daughter

Few players are driven to club soccer practice by a national team player. But then few players have two sisters who play for the U.S. women’s team.

Also Zoe Thompson is just 14, so you can’t expect her to drive herself.

But here’s the thing that truly sets Zoe Thompson apart. Although eldest sister Alyssa, 21, has already played in a World Cup and middle sister Gisele made 38 NWSL appearances and played four times for the national team before her 20th birthday, Zoe may actually be the best of the three.

“She’s better technically,” said her father Mario Thompson, who coached all three.

“I think she’s the combination between Alyssa and Gisele,” said Carlos Marroquin, owner of the pre-professional women’s team that gave Alyssa and Gisele their start.

So maybe there should be a line of coaches, teammates and family members waiting to drive her to practice or to her debut with Marroquin’s team, the Santa Clarita Blue Heat, on Saturday evening at The Master’s University.

The Santa Clarita Blue Heat coach Leonardo Neveleff, center, talks to his team before a practice at Valencia High. Zoe Thompson makes her debut with the team Saturday.

The team, which competes in USL W league, has long been a summer proving ground for elite college players and aspiring pros with alumni that includes Venezuela’s Deyna Castellanos, once a finalist for FIFA’s world player of the year award; World Cup veterans Savannah DeMelo and Ashley Sanchez; former Chelsea and Atlético Madrid star Ana Borges of Portugal; and Natalia Kuikka, a five-time Finnish player of the year.

This year’s roster includes more than two dozen Division I college players, meaning Zoe Thompson will be playing with and against women much older than her.

Did we mention she’s still in middle school?

“She’s always having to get out of her comfort zone, no matter what,” said Mario Thompson, whose job as Zoe’s father is to both nurture and protect his daughter’s talent.

Zoe has followed a different path than her sisters. Alyssa and Gisele were born less than 13 months apart and grew up playing together, practicing together and pushing each other. Zoe, born seven years later, grew up watching them, imitating them and wanting to be them.

But she had to do the work alone.

“It’s a unique dynamic where Alyssa and Gisele had each other,” their father said. “It wasn’t just Alyssa by herself. She always had a partner.”

Zoe, however, observed a lot by watching.

“I feel like their mistakes helped me,” she said. “But at the same time, there are some mistakes that I’ve made that they haven’t. I’m learning differently, but I’m more learning from them.”

Zoe Thompson hugs her father Mario Thompson after practice at Valencia High.

Still, this is uncharted territory. No family has ever had a trio of siblings play for the women’s national team, and the pressure of having to match the success her sisters have had will be inescapable, if unfair, for Zoe.

It’s a level of pressure that has the potential to be crushing.

“She kind of has this expectation that’s put upon her already that ‘oh, she’s going to be like her sister,’” Gisele said. “But it’s her own life.”

And Mario Thompson, an elementary school principal who has been intimately involved in all his daughters’ careers, is having to negotiate all this on the fly.

“Everyone sees the glam and the glitz of Alyssa and Giselle, but people don’t really understand it’s a lot of pressure,” he said of the sisters, who will both be heading to Brazil with the national team next week. “They see all the great stuff, but it’s also their job.”

Mario Thompson faced some of the same issues with Alyssa, the second-youngest U.S. woman to play in a World Cup, so he limited her media interviews and tried to let her be a teenager — albeit it an exceptionally talented one. Zoe faces the additional burden of having do all that while following in her sisters’ footsteps.

“I’m very mindful and aware of that,” he said. “She’s already in the spotlight without having to be in the spotlight. It’s that pressure. I want her to love the sport, love this journey. That’s kind of how I raised all three of them.”

Zoe Thompson during a practice session in preparation for her debut with the Santa Clarita Blue Heat soccer team.

For her part Zoe, mature well beyond her tender age, dismisses the hype with a shrug.

“There are going to be comparisons,” she said. “But we’re such different people that I think it’s unfair. At the same time, they can have those comparisons, they can have those opinions, but I’m not them. So it’s not going to be any different, how I play.”

Plus, having two accomplished sisters has its advantages. In the spring Zoe trained with the youth teams at Chelsea, where Alyssa now plays, and this summer she says she’ll train with Angel City, Gisele’s team. But the drawback of being a (much) younger sister is Alyssa and Gisele had each other to lean on growing up. Zoe has had to go it alone and that, she said, has made her stronger.

“Mentally, it is harder. But seeing my sisters and where they are, it’s kind of a motivation for me,” said Zoe, who has already been called in three times by the U-14 national team. “They were kind of at the same place I am. And it’s just very motivating to see them where they are. That’s just kind of where I want to be.”

If there’s been one constant in the girls’ soccer careers it’s been their dad, who has been intimately involved in with all three, drilling them in the backyard of their Studio City home or walking them down the street to a park, where they shared the lumpy grass with softball players and unleashed dogs.

They were often, but not always, willing participants since the family didn’t have a TV when the girls were growing up.

Zoe Thompson controls the ball during a training session in preparation for her debut with the Santa Clarita Blue Heat soccer team.

And while the hours and hours of practice certainly honed the sisters’ skills, their parents can’t explain where the girls got their immense physical gifts. Mario played football and basketball and ran track at Occidental College with modest success while his wife, Karen, an occupational therapist, played basketball and ran cross-country in high school, hardly the pedigree that could be expected to produce three world-class soccer players.

Perhaps part of the answer lies in their unique DNA, a mix of Mario’s Black and Filipino background and Karen’s Italian and Peruvian roots.

“It was never the plan, ‘Hey, let’s have some soccer players’,” Mario said.

But once the sisters decided that was their plan, the parents had to adjust. The girls had rare talent, Mario Thompson quickly realized, and it had to be developed. So Alyssa and Gisele began playing with an elite boys’ team while they were still in high school and passed up scholarships to Stanford to sign lucrative contracts with Angel City while their were teenagers.

Zoe has chosen another way, playing with Tudela FC, an all-girls team that practices near her home, and with the Blue Heat, where she’ll be facing stronger, more mature players for the first time. Mario Thompson hopes those aren’t the only differences, although he said the road his youngest daughter takes will ultimately be up to her.

“My hope is she goes through college and just goes a different pathway, different journey,” Mario Thompson said. “It’s a roller-coaster ride and so for [Zoe], I think she sees that roller-coaster ride and I don’t know if it’s a rush to let me get to that. She wants to eventually be a pro, but I don’t think it’s ‘I need to get there as soon as possible.’”

“It’s Zoe, what do you want?” he added. “It’s not like you have to be here, you have to do this. It’s none of that. It’s about, ‘Hey, Zoe, this is your journey.’ We want you to enjoy it, have fun with it, be happy with it.”

She appears to be accomplishing all three of those goals. She’s also both confident and comfortable in her abilities and believes she’s already ahead of both her sisters despite the weight of expectation.

Zoe Thompson with head coach Leonardo Neveleff at the conclusion of a training session in preparation for her debut with the Santa Clarita Blue Heat soccer team. Thompson, 14, is the younger sister of U.S. women’s soccer players Gisele and Alyssa Thompson.

But she’s also well aware of the pitfalls ahead, having seen Alyssa and Gisele occasionally stumble into them.

“Yeah, it is a lot of pressure but I feel like we just had different paths,” she said. “They didn’t really know they were going to do soccer. They didn’t know that was their sport. But I feel like that path was set for me.

“It was just like I grew faster. I kind of took the understanding of what they were doing, and then I did it a little faster.”

There are other differences as well. Gisele is a defender and Alyssa a forward, but Zoe plays in the midfield. And while it was sometimes difficult to get anything more than a giggle from Alyssa in an interview even after she turned pro, Zoe already gives complete, thoughtful answers to most questions.

Zoe’s game is also different; while Alyssa and Gisele are both exceptionally fast, Zoe relies more on her skill.

“Zoe’s more technical than her sisters at this stage,” her father said. “She’s better on the ball, she has a better understanding of the game. A lot of their game was because of speed. Hers is more thinking, hers is more of the ball on her feet.

“Technically, she’s better and understands the game at this age.”

Gisele, the sister who chauffeurs Zoe to practice in Santa Clarita, agrees. But, she adds, Zoe’s greatest strength may actually be her desire.

“She just has so many great qualities that me and Alyssa don’t have,” she said. “At her age, she wants it way more than we did. She loves soccer with a passion. Me and Alyssa didn’t love it as much as she does.”

And if that passion translates to performance, Zoe will someday join her sisters on the national team. By then she may even be in the driver’s seat.

Santa Clarita Blue Heat team owner Carlos Marroquin talks to Zoe Thompson after a training session at Valencia High.

In Deborah Levy’s new novel “My Year in Paris With Gertrude Stein,” the celebrated British author turns her keen observational and critical eye toward Stein, a writer that Levy feels has been criminally redacted from the canon of modernist masters that emerged at the turn of the 20th century. “My Year in Paris With Gertrude Stein,” however, is anything but a dry-as-dust revisionist treatise.

Levy couches her thoughts on Stein’s life and work within the story of three women in contemporary Paris, including Levy’s fictive avatar as the narrator, grappling with her own notions of identity as she writes about Stein and her partner Alice B. Toklas. I spoke with Levy about Stein, Toklas and Picasso.

✍️ Author Chat

Have you always had an abiding interest in Gertrude Stein?

She has always been lurking there for a number of reasons. When I was studying modernist literature, I was pointed to all the usual suspects — T.S. Eliot, Ezra Pound, Beckett, Joyce. But no one ever pointed to Gertrude Stein. She was absent in Britain, anyway. I’m not sure it’s the same in America.

I feel like in America she certainly is not frequently cited among that pantheon of modernist writers that you just mentioned.

I thought her most commercial work, “The Autobiography of Alice B. Toklas,” was quite enchanting. But when you start to dig into her other writing, you find this mixture of very obtuse, very violent work, and some brilliant work.

You write in the book that you sometimes don’t understand Stein, but this doesn’t diminish your enjoyment of her work.

The thing about avant-garde writers is that they either crash or they triumph. For readers, it’s either someone popping a vein at the new and strange, or someone over-praising the work. And I thought, well I’m allowed to have mixed emotions about Stein’s writing. Sometimes she is totally brilliant, and sometimes less so.

Author Deborah Levy

(Sheila Burnett)

You also celebrate Stein and Toklas’ fierce individuality, which runs counter to the usual narratives about female authors during this time.

Well, female writers are supposed to suffer or commit suicide. And the glorious thing about Stein and Alice is that the art of living was very important to them. Travel, conversation, or driving around. This really appeals to me. You know, Stein would have a roast chicken leg in one hand and one hand on the steering wheel, with the dogs in the back.

I feel like Stein’s legacy as a writer has been occluded by her renown as a collector of the greatest modern art of the century, most notably Picasso before he became Picasso. She is remembered more for collecting others’ art than for her own art.

If you’re going to collect this bold, daring art of your own time, and you’re buying it cheap, because it’s being mocked, you have to know how to defend it. Stein wasn’t an art historian. She studied psychology with William James and then studied medicine at Johns Hopkins. Through her conversations with Picasso and others, she really began to acquire the apparatus to defend the work, and that fascinated me.

You write that Stein wanted to kill the 19th century with her work by dismantling and then reassembling language.

She was going to write through continuous present tense. She got rid of commas so she could hurtle through time and make her thoughts move forward. No question marks, because it was self-evident to her when someone was asking a question in her writing. She really was a pioneer.

Her prose reads like Beckett’s, decades before his novels were published.

The critic Roland Barthes wrote that all writing has some kind of behavior. A lot of avant-garde writing behaves like Stein, but she wasn’t imitating any other thing. She made something new for her century.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

Book jacket for “Marilyn and Her Books: The Literary Life of Marilyn Monroe” by Gail Crowther

(Los Angeles Times illustration; book jacket from Galley Books)

Marilyn Monroe was an avid reader who traveled with her treasured library of books wherever she lived. Yet, the stubborn image of Monroe as a literary dilettante remains. Now Gail Crowther has written “Marilyn and Her Books” which sets out to debunk that misconception of the screen legend. Crowther’s sharp account is both the story of Monroe’s library and “what we’ve projected upon Monroe when we’re asked to consider that she had one,” writes Mark Athitakis.

As Cuba struggles with a faltering economy and President Trump’s saber-rattling overtures, Ada Ferrer’s timely new memoir “Keeper of My Kin” “argues that the grand narratives of exile and revolution are, at their core, made up of private reckonings with irretrievable consequences,” writes Mariella Rudi.

When Eagle Rock’s Read Books was threatened with a massive rent hike from its landlord, co-owners Jeremy and Debbie Kaplan rallied the community around the fight for tenant’s rights and started an activist organization called Save North East Los Angeles Shops. “Commercial landlords [have] unbelievably unrealistic expectations of rent, and a small business can only sell a T-shirt or a hamburger or a service for what the market will bear,” neighborhood preservationist Aaron Peskin told Emily St. Martin.

Finally, Swan Huntley found a novel way to put off writing her next book: She hiked to every Erewhon store in Los Angeles.

📖 Bookstore Faves

A Good Used Book’s beautiful interior

(A Good Used Book)

Jenny Yang and Chris Capizzi started A Good Used Book in 2017 by selling secondhand titles at local flea markets and the Grand Central Market downtown. Seven years later, after a brief COVID blowback, the pair opened their own storefront in Historic Filipinotown. Now, A Good Used Book has blossomed into a vital community space featuring a vast selection of previously loved books across all genres. The store also hosts pop-up markets on the weekends, with more events scheduled in the coming year. I spoke with Capizzi about his store.

Who are your customers?

Our customer base is pretty broad. We’re selective about the books we carry, but we want anyone to be able to find themselves somewhere in the shop, whether you’re just getting back into reading or you’re the kind of person who already has strong opinions about translations. And we try not to take ourselves too seriously, so even though we may have critical theory, we also have “Choose Your Own Adventure.”

How do you pick inventory? Is there any emphasis on any particular genres that might be popular?

We definitely do the work to find books, but honestly a lot of the time the books seem to find us. In terms of what we carry, we focus mostly on classic, modern and contemporary fiction, but we love genre fiction too, like sci-fi, crime and horror. And a big part of what makes the store feel like us are our nonfiction and culture sections — humanities, sciences, film, music, fashion and design. Anything for that curious person who just wants to go a little deeper.

I know the store is about much more than books. Can you tell me about some of the other community events you guys organize?

During the week we’re all about the books. Every Sunday we host the Every Sunday Funday Market that features two food pop-ups out front, one savory and one sweet, and four or five local vendors and artists inside. We rotate vendors selling and making ceramics, jewelry, Japanese retro radios, soaps and candles, zines and prints, and even Persian perfumes. And we always have drinks going out of our vintage Coleman cooler, too. It’s a lot of things happening at once, but it adds up to a pretty easy, fun Sunday afternoon.

A Good Used Book is located at 307 Glendale Blvd., Los Angeles.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Cary Elwes may not have been born in Los Angeles, but it’s probably fair to consider the native Brit an honorary Angeleno. The “Princess Bride” star was born in and spent his formative years kicking around London; he moved to L.A. in 1990, on his brother’s recommendation. He met his wife, photographer Lisa Marie Kurbikoff, at a cookoff in Malibu about a year later and the two married in 2000. A daughter, Dominique, arrived in 2007.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Elwes has spent his years in California not just establishing his family life, but also further enmeshing himself in Hollywood. He’s appeared in everything from “Saw” to “Ella Enchanted,” and played a corrupt government agent in a couple of “Mission Impossible” movies. His latest role is as a former cop turned private detective in Peacock’s new crime thriller, “M.I.A.,” streaming now.

“I’ve been out here for quite a bit now and while [2025’s] fires were pretty devastating — changing a lot of the landscape and people’s lives in ways that none of us could have imagined — I’m hopeful,” Elwes says. “I feel like we’re going to build back stronger and better. Things can seem dark sometimes, but I still have a spark of hope in my heart.”

Here’s how Elwes would spend his perfect, hopeful Sunday in Los Angeles.

This interview has been edited for length and clarity.

10 a.m.: Coffee and a chat

We wake up around 10 a.m., which is kind of late for me. Then we’ll have our coffee. I tend to lean toward Gelson’s beans, which I find have a particular flavor I tend to like. I do like my coffee. It’s probably the only addiction I really have.

Anyway, after I finish up my coffee, I’ll typically ask my wife and daughter what they’d like to do for the day. My daughter is 19, and she’s terrific. I always tell my wife she’s the best production we’ll ever do together.

Noon: Leisurely lunch

My wife is very fond of this Italian restaurant in Woodland Hills called Casaléna. It’s right off Ventura Boulevard and it’s terrific. Even their salads are extraordinary. It’s fairly new, too, but it’s always booked out solid so you really have to make a reservation in advance. Luckily, my wife and daughter are organized, so if they want to go there, they’ll have planned ahead.

2 p.m.: Head to the movies

We like to go see movies at the Imax at Universal CityWalk. The quality of that theater is very, very good and seeing films on the biggest screen possible is important to us.

My wife and I went on a date to see “Michael” in Imax, which was sold out and it was phenomenal. Antoine Fuqua did a great job and our friend Colman [Domingo] was honestly transformative as Joe Jackson. And Jaafar Jackson, who’s Michael’s nephew, is remarkable. It’s an extraordinary film, but sold out with people cheering and dancing? That made it a phenomenon. People were interacting with the movie as it played and it was remarkable.

If we’re not interested in whatever’s playing at the time, we might go for a hike in Tapia Park. I grew up watching “MASH” as a kid and when I realized they filmed there, I thought “How blessed am I to be living just a few miles from where such an iconic series was made?”

It’s a really beautiful park too. If you take a long hike, you’ll see waterfalls and lots of wildlife. On a nice afternoon, taking the dog out there for a walk? You can’t beat it.

There’s so much rich history here. I remember going on the Universal Studio Tour for the first time when I visited L.A. as a kid. They had a thing where they’d pick a couple of tour guests and the guide would put you on camera in front of a blue screen and you’d reenact a scene from a movie. The tour also took you by the “Jaws” shark coming out of the water and through an old western town, and I found out years later that a director friend of mine had been making westerns there when I was a kid and I didn’t even know it.

That tour was fantastic. With parting the sea for “The Ten Commandments” and then the boulders coming down the hill during the rockslide? Absolutely magnificent.

5 p.m.: Pick a Getty, any Getty

Depending on what time our movie ends or if we just end up going for a walk instead, we might go over to the Getty Center. We love it there. Usually we’ll go in the afternoon — maybe we’ll have a late lunch up there — and sometimes we’ll go to the Getty Villa instead, which luckily survived the Palisades fire.

We just love being around art. We’ll walk through the entire collection, plus whatever exhibit they have on at the time. We’ll go to LACMA sometimes, too, or even the Academy Museum to see whatever new exhibits they have.

Culturally, we really try to keep busy. Sometimes we’ll want to sit at home and play Spite and Malice or watch a show on TV, but mostly I try to go out and encourage my family to do the same, especially because we live in such a wonderfully diverse, cultural city.

7 p.m.: Taco time

I always leave meal decisions up to the girls, and sometimes they like to go out and get tacos. We like the fish tacos at Escuela. It’s pretty close to Quentin Tarantino’s movie theater, the New Beverly Cinema, which we like to go to as well. I took my daughter to see “Jaws” there, in fact, which she loved.

9 p.m.: More movies

I’m trying to educate my daughter in the films and TV shows that I watched growing up. She’s taking a film history class in school. She wants to be an actor as well, so I want her to have an understanding of the history of film and history of performance, so I show her the great performances that inspired me as a kid and encourage her in that way.

When I grew up in England, we literally had two channels, both in black and white. Young people can’t quite wrap their heads around that now, but it really did make you pay attention because you had to be sitting in front of the television to catch a show or movie you wanted to watch.

I remember that the BBC, particularly on weekends, would have matinee screenings of movies. We actually had pretty good quality TV in England growing up, but they’d also heavily focus on British films from the ‘40s all the way through to the ‘60s so I got my education from that particular style of films, like the postwar films, ‘50s films, and the Ealing comedies. David Lean and Laurence Olivier, Ralph Richardson … a lot of the films they were in or directed really helped shape who I am today.

Alec Guinness and Peter Sellers had a very strong influence on me as a kid, too, so I really want to try to share with my daughter why these films meant so much to me.

10:30 p.m.: Books in bed

I’m not really a late-night person anymore. I used to be when I was a kid, but now, unless we’re out on a date, my wife and I are homebodies.

The prodigal “Daughter From Hell” returns: Gracie Abrams just announced her upcoming tour, and it includes four nights in her hometown of Los Angeles.

The 64-date Look at My Life tour hits arenas across North America and Europe starting Dec. 2 in Denver, before the singer lands in L.A. later that month. Abrams will take the stage at Inglewood’s Kia Forum for four nights: Dec. 14, 18, 19 and 20. The North American leg of the tour concludes in Brooklyn in March, and she kicks off the European leg in April.

The tour will follow the release of Abrams’ third studio album, “Daughter From Hell,” which drops July 17 via Interscope Records. Abrams took to Instagram to share her upcoming tour dates, teasing fans with the caption, “we’re baaaaaack.”

At the Kia Forum, Abrams will be supported by openers Rachel Chinouriri and Holly Humberstone, both popular British singer-songwriters. Fans can sign up on Abrams’ website for access to the June 2 pre-sale for all dates before tickets go on sale to the general public June 5.

Abrams most recently played in L.A. as part of a three-night residency at the Kia Forum in August 2025 for the Secret of Us Deluxe tour. There, she brought out surprise guest Audrey Hobert, Abrams’ longtime best friend and collaborator. Abrams’ other frequent collaborator, musician and producer Aaron Dessner, co-wrote and produced her latest single, “Hit the Wall,” which dropped in mid-May in advance of her new album.

“There’s nothing I wouldn’t tell either of them, so it makes it easy to be completely open when writing,” Abrams told The Times of Hobart and Dessner in 2024.

Her September 2024 shows at L.A.’s Greek Theater sold out so quickly that the singer-songwriter had to add two additional dates to meet demand. At the time, Abrams told The Times that she would keep performing if the fan support continued.

“As long as they’ll have me, I’ll do this,” she said.