daughter

Pity the period. And the comma and the semicolon too. Punctuation is the sturdy armature of written language, yet it does its job quietly, in the background. We tend to spend far more time analyzing the written words than we do the dots, dashes and ellipses that give those words meaning, nuance and tone.

In her new book “On the Mark: From Periods to Interrobangs, How Punctuation Remade the World,” author Florence Hazrat argues for punctuation as no less than the bricks and mortar of civilization, the deceptively simple and endlessly pliable tools that made humankind. I recently chatted with Hazrat, a Berlin resident, about scare quotes, emojis and the magic of parentheses.

✍️ Author Chat

Florence Hazrat, author of the new book “On The Mark,” writes about the history of punctuation.

(Masoud Ali Shaiwani)

What sparked your interest in punctuation?

It was a long time back, when I was studying for my master’s degree. I was working with Renaissance romances, which have a lot of parentheses. I just asked myself, where does this come from? And why don’t we use parentheses like this anymore? And then I did my post doc on this very topic. So it’s the gift that keeps on giving.

Going back to the earliest cuneiform texts, we see that they consist of words bunched together like commuters on a rush-hour subway. There is no space between words and no punctuation.

Writing was just a manifestation of speech. Text was meant to be read aloud. It would have been shocking 2,700 years ago to see someone reading silently. There is an anecdote that when Alexander the Great was spotted reading to himself, people were stunned.

It took hundreds of years for punctuation to really bloom. The Renaissance, with its increased literacy rates, elevated punctuation into an art.

During the Renaissance, text needed to do more. Writing moved out of the monastery, into trade and diplomacy, science, education and so on. The humanists of the Renaissance who loved language wanted text to be able to do more than it historically had been doing. They wanted to bring more nuance and tone into writing.

And silent reading became the normal practice.

Silent reading is so interesting because it’s a kind of subversive act. It’s a private act, so you can be reading anything. There was a lot of consternation at the time that women would spend all their time reading romance stories.

You also write about punctuation as a political tool, especially the power of quotation marks to ironize or diminish the meaning of the words in between the quotes.

Quotes in and of themselves are empty signs. Which means they can be used for all kinds of political purposes. We can delegitimize an entire race of people using scare quotes or belittle something like COVID-19 simply by putting it in between quotes. We’re wresting a word used by another group and changing its meaning with quotes.

You discuss the advent of digital communication, and the ways we use and abuse punctuation now. Yet, we are very sensitive to punctuation in the public sphere. I’m thinking of the use of capital letters in words that connote race, for example.

Absolutely. There are two sides of the culture that contradict each other. Texting seems to be such an informal medium and something we dash off very quickly. Nobody really expects proper grammar in a text. Yet a misplaced period or comma in certain texts, like the 2nd Amendment of the Constitution, for example, can set people off into endless arguments.

What is your feeling about emojis? I find them to be a very rich communication tool. They can have literal or figurative meaning, depending on context. And the meaning can shift over time.

I love emojis. I think they’re still quite misunderstood. They are covering so many functions, because we put them after clauses, for example. We just don’t put them anywhere. But they aren’t punctuation, because we can’t actually make them when we write manually.

Are you pessimistic about the future of punctuation with kids on ChatGPT and texting in elementary school?

Not really. Children who are texting at 9, 10 years old are still learning the rules of grammar and punctuation offline at school ideally. They still have to read books. They have to write essays by hand. So I think the human brain knows how to process different inputs and switch accordingly.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Paris Hilton performs at the Pussycat Doll Lounge located inside Pure Nightclub in Las Vegas on Feb. 16, 2008.

(Chris Weeks / Associated Press)

“Up All Night,” Imogen Willetts’ new history of urban nightlife, devotes a chapter to the L.A. club scene of the early aughts, when Paris Hilton was a ubiquitous scenester and Perez Hilton was writing about her. “I’m born and raised in London and lived here my whole life and when I was a teenager, it was like the early 2000s era,” Willetts told Lina Lecaro. “I was like, I have to write about L.A. in the 2000s because that was what we were absolutely aspiring to at all times.”

Shortly after the trailer for the movie adaptation of her novel “Children of Blood and Bone” dropped, author Tomi Adeyemi hinted at an on-set ordeal that traumatized her, Emily St. Martin reports. “It’s a reality that I’ve had to live with for about a year and a half, and everyone involved, at least at the highest level, has been made aware of this reality, and they haven’t done anything to make it better,” Adeyemi said in a video posted to social media.

Stand-up comedian Anthony Jeselnik, an avid reader, has started an online book club that is gaining traction. “My goal was to curate and give people their best shot at enjoying reading,” he told Maddie Connors.

Ryan Murphy’s TV adaptation of Bret Easton Ellis’ novel “The Shards” is a visually vivid throwback to 1981 Los Angeles. Eloise Rollins-Fife gets the lowdown from the show’s production designer, Cat Smith, an L.A. native. “This is like time travel, but you’re traveling back to your childhood,” said Smith. “I’ve done period before, and you always feel like you’re time traveling to a certain extent, but it’s visceral when it’s yours.”

📖 Bookstore Faves

Hollywood Books is an indie bookshop started by a freelance film researcher.

(Roxanne David)

Hollywood Books is the most indie of indie bookshops. Housed in a nondescript storefront on Melrose Avenue, its only signage is a craft paper sign with bubbly pink letters. Hollywood Books was started by Rebecca Ressler, a freelance film researcher. Blond wood shelves surround the store; a round gingham couch beckons page-grazers to bide their time finding that perfect new or secondhand book before taking a short walk to Ressler’s husband’s restaurant Stir Crazy for a bite and a glass of Malbec.

I chatted with Ressler over email about her store.

What made you want to open a bookstore and how did you land upon your location?

The location, in many ways, inspired me to open the shop! I lived down the street and loved the space when it was Nonaka-Hill’s second gallery. After I had my son, I found it really hard to return to my work as a freelance researcher for filmmakers. I was originally set on figuring out a way to make the space a shared office with my husband and some friends. At some point, I had the idea of making it a bookstore and became determined!

What kind of books do you sell?

We sell both used and new books. We have small curated sections in photography, art, design, fashion, film, literature (novels, poetry, plays), nonfiction, children’s books, and cookbooks! I hope our customers find things at our shop they’ve never read or seen or a great copy of a classic they’re excited to cherish. Our books also make great gifts!

Who is shopping there? Who are your clients?

We are really lucky to be surrounded by great art and furniture galleries that people travel from all over to visit. Those customers are happily surprised when they wander into our store. We also have tons of neighbors and friends who keep coming back and help me determine what I can add to our inventory!

What genres tend to sell?

A little bit of everything! Children’s books are very consistent — even if people don’t read themselves they still want their kids to!

Why a bookstore in 2026 when The Atlantic, among other places, is decrying the end of reading?

Because I love books and think enough other people do too to keep my little store afloat!

Hollywood Books is at 6917 Melrose Ave., Los Angeles, CA.

Early Motown songwriter Janie Bradford Hobbs, who helped pen hits including “Money (That’s What I Want)” and “Too Busy Thinking About My Baby,” has died following an extended illness at a Los Angeles hospital, her family said Saturday. She was 87.

Bradford Hobbs was born in Charleston, Mo., and later moved to Detroit.

She was introduced in the late 1950s to Motown founder Berry Gordy by neighbor and singer Jackie Wilson. She joined Motown as a receptionist in 1958 and like many of the company’s employees took part in the creative process that helped make Motown a music industry powerhouse.

She and Gordy co-wrote “Money (That’s What I Want).” The song was recorded in 1959 by Barrett Strong and became an early hit. It was covered by the Beatles, which also become a hit.

“Too Busy Thinking About My Baby” first was recorded by The Temptations and later became a hit for Marvin Gaye. Bradford Hobbs also wrote songs for Stevie Wonder, the Supremes, Martha & The Vandellas and others.

“Janie was there with me from the very beginning, before there was even a Motown, and she will always hold a very special place in my heart and in the Motown family,” Gordy said in a statement.

“Janie was one of a special group I have always thought of as the original Motown family — the unsung heroes who believed in the dream before anyone knew what Motown would become,” Gordy continued. “She was one of the people who helped make Motown what it became.”

Bradford Hobbs later became head of writer relations for Jobete, Motown’s publishing company. After leaving Motown, she founded the annual Heroes and Legends Awards. The event spanned about 30 years, honoring music stars and awarding scholarships, according to her family.

She is survived by her husband, Wardean Hobbs; daughter, Nicole Hobbs; son, Lance Finney; and two grandsons.

Williams writes for the Associated Press.

AMY Childs has revealed her daughter Polly is launching her own fashion brand – but fans are concerned over the money-spinning venture.

The TOWIE icon, 36, has announced that her nine-year-old is launching her first kids range of active wear.

Sharing the news on the brand’s new Instagram page, an excited Polly was seen walking down the stairs in a bright pink tracksuit.

She gushed: “I’ve got my own clothing brand and it’s named My Polly. I’m so excited about my brand. My own clothing brand, woo!”

Showing off her outfit, Polly continued: “This is my favourite outfit from my My Polly range. The pink set is so cute.

“This is so comfortable and I can wear it everyday.”

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It was captioned: “@mypollyuk kidswear coming soon, first launching with kids active wear from ages 4-14.”

Polly is working on the collection with her mum as well as her uncle Harry Derbidge.

The caption continued: “We are so excited to be launching a kids clothing company with Polly as the brand.

“For a long time now we have wanted to create a fashion company that was affordable and stylish for kids as there is nothing out there stylish for kids who want to feel grown up.

“Fashion changes so quick and we know how to keep on top of it and keep the trends available online. Kids want to feel more grown up and dress grown up and not childlike clothing.

“My Polly kids wear will bring fashion to life for kids with stylist outfits. Amy is the vision, the mother and knows exactly what is on trend, Amy has a huge experience in clothing from years of having her own clothing lines online and in major retailers

“Harry is the eye and focus of the business and has years of knowledge in fashion buying and running online sales and business… and Polly is the heart of My Polly,” they concluded.

Sophie Kasaei commented: “This is so exciting!”

Dani Imbert said: “Stop it I’m obsessed,” and Helen Flanagan wrote: “Omg what a cute little girl.”

However, fans weren’t completely sold on the idea and took to the comments section to share their thoughts.

One person penned: “God let her be a child a little longer.”

Another social media user expressed: “She’s a child. Let her enjoy being a child.”

Somebody else said: “It’s all about the money, money, money as the song goes.”

While a fourth added: “Something feels off about this. Sorry but it’s a money making thing and doesn’t seem right.

“She isn’t old enough to do this sort of thing and have the maturity to understand.”

Not all of Amy’s fans felt the same way as one gushed: “We can’t wait to try it, we love the flares!”

Another follower added: “Omg, she’s brilliant. She’s gonna go far, bless her.”

RYAN Thomas’ daughter Scarlett has revealed she’s been diagnosed with ADHD and her famous family “need to chill out” over the condition.

The singer, 17, took to Snapchat to share the news with her followers as well as to rant about how people treat her as a result of it.

She began: “The word ADHD, get it away and put it in the bin because what do you mean somebody talks too much?

“What do you mean somebody has a different personality and suddenly they’ve got a disorder.

“I don’t get it. I was diagnosed in year 9, it’s literally just a personality.

“It doesn’t make sense to me. Anyway, that’s my take on that. I say it because my uncle Adam talks about it and he needs to chill out.”

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Scarlett’s famous uncles and dad Ryan have spoken about ADHD at length on their podcast, with Adam emotionally detailing his experience with the condition several times in the past.

While her dad, Ryan, revealed in March this year that he too has been diagnosed with the condition.

Opening up about the situation on the podcast, At Home With The Thomas Bro’s podcast, Ryan expressed: “ADHD for me has been a big problem and I’ve not actually spoke about it yet because If I’m really honest, I was quite embarrassed that I had ADHD.

“It felt like I had a condition and growing up, as kids, ADHD, I don’t feel like, was ever a thing – or it was loosely spoke about.”

The former Corrie actor went on to explain that his fiancée Lucy Mecklenburgh would tell him that he was losing his phone, not listening to conversations and misplacing his belongings.

He decided to visit doctors to get assessed for ADHD and had to go through an extensive process to get the diagnosis confirmed.

Ryan continued: “After the whole process, I was diagnosed – and I’m on medication.

“And friends that are on the medication have said it changes your life instantly, like the limitless pill. And it’s been quite disheartening for me because I’m on the medication every day.

“I’ve been on it for the last three, four weeks. And I still feel overwhelmed. I still misplace things.

“There is a part of me that I recognise – that I can sit down and write something on a piece of paper, which is very rare that that happens with me.”

Scarlett revealed last year that she didn’t take her GCSE’s as she opened up while everybody else was receiving their results.

In a short video posted to her TikTok account, the young stunner posed in front of a camera, showing a close up of her immaculate makeup.

Over the top of the clip set to music, Scarlett put some simple lines of POV text, reading: “Watching everyone get their GCSE results today wondering if I could’ve had good results but I will forever wonder.”

Despite not taking her exams, Scarlett’s career seems to be going from strength to strength.

As well as starring on Waterloo Road, she signed a music record deal this year with Big Family Music and is gearing up to release her own tracks.

Scarlett has amassed over 360,000 followers on TikTok and regularly shares singing videos as well as life updates with her fans.

The hours since actor Hayden Panettiere’s unexpected death over the weekend have proved to be a “time of profound shock and grief” for her ex-fiancé Wladimir Klitschko and their daughter, the Ukrainian boxing star said on social media.

Klitschko, a multiple-time heavyweight world champion, on Monday evening mourned the “Heroes” star and his former partner in an emotional tribute shared to Instagram. The former pro athlete posted a family photo of himself, Panettiere and their daughter Kaya (whose face is censored by a bright orange dot) all smiles against a cloudy sky. Klitschko wrote that news of the actor’s death “saddens me deeply” and echoed a recurring sentiment expressed in a majority of tributes to Panettiere: “She left this world far too soon.”

“Hayden was, although no longer my partner, an important part of my life and the mother of our daughter, Kaya,” Klitschko said. “She built an incredible career through immense talent, while also facing the darker sides of a very demanding industry. Nothing will erase the times we shared or the place she had in our lives.”

Panettiere, whose career spanned TV, film and video games, died Sunday at age 36, her father announced in a statement. A cause of death was not revealed, but an autopsy Monday found no signs of trauma that would have been a contributing factor. She was found unresponsive at an apartment complex in Greenville, S.C., shortly before 2 p.m. Eastern time after an acquaintance called 911, police said in a statement. Police said a preliminary investigation had not indicated any signs of foul play.

Panettiere and the boxer were in an on-and-off relationship from 2009 to 2018 and were engaged in 2013. The “Nashville” and “Ice Princess” star welcomed their daughter in 2014 but relinquished full custody to Klitschko in 2018. In her past, Panettiere had been outspoken about her struggles with postpartum depression. She previously refuted speculation that she just gave up her child.

“It was the hardest thing I could do,” she said during a 2022 appearance on “Red Table Talk.” “But the best thing for my daughter was to make sure she was OK, take care of myself and make sure I could be a good mom to her. And sometimes that means letting go.”

Klitschko said in his post that he will carry on Panettiere’s legacy at home, while making a promise to Kaya: “I will always speak of her mother with respect and make sure she remembers the person she was.” He concluded his post by sending his condolences to Panettiere’s loved ones and fans. He also asked followers to respect his family’s privacy as they mourn the loss.

He added: “Young and talented people like Hayden should not leave this world so soon.”

Klitschko joins Panettiere’s co-stars and Hollywood peers in paying tribute to her life and career on social media. “Heroes” star Masi Oka said Panettiere was “wiser beyond her years and now gone too soon” while “Nashville” co-star Connie Britton recalled Pannettiere was “bursting with brilliance” during their time on the ABC series.

To Viola Davis, “Custody” co-star Panettiere was a “beautiful Phoenix rising from the ashes.”

WLADIMIR Klitschko has broken his silence following the sudden death of his ex-fiancé Hayden Panettiere.

The beloved US actress, who was nominated for two Golden Globes, died on Sunday, her heartbroken family confirmed.

In a moving tribute posted on Instagram, Wladimir, 50, said: “Our family is going through a time of profound shock and grief.

“The announcement of Hayden’s tragic death saddens me deeply.”

The retired Ukrainian boxing champion had a daughter with Hayden during their nine year on-and-off relationship.

HAYDEN TRAGEDY

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He added: “She left this world far too soon. Hayden was, although no longer my partner, an important part of my life and the mother of our daughter, Kaya.

“To our daughter Kaya, I will always speak of her mother with respect and make sure she remembers the person she was.

“I extend my deepest condolences to Hayden’s parents, her friends, and her fans, who are also grieving today.

“Young and talented people like Hayden should not leave this world so soon.”

Wladimir met Hayden in 2009 and the pair – who had a 14-year age gap – were later engaged in 2013 but split up in before tying the knot.

Hayden had publicly spoken about her difficulties with mental health and addiction, but had been sober since 2020 after spending weeks in rehab.

A serious bout of postpartum depression led to her giving up custody of her daughter, Kaya, 11, in 2018.

In an interview with parenting outlet Mome published in July, Hayden described the heart-breaking decision.

She said: “It wasn’t a decision I made lightly, nor was it a decision I even wanted to make.

“I was going through a really challenging time in my life… I knew I needed to be able to put her first so that I could get the help I needed and be the mum she needed me to be.”

The mother-of-one, who would have turned 37 on Friday, had complained of back pain in the months before her death, sources told TMZ.

Confirming the tragic news, her dad Skip Panettiere said: “It is with profound sadness that we share the tragic passing of our beloved Hayden.

“She was an incredible light and a force of nature who brought immeasurable love and joy to all who knew her – and to the millions who watched her on screen.”

Police were reportedly responding to an “incident” involving the actress when they found her, with investigations still ongoing.

Hayden had recently been dating Brian Hickerson in an on-again, off-again relationship.

US media reported both Hayden and Brian, had flown out of Los Angeles on Saturday.

The pair were together from 2018 to 2020 when Hickerson was arrested, convicted and jailed for domestic violence against the actress.

He served only one day of a 45-day jail term and the couple reconnected in 2021.

At the time, Brian said: “We have a long history together, and the first step in my recovery as an abuser is making amends.”

Hayden, born in New York, first hit the screens as an 11-month-old child when her mum took her to star in several TV commercials.

Her first acting gig came when she was four-years-old on the American soap opera One Life to Live.

The diminutive actress would stay in the TV and film industry for her entire life.

Her film debut came at the age of nine, as the narrator and voice of Princess Dot in the 1998 animated Pixar flick A Bug’s Life.

She was nominated for a Young Artist Award and a Grammy Award on the back of the film’s box office success, which made her the fifth-youngest Grammy nominee ever.

Away from Hollywood, Hayden is best known for her leading roles on TV.

She starred in 73 episodes of Emmy-award winning Heroes between 2006 to 2010 as cheerleader Claire Bennet.

Hayden later earned two Golden Globe nominations as Juliette Barnes on Nashville where she featured in 128 episodes from 2012 to 2018.

Hayden also lent her voice to video games including hit series Until Dawn.

Her sudden death comes months after her candid autobiography, This Is Me: A Reckoning, detailed her experiences with postpartum depression, drug addiction and recovery.

In her final interview while promoting the book, Hayden declared she had “a lot more life to live”.

The tell-all book had recently become a New York Times bestseller.

Actor Hayden Panettiere, the child actor who rose to stardom in television and also spoke with raw frankness about her struggles with fame and mental health, died Sunday, according to her family. She was 36.

Panettiere’s father, Skip, announced the actor’s death in a statement shared with The Times on Sunday.

“It is with profound sadness that we share the tragic passing of our beloved Hayden. She was an incredible light and a force of nature who brought immeasurable love and joy to all who knew her — and to the millions who watched her onscreen,” his statement said.

No other details were released.

She starred on “Nashville” (2012-18) and, before that, “Heroes” (2006-10). Her early work included roles in the 1990s on the soaps “One Life to Live” and “Guiding Light.” She was a model and a singer, having released several singles.

Panettiere also starred in the “Scream” horror movie franchise as well as in hits “I Love You, Beth Cooper” and “Remember the Titans.”

She first gained major attention with “Heroes,” where she played a cheerleader with superpowers. On “Nashville,” she played a troubled country music star, doing her own singing and performing on tour.

Panettiere has been candid about her struggles while living so much of her life in the public eye.

Panettiere gave birth to her daughter, with boxing champ Wladimir Klitschko, in 2014 and battled postpartum depression. She gave up custody of the child in 2018, a decision she called “heartbreaking.”

In May, the actor published a memoir, “This Is Me: A Reckoning,” in which she opened up about her alcoholism and depression after the birth of her daughter.

In interviews about the book, she reflected on the scrutiny and cruelty she faced as a young actor.

“It blows my mind that people could be so cruel,” she told the New York Times. “Looking back as an adult and a mother of a daughter, it’s hard to believe that grown adults were OK with ripping you apart at such a tender age. At any age, really.

“I just can’t believe I made it through alive,” she added.

Panettiere started in movies at the age of 9 when she voiced Princess Dot in the 1998 Pixar movie “A Bug’s Life.” Two years later, she made a splash in the role of a young football-obsessed fan and daughter of assistant coach Bill Yoast (Will Patton) in the biographical drama “Remember the Titans.” The actor told “ET” in 2023, “If I had a wish to go back to any time in my life, it would be going back to ‘Remember the Titans.’ … There were so many stars made from this movie.”

Panettiere was passionate about animals and began advocating for whale conservation in her teens. She came out as bisexual earlier this year, telling Us Magazine that she was sad to have waited until age 36 to do so.

She spoke up about her experience with domestic abuse after a public altercation in Los Angeles in 2022 involving a then-boyfriend. Brian Hickerson was on probation at the time following multiple domestic violence charges that dated back to 2018.

In 2025, her brother, Jansen Panettiere, died suddenly of complications from a heart problem. He had struggled with substance abuse and she got him into treatment, she told Us Magazine.

At the height of her fame on “Heroes,” she was regularly followed by the paparazzi and was the focus of much tabloid attention. Looking back on that time recently, she told a podcaster: “It was just sheer terror.”

In the statement on Sunday, Panettiere’s father said the family asked for privacy “as our family takes time to process this unimaginable loss.”

The Associated Press contributed to this report.

In this week’s episode of The Envelope podcast, Chase Infiniti discusses her meteroic rise, her Emmy nomination for “The Testaments” and nurturing the ambition to become an actor since age 10.

Kelvin Washington: Hello, everyone, and welcome to this week’s episode of The Envelope. You have myself, Kelvin Washington, alongside my usual suspects, Yvonne Villarreal, Mark Olsen as well. It’s been a week, so I’m trusting everybody’s good. Yvonne, we’re coming to you here because you’re going to help us break this down. Don’t bug the eyes. Yes, we’re coming to you. The [TV] Academy, they’re making some changes when it comes to the live broadcast, and it can be a little bit confusing. That’s why we got you here. Tell us more.

Yvonne Villarreal: They announced that they will be moving five categories that are usually handed out during the ceremony, the Primetime [Emmys] ceremony, to a week prior and handing them out during the Creative Arts Emmys’ weekend. They say the decision is sort of to make space to innovate the live show and incorporate new things. You know, viewership is always something that they’re after. But it’s causing a stir in Hollywood because we’re losing some mainstays of the show, and that’s writing for a variety series, but also taking a big hit is the limited series or movie categories. We’re losing supporting actor, supporting actress, but also writing and directing. And people have a lot of thoughts. Mark, I want your thoughts. Kelvin, I want your thoughts.

Mark Olsen: I feel like there’s a disconnect between the people who watch award shows and the people who make and produce award shows, where I feel like those of us who watch them, we just want more sort of genuine moments from the talent, from the nominees. I want more speeches! And so taking away five categories, there’s going to be that much fewer speeches. I just can’t help but think of like Linda Cardellini, who’s one of the people nominated, she was on our roundtable earlier this year and just like a great presence, a stalwart TV actor, and to have to take away that chance for her to potentially get up onstage be really genuine, why would you not want that as part of your show instead having these kind of like canned comedy bits or, you know, hacky reunions plus canned comedy bits that nobody particularly wants.

Villarreal: It’s an awards show.

Washington: True, but maybe I’m Nobody in this case. We were talking about this a little bit earlier, you guys were making fun of the 1990s reunions there. I enjoyed it. I enjoyed seeing, I think it was maybe two years ago, when they had “Martin” up there and they had never been invited; they were kind of joking, “Oh, we never got invited” or “We never won an Emmy.” And so I think it’s been pretty cool. And I will say that this is the challenge for productions, when you’re trying to appease everyone. Is it about the awards? It is about the length of time — just speed this thing up? Is it about having the magical moments? And then you see the Grammys try to get these things right as well. You’re never gonna be able to please everyone. So I think it’s always a difficult balance. So we’ll see how it works out this year. But I’m looking at you, Mark, some people might enjoy those. And you too, those nerdy little reunion shows.

Villarreal: But in a time when it’s already hard to get a show visibility in this marketplace, and so many people don’t know what’s nominated anymore, when you’re taking away an access point for them to discover something or not tell them about a show, it’s a short-sighted change I think.

Washington: The only response I would add to that is that’s kind of where we are. Even if you keep up with television, movies and music, it seems to be a lot more word of mouth than historically where things are plastered everywhere. And even if you didn’t care about the particular thing, you saw it, you heard it. Now it’s like word of a mouth and just watercooler or just the algorithm telling you what to like.

With that being said, somebody who’s having a great run right now, Chase Infiniti. I know you had a chance to speak with her. Of course, “Handmaid’s Tale” did so well. Then there’s the spinoff, “The Testaments.” Tell me a little bit more about your chat with her.

Villarreal: Talk about, like, a breakout nomination this year. Chase has really been a star on the rise. She made her debut in Apple TV’s adaptation of the legal thriller, “Presumed Innocent” playing Jake Gyllenhaal’s daughter. And in recent projects, she’s played this young revolutionary, both in Paul Thomas Anderson’s “One Battle After Another” and now in “The Testaments,” which takes place after the events of “The Handmaid’s Tale.” She’s the daughter of a high-ranking commander, but she’s also the biological daughter of June, who’s Elisabeth Moss’ character. And this show is really about seeing the rebellion of young teenage girls and how they are sort of key to the inside resistance of toppling this regime. And so we talked a little bit about that.

Washington: All right, well, you got me a little nervous. You’re talking about the rebellion of teenage girls. You know, I’ve got a 9, a 7, and a 5-year-old, so that could be my future.

Villarreal: Let’s hope it is. They’re the future.

Washington: You’re right, you’re right. Yvonne and Chase, here they are now.

Chase Infiniti, photographed in late March ahead of “The Testaments” premiere.

(Jason Armond / Los Angeles Times)

Yvonne Villarreal: Chase, thanks so much for being here. Congratulations on your Emmy nomination. What do you want to remember about this moment, this feeling?

Chase Infiniti: Oh. I don’t know. I’m trying to take little pictures in my brain of everything and remember all of the influx of emotions that I felt that entire time, but also throughout the whole journey of making Season 1 of “The Testaments.” There’s so many things about it that I’m like — I just never want to lose that feeling. There’s a lot of [memorable] moments I had on set and also during the press tour and then even finding out about the Emmy nomination, which feels very crazy to say. But even finding out about that, there’s so many little things that I’m like, “I never want to lose that feeling. I want to keep it in my brain forever.”

Villarreal: Is it as thrilling as what you remember feeling when you booked that first role in a local production of “Hairspray,” when you were 10?

Infiniti: It definitely does. I also feel very grateful that with my job and with everything I get to do, I really try to keep intact how much I love the work and how much I love creating. That’s what helps it keep that same energy as me finding out I’m playing Crystal in “Hairspray” versus me finding out that I have an Emmy nomination.

Villarreal: Were you on Cloud 9 getting the news of Crystal?

Infiniti: Oh, yeah. I was so happy because I was it was the first time I ever had a name in a musical. And I remember when I was a kid, I watched the movie version of it every night for six months. Not a lie. Me and my sister would turn it on religiously after school and we would start singing “Good Morning, Baltimore.” It got to the point where we knew almost every line in the movie.

Villarreal: I feel old asking which version of “Hairspray”… Zac Efron? What was it about it?

Infiniti: It’s just catchy — everything about it. It just makes me happy, When I hear “Run and Tell That,” I just want to do twirls in my room. I love musicals so much and they make me so happy. If I’m ever down or need a little pick-me-up, I’ll literally just blast that soundtrack. I blast the soundtrack to “Pippin” or … “Shrek: The Musical.” I remember being in the production and it kind of brings me back to those happy memories I had ,or productions that I saw that I was like, “Oh, my gosh, this really makes me want to work towards being in something like that.” I love musicals.

Villarreal: It was just two years ago where the general public was starting to learn your name with your debut in Apple TV’s “Presumed Innocent.” Since then, you’ve navigated the film award season with “One Battle After Another,” and now the TV awards season with “The Testaments.” How do you make sense of what this moment is? Are there still things you’re getting used to? What have you enjoyed about this part of the job?

Infiniti: There’s a lot of things I’m still getting used to. Especially with “One Battle,” I think the biggest adjustment I had was people knowing me before I walked up to them — people that I’m massive fans of. I met Angela Bassett at something, and she came up to me and said my name, and I was like, “You’re Angela Bassett, and you know who I am?” That was like an “Oh, my gosh” [moment]. I’m still really adjusting to that. I feel like there’s a disconnect in my brain between like what I think people know of me versus what reality actually is. And my friends bring it up all the time and they’re like, “Chase, these people know who you are.” But I can’t wrap my head around that. It’s very strange, especially going from like a 0 to 100 situation. That’s something that I’m still trying to find an adjustment on in my brain.

[What have I] enjoyed about it? I’ve gotten to meet all of my superheroes, in a way. All the people that I’ve grown up watching on the screen and on the stage, [I’ve encountered at] all of these different events and in passing, and everyone could not be kinder and just getting to meet them and just pour into them how much they’ve shaped my life and shaped the creative work I want to do. Another adjustment thing is hearing them pour back into me too. That’s something that I’ve been getting used to. But meeting the superheroes of it all in my brain has been something I’ve really loved. Also getting to meet people who’ve watched “The Testaments”; like younger girls who’ve watched it and then really found a connection point with it, and it’s had an impact on them and their friends. That’s something I really cherish about getting to do what I get to do. I had it with “One Battle.” It’s really cool to see it happening again with “The Testaments.” That’s a very wonderful gift.

VIllarreal: Before we delve further into “The Testaments,” I do want point out this moment onstage at the Academy Awards. When “One Battle After Another” won best picture, Paul Thomas Anderson singled you out, calling you “My American girl” and the “heart of this movie.” Place me in that moment as Chase.

Infiniti: Well, I didn’t hear him. I just heard him say my name. I remember he was going down the list and saying names of different people, and I thought that it was something like that. I was touched that he even mentioned me onstage. Obviously, that movie has quite literally changed my life and that entire cast. And I love Paul so much. So I didn’t hear him onstage, and it wasn’t until afterwards that my parents had sent me a screenshot of the [closed] captions from that night. They were like, “This is what Paul said about you.” I just remember feeling so honored that I got to be a part of something that changed my life, but [it was a film that] also really, I think, changed a lot of people’s lives as well; they connected with it. I can distinctively remember every single day on that job. I just remember feeling such a rush of emotions after reading [what he said] because I love that movie and I love Paul so much. I could not be more grateful for that opportunity and for the opportunity to play Willa, let alone get to be a part of the crazy world that is a Paul Thomas Anderson set. But I learned so much. There’s so much I could say about it.

Villarreal: How did playing Willa inform how you thought about Agnes, who’s also this young revolutionary in the making, as you were putting yourself on tape for “The Testaments”?

Infiniti: I signed on to it with one script in mind. Obviously, I had read the book beforehand, so I had an idea of what she was going to go through, but I didn’t necessarily know how it was going pan out onscreen. The biggest help Willa [provided] beforehand going into that is, I feel like I, by nature, have a little bit of a rebellious spirit, but I really had to turn it up with Willa. I think that being able to access that through Willa and then shape it differently for Agnes, given the circumstances of where she is, was the biggest key between the two. They do share the strong sense of rebellion. Granted, Agnes doesn’t know where it comes from. She doesn’t really know how to handle it, necessarily. But I think that that was a nice way into Agnes and creating her world mentally of where she is and also the inner turmoil of, “I know that there’s this thing happening inside me, but I don’t really understand it.” I think [that] was the biggest cheat code from Willa to Agnes.

Villarreal: What was it about “The Testaments” that spoke to you and made you want to tackle the material?

Infiniti: Just from that one script alone that I read before I signed on, it was hidden that it was “The Handmaid’s Tale,” but you can get a sense of what the world is based off of that initial script. I just fell in love with how detailed it was. It didn’t feel like there were any question marks in the world, and I think that diving into something [like] that felt very interesting because it’s not otherworldly but it feels otherworldy in the sense of the way that they speak and the way Gilead itself looks on paper versus on the screen. That was something that I found to be very interesting. But I think with Agnes specifically, I really love the amount of love that she has for her friends, because that’s something that I feel very strongly about. My friends and my family, but especially my friends, are the people I cherish most in my life. My loved ones are near and dear to my heart, and I will do anything for them. That’s something that I really loved about Agnes. That makes me very happy to see, that even in a world that’s so dark and so dim — even if she doesn’t view it as that, it is dark and it is dim for a young girl in Gilead —she still has so much love and so much hope for her friends. And I found that to be very inspiring.

Villarreal: Did you have any hesitation about the heaviness of this fictional world?

Infiniti: I don’t think that that necessarily terrified me, because I think that I have this very privileged ability to step into this world that seems like it’s so far outside of what we are, I guess, used to — but it’s really not. Nothing that Margaret Atwood writes is fiction. It is all based off of history or things that are happening at the time that she’s written it. I knew that it was going to be very relevant. I’m in this very privileged position where this isn’t my reality, but this is the reality of so many women around the world. And I thought when I read this script that this was a way for people to not, I guess, become desensitized to seeing these things, because I think that we’re in a world where it’s so easy to just turn off your phone, scroll past something, and just ignore what’s actually really happening. With “The Testaments” and with the things that these girls go through, I truly feel heartbroken. But if this in any way can wake people up, can help people continue to ask questions and really question their own environments, that was something that I wasn’t scared of. And I really felt empowered to join something that was doing that. And I am also grateful that on that set, it never felt like the material was too heavy for a day because our entire cast and our entire crew kept the energy on set very light. And if there was ever a point where a day was extra heavy, I knew that I could turn to Lucy [Halliday, who plays Daisy] and she would always be there for me. I know that I can turn to one of the directors and they would always be there, or even one of the [production assistants]. Everybody on set was very forthcoming with kindness and always very open. That was something that helped to keep the heaviness of the subject matter [from] going home with us.

Villarreal: Agnes has only known obedience and repression. She’s very controlled with her emotions. As somebody with roots in musical theater, did you have to curtail some of those instincts that you might’ve had to be a little more expressive? How was it settling into Agnes?

Infiniti: It was honestly pretty easy because you get into the space, you get into the world, and you instantly are transported and you get little context clues based off of the things that you see in Agnes’ room versus the things that you’ve seen in the school — or the absence of things. The absence of things really helped to start to put me in a box in a way — not the negative connotation of that — like putting the costume on. It really helped for me to feel the restriction of the world to understand what Agnes’ mind is, and getting to see that from the outside and then getting to step into it. It wasn’t that hard to shut off that part of my musical theater brain, but I think part of that is also I’ve learned how to maneuver through that just based off of “Presumed Innocent” and “One Battle,” because both of those parts are also very, very much so not musical theater-y at all. So I think that was also something that I had the privilege of learning on both of those sets.

Villarreal: Something that stands out with Agnes is we’re witnessing her awakening. Gilead is all she’s ever known. And she’s very dutiful to the practices of that society. But she’s grappling with coming into her identity and feeling this gap of her internal thoughts and feelings and what society tells her to be. What was important to you in having those two realities live side by side?

Inifiniti: The one thing I never wanted her to lose was her sense of love. She is a character who that is at the root of most of her decisions, especially when it comes to the final episodes with Becka [played by Mattea Conforti]. I think the love that Agnes has in this world is something baseline I never want to lose. I really tried to maintain that throughout.

There’s so much that you keep to yourself — your inner thoughts, your inner personality in a way — versus what you outwardly show the world. I just had to turn up the extremes when it came to Agnes, and really make sure to keep those things that she keeps close to her heart guarded. And put on this almost armor in a sense of what she views to be the most perfect version of herself for the outside world. And then watching that kind of crumble, those layers are peeled apart based off of what happens to her and what she sees happen to her friends. But also, there’s a point in everyone’s life where they realize, “Oh, what I had been raised under the belief of is actually not the reality. Whether it be something like that or whether it be an idea or an ideal that you have about the world or about yourself or your morals, just based off of what you’ve been raised with. I think that everybody has a point in their life where they have to face a version of reality that they’ve been told versus what actually is reality. There’s things that I’m still learning, and there’s still things that I’m questioning just based off of what I see in my personal life, and then also with my friends or what my family goes through.

Villarreal: A key character in the show is menarche and the menstrual cycle. We see how it’s weaponized, but we also see how it gives these young girls their power. What was it like to explore that?

Infinti: The thing I honestly really enjoyed about it is the openness of it. Like, you know when you go to the bathroom — and this is perfect podcast talk — and you’re taking your pad or your tampon to go change, but you’re hiding it because you’re like, “I don’t know if I want anybody to see it” [or hear] the crinkling of everything. But I think that the openness of everything in the show — granted, circumstances are completely different — but the openness that they have with it, I found to be very freeing and refreshing in a way. That was something, especially when we started shooting, that we all talked about, because we were like, “We’ve never been in a place where it didn’t feel like there was a stigma against it.” It felt like we were almost encouraged to talk about it. Getting to put this show out into the world and letting girls see that there isn’t something that they should be afraid of, but also letting them see that this is normal. This is not something that we should be scared of, let alone try to hide, because it’s a part of womanhood. It’s also a part of girlhood and a point of connection between younger girls. Getting to see it on the screen and see the way that these girls talk about it, ignoring the society of Gilead and the amount of pressure that the men put on them in this society, that connection that they have with those few things that span across culture, that is something that we were all very happy to kind of have that openness with something that we’ve felt so scared to talk about, especially at like 14 and 15.

Villarreal: Scared to experience too.

Infiniti: I remember when I got my period for the first time I was like, “What is happening? I don’t know what is going on.” The first person that you call, if it’s not your mom or another maternal figure in your life, is your friends. Because they’re normally the person closest to you in proximity if you’re at school or if you were at an after-school activity or something like that. Getting to have that openness felt very refreshing to have on set.

Villarreal: There was so much openness that there was a menarche playlist curated by director Mike Barker. Tell me the backstory on this.

Infiniti: We did. I’m trying to remember how we found out about this playlist. We were doing a camera test for the costumes, and I remember Mike just putting on this playlist and he’s like, “I like putting up these songs for everyone to listen to” because there was no dialogue in this little camera test between me, Mattea, Rowan [Blanchard], Lucy, Brad [Alexander], Amy [Seimetz] and Mabel [Li] — I can’t remember if I might be forgetting somebody else, and I’m so sorry if I am. But it was a bunch of the cast and then there was also some pinks in there just to see how everything looks on camera. And we were hearing all these different songs playing. We’re like, “Wow, this is great. Thanks for putting together a playlist, Mike.” At some point, Lucy went to grab his phone to look at what the song was and his playlist was open, and she’s like, “Why is the playlist called ‘The Menarche Playlist’? And after that, it just became us trying to get him to approve a song that we would suggest.

Villarreal: I remember you telling me Britney Spears’ ”… Baby One More Time” was on it. But I had wondered who else made the cut.

Infinti: “… Baby One More Time” was on it. I think that was the first song on it, but there would be points in lunch — we’d all eat lunch together — and we’d be like “OK, Mike, what about this one for the menarche playlist, or what about about this one?” We would all secretly hope that they would get added to the show.

Villarreal: Did one of your suggestions get added?

Infiniti: There are songs on there that I don’t even remember. So one of them probably did get added. I just don’t remember what it was.

Villarreal: Agnes is somebody that doesn’t really experience culture. We don’t know what kind of music she likes, what kind of TV or film she likes. And you’re someone that’s very much into culture, at least from what I’ve seen. Were you thinking about what she might like? How did you think about her backstory with that kind of absence?

Infiniti: I was really just relying on what you saw of her in “The Handmaid’s Tale,” and that was the extent of what I would let a part of her backstory be because she doesn’t remember much about her childhood. Once she becomes conscious, in a way, in Gilead, all I did was rely on the things that I knew that she liked and really try to remind myself, “She doesn’t know what a movie is. She knows what ‘Jaws’ is, but she doesn’t really have an understanding of what watching a movie is like. She doesn’t know what YouTube is, she doesn’t know what a phone is.” I had to keep reminding myself, especially at the beginning, to not put those things in the forefront of our minds, unless, of course, like you’re a Pearl girl who has prior knowledge of everything. A lot of it was just reminding myself, “You don’t know what this is, she doesn’t know what this is.” If I were to meet Agnes right now, she would probably think I was crazy because she just doesn’t understand a lot the things I’ve seen, and the things that we use in our day-to-day life, and I really tried to make sure to keep that intact, but also relying on the bits of information that I had from “The Handmaid’s Tale” going back to the show. And also, of course, we had Bruce Miller, so I could ask him anything.

Villarreal: What would you, Chase, expose her to? If she were to come to you, what she should be listening to or watching, what’s the guide you’d give her?

Infiniti: The crash course to being 14? I would show her One Direction. I’m sorry. That is something that is so quintessential to being a 14-year-old, especially me being 14. I would be like, “Agnes, I see the things that you love and you’re obsessed with. I’m going to show you the thing that I was in love and obsessed with when I was your age.” I would be very curious to see how she would react to hearing One Direction for the first time; hearing “What Makes You Beautiful,” that would be interesting to see. I would show her something that is representative of me being her age. I still am a fan. I’ve always been a fan my whole life, but especially One Direction, that’s probably something I would show her.

Villarreal: Who was Chase at 14? You talked earlier about having a little bit of that rebellion in you. And after playing these two characters back to back, what have you sort of learned yourself, about your power or finding your voice, especially in an industry like Hollywood?

Infiniti: Something that I realized when I was probably about 13 or 14 is, I used to be very upset when people would underestimate me. I found a way to, I guess, not make it my superpower … but use it as opposed to [letting it be] something that would defeat me. [I would] use it as something to continue to motivate me to work towards the goal that I already had because there’s always gonna be people that underestimate you. There’s always going to be people in the world that want to pour negativity into you when you’re truly just living your life, working towards the things that you want. That was something that I realized pretty young because I knew at 10 that I wanted to be an actor. And so at that point, I kind of made a shift in my mind where I was like, “OK, I need to start working towards the thing that I want to do.” At 13, people were like, “Why are you so motivated to do this? It’s a bit embarrassing that you want to be an actor. What makes you think you can do that?” And I was like, “Because I want to do it.” I never had a doubt in my mind that this would be the thing that I would get to do because that was something that my parents always told me. They were like, “Dream big because the dreams that you’re imagining can be your reality, especially if you work hard enough towards it.” And I feel very lucky that I get to do the thing I’ve always dreamed of doing.

Villarreal: How does that live side by side with also learning how to deal with rejection so young?

Infiniti: It’s a lot of tears, a lot of sad days, sad weeks, conversations with my friends, conversations with parents. But from being underestimated, I remember my dad being like, “You have to get comfortable with ‘no.’ And it’s not going to be fun. It’s not gonna be something that you’re excited to hear, because no one’s excited to hear that they didn’t get something that they really wanted.” Now I’m at a point where I’ve really learned how to process it and not let a no or a rejection affect my view of myself or affect my view of a performance or my abilities to do anything. It took a long time to learn, and I’m still nowhere near perfect, but I’m definitely at a place that’s better than when I was 13 because it is hard for somebody that young to get that amount of rejection. It’s also hard for somebody at my age to handle that level of rejection, especially when you get so close to something. I have to give that credit to processing those things to my parents because that is all them. I had many tear-filled nights when I was a kid because I was so sad that I didn’t get a solo in something, and they’re like, this doesn’t mean that you’re not talented. I’m also somebody who believes the right things will find you. And they’re [my parents] also the people that kind of instilled that in me too.

Villarreal: Does that reframing of no also give you the confidence to approach Leonardo DiCaprio and Benicio del Toro and say, “Will you make a TikTok with me?”

Infiniti: It honestly was like a lot easier than I thought it was going to be. I was very specific. I did lots of research because I also was like, “I want it to be something that they can look at and also laugh at.” They can enjoy it.

Villarreal: Do you think you’ll get there with Ann Dowd? A TikTok?

Infiniti: I would love to. I don’t know what it would be, but I would love to make a TikTok with Ann Dowd one day. If it could be like all the girls on set making a TikTok, I would be very happy. I do have some planned. So, we’ll see.

Villarreal: Margaret Atwood makes a cameo in the finale of Season 1. How do you even talk to Margaret Atwood when you meet her? What was that experience like for you?

Infiniti: The person who was probably the most shocked was Lucy because Lucy Halliday is the biggest Margaret Atwood fan I think I’ve ever met. I had the gift of getting to witness Lucy meeting Margaret for the first time. But meeting her — she’s so kind. [Producer] Warren Littlefield says this all the time where he’s like, “You can’t talk to Margaret Atwood and not learn something with every conversation.” I just remember being very quiet and listening to her talk and listening to her ask questions of me, ask questions of Lucy, but we would just pour into her and be like, “Thank you so much for your work because you truly have touched millions.” She’s also so funny and so witty and very charismatic. I remember being very nervous beforehand, but she made it very easy for our nerves to go away. The highlight was getting to see Lucy meet Margaret.

Villarreal: You’re about to head out to Canada to start production on Season 2. You’ve seen two scripts. What do you hope to see for Agnes in Season 2?

Infiniti: I hope Agnes is happy, and I hope that she can continue to push and find her happiness. I hope that she doesn’t lose her spark, and I hope that’s something that she continues to explore and understand why she is the way that she is. Those are two hopes that I have.

Mark Rydell, the Oscar-nominated director of the sentimental blockbuster “On Golden Pond” who worked with such Hollywood heavyweights as Henry Fonda, Katharine Hepburn, Steve McQueen and John Wayne, has died. He was 97.

His daughter, Amy Rydell, told the Hollywood Reporter that her father died Thursday of natural causes at a retirement community for the entertainment industry in Woodland Hills.

“Hard to put into words how much I loved my dad,” she posted Friday on her Instagram account. “He was truly one of a kind. Funniest and most talented person I’ve ever known.”

10 Oscar nominations

“On Golden Pond,” his 1981 film that teamed Fonda with Hepburn and his daughter, Jane Fonda, was nominated for 10 Oscars. Henry Fonda and Hepburn won leading acting honors, and the film won for screenplay, which Ernest Thompson adapted from his play of the same name. Rydell was nominated for directing but lost to Warren Beatty for “Reds.”

It earned more than $119 million at the box office, making it the second-highest-grossing film that year behind “Raiders of the Lost Ark.”

“On Golden Pond” was Henry Fonda’s final movie role. He starred as Norman Thayer, an emotionally brittle and distant father who becomes more accessible at the end of his life after his teenage grandson spends the summer with him and his wife, Ethel (played by Hepburn), at their cottage in New England. The film’s story resembled Fonda’s real-life relationship with daughter Jane, who said working on the movie together helped resolve some of their issues. The elder Fonda, at 77, died months after winning his only Oscar.

Rydell’s other Oscar-nominated films were “The Fox” in 1967, “The Reivers” with McQueen in 1969, “Cinderella Liberty” with James Caan and Marsha Mason in 1973, “The Rose” with Bette Midler in 1979 and “The River” with Mel Gibson and Sissy Spacek in 1984.

Born Mortimer Harold Rydell on March 23, 1929 in New York City, he studied with legendary jazz pianist Teddy Wilson at the Julliard School of Music. During a stint in the Army, he spent two years in Japan developing entertainment for military personnel. He majored in English and philosophy at New York University.

Early acting career

He turned to acting when he won a scholarship to the Neighborhood Playhouse in New York. Among his early roles were parts on the CBS soap operas “The Edge of Night” and “As the World Turns.”

Rydell made his Broadway debut in “Seagulls Over Sorrento” with Rod Steiger. In 1956, he made his movie acting debut opposite John Cassavetes and Sal Mineo in Don Siegel’s “Crime in the Streets.”

Among his film acting credits were Robert Altman’s “The Long Goodbye” in 1973 and Woody Allen’s “Hollywood Ending” in 2002.

Rydell moved into directing television, including episodes of “Mr. Novak,” “Ben Casey,” “I Spy,” “The Wild Wild West,” “The Long, Hot Summer,” “The Fugitive” and “Gunsmoke.”

He made his feature film directorial debut with 1967’s “The Fox” starring Sandy Dennis, and it was a hit.

Two years later, Rydell directed McQueen in the comedy-drama “The Reivers.”

Teaming with Sydney Pollack

Rydell and Sydney Pollack, who became friends during their acting days, formed Sanford Productions in 1971. Among their efforts were the films “Jeremiah Johnson” starring Robert Redford and “Scarecrow” with Al Pacino and Gene Hackman, which won the Cannes Film Festival’s top honor, the Palme d’Or.

Rydell directed Wayne in 1972’s “The Cowboys.” He reunited with Caan for the 1976 flop “Harry and Walter Go to New York.”

Rydell scored a major hit with 1979’s “The Rose,” with Midler in her Oscar-nominated role as a self-destructive rock star loosely based on Janis Joplin.

Rydell reteamed with Caan and Midler in “For the Boys” in 1991, but it wasn’t successful.

“He was an actor of note before he became a director, and I was so lucky to have met him when I did; he taught me so much on ‘The Rose’ and later on ‘For The Boys,’” Midler posted on Instagram. “Two Oscars nominations both because of him. He was the actor’s whisperer; just a few words was all it took to understand what was needed. Devoted to Meisner. So many happy memories.”

TV movies and series among his credits

Rydell directed the pilot of the hit ABC drama “Family” in 1976.

Among his TV movie directing credits were “McBride and Groom,” “Crime of the Century” with Isabella Rossellini and Stephen Rea, and “James Dean,” which earned actor James Franco a Golden Globe award and in which Rydell also appeared, as Warner Bros. chief Jack Warner.

He directed the movies “Intersection” in 1994 and “Even Money” in 2006.

In 2009, Rydell, Oscar-winning actor Martin Landau and screenwriter Lyle Kessler taught a film workshop at UCLA. Rydell and Landau were co-artistic directors of the Actors Studio West, teaching and coaching actors, writers and directors.

“All great art rests on telling the truth,” Rydell told UCLA’s student newspaper the Daily Bruin. “The real pursuit of an artist is to tell the truth.”

Besides his daughter, he is survived by son Christopher. The siblings who went into acting were from his first marriage to actor Joanne Linville. He had another son, Alexander, from his second marriage to producer Esther Rydell.

Harris writes for the Associated Press.

CAREFREE Kate Moss holidays with daughter Lila — as it emerged creditors will not see any of the £2.9million owed after her wellness brand collapsed.

Kate, 52, donned a black swimsuit for a soothing dip in the Med while she relaxed on a £1,340-a-day hired yacht.

Model Lila, 23, opted for a bikini on the jaunt with friends to the Spanish island of Formentera.

But back home liquidator reports for Kate’s failed Cosmoss business disclosed £240,000 of remaining products would be destroyed as they cannot be sold.

Kate, worth £55million, launched the high-end brand in 2022.

The move sparked comparisons with Gwyneth Paltrow’s successful firm Goop.

MULCH & GABBANA

Kate Moss’s surprise new career move after wellness firm’s £2.9m collapse

NO KATE LOSS

Kate Moss’ ex-BFF breaks silence over brutal eight year feud sparked by text

Kate sold natural, vegan and cruelty-free items including a facial oil, incense, a £120 fragrance called Sacred Mist and a £20 canister of Dawn Tea.

She wrote at the time: “I feel my most authentic self and I’m ready to open up and share with you.”

But the brand quietly shut down and entered voluntary liquidation last summer.

Kate has now withdrawn from a shareholders’ agreement involving her image and intellectual property rights — meaning the stock is worthless.

Paperwork filed at Companies House states: “It was confirmed that the products could not be sold on the open market.

“The stock was abandoned..”

The liquidator’s statement said there is just £3,454.88 left in the company’s coffers.

Doctors initially said Lottie Perks was just dehydrated and should rest at home

A mum says she was ‘dismissed’ as being ‘overly anxious’ by doctors until her daughter’s holiday stomach bug turned out to be her appendix bursting – and potentially fatal sepsis. Lottie Perks, now 20, began experiencing ‘crippling’ stomach pain, coupled with vomiting just days into a holiday.

24 hours later she was back to normal and the family got back to enjoying their holiday in Brazil, but on arriving home in London it was clear Lottie was unwell.

“She began shaking uncontrollably and I noticed her lips, hands and feet were freezing cold,” said mum Laura. “Her feet were white and her lips were blue. And her temperature was weirdly very low. Her face and limbs were swollen and flushed.

“I had been trying to trust the doctors before this and convince myself they were right. But, at this point, it was clear something was very wrong. I was terrified.

“And then, she collapsed in my arms as her eyes rolled back in her head. Her blood pressure plummeted and her heart rate raced dangerously high. I thought this was the end.”

Laura had also experienced a bout of sickness after returning from the trip in April 2025, so the family assumed Lottie had contracted the same bug. But just hours after coming home, the stomach pain and vomiting started again, coupled with bleeding and diarrhoea.

They went to A&E but nothing was found to be wrong. Laura said: “She was very pale, weak and physically could not stop vomiting even though there was nothing left in her. Lottie was placed on an IV drip for three hours while being observed, but was ultimately discharged with a gastro bug, as her blood tests showed normal levels of inflammation.

“That night, and the next day, she didn’t improve and became much weaker. I called the hospital and asked if it could be appendicitis, but they said everything was fine.”

Laura rushed her daughter back to hospital and begged for her to be seen again. Doctors allegedly claimed she was simply dehydrated and that they needed to leave the hospital – until an unusual rash was spotted.

After further checks, Lottie’s legs had started to turn a mottled purple and her body was severely swollen. A CT scan was ordered and it was found that her appendix had burst, causing sepsis.

Laura said: “I knew something was clearly wrong and before they took me seriously, I felt powerless. She had emergency surgery, but it was too late, the sepsis had spread. When she collapsed in my arms, that was her going into septic shock.

“And the start of her organs ceasing to work. I thought she’d be OK after the operation But the look on the surgeon’s face afterwards told me otherwise.

“When they explained about the sepsis and septic shock, and said they’d done all they could do, I felt powerless.”

Doctors rushed to give Lottie antibiotics, as there was a one hour window before her organs would start to fail completely. As nothing else could be done, it was a waiting game for a week.

Luckily, the teen recovered and was slowly taken off medication, as well as machines, keeping her alive. And, despite her life being on the line, she managed to return to university and pass her first year with flying colours.

Now, she still suffers with bouts of sickness, stomach pain, dizziness, fatigue and difficulty keeping warm. The emotional toll is felt by not just Lottie, but her mum, too.

To help raise awareness, the pair are working with Sepsis Trust to warn others of the signs to look out for. And, to never dismiss whether worrying symptoms could be sepsis.

Laura added: “Sepsis doesn’t need a cut, injury or an appendix bursting. It can be from something as simple as a virus. The symptoms are so subtle and confusing; but can become fatal so quickly.

“Having that one question in your mind when advocating for a loved one could save their life. We both suffer from nightmares following the experience. It’s difficult to look at photos from that time.

“And it’s hard not to associate the trip with what happened. We’ve always enjoyed relatively adventurous holidays and discovering further away places.

“But this has definitely put on the radar the possibility of a medical emergency while we’re away. And so, as a family, we haven’t been away too far since. We’re trying not to let the worry and her vulnerability take over too much from enjoying life.

“It’s forever changed us, but we’re so incredibly lucky to have caught it just about in time. I was treated like an overly anxious mother – but that’s what saved my daughter’s life.”

Lottie added: “Initially, I was very scared. I tried to stay calm and thought it was probably a gastro bug or food poisoning. It quickly turned into frustration because I was in so much pain and it was clearly where my appendix was.

“There was a lot of fear; I was terrified. Genuinely feeling like you’re dying and can’t explain or get anyone to understand was [infuriating].

“I still don’t think I really understood what was happening while I was in the ICU. I remember being frustrated that I couldn’t go up to the normal ward. But this was obviously because my organs weren’t fully functioning on their own still.

“Another part of the recovery that was quite frustrating was the loss of all my muscle. I remember just doing one lap of the ICU when I was well enough and being completely exhausted and my legs feeling so tired.

”Going from being someone quite active, and having to come to terms with this new situation, was quite a shock. Looking back on it now, I just feel incredibly lucky and almost proud of my body for managing to push me through it.

“But that gratitude and appreciation also comes with a huge frustration that it could’ve been avoided or acted upon sooner. And I wouldn’t have had to have been in that position in the first place.

“But it taught me a lot and I’m obviously very grateful for all the doctors and nurses that helped me. I have learned to advocate for myself better and to speak out when something isn’t right.

“I also felt frustrated as just being young and female meant that so many things masked it – from doctors thinking I could be pregnant, toxic shock syndrome, period cramps. I wanted to explain that as women, we know what’s normal for us, and this clearly wasn’t normal.

“I understand that various possibilities needed to be ruled out; but I wish someone had considered rapidly progressing sepsis as one of those a little sooner. That said, I am well aware that I am one of the very lucky ones. I’ve been shocked to read all of the ways it could have ended differently.”

ROD Stewart has become a grandfather for the sixth time as his daughter Ruby has welcomed her second child with fiance Jake Kalick.

She took to Instagram to share the special news alongside a series of pictures of her newborn son.

Ruby posted adorable pictures of her older son Otis meeting his sibling for the very first time.

She captioned it: “We welcomed our little (big) Levi Rhodes Kalick at 6:58pm on 8/4/26 at 9lbs 20inches….

“His name Levi means My Heart and his arrival has grown our hearts to 10 times the size… seeing Otis and Levi meet for the first time might have been the greatest experience of my life so far…

“Otis is already the best big brother and we are already so in love with this sweet boy… Welcome sweet Levi!”

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In one snap, Ruby’s mum Kelly Emberg could be seen smiling as she held her newborn grandson along with Levi’s paternal grandmother.

Rod has eight children in total with five different women.

He shares daughter Sarah with ex Susannah Boffey, who he dated for one year back in the 60s.

The pair put her up for adoption and she was raised by her adoptive parents.

She reconnected with Rod later in life and works in the health and care sector.

He’s also dad to Kimberly and Sean, from his marriage to Alana Collins, from 1979 to 1984.

He and ex-girlfriend Kelly Emberg are parents to daughter Ruby while his second wife Rachel Hunter and he share daughter Renee and son Liam.

Finally, Rod is a father to his two sons Alastair and Aiden, from his third and current marriage to Loose Women star Penny Lancaster.

He and Penny, 55, met back in 1999 at The Dorchester Hotel in London when a friend dared her to go up to him and ask for an autograph.

They dated for several years before tying the knot in a lavish ceremony in Italy in 2007.

Aside from Ruby’s sons Otis and Levi, the singer is also a granddad to Delilah, Louie, Elsie and another one of his daughter Kimberly’s children, whose name she hasn’t disclosed publicly.

Despite some of his eight children having different mothers, he has successfully cultivated a large, blended family.

He has a good relationship with his former girlfriends and ex-wives, with the huge clan often posing together at family celebrations.

IT is one of showbiz’s most famous moments – Tom Cruise leaping on a sofa while telling Oprah Winfrey about dating Katie Holmes.

“I’m in love,” the Mission: Impossible actor yelled, giddy with excitement as he flailed his arms about.

It was May 2005 and Tom, who divorced fellow Hollywood A-lister Nicole Kidman in 2001, had been dating Dawson’s Creek beauty Katie for just a month.

It seemed the love was mutual, with Katie revealing she was taking lessons in Scientology, a controversial religion founded by science fiction writer L. Ron Hubbard and beloved by her husband.

“I’m really excited about it,” she said, while Tom emphasised: “She makes her own decisions.”

And it seemed TomKat, as they were nicknamed, were flourishing.

Just 11 months after his dramatic declaration of love, their daughter Suri was born.

Katie and Tom wed in November 2006, but after five and a half years of marriage, she apparently blindsided her husband when she unexpectedly filed for divorce in June 2012 because of Scientology and its impact on her daughter.

And Suri, now 20, appears to have made up her own mind about her dad, dropping his surname in favour of her mum’s middle name, Noelle.

The move emerged after she publicly registered to vote in Pennsylvania, where she studies under the alternative name.

It is also reported she has been estranged from Tom, 64, since she was ten, while remaining close to Katie, 47, who is no longer a Scientologist.

Suri, an aspiring actor and drama student, is currently appearing in a re-imagined performance of Shakespeare’s A Midsummer Night’s Dream at the Edinburgh Festival Fringe.

And she seems to have inherited her father’s talent for acting, with critics saying the Carnegie Mellon uni student “stole the show”.

Journalist Tony Ortega, who has investigated the workings of Scientology for three decades, said of the family breakdown: “When Katie split with Tom, any normal Scientologist would be told she is an SP, a suppressive person — an enemy of the church.

“And Suri, being connected to Katie, would be considered a PTS — potential trouble source.

“Tom would be expected to disconnect from them and not have anything to do with them.”

The church says: “A suppressive person (SP) is a person who seeks to suppress other people in their vicinity.

“A suppressive person will goof up or vilify any effort to help anybody and particularly knife with violence anything calculated to make human beings more powerful or more intelligent.

“The suppressive person is also known as the antisocial personality.

“Within this category one finds Napoleon, Hitler, the unrepentant killer and the drug lord.

“But if such are easily spotted, if only from the bodies they leave in their wake, antisocial personalities also commonly exist in current life and often go undetected.”

Tom does seem to be in contact with his two other children, Isabella “Bella” Cruise, 33, and Connor Cruise, 31, who are both Scientologists.

Bella and Connor were adopted by Tom and Nicole in 1992 and 1995 respectively.

As youngsters, the pair divided their time between Sydney and Los Angeles, although they also lived in Hertfordshire for three years.

When their parents split up, the stars would initially spend their time between the children.

With dad Tom, they visited Scientology sessions at the church’s main hub in Clearwater, Florida, where followers spoke about attaining “spiritual freedom”.

In 2004, instead of seeing their mum, they were packed off to a Scientology summer camp.

The next year, they were living full-time with their dad.

In 2019, Bella told in a promotional email for Scientology how she was “drowning in problems” before training as an “auditor” — which is basically a counsellor who helps other believers shed “spiritual distress” using an “E-meter”.

The device is similar to a lie detector and delivers low-voltage electricity to the subject.

The email said: “This is what I had been searching for. The missing piece. Thank you to my dad for everything. We all need to do this. Wow. What an accomplishment. It’s hard work. It’s a lot of effort.

“It’s a few meltdowns and running to the bathroom to have a mini- episode, but it is worth everything because you will get through.

“This is a gift to yourself and so many others. It doesn’t matter if you aren’t going to be an auditor or aren’t going to join staff. If you are going to make it as a being for the long run, you need this.

“That’s the truth. So stop messing around and get going.”

However, despite her support of Scientology, Bella has not stayed living near her dad. Instead, she has switched the bright lights of Hollywood  for the far less glitzy Croydon, South London.

She lives in an ordinary semi-detached house with her British husband, Max Parker, 34, an IT consultant she met through friends and married in 2015.

She works as an artist, selling trendy tote bags and T-shirts with her prints on, and posts Instagram pictures and videos of her artwork and trips to Brighton.

Previously, neighbours told The Sun: “I wouldn’t have known her if she’d come up and smacked me in the face. I don’t keep up with celebrity culture.

“They have a reptile of some kind — we can see the red light of the tank. That’s all anybody seems to know. She’s very mysterious.

“I don’t know why she’s chosen Croydon, poor child!”

Former Scientologist and US actress Leah Remini, 56, wrote a book about her time in the church called Troublemaker: Surviving Hollywood And Scientology.

In it, she said she asked Bella if she saw her mum often and claims Bella replied: “Not if I have a choice. Our mom is a f***ing SP.”

Nicole, who left Scientology around the time of her divorce from Tom, has previously said: “I’ve chosen not to speak publicly about Scientology. I have two children who are Scientologists and I utterly respect their beliefs.”

She reiterated this in 2018, saying: “They are able to make their own decisions. They have made choices to be Scientologists, and as a mother it’s my job to love them.”

Bella does follow her half-sister, Sunday Rose, 18 — from Nicole’s marriage to country singer Keith Urban — on Instagram as well as both parents.

However, neither Nicole nor Keith attended Bella’s wedding reception in London, and it’s said she turned down her dad’s offer of a £324,000-a-month rented penthouse when she first moved to the UK capital.

Connor, understood to live near Clearwater, Florida, has been pictured with Tom at various sporting events.

A source told People magazine in 2019: “Connor has been able to remain close with Tom because of Scientology.”

On Instagram, he has shared pictures of him with his father, writing: “Watching the Yankees beat the Dodgers a couple years back with my dad.”

Scientology has two major centres in London, and its UK base is at the Grade II-listed Saint Hill Manor in East Grinstead, West Sussex.

And while Bella is in Croydon, it is unclear if she will travel north to Edinburgh to see her half-sister Suri, who is busy making a name for herself on stage.

Does the arbitrary nature of our daily existence cohere into something resembling a story? And if so, how do we begin to tease out meaning from that story?

Valeria Luiselli posits these questions in her new book, “Beginning Middle End,” but mercifully she doesn’t weigh down her fiction with pedantry. Rather, Luiselli tucks her ideas into the folds of an all too human story about a woman, stinging from a recent divorce, and her younger daughter as they embark on a journey across Sicily. The book is written in fragmentary fashion, discrete chunks of prose that accrete into a greater whole, much like the ancient mosaics that are among of the novel’s thematic touchstones.

I recently spoke with Luiselli about Proteus, Pliny the Elder and Polaroid photos.

✍️ Author Chat

There are resonances of your last novel “Lost Children Archive” in “Beginning Middle End.” Certain character names are repeated, and there is also an audio-visual component, as there was previously. Additionally, a QR code in your new novel allows the reader to access audio recordings related to the book. Is this part of a larger project you have in mind?

I learned a lot about [sound and sound recording] when I was writing “Lost Children.” After I finished it I devoted the next five years to a work in progress called “Echoes From the Borderlands,” recording the sounds of the Mexican-U.S. borderlands. I think of “Beginning Middle End” as a book that exists both in its textual version and in its sonic translation.

The story is told in a fragmentary fashion, with short paragraphs that are separated by subheadings. And the last third of the book contains Polaroid pictures and postcards that relate to the story. There is also a mosaic tessera that is integral to the narrative. What is it that appeals to you about the notion of a story that is constructed from lots of discrete parts?

I’ve been interested for some time now in thinking about how to shorten the distance between process and result in such a way that the signs of the process can be read in the final project. When I’m working on something, I’m collecting postcards and archival material, and taking Polaroid pictures along the way, partly because I know that my process in writing is not linear. And I use Polaroids almost as Post-It notes, as another form of note taking.

Valeria Luiselli’s new novel, “Beginning Middle End,” is about memory and imagination.

(Clayton Cubitt)

It’s such a fascinating creative process.

It can be incredibly frustrating. Because sometimes it’s years before I know what language I’m going to be using in its final form.

Your book is about many things, but the act of storytelling is definitely a major theme. Not just in fiction, but in the way we shape our own personal narratives and how they are transmitted. And this notion of “the middle” as a space that hovers between two poles, the place where you are looking behind and ahead, between life and death, and so on.

The mother in the story is in the mess of the middle, trying to make sense of things and laying out events, but not really finding the deeper threads that tie life together and give it some kind of meaning. And it is only until her daughter arrives at the end of the book that you can read the novel backwards somehow, and understand in hindsight how she, the daughter, has seen a relationship all along between all these seemingly arbitrary events. She is the one that finds meaning in a sequence, where the mother sees only chaos.

The book is grounded in Greek and Roman Classical texts. Proteus and Pliny the Elder feature prominently. Where does your interest in the Classics come from?

The early pre-Socratic philosophers were the first to observe nature without the scaffolding of mythology, who were really just trying to make sense of it. And so that’s how I arrived eventually at Pliny, who has this 37-volume compendium of observations of nature that ask all the important questions about the oceans and rivers and mountains and the sky and the clouds. Pliny became a kind of ghost that led me through the years in which I was writing this novel.

Your novel delves into the relationship between memory and imagination.

What guides me are questions that press on me. I have little interest in plots early on. I become interested in plot as an emanation from questioning things. And one of those questions was about the relationship between memory and imagination. How are the two things connected? How much is our imagination shaped by our memory?

One of the writers that has best addressed that question is Jorge Luis Borges in the last story he ever wrote, “Shakespeare’s Memory,” where the protagonist has two consciousnesses inhabiting his interiority. When a train passes, he doesn’t know what it is, because he’s in Shakespeare mode. He doesn’t have a memory of the sound of a train. That story can be read as an allegory for how our memories and imaginations work as readers. We have all our life events that compose our being and our memory of life, but we also have everything we have read. And I think that that’s really where the discussion around imagination and memory gets very interesting.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Christopher Nolan’s film adaptation of “The Odyssey” ignited a fire in the literary world, inspiring harsh critiques from Homer translator Emily Wilson and staunch defenses from Joyce Carol Oates and Susan Orlean.

(Illustration by Jim Cooke / Los Angeles Times; Source: Louis-Frédéric Schützenberger)

Chris Young was serving two life terms without parole for a low-level drug charge when Kim Kardashian intervened. The reality TV mogul successfully petitioned President Trump to commute Young’s sentence in 2021. Now Young has written “The Wound Is Where the Light Enters,” a searing memoir that “not only reveals the system’s horrors, but also celebrates the redemptive power of hope, intellect and community,” writes Julia M. Klein.

Justin Halpern, the co-showrunner of ABC’s “Abbott Elementary,” has written his first novel, called “Get Lost,” and Stuart Miller talked to him about it. Of taking on the challenge of writing alone, Halpern told Miller that “I’m definitely still codependent, but the novel forced me to venture into waters that I never would have gotten into on my own.”

The battle over Christopher Nolan’s movie adaptation of “The Odyssey” rages on. In the wake of Homer translator Emily Wilson’s excoriating critique of the film, Emily St. Martin reports that Susan Orlean and Joyce Carol Oates have publicly rallied behind Nolan. In a recent post on X, Oates wrote that Wilson’s “tone of dismissal & haughty superiority strike a sour note.”

Steve Wasserman takes a deep dive into “Too L.A.,” a newly published collection of author Eve Babitz’s rich trove of mostly unsent correspondence. The letters “brilliantly reveal Babitz’s eye for the deep shallow as well as explore the porous boundary between the largely self-inflicted injuries of her private life and the glittering sheen of her public persona,” writes Wasserman.

📖 Bookstore Faves

Whitmore Rare Books in Pasadena caters to customers who value the physical experience of reading books.

(Pierre Galant Photography)

Although it lives on a busy Pasadena street corner, Whitmore’s Rare Books feels like something a book hound might discover in London or New York: an elegantly appointed space with a large bookshelf running along the length of one wall that contains some of the store’s inventory of antiquarian treasures. Founded by a former lawyer turned bookseller and Pasadena native Dan Whitmore, the store is doing brisk business among a younger clientele that still values the tactile pleasures to be found from beautiful books. I spoke with Whitmore about what’s selling in his store.

How long have you been in the rare book business?

I stumbled into a first edition when I was in law school in Philadelphia in 2006 and I was bitten by the bug to start a collection. I worked as a lawyer for a year out here in L.A. and quit my job in 2009 to pursue rare books full time. So we’re coming up on 17 years, which is a good stretch, although there are people who’ve been in the trade for 50 or 60 years.

How do you find your inventory?

You amass this database of knowledge over time, and there really isn’t a substitute for it. I know people think that the AI boom is going to just turn around and be able to do what we do, but it’s not quite that simple. You really have to understand the market and the way that the market tends to shift over time. More modern material can shift a bit faster. But a Shakespeare folio or Darwin’s “On the Origin of Species” or Adam Smith’s “The Wealth of Nations,” books that document important moments in history where something new is introduced to the world, will always have value.

We just bought a first edition of “Alcoholics Anonymous,” and a second edition that was inscribed by Bill Wilson. These are books that have had such a profound impact on so many people’s lives that there’s this really strong market for early AA books.

What is selling presently?

I would say things like fantasy, science fiction, especially some of the classics: “Lord of the Rings,” “The Hobbit.” Some of these iconic works are having a moment right now, such as “Dune,” “I, Robot” and the “Foundation” trilogy. There are new buyers coming in, and I think some of that is tech money — people who maybe grew up reading these books and find inspiration there.

Why should we spend a lot of money on old books, when we can buy new ones for a lot less?

I don’t think that everyone is a collector or should be. I think that there are people who love the physical objects. They love the connection to history, that feeling of thinking about what it must have been like when someone opened the book and read that for the first time, and they get to have that experience again.

Whitmore Rare Books is at 121 E. Union St. in Pasadena.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Luka Doncic‘s former fiancée, Anamaria Goltes, requested Monday that the petition for child support she filed in March in Los Angeles Superior Court be dismissed, according to court documents obtained by The Times.

“I am withdrawing my Petition for Child Support with the specific intention of resolving this matter amicably and by a mutual agreement which is in the best interests of our children,” Goltes wrote in the filing.

The Lakers superstar proposed to Goltes, a fashion and fitness model, three years ago. They met as children in their native Slovenia and started dating as teenagers in 2016. Their daughters — Gabriela, 2, and Olivia, seven months — live with Goltes in Slovenia.

Doncic has spent the offseason in Slovenia and will host a four-day minicamp for the entire Lakers team later this month in his hometown of Ljubljana, which will include workouts, golf and sightseeing ahead of training camp. The guard — who led the NBA in scoring with an average of 33.5 points a game last season — even offered to pay the team’s travel costs.

Goltes, 28, sought child support and attorney fees from Doncic, 27, following an incident that occurred shortly after Olivia was born at Kranj Maternity Hospital on Dec. 6, 2025, in Slovenia. Doncic missed games against the Toronto Raptors and Boston Celtics to be present at the birth.

Goltes objected to Doncic’s desire to bring Gabriela back to the United States with him when he joined the Lakers in Philadelphia to play the 76ers on Dec. 7. Goltes called the police, but officers “did not detect any elements of a criminal offense or misdemeanor,” according to a report viewed by ESPN.

The couple broke off their engagement shortly thereafter. Goltes deleted photos of her and Doncic from her Instagram account and Doncic acknowledged that they had separated. He filed an injunction with a Slovenian court in February seeking immediate contact with his daughters, ESPN reported.

“I love my daughters more than anything, and I’ve been doing everything I can for them to be with me in the U.S. during the season, but that hasn’t been possible, so I recently made the tough decision to end my engagement,” Doncic said in March. “Everything I do is for my daughters’ happiness, and I will always fight to be with them and give them the best life I can.”

Doncic posted a photo on social media of Olivia wearing a pink sweater with a heart emoji covering her face. In his first game back, he inscribed a G and O with a heart on his shoes.

“I got to see my daughter again, my newborn,” he said upon his return. “Coming back, it was kind of hard to leave them behind. But it’s a job, so I got to do it.”

COLUMBUS, Ohio — Pursuing a narrow path to retake control of the U.S. House, Democrats are seeing fresh opportunity in a northeast Ohio congressional district where the Republican incumbent is facing mounting pressure over domestic abuse allegations and a GOP senator, his former father-in-law, said Sunday he is unfit to serve.

Allegations against Rep. Max Miller, a White House advisor during President Trump’s first term who is endorsed by Trump, have been public for years but recently have drawn increased media scrutiny amid an escalating legal back-and-forth with his former spouse, who is the daughter of U.S. Sen. Bernie Moreno (R-Ohio). That has Democrats sensing Miller could be vulnerable in a district he won two years ago with a little more than 51% of the vote.

The threat to Miller’s candidacy heightened significantly Sunday, as Moreno said his former son-in-law should not be serving in the House and should “seek professional help,” while Miller defended himself against the allegations in a live video on social media.

Miller says he won’t drop out

Moreno, who had been publicly restrained in recent months as the custody dispute between Miller and his daughter Emily played out, said in a lengthy post: “If there are any basic standards of character required to hold elected office, Max Miller fails them. He should not serve in the House of Representatives.”

Moreno wrote that Miller “needs serious psychological help. He is a danger to my daughter, and I hold my breath every minute he has custody of my granddaughter.”

Miller said Sunday that he will remain in his race for reelection before a Wednesday deadline to replace him.

“I’m not dropping out of this race and I’ll win in November,” he said.

Emily Moreno has said that Miller scalded, hit and threatened her while they were married. Miller denied those allegations in the video, as he has in the past.

“It’s incredibly upsetting,” Miller said as he went through a list of the allegations.

Miller also said he had nothing to do with a broken collarbone on their 2-year-old daughter that led Emily Moreno to contact authorities. The pair, who were married in 2022 and finalized their divorce last year, have presented different versions of how the injury occurred, according to court filings and police reports detailed in the magazine Mother Jones that first revealed the child’s injury.

Miller accompanied his announcement with the release of a cache of investigative and court documents related to the custody dispute.

A spokesperson for Emily Moreno, Stefan Mychajliw, said Sunday that the video was “shameful.”

“No loving parent would have ever used their daughter as a PR pawn to save their own political career,” Mychajliw said. “Miller can lie and spin on X, but he cannot do so under oath in a court of law. We are confident that justice will prevail in court.”

Republican reaction

Sen. Moreno’s statement prompted some hand-wringing behind the scenes in his home state, where Trump-endorsed candidates like Miller typically win with ease. The White House did not respond to a request for comment Sunday.

Miller’s Democratic opponent, Brian Poindexter, said no one facing such accusations “belongs in the halls of power.”

State Rep. Mike Dovilla, a U.S. Navy veteran and former presidential appointee to the Office of Personnel Management, and Kevin Coughlin, a former state senator and representative who ran for the U.S. House in 2024 and 2026, were among Republicans whose names were being floated should Miller drop out, according to a high-ranking Republican who discussed the sensitive subject on condition of anonymity.

Democrats have called on Miller to resign, requested a congressional ethics investigation and suggested more help could be directed in the fall toward Poindexter, a union ironworker.

Republicans generally had remained in Miller’s corner until now, saying he has delivered for his district and is electable in November.

Republican Gov. Mike DeWine told Ohio’s Capital Journal that the accusations were troubling and “very serious” but that Miller’s fate should be up to voters.

The tension comes as Republicans are defending their narrow majority in the House in the November races.

Terry Casey, a longtime Republican consultant in Ohio, said Miller remains in a strong position to win the Republican-leaning district, which stretches south from Cleveland and was won decisively by Trump two years ago.

That is unless Poindexter, who has been endorsed by U.S. Sen. Bernie Sanders (I-Vt.), can attract money significant enough to step up his advertising in the 7th Congressional District’s media markets.

“Unless serious people are willing to put in serious money, I’d say beginning around $2 million, it’s all nothing but lip exercises,” Casey said.

The National Republican Congressional Committee declined to discuss whether it would match any influx of Democratic cash. Miller has significantly outraised Poindexter, although the Democrat’s campaign said it has received a surge in social media followers in recent weeks.

Democrats call for ethics probe

Last week, U.S. Rep. Shontel Brown, a Cleveland Democrat, said it “would be wise” for Miller to resign. The House Democratic Women’s Caucus called for an ethics investigation.

“The recent reports of domestic violence and child abuse against Representative Max Miller are deeply disturbing, and Congress can’t ignore them,” Democratic Reps. Teresa Leger Fernández of New Mexico, Emilia Sykes of Ohio and Hillary Scholten of Michigan wrote in their letter. “Allegations of violence against women and children have to be met with the utmost seriousness.”

Other allegations

Miller has denied all allegations of abuse. Last spring, his spokesperson provided documentation to the Associated Press that showed several allegations that he had abused his daughter had been investigated by the Cuyahoga County Division of Children and Family Services and were deemed unsubstantiated. He has sued Emily Moreno for defamation.

The couple’s dispute escalated last week.

On Thursday, lawyers for Emily Moreno asked a judge for a temporary restraining order barring Miller from contact with her attorney, Andrew Zashin. The filing alleges that Miller shouted insults at Zashin and goaded him to “Come at me!” outside a court hearing last May, then grabbed Zashin during a different proceeding on Tuesday.

The court filing quotes Miller’s lawyer as saying his client “just can’t control himself.” The attorney did not return a call seeking comment.

Last month, Miller’s ex-girlfriend, former White House Press Secretary Stephanie Grisham, filed a lawsuit against him. She accused Miller of violating terms of a confidential settlement agreement they struck to resolve his 2021 lawsuit against her.

That lawsuit alleged Grisham defamed him in her book and in a Washington Post op-ed when she said a former White House staffer — later identified as Miller — physically abused her while they were dating. While the book is vague on the specific allegations, Politico reported at the time that Grisham and Miller’s relationship ended “when he pushed her against a wall and slapped her in the face in his Washington apartment after she accused him of cheating on her.”

Grisham alleged in the new lawsuit filed July 7 that Miller dragged her name into his dispute with Moreno and violated their agreement not to disparage each other.

Democrat’s strategy

For Poindexter, t the accusations against Miller provide a possible path to an upset in November if some conservative-leaning voters opt for him or enough Republican voters are turned off by the domestic abuse allegations and stay home.

“These are serious allegations and deserve the full attention of law enforcement,” Poindexter said in a statement. “If all the allegations against Congressman Miller prove to be true, Max Miller should be in jail, not worried about retaining a seat in Congress.”

Jim Trakas, a former state lawmaker and GOP party chair in northeast Ohio, said Miller is not helped by the fresh developments so close to the election.

“It’s a difficult year for any incumbent,” he said. “Now you have to spend time on this when you want to focus on the main event, which is the pocketbook issues.”

Smyth, Jalonick and Catalini write for the Associated Press.

Need to know

Elize: Shadows of a Woman tells the true story of Elize Matsunaga, who murdered and dismembered her husband.

Everything you need to know about what happened to Elize Matsunaga and her daughter

1. Netflix’s new crime drama Elize: Shadows of a Woman is a chilling retelling of a real-life Brazilian murder case. The series explores the true story of Elize Matsunaga, who shocked Brazil in 2012 when she shot and dismembered her husband, Marcos Kitano Matsunaga, after discovering his infidelity.
2. Netflix describes the drama as showing how “a former escort discovers her wealthy husband’s infidelity and struggles to cope as betrayal poisons their marriage.” The series, which is a fictionalised retelling of the true story, follows on from the 2021 documentary Elize Matsunaga: Once Upon a Crime, which featured her first interview after the crime.
3. Matsunaga, a trained nurse, had hired a private investigator to gather evidence of her husband’s cheating before confronting him about the affair. The confrontation had fatal consequences, and after the tragic event, she initially reported her husband missing but confessed to the murder weeks later.
4. Convicted in 2016, she was sentenced to almost 20 years in prison, later reduced to 16 years in 2019. Having served 10 years, Matsunaga has been on parole since 2022. The Netflix documentary reveals the Matsunaga family wishes to disassociate themselves by “removing Elize’s surname.”
5. Matsunaga had a daughter, who was only one year old when the murder occurred, and she was keen to keep in contact with her only child. However, her daughter remains in the care of Marcos’ parents with full custody. Tragically, Elize has had no contact with her daughter since the crime and has not even seen photographs of her.

READ THE FULL STORY: Where is Elize Matsunaga now?

JUST like her 54-year-old mum, my daughter Lola likes the finer things in life.

So instead of backpacking around Europe like a Gen-Z, 20-year-old Lola and I ticked off four countries and six cities on a week’s river cruise down the Danube.

Tempted by Vienna, Bratislava and Budapest, we chose Viking’s Danube Waltz itinerary — an eight-day cruise along the Danube River.

Flying in to Munich, we wind through Lower Bavaria to our ship docked in Passau — and Lola grins as she boards Viking Vilhjalm.

With its smart and comfortable cabins, two restaurants and airy lounge bar, it’s a far cry from the backpacker hostels that she’s used to.

Our first day is spent in Passau — an historic Bavarian city, where the Danube, Inn and Ilz rivers meet.

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Pottering around the Old Town, all cobblestone streets, Baroque architecture and cute German cafes, we stop by St Stephan’s Cathedral, a huge white and green onion-domed church — so my girl can inform Instagram.

Back on board, and dinner is a sociable affair — the conversation oiled by the included wine and beer.

We dine with a group of Americans — Vicky and Jay, a lovely couple from Montana, and Dillon and Robert from Georgia, who are celebrating Robert’s 40th birthday on the ship.

The food on board is so good, and plentiful, that I just wish I’d packed more elasticated clothes.

Each morning on the al-fresco Aquavit Terrace, we breakfast like queens — eggs Benedict, buttermilk pancakes with fresh berries, smoked salmon.

And there’s a view of a new port each day.

We always make it back to the ship in time for the excellent three-course lunch, too. With wine, of course.

Dinner is the most formal affair, served on the lower deck in the restaurant.

A Classics menu, featuring dishes like ribeye steak, poached salmon and roast chicken, is available every night but the chef also prepares a Regional Specialities menu that changes to reflect the country we’re in.

I particularly enjoy the Austrian evening.

To a backing track of oompah music, staff dressed in gingham shirts welcome us with shots of schnapps before serving platters of cured meats, cheeses and pickles, followed by roast pork, schnitzel and spaetzle.

I roll back to the cabin that night.

While Lola is by far the youngest guest, it doesn’t stop her making friends.

Docking in Linz, I’m enjoying a glass of wine in the lounge, listening to Peter, the resident pianist, work through his Smooth FM setlist, when Lola appears with a glint in her eye.

“I’ve made friends at the bar and we’re hitting the town,” she announces.

Little encouragement is needed as I join her and new friends, Pam, Nick and Kate, also from the US, in the bars of Hauptplatz, the main square.

In the Pink Panther bar, Lola chats to local girls who introduce us to strawberry schnapps — a Linz favourite.

It’s a slow start the next morning, but we drag ourselves out to explore more of Austria’s third-largest city.

We take the vintage tram up to Postlingberg, the local mountain, to be greeted by panoramic views across the city.

We stumble across Linz Grottenbahn, a kitsch grotto inspired by Grimm’s fairytales, which opened in 1906.

Inside, a dragon train trundles through fairy-lit caves past dioramas of gnomes and taxidermy animals.

Despite our ages, it’s a real highlight of our cruise.

Back on board, and cruise life suits us. Over breakfast, we check out the Viking Daily — the newsletter detailing the day’s programme.

Our next stop is Krems, in the scenic Wachau Valley — Austria’s wine region.

We visit Gottweig Abbey, a Baroque wonder overlooking the river, where Lola (remembering her A level in History of Art) is mesmerised by the ceiling fresco of Emperor Charles VI as Apollo — by Paul Troger, Austria’s Michelangelo.

Vienna is another favourite port of call — and on the Viking walking tour of Ringstrasse, we learn about the naughty antics of Klimt and “Sisi” — Empress Elisabeth of Vienna, who bathed in milk and got a tattoo aged 51.

After dinner, we attend a classical music concert in a Viennese music hall, where Lola falls in love with the music of Mozart and Strauss.

I had feared my girl might get bored — but docking daily in a different port, she thrives on the variety.

Our next stop is Bratislava — the small and charming capital of Slovakia.

We dock moments from the Old Town, near the UFO Bridge, and tick off Bratislava Castle, Michael’s Gate and Hlavne Namestie Square.

Lola loves the Baroque architecture and cute shops which, under a blissful blue sky, feature heavily on her Instagram feed.

Our final stop is Budapest, Hungary’s buzzy capital.

Our coach tour captures the highlights — Buda Castle, the vast Hungarian Parliament and St Stephen’s Basilica — but we decide to ditch the walking tour to see the Shoes on the Danube Bank.

This haunting art installation of dozens of iron shoes is a memorial to Hungarian Jews lost in the Holocaust.

Before we return to the ship for our last dinner, I take Lola for a beer at Szimpla Kert — the first of Budapest’s ruin bars, created since the Noughties from abandoned or derelict buildings.

As we sit around an old Trabant car-turned-table in a graffiti-strewn courtyard, I look at my gorgeous girl — grinning and in her element — and decide that our mum-and-daughter river cruise has been a rip-roaring success.

In 2007, for the first time in recorded history, more humans were living in urban spaces than rural ones. The animal kingdom has followed suit. In our cities, we are surrounded by synanthropes — wild animals that have adapted to human-modified environments and have learned to thrive in them — yet most of us are unaware of the biodiversity of this urban wildlife and how it functions along a parallel track with its human brethren.

Dan Werb’s latest book “Our Wild Familiars” explains how these “soil churners … epidemic vectors and ecosystem partners” have a crucial role to play in the future sustainability of our communities. I talked to Werb about coyotes, the health benefits of birdsong and seagulls with junk-food issues.

✍️ Author Chat

You are an epidemiologist.

I was trained as a social epidemiologist — somebody who can look at how societal factors influence the health of populations. I study how society determines who lives and dies, who is sick and who is healthy.

I’m wondering if it was your interest in Zoonotic viruses that led you to this subject?

The last book I wrote was called “The Invisible Siege.” It is an overview of the history of coronavirus science, starting in the ‘80s, braided with the much longer history of the coronavirus family. And it ends with this scientist who is describing being in northern Thailand and moving through Myanmar and Yunnan Province in China in the ‘90s. And he stumbles upon this exotic animal market near the Shan Autonomous state, which is an ethnic enclave in northern Myanmar that’s been at war with the junta there forever. And this market’s got cloud leopard skins, civets and every crazy, exotic animal that you can imagine. And they were all being sent directly into China. And it’s exactly this kind of trafficking that is carrying all these viruses, like this superhighway of exotic animals into urban areas.

But not all urban animals are vectors for disease. In fact, we have fostered very cushy urban environments for many different species. Pigeons, for example, who don’t have to fly in cities because they have no natural predators.

Chris Shell, a coyote expert from Altadena that I interviewed, pointed out that pigeons do have to worry about predators now, because there are red tail hawks and coyotes and other creatures. Our urban ecosystems are becoming more complex. There are some biologists that are describing our time right now in North America as the great urban shift. They’ve done modeling exercises showing that over the next few decades there are literally going to be thousands of species moving into urban areas. They’re increasingly going to be mega-fauna, much larger animals.

Why is that happening?

We’re seeing the continuing acceleration of the transformation of wild spaces into human modified spaces. But it’s also because of extreme weather events. If you look at the horrible fires that occurred in Los Angeles last year, one of the things that happened was hundreds of thousands, even millions, of animals had to flee those areas that were on fire, and they fled into urban areas. What do urban areas provide? Constant sources of freshwater, continual sources of food waste, and other prey. You’ve got climate change happening, and that’s causing this real shift of animals moving into different places.

Dan Werb, author of “Our Wild Familiars,” a new book about wild animals who’ve managed to survive in human communities.

(Joseph Fuda)

What about a less traditional metropolitan space, like L.A. County, which is a hodgepodge of so many different kinds of topography and terrain.

L.A. is super fascinating because lot size isn’t directly related to income. It’s very much more heterogeneous and variable, even within neighborhoods. The wealthier a neighborhood is, the higher the biodiversity is going to be, because we’re going to have larger lots, more green space, fewer fences, things like that.

We have a complicated relationship with coyotes in L.A., especially those of us who have lost pets to them. But according to your book, we have trapped them in our cities.

Coyotes need to have pathways that allow them to move in and out cities. As it is now, they move into urban environments looking for food and water, and they can’t get out. They get trapped in cities, and conflict happens. Like black bears in suburbs across large parts of North America that dig into people’s garbage.

And bears and other animals eating, say, fast food leftovers is a nutritional disaster as well.

It’s like an ecological trap. They see no reason why they would leave, even though staying is actually more dangerous for them. And there are all kinds of ecological traps across cities that manifest in different ways. One that I always think about is seagulls at the seashore that have evolved over tens of millions of years to be able to hunt fish and shellfish. And the fish are right there, yet they’re eating french fries because it’s slightly less work.

You mention the Wallis Annenberg Wildlife Crossing that spans the 101 freeway in Agoura Hills, the first animal crossing of its kind in America, as a potential solution to this problem.

I think it’s great. One hopes there will be more projects like that undertaken in other cities around the world.

We’ve discussed all the rotten things that are going on with animals in cities. Why is it a wonderful thing that animals have come into our cities and our lives?

If we hear birdsong, we’re less stressed. If we hear additional birdsong, it multiplies the stress-relieving effect. Being close to animals is biologically beneficial for us. It’s really about connection. I look at AI, and there’s this kind of sense that an AI chat bot can decrease loneliness. But it’s just an echo chamber. I think a true connection is bridging some kind of divide in the way that you think or perceive the world. And in that sense, being aware of an animal who is aware of you takes you out of yourself in a way that I think is really, really special.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Book jacket for “You Won’t Get Free of It: Stories of Mothers and Daughters” by Rachel Aviv

(Los Angeles Times illustration; book jacket from Knopf)

The ostensible topic of Rachel Aviv’s new essay collection, “You Won’t Get Free of It,” is mothers and daughters, but according to Julia M. Klein, Aviv’s sparkling, sharp-eyed pieces “involve the slipperiness of truth and the crushing inadequacy of our mental-health system and social safety net.”

“Cool Machine,” the final volume of Colson Whitehead’s Harlem trilogy, is an “American epic disguised as a heist novel,” writes Leigh Haber. “Whether or not New York is your jam, or a place you have escaped from or to, Whitehead’s Harlem Trilogy is destined to live on as an American classic.”

Whitney Friedlander profiles Jessica Knoll, one of America’s most successful authors of sexy thrillers that “depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads.”

Finally, Dan Tana’s book about his legendary, eponymously-named restaurant in West Hollywood, “Everybody Came to Tana’s,” has been posthumously published. Sixty-two years after the restaurant’s opening, it’s still a tough reservation to snag. “In a town that’s always trying to be something that it’s not, it’s not trying to be anything,” his daughter Katerina tells Maddie Connors. “Dan Tana’s is longevity in the midst of ephemera.”

📖 Bookstore Faves

The Philosophical Research Society is a Los Angeles Historic Cultural Monument in Los Feliz.

(Philosophical Research Society)

There is nothing else in L.A. like the Philosophical Research Society. The nonprofit was founded by scholar Manly Hall in 1934 as a place for the curious to explore wisdom, philosophy, mysticism and mythology across all cultures. Its visually striking Mayan Revival Los Feliz campus, a Los Angeles Historic Cultural Monument, features an auditorium, a gallery and a library of 30,000 volumes. The PRS bookshop is its own gem, a well-curated miscellany of books for spiritual seeking and enlightenment.

In a joint email exchange, PRS staffers dama, Jarrett Schaefer, Kelly Carmena and Amanda Brass explain what makes the store a sui generis experience.

How does the bookshop tie in thematically with the Philosophical Research Society?

The PRS Bookstore is a reflection of all that we do here at PRS. It is an extension of the library created by Manly Hall where you will find foundational texts in alchemy, mythology, philosophy, astrology, and art. You will also find a selection of books based on themes explored in our talks and screenings and from recommendations made by the team at PRS.

It’s a very well-curated inventory of new and secondhand books — I assume you’re very careful about what you stock on the shelves.

We select works that are meaningful to us and hope that they will resonate with everyone too. We highlight works by mystics and visionaries. In our staff recommendations section, you’ll find titles like Ben Caldwell and Robeson Taj Frazier’s “Kaos Theory,” art books by Penny Slinger, Betye Saar and Remedios Varo, Yoko Ono’s “Grapefruit,” “Red Tarot” by Christopher Marmolejo, “The Bhagavad Gita,” and “Time, Myth & Matter” by LD Deutsch. We also feature items from local artists like Moss Candles, Black Willow Jewelry, and perfume by Syd Botanica. Our secondhand books are donation-only and are a kaleidoscopic bag of surprises.

The Philosophical Research Society features an auditorium, a gallery, a library of 30,000 volumes and a bookshop.

(Philosophical Research Society)

What book genres tend to sell well?

Esoteric art, mythology, tarot and divinatory practices, ancient philosophy, and hermeticism are all popular subjects. The top-selling book every year is Manly Hall’s seminal work “The Secret Teachings of All Ages,” which is an encyclopedic outline of symbolic philosophy. The used astrology books and children’s books are quite popular too.

Do you have author events?

We’ve hosted book talks with Mark Mothersbaugh, Michelle Coltrane, Mitch Horowitz and Susan Orlean. We regularly co-present events with publishers like Hat & Beard Press, Angel City Press, the Library of Esoterica, Sky Press, Ouroboros Press and Bibliomancers. There are also monthly events that are centered around the bookstore: The Manly Hall Book Club, Astro Study Group, Surrealist Study Group, Tarot Salon and an Esoteric Game Night.

Philosophical Research Society is at 3910 Los Feliz Blvd. in Los Angeles.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

“Top Chef” alum and popular Food Network host Eric Adjepong has been ordered to stay away from his 7-year-old daughter following an investigation into abuse claims.

According to the Washington Post, a Maryland judge found that “there is a preponderance” of evidence to believe Adjepong physically abused his daughter, leading to a protective order that bars the celebrity chef from contacting or being alone with his daughter until he completes parenting courses and reunification therapy with the child.

Adjepong’s former wife, Janell Davis-Mack, posted a screenshot of the case information on Instagram last week, writing that she and her daughter had been quiet long enough.

“My daughter has watched me rebuild our life focused on our safety after I divorced her father four years ago,” she wrote. “I’ve also taught her about body autonomy, consent, boundaries, and to tell the trusted adults around her when she feels unsafe.

“My daughter was just granted a protective order against her father because she was brave enough to speak up against who should have been one of the most trusted adults in her life.

“Unfortunately for him — I’ll never stop believing her, protecting her, or reminding her that her voice matters.”

Judge Maurice C. Frazier issued the protective order against Adjepong on July 10; it will remain in place until July 10, 2027. The James Beard-nominated chef is mandated not to contact, harass, abuse or threaten to abuse his daughter or former wife. While the order is in place, Adjepong can have supervised visits with his daughter.

In May, Davis-Mack filed a petition in Howard County, Maryland, seeking protection for her daughter from Adjepong, citing alleged child abuse. Per the Washington Post, Davis-Mack claimed that a nurse who examined their daughter filed a report with the D.C. Child and Family Services Agency, which launched an investigation by D.C. police.

A spokesman for D.C. police told the Washington Post that its Youth Investigations Branch was prompted to investigate claims of “sexual abuse” but that detectives found no probable cause that sexual abuse had taken place and referred the case back to Child and Family Services. On Wednesday, Adjepong posted what appeared to be a screenshot of email correspondence from the D.C. Child and Family Services Agency stating that, on April 29, they received a report of potential neglect or abuse, investigated the claims and found sexual abuse claims “unfounded.”

“I am aware of recent media inquiries concerning a protective order entered on July 10, 2026,” the chef wrote alongside the screenshot. “Because this matter involves my young daughter, whom I love deeply, I intend to protect her privacy and will not discuss the underlying allegations or other sensitive family matters publicly other than to say that these allegations arose in the context of a long running divorce and custody proceeding, which finally concluded on June 2, 2026.

“The Court’s protective order followed careful reviews by law enforcement and the District of Columbia Child and Family Services Agency (‘CFSA’). The District of Columbia Metropolitan Police Department closed its investigation without filing charges. CFSA concluded its investigation with an ‘unfounded’ disposition, which its report defines as not true.

“I have the utmost respect for the Circuit Court that issued the protective order and am strictly complying with every facet of the order, which is designed to ensure that my daughter is safe and treated respectfully, and to ensure her reunification with her father. The Judge eloquently described the nature of my relationship with her at the hearing. My foremost concern is my daughter’s well-being. It is my fervent hope that in the future my ex-wife and I can resolve these matters privately and through the proper legal channels, rather than in the press, if only for the well-being of our daughter.”

Malcolm-Jamal Warner‘s widow and his mother are on opposing sides of a legal battle over $1.2 million, a year after “The Cosby Show” star died suddenly at age 54.

Tenisha Warner, the actor’s wife and mother to his daughter, on Monday filed a civil complaint against her mother-in-law alleging breach of contract. The complaint, filed in DeKalb County Superior Court in Georgia, alleges that Pamela Warner — trustee of the Warner Family Trust — owes her daughter-in-law an approximate total of $1,276,042.46 stemming from the spouses’ premarital agreement and the actor’s other alleged financial obligations to his wife, according to legal documents reviewed by The Times.

Malcolm-Jamal Warner, the Emmy-nominated actor who starred as Theo Huxtable for eight seasons on “The Cosby Show,” died on July 20, 2025, in an accidental drowning while on vacation at Playa Grande, Cahuita, Limón. He married Tenisha in May 2022.

According to her complaint, Tenisha and Malcolm-Jamal Warner’s premarital agreement stated that the actor should purchase and maintain a term life insurance policy of $1 million with his wife as the sole beneficiary. Malcolm-Jamal also agreed in their prenup to maintain and contribute the maximum annual amount to a Roth IRA account for his wife, a financial obligation worth $30,500, according to court documents. Tenisha also claims Malcolm-Jamal agreed to pay her $16,000 a year for each wedding anniversary and a monthly salary of $5,500 “for her service as his Chief of Staff.” The complaint includes a copy of the premarital agreement.

In a statement shared with The Times on Wednesday, Tenisha said she has attempted to privately settle Malcolm-Jamal’s “complicated estate and honor his last wishes” and that the actor “had every intention to provide for our nine-year-old daughter and me.” Tenisha also said her late husband intended to finalize a new estate plan — “the stale plan created [was] in 1996 when he was 26 years old” — but was unable to do so before his death.

“I have been struggling to care for our daughter as a single mom and now as her sole provider. Legally, I had no choice but to take action to protect our rights before any potential statute of limitations expired,” she continued. “We thank you for your support, love, and understanding as we work through this painful process while honoring Malcolm’s life on the first anniversary of his death.”

According to the complaint, Malcolm-Jamal died “without having satisfied his obligations” to his wife and Tenisha has not received payments related to her agreements with the actor. “The full amount of the obligations described herein remains due,” the complaint said.

Tenisha’s complaint also seeks a declaration confirming the validity of her premarital agreement.

Pamela Warner commemorated the anniversary of her son’s death on Tuesday, sharing photos from their past on the Instagram page dedicated to her son’s memory. In between photos from Malcolm-Jamal’s childhood, Pamela included a lengthy statement about moving forward amid a year of “pain, hurt, loss and emotional de-stabilization.” Her statement talks about purpose, healing and a journey to “be better, improve and transform our spiritual selves.”

“During my year long journey, I have discovered how cruel, evil and greedy a human can be,” she wrote, seemingly alluding to the legal battle but not naming her daughter-in-law. “I have also discovered the depth of love, care, concern and support that humans are capable of. All of which I have been the recipient of. The good, the bad, and the ugly. These are the lessons that I apparently will need as I continue my journey.”

Brad Pitt and Angelina Jolie‘s youngest daughter, Vivienne, is seeking to drop “Pitt” from her name, according to People.

The 18-year-old filed a petition in Los Angeles County Superior Court to remove her father’s surname from her legal name, Vivienne Marcheline Jolie-Pitt. The reason for her request was listed as “personal.”

The request is a common theme among the Jolie-Pitt siblings since the couple’s marriage was formally dissolved in 2019 and divorce became finalized in 2024 after a long legal battle.

In August 2024, the court granted Shiloh’s request to drop the surname. Zahara and Maddox have both asked for the same, but their petitions are pending hearings.

Before her request, Vivienne had already informally dropped the last name. In May 2024, the youngest of six was credited as “Vivienne Jolie” on the Playbill for “The Outsiders,” a play she co-produced with her mom.

The couple wed on Aug. 14, 2014, nine years after they met while filming their movie “Mr. and Mrs. Smith.” Jolie filed for divorce in September 2016 after the couple allegedly had a physical altercation aboard a private plane, which also involved several of their children.

The Los Angeles County’s Department of Children and Family Services and the FBI investigated the alleged physical altercation between Pitt and his son Maddox. No charges were filed against Pitt.

The court has scheduled a hearing for Vivienne’s request for Nov. 2.