death

This article contains some spoilers for the Netflix miniseries “Death by Lightning.”

If politics today make your head spin, wait until you see Netflix’s “Death by Lightning.” The four-part miniseries, premiering Thursday, chronicles one of the more jaw-dropping stretches of post-Civil War American history, when corruption ran rampant, a presidential nominee was drafted at the 11th hour, only to be assassinated early in his term by one of his biggest fans — becoming perhaps the greatest head of state we never really got to have.

And the show answers the burning expletive-laced question posed by its first line: Who is Charles Guiteau?

“I’ve been in a James Garfield rabbit hole for seven years of my life at this point,” says showrunner Mike Makowsky, who adapted Candice Millard’s 2011 chronicle of Garfield and Guiteau, “Destiny of the Republic.” Those who paid attention in history class probably remember that Garfield served briefly as our 20th president in 1881 before being shot and killed. Those who remember more than that are few and far between.

“My own agent half the time refers to him as Andrew Garfield,” says Makowsky. “And I have to confess, I knew very little about Garfield, like most Americans, until I picked up Candice Millard’s remarkable book.”

Realizing he knew little about one of the four American presidents to be assassinated, Makowsky thought, “Since I would desperately like to be on ‘Jeopardy!’ someday, I was like, ‘Let me educate myself.’ I wound up reading the entire book in one sitting.”

“Death by Lightning,” directed by “Captain Fantastic” auteur Matt Ross, boasts a remarkable cast: Betty Gilpin as First Lady Lucretia Garfield; Nick Offerman as Garfield’s successor, a hard-drinking, hard-partying Chester A. Arthur; Michael Shannon as James Garfield, the polymath president, crusader against corruption and noble to a fault; and Matthew Macfadyen as Charles Guiteau, the frustrated office-seeker who shot him.

“I wanted to cast people who were somewhat counterintuitive,” says Ross. “If you read the cast list for this, you might assume Michael Shannon was playing Guiteau because he has played a lot of complicated, for lack of a better word, villains — tough guys, bad guys. And Matthew Macfadyen has played more heroic characters.”

Guiteau is definitely no Darcy from “Pride and Prejudice,” or Tom Wambsgans from “Succession,” for that matter. In the series’ conception of him, he shares more DNA with Martin Scorsese’s unhinged protagonists than he does with Darcy — or, certainly, with Garfield.

The proto-incel with a gun

As portrayed in “Death by Lightning,” Guiteau is a rotten-toothed, scheming, big-dreaming, delusional charlatan and possible sociopath. He’s the proto-incel, and the diametrical opposite to Garfield, whom Makowsky defines as “lawful good,” to borrow the Dungeons & Dragons classification.

“I think the most reductive view of Guiteau is ‘chaotic evil,’ right? But that’s the least interesting rendering of this person,” he says. “What are the societal factors that alienate a man like Guiteau from his fellow human beings? The show is meant to probe into his psyche.”

He was a member of the Oneida community, a religious sect based in New York that practiced communalism, free love and mutual criticism, which is depicted in the series (and yes, they founded the flatware company). But Guiteau couldn’t partake in what Makowsky delicately called the “benefits” of such a society, largely because his delusions of grandeur alienated him from others there. The women reportedly nicknamed him “Charles Gitout.”

“Everyone who encountered him described him as being disagreeable, odd, rude, selfish,” Ross says, explaining the need for an actor who had the opposite qualities. “He’s an extreme example of someone who had no work to be seen for, but was so desperately looking for affirmation and love.”

Charles Guiteau (Matthew Macfadyen) was part of the Oneida community, which practiced communalism and free love, but he wasn’t accepted by its members.

(Larry Horricks/Netflix)

Ross describes Macfadyen as someone who’s empathetic, warm and funny. “I wanted that humanity because the real Guiteau was a deeply disturbed man who was psychologically brutalized by his father to the point he was a non-functioning person.”

Makowsky says as he was reading Millard’s book, he thought of Rupert Pupkin, Robert De Niro’s deranged-fan protagonist in Scorsese’s “King of Comedy.” “This guy showing up, day in and day out, hoping for an audience with his hero [Garfield], being continually rebuffed to the point where something in his brain breaks,” he says of Guiteau. “He felt like a direct historical antecedent to the Rupert Pupkins and Travis Bickles of the world. He fell through the cracks and we lost potentially one of our greatest presidents because of it.”

Makowsky recalls shooting the only dialogue scene between Garfield and Guiteau, when the “greatest fan” finally gets to meet his idol. To Makowsky’s surprise, Macfadyen’s Guiteau “just burst into tears. That wasn’t scripted. It was so overwhelming to him. I think in that moment, more than any other in the series, you feel something for this man.”

Party (hearty) over country

Garfield was succeeded in office by Chester A. Arthur, whom Makowsky calls one of the least likely persons to ever become president. “The man had never held elected office,” he says. “His one political appointment prior to his nomination for vice president was as chief crony of the spoils system of [New York Sen.] Roscoe Conkling’s political machine. The level of corruption was so audacious and insane.”

He’s played with oft-drunken brio by Nick Offerman, whose voice Makowsky says he heard in his head as soon as he started writing the role: “I was like, it has to be Nick Offerman.” He took some liberties with the character and events, including a memorable sequence where Arthur and Guiteau go on a bender. Makowsky says they “probably never had a wild night out in New York, but it was an indelible proposition and I couldn’t resist.”

Nick Offerman plays eventual President Chester A. Arthur, who was closely aligned with New York Sen. Roscoe Conkling (Shea Whigham).

Betty Gilpin portrays First Lady Lucretia Garfield as her husband’s intellectual equal. (Larry Horricks / Netflix)

As to the first lady, “Lucretia Garfield was every bit her husband’s intellectual equal. But she couldn’t vote. There was a ceiling to what a woman in her day could accomplish,” Makowsky says, wistfully musing on what she might have achieved, given the chance. “And Betty [Gilpin] radiates that strength and that acute intelligence.”

Having recently given birth, Gilpin took her family along to Budapest for filming, voraciously researching Lucretia and reading her entire correspondence with her husband. The role gets meatier as the series progresses until she initiates an unforgettable, blistering encounter with Guiteau to button the story.

“Betty jokingly said to me, ‘If you cut that scene, I will kill you.’ I was like, ‘There’s no way that scene is being cut. It’s one of my favorite scenes in the entire show,’” Ross recalls. “Everyone who read it was like, ‘Oh my God, this scene.’ And Betty just knocked it out of the park, take after take after take.”

The forgotten president

Ross says when he first read Makowsky’s scripts, he thought they were “fantastically relevant” and offered a fresh look at American history. “As an American, I’m always trying to figure out what it means to be American,” he says. “The story of Garfield, you couldn’t make it up. He was a hero of working people and the promise of American democracy — having a representational democracy where those in power and the wealthy are not controlling the laws of the land, which could not be more relevant today.”

Makowsky calls Garfield “a poster boy for the American dream,” rising from poverty to the nation’s top office.

“He was a war hero and a Renaissance man that did math theorems while he was in Congress and who could recite Homer from memory,” he says. “This remarkable individual, fiercely intelligent and a brilliant, powerful orator, was far ahead of his time on certain political questions of the day. He was an outspoken proponent for civil rights and universal education and civil service reform.”

In real life, and as depicted in the series, Garfield worked with notable Black leaders like Frederick Douglass and Blanche Bruce, the first Black register of the Treasury, whom he appointed.

“The great tragedy is we were robbed of a potentially generational leader in Garfield,” Makowsky says.

“Death by Lightning” showrunner Mike Makowsky says Americans were robbed of a “potentially generational leader” in James Garfield.

(Larry Horricks / Netflix)

Garfield wasn’t even seeking the nomination when he spoke on behalf of another candidate at the Republican National Convention of 1880, but his speech so moved the delegates that they eventually persuaded him to accept the nomination after more than 30 votes failed to produce another winner. It reminded Makowsky of then-Sen. Barack Obama’s 2004 speech at the Democratic National Convention, where he presented “a strong and confident, optimistic vision for the future of our country.”

Nowadays, such a rise seems less likely. “I don’t know if that would happen today, obviously because of money in politics; no one can run if they don’t have phenomenal backing,” Ross says.

Ross emphasizes the show is “not a history lesson,” drawing a distinction between drama and documentary. At times, “Death by Lightning” plays like a black comedy. Makowsky’s dialogue, while usually honoring what we think of as the formality and vocabulary of the 1880s’ idiom, occasionally veers into hilariously cathartic invective that bracingly reminds us these were living, breathing people with fire in their bellies.

“Ken Burns could make a 10-hour documentary to encapsulate all the nuances of this incredible story,” says Ross. What Makowsky did, Ross says, was contextualize the history through the prism of two very different people, Garfield and Guiteau.

“One is this incredibly admirable American figure I think everyone should know about, the greatest president we never really had. And then the other is a charlatan, a deeply broken, deeply mentally ill man who just kind of wanted to be Instagram-famous, just wanted to be known. You see this moment in history through their eyes, and I thought that was delicious.”

“Death By Lightning,” premiering Thursday on Netflix, introduces itself as “a story about two men the world forgot,” and while it is undoubtedly true that few in 2025 will recognize the name Charles Guiteau, many will know James A. Garfield, given that he was one of only four assassinated American presidents. There are less well remembered presidents, for sure — does the name John Tyler ring a bell? — and assassins better known than Guiteau, but if you’re going to make a docudrama, it does help to choose a story that might be more surprising to viewers and comes with a murder built in. It is also, I would guess intentionally, a tale made for our times, with its themes of civil rights, income inequality, cronyism and corruption.

Indeed, most everything about the Garfield story is dramatic — a tragedy, not merely for the family, but for the nation. For the sense one gets from “Death by Lightning” and from the historical record it fairly represents, is that Garfield, killed after only 200 days in office, might have made a very good chief executive. (The stated source for the series is Candice Millard’s 2011 book “Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President”; Millard is also a voice in the more briefly titled, illuminating “American Experience” documentary “Murder of a President.”)

That the longtime Ohio congressman did not seek but was drafted for the job — a compromise chosen, against his protests, on the 36th ballot at the 1880 Republican National Convention, where he’d given a stirring speech to nominate a fellow Ohioan, Treasury Secretary John Sherman — made him, one might say, especially qualified for the job; unlike some politicians one might name, he was self-effacing and humble and not out for personal gain. But he saw, finally, that he had a chance to “fix all the things that terrify me about this republic,” most especially the ongoing oppression of Black citizens, a major theme of his inauguration speech (with remarks transferred here to a campaign address delivered to a crowd of 50,000 from a balcony overlooking New York’s Madison Square Park). “I would rather be with you and defeated than against you and victorious,” he tells a group of Black veterans gathered on his front porch, from which he conducted his campaign. (Some 20,000 people were said to have visited there during its course.)

Political machinations and complications aside, the narrative, which stretches two years across four episodes, is really fairly simple, even schematic, cutting back and forth between Garfield (Michael Shannon, between tours covering early R.E.M. albums) and Guiteau (Matthew Macfadyen), a drifter with delusions of grandeur, as they approach their historically sealed date with destiny. Garfield is goodness personified; we meet him on his farm, cooking breakfast for the family, planing wood to make a picnic table. (A table we will meet again.) Guiteau goes from one failed project to another, living it up on money stolen from his sister, running out on restaurant checks and rooming house bills, telling lies about himself he might well have thought were true, until he decides that politics is the place to make his mark. Under the impression that he was responsible for Garfield’s election, he believed the new president owed him a job — ambassador to France would be nice — and when none was coming, turned sour. A message from God, and the belief that he would save the republic, set him on a path to murder.

Matthew Macfadyen plays Garfield’s assassin, Charles Guiteau, in the miniseries.

(Larry Horricks / Netflix)

The series largely belongs to them — both actors are terrific, Shannon imbuing Garfield with a gravity leavened with kindness and humor, Macfadyen’s Guiteau, optimistically dedicated to his delusions yet always about to pop. But it’s a loaded cast. The ever-invaluable Betty Gilpin, in her fourth big series this year after “American Primeval,” “The Terminal List: Dark Wolf” and “Hal & Harper,” plays Garfield’s wife, Crete, fully up on the political scene and free with her opinions. Shea Whigham is New York senator and power broker Roscoe Conkling, Garfield’s moral opposite, and the series’ villain, if you excuse Guiteau as mentally ill. (The jury didn’t.). As wise Maine Sen. James Blaine, Bradley Whitford exudes a convincing, quiet authority, honed over those years working in the pretend White House on “The West Wing.” All the men have been whiskered to resemble their historical models.

Where most of them, even Guiteau, remain consistent from beginning to end, it’s Nick Offerman’s Chester A. Arthur who goes on a journey. Conkling’s right hand, in charge of the New York Customs House — which generated a third of the country’s revenues through import fees — he’s offered the position of vice president to appease Conkling, New York being key to winning the election. Arthur begins as a thuggish, cigar-smoking, sausage-eating, drunken clown, until he’s forced, by events, and the possibility of inheriting the presidency, to reckon with himself.

When First Lady Crete Garfield wonders whether there should be a little extra security (or, really, any security at all) around her husband, he responds, “Assassination can no more be guarded against than death by lightning — it’s best not to worry too much about either one,” giving the series its title and clearing up any confusion you may have had about its meaning. Indeed, Guiteau moves in and out of what today would be well guarded rooms with surprising ease, managing encounters (some certainly invented) with Crete, Blaine, a drunken Arthur and Garfield, whom he implores, “Tell me how I can be great, too.”

Created by Mike Makowsky, it isn’t free from theatrical effects, dramatic overreach or obvious statements, but as period pieces go, it’s unusually persuasive, in big and little ways. Only occasionally does one feel taken out of a 19th century reality into a 21st century television series. The effects budget has been spent where it matters, with some detailed evocations of late 19th century Chicago and Washington that don’t scream CGI. The first episode, which recreates the 1880 convention, held at the Interstate Exposition Building in Chicago, aligns perfectly with engravings of the scene and brings it to life, supporting the wheeling and dealing and speechifying in a way that one imagines is close to being there.

Because we know what’s coming, the series can be emotionally taxing, especially as a wounded Garfield lingers through much of the final episode, while being mistreated by his doctor, Willard Bliss (Zeljko Ivanek), who ignores the advice of the younger, better informed Dr. Charles Purvis (Shaun Parkes), the first Black physician to attend to a sitting president; many, including Millard, believe it was the doctor who killed him through a lack of sanitary precautions, and that Garfield might have recovered if he’d just been left alone, an idea the series supports.

But you can’t change history, as much as “Death By Lightning” makes you wish you could.

Former USC and NFL linebacker Keith Browner died Tuesday morning in San Leandro, the Alameda County Sheriff’s Office Coroner’s Bureau confirmed Wednesday. He was 63.

Keith Browner Jr. told TMZ that he talked to his father Monday night when the elder Browning was having stomach problems, vomiting and feeling tired. Browner Jr. said his father told him he would go to the hospital the next morning.

Browner was getting ready to go to the hospital Tuesday morning, according to TMZ, “when he curled over the side of a chair and collapsed to the floor next to his girlfriend.” TMZ also reported that “it appears” Browner suffered a heart attack and that his death was “unexpected and sudden.”

Alameda County authorities provided no cause of death Wednesday.

Born in Warren, Ohio, Browner was the fifth of six brothers, all of whom played college football and four of whom went on to play in the NFL. A second-round pick (30th overall) for the Tampa Bay Buccaneers in 1984, Browner also played for the San Francisco 49ers, Los Angeles Raiders and San Diego Chargers during a five-year NFL career.

Oldest brother Ross Browner spent 10 years in the NFL, playing for the Cincinnati Bengals and Green Bay Packers. Jimmie Browner Jr. played two years with the Bengals. Joey Browner was a six-time Pro Bowl player who spent nine seasons with the Minnesota Vikings and one with the Buccaneers.

Browner Jr. followed in his father’s footsteps as a college and pro football player. A standout defensive end at Dorsey High, Browner Jr. played three seasons at California and one season with the Houston Texans.

A nephew, Ross Browner’s son Max Starks, played nine years for the Pittsburgh Steelers and one for the St. Louis Rams.

Browner — who was 14 when his father, Jimmie, died of cancer at age 49 — said his mother Julia was the driving force behind her sons’ passion for the sport.

“She’s the one who always urged us to play,” he told the Dayton Daily News in 2023, “and sometimes she’d be right out there with us in the yard when we were having pick-up games.”

A three-sport standout at Warren Harding High, Browner spent four seasons at USC (1980-83), overlapping with brother Joey for the first three. He was named a captain for his final season and finished his college career with six interceptions in 34 games played.

Browner made the NFL’s all-rookie team in 1984. After three years with the Buccaneers, he split the 1987 season between the 49ers and Raiders before spending his final NFL season with the Chargers.

He finished his NFL career with 10.5 sacks, four interceptions (including one returned 55 yards for the Chargers against the Seattle Seahawks in 1988) and five fumble recoveries, then played two seasons in the Canadian Football League and six in the Arena Football League.

Browner is survived by his son and four daughters.

Residents say the powerful storm brought ‘raging’ flash floods that destroyed homes, overturned cars and blocked streets.

Residents of the central Philippines have slowly begun cleanup efforts after powerful Typhoon Kalmaegi swept through the region, killing at least 85 people and leaving dozens missing.

Scenes of widescale destruction emerged in the hard-hit province of Cebu on Wednesday as the storm receded, revealing ravaged homes, overturned vehicles and streets blocked with piles of debris.

Among the 85 deaths were six military personnel whose helicopter crashed in Agusan del Sur on the island of Mindanao during a humanitarian mission. The country’s disaster agency also reported 75 people missing, and 17 injured.

In Cebu City, Marlon Enriquez, 58, was trying to salvage what was left of his family’s belongings as he scraped off the thick mud coating his house.

“This was the first time that has happened to us,” he told the Reuters news agency. “I’ve been living here for almost 16 years, and it was the first time I’ve experienced flooding [like this].”

Another resident, 53-year-old Reynaldo Vergara, said his small shop in the city of Mandaue, also in Cebu province, had been lost when a nearby river overflowed.

“Around four or five in the morning, the water was so strong that you couldn’t even step outside,” he told the AFP news agency. “Nothing like this has ever happened. The water was raging.”

The storm hit as Cebu province was still recovering from a 6.9-magnitude earthquake last month that killed dozens of people and displaced thousands.

The area around Cebu City was deluged with 183mm (seven inches) of rain in the 24 hours before Kalmaegi’s landfall, well over its 131mm (five-inch) monthly average, according to weather specialist Charmagne Varilla.

The massive rainfall set off flash floods and caused a river and other waterways to swell. More than 200,000 people were evacuated across the wider Visayas region, which includes Cebu Island and parts of southern Luzon and northern Mindanao.

Before noon on Wednesday, Kalmaegi blew away from western Palawan province into the South China Sea with sustained winds of up to 130km per hour (81 miles per hour) and gusts of up to 180km/h (112mph), according to forecasters.

The storm is forecast to gain strength while over the South China Sea before making its way to Vietnam, where preparations are under way in advance of Kalmaegi’s expected landfall on Friday.

China has warned of a “catastrophic wave process” in the South China Sea and activated maritime disaster emergency response in its southernmost province of Hainan, state broadcaster CCTV said.

As one century gives way to another, a child is born in Mumbai. “The millennium’s gift,” Chandni Contractor, is a source of joy to her parents. When Chandni turns 4 and reveals herself to be a musical prodigy, she becomes a source of wonder. At the age of 13, she dazzles audiences across India with her piano and sitar performances. Five years later, she enthralls Majnoo, the playboy son of billionaire parents, and the pair go on to have a spectacular wedding. But their marriage sours and her in-laws turn overbearing. Eventually Chandni snaps and wreaks havoc by playing a different kind of music, one that has the power to destroy livelihoods and lives.

“The Musician of Kahani” is one of five stories in a new collection by Salman Rushdie. “The Eleventh Hour” sees the acclaimed Indian-born British American author exploring the weighty matters of life and death. That he should choose to craft tales around these twin themes is hardly surprising. In 2022, he was nearly killed in a frenzied attack at an event in upstate New York. Two years later, in his up-close-and-personal memoir, “Knife,” he recounted his ordeal and told how he had come to embrace what he called “my second-chance life.” Rushdie’s brush with death and new lease on life renders his latest stories — his first fiction since the attack — all the more potent and poignant.

The collection’s opener, “In the South,” gets underway both innocently and ominously: “The day Junior fell down began like any other day.” What follows is a chronicle of a death foretold. Senior and Junior are two octogenarian neighbors in Chennai, India, who spend their time together arguing. The former has had a rich and fulfilling life, but as so many of his friends and family have died — or “gone to their fiery rest” — he now longs for death. The latter, afflicted by “the incurable disease of mediocrity,” has led a disappointing life yet still possesses a lust for it.

When a tsunami hits the city, it kills Junior. At first Senior is angry (“Why not me?” he rages), but his dominant emotion turns to sadness after he realizes he has lost a man who was his “shadow.” Or so he believes. For Junior’s passing is not the end. Senior continues to see, and quarrel with, his fallen friend. As Rushdie puts it: “Death and life were just adjacent verandas.”

One of the finest stories here, “Late,” involves another apparition. English academic S. M. Arthur wakes up in his university college (an unnamed King’s College, Cambridge) and discovers he is dead. Feeling like “a broken entity trapped in a kind of prison,” he finds peace by communing with the one person who can see him, Indian student and fellow lonely soul, Rosa.

The pair form a bond in the empty college over the Christmas holidays. Despite their affinity, Arthur harbors secrets. When Rosa is tasked with sorting his papers, she comes across a mysteriously locked box file, the contents of which he refuses to disclose. Then Arthur takes stock of his situation and decides he can’t rest until Rosa helps him get even with a past persecutor. What is in the box and why the need for revenge?

Weighing in at over 70 pages, “Late” constitutes more a novella than a story, as does “The Musician of Kahani” and the equally substantial “Oklahoma.” This last offering about writers, writing and elaborate vanishing acts is artfully structured and formally daring, made up of multiple layers, diverse references, literary ventriloquy and slick twists and turns. In a lesser writer’s hands, this novella might have been too clever for its own good; however, Rushdie, a seasoned pro, achieves the perfect balance.

He hasn’t done so in recent years in his long-form fiction. “The Golden House” (2017), “Quichotte” (2019) and his last novel, “Victory City” (2023), were blighted in places by digressive riffs and monologues, bottomless subplots, “humorous” character names (Evel Cent, Thimma the Almost as Huge) and excessive magic-realist high jinks comprising talking revolvers, ferocious mastodons, an Italian-speaking cricket and a demigoddess who grows a city from seeds and lives for 247 years. Sometimes this hocus-pocus worked wonders; at other times it felt like cheap tricks.

Rushdie has far more success in “The Eleventh Hour.” His narratives are more streamlined. His flights of fancy— malevolent music, undead scholars, imaginary brothers, a cult led by a guru with 93 Ferraris in an “experimental township” called the Moon — are more controlled and add subtle strokes of color. Some groan-inducing puns aside, Rushdie’s comic touches are deftly managed, appearing as sharp satirical swipes or witty repartee. “You look like a man who is only waiting to die,” says Junior to Senior, who in turn retorts: “That is better than looking, as you do, like a man who is still waiting to live.”

Rushdie exhibits further playfulness by scattering clues and inviting his reader to trace connections. Arthur is in part a crafty composite of the writer E.M. Forster and the computer scientist Alan Turing — all three being, like their creator, King’s College alumni. “And at midnight, the approved hour for miraculous births in our part of the world, a baby was born to a Breach Candy family,” Rushdie writes of Chandni, with a knowing nod to the key time, place and circumstances in his 1981 masterpiece “Midnight’s Children.”

The book’s last and shortest entry, the fabular “The Old Man in the Piazza,” makes for a somewhat slight coda. Otherwise, this is an inventive and engrossing collection of stories which, though death-tinged, are never doom-laden. With luck this master writer has more tales to tell.

Malcolm Forbes is a freelance writer and critic from Edinburgh, Scotland, who writes for the Economist, the Washington Post and other publications.

Diane Ladd, the Oscar-nominated actor who received acclaim for her work in films including “Rambling Rose,” “Wild at Heart” and “Alice Doesn’t Live Here Anymore,” has died. She was 89.

Oscar winner Laura Dern, Ladd’s daughter with Oscar-nominated actor Bruce Dern, announced her mother’s death in a statement shared Monday. “My amazing hero and my profound gift of a mother, Diane Ladd, passed with me beside her this morning, at her home in Ojai,” Dern wrote. A cause of death was not revealed.

“She was the greatest daughter, mother, grandmother, actress, artist and empathetic spirit that only dreams could have seemingly created,” “Marriage Story” star Dern said in her statement. “We were blessed to have her.”

This is a developing story and will be updated.

The Wheel viewers were left feeling emotional on Saturday night

The Wheel fans were “in tears” as a contestant won the jackpot after their daughter’s death.

Michael McIntyre‘s The Wheel sees members of the public answer trivia questions with the support of celebrity experts.

The famous faces on tonight’s show included Josh Widdecombe, Chris Harris, Colin Jackson, Harriet Kemsley, Shirley Ballas, Frankie Bridge, Jordan North and William Hanson.

40-year-old father-of-two Gordon, who is from Glasgow, was one of the contestants taking part and shared his heartfelt story.

The NHS porter manager revealed to Michael that his 10-year-old daughter, Bella, lives with cystic fibrosis and has always dreamed of visiting Japan.

His other daughter, Ruby, sadly passed away over two and a half years ago from a brain tumour.

If he went on to win, Gordon shared that he was planning to donate some of the money to the Brain Tumour Charity in memory of his daughter, with the rest of the funds going towards Bella’s dream holiday.

Later in the show, Gordon reached the final question, and went on to play for £31,000 with the help of comedian Harriet Kemsley.

They were asked which pop legend secured the first solo UK number one single, with the possible answers being Rihanna, Katy Perry, Lady Gaga and Beyoncé.

The pair jointly decided to go with Beyoncé, with the room soon being lit up in gold as Gordon successfully won the jackpot.

Gordon became emotional as he spoke about his late daughter, saying: “When she was diagnosed, she was given six to nine months to live but with her attitude – she was just a ray of sunshine – she had a really good three years.

“She started school, she was a bridesmaid at my brother’s wedding, so as a family mantra we came up with the motto, ‘Be a bit more Ruby.'”

The show’s viewers quickly took to X to share their delight after Gordon’s win, with one person writing: “Love it when the person you’re rooting for on The Wheel actually wins! Go on Gordon!”

Another added: “Most deserving winner on The Wheel losing a child to a brain tumour and another seriously ill with cystic fibrosis. This world is so cruel. Well done Gordon!”

A third said: “Oh I am actually crying. What a well deserved winner,” with another similarly sharing: “Aww Gordon! That was so emotional!!”

The Wheel is available to stream on BBC iPlayer

Five alleged drug dealers are facing felony charges for their involvement in the death of Leandro De Niro-Rodriguez, the grandson of acting legend Robert De Niro.

A federal grand jury in New York indicted the quintet on Tuesday, each on a single felony count of conspiracy to distribute controlled substances resulting in death, according to court documents filed in the U.S. District Court for the Southern District of New York. Prosecutors allege the men were “members of a criminal network that distributed thousands of counterfeit prescription pills laced with fentanyl, among other drugs” to young adults and teenagers living in New York City.

The men arrested by New York officials this week — identified as Grant McIver, Bruce Epperson, Eddie Barreto, John Nicolas and Roy Nicolas — allegedly used social media to sell the drugs. Prosecutors underscored that the men’s “drug dealing had deadly consequences: over a three-month span in the summer of 2023,” alleging their drugs led to the deaths of three 19-year-olds.

Though the indictment did not disclose the victims’ identities, law enforcement confirmed the deaths include De Niro-Rodriguez’s in July 2023, according to several reports. At the time of her son’s death, actor-producer Drena De Niro — the Oscar winner’s eldest daughter with ex-wife Diahnne Abbott — said “someone sold [Leandro] fentanyl-laced pills that they knew were laced yet still sold them to him.”

A month after the young “A Star Is Born” actor’s death, the New York City Office of the Chief Medical Examiner confirmed De Niro-Rodriguez died of an accidental drug overdose, noting he succumbed to the toxic effects of fentanyl, bromazolam, alprazolam, 7-aminoclonazepam, ketamine and cocaine.

Akira Stein, daughter of Blondie co-founder Chris Stein, was also an alleged victim. Stein announced his daughter’s death in July 2023, months after she died “at the end of May to an overdose.”

“The DEA and US Attorney folks from the NYC Southern District have been really very sympathetic and respectful all through this process and I can’t thank them enough for this hope of some justice for her,” Stein wrote in reaction to news of the arrests Thursday. “Please be careful.”

Shortly after De Niro-Rodriguez’s death, the U.S. Attorney’s Office for the Southern District of New York confirmed that law enforcement had arrested a woman, an alleged drug dealer known as the “Percocet Princess,” for her suspected connection with his death. She was arrested on charges of selling drugs to De Niro-Rodriguez.

In a July 2023 statement, “Killers of the Flower Moon” and “Raging Bull” star De Niro said, “I’m deeply distressed by the passing of my beloved grandson Leo.”

“We’re greatly appreciative of the condolences from everyone,” he said. “We ask that we please be given privacy to grieve our loss of Leo.”

Like a teenager armed with their first smartphone, President Trump’s masked immigration enforcers love nothing more than to mug for friendly cameras.

They gladly invite pseudo-filmmakers — some federal government workers, others conservative influencers or pro-Trump reporters — to embed during raids so they can capture every tamale lady agents slam onto the sidewalk, every protester they pelt with pepper balls, every tear gas canister used to clear away pesky activists. From that mayhem comes slickly produced videos that buttress the Trump administration’s claim that everyone involved in the push to boot illegal immigrants from the U.S. is a hero worthy of cinematic love.

But not everything that Immigration and Customs Enforcement, Border Patrol and its sister agencies do shows up in their approved rivers of reels.

Their propagandists aren’t highlighting the story of Jaime Alanís García, a Mexican farmworker who fell 30 feet to his death in Camarillo this summer while trying to escape one of the largest immigration raids in Southern California in decades.

They’re not making videos about 39-year-old Ismael Ayala-Uribe, an Orange County resident who moved to this country from Mexico as a 4-year-old and died in a Victorville hospital in September after spending weeks in ICE custody complaining about his health.

They’re not addressing how ICE raids led to the deaths of Josué Castro Rivera and Carlos Roberto Montoya, Central American nationals run over and killed by highway traffic in Virginia and Monrovia while fleeing in terror. Or what happened to Silverio Villegas González, shot dead in his car as he tried to speed away from two ICE agents in suburban Chicago.

Those men are just some of the 20-plus people who have died in 2025 while caught up in ICE’s machine — the deadliest year for the agency in two decades, per NPR.

Publicly, the Department of Homeland Security has described those incidents as “tragic” while assigning blame to everything but itself. For instance, a Homeland Security official told the Associated Press that Castro Rivera’s death was “a direct result of every politician, activist and reporter who continue to spread propaganda and misinformation about ICE’s mission and ways to avoid detention” — whatever the hell that means.

An ICE spokesperson asked for more time to respond to my request for comment, said “Thank you Sir” when I extended my deadline, then never got back to me. Whatever the response would’ve been, Trump’s deportation Leviathan looks like it’s about to get deadlier.

As reported by my colleagues Andrea Castillo and Rachel Uranga, his administration plans to get rid of more than half of ICE’s field office directors due to grumblings from the White House that the deportations that have swamped large swaths of the United States all year haven’t happened faster and in larger numbers.

Asked for comment, Tricia McLaughlin, Homeland Security assistant secretary for public affairs, described The Times’ questions as “sensationalism” and added “only the media would describe standard agency personnel changes as a ‘massive shakeup.’”

Agents are becoming more brazen as more of them get hired thanks to billions of dollars in new funds. In Oakland, one fired a chemical round into the face of a Christian pastor from just feet away. In Santa Ana, another pulled a gun from his waistband and pointed it at activists who had been trailing him from a distance in their car. In the Chicago area, a woman claimed a group of them fired pepper balls at her car even though her two young children were inside.

La migra knows they can act with impunity because they have the full-throated backing of the White House. Deputy Chief of Staff Stephen Miller crowed on Fox News recently, “To all ICE officers: You have federal immunity in the conduct of your duties.”

That’s not actually true, but when have facts mattered to this presidency if it gets in the way of its apocalyptic goals?

Greg Bovino, El Centro Border Patrol sector chief, center, walks with federal agents near an ICE detention facility in Broadview, Ill.

(Erin Hooley / Associated Press)

Tasked with turning up the terror dial to 11 is Gregory Bovino, a longtime Border Patrol sector chief based out of El Centro, Calif., who started the year with a raid in Kern County so egregious that a federal judge slammed it as agents “walk[ing] up to people with brown skin and say[ing], ‘Give me your papers.’” A federal judge ordered him to check in with her every day for the foreseeable future after the Border Patrol tear-gassed a neighborhood in a Chicago suburb that was about to host its annual Halloween children’s parade (an appeals court has temporarily blocked the move).

Bovino now reports directly to Homeland Security Secretary Kristi Noem and is expected to pick most of the ICE field office directors from Customs and Border Protection, the arm of the federal government that the Border Patrol belongs to. It logged 180 immigrant deaths under its purview for the 2023 fiscal year, the last year for which stats are publicly available and the third straight year that the number had increased.

To put someone like Bovino in charge of executing Trump’s deportation plans is like gifting a gas refinery to an arsonist.

He’s constantly trying to channel the conquering ethos of Wild West, complete with a strutting posse of agents — some with cowboy hats — following him everywhere, white horses trailed by American flags for photo ops and constant shout-outs to “Ma and Pa America” when speaking to the media. When asked by a CBS News reporter recently when his self-titled “Mean Green Machine” would end its Chicago campaign — one that has seen armed troops march through downtown and man boats on the Chicago River like they were patrolling Baghdad — Bovino replied, “When all the illegal aliens [self-deport] and/or we arrest ‘em all.”

Such scorched-earth jibber-jabber underlines a deportation policy under which the possibility of death for those it pursues is baked into its foundation. ICE plans to hire dozens of healthcare workers — doctors, nurses, psychiatrists — in anticipation of Trump’s plans to build more detention camps, many slated for inhospitable locations like the so-called Alligator Alcatraz camp in the Florida Everglades. That was announced to the world on social media with an AI-generated image of grinning alligators wearing MAGA caps — as if the White House was salivating at the prospect of desperate people trying to escape only to find certain carnage.

In his CBS News interview, Bovino described the force his team has used in Chicago — where someone was shot and killed, a pastors got hit with pepper balls from high above and the sound of windshields broken by immigration agents looking to snatch someone from their cars is now part of the Windy City’s soundtrack — as “exemplary.” The Border Patrol’s peewee Patton added he felt his guys used “the least amount of force necessary to accomplish the mission. If someone strays into a pepper ball, then that’s on them.”

One shudders to think what Bovino thinks is excessive for la migra. With his powers now radically expanded, we’re about to find out.

An L.A. County Superior Court judge handed a 146-year sentence to Hollywood producer David Brian Pearce on Wednesday for multiple rapes and the 2021 deaths of a model and her architect friend.

Pearce was found guilty in February on two counts of first-degree murder for the deaths of Christy Giles and Hilda Marcela Cabrales-Arzola, who overdosed on fentanyl. Prosecutors said Pearce supplied them with the drug.

Pearce was also found guilty of crimes against a series of women between 2007 and 2021, including three counts of forcible rape, two counts of sexual penetration with force, one count of rape of an unconscious or sleeping victim and one count of forced sodomy.

“This sentence delivers long-awaited justice for Cabrales-Arzola, Giles, and the courageous sexual assault victims who came forward and testified,” L.A. County Dist. Atty. Nathan J. Hochman said in a statement.

“Not only were the victims sexually assaulted, but the lives of Cabrales-Arzola and Giles were stolen in one of the most devastating ways — a fentanyl-induced sexual assault by Pearce.”

A call to Pearce’s lawyer was not immediately returned.

Pearce’s co-defendant, 46-year-old Brant Osborn, is headed to a pretrial appointment on Nov. 18; after a mistrial in February, he will probably face a second trial.

In November 2021, Giles and Cabrales-Arzola, as well as Michael Ansbach, who had spent the day filming for a documentary Pearce was supposedly producing, went out with the producer and his roommate, Osborn. The night at an East Los Angeles warehouse rave involved heavy cocaine use.

The group returned to Pearce’s Beverly Hills apartment in the early-morning hours.

That was about all that was agreed upon among the parties.

Pearce provided the two women and Ansbach with gamma-hydroxybutyrate (GHB) and fentanyl, causing Giles and Cabrales-Arzola to overdose, according to the district attorney’s office.

Although Cabrales-Arzola called a ride-sharing service, neither she nor Giles left.

About 11 hours later, Pearce dropped off Giles at a hospital; 90 minutes later, he did the same for Cabrales-Arzola, the district attorney’s office said.

Court records showed the car that dropped the women off did not have license plates, which Ansbach said he saw Pearce remove. Though Ansbach was originally arrested in connection with the women’s deaths, he became an important prosecution witness.

Giles was dead by the time she reached the hospital. Cabrales-Arzola survived for 11 days before being pulled off life support by her family.

Pearce maintained during his trial that he found the two women unconscious in his apartment around 5 a.m. near liquor bottles and a powdery substance. He said he didn’t think much of it, at first.

“The lifestyle that I was living at the time was not very conducive to regular behavior, if that makes sense,” Pearce, 43, testified earlier this year. “It was not uncommon for people to use my house as a crash pad, a party house. I know it’s horrible, but at least on a weekly basis friends were passing out at my house.”

Pearce said he grew concerned when neither woman woke up and repeatedly checked on them, eventually taking them to different hospitals.

He said he administered CPR but did not call 911.

Since his arrest in December 2021, seven women came forward to accuse Pearce of raping them.

In testimony that spanned two days, Pearce denied each rape accusation, saying he’d never met at least one of his accusers and dismissing the rest of the encounters as consensual.

Pearce described a booze- and drug-fueled lifestyle and said most of the women came on to him at parties or through dating apps.

“This case is a stark reminder of the devastation caused by fentanyl,” Hochman said. “Fentanyl poisoners who harm and exploit others will be held accountable.”

Times staff writer James Queally contributed to this report.

KATE Cassidy has revealed a new unseen video of Liam Payne after the singer’s sister took swipe at star.

Kate, 26, took to social media to share a sweet clip of her and Liam on holiday together before his tragic death last year. 

The TikTok post showed Kate and Liam in a villa soaking up the sun and enjoying their private pool. 

The camera panned to the topless One Direction star who is shown filming the video whilst he takes various snaps of Kate in a blue bikini. 

The clip then cuts to another montage of Liam taking pics of the blonde beauty in a red two piece, Liam’s voice can be heard telling Kate how to pose. 

She posted the video along with the song Apocalypse by Cigarettes After Sex.

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Captioning the clip, she wrote: “Memories.”

This month marks the one year anniversary of Liam’s death who sadly passed away aged 31 after falling from a hotel balcony in Argentina.

Influencer Kate had been dating the singer for two years when he died.

Liam’s devastated sister Ruth recently took a swipe at Kate after she slammed people “using his death for fame”.

In a moving tribute to her “little brother” on social media, Ruth didn’t hold back.

“Everyone only seems interested in the public side of this.

“Some sadly seem more interested in the fame they can gain off this, but on the human side people need to remember when they speak, there is a son without his Dad, parents without their child and I am lost without my brother,” she said.

Beforehand a video was shared by Kate of Liam lifting her up in a final dance before his death.

A heartbroken Kate posted the clip on her own social media showing the of the 1D singer attempting to hoist her up.

But her “last dance” with Liam was not the only post she has shared recently to mark one year since his passing.

She also shared some AI-generated snaps which some deemed as “distasteful”.

She then revealed how she would be spending the anniversary of his death on a quiet brand trip in Miami, because being busy helps her.

Kate told how she was originally reluctant to accept the invitation trip, given the timing.

Although after giving it some thought and consideration, she ultimately changed her mind.

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She said: “I know Liam would want me to go. I’m not going to be doing anything on the 16th, I’ll be here in my apartment.

“I know for a fact I wouldn’t be able to commit to any plans on the 16th.”

A 24-year-old Honduran man who was fleeing federal immigration agents in Virginia died on a highway after being struck by a vehicle.

The death of Josué Castro Rivera follows recent incidents in which three other immigrants in Chicago and California were killed during immigration enforcement operations under the Trump administration’s crackdown.

Castro Rivera was headed to a gardening job Thursday when his vehicle was pulled over by Immigration and Customs Enforcement officers, brother Henry Castro said.

Agents tried to detain Castro Rivera and the three other passengers, and he fled on foot, tried to cross Interstate 264 in Norfolk and was fatally struck, according to state and federal authorities.

Castro Rivera came to the United States four years ago and was working to send money to family in Honduras, according to his brother.

“He had a very good heart,” Castro said Sunday.

The Department of Homeland Security said Castro Rivera’s vehicle was stopped by ICE as part of a “targeted, intelligence-based” operation and passengers were detained for allegedly living in the country without legal permission.

DHS said in a statement that Castro Rivera “resisted heavily and fled” and died after a passing vehicle struck him. DHS officials did not respond Sunday to requests for further comment.

Virginia State Police said officers responded to a report of a vehicle-pedestrian crash around 11 a.m. Thursday on eastbound I-264 at the Military Highway interchange. Police said Castro Rivera was hit by a 2002 Ford pickup and was pronounced dead at the scene.

The crash remains under investigation.

Federal authorities and state police gave his first name as Jose, but family members said it was Josué. DHS and state police did not explain the discrepancy.

Castro called his brother’s death an injustice and said he is raising money to transport the body back to Honduras for the funeral.

“He didn’t deserve everything that happened to him,” Castro said.

DHS blamed Castro Rivera’s death on “a direct result of every politician, activist and reporter who continue to spread propaganda and misinformation about ICE’s mission and ways to avoid detention.”

Similar deaths amid immigration operations elsewhere have triggered protests, lawsuits and calls for investigation amid claims that the Trump administration’s initial accounts are misleading.

Last month in suburban Chicago, federal immigration agents fatally shot a Mexican man during a traffic stop. DHS initially said a federal officer was “seriously injured,” but police body camera video showed the federal officer walking around and describing his own injuries as “ nothing major.”

In July, a farmworker who fell from a greenhouse roof during a chaotic ICE raid at a California cannabis facility died of his injuries. And in August, a man ran away from federal agents onto a freeway in the same state and was fatally struck by a vehicle.

Tareen and Walling write for the Associated Press.

Alex Murdaugh

Richard Alexander Murdaugh came up in a prominent family, both in the legal and social realms of Hampton County, S.C. He attended the University of South Carolina and graduated from its law school, just like his father. Three generations of Murdaugh men served as the circuit solicitor, the South Carolina equivalent of a district attorney, for a region spanning five counties in the state. Randolph Murdaugh Sr. was the first in the family to assume the role in 1920. The family held such power in the region that many locals called the district “Murdaugh Country.”

Alex was a respected personal injury attorney before being convicted of the murders of his wife Maggie and youngest son Paul in 2023. He will spend the rest of his life in prison for the killings but maintains his innocence and is currently appealing his conviction. He also admitted to committing a slew of financial crimes, for which he was cumulatively sentenced to more than 60 additional years in prison.

The family law firm he previously worked for, Peters, Murdaugh, Parker, Eltzroth & Detrick, was renamed the Parker Law Group. Alex’s older brother, Randolph “Randy” Murdaugh IV, still works at the firm.

Maggie Murdaugh

Margaret Kennedy Branstetter Murdaugh, who went by Maggie, was mother to sons Paul and Buster. She met her husband Alex when she was a student at the University of South Carolina in 1991, and they married in 1993.

She was 52 when she and Paul were shot and killed in 2021 at the family’s hunting property in Colleton County. Alex and Maggie were reportedly living separately at the time of her death.

Paul Murdaugh, pictured here in court in a still from the documentary “Low Country: The Murdaugh Dynasty,” faced significant prison time for allegedly boating under the influence.

(HBO Max)

Paul Murdaugh

Paul Terry Murdaugh was born on April 14, 1999, to Alex and Maggie. He grew up with a love of the outdoors and enjoyed hunting alongside his father and older brother. He was 22 and in his junior year at the University of South Carolina when he was killed.

Paul reportedly abused alcohol as a teenager and young adult, and his friends have said they called his intoxicated alter ego “Timmy” because his behavior changed significantly when he was drinking. In February 2019, Paul was accused of being behind the wheel of his family’s boat while drunk, crashing the boat into a bridge in the early hours of the morning. There were five other people on board with Paul, and one passenger, 19-year-old Mallory Beach, was killed in the crash.

Paul, who was also 19 at the time, had a blood-alcohol level three times over the legal limit when he was hospitalized after the crash. He was charged with felony boating under the influence two months later. He was murdered alongside his mother in 2021 before the trial for the charges he faced in connection with the crash could begin.

Buster Murdaugh

Born Richard Alexander Murdaugh Jr., the eldest Murdaugh son went by “Buster.” He attended Wofford College for his undergraduate studies and went on to study law at his parents’ alma mater, the University of South Carolina. By the spring of 2021, Buster had been kicked out of law school, reportedly for low grades and plagiarism.

Following the deaths of his mother and brother, Buster surfaced in news reports after increased interest in the family unearthed a loose connection between him and a man named Stephen Smith, a former classmate who was killed in 2015. Rumors of an intimate relationship between Smith and Buster, and of the Murdaughs’ involvement in his death, swirled, but Buster denied the allegations.

When his father was on trial for the murders of Paul and Maggie, Buster testified as a witness for the defense, saying that his father’s behavior on the night of the killings and the following weeks was not abnormal. He also said Alex was “heartbroken” on the night they died.

Buster married his longtime girlfriend Brooklynn White in May 2025. His wife is an attorney, but Buster never returned to law school.

Buster Murdaugh, left, and his then-girlfriend Brooklynn White at the double murder trial for his father. He testified in his father’s defense.

(Jeff Blake / Associated Press)

Randolph Murdaugh III

Randolph Murdaugh III was Alex’s father and one of the men who established the Murdaugh family’s legal prominence. Like his father and grandfather, Randolph served as the solicitor of the 14th judicial circuit in South Carolina, which serves Allendale, Colleton, Hampton, Beaufort and Jasper counties. In addition to Alex, Randolph had three other children with wife Elizabeth “Libby” Alexander Murdaugh: Lynn Goettee, Randolph Murdaugh IV and John Marvin Murdaugh. The couple had 10 grandchildren.

When Paul got into the boat crash in 2019, Randolph was his first call. A year earlier, Randolph was honored with the Order of the Palmetto, the highest civilian honor awarded by the governor of South Carolina. A testament to his influence, the award recognizes lifetime achievements and contributions to the state.

He died in June 2021 after a long period of health problems — three days after Paul and Maggie were murdered.

Mallory Beach and her family

Beach was a teenager from South Carolina who was described by friends and family as a loving young woman with dreams of becoming an interior designer. She and her boyfriend, Anthony Cook, were friends with Paul, and in February 2019 the couple boarded the Murdaugh family boat with a few other friends before it crashed into a bridge in Beaufort, S.C.

Beach’s body was missing after the crash and was recovered about a week later. Her family brought a wrongful death lawsuit against the Murdaughs, which eventually cracked open inquiries into Alex’s finances. The family later settled with Maggie’s estate and Buster in 2023 for an undisclosed amount. They were brought into the case because Paul used Maggie’s credit card and Buster’s ID to buy alcohol. The Beach family also reached a multimillion-dollar settlement with the convenience store chain where Paul purchased the alcohol, and in 2024, Alex’s insurance company agreed to pay the family $500,000.

Gloria Satterfield

Satterfield was the Murdaugh’s longtime housekeeper and nanny, who had a maternal-like relationship with Paul and Buster. She was the widow of David Michael Satterfield and had two sons, Michael “Tony” Satterfield and Brian Harriott.

In February 2018, Satterfield allegedly tripped and fell at the Murdaugh’s home and was hospitalized for weeks before she died at 57. Alex and Maggie were mentioned by name in Satterfield’s obituary as “those she loved as her family.”

When the cause of Satterfield’s death was being investigated, Murdaugh claimed Satterfield tripped over the family’s dogs, causing her to fall and hit her head, and he encouraged her two sons to bring a wrongful death claim against him. Murdaugh introduced Satterfield’s sons to Cory Fleming, a fellow lawyer, who represented them in the case and schemed with Murdaugh to collect on his homeowner’s insurance policies. The settlement was reportedly more than $4 million, none of which Satterfield’s sons saw.

Fleming was sentenced to nearly four years in prison for his involvement in the scheme and Murdaugh admitted to orchestrating the plot and intercepting the insurance payout meant for Satterfield’s family, depositing the money directly into his personal account. He was sentenced to 40 years in prison for that crime, plus a slew of other financial crimes he pleaded guilty to in 2023.

Stephen Smith

Smith was born in Lexington County, S.C., and attended Wade Hampton High School, where he was classmates with Buster Murdaugh, graduating in 2014. He was found dead on a rural road in Hampton County in July 2015, and his death was initially ruled as a hit and run.

In 2021, South Carolina law enforcement reopened Smith’s case based on leads uncovered in the Murdaugh double homicide investigation. The Murdaugh name was mentioned over 40 times throughout the course of the investigation, according to a report from FITSNews, a local outlet. Detectives reportedly looked at Buster as a possible person of interest in the case, who was rumored to have been romantically involved with Smith, but the connection was never proved and Buster was never named a suspect.

Hollyoaks actress Ruby O’Donnell has been at the centre of some of the Channel 4 soap’s most dramatic storylines as fan favourite Peri Lomax over the past 12 years

Hollyoaks actress Ruby O’Donnell has tackled some of the Channel 4 soap’s most intense plotlines over the past 12 years.

Her character Peri Lomax has found herself at the centre of the drama but her time in the village has come to an end.

During Tuesday’s (October 21) episode, Peri got crushed by ship chimney which fell on her after an explosion went off and she attempted to save Tom Cunningham (Ellis Hollins).

Pushing fiancé Tom out of the way, Peri was struck by the chimney and fell to the ground.

The nurse was conscious for a while chatting with Tom about their daughter Steph Cunningham-Lomax (Isabella Hibbert) and but she sadly passed away wen her mum Leela Lomax (Kirsty Leigh-Porter) finally arrived in extremely emotional scenes.

Ruby previously revealed that certain scenes she’s filmed over the years were “hard to tackle” given she was “still quite young” when she first joined the show in 2013.

The actress confessed she “wanted to find out how teenagers actually react in these situations” and her commitment was worthwhile as she secured Best Young Actor at the 2016 British Soap Awards and has subsequently received numerous award nominations.

Ruby loves to share her escapades on Instagram and regularly posts pictures from her social events with friends.

She can be seen having a boogie with her mates, sometimes in fancy dress, while basking in the sun in a back garden or on holiday.

The soap star is also a regular festival attendee and keeps her fans updated with her on-set and behind-the-scenes action.

Ruby is currently dating Hollyoaks co-star Nathaniel Dass, who made his debut as Dillon Ray in 2023,

Their characters might not cross paths on screen often but off-screen their romance is blossoming since going Instagram official in 2024.

The actress marked their first anniversary on Instagram by sharing a series of loved-up snaps.

She delighted fans by posting a quartet of adorable pictures, alongside the caption: “1 year with u” capped off with a pink heart pierced by a blue arrow.

Hollyoaks airs Monday to Wednesday on E4 at 7pm and first look episodes can be streamed Channel 4 from 7am

THIS the stuff of Dreams for millions of fans across the globe and now there’s fresh hope for a Fleetwood Mac reunion.

The group have not performed together since 2019 and they were left devastated when Christine McVie died in 2022.

But I’ve been told that there are serious discussions behind the scenes about a series of projects involving all of the remaining members to celebrate the 50th anniversary of their album Rumours, which is among the best-selling and most critically acclaimed records of all time.

At the centre of the plans is said to be Mick Fleetwood, who is leading peace talks between former couple Stevie Nicks and Lindsey Buckingham, as well as John McVie.

A one-off show, a TV special and a documentary about the making of Rumours are among options being discussed for the 2027 milestone.

And Warner Records is also preparing a special re-release of the album featuring unheard material from the original studio sessions.

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A source close to Mick in the US said: “Fleetwood Mac are discussing new projects and how to mark Rumours’ big 5-0. For certain there is a special edition version of the album coming, which the band and label have been secretly looking at.

“But also there is a significant hope that it is time for the definitive documentary on all the chaos in the studio that created the magic on record.

“John and Christine were divorcing and she was dating their lighting guy. Stevie and Lindsey were over just before she and Mick enjoyed a brief fling. And drugs and booze were everywhere.

“The desire is for everyone to sit down and present their side of events on screen.

“And then of course comes the potential for a stage reunion and concert. That is the goal from Mick.

“Stevie has said it would not feel right being on stage without Christine, but also she and Lindsey are on a healing journey right now, which could be the path to a new show.

“However there is a desire to pay tribute to Christine in some way and a live show around Rumours seems a very fitting way.

“The gig would fill a stadium dozens of times because of the love they command.

“But unless some major shift happens, a tour is unlikely at this stage.”

Aaron Bay-Schuck, co-chairman and CEO of Warner Records confirmed at LA’s City of Hope gala that “some very special” music leftover from the making of Rumours had been found.

He said: “We will do everything in our power to respect that anniversary as long as they’ll let us.”

Last month, Stevie and Lindsey suggested relations had thawed when they reissued their 1973 Buckingham Nicks album.

And in March, Mick admitted: “I always have a fantasy that [Stevie] and Lindsey would pal up a bit more and just say everything’s OK for them both.”

They are beloved by an entirely new generation now thanks to social media, so there will be millions around the globe hoping they can patch things up for one last hurrah.

Aaron Bay-Schuck was at City of Hope’s Spirit of Life gala to celebrate co-chairman and Warner Records COO Tom Corson, who was honoured at the event.

It is the centrepiece of the music, film and entertainment industry’s annual philanthropic campaign and raised nearly $6million.

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Funds from the campaign are fueling leading research and survivorship programs for young adults, including music therapy.

Michael Buble, Cher and members of Linkin Park were among other guests who were there in LA last week.

Ajike “AJ” Owens was killed by her neighbour Susan Lorincz in June 2023.

The Perfect Neighbor is on Netflix and the documentary tells the harrowing story of how a mother-of-four was shot and killed through a locked door by her neighbour.

Before the shooting, Susan Lorincz had often complained about AJ’s children, who would play in an open field near her apartment.

She would call them derogatory names and racial slurs, but things came to a head on June 2, 2023, after AJ went to Lorincz’s apartment to confront her following a reported incident involving one of her sons.

When AJ knocked and shouted for Lorincz to open the door, Lorincz fired a single shot through the locked door and it killed the 35-year-old mother. Lorincz claimed it was in self-defence, but she was eventually charged with manslaughter and was sentenced to 25 years in prison.

To this day, AJ’s death has had a harrowing impact on her children – Isaac, Israel, Afrika and Titus – and their lives.

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Israel was standing next to his mother when she was shot and he was just nine years old at the time.

Isaac, her eldest son, also witnessed the shooting and called 911, running to a neighbour’s house to get help.

Heartbreakingly, Israel and Isaac have both admitted to feeling responsible for their mother’s death.

On the one-year anniversary of her death, AJ’s children recited a poem at a memorial service.

Ever since, the children have been raised by their grandmother, Pamela Dias.

Dias revealed the impact AJ’s death has had on the children, saying Isaac has been in trauma therapy, according to People.com.

She was also researching counselling for Israel, while sharing how Titus, who was just a toddler when his mother died, was “confused, irritable and inconsolable” in the weeks after.

She told CNN in October 2025: “It’s been very hard for the children – they were very young when they lost their mother, and it’s something no child should have to endure.

“At the same time, they’ve shown strength and resilience that continues to amaze me.

“I can see the values my daughter instilled in them – her kindness, her love, her faith – and that means they carry a piece of her wherever they go.”

Dias has since co-founded a non-profit organisation in honour of her daughter called the Standing in the Gap Fund, which aims to support families impacted by gun and racial violence and to fight for legislative change.

The Perfect Neighbor is on Netflix

Angels star Mike Trout is planning to testify Tuesday in a lawsuit over whether the MLB team should be held responsible for the drug overdose death of pitcher Tyler Skaggs.

Trout, a three-time American League most valuable player who hit his 400th career home run this year, is expected to take the stand in a Southern California courtroom and speak about his friendship with Skaggs, who died on a team trip to Texas in 2019 after taking a fentanyl-laced pill he got from Angels communication director Eric Kay. Trout could also be asked about what he knew of Kay’s drug use at the time.

The testimony will come in the trial for a wrongful death lawsuit filed by Skaggs’ wife, Carli, and his parents seeking to hold the Angels’ responsible for his death. The family contends the Angels made a series of reckless decisions that gave Kay access to MLB players when he was addicted to drugs and dealing them; the team has countered that Skaggs was also drinking heavily and his actions occurred on his own time and in the privacy of his hotel room when he died.

During opening statements, a lawyer for the Skaggs family said Trout was aware of Kay’s drug problem and had offered to pay for him to attend rehab. Other players, including former Angels pitcher Wade Miley, who currently plays for the Cincinnati Reds, could also testify during what is expected to be a weeks-long trial in Santa Ana.

The civil case comes more than six years after 27-year-old Skaggs was found dead in the suburban Dallas hotel room where he was staying as the Angels were supposed to open a four-game series against the Texas Rangers. A coroner’s report says Skaggs choked to death on his vomit and that a toxic mix of alcohol, fentanyl and oxycodone was found in his system.

Kay was convicted in 2022 of providing Skaggs with an oxycodone pill laced with fentanyl and sentenced to 22 years in federal prison. His federal criminal trial in Texas included testimony from five MLB players who said they received oxycodone from Kay at various times from 2017 to 2019, the years he was accused of obtaining pills and giving them to Angels players.

Angels outfielder Mike Trout catches a fly ball in front of graphic honoring the life of Tyler Skaggs at Angel Stadium in 2019.

(John McCoy / Getty Images)

The family is seeking $118 million for Skaggs’ lost earnings, compensation for pain and suffering and punitive damages against the team.

Skaggs had been a regular in the Angels’ starting rotation since late 2016 and struggled with injuries repeatedly during that time. He previously played for the Arizona Diamondbacks.

After Skaggs’ death, the MLB reached a deal with the players association to start testing for opioids and to refer those who test positive to the treatment board.

Taxin writes for the Associated Press.

LIMP Bizkit bassist Sam Rivers shared a final glimpse of his life just weeks before his sudden death aged 48.

The late star posted a picture of himself relaxing in the back of a limo during a trip to London.

The August 22 Instagram post, now flooded with tributes, showed the rocker leaning back in the plush seat, looking calm and content as he soaked up the moment in the UK capital.

“I hope everyone is having a great day. In London with my fav and and the LB Fam #limpbizkit #limpbizkitstyle #limpbizkitfamily #nothingbutlove,” Rivers captioned the photo.

The laid-back, joyful snapshot has now taken on heartbreaking new meaning after his death.

The founding member of the rap-rock giants passed away on Saturday, though a cause of death has not yet been revealed.

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His bandmates confirmed the news in an emotional statement to fans.

They wrote: “In Loving Memory of Our Brother, Sam Rivers. Today we lost our brother. Our bandmate. Our heartbeat.

“Sam Rivers wasn’t just our bass player — he was pure magic. The pulse beneath every song, the calm in the chaos, the soul in the sound.”

They added: “From the first note we ever played together, Sam brought a light and a rhythm that could never be replaced. His talent was effortless, his presence unforgettable, his heart enormous.

“We shared so many moments — wild ones, quiet ones, beautiful ones — and every one of them meant more because Sam was there.

“He was a once-in-a-lifetime kind of human. A true legend of legends. And his spirit will live forever in every groove, every stage, every memory. We love you, Sam.

“We’ll carry you with us, always. Rest easy, brother. Your music never ends. — Fred, Wes, John & DJ Lethal.”

DJ Lethal shared his own heartfelt message, writing: “We love you Sam rivers. Please respect the family’s privacy at this moment. Give Sam his flowers and play Sam rivers basslines all day! We are in shock.

“Rest in power my brother! You will live on through your music and the lives you helped save with your music, charity work and friendships. We are heartbroken enjoy every millisecond of life. It’s not guaranteed.”

Rivers, born in Jacksonville, Florida, co-founded Limp Bizkit in 1994 alongside frontman Fred Durst and drummer John Otto, later joined by guitarist Wes Borland and DJ Lethal.

Together they reshaped late-’90s rock with hits like Break Stuff, My Way, Behind Blue Eyes and Take a Look Around, and their albums — including Significant Other and Chocolate Starfish and the Hot Dog Flavored Water — became era-defining records, with four going platinum or multi-platinum.

The band earned three Grammy nominations and a Billboard Music Award, cementing their status as one of the most influential rock acts of their generation.

Rivers’ journey wasn’t without battles.

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He left Limp Bizkit in 2015 after being diagnosed with liver disease caused by excessive drinking, later revealing he underwent a life-saving liver transplant in 2017.

He rejoined the band in 2018 after recovering, continuing to perform with them until his death.

Many actors talk about process but Ethan Hawke has made the act of creation central to his work. He’s played musicians and writers and when he’s gone behind the camera, he’s focused on the stories of composers, novelists, movie stars and country singers both famous and forgotten. Sometimes, it feels like he’s the unofficial patron saint of art suffering, fixated on the glory and anguish of putting yourself out there in the world.

So Hawke’s portrayal of Lorenz Hart, the brilliant but troubled lyricist responsible for beloved tunes like “My Funny Valentine,” in a story set shortly before his death would seem to be just the latest chapter of a lifelong obsession. But “Blue Moon,” Hawke’s ninth collaboration with director Richard Linklater, cuts deeper than any of his previous explorations. Imagining Hart on the night of his former collaborator Richard Rodgers’ greatest triumph — the launch of “Oklahoma!” — Linklater offers a wistful look at a songwriter past his prime. But the film wouldn’t resonate as powerfully without Hawke’s nakedly vulnerable portrayal.

It is March 31, 1943, eight months before Hart’s death at age 48 from pneumonia, and Hart has just gruffly left the Broadway premiere of “Oklahoma!” Arriving early at Sardi’s for the after-party, he plants himself at the bar, complaining to bartender Eddie (Bobby Cannavale) that the show will be a massive success — and that it’s garbage. Eddie nods in a way that suggests he’s often lent a sympathetic ear to Hart’s rantings, allowing him to unload about the show’s supposedly banal lyrics and corn-pone premise and, worst of all, the fact that Rodgers will have his biggest smash the moment he stops working with Hart after nearly 25 years. “This is not jealousy speaking,” Hart insists, fooling no one.

As played by Hawke, Hart adores holding court, entertaining his captive audience with witty put-downs and gossipy Broadway anecdotes. Begging Eddie not to serve him because of his drinking problem, which contributed to the dissolution of his partnership with Rodgers, this impudent carouser would be too much to stand if he also wasn’t such fun company. But eventually, Rodgers (Andrew Scott) and his new lyricist Oscar Hammerstein II (Simon Delaney) are going to walk through that door and Hart will have to swallow his pride and pretend to be happy for them. From one perspective, “Blue Moon” is about the beginning of “Oklahoma!” as a pillar of American theater. From another, it’s Hart’s funeral.

Set almost exclusively inside Sardi’s, “Blue Moon” has the intimacy of a one-man stage show. After Hart vents about “Oklahoma!,” he readies himself for the arrival of Elizabeth (Margaret Qualley), a gorgeous Yale undergrad he considers his protégée. (He also claims to be in love with her, which baffles Eddie, who rightly assumed otherwise.) If the universal acclaim of “Oklahoma!” will force Hart to confront his professional irrelevance, maybe Elizabeth’s beaming presence — and the promise of them consummating their feelings — will be sufficient compensation.

Linklater, the man behind “School of Rock” and “Me and Orson Welles,” has made several films about creativity. (In a few weeks, he’ll debut another movie, “Nouvelle Vague,” which focuses on the making of Jean-Luc Godard’s epochal “Breathless.”) But what distinguishes “Blue Moon” is that, for once, it’s about someone else’s achievement — not the main character. Fearing he’s a has-been, the diminutive, balding Hart slowly succumbs to self-loathing. He can still spitefully quote the negative reviews for his 1940 musical “Pal Joey.” And he nurses a paranoid pet theory that Rodgers decided to collaborate with Hammerstein because he’s so much taller than Hart. (“Blue Moon” incorporates old-fashioned camera tricks to help Hawke resemble Hart’s under-five-feet frame.) Linklater’s movies have frequently featured affable underdogs, but by contrast, “Blue Moon” is an elegy to a bitter, insecure man whose view of himself as a failure has become a self-fulfilling prophecy.

Of the many artists Hawke has honored on screen, he has never depicted one so touchingly diminished — someone so consumed with envy who nonetheless cannot lie to himself about the beauty of the art around him. Turning 55 next month, Hawke shares with Hart an effusive passion for indelible work but also, perhaps, a nagging anxiety about the end of his creative usefulness. If he were younger, Hawke would have come across as self-regarding. Here, there’s only a poignantly egoless transparency, exposing the lyricist’s personal flaws — his drunkenness, his arrogance — while capturing the fragile soulfulness that made those Rodgers and Hart tunes sing.

Apropos of his relaxed approach, Linklater shoots “Blue Moon” with a minimum of fuss, but one can feel its enveloping melancholy, especially once the next generation of artists poke their head into the narrative. (Sondheim diehards will instantly identify the brash young composer identified only as “Stevie.”) But neither Linklater nor Hawke is sentimental about that changing of the guard.

That’s why Hawke breaks your heart. All of us are here for just a short time: We make our mark and then the ocean comes and washes it away. In an often remarkable career, Hawke has never embraced that truth so completely as he does here. Ultimately, maybe the work artists leave behind isn’t their most important contribution — maybe it’s the love they had for artistry itself, a passion that will inspire after they’re gone. That’s true of Lorenz Hart, and it will hopefully prove true of Hawke and this understated but profound film for years to come.