David

Rock band Pavlov’s Dog is mourning the loss of singer-songwriter and lead vocalist David Surkamp, who died Monday at age 74.

Violinist and Pavlov’s Dog member Abbie Steiling announced Surkamp’s death Wednesday on Facebook. Additional information about Surkamp’s passing, including a cause of death, was not revealed.

“David leaves behind a legacy of endless creativity, unmistakable artistry, and a body of music that has touched lives across generations and around the world,” Steiling said on the band’s behalf.

Pavlov’s Dog also remembered its vocalist for his “profoundly poetic spirit and a romantic heart that found its way into every note, every lyric and every performance.”

Surkamp was born May 23, 1952, and led Pavlov’s Dog, known for songs “Julia” and “Late November,” since its founding in 1973 in St. Louis. He founded the band alongside bassist Rick Stockton, violinist Siegfried Carver and drummer Mike Safron, according to the band’s website. The group, which first signed to ABC Records under a six-figure deal, released its debut album “Pampered Menial” in 1975. The release featured the band’s most popular songs and showcased Surkamp’s high-pitched and trembling, yet powerful, vocals.

Pavlov’s Dog’s second release “At the Sound of the Bell” followed in 1976 and its third, “Lost in America,” came more than a decade later in 1990. Surkamp departed Pavlov’s Dog while recording its junior album and traveled to Seattle to further develop his musical talents. This led to a collaboration with British musician Iain Matthews and their power pop duo Hi-Fi.

Surkamp and his Pavlov’s Dog collaborators reunited in the early 2000s and Surkamp’s wife, Sara, joined as a vocalist and guitarist. The group went on to tour Europe, including playing the Netherlands’ Arrow Rock Festival in 2006. Over the years, Pavlov’s Dog saw members come and go: Some musicians departed the group because of conflicting commitments and others — including founding members Carver and Rayburn — died in the late aughts and early 2010s.

The group, with Surkamp still at the helm, later released albums “Echo & Boo” in 2011, “Wonderlust” in 2025 alongside some live albums, remasters and unreleased demos.

“He always allowed the musicians around him to shine in their strengths, generous with the spotlight and appreciative of what each brought to the music,” Steiling continued in the band’s Facebook post. “No matter what life held for him, he came alive onstage. Even on his hardest days, when the lights came up and the count-off began, he was a consummate performer. If he was playing music, it was a great day.”

Surkamp was preceded in death by his wife Sara, who died in 2025 at age 72. He is survived by children Saylor and Evan.

Tech scion David Ellison spent three years doggedly pursuing his dream: acquiring Paramount, then Warner Bros. Discovery.

Ellison pulled off his bold feat this week by completing Paramount’s $111-billion takeover of Warner Bros., uniting two industry pioneers and a wealth of cherished properties — Batman, Bugs Bunny, Harry Potter and Maverick of “Top Gun,” as well as CBS, HBO, Comedy Central and CNN. All will be tucked under a corporate umbrella that Ellison is calling Skydance — the name of the studio he formed two decades ago.

The mogul and his lieutenants celebrated their victory in style, ringing the New York Stock Exchange opening bell on Thursday, capping a bruising battle to secure approval of a deal that had sparked protests across Hollywood over fears of looming job cuts.

Ellison and his team must braid together two huge film studios (housing nine film labels), four streaming services, three TV production studios, three animation units and more than 50 television networks, including two prominent news organizations. That could be a daunting task, particularly based on how previous Hollywood mergers have fared.

“Now, the real work begins,” David G. Fubini, a Harvard Business School senior lecturer, said in an interview.

Anxieties were evident Tuesday — the day the deal closed — when Ellison held a town hall meeting at Warner Bros., which drew nearly 500 employees.

During the session, CNN’s Anderson Cooper quizzed his new bosses, including about anticipated layoffs and news independence.

“Do you stand with CNN and our effort to completely restore access to covering President Trump?” Cooper asked, referring to CNN’s legal fight alongside MS Now and Politico to reverse the president’s ban on the three organizations.

“Of course,” Ellison replied.

CNN news anchor Anderson Cooper, pictured here in 2021, quizzed his bosses at a Burbank town hall.

(Evan Agostini / Invision / Associated Press)

Hours later, Ellison parried with reporters in Paramount’s darkened Stage 3, recently revamped with laser projection capabilities to simulate fantastical and far-flung settings for TV shows, such as the streets of New York.

“This was a turbulent process, and, at times, a really ugly process, to actually get this deal over the finish line,” Ellison acknowledged to reporters. “What I want to be able to do now is turn the page, and actually make sure that we are in the business of rebuilding trust.”

To do that, Ellison intends to make more movies and TV shows than rivals. He wants to ensure the Warner Bros. and Paramount studios, which will be kept separate for now, remain talent-friendly destinations.

Ellison has taken an opposing view from his predecessors who confronted crumbling industry economics by cutting expenditures to boost their corporate bottom lines.

The 43-year-old executive, son of Oracle co-founder Larry Ellison, proudly views his family as “owner-operators,” unshackled by quarterly earnings expectations or the need to dole out dividends to keep investors happy. The Ellison family controls the company’s voting stock, allowing David Ellison to take a long-term view as he charts Skydance’s course.

The goal is to “win in storytelling,” Skydance said in an investor presentation. It intends to build the media industry’s most “technologically capable” firm, which uses artificial intelligence to speed work flows. Skydance plans to spend at least $30 billion a year on film, television and video game content.

Skydance co-CEO Ynon Kreiz, Sarah Ellison, CEO David Ellison and investor Gerry Cardinale of RedBird Capital Partners on the floor of the New York Stock Exchange on Thursday.

(Yuki Iwamura / Associated Press)

The realities of Ellison’s big swing will soon sink in as he and his team turn their focus to integrating the myriad operations and about 55,000 employees.

In some ways, Ellison is behind the curve.

Most major mergers are consummated after executives have dedicated months to quietly drafting detailed operational plans and organizational hierarchies. Ellison, in contrast, has spent the last nine months in a pitched battle for Warner Bros. — ultimately vanquishing Netflix, hundreds of vocal merger opponents, and California Atty. Gen. Rob Bonta and his coalition of 11 other state attorneys general who filed an antitrust lawsuit in July in an attempt to derail the deal.

Ellison and Bonta resolved their legal fight Sept. 21. A week later, a federal judge cleared the way for the merger to close.

The lawsuit settlement with Bonta requires that the combined company produce at least 30 movies a year for five years. It also must maintain the studio facilities in Los Angeles, making “reasonable efforts to operate the lots in a manner consistent with past practices,” according to the agreement.

Skydance has committed to maintaining operations on the Warner Bros. lot, pictured here, and at Paramount Pictures in Hollywood.

(Eric Thayer / Los Angeles Times)

Ynon Kreiz, former chief executive of Mattel toys in El Segundo, has been tasked with leading the integration. The 61-year-old executive joined Ellison at Skydance as his co-CEO earlier this week. Day One of the combined company marked Kreiz’s second day on the job.

“They have a whole new management team that will be expected to immediately lead this massive integration,” Fubini, a former partner at consulting firm McKinsey, said. “The clouds have cleared, and they are at the base camp of Mt. Everest facing this enormous undertaking.”

In a report this week, TD Cowen Global Research maintained its “hold” rating on the newly constituted Skydance, expressing some doubts about Ellison and his team’s ability to “avoid integration and execution problems that have bedeviled other major media mergers.”

Hollywood has had a history of failed mergers, including Discovery’s 2022 takeover of WarnerMedia from AT&T, which led to years of cost cuts that ultimately seeded the ground for Ellison’s takeover. AT&T’s purchase of the same assets in 2018 also quickly unraveled, some 20 years after the epic failure of AOL Time Warner.

Ellison now must grapple with the hefty acquisition costs for Warner Bros., which climbed as the deal was delayed. The company emerged from the transaction with $86.8 billion in total debt; with most of that going toward buying out Warner Bros. Discovery’s stockholders at $31.17 a share.

The debt burden also includes more than $18 billion in obligations leftover from past mergers. Skydance has nearly $7 billion in cash on hand.

Oracle’s Larry Ellison and executive producer David Ellison arrive at the L.A. premiere of “Star Trek Into Darkness” at the Dolby Theatre in 2013.

(Eric Charbonneau / Getty Images for the Hollywood Reporter)

The Ellison family brought in foreign investors, including royal families of Saudi Arabia, Qatar and Abu Dhabi as passive owners, to contribute equity to the deal. Gerald Cardinale’s RedBird Capital Partners, a longtime Skydance stakeholder, added $4 billion, bringing its total investment in Skydance deals to $6 billion.

The deal’s financial terms pose deep challenges, analysts said. Fitch Ratings this week downgraded Skydance credit, citing “materially higher leverage after the acquisition and significant execution and integration risks,” according to its report.

“Interest rate increases made financing this transaction far more expensive than anyone anticipated,” said Eric Talley, a professor at Columbia Law School. “Those lenders are going to start expecting their interest payments — Skydance executives won’t have the luxury of time.”

The company could struggle, Talley said, to “generate the cash flow needed to easily service that debt unless they can significantly cut costs.”

Skydance has promised investors that it will make $6 billion in cost cuts over three years. It anticipates $2 billion in reductions within a year, with the bulk of the rest occurring in the second year of the merger.

“They are going to be firing a lot of people,” TD Cowen Global Research media analyst Doug Creutz said.

During the press briefing, Kreiz sought to downplay the expected workforce toll, saying Skydance would achieve savings by combining technologies that support streaming services and marketing expenditures. It plans to save costs on real estate by locating employees at Skydance-owned properties in Santa Monica, Hollywood and Burbank.

HBO could move from Ivy Station in Culver City, its home for the last five years, to one of the studio lots.

Ellison and Kreiz said they would jointly manage the new colossus.

“Where David will focus on creative, technology, long-term strategy, including especially as it relates to the creative part of the business, I will focus more on the operations and the day-to-day management of the business,” Kreiz said.

Kreiz was named to Skydance‘s expanded board this week along with Laurene Powell Jobs, founder of the Emerson Collective; and Bobby Kotick, former CEO of Activision.

The new leaders expressed confidence they could expand and integrate their two major streaming services to drive growth. HBO Max and Paramount+ combined will reach more than 200 million subscribers.

The plan, they said, is to combine the two streamers within a couple of years, but the company may offer subscribers a bundle with the two offerings sooner.

Skydance, according to sources, also expects to bolster its free, ad-supported service Pluto TV, which offers more than 200 channels. The service hasn’t had much corporate attention in recent years amid the cuts and deal-making.

The executives have not disclosed which teams would soon be affected or how they will structure overlapping business units.

For example, the company’s three TV studios each have their own leader: Channing Dungey runs the largest, Warner Bros. Television; David Stapf has long managed CBS Studios; and Skydance executive Matt Thunell has been president of Paramount Television Studios since last year.

Integrating CNN and CBS

Anxiety over whether CNN and CBS News would be mashed together was quelled, at least for now.

Skydance announced that it was retaining CNN Worldwide Chairman Mark Thompson as head of the larger news organization. CNN journalists had worried that CBS News Editor in Chief Bari Weiss, who has presided over a year of turmoil at the network, would be put in charge of both.

Any news consolidation could take years, in part, because CBS News is largely unionized while CNN is a non-union shop.

“We are going to spend the next several months basically getting under the hood,” Ellison said.

CBS News Editor in Chief Bari Weiss, pictured here in 2023 in Los Angeles, has had a turbulent tenure at CBS.

(Francine Orr / Los Angeles Times)

Another challenge will be stabilizing the Warner Bros. film unit, which has had a rough year at the box office. This month, the top two Warner Bros. film executives, Mike DeLuca and Pam Abdy, exited abruptly, clearing the way for longtime Ellison lieutenants Dana Goldberg and Josh Greenstein to oversee both film studios. The co-heads of DC Comics, James Gunn and Peter Safran, segued to the new Skydance.

Skydance also will have to deal with the NFL, which could demand substantially higher fees for CBS to keep its Sunday games.

The current contract allows the league to reopen negotiations because of the ownership change. Skydance is hoping it can wait three years until the contracts of other broadcasters also are up for discussion.

Skydance will be a major player in sports. Last year, Paramount agreed to spend $7.7 billion for UFC fights. The combined company also has rights to professional golf, including the Masters tournament; National Hockey League; Major League Baseball and NCAA basketball, including March Madness, as well as European rights to televise the Olympics.

“Until you actually get inside the company, there are things you won’t know,” Creutz said. “But they are going to have to come up with answers pretty quick.”

KATHERINE Ryan couldn’t resist taking a cheeky pop at David Beckham as she joked about being “cancelled” by the BBC after her rude slur about his wife Victoria.

Last month it was revealed that the broadcaster had upheld complaints after she made the offensive joke about Posh Spice while hosting an episode of Have I Got News For You last year.

Two weeks ago, Katherine issued an online apology to Victoria, 52, after the ruling by the BBC‘s Executive Complaints Unit (ECU).

Raising the controversy during a stand-up gig in Chelsea, London, last night, the 43-year-old declared her love for Victoria Beckham while making a sly joke about her famous footballer hubby.

“I have been cancelled by the BBC for allegedly calling Victoria Beckham the C word,” she said.

“Or as David Beckham knows it – the K word, because bless him the alphabet is hard,” prompting laughter from the audience.

SEQUINS & SORRYS

Katherine Ryan steps out for the first time since Victoria Beckham apology

NOT FUNNY

Katherine Ryan apologises to Victoria Beckham after slur pulled off iPlayer

“But I actually did not do that, I actually love Victoria Beckham.”

Speaking in an episode that aired on November 7 in 2025, Katherine made reference to a 2013 private email sent by David Beckham, where he allegedly used the word ‘c***’.

She said on the show: “I don’t know that we are allowed to broadcast the C-word, but you did reference Victoria Beckham earlier and we’ll allow that.”

The BBC’s Executive Complaints Unit said “there was no such justification” for the comment which two viewers had complained was “gratuitously offensive”.

They added that the word was justified in relation to David’s alleged use of it, but not in reference to his wife.

Now an edited version of the episode has replaced the original on the BBC’s streaming service.

Katherine Ryan publicly apologised to Victoria in an Instagram reel where she shared a screenshot of her message to the fashion designer.

“Hi I’m comedian Katherine Ryan and today the BBC announced their decision to uphold a complaint made by two very influential viewers about a joke that I tried to make on an episode of Have I Got News For You eleven months ago,” she began.

“At that time, though there is no defence, I was suffering from a condition called matrescence.

“I was in that building with a 10-day old baby. Should I have left the house?

“This is gonna be a tough one for the feminists because I was a woman going to work but I did call another woman a c***.

“Sometimes I forget that celebrities are not my friends. If I had called Jimmy Carr a c***, he wouldn’t have minded.

“Joanne McNally, c***, she wouldn’t have minded but this was described by the BBC as a slur.

“As though c**** are part of a protected group,” Katherine said in her trademark sarcastic way.

“The trouble is now that section’s been taken off iPlayer so the incident only exists in printed media, online media and then you lost the context because on the day, if you watched it, it was clearly a joke and the whole audience went ‘huhhhh’ and I said ‘whoaaaa’.”

She then plugged her new book before adding: “I love Victoria Beckham so much that I actually included her in one of my celebrity firstborn daughter chapters.

“I’d like to read you that now whilst remaining very sorry.”

In her apologise message to Victoria shown on screen, Katherine told her it was a “throwaway” comment and that she immediately expressed her love for her after, making it clear it was a “stupid joke”.

Coronation Street has released a first look at the moment villain Jodie Ramsey brandishes a gun in a deadly showdown with Shona and David Platt, moments before the gun goes off

Jodie Ramsey points a gun at Coronation Street favourites David and Shona Platt in tense scenes on Thursday.

Someone gets shot, leaving them fighting for their lives. Intent on stealing her sister’s life, Jodie takes violent action in a deadly showdown.

It seems a scuffle, with confusion over whether the gun is real or not, leads to it firing. But will death loom for Jodie, David or Shona, and will Jodie be stopped?

Fans have seen Jodie targeting her sister, and others, for weeks. On Thursday her plan to steal David all for herself comes into play, as she tries to seduce him.

Shona finally clocks that her villainous sister is out to get her, and plotting to steal her life. Confronting Jodie over her obsession with her family, the pair have it out, and secrets are exposed.

As David and Shona watch in horror, Jodie raises the gun at them. As David and Shona remain convinced it’s the fake gun they found recently, they challenge her unaware it’s real.

As the situation spirals the gun is fired, shooting someone. As the person collapses, the others are left reeling in horror – but who is shot, and will they die?

Will Jodie be successful in her seduction of David too, and could it lead to a sad split for him and Shona? All will be revealed during Friday’s dramatic episode of the ITV soap.

The fallout is being kept under wraps, while cryptic spoilers confirm someone could be safe. They state that David calls for an ambulance, so does this mean he isn’t hit?

Either way, paramedics soon arrive to tend to the victim, but their fate is not revealed. What is known is that in the days following, the police will investigate what has happened at the Platts house.

Soon it emerges not everyone is telling the truth about what went on, as statements are questioned. As detective Lisa Swain leads the investigation, she soon questions the given version of events.

Speaking to the Mirror recently, Shona actress Julia Goulding said Jodie would get a whole lot worse. She told us: “It’s only go to get more dramatic – how far will Jodie go? I think it’s going to wow everybody. It’s never plain sailing.”

Julia added of the plot: “I think she’s a really intricate complex character. Something has happened to make her like that; she’s not a baddie. She’s got many layers. It’s going to be interesting for the audience to peel those back. I love having Olivia with us; it’s nice exploring Shona’s background as well.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

The BBC’s natural history unit appear to have done it again with Blue Planet III and David Attenborough once again telling incredible stories from our oceans

The new natural history series Blue Planet III with David Attenborough has taken four years to create – but it looks worth the wait.

It will build on the groundbreaking legacy of the previous two BBC series, redefining underwater wildlife film-making and telling untold stories and allowing us to see our oceans like never before.

The series will launch in the coming weeks, and follows on from Blue Planet II in 2017 which galvanised a global movement to rid our oceans of single use plastic. After invited guests were given a first glimpse of some scenes, the BBC released a trailer for the TV show.

Sir David, who turned 100 earlier this year, sent a recorded message to the launch event and said: “Twenty-five years ago, when I narrated the first Blue Planet series it didn’t occur to me that I would be narrating a third series in my centennial year. The ocean is an endlessly fascinating place.

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“In these new programmes we uncover a further wonderful array of under-water life, which is more surprising, more sophisticated and even more important than we ever realised. I am proud and delighted to be associated with Blue Planet III.”

The six part series will show remarkable marine wildlife alongside Sir David’s astonishing storytelling. The highly anticipated series was a project Sir David said he was “proud and delighted” to be associated with.

The new series is accompanied by an original score from Hans Zimmer and Bleeding Fingers Music along with an original song, Into The Deep (Seas Cry) co-written by Jade, which features in the trailer.

Zimmer, who also scored Blue Planet II, said the series was the “most important work” he has ever done.

He said: “I’ve worked on a lot of films throughout my career, but nothing affects humanity, our world and our planet as much as the work being done by the Natural History Unit in Bristol.

“I think everybody who comes to Blue Planet comes to it with the knowledge that it is something that changes the world by making you fall in love with the world.

“It’s not something where you’re being lectured or cajoled about things but it’s something that just shows you how spectacular and beautiful our world truly is and how we need to preserve it and how we need to love it and how whatever we love we need to treat with great kindness and great respect.”

Jade, born Jade Thirlwall and best known for being a member of the pop group Little Mix, said she was a “huge fan” of the franchise and praised Sir David as being “a true hero” of hers.

* The six-part series Blue Planet III will air on the BBC later this autumn.

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BROOKLYN Beckham let his shirt do the talking as he ramped up his family feud. 

The eldest son of Sir David Beckham and ex-Spice Girl Victoria strolled with wife Nicola Peltz shortly after his dad liked their snap online. 

But the telling ­message on Brooklyn’s top read: “It’s not clocking to you.” 

It refers to pop star Justin Bieber’s 2025 paparazzi meltdown, when he complained: “It’s not clocking to you I’m standing on business.” 

The singer meant photographers were not understanding he was busy and wanted to be left alone. 

Brooklyn’s clothing statement, in a Paris flea market on Sunday, came after his dad, 51, seemed to reach out to his estranged son. 

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Fans spotted ex-England footie star Becks had liked a video of the couple posted on Friday after the Messika Womenswear show in Paris.  

Brooklyn and Nicola ­previously told his parents to stop reaching out to them on social media. 

Nicola wore a simple black crop top and flashed her abs for the Messika bash.

The event was held two miles from where designer Victoria later unveiled her own collection in the French capital. 

Brooklyn, 27, and Nicola, 31, have been estranged from the Beckhams for almost two years.

He claimed his family treated him as a commodity and said: “I do not want to reconcile.” 

What a surprise. David Ellison has decided to name the Frankenstudio media company created by the merger of Paramount Skydance and Warner Bros. Discovery simply Skydance.

And why not? “Massive Debt Funding Media” doesn’t really roll off the tongue (though “Ultra Leveraged” has a nice ring); “Ellison and Dad” is a bit too on the nose; and “Skydance” is, after all, the name he chose for the one company out of those four that he built rather than bought.

Skydance is a poetic term with some definite “Star Wars” overtones and perhaps unintentional symbolism. Before the aviation-loving Ellison claimed it, “sky dance” referred to the aerial mating of certain birds, most famously the American woodcock, also known as the timberdoodle or (I’m not making this up) the bogsucker.

(“Timberdoodle Media,” now that’s a splendid name, and “Bogsucker Productions” could work as well.)

In his attempts to acquire Warner Bros. Discovery, Ellison has certainly engaged in some high-flying … well, courtship might not be the right term for the dizzying mix of cajoling and threats he has employed to get the deal done, and it certainly does not seem fair to the American woodcock. I’m no expert, but I don’t think their mating rituals involve using the New York Times to plead their case or, when that doesn’t work, threatening to move en masse to Tennessee.

For those inexplicably hoping for ParaBros, Skydance seems a bit of a letdown, especially considering all the trouble Ellison went to. It’s been quite a show, the various razzle-dazzle versus strong arm tactics (not to mention the Middle Eastern money) he mobilized to turn two of Hollywood’s preeminent founding studios into ingredients in sub-brand stew that also includes CNN, HBO Max, CBS, DC Comics, Nickelodeon, MTV and Food Network.

Overseeing such a diverse mix is obviously too big a job for one person so Ellison added yet another flavor by drafting Ynon Kreiz as co-chief executive. Kreiz was previously chairman and chief executive of Mattel, where he facilitated the toy company’s big Hollywood push with “Barbie,” “Masters of the Universe” and the upcoming Hot Wheels movie. (Polly Pocket, now in development at Reese Witherspoon’s Sunshine Productions, should be preparing for her close-up.)

By sticking with Skydance, Ellison is not just making a large swath of Hollywood indisputably his own, he’s showing remarkable confidence in a name that first came to many people’s attention in 2019 when he hired John Lasseter.

Six months after Walt Disney Co. ended its relationship with the then-chief creative officer of Pixar and Disney Animation Studios following an investigation into multiple accusations of sexual harassment and workplace misconduct, Ellison hired him to oversee Skydance Animation.

Unsurprisingly, this led to all manner of protest, within and outside the company. When Emma Thompson learned of Lasseter joining Skydance, she withdrew from its highly anticipated upcoming animated film “Luck.” In a stinging letter she sent to the company at the time (and allowed The Times to make public), she wrote: “It feels very odd to me that you and your company would consider hiring someone with Mr. Lasseter’s pattern of misconduct given the present climate in which people with the kind of power that you have can reasonably be expected to step up to the plate.”

Lasseter was not Skydance’s only controversial hire. After merging with Paramount, the company made deals with or hired multiple men, including Brett Ratner, Max Landis and Jeff Shell, who had been accused of sexual harassment and/or misconduct.

Shell was made president of Paramount less than three years after losing his job as NBCUniversal chief executive following the disclosure of an “inappropriate relationship” with an NBC employee. He stepped down from Paramount in April after a monthslong legal battle with a Las Vegas gambler and self-described “fixer” who claimed that Shell had reneged on a deal to develop a series in exchange for free crisis control.

Now, of course, all of that is ancient history. Now Paramount is merely a sub-brand and Hollywood is less concerned with who Skydance hired as it is with who, and how many, Skydance will fire.

Also how exactly the CNN/CBS oversight committee Ellison agreed to create as part of the settlement with 12 states is going to work. And what will happen if Skydance does not release 30 new films each year, which Ellison has promised to do as part of the settlement deal. And how expensive the new Skydance streaming bundles are going to be. And if, perhaps, in some language Skydance translates to “the end of the entertainment industry as we know it.”

Most important, is it too late for the American woodcock to sue?

MIAMI — A former Miami congressman and longtime friend of U.S. Secretary of State Marco Rubio was sentenced Friday to 10 years in prison in connection with a secret $50 million lobbying campaign on Venezuela’s behalf during the first Trump administration.

Republican David Rivera has been jailed since jurors found him guilty in May on all counts, including failing to register as a foreign agent and conspiracy to commit money laundering as part of his work for former Venezuelan President Nicolás Maduro ’s government.

Rivera, 61, appeared stone-faced as Judge Melissa Damian denounced him for betraying his life’s mission, saying he would surely have been judged harshly his many friends had the millions of dollars come from the Cuban regime instead of its allies in Caracas.

“Nobody would accept that’s ok and I don’t think this is different,” the judge said. “There’s no dispute this money came from the Maduro regime.”

The seven-week trial offered a rare glimpse into Miami’s role as a crossroads for foreign influence campaigns aimed at shaping U.S. policy toward Latin America, highlighting the city’s reputation as a magnet for both anti-communist crusaders and corruption among its sizable exile population.

It included testimony from President Trump’s secretary of state, Rep. Pete Sessions of Texas and a top Washington lobbyist — all of whom testified they felt betrayed when learning of Rivera’s mammoth consulting contract with a U.S.-based affiliate of Venezuela’s state oil company, PDVSA.

Attorneys for Rivera plan to appeal and in June applied for a presidential pardon. Rivera faces additional federal charges in Washington, D.C., in a related foreign lobbying case.

Prosecutors said betrayal featured coded figures — ‘Sombrero’ and ‘Miss Clairol’

In an indictment unsealed in 2022, prosecutors alleged that Rivera was tapped by then Foreign Minister Delcy Rodríguez — now Venezuela’s acting president — to work Republican connections to get the first Trump administration to abandon its hard line and crippling sanctions on Venezuela.

As part of the charm offensive, Rivera and a co-defendant, political consultant Esther Nuhfer, sought to manipulate influential friends, including Rubio and Sessions. Their goal was to normalize relations with the new Trump administration even as the Maduro government faced sanctions over serious accusations of human rights violations.

But Rivera and Nuhfer didn’t disclose their lobbying work as required, for fear it would have ended Rivera’s political career as an anti-communist stalwart, prosecutors argued at trial.

“The United States and the public were the true victims of this fraud,” Assistant U.S. Atty. Roger Cruz said in urging a stiff sentence. “He used his position of trust — and betrayed it consistently and repeatedly.”

To hide his work, prosecutors allege, Rivera also set up an encrypted chat group called MIA — for Miami — with his main conduit to the Maduro government: Venezuelan media tycoon Raúl Gorrín, who was subsequently charged in the U.S. with bribing top Venezuelan officials.

Members of the group used playful code words to discuss their activities: Maduro was the “bus driver,” Sessions “Sombrero,” Rodríguez “The Lady in Red,” and their windfall payments “La Luz,” Spanish for “The Light,” according to copies of text messages presented to the jury. Rubio was known as “Miss Clairol,” because rubio means blond in Spanish.

Defense said only missing paperwork made the $50 million contract illegal

At Friday’s sentencing, attorneys for Rivera repeated their trial argument that the former congressman believed he was under no requirement to disclose the work. The three-month, $50 million contract with Rivera’s one-man consulting firm, they said, was focused on luring oil giant ExxonMobil back to Venezuela — commercial work that is generally exempt from the Foreign Agents Registration Act.

“David Rivera does not deserve to die in prison because he failed to file a FARA registration,” defense attorney Ed Shohat said at Friday’s hearing. “If he had filed that paper, that form, everything he did, including the $50 million contract, which totally distorted this case, is perfectly legal.”

Wholly distinct from that consulting work, they say, were Rivera’s meetings with Rubio and Sessions, which were focused on ushering in leadership in Venezuela that would be less hostile to the U.S. – not supporting Maduro in normalizing relations with the U.S.

“There’s not one word in any chat, not one document, not one thing he did to help Nicolás Maduro,” said Shohat.

Prosecutors said Rivera used the contract with the affiliate, New York-based PDV USA, as cover for illegal lobbying.

“This is a classic money laundering case,” the judge said Friday in rejecting Rivera’s motion to lower the federal guidelines range.

Where did the money go? A luxury yacht, among other things

The partners tried to hide the work — backdating documents and coming up with sham agreements, like one to justify a wire transfer of $3.75 million to a South Florida company that maintained Gorrín’s luxury yacht, prosecutors said.

The political activity included setting up meetings for Rodríguez in New York, Caracas, Washington and Dallas. As part of the effort, Rivera roped in Sessions, who later tried to broker a meeting for Rodríguez with the ExxonMobil executive who took over as CEO when Rex Tillerson became Trump’s first-term secretary of state. After a secret meeting in Caracas with Maduro, Sessions also agreed to deliver a letter from the Venezuelan president to Trump.

The outreach quickly unraveled, however. Within six months of taking office, Trump sanctioned Maduro and labeled him a “dictator,” launching a “maximum pressure” campaign to unseat the president.

And now, nearly a decade later, Rodríguez has emerged as the second Trump administration’s trusted partner after the U.S. military’s ousting of Maduro.

Rubio’s former housemate faced scandal before, but Cuban Americans support him

Before being elected to Congress in 2010, Rivera was a high-ranking Florida legislator and shared a Tallahassee home with Rubio, who eventually became the Florida House speaker.

Rivera faced earlier controversy, including allegations that he secretly funded a Democratic spoiler candidate in a 2012 congressional race. Last year, federal prosecutors dropped that case after an appeals court threw out a sizable fine imposed by a lower court. Rivera was also investigated — but never charged — for alleged campaign finance violations and a $1 million contract with a gambling company while serving in the Florida Legislature.

Despite all that, Rivera remains popular among Miami’s Cuban American establishment.

Friends of the former congressman, including the former president of Florida International University and Miami-Dade County’s supervisor of elections, packed the courtroom to show their support.

Sessions, in a letter seeking leniency that was read into the record by his chief of staff, said his former congressional colleague devoted decades to public service, much of it focused on defending liberty and democracy.

“I don’t think it’s productive for society by sending David away for a long, long time,” testified Liliana Ros, a longtime Miami GOP committee member.

Goodman writes for the Associated Press.

Real Madrid are keen on Bayer Leverkusen’s Jarell Quansah, Liverpool are monitoring Club Tijuana’s teenage midfielder Gilberto Mora and Roma remain keen on signing Real Madrid striker Endrick.

Real Madrid are showing an interest in Bayer Leverkusen’s 23-year-old England defender Jarell Quansah, who Arsenal made a bid for in the summer and was subject of an enquiry from Chelsea. (Bild – in German), external

Mexico’s teenage star Gilberto Mora, 17, is on Liverpool‘s radar although Borussia Dortmund and Benfica are also keen on the Club Tijuana midfielder. (Teamtalk), external

Spain and Barcelona midfielder Dani Olmo, 28, wants to finish his career with Dinamo Zagreb. (Fichajes – in Spanish), external

Canada forward Jonathan David, 26, is starting to convince Atletico Madrid that they should make his loan from Juventus a permanent £21m transfer. (Fichajes – in Spanish), external

Inter Milan are keen on Italy midfielder Alessandro Romano and might make a move for the 20-year-old, who is on loan at Calgliari from Roma, if Turkey international Hakan Calhanoglu, 32, leaves the club at the end of his contract next summer. (Gazzetta dello Sport – in Italian), external

Roma missed out on a loan move for Real Madrid striker Endrick, 20, in the summer but remain interested in signing the Brazil international in January. (Gazzetta dello Sport – in Italian), external

Barcelona made an enquiry about Croatia defender Josko Gvardiol last season but it was clear the 24-year-old did not want to leave Manchester City. (Mundo Deportivo – in Spanish), external

Barcelona and Inter Milan are monitoring Stuttgart defender Finn Jeltsch, with the 20-year-old German also attracting interest from Premier League clubs. (Sky Sports Germany), external

Bologna have agreed a deal to sign former Manchester United defender Matteo Darmian, 36, on a free transfer after the Italian left Inter Milan at the end of last season. (Fabrizio Romano), external

BROOKLYN Beckham and his wife Nicola Peltz have risked running in to his parents David and Victoria.

The young couple have flown into Paris for fashion week ahead of his mum’s fashion show.

Brooklyn, 27, and Nicola, 31, have been seen walking hand-in-hand around the city of love.

Looking smitten as they wandered around, the pair narrowly avoided bumping into David and Victoria.

Brooklyn’s parents are currently in Paris, with Victoria seen taking on the most fashionable week of the year earlier this week.

Despite being in the city at the same time, Brooklyn is not expected to attend his mum’s show due to them being locked in a bitter family feud.

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BECK-SOTTED

Brooklyn Beckham plays the doting husband to wife Nicola on Venice red carpet

Nicola and Brooklyn continue to be embroiled in the ongoing row which has now rumbled on for almost a year.

The feud heated up when Brooklyn let loose on his family in a scathing social media post in January.

Brooklyn said at the start of the year that he did “not want to reconcile” with his family, and accused his parents of “controlling” the narrative.

His initial statement read: “I have been silent for years and made every effort to keep these matters private.

“Unfortunately my parents and their team have continued to go to the press, leaving me with no choice but to speak for myself and tell the truth about only some of the lies that have been printed.

“I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

He then went on to recall the night of his wedding and how his mother danced in an “inappropriate way”.

Brooklyn also sent his parents David and Victoria a legal notice warning they can now contact him only via lawyers.

The extraordinary “desist” letter also instructed them not to “tag” him on social media.

Things then led to Brooklyn snubbing his father’s Hollywood star unveiling in June.

Last week’s settlement of the antitrust lawsuit between state attorneys general and Paramount Skydance over its planned merger with Warner Bros. Discovery marked a clear victory for David Ellison.

If approved by a judge, the settlement would clear the way for the emerging Hollywood mogul to complete the blockbuster $111-billion purchase after months of uncertainty over whether the deal would overcome intense opposition in Hollywood.

What’s more, Ellison achieved the settlement without having to agree to any so-called structural remedies that California Atty. Gen. Rob Bonta had been seeking.

But Ellison can hardly rest on his laurels. The Paramount Skydance chief executive will have to work hard to repair badly frayed relations with Hollywood talent who fiercely opposed the consolidation of two historic studios as a bad deal for workers. And the 43-year-old tech scion will be constrained by some of the terms that were imposed in the consent decree negotiated with Bonta and other attorneys general.

“I don’t envy David Ellison. You bought this ship, now you’ve got to sail it. And you’re facing threats on all fronts: bad will, everybody rooting for you to fail and operating a business in an incredibly uncertain, challenging time,” said Gabriel Kahn, a professor at the USC Annenberg School for Communication and Journalism. “At the same time, you are going to have to mortgage everything to make these debt payments.”

As part of the deal, Paramount agreed to a slate of requirements that, if it fails to deliver, could induce financial penalties, litigation and other costs.

For one thing, Paramount would have to pay a penalty and divest the Miramax film studio if it does not distribute 30 or more films a year in theaters.

The studio also pledged to spend $300 million more each year on film production in the U.S. and further boost its film spending if the federal government adopts a film tax credit of at least 20%; it agreed not to sell or close its lot on Melrose or the Warner Bros lot in Burbank and to operate them “in a manner consistent with past practices,” until 2031.

Additionally, Paramount is required to establish a board to ensure editorial independence for CNN and CBS News, though it will be appointed by Paramount directors with the authority to remove its members.

Beyond attempting to smooth the industry’s many ruffled feathers, Hollywood’s newest mogul must now also wrestle down an astonishing $80 billion in debt accrued as a result of this highly leveraged merger.

Ellison’s father, billionaire Larry Ellison, late last year agreed to backstop the $47 billion in equity needed to complete the acquisition. Royal families from Saudi Arabia, Qatar and Abu Dhabi have agreed to contribute another $24 billion for an equity stake by assuming some of Ellison’s financial commitments.

The months-long battle was bitter and hard fought and enmity within the industry has yet to subside.

On Tuesday, the morning after Bonta announced the settlement agreement, protesters converged outside of Paramount Skydance’s Melrose Avenue gate criticizing the deal. Some held fake gravestones that read: “RIP local business,” “RIP crew call” and “RIP creativity.”

Two days later, a coalition of several groups including the Committee for the First Amendment, filed an amicus brief asking the court to reject the consent decree, saying that it failed to address the anti-competitive concerns of the state attorneys general and would not protect jobs or consumers.

The sense of betrayal was acute.

“Hate to say it but we all got played,” wrote actor Mark Ruffalo, a leading organizer in Block the Merger, a grassroots organization made up of 1st Amendment advocates and Hollywood celebrities who aggressively opposed it, in a post on X.

Sen. Elizabeth Warren (D-Mass.) repudiated the deal, saying in a statement. that it “enables a handful of billionaires to call the shots in the media.”

The entertainment unions struck more cautionary notes.

SAG-AFTRA, the actors union, wrote in a statement that the deal “addresses some of our deep concerns,” but added, “We hope that the process of engaging with the attorneys general has impressed upon them the fact that in addition to collective bargaining, our members rely on the law to help protect our interests. These are the lowest standards that our employers must meet.”

Bonta, who had spearheaded the antitrust suit, gave a tepid endorsement of the consent decree.

“I want to be clear about something right up front: This settlement is not a vote of support for this merger. It is not a blessing,” he said.

During Paramount’s heated and often contentious legal and political wrangling to wrest control of Warner Bros., many in Hollywood became increasingly apprehensive. Combining two legacy studios, opponents feared, would bring even more job losses to an industry already battered by runaway production.

The skepticism hardened as the Ellisons made several controversial moves after Skydance acquired Paramount last summer. They included agreeing to pay $16 million to settle a lawsuit filed by President Trump over a “60 Minutes” interview segment, canceling the “Late Show With Stephen Colbert,” ending diversity, equity and inclusion programs and appointing Bari Weiss as editor in chief of CBS News, who engaged in a wholesale overhaul that led to a revolt at the esteemed “60 Minutes.”

When the newly formed Paramount Skydance announced its intention to swallow up Warner Bros. Discovery just months later, a massive wave of political pressure and public backlash began.

But the Ellisons dug in.

In January — after Netflix threw a surprise wrench into the Ellisons’ designs on Warner Bros. by offering $72 billion, which the studio accepted — Paramount took Warner Bros. to court and launched a hostile takeover bid.

A month later, Netflix walked away from the deal and collected a $2.8-billion termination fee after the Warners’ board agreed to Paramount’s higher all-cash bid.

But many in Hollywood began agitating against the planned merger and pushing for guardrails and protections.

In April, Block the Merger released an open letter declaring their opposition; its list of professionals across the film and television industry eventually swelled to nearly 6,000 names, including Ruffalo, Jane Fonda, Ben Stiller, Sofia Coppola, Trey Parker and Denis Villeneuve.

“The future of free media and a strong entertainment industry in America is at stake here,” said Norm Eisen, co-founder and executive chair of Democracy Defenders Fund, who also helped lead the Block the Merger campaign.

The Writers Guild of America sued to stop the deal, saying it violated antitrust laws. The union last week settled its lawsuit, citing the costs of continuing the litigation, after Paramount agreed not to lay off writers at CBS Broadcast News for years and to pay $17.5 million to the union’s health fund. Nonetheless, the guild said: “We continue to believe the merger will cause damage to writers and the industry at large.”

Some backed the megadeal, including power broker Ari Emanuel.

The WME executive and chairman and CEO of TKO came out swinging, excoriating the antitrust suit, in an op-ed for the Wall Street Journal in July. “They say they are protecting competition. Their actions threaten to destroy it,” he wrote.

The Ellisons’ ongoing ties with Trump — whose administration has clashed with ABC, CNN and other networks — only deepened the suspicions.

Oracle co-founder Larry Ellison has been a Trump supporter and friend. In addition to political donations, he participated in a Nov. 14, 2020, conference call that discussed ways to challenge Trump’s presidential election defeat.

Both Ellison and his son David reportedly promised the president they would make “sweeping” changes at CNN, which is owned by Warner Bros. Discovery.

In June, David Ellison attended the “UFC Freedom 250” event hosted by Trump on the South Lawn of the White House, and last week he was a guest at the White House state dinner honoring Chinese President Xi Jinping.

Amid the high-level public-facing Trump engagements, Paramount had been quietly trying to allay fears about the relationship to industry insiders.

Two individuals in the entertainment industry, who declined to be named for fear of retaliation, said that Paramount sent emissaries to extend a kind of olive branch, explaining their commitment to Hollywood and downplaying the relationship as a necessary step to get the deal done.

In August, Ellison published an op-ed in the New York Times in which he extolled his lifelong love of movies and laid out his case that he could be “trusted as a steward” of the media giant he was amassing, that includes two institutional news organizations (CBS and CNN) and the legacy studios he wished to combine.

However, his seemingly conciliatory message was undercut that same month when he threatened to relocate Paramount’s base to Tennessee or Texas. Ellison built his Skydance production in Santa Monica.

Across the industry, workers viewed the mixed messaging with wariness and anger.

“If Ellison truly wants to be a steward and do the things that he said he can do and wants to do in that article, I think people would welcome it,” said Pamala Buzick Kim, a co-founder of Stay in LA, the 23,000-member grassroots campaign aimed at boosting local film and television production. “They just have no evidence of it.”

Aside from the bad blood, Ellison’s biggest challenge may be financial.

At a time of massive industry upheaval, most observers believe that the company will have to lay off droves of workers to bring its costs down.

“I will honestly say that the biggest work that they have cut out for them is servicing this debt, and that’s going to guide every decision,” said Kahn, the USC professor.

“Now they’re going to have to fire lots of people in order to reduce costs to be able to make this deal pencil out, and they’re going to be skating on the razor’s edge to make sure that they have enough revenue coming in going forward to service this debt. They have almost no room to maneuver.”

But Paramount has one thing working in its favor: leverage. David (as in Ellison), for better or worse, is now the industry’s Goliath.

“I think temper tantrums can be easily forgotten if the work is there,” said Buzick Kim. “I think most people would be happy to leave it behind them — if the work is there.”

Times staff writers Meg James, Stephen Battaglio and Samantha Masunaga contributed to this report.

Dove Cameron and Damiano David have tied the knot!

The 30-year-old former Disney star and pop starlet married the 27-year-old Italian rock singer in a civil ceremony Thursday at the town hall in Montalcino, Italy, per Vogue, which first shared details of their nuptials.

The couple began dating in 2023 after meeting at the MTV Video Music Awards a year prior, where they were both contending for best new artist — Cameron took home the prize.

After a long stretch on Disney playing identical twins on the show “Liv and Maddie” and the daughter of Maleficent and Hades in the “Descendants” film series, Cameron successfully entered the mainstream music landscape with her sultry vocal flair. In 2022, she released the smoky electro-pop, queer anthem “Boyfriend,” which reached No. 16 on the Billboard Hot 100 chart, and the theatrical “Breakfast,” a man-eater melody that declares she’s in charge.

David is the frontman of the Italian rock band Måneskin, which formed in Rome in 2016 and won the Eurovision Song Contest in 2021 with their song “Zitti e Buoni.” Now David is focused on his solo career; in 2025 he released his debut album, “Funny Little Fears,” which reached critical acclaim on various European charts, reaching gold status in France, Italy and Poland.

Cameron revealed the pair’s engagement in January, uploading a picture to her Instagram account that zoomed in on the engagement ring. The proposal took place in an “intimate moment” back in October 2025, the “56 Days” star would later tell Vogue in a Jan. 26 article.

The couple — who live in a quiet Rome neighborhood — kept hush about the wedding plan details, sharing with Vogue earlier this month only that a date was set for September.

FROM Art Deco architecture and superstar football to incredible Cuban sandwiches and sizzling nightlife, Miami packs a serious punch for a short stay. 

For Brits, it’s often combined with cruises from the Florida city’s port, making it the perfect start or end to a Caribbean cruise this winter.

The weather remains gorgeous throughout our colder months, with temperatures still in the mid to high 20s.

For first-timers, a stay on Miami Beach puts you right at the centre of the very best of this captivating city.

ARE THESE STREETS MADE FOR WALKING? It’s America — so no, the car remains king. But that’s not to say there aren’t walkable districts.

South Beach and Mid Beach excel with their paved Beachwalk and pedestrianised Lincoln Road is a shoppers’ paradise with all the popular brands and a host of cafes and restaurants offering al fresco dining.

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In trendy Wynwood you can easily explore on foot to take in street art, galleries, boutiques and a buzzing nightlife scene.

ANYTHING FOR THE BUCKET LIST? Learn all about the huge Cuban influence on Miami on a food and drink tour of Little Havana with Miami Culinary Tours.

Over two and a half hours, you’ll stroll the streets learning how Cuban exiles transformed the city’s flavours and culture.

Among my favourites were the Cuban sandwich stuffed with roasted pork, ham, swiss cheese and pickles at Old’s Havana Cuban Bar & Cocina, washed down with a perfect mojito and the crispy beef empanadas from El Pub.

But the tour also features stops at a traditional Cuban cigar shop and Domino Park to watch the locals play fast-paced games.

Another must is a stroll along South Beach’s Ocean Drive to admire the gorgeous Art Deco buildings — book a guided walk through getyourguide.com to bring the history to life.

And football fans won’t want to miss a match at Nu Stadium — home to Inter Miami CF, co-owned by David Beckham and famous for signing Lionel Messi.

WHERE SHOULD I EAT? Award- winning Austin chef Tyson Cole brings his very modern take on Japanese cuisine to Miami with not one but two restaurants, each offering a vast variety of unusual sushi, sashimi and nigiri paired with quirky flavours from citrus to smoke.

Uchi in Wynwood leans into the citrus while sister restaurant Uchiko is all about char and open-flame cooking. The vast menus can be a bit overwhelming but the brilliant staff will guide you and the quality is outstanding. Visit during the daily Happy Hours to enjoy it for a fraction of the price.

I FANCY A DRINK: Of course, for the in-crowd and those with deep pockets, there are plenty of stunning cocktail joints and seriously cool hotel bars on South Beach — including MILA just off Lincoln Road and the Matador Bar at the Miami Beach Edition.

But for those of us with smaller bank balances, taking advantage of happy hours is a great way to save. Sweet Liberty in Collins Park in Mid Beach has a popular happy hour from 4pm to 7pm with cocktails from £7.40 and craft beers from £4.50. Cafe La Trova in Little Havana sees waiters formally serving up Cuban daiquiris and mojitos.

Or head to Veza Sur Brewing Co. & Cerveceria La Tropical in Wynwood for an outdoor beer garden with pints from £5.20.

WHERE SHOULD I STAY? For all the benefits of South Beach without the crowds, stay at gorgeous Art Deco gem, The Palms Hotel and Spa.

Just ten minutes by car from Ocean Drive and Wynwood, the hotel’s lush gardens feature a pool and tiki bar plus plenty of loungers.

You can stroll onto the stunning white sands where even more loungers and shades await.

The hotel has a great focus on sustainability — you can pick up a bucket on the beach to help tidy up and be rewarded with a free gelato.

The light and airy rooms have an understated, tropical vibe and the ocean views are stunning.            

DAVID Walliams’ entire children’s book catalogue has been dropped by publisher HarperCollins.

The author and TV star, 55, was let go by the company last year after it had been reported that he “harassed” young female staff.

A junior employee had complained about Walliams’ conduct, prompting an internal investigation.

HarperCollins will now phase out physical copies in bookshops before removing ebook and audiobook versions.

His back catalogue of titles includes Billionaire Boy and Gangsta Granny.

In December 2025 the publisher said it would not publish any new titles by Walliams, saying it “takes employee wellbeing extremely seriously”.

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Bosses at a Waterstones festival also cut ties and the BBC said it had no projects “directly involving” him.

Walliams began writing after finding fame as the star of BBC comedy Little Britain.

He went on to sell more than 60million copies, starting with 2008’s The Boy in the Dress.

In November 2022, Walliams quit as a judge on Britain’s Got Talent after lewd comments about contestants were leaked.

He apologised for the “disrespectful” remarks but later sued BGT makers Fremantle and secured a big payout.

A spokesman for Walliams had said in December: “David has never been informed of any allegations raised against him by HarperCollins.

“He was not party to any investigation or given any opportunity to answer questions.

“David strongly denies that he has behaved inappropriately and is taking legal advice.”