death

A YOUNG rapper signed has died days after releasing a new single, at just 25 years old.

Janarious Mykel Wheeler, known by fans as Lil Poppa, died at 11:23am on Wednesday, according to the medical examiner.

According to his Spotify profile Poppa began releasing music in 2017, when he was just a teenager.

When rumours of his death first circulated, fans flooded his social media begging for answers, however the young rapper’s cause of death is currently unknown.

At the time of his death Lil Poppa had more than 600,000 monthly listeners on Spotify and over 960 thousand followers on Instagram.

In a now-tragic final post shared on his Instagram story Tuesday night, Poppa appeared to be riding in a car as he listened to Letting it go by Rod Wave.

MAJOR CHANGE

Hollywood star shows off dramatic new look 22 years after rom com fame

SHIA LA-BASH!

Moment Shia LaBeouf headbutts reveller during wild brawl as star is arrested

Who was Lil Poppa?

Lil Poppa, was born in Jacksonville, Florida, where he first started rapping at church with a group of friends and his older brother.

And at just 12 years old Poppa built a makeshift studio in the closet of his bedroom and started recording his music using just a laptop and a Radio Shack mic.

His big break came in 2018, when his independently released single Purple Hearts hit 2.3 million views on YouTube.

Since then he has released several albums with his label Collective Music Group, which has signed other industry heavyweights like GloRilla.

What was Lil Poppa’s cause of death?

The Fulton County Medical Examiner in Atlanta, Georgia, announced the tragedy, but didn’t give a cause of death, TMZ reported.

According the a medical examiner, the young rapper’s time of death was 11.23am, but his cause of death is currently unknown.

Fans began expressing their concerns about rumours of his death online when the news first started spreading.

A distraught fan wrote: “poppa please say something this can’t be happening.”

What song made Lil Poppa famous?

Lil Poppa wrote songs about relationships, mental health, and love.

The artist was best known for his tracks including “Love & War,” “Mind Over Matter,” and “HAPPY TEARS”.

Just days before his death Poppa released a new single called “Out of Town Bae”.

“And I can’t change how I’m living, I ain’t got no feelings, I pour drank in my kidney, And it’s only for the healing” he sings in his most played song on Spotify, “Eternal Living”.

Tom Noonan, a character actor and filmmaker known for playing villains in “Manhunter” and “The Last Action Hero,” died on Valentine’s Day. He was 74.

The death was confirmed by Fred Dekker, director of “The Monster Squad,” who wrote on Facebook, “Tom’s indelible performance as Frankenstein … is a highlight of my modest filmography.”

Noonan had a nearly 40-year career on TV and in film, making his mark with a role in “Manhunter,” the 1986 movie based on a Thomas Harris novel.

In “Manhunter,” which starred William Peterson of “CSI: Crime Scene Investigation” as an FBI agent and “Succession” star Brian Cox as Dr. Hannibal Lecter, Noonan played Francis Dolarhyde, the serial killer also known as the Tooth Fairy. It was a performance that “knocked out” Dekker, who then pursued Noonan for “Monster Squad.”

Playing a killer wasn’t unusual for Noonan, who stood 6-foot-5 or 6-foot-6, depending on who you trust. On a 2013 episode of TV’s “The Blacklist,” he played “the Stewmaker,” a man with a taste for dissolving human bodies in acid. In the 1993 comedy “The Last Action Hero” he was the Ripper, a fictional nemesis who comes to life in the high-concept film-within-a-film starring Arnold Schwarzenegger as action star Jack Slater.

Born in Greenwich, Conn., on April 12, 1951, Noonan was raised by his math-teacher mother Rita and a large extended family after the death of his father, John Ford Noonan Sr. He went to school at Yale Drama and later founded New York’s Paradise Factory theater with Jack Kruger at the site of the Paradise Ice Cream Factory, where the ice cream cone was invented. The two built a theater and rehearsal rooms where the condemned building stood.

Paradise Factory now bills itself as “bringing the rigor of theatrical discipline to the process of cinematic art, and bringing the intimacy and immediacy of the cinema into theatrical performance art.”

“I wish I had more success as an actor,” the New York-based actor told The Times with a dash of melancholy in 2015. “I think people call me because they’re channel surfing late at night and they see me in a movie on cable.”

In that story, about the actor and his friend and collaborator Charlie Kaufman and Kaufman’s stop-motion animation film “Anomalisa,” a Times staff writer described Noonan: “Like Kaufman, he has a dark worldview, an idiosyncratic sensibility, blackly comic thoughts and, at times, an endearing crankiness.”

In “Anomalisa,” Noonan was credited with playing “Everyone Else” — and that wasn’t an exaggeration. Jennifer Jason Leigh and David Thewlis played the leads; Noonan voiced more than 40 other roles in the film.

“Even I can’t tell if it’s me sometimes,” he told The Times in 2015 about the extensive studio-recording process. “I mean, I recognize the voice, but I’m not sure where it came from.”

“My first TV interview was with Tom Noonan for a local NYC show called MIDDAY(?),” actor Jerry O’Connell wrote early Wednesday on Instagram, including a blurry image of them on the show’s set. “I was so nervous. Tom was so kind. I saw him in every (NYC) play he was in after. He bought my brother and I tickets to Eddie Murphy’s RAW (we were too young to purchase). Btw, on this episode, I was talking about a movie about to come out (Stand By Me) and Mr. Noonan was talking about his movie (Manhunter). Rest In Peace LEGEND.”

Noonan appeared in the famous 1980 flop “Heaven’s Gate” and cast a creepy gothic shadow decades later in “The House of the Devil” (2009). He was a ghoulish host of a late-night television horror program in the 2005 vampire movie “The Roost,” then played a wagon-train missionary in the 2007 western “Seraphim Falls.”

“Robocop 2” (1990) had Noonan as Cain, a messianic maniac with a nose ring who leads a gang of terrorist dope dealers.

In 18 episodes of the series “Hell on Wheels,” which ran for five seasons on AMC, he was the Rev. Nathaniel Cole. Other TV credits included episodes of Fox’s “The X-Files,” HBO’s “The Leftovers,” CBS’ “CSI: Crime Scene Investigation” and the Louis C.K. series “Louie” (FX) and “Horace and Pete.”

Noonan’s half-dozen directing credits include the 1994 film “What Happened Was …,” which was produced as a play, then became a movie and then won the Sundance Grand Jury Prize for dramatic feature. In addition to writing and directing the movie, Noonan played the lead male role opposite actor Karen Sillas. Noonan also won Sundance’s Waldo Salt screenwriting award for the script.

The next year, his feature “The Wife” — a dark comedy once again written, directed by and starring Noonan — was a nominee for the same Sundance Grand Jury Prize. Described by the New York Times as a “bleakly funny evisceration of modern marriage,” the movie co-starred Karen Young, who was Noonan’s wife from 1992 to 1999.

And Noonan’s 2015 movie “The Shape of Something Squashed” was born out of confusion and some despair after his agent called him with what initially looked like a part in one of the “Mockingjay” installments of “The Hunger Games” franchise. When he got the script, though, he saw only one role for someone his age, and that job — playing President Snow — already belonged to Donald Sutherland.

Turns out there never had been a part in the offing. Sutherland was just busy, and Jennifer Lawrence and the rest of the “Hunger Games” cast needed someone to rehearse with them for a week.

After recovering from a brief emotional tailspin, Noonan knocked out the script for “The Shape of Something Squashed” — then directed and acted in the film.

He was preceded in death by his older brother, “A Coupla White Chicks Sitting Around Talking” playwright John Ford Noonan Jr., who died in 2018 at age 77.

Former Times staff writer Steve Zeitchik contributed to this report.

WASHINGTON — At Immigration and Customs Enforcement detention facilities across the country, detainees go without medicine for serious health conditions, endure miscarriages while shackled and are dying in record numbers, a group of U.S. senators said.

In a letter sent Friday to Homeland Security Secretary Kristi Noem and ICE senior official Todd Lyons, 22 Democratic lawmakers alleged that a “dramatic” surge in deaths in federal immigration custody is a “clear byproduct” of the Trump administration’s mass deportation agenda and rapid expansion of detention.

“Each death in ICE custody is a tragedy and, based on the evidence available from agency records, 911 calls, and medical experts, many could have been prevented if not for this Administration’s decisions,” the senators wrote. The letter, released Tuesday, was led by Illinois Sen. Dick Durbin and signed by California Sen. Alex Padilla.

At least 32 people died in ICE custody in 2025, they asserted. That’s triple the previous year’s total and more deaths than were recorded during the entire Biden administration. ICE has reported seven deaths so far this year, as well as seven in December alone.

In the letter, the senators demanded detailed information about the agency’s death investigations, medical standards and oversight procedures.

The Department of Homeland Security, which oversees ICE, did not respond to the allegations but has repeatedly defended its detention standards. In a statement, ICE said it is “committed to ensuring that all those in custody reside in safe, secure and humane environments,” adding that detainees receive medical, dental and mental health screenings within 12 hours of arrival, full health assessments within 14 days and access to 24-hour emergency care.

The lawmakers’ warning comes amid mounting allegations that detention facility staff have withheld critical medication, delayed emergency responses and failed to provide adequate mental health care.

The agency came under flak recently after a Texas medical examiner ruled the January death of a Cuban immigrant a homicide after witnesses said they saw guards choking him to death.

In Calexico, Calif., Luis Beltrán Yanez-Cruz, 68, died after more than a month in detention, records show; the Honduran national’s family alleged that he repeatedly reported worsening stomach and chest pain but received only pain medication.

The recent rise in deaths coincides with a dramatic expansion of the detention system. Funding for ICE roughly tripled after Congress passed the One Big Beautiful Bill Act. The agency has used the funds to increase detention capacity, holding more than 67,000 people nationwide after reaching a historic high of approximately 73,000, many of whom have no criminal history, the letter says.

Last week, the Trump administration announced $38.3 billion in partnerships with private prison corporations, including GEO Group and CoreCivic, to further scale up detention space. One planned facility near Phoenix will cost $70 million and span the equivalent of seven football fields, according to the lawmakers. ICE has also reopened facilities that were previously shuttered over chronic staffing shortages and medical concerns.

Concerns about conditions have extended to California. Last month, Padilla and Sen. Adam Schiff toured a for-profit detention center in California City after reports of unsafe facilities, inadequate medical care and limited access to attorneys.

“It’s the tragic result of a system failing to meet the most basic duty of care,” Padilla said in a statement, citing reports of mold in food, unclean drinking water and barriers to medical care.

A federal judge recently ordered the administration to provide adequate healthcare and improved access to counsel at the facility, concluding that detainees were likely to “suffer irreparable harm” without court intervention.

In their letter, the senators argued that the rapid growth of the detention system has outpaced oversight and accountability. They cited internal audits documenting violations of detention standards, allegations that ICE failed to pay third-party medical providers for months and analyses of 911 calls from large facilities showing repeated cardiac events, seizures and suicide attempts.

“Rather than accepting responsibility for deaths in government custody and providing detailed facts about the circumstances of each death,” the senators wrote, “the Department of Homeland Security has attempted to smear deceased individuals’ reputations by emphasizing details about their immigration status and their alleged wrongdoing.”

As detention capacity continues to expand, the climbing death tallies underscore the extent to which the Trump administration has overhauled the immigration detention system, and Democrats say the results are fraught.

The opposition party has grown more unified after the fatal shootings of two U.S. citizens by federal agents in Minnesota, which coincided with reports of record high detention deaths in December.

Discord culminated in a partial government shutdown that began Friday when Senate Democrats refused to fund the Department of Homeland Security until the Trump administration agrees to reform at the agency.

The true human cost of Israel’s genocidal war on the Gaza Strip has far exceeded previous official estimates, with independent research published in the world’s leading medical journals verifying more than 75,000 “violent deaths” by early 2025.

The findings, emerging from a landmark series of scientific papers, suggest that administrative records from the Gaza Ministry of Health (MoH) represent a conservative “floor” rather than an overcount, and provide a rigorous bedrock to the scale of Palestinian loss.

The Gaza Mortality Survey (GMS), a population-representative household study published in The Lancet Global Health, estimated 75,200 “violent deaths” between October 7, 2023 and January 5, 2025. This figure represents approximately 3.4 percent of Gaza’s pre-conflict 2.2 million population and sits 34.7 percent higher than the 49,090 “violent deaths” reported by the MoH for the same period.

The Gaza Health Ministry estimates that as of January 27 this year, at least 71,662 people have been killed since the start of the war. Of those, 488 people have been killed since the declaration of a ceasefire in the Gaza Strip on October 10, 2025.

Israel has consistently questioned the ministry’s figures, but an Israeli army official told journalists in the country in January that the army accepted that about 70,000 people had been killed in Gaza during the war.

Despite the higher figure, researchers noted that the demographic composition of casualties – where women, children, and the elderly comprise 56.2 percent of those killed – remains remarkably consistent with official Palestinian reporting.

Scientific validation of the toll

The GMS, which interviewed 2,000 households representing 9,729 individuals, provides a rigorous empirical foundation for a death toll.

Michael Spagat, a professor of economics at Royal Holloway University of London and the study’s lead author, found that while MoH reporting remains reliable, it is inherently conservative due to the collapse of the very infrastructure required to document death.

Notably, this research advances upon findings published in The Lancet in January 2025, which used statistical “capture-recapture” modelling to estimate 64,260 deaths during the war’s first nine months.

While that earlier study relied on probability to flag undercounts, this report shifts from mathematical estimation to empirical verification through direct household interviews. It extends the timeline through January 2025, confirming a violent toll exceeding 75,000 and quantifying, for the first time, the burden of “non-violent excess mortality”.

According to a separate commentary in the same publication, the systematic destruction of hospitals and administrative centres has created a “central paradox” where the more devastating the harm to the health system, the more difficult it becomes to analyse the total death toll.

Verification is further hindered by thousands of bodies still buried under rubble or mutilated beyond recognition. Beyond direct violence, the survey estimated 16,300 “non-violent deaths”, including 8,540 “excess” deaths caused directly by the deterioration of living conditions and the blockade-induced collapse of the medical sector.

Researchers highlighted that the MoH figures appear to be conservative and reliable, dispelling misinformation campaigns aimed at discrediting Palestinian casualty data. “The validation of MoH reporting through multiple independent methodologies supports the reliability of its administrative casualty recording systems even under extreme conditions,” the study concluded.

A decade of reconstructive backlogs

While the death toll continues to mount, survivors face an unprecedented burden of complex injury that Gaza’s decimated healthcare system is no longer equipped to manage. A predictive, multi-source model published in eClinicalMedicine quantified 116,020 cumulative injuries as of April 30, 2025.

The study, led by researchers from Duke University and Gaza’s al-Shifa Hospital, estimated that between 29,000 and 46,000 of these injuries require complex reconstructive surgery. More than 80 percent of these injuries resulted from explosions, primarily air attacks and shelling in densely populated urban zones.

The scale of the backlog is staggering. Ash Patel, a surgeon and co-author of the study, noted that even if surgical capacity were miraculously restored to pre-war levels, it would take approximately another decade to work through the estimated backlog of predicted reconstructive cases. Before the escalation, Gaza had only eight board-certified plastic and reconstructive surgeons for a population exceeding 2.2 million people.

The collapse of the health system

The disparity between reconstructive need and capacity is exacerbated by what researchers describe as the “systematic destruction” of medical infrastructure. By May 2025, only 12 of Gaza’s 36 hospitals remained capable of providing care beyond basic emergency triage, with approximately 2,000 hospital beds available for the entire population, down from more than 3,000 beds before the war.

“There is little to no reconstructive surgery capacity left within Gaza,” the research concluded, warning that specialised expertise like microsurgery is almost absent. The clinical challenge is further compounded by Israel’s use of incendiary weapons, which produce severe burns alongside blast-related fractures.

The long-term effect of these injuries is often irreversible. Without prompt medical treatment, patients face high risks of wound infection, sepsis, and permanent disability. The data indicate that tens of thousands of Palestinians will remain with surgically addressable disabilities for life unless there is a huge international increase in reconstructive capacity and aid.

The ‘grey zone’ of mortality

Writing in The Lancet Global Health, authors Belal Aldabbour and Bilal Irfan observed a growing “grey zone” in mortality where the distinction between direct and indirect death becomes blurred. Patients who die of sepsis months after a blast, or from renal failure after a crushing injury because they cannot access clean water or surgery, occupy a space that risks understating the true lethality of military attacks.

Conditions have only deteriorated since the data collection periods. By late 2025, forced evacuations covered more than 80 percent of Gaza’s area, with northern Gaza and Rafah governorates facing full razing by Israeli forces. Famine was declared in northern Gaza in August 2025, further reducing the physiological reserve of injured survivors and complicating any surgical recovery.

This series of independent studies serves as an urgent call for accountability and an immediate cessation of hostilities. “The healthcare infrastructure in Gaza is being repeatedly decimated by attacks despite protection by international humanitarian law,” researchers stated. They underscored that the only way to prevent the reconstructive burden from growing further is an immediate end to attacks against civilians and vital infrastructure.

Tigray, Ethiopia – Saba Gedion was 17 when the peace deal that ended the conflict in her homeland of Tigray in northern Ethiopia was signed in 2022.

She hoped then that fighting would be a thing of the past, but the last few months have convinced her that strife is once again looming, and she feels paralysed with despair.

“Many people are leaving the region in droves,” Gedion told Al Jazeera as she sat under the shade of a tree, selling coffee to the occasional customer in an area frequented by internally displaced people (IDPs) in Tigray’s capital, Mekelle.

Gedion – herself a displaced person – is from the town of Humera, a now-disputed area with the Amhara region that witnessed heavy clashes during the 2020-2022 war between Ethiopia’s federal government and the Tigray People’s Liberation Front (TPLF).

The now-21-year-old remembers the horrors she witnessed. Some of her family were killed, while others were abducted into neighbouring Eritrea, she says. She has not heard from them since.

Though she made it out alive, her life was turned upside-down when she was forced to flee to Mekelle for safety.

Years later, Gedion sees similar patterns as people leave Tigray – most headed to the neighbouring Afar region – once again looking for the safety that has become elusive at home.

“Recurring conflict and civil war have made us zombies rather than citizens,” she told Al Jazeera.

In recent weeks, enmity between Ethiopia and Eritrea has escalated amid separate accusations by both sides.

Speaking to Ethiopia’s parliament in early February, Prime Minister Abiy Ahmed addressed his landlocked country’s access to the sea, saying “the Red Sea and Ethiopia cannot remain separated forever”. This has led to accusations by Eritrea that Addis Ababa is seeking to invade its country and trying to reclaim the Red Sea Assab seaport, which it lost in 1993 with the independence of Eritrea.

Ethiopia, meanwhile, has accused Eritrean troops of occupying its territory along parts of their shared border, and called for the immediate withdrawal of soldiers from the towns of Sheraro and Gulomakada, among others. Addis Ababa also accuses Eritrea of arming rebels in the vast Horn of Africa country.

Observers say the heightening tensions point to an impending war between the two countries – one that could once again involve Tigray.

Unhealed scars of war

In Tigray’s capital, a once-booming city of tourism and business, most streets are quiet.

The young people who previously frequented cafes are now often seen applying for visas and speaking with smugglers in the hope of leaving Tigray.

Helen Gessese, 36, lives in a makeshift IDP camp on the outskirts of Mekelle. She worries about what will become of the already struggling region should another conflict erupt.

Gessese is an ethnic Irob, a persecuted Catholic minority group from the border town of Dewhan in the northeastern part of Tigray.

During the Tigray war, several of her family members were kidnapped, she said, as Eritrean troops expanded their hold of the area.

As the war intensified, she fled to Mekelle, about 150km away, looking for safety. Her elderly parents were too frail to join her on foot, so she was forced to leave them behind. Like Gedion, she has not heard from them or the rest of her family since 2022.

“My life has been held back, not knowing if my elderly parents are still alive,” she told Al Jazeera, the stress of the last few years making her seem much older than she is.

In Mekelle, it is not uncommon to meet people who are anguished or frustrated – some by the renewed tensions, and many by the trauma of the previous conflict.

More than 80 percent of hospitals were left in ruins in Tigray during the war, according to humanitarian organisations, while sexual violence that defined the two-year conflict is still a recurring issue. Hundreds of thousands of young people are still out of school, foreign investment that created jobs in the past has in large part evaporated, and the economy remains crippled after years of war.

Meanwhile, nearly four years later, the federal government’s decision to withhold foreign funds meant for the region is deepening a humanitarian crisis. The bulk of the public service in the region, for instance, has not been paid for months.

The Ethiopia-Eritrea relationship has also deteriorated in recent years.

The longstanding foes had waged war against each other between 1998 and 2000, but in 2018, they signed a peace deal. They then became allies during the 2020-2022 civil war in Tigray against common enemy, the TPLF.

But the relationship between Ethiopia and Eritrea has been in sharp decline since the signing of the 2022 accord that ended the Tigray war – an agreement that Asmara was not party to.

‘Acts of outright aggression’

Earlier this month, Ethiopia’s Minister of Foreign Affairs Gedion Timothewos wrote an open letter acknowledging the presence of Eritrean troops loitering on the Ethiopian side of the border and calling for them to leave.

“The incursion of Eritrean troops …” he wrote, “is not just provocations but acts of outright aggression.”

Asmara continues to deny the presence of its troops on the Ethiopian side, and Eritrean Minister of Information Yemane Gebremeskel has called such accusations “an agenda of war against Eritrea”.

As a sign of the worsening of the relationship between the two neighbours, Ethiopia’s Abiy, in his address to lawmakers early in February, also accused Eritrean troops of committing atrocities during the Tigray war. The accusation was a first from the prime minister, following repeated denials by his government about reported mass killings, looting and the destruction of factories by Eritrean troops during the Tigray conflict.

Eritrea’s government rejected Abiy’s claims about atrocities, with Gebremeskel calling them “cheap and despicable lies”, noting that Abiy’s government had until recently been “showering praises and state medals” on Eritrean army officers.

As the tensions escalate, many observers say war between the two is now inevitable and have called for dialogue and the de-escalation of the situation.

“The situation remains highly volatile and we fear that it will deteriorate, worsening the region’s already precarious human rights and humanitarian situation,” the United Nations Human Rights spokesperson, Ravina Shamdasani, said this month.

Kjetil Tronvoll, a professor of peace and conflict studies at Oslo New University College, told Al Jazeera a new war would have “wide-reaching implications for the region” – regardless of the outcome.

He believes the looming conflict between Ethiopia and Eritrea could take the shape of a new civil war, positioning Addis Ababa against Tigray’s leadership yet again.

From Ethiopia’s side, he argues the objective would be regime change in both Asmara and Mekelle, noting that “regime change in Eritrea may lead to Ethiopia gaining control of Assab”. For Asmara and Mekelle, the aim would also be regime change in Addis Ababa, he suggests.

“If it erupts, it will be devastating for Tigray,” Tronvoll said. “The outcome of such a war will likely fundamentally alter the political landscape of Ethiopia and the Horn [of Africa],” he warned, pointing out that regional states could also be pulled into a proxy war.

Fears for the future

For many in Tigray, memories of massacres committed during the 2020-2022 war are still fresh.

Axum, a UNESCO World Heritage site in the central zone of the Tigray region, is known for its tall obelisk relics of an ancient kingdom. But for 24 hours in November 2020, the city was the site of killings carried out by the Eritrean army. “Many hundreds of civilians” were killed, rights group Amnesty International said.

While the killings were denied by both the Eritrean and Ethiopian governments for many years, this month Abiy acknowledged they had taken place.

However, despite speaking of “mass killings” in Axum, he has been silent about the fact that the Ethiopian and Eritrean armies worked together openly as allies during that war.

Marta Keberom, a resident in her forties who hails from Axum, says very few people in her hometown have not been touched by violence in the last five years.

“The killings that happened during the war wasn’t just a conflict, it had the hallmark of a genocide where whole families were murdered without a cause,” she said of the killings that targeted Tigrayans.

“To relive that,” Keberom said, speaking at an IDP centre in Mekelle, would be “something I can’t begin to comprehend.”

Waiting for customers at her coffee stand in the city, Gedion is also afraid of what might come next.

She once aspired to be an engineer, but since being uprooted from her village, she now dreams of a future far away from Ethiopia.

She has already contacted a smuggler to help her leave, she says, through Libya and on towards the Mediterranean Sea – despite the extreme risks of such a journey.

“I would rather take a chance than die a slow, certain death with little future prospects,” she said.

The cause of death for Victoria Jones, the daughter of Hollywood legend Tommy Lee Jones, has been revealed a month and a half after she was found dead in a hotel in San Francisco on New Year’s Day.

The San Francisco medical examiner released a report Tuesday ruling her death accidental, the result of the toxic effects of cocaine. The 34-year-old was discovered dead at the Fairmont San Francisco in the early hours of Jan. 1.

San Francisco police responded to a call at 3:14 a.m. regarding a report of a deceased person at the hotel. Officers met with medics at the scene who declared an adult female dead.

Jones briefly pursued acting, making a cameo alongside her father in “Men in Black II” (2002) and later appearing in “The Three Burials of Melquiades Estrada” (2005), which was directed by her father. She later largely remained out of the spotlight and struggled with substance abuse.

In August 2023, her father petitioned that she be placed under temporary conservatorship, according to Marin County court records.

At the time of the filing, she was under a 14-day involuntary psychiatric hold at a hospital in the community of Greenbrae, and her father wanted her to be transferred to a rehabilitation facility, according to a copy of the petition acquired by the San Francisco Chronicle.

“The proposed conservatee needs to recover and work towards sobriety,” the petition stated. “For these reasons, the proposed conservatee will suffer irreparable harm if her residence is not changed from a hospital to a rehab facility.”

Margaret Caron Schmierer was granted temporary conservatorship over Jones in August 2023. Jones retained an attorney and fought the conservatorship.

Then, in December 2023, Tommy Lee Jones filed a petition for the convervatorship to be terminated, which was granted, court records show.

In 2025, Jones was arrested twice in Napa County.

She was charged with three misdemeanor counts — being under the influence of a controlled substance, possession of a narcotic and obstruction of a peace officer — from an incident on April 26. She was later charged with misdemeanor domestic battery from an incident on June 13, court records show. She pleaded not guilty to all charges and the cases remained open at the time of her death.

Jones was the daughter of Tommy Lee and ex-wife Kimberlea Cloughley. She is also survived by her older brother, Austin Jones.

Tommy Lee Jones is known for his Academy Award-winning role as U.S. Marshal Sam Gerard in “The Fugitive” (1993) alongside other iconic roles such as Agent K in “Men in Black” (1997) and as Sheriff Ed Tom Bell in “No Country for Old Men” (2007).

Staff writer Tracy Brown contributed to this report

THE cause of death of Victoria Jones, the daughter of Hollywood legend Tommy Lee Jones, has been revealed after more than a month.

The 34-year-old was tragically found dead at a luxury San Francisco hotel in the early hours of New Year’s Day.

Officials have now confirmed the former child star died from a cocaine overdose.

A harrowing 911 call came in to emergency services at 2:52am on January 1 saying a woman had suffered a suspected overdose.

Staff thought Jones had been drinking when they found her lying on the ground on the 14th floor of the ritzy Fairmont hotel.

She was spotted by a guest who thought she “might be drunk”, a source told The Daily Mail.

LEGEND GONE

The Godfather icon Robert Duvall dies at 95 as wife mourns Hollywood ‘great’

Paramedics rushed to save her, but desperate attempts to revive her failed and she was pronounced dead at the scene.

The initial investigation ruled out foul play and stated that there were no signs of drugs around the body.

Today, the Office of the Chief Medical Examiner in San Francisco announced that Victoria’s death was due to the “toxic effects of cocaine” and ruled it an accident.

Victoria Kafka Jones was the daughter of the actor Tommy and his ex-wife Kimberlea Cloughley, who divorced in 1996.

Her heartbroken family spoke out the day following her death, saying: “We appreciate all of the kind words, thoughts, and prayers.

“Please respect our privacy during this difficult time. Thank you.”

Victoria acted as a child, appearing in Men in Black II and later The Three Burials of Melquiades Estrada. 

She also made a one-episode appearance on One Tree Hill.

Although she stepped away from acting, Victoria still appeared with her father at public events.

In the year before her death, Victoria was arrested at least twice, court records show.

A police report was made in April last year by her husband, Navek Ceja, 44, who alleged she had been taking cocaine, the Daily Mail reports.

He claimed his wife had been using the drug over a 48 hour period while staying at his family’s luxury winery in Napa.

Cops arrived at the scene and said Jones was talking quickly and “was fighting with her body movements”.

She tried to fight away the officers and claimed the 911 call was a mistake, the report adds.

Jones later admitted to using cocaine and was taken to a local jail where officers found a white powder inside her coat.

She was charged with being under the influence of drugs, resisting arrest and possessing a controlled substance.

Two months later, Jones and Ceja reportedly got into a heated fight at the Carneros Resort and Spa in Sonoma.

Ceja, 44, told police that they got into an argument after he confronted her about her drug and alcohol use.

Jones allegedly slapped Ceja around the face twice.

Police were called and Jones was arrested and taken back to the Napa County Jail where she was charged with a misdemeanour domestic violence charge.

Both of the cases were never resolved with Jones due to be in court on the domestic violence count on January 20.

ATHENS, Greece — Israeli producer Dana Eden, best known for co-creating the International Emmy-winning espionage thriller “Tehran,” has died suddenly in Greece, Israeli public broadcaster KAN said Monday.

Eden, 52, was found dead in a hotel in the Greek capital, Athens, a Greek police official said, adding that initial indications suggested she had taken her own life and there was no suspicion of foul play. The official spoke on condition of anonymity as Greek police do not comment publicly in such cases.

KAN said Eden was in Greece for the filming of the hit series’ fourth season.

“Dana was among the leading figures in Israel’s television industry and played a central role in the creation and leadership of some of the most prominent and influential productions within the corporation,” KAN said in a statement. It did not give a cause of death.

“Her professional work, uncompromising dedication, and love for creation left a deep mark on the Israeli Public Broadcasting Corporation. KAN shares in the deep sorrow of her family, friends and colleagues,” the broadcaster said.

In a statement posted on its Facebook page, Eden’s production company, Donna and Shula productions, sought to dispel rumors that the producer had been killed.

“The production company wishes to clarify that the rumors of a criminal or nationally motivated death are false and unfounded,” it said.

“This is a moment of great pain for the family, friends and colleagues. We ask that Dana’s dignity and the privacy of her loved ones be respected,” the production company said.

Israel Culture and Sports Minister Miki Zohar, in a social media post on X, said it was “with great sadness” that he had received the news of Eden’s death, describing her as “one of the most prominent and influential producers in the Israeli television industry.”

“Dana left a deep mark on Israeli creation and brought our story to international stages with pride, talent and courage,” Zohar said.

“Tehran,” which premiered in Israel and on Apple TV in 2020, tells the story of Tamar Rabinyan, a young Mossad operative tasked with hacking into and disabling the Iranian nuclear reactor so the Israeli military can carry out an airstrike. The show was named best drama series at the 49th International Emmy Awards in November 2021.

Eden started working in TV production in Israel in the 1990s, working on shows including comedy “Yom Haem” and crime drama “Magpie,” before finding international success with “Tehran.”

In 2018, her show “Saving the Wildlife” won best TV magazine for children and youth at the Awards of the Israeli Television Academy.

Kantouris and Becatoros write for the Associated Press. Kantouris contributed from Thessaloniki. Matt Kemp in London contributed.

Ardal O’Hanlon is famed for Father Ted, My Hero, and, of course, Death in Paradise as DI Jack Mooney

Netflix fans have been “hooked” by this “hilarious” new series which quietly stars a Death in Paradise icon.

Since leaving his days at Saint Marie behind as the lovable DI Jack Mooney, Irish star Ardal O’Hanlon has featured in Derry Girls, The Woman in the Wall, Extraordinary and Sherlock and Daughter, just to name a few.

Now, BBC Death in Paradise fans have stumbled upon his latest venture with Netflix’s newly released Irish comedy-drama How to Get to Heaven from Belfast.

Released last week, the eight-part comedy revolves around friends Saoirse (played by Roisin Gallagher), Robyn (Sinead Keenan) and Dara (Caoilfhionn Dunne) who learn that their troubled friend Greta (Natasha O’Keefe) has mysteriously died.

O’Hanlon is behind the wacky and upbeat Seamus, the manager of the local seaside hotel where the three women stay as they investigate their friend’s death.

Get Netflix free with Sky for Bridgerton Season 4

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

from £15

Sky

Get the deal here

‘Dearest gentle reader’, as the fourth season of Bridgerton follows second son Benedict love story, there’s a way to watch this fairytale-like season for less.

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.

Netflix fans haven’t been able to stop singing O’Hanlon’s praises with one fan describing him as an “absolute icon” in How to Get to Heaven from Belfast.

Another said: “Loved him on Death in Paradise. He was my favourite”, while a third labelled the star as “absolutely superb”.

O’Hanlon headed up Death in Paradise for three years as DI Jack Mooney before he chose to leave Saint Marie and return to London with his daughter Siobhan Mooney (Grace Stone).

He finally came to the realisation that he had been running away from grief after losing his wife so Jack chose to finally face up to reality and start over again.

Death in Paradise went on to replace O’Hanlon with Ralf Little as DI Neville Parker, followed by the latest detective Mervin Wilson, portrayed by actor Don Gilet.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

How to Get to Heaven from Belfast is currently the number one watch on Netflix with the comedic thriller brought to life by the creative team behind the hit series Derry Girls.

Creator Lisa McGee told Tudum: “This is the show I’ve always wanted to make; a mash‑up of my two favourite genres, mystery and comedy.

“We want to keep you guessing and keep you laughing. I can’t wait for you to meet Saoirse, Robyn and Dara, and go on this wild, weird adventure with them – an Irish odyssey – full of twists, turns, and arguments about eyelash extensions.”

How to Get to Heaven from Belfast is available to watch on Netflix.

EXCLUSIVE: Death in Paradise star Don Gilet has spoken out about new cast member Catherine Garton who plays Sergeant Mattie Fletcher

Death in Paradise’s detective Don Gilet, who portrays Mervin Wilson in the BBC series, has praised new police officer Catherine Garton, who takes on the role of Sergeant Mattie Fletcher.

Mattie is the latest addition to the Saint Marie force and steps into the shoes of Darlene Curtis, previously played by Ginny Holder. Ginny made a quiet exit from the show after only appearing via video link in the Christmas special.

In an exclusive chat with Reach PLC and other media outlets, Don discussed the upcoming series and his experience of welcoming a fresh face to the squad.

He began by stating that Darlene was not replaced, as “you cannot replace that character”. He elaborated, “It was just the new character coming in, just a completely different energy that we weren’t expecting.

“The arrival of Mattie surprises us all as characters, and she’s a very colourful and larger-than-life character as well. So it’s always great,” reports the Express.

“It’s just the same as when new characters come in per episode, it sort of keeps things fresh, keeps the characters on their toes, brings some new and different energy in with a new storyline to go with it.”

He continued, “And again, not giving too much away, but you find out things about Mattie bit by bit as she tries to connect with her colleagues, the same way I tried to connect with my colleagues, and it didn’t happen very easily.

“She’s a great character to work with, and there’s a rebelliousness to the character that Catherine brings, which in some ways is similar to the way that Mervin works.

“So I wonder if there’s just a little tinge of admiration for the way she works that is a bit unorthodox.”

The synopsis for tonight’s episode, available to stream on BBC iPlayer, states: “A reclusive pensioner is shot dead in his home, and a figure matching the description of an unassuming accountant was witnessed fleeing the crime scene.”

It continues: “However, the suspect has a rock-solid alibi. Meanwhile, the commissioner is determined to get the islanders back on side with a community-focused initiative, but tensions rise when Mervin goes rogue during the launch event.”

Death in Paradise airs on Friday at 9pm on BBC One.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

The Super Bowl is over. Going to Disneyland? Do you have a spare $1,000 to spend?

I’m Glenn Whipp, columnist for the Los Angeles Times, host of The Envelope newsletter and the guy wondering about the profit margin on a $6 churro.

In the meantime, welcome back to the newsletter as we push through to the Oscars on March 15. Have you been catching up on the nominated movies? “Sentimental Value” is a delight … though just how delightful has been the subject of some debate.

Are the Actor Awards global enough?

Joachim Trier’s richly rewarding family drama “Sentimental Value” hauled in nine Oscar nominations last month, setting a record for most acting nods for a non-English-language movie.

Its primary quartet of actors — Stellan Skarsgård as a legendary director angling for a comeback, Renate Reinsve and Inga Ibsdotter Lilleaas as his daughters and Elle Fanning as an A-list actor who becomes entangled in the family drama — all received nods. Fanning’s name was the first called when nominations were announced, signaling that Scandinavian melancholy would be notably absent that morning. Never mind the hour: Champagne glasses were raised.

The celebratory scene stood in stark contrast to the vibe just two weeks earlier when “Sentimental Value” was blanked at the Actor Awards (formerly known as the Screen Actors Guild Awards). And it wasn’t the only international film ignored. The 2,500 SAG-AFTRA nomination committee voters also shunned Wagner Moura, the lead of celebrated Brazilian drama “The Secret Agent.” Moura went on to nab an Oscar nomination, one of four noms, including best picture, that Kleber Mendonça Filho’s drama earned.

The disparity between the choices of the motion picture academy and SAG-AFTRA could be an anomaly. Or it might be the latest evidence of an Oscar trend this decade. As the academy’s membership has become more global — 24% of Oscar voters live outside the United States — the Academy Awards have become increasingly an international affair, leading to a widening divide with the Hollywood guilds.

Is this a bad thing? It depends who you ask. If you queried the actors that SAG-AFTRA nominated who ended up being Oscar also-rans, the answer would be no. Those who believe that cinema is global, particularly now that American studios have largely abandoned making movies geared toward grown-ups, would have a different response.

“The fact that not one international film got in says a lot,” says a veteran awards consultant, who, like others interviewed, requested anonymity in order to speak freely about the industry. Indeed, one journalist tabbed SAG’s Actor Awards nominations the “‘America First’ List,” which, while technically accurate, might have taken the perceived xenophobia a bit far.

“The SAG Awards or Actor Awards — whatever they’re called now — are in danger of looking like a middlebrow affair,” another awards campaigner notes. “I know this is going to sound elitist, but it’s true. There’s a big difference between an organization where you have to be invited or apply to join versus one where, if you’re a disc jockey in Kansas City, you have voting rights.”

To be fair, DJs, Kansas City-based or otherwise, probably don’t vote for the Actor Awards’ nominations — just for the final awards. In the nominations round, 2,500 randomly selected active SAG-AFTRA members make the choices. To serve on the committee, members must be categorized as an actor/performer, dancer, singer or stuntperson in the SAG-AFTRA database. Could a DJ be classified as a performer? Probably not. In the guild’s view, actor and performer are synonymous, encompassing both principal and background players.

And sure, since only 7% of SAG-AFTRA actors and performers earn $80,000 or more a year, that means there are going to be a few full-time waiters on those nomination committees. But as the speeches at the Actor Awards remind us annually, it’s a profession where you’re just one job away from making it. Think of Connor Storrie, who worked at restaurants for eight years before getting his break on “Heated Rivalry.”

There’s still the question of why, say, SAG-AFTRA dancers and singers are voting on the merits of an acting performance, however. In contrast to the Actor Awards, nominations for the Oscars are decided by the academy’s various branches. Actors vote for actors, writers for screenplays and so on, with the general membership voting for best picture.

“Peer groups are deciding what’s worthy, and that’s the way it should be,” says an academy member from the public relations branch. “I’m not voting for visual effects.”

Not initially, at least. Academy members vote for all 24 categories in the final round, provided, per a rule change that went into effect this year, they attest to watching all the nominated work in the category.

SAG-AFTRA voters have rewarded non-English-language work over the years, but usually when a particular film or TV show — Bong Joon Ho’s 2019 masterpiece “Parasite” or Netflix’s “Squid Game” — is undeniable. Voters ignored recent lead turns from Fernanda Torres (“I’m Still Here”), Yalitza Aparicio (“Roma”) and Sandra Hüller (“Anatomy of a Fall”). All three went on to earn lead actress Oscar nominations.

This year’s snubbing of “Sentimental Value” is particularly puzzling as the movie featured well-known actors like Fanning and Skarsgård, an institution from roles in blockbuster franchises like “Pirates of the Caribbean” and most recently the TV series “Andor.” It’s also a film about, among other things, the blurring of art and reality and the challenges of acting. And, in the scenes featuring Fanning, it’s in English.

What gives? Like every other contender, “Sentimental Value” screened four times for voters and was available for streaming.

“I just think people are less inclined to watch a movie with subtitles at home,” says one awards consultant, alluding to the ways that passive, multiscreen viewing has encroached upon our multitasking lives. Maybe that’s why Skarsgård, when he accepted the Golden Globe award for his work in the movie, preached that “cinema should be seen in cinemas” in his speech.

Does that sound elitist? It shouldn’t. But it does seem to be a belief from a time that’s slipping away. One certainty: With the academy nominating two international features for best picture for the third straight year, global cinema is now entrenched at the Oscars. Whether SAG-AFTRA voters decide to join the party is now a question for next year.

Carl Webster, Megan Walsh, Theo Silverton, Maggie Driscoll and Jodie Ramsey are in a killer’s firing line and tonight’s flashforward episode will keep fans guessing

The five Coronation Street characters at risk of a grisly death have been revealed. One of the ITV soap’s stars will meet their end the identities of the possible murder victims have been confirmed as viewers prepare to be taken back to the future in the show’s much anticipated flashforward episode. But will it be a villian on a much-loved character getting the boot?

Groomer Megan Walsh, manipulative Theo Silverton and twisted Carl Webster could be getting their comeuppance in April. But quirky landlady Maggie Driscoll is also in the firing like, as is strange newcomer Jodie Ramsey, who appears to have a whole load of family bagage to unload.

The groundbreaking episode begins with a police interview taking place on April 23rd 2026. As the drama unfolds a shocked and Betsy Swain is seen telling the detectives about finding the dead body of someone she knows.

Dressed in wedding clothes, the cop’s daughter explains that she had been at the marriage of her mum Lisa Swain to Carla Connor, but was heading into town when she made the shocking discovery. As the episode returns to the present day we begin to see how the behaviour of the five characters could lead to their possible death two months later.

Evil teacher Megan is caught up in a web of lies as she continues to groom impressionable teen Will Driscoll. Doing anything to protect her family, Maggie gives a fake alibi for Will to stop him being charged with the Christmas Day attack on Daniel Osbourne.

Carl has burnt all his bridges when he let Debbie take the blame for the Corriedale accident which saw Billy Mayhew perish. Since finding out Debbie is actually his mum and not his sister, Carl has pressed the self-destruct button and as he continues to goad both family and neighbours – he would have no shortage of people looking to settle a score.

Theo’s coercive control over Todd has reached new lows and with their wedding looming, will Todd finally confide in his friends about what has been going on before it is too late?

Despite initial reservations, the Platts have welcomed Shona’s estranged sister Jodie Ramsey into their home. But Jodie has been keeping secrets from them, and it seems she has got mixed up with some pretty shady characters in her past. Will trouble follow Jodie to Weatherfield, or could she upset people closer to home with her behaviour?

As the episode comes to a close we flash forward again to April 23 and the five characters are on the cobbles as Lisa and Carla’s wedding fireworks light up the night sky.

As the lights flicker a battered and bruised Carl, frantic Jodie, a menacing Maggie, a bloody-nosed Megan and a furtive Theo stare into the darkness. In the final moments the terrified scream of Betsy Swain fills the air – but which Weatherfield resident will be the murder victim?

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Support for James Van Der Beek’s family continues to pour in. The GoFundMe created to support them following the “Dawson’s Creek” star’s death approached $2.3 million in donations Friday morning.

Steven Spielberg and his wife Kate Capshaw are among the celebrity donors who have contributed to the fundraiser organized by the late actor’s friends. The couple’s donation is listed as $25,000. Those familiar with Van Der Beek’s breakout role on the millennial teen drama know that Spielberg is Dawson Leery’s favorite director.

Originally airing from 1998 to 2003, “Dawson’s Creek” was a seminal teen drama that followed four friends growing up in a small coastal town as they navigated their dreams, relationships and various coming-of-age milestones. Van Der Beek’s Dawson was an aspiring filmmaker whose dreams were bigger than his small hometown. Along with friends Joey (Katie Holmes), Pacey (Joshua Jackson) and Jen (Michelle Williams), Dawson grappled with very relatable teen dilemmas including heartbreak, betrayal and bad decisions.

The fundraiser, which had more than 44,000 donors as of Friday morning, was organized to help support Van Der Beek’s wife and children, who “are facing an uncertain future” due to the financial strain of the late actor’s medical costs. The late actor died following a battle with colorectal cancer. Funds will be used to “help cover essential living expenses, pay bills, and support the children’s education,” the organizers wrote.

Van Der Beek revealed in 2012 that he had been paid “almost nothing” for his work on “Dawson’s Creek” and had not received any residuals from the hit show.

“There was no residual money,” he told “Today.” “I was 20. It was a bad contract. I saw almost nothing from that.”

Before his death, Van Der Beek auctioned off personal memorabilia and sold collectibles to help pay for his cancer treatments. In September, his “Dawson’s Creek” co-stars helped organize and stage a reunion fundraiser to support Van Der Beek and his family — a reunion the actor had to miss because of a virus. “Black Bird” actor Paul Walter Hauser had also been raising funds through Cameo videos and auctions to help the late actor prior to his death.

Besides Spielberg, celebrity donors to Van Der Beek’s GoFundMe also reportedly include Zoe Saldaña, Jon M. Chu, Derek Hough, Busy Philipps, Jenna Dewan and others.

Van Der Beek’s “Dawson’s Creek” colleagues have also been among the many who have shared tributes to the late actor.

“Several times today, from my heart, I’ve tried to form the words to express the beautiful brilliance of James and what his presence has meant to my life,” “Dawson’s” creator Kevin Williamson wrote Thursday in a post shared on Instagram. “But I am truly at a loss for words. I will have to trust that one day those words will come… But today, all I can think about is Kimberly and the entire Van Der Beek family.”

Holmes, meanwhile, shared a handwritten note addressed to Van Der Beek on Instagram Wednesday. She was the first of “Dawson’s Creek’s” surviving core quartet to publicly acknowledge Van Der Beek’s death.

“Thank you,” Holmes wrote in her note, which was addressed to Van Der Beek. “To share a space with your imagination is sacred — breathing the same air in the land of make believe and trusting that each others’ hearts are safe in their expression.”

In her remembrance, Holmes highlighted their shared “laughter, conversations about life, James Taylor songs” and their “adventures of a unique youth.” She also highlighted Van Der Beek’s “Bravery. Compassion. Selflessness [and] Strength.”

“I mourn this loss with a heart holding the reality of his absence and deep gratitude for his imprint on it,” wrote Holmes, who also sent love to Van Der Beek’s wife and children in her message.

Other members of the extended “Dawson’s Creek” family, including actors Chad Michael Murray, Kerr Smith and Sasha Alexander, have also been among those offering condolences and paying tribute to Van Der Beek and his family online.

“James Van Der Beek was one in a billion and he will be forever missed and i don’t know what else to say,” wrote Busy Philipps in her Instagram tribute. “He was my friend and i loved him and i’m so grateful for our friendship all these years.”

Ryan Sickler is used to asking the question that people are afraid to ask: “Is there anyone here who has ever actually died and come back and would be comfortable talking about it in front of all of us?”

It’s not your typical comedy show crowd work but it has profound results. During his special “Ryan Sickler: Live & Alive” released on YouTube in October, a woman in the audience talked about a near-death experience as a child where she rode her bicycle in front of a neighbor’s station wagon. But Sickler pointed out that this remarkable level of candor in the audience is something he continues to marvel about. In fact, he said they did two shows the night they taped his special and during the second show two people in the crowd said they had near-death experiences.

“When I ask the question, I know there’s someone in the crowd that’s like, ‘There’s nobody in here that’s died and come back,’” Sickler said. “So now they’re all very excited to listen too. Like, what happened to this lady, or what happened to this guy? You know, there’s been some wild ones, some real funny ones out there too.”

Given how many comedy specials are being released on various streaming platforms, he says that “we have lost the specialness of the special.” But Sickler said since coming so close to death and being able to talk about it with candor and relatability, he is still calling his latest self-produced YouTube special, special. It now has more than 1 million views on YouTube. Sickler has been on the comedy scene for more than 30 years and released his comedy special “Lefty’s Son” in 2023. He also hosts the “HoneyDew Podcast.” His comedy career has often incorporated his lived experience with a rare blood-clotting disease called Factor V Leiden that almost killed him.

But these days, he’s grateful to be alive, to have been able to wake up when it looked like he might not, to watch his daughter continue to grow up and the laughs along the way. Sickler has long been candid about his chronic health issues with his comedy but he has found particular meaning in doing crowd work when he performs, that talks about death and what it means to live.

The Times recently spoke with Sickler about his special and how he thinks about his sense of health, humor and mortality.

Ryan Sickler in the studio where he films the “HoneyDew Podcast.”

(Al Seib / For The Times)

What did you want to say this time around in your new special?

My first special was something that was a bit of a hybrid of stuff that had been out there and around, but I didn’t own it. It was out there on people’s platforms. They’re making the money off of it. And so I did a bit of, “Let me get this stuff on my channel where I can control it.” And then the other part of that special was becoming a new single dad, all those things this time, specifically, I really just wanted to talk about what had happened and the results after that. I follow these comedy accounts and in October, there were 31 stand-up specials that hit between Netflix, Hulu, YouTube. November was 30. This month was a little slow because the holidays, but it was still at 18 the last time I checked. So I don’t think there’s anything special about stand-up specials anymore. You’re in an environment now where there’s a stand-up special a day, people are doing that with podcasts. There’s so much content going on out there, and I feel like a lot of it is the same. So I this time wanted to just take something that happened very personal to me, this incident, and then tell the story, not only behind it, but what happened after and I was really proud of being able to just focus on that and make that into this special instead of just my observations on this or my thoughts on that. I’m a storyteller and I really think that’s what art is.

When did you realize you had the courage to write about this near–death experience?

I know I had the courage to write about it a long time ago. When I’m making people laugh at my father’s funeral and things like that, I knew I was comfortable being able to take on the material. But what I didn’t know was, could I make it funny? Could I make it relatable? Could I make this one thing that happened to this one person on this rock in outer space matter to anybody and make them care? Because it’s not like we all had this happen to us. This is just one thing that happened to this one dude. So that was really what I was more worried about, is like, can I get this message across and make it relatable, funny and entertaining at the same time? Which is why I threw in those really expensive light cues.

It can be very challenging to hear about these traumatic [near–death] experiences that people have had. How do you absorb that and not absorb it too much?

I’ve been doing this show for so long that it does start to wear on you a little bit hearing a lot of the trauma. So I created a new podcast a couple years ago called the Wayback, which is just fun, funny, nostalgia. So that also for me, was like, let’s not dig into the tears and let’s just laugh about growing up. So that was one way where I could still keep it in my lane and do my job, where I alleviate that a little bit. But the other thing, and I make fun of myself a little, is I’m like the paramedic at the party now. I’m the guy that’s like “You think that’s bad, wait until you hear this.” “This one guy …” “This one lady …” You know what I mean? So I’ve almost become sort of their voice, and I have absorbed it in a way that isn’t so negative, where I carry it home with me. I always forget the quote how it’s worded, but it’s something to the tune of, if we all stood in a circle and threw our problems in the middle, we’d all take our shit right back. It’s like you know what, that’s what you’re dealing with? I’m gonna go ahead and take mine.

How is hearing all these stories and connecting with the crowd and fans in this way [about near–death experiences] changed how you think about your own sense of mortality?

Even with my close call, like, that one angered me, because you start to think about things. You never know how you’re really going to go. You might have an idea if you’re getting older and cancer runs in your family, whatever, but the fact that you could go to a hospital for a simple surgery, they don’t listen to you, everything’s there in your paperwork. You’re your own advocate. You’re doing all the right stuff by yourself, and you’re among professionals, medical professionals, not Yahoos, and you can still have someone else make a mistake and your life is gone. That started me thinking a lot like, “Oh man, for no fault of my own, I could also be gone.” So I go day by day, and I try to be happy day by day. And I’m not going to lie, I also like to know I got a little something tomorrow too.

Do you think that incorporating death and near–death in your comedy helps people work through their own feelings about death and grief?

I only say yes to that because the amount of emails I get, the amount of feedback we get, the amount of guests that still continue to show up [to support] the Patreon. I’ve definitely found, I would say, a purpose in my people. If you’re someone saying you’re a jerk for laughing at this lady talking about cancer, we’re not laughing at her cancer. We’re laughing at something, some light that she found in the darkness of this and trying to have a moment here together, all about, “Hey, there’s some positive ways to look at things at your lowest.” So I know it’s helped people. I mean, we have, over the years, probably thousands of emails now. We have people telling us how much it’s helped. And I mean just through podcasting, I found out I have this blood disease. I was 42 at the time, and already been podcasting. There’s a lady I went to high school with. She’s like “Ryan, my son is 17. He started clotting.” I said, “Go ahead and check for this.” He listens to the podcast. This kid has it. I said, “Well, bad news. It’s genetic.” Now the whole family’s got to get tested. And if you have it from one parent, it’s not great, but having it from two is bad. The whole family gets tested. The parents have it. She’s got it from both her parents. So I can’t get over the fact that a woman I knew when we were children, 35 years later is like, “Hey, that thing you’re talking about on your podcast, my kids, my family, we all have it.” And then I’ve talked about another disease I also have, called Charcot-Marie-Tooth disease, which is CMT. And from bringing that up, people hit me up on that like “I have it, no one ever talks about that.”

What have you found to be one of the positives — besides surviving — of your near–death experience?

Gosh, so many. I have a child, so getting to see her grow and really taking care of my health and things. Not that I wasn’t before, but just I dove in even deeper. I went and got what’s called a gallery test for prescreening for cancer. I started doing all these blood works and like, “Let’s go find out everything you know, because I didn’t find out that I had this blood disease until I was 42 when I clotted.” I’m living my whole life, not even knowing I have this thing and and if I don’t clot, there are plenty of people out there that live to 100 years old and have it. It’s really made me appreciate life and trying to take things day by day. I also was living in a little single-dad pad at the time. We had no central air. We had tandem parking. We were above dumpsters. Our laundry was outside in a room with quarters. And when I got home — I’m still on a walker — and I was like, “What are we doing? We’re going to die without central air? Are we going to die with a bucket of quarters on the fridge? No more.” And so I moved my home, I moved my studio, I did all these things that are, like, the biggest thing you can do in life. We’re going to roll the dice, scared money don’t win, and we’re just going to go for it. Also, as a comedian and anybody in entertainment will tell you, a lot of times you work scared, you hold that money and you wait until the next thing comes. And also, as a single parent, you know we got to budget. And I was like, no more. We’re not going to go out and buy 10 Porsches. We’re going to be responsible. But I was on point with let’s go get a living will and trust. Let’s make sure we have that life insurance policy. Let’s make sure we have all the proper paperwork and stuff done before we do anything like go on a vacation, you know, let’s get this done now and get it done proper.

What do those conversations look like, if you have them at all, about encouraging your male friends to go to the doctor or encouraging them to take care of themselves, physically and emotionally?

I would say the conversations go something like this. My younger brother is like, “Hey, man, I just went in for a test, and they’re telling me I got to have an old school triple bypass,” and then that’s what we all get tested. “Hey guys, I found I got a blood disease.” “Oh man, we all better look into it now.” That’s usually how it goes. I don’t know many men who are proactive. There are a few of us these days. But it’s usually something horrible happens and then we’ll be proactive about everything else.

Do you have male fans who also say “I [saw] your special … I went to your show, and it made me go [to the doctor]”?

Yeah, but I’m saying, though, it still took them to come see a professional clown to get them to go to the damn doctor. I actually have been very good about going, because everyone in my family died. So I’ve been proactive in the sense that I go get two physicals a year. I’ve been doing that since my 20s. I always tell my doctor, if I can go buy expensive sushi, if I go buy weed, if I go buy all these things, I can put money into myself here and come see you a second time and pay for all that. So I do two physicals a year, and I’ve been doing that forever. But I’ve never done any sort of like gallery test. And now we’re in our 50s, so we got to go get the prostate and all that. That’s when you start hearing about that stuff. There’s a lot of ignorance that goes into it as well. I just had a guest here on the “HoneyDew” and said he didn’t go to a doctor or anything for over 20 years because he was just scared of what they were going to tell him. He was scared to get the bad news. You can kind of get the bad news and you could turn that into good news. It doesn’t need to be deadly news.

How do you know when you’ve been too open?

It usually tends to be a personal thing where someone’s like, “I don’t really appreciate you bringing that up.” So I don’t anymore. I’m always cognizant of [saying] like, “Hey, would it be cool if I talked about this or whatever?” I feel like the question you’re asking me would have been great for me just before I started, like, the “HoneyDew” and stuff because this is what I really want to talk about. Everyone wants to talk about the best and bring their best and I just really do want to hear about, you know, the trauma bond. I want to hear about the worst times in your life. I want to know because, honestly, that tells me so much more about you than you verbally talking about you. You know who you were in those moments, how you reacted, how you behaved, how you’ve adjusted. Those things really end up defining who you are, and that’s more what I want to know about. I don’t want to know your best polished version of yourself.

What’s your favorite sighting heading into the long weekend?

A rare red fox outside Yosemite? A 3-year-old gray wolf roaming Los Angeles County, the first such visit in nearly a century? Or Kiké Hernández returning to the Dodgers after a long offseason spent waiting for him to resign?

I’m Glenn Whipp, columnist for the Los Angeles Times, host of The Envelope newsletter and the guy answering all of the above to this newsletter’s initial question.

Let’s spend a little more time with The Envelope’s latest cover star, “Sinners” scene-stealer Delroy Lindo, this week.

Cover story: Delroy Lindo

(Bexx Francois / For The Times)

Everyone loves a surprise or two on Oscar nominations morning, and this year gave us the gift of Delroy Lindo, 73, finally earning his first Oscar nomination for his standout performance as bluesman Delta Slim in “Sinners.”

Some people are still smiling about the news. Lindo certainly is.

Lindo and I talked about the lessons he has learned as an actor over the course of a career that has spanned a half-century. He recalled the self-doubts that plagued him when he first played the lead in “A Raisin in the Sun,” the story of a struggling Black family dealing with discrimination in 1950s South Chicago, and how he overcame those fears when he revisited the role three years later.

“This was an absolute period of growth for me as an actor all because I learned the most important thing: preparation, preparation, preparation,” he told me.

But even when you exercise that level of care, you still deal with doubt. Actors will be the first to tell you that they’re needy, neurotic.

To play Delta Slim, Lindo read books on the blues, listened to Son House, Muddy Waters and Howlin’ Wolf and immersed himself in the culture of the Mississippi Delta. Musicians helped him hone his harmonica and piano playing. He was ready.

But that doesn’t mean he couldn’t use a little affirmation for a final boost.

Lindo says there were two such “seminal moments” for him while making “Sinners.” The first came when they filmed the scene where Lindo stands as his car passes a chain gang. Delta Slim exhorts the prisoners to “hold your heads.”

“[Director] Ryan [Coogler] was very nervous,” Lindo says. “He didn’t want any accidents.”

Shortly after shooting the scene, the movie’s unit publicist, Anna Fuson, emailed Lindo’s agents, telling them how his work had moved her and the crew.

“That doesn’t happen,” Lindo says, his voice cracking with emotion.

Later they shot Delta Slim’s monologue, in which he recalls the lynching of a fellow musician, ending with Lindo breaking into a guttural humming and drumming, expressing pain that transcends words. That night Zinzi Coogler, Ryan’s wife and a producer on “Sinners,” wrote Lindo telling him how much that scene had meant to her.

“Those two moments gave me a grounding,” Lindo says quietly. “It let me know this work is impacting people. And you can’t put a value on that kind of thing.”

A probation officer who was caught on video bending a teen in half.

A Torrance police officer who shot a man in the back as he walked away from a crime scene.

Seven California Highway Patrol officers who piled atop a man screaming “I can’t breathe” as he died following a drunk driving stop.

All three cases had similar outcomes: charges dropped or reduced to no time behind bars after a plea deal.

After a year in office, a pattern has emerged for L.A. County Dist. Atty. Nathan Hochman, who found himself saddled with a number of misconduct and abuse cases against police officers filed by his predecessor, George Gascón.

During his 2024 campaign, Hochman often chastised Gascón for filing cases he claimed wouldn’t hold up before a jury — while also promising to continue bringing prosecutions against police when warranted.

In recent months, Hochman has downgraded or outright dismissed charges in many high-profile cases that Gascón filed. In the two misconduct cases Hochman’s prosecutors have brought to trial, the district attorney’s office failed to win a conviction.

Those outcomes have infuriated the loved ones of victims of police violence, local activists and even former prosecutors, who say Hochman’s backslide on the issue was predictable after he received millions in campaign contributions from police unions.

Greg Apt, a former public defender who served under Gascón as second-in-command of the unit that prosecutes police cases, said he quit last year out of frustration with the new leadership.

“I had concerns that the cases were not going to be treated the same way under Hochman that they were under Gascón, that alleged police wrongdoing would not be given the same level of oversight,” he said.

Hochman has scoffed at the idea that he’s too cozy with cops to hold their feet to the fire, saying his campaign’s war chest reflected bipartisan support that included Democrats who have been critical of police.

The district attorney said he’s made decisions based on what he can actually prove in court, and argued case reviews within the Justice Systems Integrity Division have become even more rigorous under his leadership.

“I’m going to look at the facts and the law of any case. I don’t believe in the spaghetti against the wall approach where you throw the spaghetti against the wall, and see if anything sticks, and let the jury figure it out,” he said. “That would be me abdicating my responsibility.”

Hochman’s supporters argue he has restored balance to an office that was often filing cases against police that were either legally dubious or flat out unwinnable.

Tom Yu, a defense attorney who often represents cops accused of wrongdoing, said Hochman is handling things in a more fair and objective manner.

Former Torrance Police Officers Cody Weldin, center, and Christopher Tomsic, right, pleaded guilty last year in a conspiracy and vandalism case in which they allegedly spray painted a swastika on a car. Attorney Tom Yu, defense for Weldin, is seen listening to the proceedings.

(Genaro Molina / Los Angeles Times)

“By and large, he’s not going after the cops. But he didn’t dismiss all the cases either. I’m OK with that,” Yu said. “On a personal level, I think he’s doing a very difficult job in the police cases, because someone is always going to be unhappy with the decisions he made.”

It is difficult to win a guilty verdict for an on-duty shooting, with no such convictions in Los Angeles County since 2000. Laws governing use-of-force give officers great latitude, often protecting them even when they shoot someone who is later found to be unarmed or in situations where video evidence shows no apparent threat.

Hochman questioned why he is being criticized when the California attorney general’s office has reviewed dozens of fatal shootings of unarmed persons throughout the state since 2020 and filed no criminal cases.

“If you bring weak cases and you lose, it undercuts your credibility of being any good at your job,” Hochman said. “It undercuts your credibility in saying that we believe in the facts and the law and bringing righteous cases.”

Hochman brought 15 cases against police officers in 2025, according to documents provided to The Times in response to a public records request, compared with 17 filed by Gascón in his final year in office.

But while Gascón had a strong focus on the kinds of excessive force cases the public was clamoring to see charged when he was elected in 2020, Hochman has more often filed charges for offenses such as fraud and evidence tampering.

Hochman’s recent dismissal of charges against most of the officers involved in the death of Edward Bronstein has drawn outcry from his family and at least one former prosecutor.

Bronstein died after screaming in agony as six California Highway Patrol officers piled on top of him in Altadena in 2020. The officers were trying to get a court-ordered blood draw after Bronstein was pulled over on suspicion of drunk driving.

Video from the scene shows Bronstein arguing with the officers while handcuffed and on his knees.

The officers warn Bronstein they’re going to force him down to get a sample. Right before they do, Bronstein mumbles that he’ll “do it willingly,” but they shove him face down while a seventh officer, Sgt. Michael Little, films the encounter. A minute passes. Then Bronstein’s body goes limp.

Officers can be seen trying to revive Bronstein, calling his name and slapping the side of his head, according to the video. But several minutes elapse before officers attempt to deliver oxygen or CPR. He was pronounced dead at the scene.

Los Angeles County Dist. Atty. George Gascón announces he will ask a judge to resentence Erik and Lyle Menendez for the killing of their parents in 1989, a decision that could free the brothers.

(Allen J. Schaben / Los Angeles Times)

In 2023, Gascón filed manslaughter charges against the seven officers, as well as the nurse who carried out the blood draw. But late last year, Hochman dismissed charges against all except Little, whose case was reduced to a misdemeanor, for which he received 12 months of probation. Little is no longer a CHP officer, according to an agency spokesman.

Prosecutors are still pursuing manslaughter charges against the nurse at the scene, Arbi Baghalian. His defense attorney, Joe Weimortz, said Baghalian had no control over the officers’ actions or the decision to pursue the blood draw. Weimortz also said he believed the officers were innocent.

Bronstein’s daughter, Brianna Ortega, 26, said in a recent interview that Hochman’s decision to drop the charges felt like a betrayal.

“It just seems like because they’re cops … they must get away with it,” Ortega said. “How are you going to put the blame on one person when all of you are grown men who know better? You have common sense. You have human decency. He is literally telling you he can’t breathe.”

The Los Angeles County coroner’s office could not conclusively determine Bronstein’s cause of death but attributed it to “acute methamphetamine intoxication during restraint by law enforcement.” Bronstein’s family was paid $24 million to settle a wrongful death suit in the case.

Hochman said his office reviewed depositions from the civil case — which he said Gascón did not do before filing a case — and did not believe he could win a manslaughter case because it was impossible to say any officer specifically caused Bronstein’s death. Hochman said the officers had no intent to harm the man and were following orders of a superior officer.

“We looked at each officer, what they knew, what their state of mind was at the time. Understanding that there was both a sergeant there and a nurse, who was in charge of not only taking the blood draw but obviously doing it in a safe manner, and then deciding whether or not we could meet the legal standard of involuntary manslaughter for each officer,” he said.

Edward Tapia, the father of Edward Bronstein, speaks at a news conference about his son, a 38-year-old Burbank man who died while being restrained by California Highway Patrol officers in 2020 after refusing to have his blood drawn after a traffic stop. The family received a $24-million civil rights settlement in 2023 after filing a lawsuit against the state.

(Jason Armond / Los Angeles Times)

Bronstein’s killing was one of three cases in which Hochman assigned new prosecutors in the months before a trial started or a plea deal was reached. Aside from the Bronstein case, the others ended in an acquittal or a hung jury. All three prosecutors who were removed from the unit that handles police misconduct cases had either been appointed by Gascón or had a political connection to the former district attorney.

“When somebody’s lived that case for years, and then you take them off, it suggests that you’re less than serious about winning that case,” said Apt, the former prosecutor on the Bronstein case.

Hochman said he was simply bringing in staff with more trial experience on each case, insisting politics had nothing to do with the transfers. One of the cases, which involved allegations of perjury against L.A. County sheriff’s deputies Jonathan Miramontes and Woodrow Kim, ended with a lightning fast acquittal. Records show jurors deliberated less than an hour before coming back with a not guilty verdict.

In the other case, Hochman’s staff came closer to convicting a cop for an on-duty shooting than anyone else has in L.A. County in a quarter-century.

Former Whittier police officers Salvador Murillo, left, and Cynthia Lopez during their arraignment at the Clara Shortridge Foltz Criminal Justice Center in Los Angeles. Murillo was charged in a 2020 shooting that left an unarmed man paralyzed. Murillo’s trial ended with a deadlocked jury in November 2025.

(Mel Melcon / Los Angeles Times)

Former Whittier Det. Salvador Murillo stood trial in November for shooting an unarmed man in the back as he fled down an alley in 2023. Nicholas Carrillo ran away on foot from a vehicle stop and was leaping over a fence — unarmed — when Murillo squeezed off four rounds. Two severed Carillo’s spine, paralyzing him.

The jury came back deadlocked, although a majority of the panel was leaning toward a conviction. Hochman said it is likely he will ask prosecutors to take Murillo to trial a second time, though a final decision has not been made.

This year, Hochman will have to weigh in on a pair of politically charged police killings.

Keith Porter Jr., a 43-year-old father of two, was shot to death by an off-duty U.S. Immigration and Customs Enforcement agent on New Year’s Eve, a case that has gained national attention following outcry over on-duty shootings by ICE officers in Minnesota and elsewhere.

The Department of Homeland Security said the off-duty ICE agent was responding to an “active shooter.” Porter’s family has said he was firing a rifle into the air as a celebration to ring in the new year.

Melina Abdullah, the co-founder of Black Lives Matter L.A., was part of a group that met with Hochman about Porter’s killing and other cases last month in South L.A.

She described the encounter as confrontational — and a disaster.

“I don’t know how we can expect any safety and accountability with this man in office,” Abdullah said.

Hochman must also decide how to proceed with the case of Clifford Proctor, a former LAPD officer charged for shooting an unarmed homeless man in the back in 2015.

Proctor left the LAPD in 2017 and was not indicted on murder charges until 2024. Gascón reopened the case in 2021, after prosecutors previously declined to file charges.

On Monday, The Times revealed Proctor was able to fly overseas and live at home for a year without the district attorney’s office making any attempt to arrest him on an active murder warrant in 2025.

Hochman has not said if he intends to take Proctor to trial.

Hochman said that while he knows cases of police violence drive emotional reactions, he has to constrain himself to a cold analysis of the facts in front of him.

Reflecting on his confrontational meeting with Black Lives Matter activists, which centered on his recent move to dismiss charges in the 2018 killing of Christopher Deandre Mitchell by Torrance police officers, Hochman said he can’t pursue cases just because people are upset.

“They couldn’t point out anything in that analysis that they disagreed with,” he said. “Other than the result.”

Gezani is forecast to return to cyclone status when it strikes southern Mozambique on Friday evening.

Nearly 40 people have been killed and more than 12,000 others displaced after Cyclone Gezani slammed into Madagascar’s second-largest city earlier this week, as Mozambique braced for the storm’s arrival.

Updating its tolls as assessments progressed, Madagascar’s National Office for Risk and Disaster Management (BNGRC) said on Thursday it had recorded 38 deaths, while six people remained missing and at least 374 were injured.

Gezani made landfall on Tuesday at the Indian Ocean island nation Madagascar’s eastern coastal city, Toamasina, bringing winds that reached 250km/h (155mph).

Madagascar’s new leader, Colonel Michael Randrianirina, has declared a national disaster and called for “international solidarity”, saying the cyclone had “ravaged up to 75 percent of Toamasina and surrounds”.

Images from the AFP news agency showed the battered city of 500,000 people littered with trees felled by strong winds and roofs blown off buildings.

Residents dug through piles of debris, planks and corrugated metal to repair their makeshift homes.

More than 18,000 homes were destroyed in the cyclone, according to the BNGRC, with at least 50,000 damaged or flooded. Authorities say many of the deaths were caused by building collapses, as many give inadequate shelter from strong storms.

The main road linking the city to the capital, Antananarivo, was cut off in several places, “blocking humanitarian convoys”, it said, while telecommunications were unstable.

The storm also caused major destruction in the Atsinanana region surrounding Toamasina, the disaster authority said, adding that assessments were still under way.

France announced the dispatch of food aid and rescue teams from its Reunion Island, about 1,000km (600 miles) away.

Thousands of people had been forced to leave their homes, said the United Nations’s International Organization for Migration (IOM), describing “widespread destruction and disruption”.

The cyclone’s landfall was likely one of the strongest recorded in the region during the satellite era, rivalling Geralda in February 1994, it said. That storm killed at least 200 people and affected half a million more.

Gezani weakened after landfall but continued to sweep across the island as a tropical storm until late on Wednesday.

It was forecast to return to cyclone status as it reaches the Mozambique Channel, according to the Regional Specialized Meteorological Centre La Reunion (CMRS), and could from Friday evening strike southern Mozambique.

Mozambican authorities issued warnings on Thursday about the approaching storm, saying it could cause violent winds and rough seas of 10-metre waves and urging people to leave the area of expected impact.

Both Madagascar and Mozambique are vulnerable to destructive storms that blow in off the Indian Ocean. Just last month, the northwestern part of Madagascar was hit by Cyclone Fytia, killing at least 14 people.

Mozambique has already faced devastating flooding from seasonal rainfall, with nearly 140 lives lost since October 1, according to the country’s National Disasters Management Institute.

BBC Breakfast presenters Naga Munchetty and Charlie Stayt shared a heartbreaking story on Friday

BBC Breakfast has shared some tragic death news as a guest broke down in tears.

Friday’s (February 13) live episode was hosted by Naga Munchetty and Charlie Stayt, who updated viewers on the latest news from across the UK and around the world.

They were joined in the studio by Matt Taylor, who delivered regular weather updates. Meanwhile, Mike Bushell and Peter Ruddick shared the sporting news and Valentine’s Day features, respectively.

Later in the show, the hosts revealed that the Chair of the Commons Health Committee has called on the UK drug regulator to review warnings on medications which can cause impulsive behaviour as a side effect.

Naga explained: “A BBC investigation has found that for some patients, the drugs cause impulsive gambling or sexual behaviour.”

In a pre-recorded segment, BBC correspondent Noel Titheradge spoke to a man called Freddie, whose dad Bill passed away three years ago. He was prescribed medication for Parkinson’s, which had devastating side effects. Reflecting on the struggles his dad faced, Freddie soon broke down in tears in heartbreaking clips.

This is a breaking showbiz story and is being constantly updated. Please refresh the page regularly to get the latest news, pictures and videos.

You can also get email updates on the day’s biggest stories straight to your inbox by signing up for our newsletters

John Shirreffs, the soft-spoken giant who trained Zenyatta, perhaps the best mare of all-time, died in Southern California on Thursday. He was 80. No cause of death was announced.

Shirreffs was one of the top trainers in Southern California with 3,589 starts, 596 of them wins resulting in $58.5 million in purses.

He was a familiar face around local tracks, usually ponying his horses to the track during morning training and then avoiding the spotlight when his horse won by staying on the racing surface and not going to the Winner’s Circle, leaving the punditry to his wife, Dottie Ingordo.

Shirreffs first grabbed national attention when he won the Kentucky Derby with Giacomo at odds of 50-1 in 2005. The horse was partially owned by legendary record producer Jerry Moss, the M along with Herb Alpert in A&M records. Shirreffs remained Moss’ primary trainer until his death in 2023.

Then after Giacomo came Zenyatta, whose personality and skill won the hearts of Southern California race-goers in her 19-race winning streak that included an “un-believe-able” (according to race caller Trevor Denman) last-to-first win against the boys in the Breeders’ Cup Classic at Santa Anita in 2009.

Shirreffs, a Marine veteran, fell into horse racing by accident.

“When I got back from Vietnam, I had no place to go, but I had a friend who knew somebody, so they they said, ‘Come on out West,’” Shirreffs told The Times before last year’s Kentucky Derby.

“So here I’m in New York, I don’t know anything about [horses] except I’ve seen a lot of cowboy movies. So here comes Jim Matthews, pulls up in his trailer, he has his horse set and he it backs his horse out of a trailer.”

Shirreffs admits to not really knowing what he was doing.

“A week or so later, Jim’s just calls me and says, ‘Do you want to come to work for me?’ I said ‘Yeah, that’d be great,” Shirreffs said. “So, I went to work for him and didn’t get paid anything, just room and board. He soon said, ‘I’ll give you this horse and if you sell it, you can make some money.’

“So I’m riding this horse across this field and I get stuck in this mud box. I get the horse out of the mud and Henry Freitas [at Loma Rica Ranch in Central California] asked if I would like to work for him. I said, ‘Well, sure, I get paid here, right? This is great.

“I worked there about 11 years, and one day in he says, ‘John, you wanna take my horse to the fairs?’ I said, ‘Sure, I’d love to do that.’ And that’s how it all started. You know, I never planned it and the opportunity just presented itself each time and when I was fortunate enough, and had some experience with horses, and that’s how it started.”

Shirreffs was asked if Vietnam or training horses was more difficult.

“Well, we don’t want to talk about that,” Shirreffs said.

Santa Anita issued a statement regarding Shirreffs’ death.

“Every horse who races at Santa Anita must first pass by the statue of John’s greatest trainee, the wonderful mare Zenyatta. While John’s victories were plentiful and prestigious, what he accomplished with Zenyatta in the 2009 Breeders’ Cup Classic was a masterpiece and deservedly was voted as the top moment in Santa Anita Park’s 90 years. Our deepest condolences are extended to John’s wife, Dottie, and his family, including those horsemen and women who worked closely with John for so many years. May his memory be a blessing.”

No funeral arrangements have been announced.

When “Dawson’s Creek” premiered on Jan. 20, 1998, I was 11 years old. I had never been in a love triangle or gotten drunk at a house party. Yet, like so many other millennials, I religiously set the VHS player to record “Dawson’s Creek” every week on the WB.

My parents didn’t approve of their impressionable child devouring the semi-debaucherous teen melodrama, so I labeled the VHS tapes “The Brady Bunch,” then routinely snuck out of bed late at night to quietly watch Dawson, Joey, Pacey and Jen navigate their hormonal angst via unbelievably erudite dialogue.

On Wednesday, “Dawson’s Creek” star James Van Der Beek died at 48 after being diagnosed with colorectal cancer. He left behind six kids, a wife and decades of work across film and television.

But for many millennials, he will always be Dawson Leery.

Van Der Beek’s health was already in decline when I profiled “Dawson’s Creek” creator Kevin Williamson for The Times last year. Still, the actor kindly agreed to answer questions for the piece via email. His commentary went beyond what was expected, graciously detailing his time on the show and praising his co-stars and collaborators.

In the “Dawson’s” audition room, for example, Van Der Beek said his soon-to-be co-star Joshua Jackson “stood out because while other actors nervously went over their sides (myself included), he had the energy of a guy who was ready for a prize fight. I remember thinking, ‘THAT GUY is really interesting. If they cast him as Pacey, this is going to be really good.’”

James Van Der Beek, left, and Joshua Jackson in “Dawson’s Creek,” which would launch them to stardom.

(Fred Norris/The WB)

Van Der Beek likewise effused that, as a showrunner, Williamson “felt like a friend who was excited to go make a movie in his backyard. Even the way he ‘pitched’ storylines — it was never a pitch. It was a campfire story about people he cared about that he’d unfold in such a simple, compelling way that you couldn’t help but care about them too.”

Millennial viewers did care. A lot.

“Dawson’s Creek,” a simple drama about four friends growing up in a small, coastal town, quickly became a defining touchstone of Y2K culture, a major hit for the WB network — the series finale drew more than 7 million viewers — and a star-making machine for its four leads: Van Der Beek, Jackson, Katie Holmes and Michelle Williams.

The floppy-haired, often flannel-clad Van Der Beek wasn’t the show’s breakout heartthrob. (That honorific belonged to Jackson, who played Pacey, Dawson’s charming best friend and Joey’s end-game paramour.)

But as the title character and a partial avatar for Williamson — who had similarly spent his own teen years dreamily pining and aspiring to be a filmmaker — Dawson was the boy-next-door pillar around which the show orbited.

Yes, Dawson was whiny and moody and extremely self-centered, but so are a lot of teenagers. Through Van Der Beek’s wistful performance, viewers were given a window through which to grapple with betrayal, death, heartbreak and a litany of bad decisions.

For better or worse, Dawson served as an emotional, often cautionary, proxy for millennials’ own coming-of-age messiness.

In the years since the series ended in 2003, Dawson has largely been reduced to the “Dawson crying” meme: a Season 3 screenshot of Van Der Beek, face contorted in pain and on the verge of crying messy, heaving tears as Dawson tells Joey she should choose Pacey over him.

The emotional relationship between Joey and Dawson was core to the series.

(Fred Norris/The WB)

Van Der Beek later revealed that the tears weren’t scripted. So attuned had he become to his character’s sensitivity by that point that the emotions flowed naturally.

“I think at the heart of [Williamson’s] projects are characters that he himself cares about deeply — flaws and all,” Van Der Beek said in his email last year. “They’re authentic to their background, sincere according to their world view… and vulnerable.”

Van Der Beek was vulnerable, too. As his cancer progressed, he was open with fans about his health struggles and the early warning signs. He appeared via video at a “Dawson’s Creek” reunion event in New York City last September, the proceeds of which raised money for cancer awareness.

In Van Der Beek’s death, there is no real-world instrumental score or innate montage of his best moments to soften the blow, as would have happened with a character on “Dawson’s Creek” (though the internet will surely be awash in such fan-made edits).

But through his work on “Dawson’s,” a generation can take comfort in a starry-eyed boy on a dock in Capeside who once invited us into his messy, emotional world.

Pete Finney, a steel guitarist who toured with Patty Loveless for more than 20 years and recorded with Reba McEntire, the Chicks, Vince Gill, the Judds and more, has died. He was 70.

Confirmation came via a statement earlier this week from Nashville’s Country Music Hall of Fame and Museum, which said Finney died Saturday. No cause of death was provided.

Calling him “a widely admired Nashville musician,” the museum said Finney “exemplified how top instrumentalists can adapt to a remarkable range of styles and settings, whether in a recording studio, a concert stage, or the corner of a small nightclub.”

Finney was born in Maryland in September 1955 and played his first gigs in Washington, D.C., with singer-songwriter Liz Meyer before Meyer moved to the Netherlands in the mid-1980s. He relocated to Austin, Texas, in the late 1970s and then moved to Nashville in the mid-1980s.

Upon his arrival in Tennessee, Finney toured with Foster & Lloyd and later contributed to the solo careers of Radney Foster and Bill Lloyd. His career would take him in diverse directions: He recorded with Beck, Jon Byrd, Shemekia Copeland, Justin Townes Earle, Jon Langford, Jim Lauderdale, Allison Moorer, Ron Sexsmith, Candi Staton and scores of other artists.

“RIP old friend!” wrote Asleep at the Wheel frontman Ray Benson in a comment on a Facebook post announcing Finney’s death. His was one of hundreds of comments, many left by those who had known Finney. “Pete came to a concert in 1970 and saw Asleep at the Wheel he told me that was when he decided to play pedal steel… and play he did with style grace and total command of that instrument! Hard to lose a great friend who was there at the beginning of it all for me and so many in those early Wash DC days.”

Finney was something of a music historian as well, co-curating the Hall of Fame museum’s 2015-2018 exhibition “Dylan, Cash, and the Nashville Cats: A New Music City” and co-writing the exhibit’s accompanying book, which won the 2016 Chet Flippo Award for excellence in country music journalism from the International Country Music Conference.

“The idea for the exhibit came from Finney’s research on the many non-country artists from North America and England who came to Nashville in the 1960s and 1970s to record with the city’s talented and fast-working studio musicians,” the museum said.

Finney hosted programs at the Hall of Fame museum and participated in panel discussions frequently over the years.

The musician married singer Carol Tully on Oct. 15, 2017.

He was touring with Reba McEntire in 1991 when one of the tour’s planes crashed into a mountain near San Diego, claiming the lives of eight band members on their way to a show in Fort Wayne, Ind. Finney was traveling in the second plane to take off from a municipal airport that night; the first was the one that went down. McEntire was not on either plane.

“The planes took off three minutes apart,” a spokeswoman for McEntire told The Times after the March 1991 crash. “The plane that crashed took off first. The pilot of the second plane didn’t see anything. They just knew that they had lost radio contact with the other. They continued flying and were diverted to Nashville.”

Years later, when he was recruited by Mike Nesmith in 2017 to join the revival of the Monkees singer-songwriter’s country-rock group the First National Band, Finney stepped up to replace founding member Red Rhodes, who died in 1995.

“Finney often used Rhodes’ innovative parts from the recordings as his starting point, but frequently added dimensions of his own to prevent the set from simply replicating the original versions,” detailed former Times music writer Randy Lewis in a feature on a 2018 show by the reconstituted group. “Rhodes — and Finney — employ the steel guitar inventively, not just to evoke notes of melancholy often found in country music, but to bring an orchestra’s worth of color, texture and shading to the arrangements.”

In 2021, Finney joined the final Monkees tour, which included Mickey Dolenz as well as Nesmith and wrapped before Nesmith’s death that December.

The Hall of Fame said Finney “frequently performed in pickup bands in small Nashville clubs, where he might be seen with top-flight players such as Mac Gayden, Jen Gunderman, Jimmy Lester, Chris Scruggs, Kenny Vaughan, and others.”

Singer-songwriter and podcaster Otis Gibbs, who had Finney on his show several times, remembered frequently seeing the steel guitarist out on the Nashville music scene.

“I’d sometimes run into him 4, or 5 nights a week at shows,” Gibbs wrote Tuesday on his website. “If there were 9 people in attendance, Pete would usually be one of them. He’d joke that he liked seeing me at shows because he’d know it must be the place to be.”

Gibbs said he saw Finney just three weeks ago at a Jon Byrd show in East Nashville.

“I snuck up next to him and whispered, ‘I must be at the right show because Pete Finney’s here,’” he wrote. “That was the last time I saw him.”

Finney is survived by his wife. Friends and family are invited to a remembrance gathering Sunday at the Country Music Hall of Fame and Museum’s Ford Theater in Nashville.

Produced by Reese Witherspoon, James Van Der Beek’s final TV role will debut on Amazon Prime later this year, months after the actor’s death following a harrowing cancer battle

James Van Der Beek‘s final TV show will air later this year. The actor, who died aged 48 on 11 February, starred as Dean Wilson in Elle, a prequel series to the iconic Legally Blonde film franchise.

Produced by Reese Witherspoon, the show follows a young Elle Woods (Lexi Minetree) in her pre-Harvard high school years, and James played Dean, a mayoral candidate and the school district’s superintendent. His scenes, the last of his that will ever air, were shot in May 2025.

Elle will air on Prime Video on 1 July 2026. This will come months after James’ death. He died aged 48 after a two-year battle with colorectal cancer.

READ MORE: James Van Der Beek’s heartbreaking final message weeks before devastating deathREAD MORE: James Van Der Beek’s cancer battle in full as Dawson’s Creek star dies aged 48

The news was confirmed in a statement from his wife, Kimberley: “Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith, and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come. For now, we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.”

In an additional statement, Kimberly said: “James Van Der Beek was a beloved husband, father, and friend who touched the lives of everyone around him. After a long and courageous battle with cancer, James passed away on February 11, 2026, leaving behind his devoted wife, Kimberly, and their six wonderful children. Throughout his illness, the family faced not only emotional challenges but also significant financial strain as they did everything possible to support James and provide for his care.

“In the wake of this loss, Kimberly and the children are facing an uncertain future. The costs of James’s medical care and the extended fight against cancer have left the family out of funds. They are working hard to stay in their home and to ensure the children can continue their education and maintain some stability during this incredibly difficult time. The support of friends, family, and the wider community will make a world of difference as they navigate the road ahead.” The family have since launched a GoFundMe to help them cover costs.

James was diagnosed with cancer in August 2023, after getting checked following changes in his bowel movements. He announced the diagnosis over a year later in November 2024.

Speaking about his diagnosis when he chose to go public, he explained: “The trickiest thing is there are so many unknowns with cancer. You think, ‘How do I fix this? Is this healing me? Is this hurting me? Is this working? Is it coming back?’ As someone who likes answers, not knowing is one of the hardest things. I have a lot to live for.”

In November last year, he announced that he would be auctioning off personal items from Dawson’s Creek, where he played Dawson Leery, in order to help with the costs associated with his ongoing treatment.

He starred in the show alongside Katie Holmes, who played Dawson’s childhood love Joey Potter, and Joshua Jackson, who played their friend and Joey’s second love Pacey Witter.

For more information or support about bowel cancer, you can contact Macmillan Cancer Support or you can call 020 7940 1760 for advice.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .