David

999: What Happened Next has finally returned to Channel 4 with new chilling investigations

A brand new season of Channel 4’s “unflinching” true crime documentary has today returned to television screens with yet another chilling case.

Titled 999: What Happened Next, the documentary series goes beyond an initial 999 call as viewers hear from police officers who open up about the difficult policing work they do to bring those guilty to justice. Focusing on crimes across the UK, the series explores everything from fatal confrontations to random acts of street violence.

Now, brand new episodes have finally arrived on Channel 4, with the first instalment airing tonight at 9pm on Channel 4 (September 7). Subsequent episodes will air every Monday at 9pm, with four expected so far.

It comes after the series made its premier earlier this year, with viewers branding it the perfect watch for fans of landmark series 24 Hours in Police Custody.

An official synopsis reads: “The Channel 4 true-crime documentary series is back this September and follows frontline detectives as they investigate some of the most shocking and complex crimes across the UK. From fatal confrontations on quiet driveways to random acts of street violence, from stalking campaigns driven by obsession to devastating cases of impaired driving, each episode presents two gripping investigations where the truth is buried beneath fear, lies, and chaos.”

With CCTV footage and forensic breakthroughs, the logline adds: “Unflinching, emotionally charged and grounded in real lives forever changed, this series is a compelling exploration of modern policing and the human cost of violent crime.”

Tonight’s episode plunged viewers into a “deeply disturbing case” when one train passenger was forced to contact the British Transport Police after seeing what was on another traveller’s phone.

What happened to David Johnson?

Johnson was arrested after watching indecent videos of children on his mobile phone when the act was caught by another train passenger – who contacted the British Transport Police text messaging service.

He was apprehended at London Euston station with detectives uncovering a dark reality in their investigation. He was later charged for multiple offences and was subsequently jailed in April of this year.

In the episode, it confirmed: “David Johnson was charged with: Arranging a child sex offence, 6 counts relating to indecent images of children in categories A, B and C, 2 counts of attempting to engage a child in sexual communication.”

It then added: “David Johnson pleads guilty to all the charges against him. He is sentenced to two years and three months in prison. He will be on the sex offenders register for 10 years.”

Earlier this year, the Home Office took to social media to share a clip of David’s arrest as they wrote on Facebook: “This predator was spotted on a train viewing indecent images of children.

“David Johnson has been jailed after a member of the public reported him to @britishtransportpolice. Officers immediately rushed to meet the train at London Euston to make the arrest.

“His phone was found to contain nearly 200 indecent images of children. That swift action by both the public and BTP officers put a dangerous predator behind bars. If you witness something concerning on the railway, text 61016.”

The episode also hears from the witness who reported David Johnson to the BTP who said: “I’m definitely glad I decided to take action, definitely, 100%.”

999: What Happened Next airs Mondays at 9pm on Channel 4

BERKELEY — Twelve hours after walking offstage at the Greek Theatre on Tuesday night, David Byrne sits down with a cup of coffee on the patio of a tony hillside hotel and admits that he’s starting to get a little misty.

Last night’s concert on the campus of UC Berkeley was one of the remaining few on Byrne’s yearlong world tour after 2025’s “Who Is The Sky?” album. About an hour from now, a bus will pull up to ferry the 74-year-old musician and the dozen or so members of his touring company to the airport for a quick flight to Los Angeles, where they’re set to perform Friday and Saturday nights at the Hollywood Bowl.

“There’s a firepit over there,” Byrne says, pointing across the patio, “so after the show we all sat around and told stories. Everyone’s such a joy to work with — we’re all having a really good time.” He sighs. “That’s kind of rare, actually.”

“Who Is The Sky?,” which Byrne made with the producer Kid Harpoon, contrasts deep lyrics about art, home and enlightenment with bright pop arrangements filled with crisp grooves and singalong melodies. (Kid Harpoon, whose real name is Tom Hull, is known for the hits he’s created with Harry Styles and Miley Cyrus.) In the show, Byrne blends whimsical new tunes like “My Apartment Is My Friend” and “I Met the Buddha at a Downtown Party” with jittery oldies by Talking Heads, the hugely influential art-rock band he formed in 1975 with Jerry Harrison, Chris Frantz and Tina Weymouth.

Yet even when the songs get dark — as in “Life During Wartime,” which comes with images of police violence on the enormous digital screens behind the players — the mood is euphoric: Like Byrne’s previous tour behind 2018’s “American Utopia,” this one has the musicians holding their instruments as they execute choreographed moves on a bare stage; the result is more or less a nonstop dance party. (Also like “American Utopia,” which Spike Lee adapted into an acclaimed concert film, this tour will make its way to movie screens courtesy of “The Brutalist” director Brady Corbet.)

So you can see why Byrne would be sad to see it come to an end, not least because he’s been using his days off to tool around a given town and take pictures of cool local color. At the top of the gig in Berkeley, he showed photos from a hike he’d taken and of a car he’d come across with a tricked-out sound system.

“Any ideas of things to see in L.A.?” he asks me, dressed in a violet-colored chore jacket only a few shades removed from the blue one he wore onstage. “That hike was a workout. Even some of the dancers said those hills were steep.”

“Life During Wartime” was maybe 15% faster last night than the original record.
Could’ve been, yes. You’ll have to ask the drummers — they set the tempo, and they get excited and it kind of ramps up. It’s sometimes hard for me to keep up — I’ve got a lot of words to get out.

I was fortunate to be at Van Halen’s next-to-last show at the Hollywood Bowl, and I remember every song felt insanely fast.
Wonder if that was drugs?

You ever see Van Halen?
Never saw them live. David Lee Roth was a Talking Heads fan — came to visit our rehearsal loft once. I was kind of surprised: “How did you…?”

David Byrne performs at the Coachella festival in April.

(Christina House / Los Angeles Times)

Would you say things turned out better or worse than the future you predicted in “Life During Wartime”?
Well, we’re not having a total civil war. There’s maybe still a chance that could happen, but it seems there’s more resistance now than there was before — a sense that we don’t have to just roll over and take all the stuff that’s going on. The footage we got kind of hits home.

You show the video of the guy on the bike pedaling away from ICE agents in Chicago.
That often gets a cheer.

I wondered if it ever doesn’t.
In the United States, no. Seeing the underdog get away — that’s a pretty timeworn story. We didn’t have that video at the beginning of the tour — it didn’t exist. I saw it on some news service, and I thought, oh, this has to lead the whole sequence. When we were first putting the show together, we had more video stuff. But screens are really seductive, so you start looking at that. We said, no, you have to connect with real live people, then you can put it up.

Have you been to the Sphere in Las Vegas?
A bunch of the band and I went to see “Wizard of Oz.” I haven’t seen a band in there. But it was really a lot of fun — quite a spectacle with the video all around you.

Don Henley compares the Eagles’ role there to the organist at a silent movie.
The pit band, yeah. That’s a thing to do — works especially well, I would imagine, for bands like the Eagles and other groups that don’t do a whole lot of song and dance.

At 74, can your body do all the dancing you want to do?
Oh, no. With more physical training, I’d probably be able to do a little more than I can now. But I’m never gonna be able to do what some of the dancers can do.

How about what you used to be able to do?
Like in “Stop Making Sense”? There’s some stuff in there where I go, nope, can’t do that. But I can do other things. I don’t have a feeling that I’m barely getting by.

Are you an exerciser?
I have a person I see in New York. It hasn’t happened so much lately because we’ve been moving around so much. But Sasha [Rivero, from the touring company] leads us through these warm-up exercises before shows — kind of a cross between strength training and yoga.

Beyond the value of staying agile, how do you think about maintaining your looks?
I’m aware it’s a thing. If I came across as old and decrepit, it might be less exciting for some of the audience. Not great for business.

When did your hair go gray?
In the ’90s, I want to say. I dyed it for a while when I started seeing a fair amount of gray coming in. Then at one point I was on holiday with my then-wife and just said, “Let’s cut it off and see what’s under there.” By that point it was pretty much all gray. I was OK with it.

Who’s a performer you admire who’s still out there doing it late in life?
Caetano Veloso — he’s served as a role model for me. He’s someone who’s reinvented himself over and over and over again — done records that are very different than the record before. Even on the same record, he can be really experimental and then do something incredibly romantic.

Can you envision a time when you’d stop performing?
I don’t think so. I can see there might be a point where I don’t do as much dancing around.

I’ve seen Willie Nelson probably half a dozen times in the last 10 years. He sits there and plays, and it’s great.
“My Apartment Is My Friend,” that was inspired by a Willie Nelson song: “Hello Walls.” There’s also a George Jones song, “The Grand Tour,” where he takes you into his place: “This is where she sat, that’s where she put out her cigarette,” all this kind of stuff. I loved that you can make an apartment into a character. So I started putting down ideas, and I realized: Should I reveal that it’s about an apartment right off the bat, or should I wait till the last line of the chorus? Before that, you don’t know — it sounds like a love song. The title gives it away. But Tom, when I said “should I change the title?” he said, “The title’s what got me to listen to the demo.”

If I say that the songs from the new album didn’t come alive for me until the show, how does that strike you?
Good and bad. I wish the record had the same impact that the songs have live. But then I also think to myself: Well, the reason you go to see a live show is because you’re getting something more than you get by just putting a record on.

(Josh Edelson / For The Times)

You’ve been playing for years now with this mobile handheld setup.
I wasn’t sure an audience was gonna go for it. I don’t know why, but I thought it was kind of a big step for an audience to take in.

To not have the traditional rock band stage set.
“Here’s the drummer — we know what he does.” There were people on the last tour who would say, “It’s got to be playback — you’re not really playing it.” So I added an introduction to a song where one by one we introduced the musicians at the beginning of the song, and you could hear how we put it together. An unexpected consequence is that it democratized the whole stage experience for the band members. There’s parts where the drummers come to the front and I go to the back, which you would never have in a regular kind of show where the drummer’s stuck on a riser. Everyone gets to be a star — everyone gets to be recognized as an individual.

Would you say your eagerness to share the spotlight could only have come after years of being the focal point?
I have no idea.

Most of the musicians are pretty young.
Younger than me, anyway.

Why is that important to you?
I learn from them — musically but also personally. I learn about what music they’re listening to, what their experiences have been, what their take on things is. They’re not living in the past — they don’t have nostalgia for the good old days.

In 2023, you spent a fair chunk of time looking back with the rest of Talking Heads for a rerelease of “Stop Making Sense.” Did you enjoy that or grit your teeth through it?
It was fine — it was really nice. As we said over and over, we’re very proud of that show and the music that we did and the film that Jonathan [Demme] made. And that it was going to connect with a completely new generation. Jerry came to the show last night. He lives in Marin.

You guys hang out?
Afterwards, yeah. I mean, he had to drive back. He said he enjoyed it — said it was a good show. I connected him with our keyboard player because the keyboard player came up with these interesting technical things I thought Jerry might be interested in. He has an accelerometer attached to his arm — you don’t see it because his sleeve covers it — where he raises his arm and it increases the volume like a foot pedal on a keyboard.

Tell me about Brady Corbet’s concert movie. He shot it in 70mm.
To be honest, I wasn’t sure why. But Brady made the case, and it wasn’t about bringing people into the theater. He said when you go to 70mm it’s a little bit closer to what your eye experiences.

Talking Heads in Italy in 1982: Tina Weymouth, from left, Jerry Harrison, Chris Frantz and David Byrne.

(Luciano Viti / Getty Images)

This is kind of a cutesy formulation, but I wonder if it’s pushing back on the dominance of vertical video.
Biologically and evolutionary-wise, we experience the world horizontally. We don’t go walking around looking up at the sky — the stuff that’s gonna come get us is somewhere on our eye level.

Jimmy Iovine gave an interview to the New York Times the other day where he said one of the last things he asked AI was about your set list.
He could’ve just asked me.

Iovine was extremely pro-AI in this interview. What’s your vibe?
My vibe is positive and negative. On the positive side, we’ve all heard the hype from Silicon Valley that we’re gonna have medical breakthroughs. The negatives — how could there not be massive job loss? What concerns me is the environmental stuff. The last thing the planet needs is a massive increase in energy usage. We’re talking about the survival of species — of everything that lives on Earth. To ramp up that part of what humans do just seems like the worst possible thing you could do.

The other thing that worries me is that machines aren’t really thinking — they’re probabilistic. This stuff has been designed intentionally to mimic human beings, and we are very, very easily fooled. I think that’s dangerous because we give it agency. We assume all these things about it — we trust it. I mean, people will listen to a political argument from a chatbot more than they will from another person.

Seems bad.
Right?

Any worthwhile creative application you can identify?
I used it a little bit to animate my drawings in one of the sequences from the show. They’re my drawings — I wasn’t taking from anybody else. In that case I feel like it’s a tool that’s very efficient. Might put some animators out of work, but if I had to pay the rate for animators on something like that, it would take a year to do and cost me a fortune.

What if the producer on your next record says, “Hey, here’s a little shortcut we can use”?
We already use little shortcuts — Auto-Tune is one. That’s not AI, but we’ve been using those kinds of tools, and there’s always the danger of overusing them. When people use Auto-Tune a tiny bit, it’s pretty much invisible. But on a lot of records — I’m not talking about the Cher record — it’s a little too perfect, and you start to lose the human connection. So it’s not a clear-cut choice of: Do I use this or not? It’s: Do I get seduced and use it too much?

CRUZ Beckham’s festival debut became a sweet family affair as he dedicated a song to his little sister, Harper – who later took to the stage. 

The 21-year-old rocker son of David and Victoria Beckham made his festival debut at Reading and Leeds festivals this weekend with his band, Cruz Beckham and The Breakers.

His proud mum and dad were watching from the side of the stage, with siblings Romeo, 23, and Harper, 15, standing amid the crowd at Reading to watch him play. 

Towards the end of the set, Cruz took a moment to dedicate his track Mr Nobody to the youngest member of the Beckham family.  

“This show is our second to last show on this tour and we’ve had an incredible time,” he told the crowd at The Canopy stage. 

“It’s been amazing seeing everybody and just want to thank you for all the love and all the support. This next song, I’d like to dedicate to my little sister who’s just dancing right there.”

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Harper later joined Cruz’s girlfriend, Jackie Apostel, to make a surprise appearance on stage and throw t-shirts into the crowd. 

After the performance, Cruz shared clips from the set where thousands of revellers were seen cheering the band on. 

He added to the clip on Instagram: “READING oh my god. I have no words. Leeds, let’s do it again today. Thank you thank you thank you” 

The band will perform at Reading’s sister festival Leeds today – with the appearances tying into the release of their EP, Wear & Tear. 

Speaking in the new issue of Dork magazine, Cruz acknowledged why people might be sceptical about his music, but insisted he’s prepared to put in the hard graft to establish his place as a performer. 

“It’s better to be underestimated than overestimated,” he told the mag. 

“I’m glad that people are liking the songs. I’m glad that people are giving me the opportunity. To be honest, I was surprised they even gave me the opportunity in the first place.

“I understand that they would think that everything’s gonna be a bit s**t and a bit too polished.

“But you know, I love music, and I really love playing live, and I’m just excited to be able to do it.”

“My experiences in life have been very different to a lot of people’s experiences, but I still feel like I’ve got something to say,” he added. 

DAVID Beckham kissed his wife Victoria on their “special” family holiday – without estranged son Brooklyn.

The former footballer, 51, took to his Instagram stories to give fans a sneak peek into the holiday as the Beckham clan visited Spain, France and Italy.

David and Victoria, 52, were joined on the trip by their children Romeo, 23, Cruz, 21 and 15-year-old Harper.

Also there were his mum Sandra, Victoria’s dad Tony and Romeo and Cruz’s girlfriends Kim Turnball and Jackie Apostel.

Their estranged son Brooklyn and his wife Nicola Peltz were of course noticeably absent from the trip.

In one snap that David uploaded, he and Victoria were seen enjoying a smooch while on a boat in Ibiza, Spain.

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Another showed the pair swimming in a stunning blue ocean as he penned: “Someone doesn’t love the ocean but she loved this moment.”

He posted individual pictures with Harper and his mum as he told them he loved them.

In one particular photo, the family are seen sitting around a table for dinner as David writes: “Family moments. Love you all.”

Brooklyn, 27, and his wife Nicola, 31, have been estranged from his family for the past three years.

While his family enjoyed their European holiday, he and Nicola posed up a storm in bed selfies as they were joined by their pet pooch.

The two were seen snuggled in their bed as they cuddled each other in one snap.

The chef released a bombshell statement in January and suggested public image and Brand Beckham was the biggest priority to his mum and dad.

He alleged that his mum cancelled making his wife’s wedding dress in the eleventh hour.

He claimed she was excited to wear one of Victoria’s designs and had to urgently find a new dress at the last minute.

He went on to say his mum called him “evil” for choosing to include his Nanny Sandra and Nicola’s Naunni on their table at the wedding because they didn’t have their husbands.

Brooklyn also claimed that his mum hijacked his wedding dance to dance “very inappropriately” on him and alleged she invited women from his past into his current life.

The former photographer said his parents cared more about keeping up with “Brand Beckham”.

Victoria said in an interview that when it comes to parenting, she has “always tried to protect” her children.

She told Emma Grede on her podcast: “Our children have had a very different upbringing to myself and David and I think the world is also a very different place now then to what it was when they were younger.”

The Beckham clan have made several attempts to lend olive branches to Brooklyn on social media, mentioning him on birthdays and special moments.

However, he’s remained firm on his decision to keep away from them as he continues his life in Los Angeles with Nicola.