Blue’s Antony Costa wrote: “So sad, what a lovely bloke you were mate R.I.P.”

Love Island’s Jack Fincham wrote on a picture of the pair posted on Instagram: “Cannot believe what I have just read. Condolences to Jake’s family a very sad day. Rest in perfect peace mate.”

Jake first shot to fame on The Only Way Is Essex in 2015, where he famously dated Chloe Lewis before quitting the show in 2024.

Emmerdale’s Dr Todd, played by Caroline Harker, has been causing chaos in the village but the actress comes from a famous acting family

Dr Todd has caused nothing but chaos since her arrival on Emmerdale.

After bullying young trainee doctor Jacob Sugden (Joe-Warren Plant) at the hospital, Dr Todd, played by Caroline Harker, turned her attentions to Charity Dingle (Emma Atkins).

On Sunday night, Dr Todd sexually assaulted Charity after weeks of blackmailing her over the true parentage of baby Leyla.

Charity served as a surrogate for granddaughter Sarah Sugden and Sarah’s husband Jacob, giving birth to baby Leyla. However, Charity has failed to tell the new parents that she and Ross Barton are actually Leyla’s biological parents following a short fling together.

After Dr Todd discovered this secret, she demanded £100,000 from Charity, and things took a horrifying turn when Dr Todd sexually assaulted Charity on Sunday’s episode.

With Dr Todd currently dominating storylines on the ITV soap viewers may be interested to learn that actress Caroline, 60, hails from quite a distinguished acting family.

Who is Dr Todd star Caroline Harker’s family?

Away from the soap, it transpires that Dr Todd actress Caroline comes from quite a celebrated family. Her mother, Polly Adams, is an accomplished actress who has worked extensively across both the UK and the US.

She is perhaps best known for playing Mrs Brown in the 1990s television series Just William, with further TV credits including Kingdom and The Cinder Path.

In 1975, Polly made her Broadway debut in the award-nominated role of Grace Harkaway in a revival of London Assurance. However, Polly isn’t the only celebrated family member Caroline has.

Her sister is Susannah Harker, who has featured in hit BBC 1995 series Pride and Prejudice as Jane Bennet, alongside Jennifer Ehle, who played Elizabeth Bennet, and Colin Firth, who played Mr Darcy.

Other roles include Midsomer Murders and Grantchester. She also received a BAFTA TV Award nomination in 1990 for her portrayal of Mattie Storin in House of Cards.

Who is Dr Todd star Caroline Harker’s husband?

Caroline is wed to actor Anthony Calf, and together the couple have three daughters: Louise Emma Calf, Cecilia Ann L Calf, and Anemone Georgiana Calf.

The 66-year-old boasts an extensive acting career and is best known for his roles in The Madness of King George, Beau Geste, and I Came By, alongside his appearances in Lewis.

Between 2023 and 2025, Anthony portrayed Lord Brightlingsea in the costume drama The Buccaneers, and has also featured in the film A Teacher’s Gift (2025) and the series Insomnia (2024).

From 2005, Anthony spent a decade playing DAC Robert Strickland in New Tricks, having previously taken on the role of Michael Beauchamp in Holby City (2005 – 2006).

In 2019, Anthony stepped into the role of William Wickham in the hugely popular series Poldark, and also appeared in Doctor Who as Godsacre (2017) as well as Death in Paradise in 2021 as Phillip Carlton. His former brother-in-law is Game of Thrones star Iain Glen.

What else has Dr Todd star Caroline Harker been in?

Away from her work in the Dales, Caroline has cropped up in a host of productions, including Harry Enfield and Chums, Holding On, The Man Who Lost His Head with Martin Clunes, Auf Wiedersehen, Pet, Midsomer Murders, and Doctors.

In 2012, Caroline took on the role of Alicia Davenport for a brief stint in Coronation Street. She is also widely recognised for her portrayal of PC Hazel Wallace in A Touch of Frost, starring opposite Sir David Jason.

Her most recent roles include Julia in the Apple TV series Hijack, Bethany Hastings in The Stolen Girl, and Mrs. Taylor-Brown. Back in 2011, she made a one-off appearance in New Tricks, sharing the screen with her husband, portraying the character Tabitha Hall-Chalmers.

Emmerdale airs Monday to Friday at 8:00pm on ITV1 and ITVX

WASHINGTON — President Trump signed a bill into law on Wednesday that gives his immigration and deportation agenda a nearly $70 billion boost for the rest of his time in the White House.

The bill provides $38 billion for U.S. Immigration and Customs Enforcement and $26 billion for the Border Patrol. An additional $5 billion would cover unforeseen costs, according to the White House.

Trump signed the legislation in the Oval Office a day after House Republicans pushed the measure through by a 214-212 vote over the objections of Democrats. His signature ended a nearly six-month fight over Department of Homeland Security funding that began with shooting deaths of deaths of two U.S. citizens, Alex Pretti and Renee Good, in January during federal immigration enforcement operations in Minneapolis.

Democrats began demanding changes to immigration enforcement after the shootings, creating an impasse — and resulting in the longest agency in history — that ultimately led Republicans to go it alone on the funding.

The agencies will be funded through the next three years. The new law front-loads routine annual funding, ensuring a virtually uninterrupted flow of money as the Trump administration seeks to deport some 1 million people per year.

The legislation had become sidetracked over $1 billion for White House security, including for Trump’s new ballroom, and a $1.8 billion fund to compensate his allies who claim to be victims of political prosecution. Both proposals became politically toxic and were scrapped.

The bill as passed focused exclusively on immigration enforcement, a topic that Republicans have treated as a defining issue between the two major political parties and one the GOP hopes will carry it to victory in November’s midterm elections.

Superville and Binkley write for the Associated Press.