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TOM CRUISE has built a career on cheating death, but even the veteran star couldn’t escape a crash landing at the weekend.

The Hollywood heavyweight is facing one of the most humiliating moments of his career after Digger, his first film since the last Mission: Impossible, bombed with critics and at the box office.

And it comes at the end of a bruising year for the star, from the collapse of his whirlwind romance with actress Ana de Armas to his daughter Suri dropping his surname.

The satirical black comedy took just £15million globally in its opening weekend, and industry experts fear it could lose as much as £100million.

It is one of the weakest debuts of Cruise’s career — a bitter result for a film billed to be the start of his next big chapter, as the ageing star looks to slow down the stunts and be taken seriously.

Instead, his bold attempt to prove he could move beyond the action-man image has been met with a resounding thumbs down.

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The film scored a C+ CinemaScore, one of the lowest ratings of his career, while critics have been sharply divided.

Cruise, 64, plays a balding, pot-bellied Texan oil tycoon in the movie, directed by Oscar-winner Alejandro G Inarritu, the man behind Birdman and The Revenant.

It was meant to be a daring creative swing for a star who has spent decades being synonymous with blockbuster action.

But audiences appear to just want the old Tom back.

The film’s £125million production budget, coupled with an estimated £75million marketing spend, means its disappointing box-office debut is unlikely to justify its hefty price tag.

Reviews were so divisive that Warner Bros reportedly resorted to running “decide for yourself” adverts in the run-up to release, after estimates were repeatedly revised down.

One fan summarised it as: “Tom Cruise’s Digger is a disaster — I couldn’t wait for it to be over.”

For Cruise, who has been box office gold since Risky Business and Top Gun in the Eighties, the figures will make uncomfortable reading.

His last major disappointment was 2017’s The Mummy, but since then he has enjoyed one of the biggest career resurgences in Hollywood.

Top Gun: Maverick became a global phenomenon, while Mission: Impossible kept him at the top of the action game well into his 60s.

Digger was supposed to prove there was another side to him. Instead, it marks his lowest box office opening in nearly 20 years.

Though Cruise certainly did everything he could to sell it.

He threw himself into the campaign, appearing on Travis and Jason Kelce’s New Heights podcast, dancing through the spirit tunnel on The Jennifer Hudson Show and landing his first magazine cover story in two decades with a topless shoot for GQ.

He even brought the Prince and Princess of Wales to the London premiere at the end of last month, where they met the cast.

Defending the film after the mixed reviews, Cruise told a screening audience: “OK, the door’s open. Now I want to push it again.”

He added: “This film is handmade. People want to see real things.”

But the response has left the awards buzz that once surrounded Digger fading fast.

Cruise had been tipped to land his first competitive Oscar after years of nominations, but those hopes now look considerably more distant.

It could also force the Hollywood veteran to reconsider whether audiences really want to see him outside of blockbuster action. There is already a clear indication of where he may go next.

Rather than continuing to take creative risks, Cruise is returning to familiar territory with a sequel to 1990’s Days Of Thunder, co-starring Anne Hathaway, while Top Gun 3 is also in the works, with him reprising his role as Maverick.

For a star whose career has been built on refusing to play it safe, it could be that the safest option is exactly what he needs.

Speaking to GQ, Cruise said: “Life, I’m coming right at it. It’s coming at me and I’m coming right at it.”

He certainly was not wrong about the second part.

Because Digger is far from the only thing to have knocked him off his stride this year.

In July, it emerged that his 20-year-old daughter Suri had seemingly severed her final tie with her famous father, after more than a decade of estrangement.

The college student has dropped the Cruise surname entirely, opting to go by Suri Noelle, her mother Katie Holmes’s middle name.

She publicly registered to vote in Pennsylvania, where she is studying, under the new moniker.

Suri was born in April 2006, and her parents tied the knot six months later.

They divorced in 2012 over irreconcilable differences, and the pair’s last public appearance together was that same year.

Insiders have since claimed Cruise and Suri have not seen one another privately in more than a decade.

Katie, meanwhile, has been enjoying a summer of love after making things official with a new man on her arm — artist Jason Bard Yarmosky — who is said to have helped her move on from the “trauma” of her marriage to Tom. But Tom’s love life has been rather more bruising.

Last October, Cruise suffered an even more public heartbreak, when The Sun exclusively revealed he had split from Ana de Armas after less than nine months together.

The star was first linked to the Cuban-born actress, 37, in February 2025, and they went public in the spring after being pictured holding hands during a break in Vermont.

Two months later, Tom whisked Ana to Madrid on his private jet, before they flew to London by helicopter for her 37th birthday, sharing selfies and describing it as “a fun night out on the town”.

She was also his date to David Beckham’s 50th birthday party in May 2025.

But a source close to the couple told The Sun at the time: “Tom and Ana had a good time together but their time as a couple has run its course.

“They are going to remain good friends but they aren’t dating any more.

“The spark had gone between them but they still love each other’s company and they’ve both been really adult about it.”

A year on, the contrast between the former couple could hardly be starker. While Cruise licks his wounds, Ana appears to have moved on in spectacular fashion.

She has been linked to Venezuelan musician Beto Montenegro after the pair were spotted dancing at a concert in Madrid and sharing kisses on a romantic getaway to Spain’s Formentera island.

Before that, she was briefly pictured with venture capitalist Marcelo Valente in Los Angeles following the Cruise split.

A source said of Beto: “He’s an extremely charming and sophisticated guy, and he checks all the boxes Ana’s looking for right now.

“It’s an exclusive relationship, and they’ve had a pretty magical summer.”

Ana has also been getting back in front of the cameras, with a strong slate of projects, including espionage thriller Impunity.

Her John Wick spin-off Ballerina has kept her firmly in the blockbuster world, too.

And just this week she was pictured rubbing shoulders with an A-list crowd at a private Louis Vuitton party in Paris, joining Emma Stone and Chloe Grace Moretz.

She looked every inch the Hollywood star in a long-sleeved blouse, carrying a Louis Vuitton box clutch with gold trim.

There is still some unfinished business between the exes. Their joint project, Deeper, has been put on hold because of budget issues.

It all leaves Cruise facing a very different end to the year than the one he had planned.

He has, of course, bounced back from career setbacks before, and with Top Gun 3 and Days Of Thunder 2 on the way, he will be hoping a return to familiar territory can restore his reputation.

But for now, the man who has spent a lifetime defying gravity is facing being brought back down to earth.

Maysa Abu Daoud and her daughter Mary al-Najjar among five Palestinians killed in Gaza City attack.

The Latin patriarch of Jerusalem, Cardinal Pierbattista Pizzaballa, has expressed his “deep sorrow and grief” over the “tragic” killing of two Christian women in an Israeli air attack on Gaza City.

Maysa Abu Daoud and her daughter Mary al-Najjar were among five Palestinians killed in the attack that hit the ground floor of a building in the Remal neighbourhood on Saturday, in the latest Israeli violation of a United States-brokered “ceasefire” agreement with the Palestinian group Hamas.

In a statement, the patriarch extended his “heartfelt condolences” to the loved ones of the two women and to the Christian community in Gaza.

Their funeral took place on Saturday at Saint Porphyrius Church in Gaza City’s Old City.

The two women were Palestinian Christians from Gaza City who devoted their time to helping parishioners and displaced people sheltering at the Holy Family Church, according to Palestine’s Higher Presidential Committee for Church Affairs.

The committee’s chairman, Ramzi Khoury, described their deaths as a “painful loss” for their families, the church and its parishioners.

Mary’s son, 14-year-old Fouad al-Najjar, told the Anadolu news agency the strike hit the building at about 1:30am (22:30 GMT).

“My grandmother and my mother died. May God have mercy on them,” he said.

Al-Najjar appealed for an end to Israel’s genocidal war on Gaza, saying Palestinians were losing their loved ones every day.

“We are exhausted by this war and have endured so much,” he said. “For almost three years, we have been living through the same destruction, the same grief and the same war.”

Palestinian Lutheran pastor Munther Isaac, who serves in Ramallah and directs the Bethlehem Institute for Peace and Justice, wrote on X: “The genocide continues in Gaza.”

The Gaza Strip is home to fewer than 1,000 Christians. The community was already small before the war, and many of its members have been killed since then in attacks on their homes and churches throughout the war that began in October 2023.

On October 19, 2023, an attack on the Saint Porphyrius Church compound killed at least 18 people. Two months later, the Latin Patriarchate of Jerusalem said an Israeli sniper shot dead a woman and her daughter inside the Holy Family parish compound in Gaza.

An Israeli strike on the Holy Family Catholic Church compound on July 17, 2025 also killed three people and wounded others, including parish priest Father Gabriel Romanelli.

According to the Ministry of Health in Gaza, Israeli attacks have killed at least 74,228 people, including at least 1,445 since the start of the “ceasefire” in October 2025.

The official cause of death for Fiona Lowe, the 13-year-old daughter of actor Chad Lowe and niece of Rob Lowe, has been revealed.

The database for the Los Angeles County Medical Examiner confirmed that Fiona Lowe died Tuesday by suicide and died in a hospital. Chad Lowe, the Emmy-winning star of “Life Goes On,” and his family announced Fiona’s death in a statement shared with People on Tuesday. The actor shares Fiona and two other daughters with wife Kim Painter.

Before the medical examiner’s report became public, Lowe’s family did not reveal a cause of death but in its statement mentioned contact information for a mental health lifeline. The family in its statement said it was “heartbroken by the loss” and remembered Fiona as a “loving girl who was smart, creative, and loved to dance.”

“She was adored by her sisters and she was deeply loved by her parents. In fact, she was the light of our lives,” the family added. Lowe and his loved ones also said Fiona’s death is “devastating for our entire family” and asked for prayers and privacy.

Fiona’s death comes after the “Pretty Little Liars” actor’s family lost their home in the Palisades fire, which killed 12 peopleand consumed more than 6,500 structures. He shared videos and photos of the destruction to his Instagram page.

Lowe, 58, is the younger brother of actor Rob Lowe. He and Painter married in 2010 and welcomed Fiona in 2012. Fiona celebrated her 13th birthday in November and was the second of the couple’s three daughters. Lowe and Painter first welcomed daughter Mabel in 2009 and their youngest daughter, Nixie, in 2016.

Maria Astorini, a retired character actress and a minor star, is 37 years late delivering her memoir. But the project, which she has tried her best to forget, has been pulled out from under the rug by her publisher. Forced to deliver a manuscript, Maria writes an autobiography clocking in at a shade over 200 pages.

The result is Elizabeth Castellano’s second novel “Proof of Progress,” a wry, poignant and very funny twirl through a life that swerves past triumph and failure, boredom and joy, public life and private sorrow. I recently spoke with her about Bloomingdale’s, Calvin Trillin, and how cellphones are the enemy of good fiction.

✍️ Author Chat

”Proof of Progress” traces the life of your protagonist, Maria Astorini, from childhood to her mid-60s. It reminded me of something Bob Dylan wrote recently about growing older, which is that you finally get rid of the illusion that life is under your control.

For Maria, there is a lot of serendipity that feels like fate, of being in the right place at the right moment, or meeting the right person, which sends her off in a different direction. I like that in a novel. It was also helpful to be writing primarily about an era without phones, so that she’s able to meet a lot of people.

We’re seeing this a lot in contemporary narratives: writers setting their stories in pre-phone eras, so their characters can actually interact with each other.

She’s talking to people, she’s meeting people, so she’s able to be sent on different paths. Even meeting her husband probably wouldn’t have happened with the phone.

“Proof of Progress” is Elizabeth Castellano’s second novel.

(Harper Collins / Carl Timpone)

You have written a very funny book, and funny books don’t get the respect they deserve.

Anytime you have humor in a book, you’re not taken quite as seriously. Even in Barnes & Noble, when you look for humor, it’s on the back wall or on the floor. And that’s where you find the David Sedaris books, which is crazy. My last book was about a beach town, so I got lumped in with the beach read group. I had people who were looking for a fun beach read and then they picked up my book, and it’s about zoning code violations. I’m happy that this book is being marketed as literary and humorous. I’m in better shape in that sense.

It’s really hard to write funny. Or is it?

The best way I can describe it is like a stand-up comedian having a notebook full of jokes and anecdotes and she has to put together an HBO special. Sometimes I just had one line of something funny. I had all these ideas and thoughts and different things from old books that I was writing. I tried to put all of it together and find a character that could tell this story, and the through line that I could create from all of this material. So I wrote it backwards and out of order.

Who do you think is funny? Who do you like to read?

J.D. Salinger, David Sedaris, Maria Semple. I love Calvin Trillin. I think he’s a great writer.

Your protagonist is very late on a contract and has to rush to get the book written, which gives the narrative propulsion and momentum.

I had a two-book deal, so while I was working on the publicity for my first book, I raced to finish this book. And when I was finished, I realized it didn’t work and had to throw out the whole manuscript. I saved maybe six or seven little anecdotes from that original book. So it took another year to write. That was the inspiration for “Proof of Progress.”

Your writing career is a bit like Maria’s acting career, in that you chanced upon it.

I was a theater major. I don’t think I took one English course. Then I graduated right into the Recession of 2008. There were no jobs. Eventually, I applied to be an apprentice buyer at Bloomingdale’s, even though I hate shopping. That was the last resort. Then I decided, maybe I’ll be a writer, because it felt like something that I could do. I wrote a lot of things that were rejected before I wrote my first book, “Save What’s Left” [2023]. And that’s probably why I wrote Maria the way I did. We zig, we zag, we endure.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Kyle MacLachlan’s new memoir is a funny, candid and self-aware reflection on his 40-year career in Hollywood.

(Christopher Patey / For The Times)

We loved him as Special Agent Cooper in “Twin Peaks” and as Jeffrey Beaumont in “Blue Velvet,” but according to Kyle Maclachlan’s new memoir, “Fictional Selves,” there is another unknown character: “Other Kyle,” the actor’s ever-present shadow figure. “There’s definitely another entity, an observer, the ego, the harder self,” MacLachlan tells Rachel Brodksy.

After a nine-year absence from fiction, John Green has returned with “Hollywood, Ending,” a darkly humorous show business cautionary tale that Green couldn’t have written “without spending a lot of time on film sets,” he tells Emily St. Martin. “I hope the book is a love letter to movies. But I also wanted to be honest about how difficult it is to make a work of art that, in order to be commercially successful, has to be loved by millions of people.”

Katya Suvorova’s memoir, “Ungrateful Immigrant Daughter,” is a “heart-wrenching tale of immigration” that “pulls back the velvety red curtain to reveal one story behind the oversexualized stereotypical post-Soviet mail-order bride narrative so ingrained in post-Cold War U.S. culture,” writes Diana Ruzova.

Finally, Vroman’s and Book Soup, two of L.A.’s most beloved bookstores, have been sold by longtime owner Joel Sheldon to tech executive Robert Hoffman, reports Suhauna Hussain.

📖 Bookstore Faves

Outpost Books is a new bookstore in South Pasadena.

(Simran Malik)

Walking into Outpost Books is like stepping into a smart book lover’s cozy den. With its southwestern-themed design and a well-curated selection of new and used books, the indie book store in South Pasadena already feels like home to this community of rabid book lovers. I spoke with owner Nicole Novembrino about her new store.

Why a bookstore?

I was a sales rep for a publisher of art books, but I looked at my life, wondering what I could do for a living that would give me real meaning and purpose. I love books, and so I decided to open a bookstore. It’s not easy, and you can second-guess yourself a million times along the way, or get a normal job. But I’m so glad I did it. Everyone in the neighborhood is so happy!

Why did you choose to open in South Pasadena?

I live in El Sereno nearby, and South Pasadena is such a great community. When we first opened, people were coming in and thanking us for opening in the neighborhood. There aren’t any other bookstores in this particular South Pasadena neighborhood. I definitely didn’t want to take any business away from other stores.

Pasadena loves its bookstores.

This is a very bookish community. The donations I’m getting from people are really smart volumes. I think I’ve had just one Nora Roberts book! The landlords are great, as well. They came to our opening and told me the store is all they could have dreamed of for the space, which is so sweet.

The kids section is really fun, with the tent and the fake tree stumps.

We have a lot of kids books with a southwestern theme. I’ve been collecting them over the years from my trips to the desert. You might find a book called “Armadillo Rodeo” in there.

How did you land on the western theme?

My mom is from New Mexico, so every family vacation was a trip to the Southwest, and I loved stopping and collecting things at the trading posts along the way. I wanted to give the store that kind of feel. I chose the name Outpost for that reason. It is a lived-in place where you can just hang out and find cool things and read.

Outpost Books, 1010 ½ Fair Oaks Ave., South Pasadena, (626) 399-0595

Barbara Palvin and Dylan Sprouse have welcomed their first child together.

The new parents shared their happy life update in a joint Instagram post Monday featuring the public social media debut of their new bundle of joy.

“We took Labor Day literally this year,” Palvin wrote in the caption accompanying a photo of she and Sprouse holding their baby girl between them. The snapshot captured the family of three from the back as they watch a Dodgers game on TV while wearing matching jerseys.

The model debuted her baby bump in May at the Cannes Film Festival, where the couple posed together while walking a red carpet. They also announced that they were expecting on social media. Sprouse later shared in a July episode of his “Wildmen” podcast that they would be having a baby girl and that he was “excited to be a girl dad.”

On Tuesday, the actor once again took to his podcast to share some new tidbits about his daughter and life as a new parent.

“She’s very lovely, her name is Sylvie,” Sprouse said of his daughter. “Sylvie Sprouse. And she’s a very well-behaved baby.”

The former Disney Channel star also shared some details about Sylvie’s birth including some of the different options at Cedars-Sinai Medical Center.

“There’s moments when I look at Sylvie and I’m like, ‘This is the coolest thing ever,’” Sprouse said of being a new dad. “She’s looking at me and her eyes are opening … she’s looking at me and she smiles or something and it’s the cutest thing. My heart like jumps out of its chest.”

The “Suite Life of Zack & Cody” star and Victoria’s Secret model first met in 2017 and have been in a relationship since 2018. They were married in 2023.

“Real Housewives of New Jersey” star Teresa Giudice is asking for privacy for her daughter Milania Guidice after an incident at the airport resulted in police intervention.

On Wednesday, Tampa International Airport police were called to step in when Milania, 20, reportedly became emotional and ran away from her reality star mom, older sister, Gia Giudice, and a counselor traveling with the family. Police bodycam footage, obtained by TMZ, revealed the family was fighting over a recent health scare involving Milania.

In the video, the family is in an elevator with police, and Teresa is heard explaining that her daughter “had fentanyl in her system” and that she wants to save her daughter’s life. “You’re reckless,” Teresa says to Milania. “After you get help, you never have to speak to me again.”

Milania retorted that she “was laced” and said, “I go to college.” Milania, who attends the University of Tampa, then asked if she was going to be placed “back in the psych ward.” Earlier in the clip, a police officer is heard explaining that Milania had been released from a Baker Act facility and was being transported to a rehabilitation facility.

“As a mother, there is nothing more important to me than the health, safety, and well-being of my children,” Teresa wrote in a statement on Instagram on Monday. “The past few months have been incredibly difficult for our family, and I feel it is important to say something while also protecting my daughter during an extremely vulnerable time in her life.

“Milania has experienced tremendous heartbreak and significant psychological trauma after losing two of her best friends. Grief affects everyone differently, and watching your child try to process that kind of loss is something no parent can ever truly prepare for.”

In July, Milania’s best friend, Victoria Zardoya, died on a weekend trip to Tampa, during which the 20-year-old sustained fatal injuries when she fell while exploring the ruins of Ft. Dade from the Spanish-American War with a group of friends.

It’s unclear who the second friend is.

“Right now, my only focus is my daughter — making sure she is surrounded by love, family, support, and the care she needs,” Teresa’s statement continued. “I understand that because our family has lived much of our lives in the public eye, there will naturally be questions and speculation. But Milania is my daughter before she is anything else. She is a young woman going through an incredibly difficult and deeply personal time, and she deserves the opportunity to heal without every moment of her pain being analyzed publicly.

“I am asking, from one mother to another, and from one family to all of you, to please show Milania compassion and kindness and allow her the privacy she needs right now,” the statement concluded.

In May, Milania was arrested and charged with simple assault after an incident at the New Jersey home of Teresa and Luis “Louie” Ruelas, Milania’s stepdad. Milania allegedly punched someone in the forehead, who was referred to in court by the initials “LR.”

If found guilty, she faces up to six months in jail, probation and a $500 fine. Her next hearing is Tuesday.

KELSEY Parker has been seen for the first time on an outing with her newborn daughter River.

The 36-year-old, who was married to late The Wanted singer Tom Parker, welcomed the little one with her new partner Will Lindsay last week.

River’s birth came after the devastating loss of Kelsey’s son Phoenix, who was stillborn shortly before his due date last year.

Kelsey – who shares Aurelia, six, and Bodhi, five, with late husband Tom – appeared ever the doting mum on an outing with her family this weekend.

Enjoying a day out to the park near their South London home, Kelsey was seen planting a kiss on daughter River’s head.

The newborn was sweetly dressed in a white babygrow and hat, as older sister Aurelia helped cradle her.

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In more snaps from the day out, Kelsey was glowing as she pushed River around in a pram while new dad Will wrapped his arm around her.

Aurelia and Bodhi joyfully walked beside the couple.

Last week, Kelsey confirmed her daughter had arrived safely as she said via Instagram: “Welcome to the world, River. Our little bit of hope.”

Kelsey was married to singer Tom from 2018 up until his death four years ago.

He passed following a two-year battle with terminal brain cancer.

Kelsey found love again with Will, a tree surgeon from Kent, in 2024.

Dove Cameron and Damiano David have tied the knot!

The 30-year-old former Disney star and pop starlet married the 27-year-old Italian rock singer in a civil ceremony Thursday at the town hall in Montalcino, Italy, per Vogue, which first shared details of their nuptials.

The couple began dating in 2023 after meeting at the MTV Video Music Awards a year prior, where they were both contending for best new artist — Cameron took home the prize.

After a long stretch on Disney playing identical twins on the show “Liv and Maddie” and the daughter of Maleficent and Hades in the “Descendants” film series, Cameron successfully entered the mainstream music landscape with her sultry vocal flair. In 2022, she released the smoky electro-pop, queer anthem “Boyfriend,” which reached No. 16 on the Billboard Hot 100 chart, and the theatrical “Breakfast,” a man-eater melody that declares she’s in charge.

David is the frontman of the Italian rock band Måneskin, which formed in Rome in 2016 and won the Eurovision Song Contest in 2021 with their song “Zitti e Buoni.” Now David is focused on his solo career; in 2025 he released his debut album, “Funny Little Fears,” which reached critical acclaim on various European charts, reaching gold status in France, Italy and Poland.

Cameron revealed the pair’s engagement in January, uploading a picture to her Instagram account that zoomed in on the engagement ring. The proposal took place in an “intimate moment” back in October 2025, the “56 Days” star would later tell Vogue in a Jan. 26 article.

The couple — who live in a quiet Rome neighborhood — kept hush about the wedding plan details, sharing with Vogue earlier this month only that a date was set for September.

ZAYN Malik has shared rare snaps of the daughter he shares with Gigi Hadid as the youngster turned six over the weekend.

Taking to social media to give fans a glimpse inside Khai’s special day, the former One Direction star posted pictures from the celebrations, although his ex Gigi couldn’t be seen.

The 33-year-old wrote: “Khai’s 6th birthday this weekend!! Big thank you to everyone who made it extra special.

“@americandream – Nickelodeon Universe & Hasbro Arcade. The girls had the BEST time! And… @thelondonbaker the cake is epic, as always. Thank you!”

Zayn and Gigi’s only child could be seen surrounded by friends as she blew out the candles on a towering birthday cake.

Other snaps showed Khai playing arcade games and celebrating beside mountains of colourful balloons.

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Gigi and Zayn split in October 2021, when Khai was just one, following an on-off relationship that began in 2015 after meeting at a Victoria’s Secret party.

Their romance came to an end following an alleged row between Zayn and Gigi’s mum, Yolanda, although neither Gigi nor Zayn has ever publicly given a full explanation for the split.

It was reported at the time that the couple had parted ways yet again following allegations made by Yolanda that Zayn “struck her.”

They have continued to co-parent Khai since then and are understood to share custody equally.

Zayn previously revealed they have their daughter “50/50”, while Gigi said the exes arrange their custody schedules months in advance.

Gigi, 31, said there is “love” and a “feeling of camaraderie” between them as they focus on raising their daughter together.

The model has since moved on with Hollywood actor Bradley Cooper, with the couple dating since October 2023.

Meanwhile, Zayn is not publicly known to be dating anyone and instead has managed to keep his love life out of the spotlight.

Born into an African American family with a grim history of enslavement, Marian Anderson was determined from an early age to master the art of singing for the concert hall. A contralto of great range and warmth, Anderson’s abundant gifts as a performer of spirituals, arias and German Leider brought her global fame even as she endured the indignities of racial discrimination at home. Her Easter Sunday performance at the Lincoln Memorial in 1939 in front of 75,000 spectators remains a touchstone of defiance in an age of racial violence.

Anthony Tommasini’s excellent biography of Anderson, “Voice of A Century,” reclaims the singer as a great artist who only embraced her power as a symbol of racial equality much later in life. I spoke with Tommasini about Anderson, Franz Schubert and Albert Einstein.

✍️ Author Chat

Anthony Tommasini’s biography reclaims Anderson as a great artist who embraced her power as a symbol of racial equality later in life.

(Ahna Tessler Photography)

I feel like people know Marian Anderson in the abstract, but they regard her as a symbol rather than an artist. And among the virtues of your book is that you reestablish Anderson’s legacy as a great singer and performer.

She was a contralto, which is the lowest female vocal register. But that register had such resonance, and she had complete control over it. She also had enormous range; the uncanny, beautiful thing about Anderson’s voice is that when she started ascending even into the soprano sphere, she held those notes so beautifully. They were emanating from below, grounded in that low voice. It made for a mesmerizing sound. I’ve made a playlist to accompany the book.

She embodied this kind of fierce dignity and grace in the face of racial discrimination. But as you point out, she was reluctant to make herself a symbol of the civil rights movement, preferring to let audiences focus on her artistry.

In 1939, she was banned from performing in Washington’s Constitution Hall because of her race, and her manager, with help from Eleanor Roosevelt, arranged a performance in front of the Lincoln Memorial on Easter Sunday. Yet, the night before the performance, she was trying to get out of it. She felt the whole affair had turned into a civil rights demonstration. When it came time to write her memoirs in 1956, she wanted to excise the event from the book. She felt that what she could do is be an example of excellence and possibility for aspiring black artists.

She did play to segregated audiences, even long after she had become a national star.

[This type of segregated performance featured what] was called vertical seating. But she refused to forsake her career, which she had worked so hard to attain, and so she played these segregated shows. Eventually, there was a performance in Virginia which was boycotted, and that sort of broke the trend. She then performed in front of an integrated audience in Florida.

There is an encounter with Albert Einstein, of all people, who counsels her to take a stand against these racist booking policies.

In 1937, she showed up for a concert in Princeton, New Jersey, only to discover she was being refused a room at the Nassau Inn. As it turns out, she had a friend in Princeton who had seen her at Carnegie Hall and had meekly gone backstage to meet her. This was Albert Einstein, who was teaching at Princeton University at the time, and who offered to put Anderson up for the night at his house. He really pressed her on being more outspoken on racial equality.

Anderson played Europe multiple times in the 1930s, right before the rise of Hitler and the Third Reich. As you write, German audiences were blown away by Anderson’s mastery of their music, specifically Franz Schubert’s Lieder, or art songs, which were among Anderson’s most beloved repertoire.

So extraordinary, right? She also made two tours of the Soviet Union during that time. They went crazy for her in the Scandinavian countries, as well. But for the German audiences who are so nationalistic about their Leider, it was confusing. They couldn’t imagine how a Black American woman could sing their music so beautifully.

Anderson was the first Black soloist to perform at the Metropolitan Opera in New York, in Verdi’s opera Un ballo in maschera.

That was really a huge risk and a huge leap for her. She wasn’t a trained opera singer, and she had to dig deep into that material. She was already 58 by that time. There is a radio recording of the performance. There’s this dignity, like she’s calling upon this power. It’s exhausting and it’s draining, but it’s also exhilarating.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Book jacket for “Body Language” by Meg Howrey

(Los Angeles Times illustration; jacket from Doubleday)

Marlon James has published his highly anticipated new novel “The Disappearers,” a sprawling story about gay culture in ’80s Jamaica, and Mark Athitakis is quite taken with it. “James is … determined to unwind the cliches of gay fiction: the tragic victim, the heartwarming gestures of solidarity, the blunt porniness,” he writes. “Mere survival will have to be enough for most of these characters; the sense of fear is pervasive, but so is a determination to work through it.”

What’s it like to be the primary dissenting liberal voice on Fox News? Stephen Battaglio found out when he talked to Jesssica Tarlov about her hybrid memoir and self-help book “I Disagree.” “I have a good amount of shyness to me,” she tells Battaglio. “I have a lot of imposter syndrome. I’m constantly in wonder that I ended up getting to do this and that hopefully, am the right person to do it.”

Meg Howrey’s fifth novel, “Body Language,” a twisted family saga, is “smart, sardonic and powerful,” according to Meredith Maran.

Finally, Emily Wilson, the classicist who has been a lightning rod of controversy over her disparaging remarks in regard to the film version of “The Odyssey,” is going to translate Homer’s epic for a second time, reports Emily St. Martin.

📖 Bookstore Faves

The Hammer Museum’s gift shop is one of the best art book shops in L.A.

(Eric Petschek)

Sure, the Hammer Museum’s gift shop stocks the requisite art-themed mugs, tea towels and tchotchkes, but it’s also one of the best art book shops in L.A. Inside the sleekly designed Hammer Store is a vast inventory of monographs, children’s books and critical texts about modern and contemporary art. In an email exchange, store managers Sara Beattie and Brooke Berlin tell us what museumgoers are buying right now.

Hammer’s store is really the best museum bookshop in L.A. How do you decide what to put on the shelves?

We’re an eclectic bunch of book nerds and love the written word. We start by looking at upcoming programming, exhibitions and the season, and we buy accordingly. And we have a great team that gives us suggestions. We’ve learned to trust our instincts. The Hammer is an experimental institution, and we approach our buying in that spirit.

Do you have patrons that are not necessarily there to check out museum exhibits?

Of course! We’re not only a museum, but a cultural center, which means there’s always something happening — like mindful meditation on Thursdays, or family programming on weekends, or people coming in just to enjoy a meal at Lulu.

What kinds of books tend to do well for you?

Art monographs, especially on contemporary or Los Angeles artists; books about living more conscientiously; and everyone loves a children’s book (even if it’s just to heal your inner child). We love finding unique books that can’t be found elsewhere. Whenever we can, we work with small presses and book distributors. They often make books that can only fully be enjoyed or understood by seeing them in person.

Is there any particular title that is presently selling well?

“Mindfulness in the Garden: Zen Tools for Digging in the Dirt” by Zachiah Murray; Sanzu Wada’s “Vol. 1 Dictionary for Color Combinations”; “The Hippest Trip in America: By Land, Air and Sea” by Alake Shilling.

Why do we still enjoy art books, when we can look at millions of paintings and sculptures on the internet?

Why go outside if you can look through a window? There is a lot of talk of people returning to the analog or physical media, and that includes renewed interest in physical books. BookTok is huge. People love talking about books and showing off their special deluxe book editions on TikTok. Art books by their very nature are deluxe, image filled and thoughtfully designed. A well-produced book is an art object in itself. Nothing beats the experience of paging through a beautiful book. That experience can’t be replicated on a screen.

The Hammer Museum store is located at 10899 Wilshire Blvd., Los Angeles.

LILA Moss stole the show at H&M’s London Fashion Week show.

The star proved the apple doesn’t fall far from the tree as she followed in her mum Kate Moss’s heeled footsteps and took to the runway.

I’m told despite being one of the biggest names at the event and being the daughter of an industry legend, Lila refused to have any special treatment.

In fact, sources tell me Lila has secretly been battling vile treatment at shows over the past year due to her nepo-baby status.

She’s told pals how she has been given “icy treatment or totally ignored” behind the scenes as she battles to carve out a career in her own right.

A source said: “Lila was booked in the standard way, just like all the other models.

MOSSY ON ROCKS

Lila Moss stuns in sexy swimsuit as she proudly shows off diabetes monitor

MOSS-T BEAUTIFUL

Lila Moss, 23, looks just like Kate as she strips to underwear for snaps

“She didn’t ask for any special treatment due to her status—in fact, it’s the opposite.

“Over the past year, she’s confided in pals that many other models give her the cold shoulder or totally ignore her altogether.

“She’s not said these words, but essentially it’s jealousy—people judge her and brand her a nepo before they have even met her.

“Yes, being Kate’s daughter has opened a lot of doors, but Lila wants to be successful in her own right.

“There have been many times over the years where backstage she is left all on her own.”

Lila is the daughter of Kate Moss and magazine editor Jefferson Hack.

In 2018, she was snapped up by Marc Jacobs to front his Marc Jacobs Beauty range.

In 2021, she made her Fashion Week debut by walking for Miu Miu at Paris Fashion Week.

Speaking in 2022, Lila admitted her mum tried to put her off modelling.

She told British Vogue: “My mum always put me off.

“She was always like, ‘If you wanna do it, you can, but I wouldn’t recommend it’.

“When I was younger, she was scared that I’d fall into the same trap, I think.”

Kate has previously spoken candidly about the pressures of being a model.

She told Vanity Fair in 2012: “Nobody takes care of you mentally.

“There’s a massive pressure to do what you have to do.”

Somewhere in the overlap between William Friedkin’s 1977 action thriller “Sorcerer” and Kelly Reichardt’s 2020 Pacific Northwest pioneer indie “First Cow” lies Padraic McKinley’s directorial debut “The Weight.”

“Sorcerer” is about a group of fugitives driving a load of dynamite across the jungle; “The Weight” follows a group of Depression-era convicts transferring gold through the forest. “First Cow” is about the sweetness of friendship and French pastries in the wilds of Oregon during westward expansion; “The Weight” is about the corrupting forces of capitalism. McKinley’s movie marries the instincts of modern indie filmmaking with a New Hollywood ethos, while bringing an authenticity to the details of the period.

We follow the story of Murphy (Ethan Hawke), a World War I vet and single father in Eugene, Ore., struggling to provide for his daughter, Penny (Avy Berry), three years into the Great Depression. After an unfortunate run-in with the law, Murphy finds himself in a prison labor camp, building a road and trying to shorten his sentence so he can get out before his daughter is adopted by a new family.

Opportunity presents itself in Murphy’s foreman, Clancy (Russell Crowe), who takes a shine to him after he fixes his car and devises an ingenious way to remove boulders without dynamite. Cuddly but dangerous, Clancy makes a seemingly simple offer to Murphy: He and three friends can earn their freedom if they hike a load of gold out of a mining camp on the eve of President Franklin D. Roosevelt confiscation of all gold stockpiles.

The how and why details aren’t that important; the story is merely that the prisoners have to get from point A to point B through a rugged forested terrain, under the watch of two intimidating chaperones, Amis (Sam Hazeldine) and Letender (George Burgess). A mining camp servant, Anna (Julia Jones), joins their group as a runaway and while it seems a straightforward task, the arduous and brutal journey is one that is liable to turn these convicts into runaways.

Murphy’s gang weren’t really outlaws to begin with — he was imprisoned for defending his daughter from some undercover cops, while Singh (Avi Nash) was arrested for his associations with socialism. Olson (Lucas Lynggaard Tønnesen) was part of a group going after a judge for seizing Scandinavian farms, while the most hardened criminal among them is Rankin (Austin Amelio), who grew up in juvie. But in order to survive the woods, Murphy will have to dig deep into his wartime past and rely on his own skills and smarts to make out it out intact.

McKinley pours his craft into authentically representing the era, from the perfectly worn denim of the costumes to the refreshingly real and craggy faces of the cast (and thank goodness Hawke and Crowe are respectably aging into their character-actor looks). The Bavarian forest beautifully stands in for 1930s Oregon and cinematographer Matteo Cocco balances ’70s-inspired slow zooms with composed, high-contrast images that hark to early 20th century styles of photography. A score by Latham and Shelby Gaines balances discordant, atonal tones with suspense-driven sound design that captures the creaking noises of the forest and the concealed dangers it holds.

McKinley stages a few bullet-sweating sequences of peril, including a particularly brutal transport of gold bars across a crumbling rope bridge and an underwater accident exacerbated by floating logs. Both are nail-biters but you can’t help but think he could have pushed it even further. Tonally, the film is torn between wanting to be brutally bleak and offering some kind of hope for Murphy and his precocious, adorable daughter.

When “The Weight” leans into its nasty, mean and grim moments, it gets at something that seems closer to truth than the saccharine resolution we fear is coming. It seems like McKinley wants to deliver a crushing blow, but then feints at the last minute, opting for a more optimistic kind of fantasy.

Politically and culturally, what “The Weight” speaks to is as ugly as the violence that occurs in the mud and fog of the forest. But it ends on an oddly cheery note that doesn’t square with what we’ve seen. It’s a cutesy ’70s nod that feels more “Smokey and the Bandit” than “Sorcerer.” The bolder choice would have been to commit to expressing the despairing lessons of this world. We want to see these characters changed by what they’ve experienced, even if it’s dark. We want to see them actually carry the weight.

Katie Walsh is a Tribune News Service film critic.

Coronation Street actress Sally Dynevor has been a Weatherfield icon for more than 40 years

Coronation Street legend Sally Dynevor is not the only actress in her family, and Netflix fans are sure to recognise her eldest daughter.

In 1986, Sally, 63, burst onto screens as Sally Seddon on the long-running ITV soap. She was first seen waiting for a bus when Kevin Webster (played by Michael Le Vell) drove past in his van and accidentally splashed her with water.

Initially, Sally was only supposed to appear on Corrie for a short stint, but she soon became the mechanic’s girlfriend and grew into the funny busybody fans know and love today.

Sally and Kevin welcomed two daughters into the world, but their romance didn’t stand the test of time, and Sally eventually found love with Joe Metcalfe (Joe Duttine).

Away from the ITV soap, life is much simpler for the actress, as she has been married to her screenwriter husband, Tim Dynevor, since 1995.

Happy couple Sally and Tim share three children: daughters Phoebe, 31, and Hattie, 22, and son Sam, 29. Both of the girls have followed in their footsteps and are enjoying careers in television.

Hattie stars on the BBC drama Waterloo Road, playing Libby Guthrie, the daughter of history teacher Neil (Neil Fitzmaurice), and has so far appeared in series 13 – 17.

She also appeared in the recently released gripping Netflix series Legends as Arabella, which also stars Steve Coogan and Tom Burke.

Who is Phoebe Dynevor?

Phoebe launched an acting career on the BBC drama Waterloo Road, playing Siobhan Mailey between 2009 and 2020.

She went on to land the role on the Netflix series Bridgerton, playing Daphne, the wife of Simon Basset, the Duke of Hastings, played by Regé-Jean Page, between 2020 and 2022.

She has since starred in a long list of popular television shows, including The Musketeers, Dickensian, Snatch, and Ten Percent. Away from the small screen, Pheobe has starred in the movies The Colour Room, Inheritance, and Thrash.

Phoebe recently married actor and producer Cameron Fuller at a chateau located in Provence, France. Her husband is the son of producer Brad Fuller, who specialises in horror films, including The Purge franchise and A Nightmare on Elm Street.

On-screen, Cameron, 32, has appeared in shows such as The Last Ship, Insecure, Into the Dark, and The Goldbergs.

He has also worked as a producer on numerous films, including The Astronaut, Dead Sea, and The Girl in the Woods.

Taking to Instagram on Thursday (September 17), the new Mrs. Fuller shared two photographs from the big day, including a black-and-white picture of her and her new husband kissing under a floral-adorned wooden arch. “Married my best friend,” she sweetly captioned the post.

Proud mum Sally was quick to respond, as she gushed in the comments section of her daughter’s post: “Best weekend of our life. Beautiful Phoebe and Cameron. Love you both so much.” Sister Hattie also shared: “The best weekend ever.”

Coronation Street airs weekdays on ITV and ITVX

THE daughter of late actress Dame Diana Rigg has admitted to an unusual tribute of eating her ashes prior to live shows.

Rachael Stirling, 49, followed in her acclaimed mother’s footsteps by becoming an actress.

Viewers may have seen Rachael pop up in shows including The Bletchley Circle, Detectorists and an episode of Doctor Who alongside Diana.

In her new book, All About My Mother, Rachael opened up about a surprising pre-show ritual.

She wrote, as quoted by Daily Mail: “I would love to have a nightly glass of champagne before going on stage, but these days it would equate to a drinking problem.”

Rachael’s alternative on a new play’s opening night, however, is “a grain or two of my mother’s ashes“.

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STIRLING PERFORMANCE

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She added: “Although it shocks people when I tell them, it feels absolutely natural to me.”

Her mother Diana died in September 2020, at the age of 82 and it was later confirmed she had lung cancer.

The former Bond Girl famously played secret agent Emma Peel in 51 episodes of the Avengers in the 1960s.

She was also the only Bond girl to marry 007 – getting hitched to George Lazenby in Her Majesty’s Secret Service – only to be killed moments after.

In her later career, Diana appeared in shows such as Game of Thrones and ITV‘s Victoria.

She also played Mrs Pumphrey in series one of Channel 5‘s All Creatures Great and Small.

Miranda star Patricia Hodge would later take over the role after Diana’s death.

ACTRESS Michelle Keegan has shared a rare snap of her daughter Palma, 18 months, just days after she quit a new ITV drama.

The mum-of-one welcomed the tot with her partner DJ Mark Wright, 39, in March last year.

Stockport-born Michelle and Essex lad Mark have opted to keep Palma’s identity under wraps but have shared brief glimpses into their lives as parents.

And, Michelle couldn’t help but update fans as her little girl hit a huge milestone.

The soap favourite took to Instagram to reveal they’ve been celebrating Palma turning 18-months-old.

In the snap posted online, Palma can be seen facing away from the camera wearing a stylish denim dress.

Read more on Michelle Keegan

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She’s holding a tiny wooden plaque, which says the words: “18 months.”

It’s engraved with flowers around the outside and has a little brown bow stuck to the top.

Michelle recently pulled out of a major new ITV drama just months before filming was due to start in November.

The 39-year-old left ITV bosses baffled by her decision to turn her back on the lead role in a big budget production, focusing on a working-class barrister.

Sources said it was “a huge blow” as she had committed to the drama a few months ago and a filming start date had been decided.

Michelle, who decided not to go ahead with the series written by Sherlock writer Steve Thompson, has said she wanted to focus on family life.

A source said: “Michelle was really keen to take on the meaty role, but the heavy filming schedule would take her away from daughter Palma for too long.

“The hours were quite intense and the project was starting straight after her Netflix drama The Woods and she just couldn’t commit.

“She is dedicated to her acting career, but like all working mums has to prioritise being there for her family, juggling work, parenting and being present for Palma.”

Mark and Michelle, who married in 2015, live in a £3.5million mansion near his family in Essex.

The family of three have enjoyed a string of lavish holidays together over the past year, while Michelle has had some time off.

She first made it big in 2008 as Coronation Street’s Tina McIntyre, and starred in BBC military drama Our Girl from 2016 to 2020.