Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
This year’s festival will take place Saturday and Sunday at the USC campus, and it’s packed with a mind-boggling array of great participants and exhibitors. You can peruse the complete schedule, download the book festival app, and book your parking and panel reservations here.
I have warm fuzzy feelings about the festival, attending as a budding writer in the early aughts. As someone who aspired to “go long” but had no clue how to go about doing it, the event was an inspiration: all these hot-shot authors talking about their craft, and free admission no less.
Of course the event wasn’t the sprawling, magnificent behemoth it is now, with cooking demonstrations from the world’s greatest chefs, and bestselling children’s authors reading to tiny budding bibliophiles. The first festival in 1996 drew 75,000 book fans; last year, more than twice as many people showed up.
As the festival grew, so did the excitement. In 2007, I waited in line along with hundreds of other fans for the privilege of hearing Gore Vidal talk about his craft in UCLA’s Royce Hall. Gay Talese, one of my journalism heroes and a veteran of some of the very first festivals in the late ’90s, was always a pleasure. His stories about breaking into the New York Times conjured up a lost world that seems positively antediluvian now. “If you show up in a three-piece suit and a hat, and you look like you might have taken a bath recently, they don’t kick you out as fast,” Talese told a packed crowd in 2008.
By that time, much to my astonishment, I knew Talese personally. In 2004, I was working on a book about the New Journalism movement that he spearheaded. That year, he asked me to join him at the book festival as a guest. It was my first time in the “green room,” the backstage area where authors socialize over food and drinks. After ogling all the A-list talent in the room, I was asked by Talese to join him for lunch at a table along with novelists Jane Smiley and John Kaye, historian Doug Brinkley and social critic Naomi Wolf, all of whom were appearing at the festival. Reader, my mind was suitably blown. I just kept my mouth shut and listened.
I will be moderating a panel Sunday at 1:30 p.m. at the Ray Stark Family Theatre (plug) and I can’t wait. There is nothing like this festival; it is The Times’ annual gift to the Southland, and we should all be grateful we get to enjoy it.
Here are some of this weekend‘s festival highlights. All panels are an hour in duration.
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Graphic novelists Henry Barajas, Eagle Valiant Brosi, Anders Brekhus Nilsen, Mimi Pond and Angie Wang discuss their latest graphic novels, each of which is based on true events or popular myths.
Where: Albert and Dana Broccoli Theatre When: 10:30 a.m.
Acclaimed author Amy Tan is the recipient of the 2025 Robert Kirsch Award for lifetime achievement, which recognizes a writer with a substantial connection to the American West. Tan’s expansive body of work, including essays, memoirs and bestselling novels “The Joy Luck Club,” “The Kitchen God’s Wife” and “The Bonesetter’s Daughter,” is widely celebrated for its profound exploration of the immigrant experience, family bonds and the quest for individual identity. Join us for a conversation with Amy Tan and award-winning former Los Angeles Times writer Thomas Curwen.
Novelists Jade Chang, Kevin Wilson and Sarah Levin discuss their new novels, which are fresh examinations of family in contemporary life: the ones we’re born with, the ones we make, and the ways we reach out for connection in an increasingly isolated, chaotic, and lonely world.
Lana Lin, Melissa Febos, Susan Orlean and Amanda Uhle have produced literary and artistic work that has shaped conversations, influenced culture and established them as leaders in their fields. Now, they turn the pen inward and become the story. Exploring their careers, relationships, sexuality and more, these writers offer a rare and intimate look at the vulnerability, creativity and humanity behind their work
Join California Atty. Gen. Rob Bonta, Steven J. Ross, Omer Aziz, Erwin Chemerinsky and Los Angeles Times reporter Seema Mehta for a conversation about the state of our freedoms today and what our current political atmosphere could mean for the future of our democracy.
Where: Hancock Foundation, Newman Recital Hall When: 1:30 p.m.
How do we raise children in an age of rapid technological change, political polarization and global uncertainty? Drawing from their new books and their experience as parents, Reza Aslan and Jessica Jackley will explore how to have honest, age-appropriate conversations with kids about complex and challenging topics, while psychologist Darby Saxbe shares groundbreaking research on the science of fatherhood.
Join Austin Channing Brown, Tre Johnson, Tamika D. Mallory and Carvell Wallace as they reflect on the moments that shaped their lives, work and perspectives. Through individual stories of resilience, love, purpose and self-discovery, their experiences weave together like a mosaic to form a deeper collective portrait of Black life and identity in America today.
Where: Hancock Foundation, Newman Recital Hall When: 10:30 a.m.
Panelists Matthew Cuban Hernandez, Karla Cordero, Sonia Guiñansaca and Yesika Salgado will dive into what it means to be autonomous, to be your own supreme authority, to belong to yourself, the land(s) and people you choose.
Christine Bollow, Karen Tei Yamashita and Naomi Hirahara dive deep into the myriad Asian American experiences at turning points in American history, shedding light on untold stories and essential characters in our shared history.
KATIE Price’s teenage daughter Princess was spotted driving her mum to a beauty salon after the star’s SEVENTH driving ban.
The former glamour model, 47, has been stopped from getting behind the wheel for six months after failing to respond to police letters about an 80 mph speeding ticket.
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Katie Price was seen being driven by her daughter PrincessCredit: BackGridThe pair were spotted heading into the beauty salonCredit: BackGridMum and daughter dressed summery for their outingCredit: BackGridKatie linked her arm sweetly with her daughter’sCredit: BackGrid
But today Katie was spotted being driven by her daughter Princess, 18.
The pair looked happy and relaxed as they headed off for a spot of pampering.
Katie was seen sitting in the passenger seat as her stunning daughter drove her to the salon in her posh car.
The star was clocked breaking the law in a Ford Capri onthe A64 in NorthYorkshire back in October ahead of a theatre gig in Scarborough with Kerry Katona.
He added that she will also be granted her Golden Visa via spousal sponsorship. The long-term residence visa allows foreign nationals to live and work in the country for a period of five or 10 years.
A key requirement of the visa application process is to provide a marriage certificate attested by the Ministry of Foreign Affairs (MoFA) in the UAE.
The former glamour model showed off her tiny pins in her shortsCredit: BackGridKatie stopped to pay the parking meterCredit: BackGridThe pair were enjoying some mother and daughter timeCredit: BackGridKatie now has to be driven as she is no longer allowed to driveCredit: BackGrid
Katie and Lee had a symbolic ceremony in January in Dubai, before making it official in Abu Dhabi’s judicial department weeks later.
This month marks a move to make the digital links between the DVLA in the UK and the RTA stronger.
It means Katie may face new hurdles to a road return in the Middle East.
If the license was issued prior to her ban, she could be allowed to drive in Dubai, though she will be legally required to disclose her UK ban to her insurer. Failure to do so could lead to deportation, a fine or even jail time.
Katie failed to respond to speeding letters after travelling at 80mph last OctoberCredit: PA
However, if the application was submitted after the ban was handed down and the RTA checks the status of her foreign licenses it will be rejected.
When asked if Katie would be eligible to drive in Dubai, a spokesperson said: “I have no idea. It’s something she’ll have to look into.”
Katie was first banned for six months in December 2010 after admitting a speeding charge. She was then disqualified for a year in 2012 after failing to respond to speeding tickets, and she received another six-month ban in February 2018 after being caught speeding.
In January 2019, she was in court again to admit driving while disqualified, leading to a three-month ban.
And just a month later she was convicted by a judge of being drunk in charge of a vehicle when it was seen by police to swerve off the road and hit a grass verge.
Katie claimed that a mystery man had been at the wheel and left the scene before officers arrived, but a judge concluded her evidence was “not plausible”.
Later in 2019, she was convicted of failing to disclose the name of the driver following a car crash, which led to her receiving an 18-month road ban.
And in 2021, a judge condemned Katie for “one of the worst driving records I have ever seen”, as she was given a 16-week suspended prison sentence for drink-driving while disqualified and without insurance.
Meanwhile, Katie’s husband Lee Andrews said she could soon be driving in Dubai despite her UK banCredit: wesleeandrews/Instagram
Katie had flipped her car and told police at the scene: “I took drugs, I should not be driving, I admit it all.”
The incident landed her with a two-year driving ban, as well as 100 hours of community service and up to 30 rehabilitation sessions.
In 2024, Katie was fined £880 for driving without a licence and insurance in Northamptonshire, but she was spared a ban for those offences.
Her latest conviction and driving disqualification was dealt with last week in the Single Justice Procedure, a secretive court process where magistrates deal with criminal cases behind closed doors.
Katie Price’s relationship history
We take a look back at the highs and lows of Katie Price’s relationship history.
1996-1998: Katie got engaged to Gladiators star Warren Furman – aka Ace – with a £3,000 ring. But their relationship didn’t make it as far as ‘I do’.
1998-2000: Katie described Dane Bowers as ‘the love of her life’ but she broke up with the singer after he allegedly cheated on her.
2001: Footballer Dwight Yorke is the father of Katie’s eldest child Harvey. He has had very little to do with his son throughout his life.
2002: Rebounding from Dwight, Katie famously had one night of passion with Pop Idol star Gareth Gates, allegedly taking his virginity.
2002-2004: Katie was dating Scott Sullivan when she entered the jungle for I’m A Celebrity…Get Me Out Of Here!. He threatened to “punch Peter’s lights out” when chemistry blossomed between her and Peter Andre.
2004-2009: The jungle romance resulted in Katie marrying Aussie pop star Peter. They had two kids, Junior and Princess, before their bitter split in 2009.
2010-2011: Fresh from her break-up with Peter, Katie enjoyed a whirlwind relationship and marriage with cage fighter Alex Reid. They split 20 months after their Las Vegas wedding.
2011: Katie briefly dated model Danny Cipriani… but it ended as quickly as it begun.
2011-2012: They didn’t speak the same language, but Katie got engaged to Argentinian model Leandro Penna in 2011. He later fled home to South America.
2012-2018: Wedding bells rang once more after Katie met Kieran Hayler in 2013. They eventually called it quits after a rocky marriage.
2018-2019: Katie moved on quickly with Kris Boyson. They had an on-off romance for one year and even got engaged. They split for good in 2019.
2019: Katie was linked to Charles Drury during her on-off relationship with Kris. Charles, who also dated Lauren Goodger, has always denied being in “official relationship” with her.
2020-2023: Car salesman Carl Woods took a shine to Katie in 2020. Their relationship was up and down for three years. They broke up for a final time last year.
2024-2026: After weeks of rumours, Katie confirmed her relationship with Married At First Sight star JJ Slater in February 2024. The pair split in January 2026 after two years together.
2026: Katie shocked fans when she revealed she had married Dubai-based businessman Lee Andrews after a 48-hour engagement and only knowing him a week.
Less than a year after “The Handmaid’s Tale” concluded its startling and emotionally draining look at what can happen when unchecked power and totalitarianism become codified, Margaret Atwood’s dystopian saga expands on screen with “The Testaments” — and shifts focus to the simmering rebellion of teenage girls, led by actors Chase Infiniti and Lucy Halliday.
Based on Atwood’s 2019 novel of the same name, the new series takes place three to four years after “The Handmaid’s Tale” finale, which kicked off the beginning of the end of Gilead. It is set at an elite preparatory school to groom future wives, made up of daughters of Commanders, many of whom have been taken away from their birth parents, and so-called Pearl Girls, recruited from outside of Gilead. It is named after and run by Aunt Lydia (Ann Dowd), the profoundly complex antagonist from the original series.
Infiniti plays Agnes MacKenzie, the daughter of a high-ranking Commander, but her actual identity is Hannah, the kidnapped biological daughter of June Osborne (Elisabeth Moss). Meanwhile, Halliday plays Daisy, a recent arrival to the Pearl Girl squad who is really there as an undercover spy for the Gilead’s resistance group, Mayday, under the guidance of June. In a departure from the book, Daisy is not June’s other daughter, Baby Nicole.
Bruce Miller, who developed “The Handmaid’s Tale” and served as showrunner for much of its run, returned to adapt the sequel. And much like how June summoned her power to fight against the world that confined her, Miller thinks the grit that Agnes, Daisy and their young peers possess to bring it all down is the reason “The Testaments” won’t feel like doomscrolling.
In “The Testaments,” Daisy (Lucy Halliday), left, is a recent arrival to the Pearl Girl squad who is paired with Agnes MacKenzie (Chase Infiniti), the daughter of a high-ranking Commander, by their school’s overlord, Aunt Lydia.
(Disney)
“The hope that it has is why viewers should be ready to come back,” Miller says. “What kind of women has Gilead built? They built the kind of women that could really bring down Gilead. All the things Gilead told them not to do — become friends, develop their own moral compass — they’ve done them all. If June knocked Gilead on its back, her daughter is gonna stand on their neck until it dies.”
The first three episodes of the series are now streaming on Hulu. In an early April video conversation, The Times caught up with Infiniti and Halliday to discuss their induction into “The Handmaid’s Tale” universe, observing Moss in action and the playlist that made an impression on set. These are edited excerpts from the conversation.
Tell me about your knowledge of Margaret Atwood’s universe. Had you read either book before this project? Did you watch “The Handmaid’s Tale?”
Infiniti: [Points to Halliday] You’ve got the Margaret Atwood No. 1 fan right here.
Halliday: I am the Margaret Atwood No. 1 fan — I hold my hands up. I’d read all of her books. I’d read “Handmaid’s” and “The Testaments” prior to this job and, obviously, I knew about the show.
Infiniti: My first exposure to the story was through the show. I was in high school when “The Handmaid’s Tale” first started airing, and so I remember it kind of taking over my school campus. Everybody was watching it, everybody was talking about it, and I just remember it being so, so massive. And then after that, I read the books.
Halliday: “The Testaments” book came out when I was in school, and my friend brought it in, and we spoke about it at lunchtime. It’s very serendipitous, it’s full circle.
What types of conversations were you having about it?
Halliday: It always feel timely regardless of what point you’re approaching the text at. I think, particularly at the time I read it, and now with this show, what appealed to me was that it was a younger perspective, and it was a new voice in Gilead. I had a level of interest that I hadn’t expected, just because I was a teenage girl at the time I was reading this book and [saw] another experience of a teenage girl that, in some ways, mirrored my own, despite, obviously, I don’t live in Gilead.
After starring in the Oscar-winning “One Battle After Another” as the daughter of revolutionaries, Chase Infiniti is poised to lead another revolution in “The Testaments.”“You feel an extra sense of responsibility playing somebody so young who is fighting for something that is bigger than them,” she says.(Jason Armond / Los Angeles Times)
Chase, how do you see Agnes and how do you think her identity may shift when she is maybe living as Hannah? And Lucy, how do you see the Daisy in flashbacks versus the Daisy we meet in Gilead?
Infiniti: I haven’t thought about how Agnes will be when she is free as Hannah. I have concepts in my mind, but I don’t want to form anything too soon that will change the way that I personally could perform, if we’re lucky [enough] to have a Season 2 and beyond. But I think the growth that you see in Agnes, from even just Season 1, you really see her grow into herself and understand her place and understand her voice in the world.
Halliday: It’s an interesting juxtaposition because Daisy in Toronto is free and liberated and happy, but in a way, she’s not as open-minded as she could be. For example, when it comes to Gilead, she’s got these very strong, preconceived ideas of who these people are. She thinks they’re primitive, and she’s got no interest in befriending them. And then she comes to Gilead, and suddenly she’s lost access to a lot of the opportunities she had in Toronto, where she doesn’t have freedom, she can’t just do whatever she wants to, say what she wants and a there’s a great deal of oppression. But by experiencing these girls and by befriending these girls, she is actually now opening her mind to be more susceptible to friendship, and … understanding individuals who are different from who she is.
Let’s get into Agnes and Daisy’s relationship. They’re initially suspicious and distrusting of each other. What intrigued you about their dynamic?
Infiniti: Lucy has a great description about how she views Agnes and Daisy, which I think is very accurate.
Halliday: I see Agnes and Daisy as being two cats in a room sniffing each other out. And it’s because I think they immediately recognize the inherent similarities present in the other person, and that scares them because the other person, from both of their perspectives, is a foreigner, is not what they want to be associated with, yet there’s this innate kindred spirit present, and they can’t deny that. They’re the same language, just in different fonts. We see that throughout the season, and they really, like, rub off on each other and they have something to give to the other person.
There’s one big change from book to screen. Daisy is not Baby Nicole, the half-sister of Agnes. What did you make of that change, Lucy?
Infiniti: Wait a minute. I thought we were sisters this whole time. [laughs]
Halliday: It actually didn’t impact the story that much because in very many ways, Agnes and Daisy are sisters. Their relationship hasn’t altered because of this information. June is still an incredibly important figure in both of their lives. June adopts Daisy when her family is gone, so they still share all of these pieces of their history. They’ve had very similar life experiences, although unbeknownst to each of them, and the bond that they create for themselves is a sisterhood, and they have a love for each other by the end of the season. Although the lineage may be different, just about every single other aspect of Margaret Atwood’s original Daisy and Agnes remains.
An exterior shot of the elite preparatory school to groom future wives that is central to the story of “The Testaments.” It is named after and run by Aunt Lydia, the profoundly complex antagonist from the original series.
(Disney)
A girl’s menstrual cycle is a key character in this story — the power and promise it holds in the eyes of these teenage girls. What was it like to get back to that mindset of your younger self and your ideas of it then? Agnes is frustrated by the rigidness of being a girl, but she’s also curious about what’s to come, and getting her period is critical to that.
Infiniti: I feel like mine and Agnes’ experiences could not be more different. She was very excited to get it, and she was very eager, too, because of what it promises. And she was scared, but she knew that this was the hopeful step, if she was blessed by God, right, to become a wife — it would only benefit her to have it. Also, there’s so much secrecy around it, and a lot of things that these girls are just not taught about what it actually means to get your period, as opposed to the outside “next steps” that they go through. But I remember when I got mine, I was so scared. I remember I cried because I didn’t know what to do.
Were you home? I was at a sleepover and was mortified.
Infiniti: I was in math class at school — and that’s extra terrifying because I was really bad at math. I just remember being very scared. So, when Agnes gets it, I was a bit in awe of the way that she handles it and the way that she takes it and doesn’t let her fear hold her back in her tracks. That’s something that I found to be very intriguing. But you do feel bad because they don’t really know anything about what it means to have your period, what it means to become a woman and go through puberty like that, and all the changes that are going to happen.
Halliday: Periods are not talked about, really, in a mainstream manner. Whereas in Gilead, it’s not a liberated place, it’s not a really progressive society, but periods are spoken about quite freely. I don’t necessarily have anything to say about it, but I do think it’s an interesting idea that even though we, in society, would like to think of ourselves as not being in Gilead, we’re not as freely speaking about periods and menstruation the way that they do there.
Infiniti: I remember in Episode 2, when Agnes goes through that ceremony and she’s literally telling everybody. She’s like, “I was blessed by God. Yo, I’m on my period.” It was crazy. She said it exactly like that, by the way [laughs]. There’s a whole system to announce that this thing has happened because it’s so uncommon in Gilead.
Halliday: On the set, I remember Mike Barker [who directed the first three episodes] called “menarche playlist” and it was just a bit of a laugh.
Infiniti: One of them was totally “… Baby One More Time” by Britney Spears.
Halliday: But I just remember that we’re on set in 2025 and people would be like, “What’s menarche?”
Infiniti: The period aspect is something that I really love that you get to see in the show; you see how openly they all talk about it with each other. Because with your friends, you have very open dialogue, and those are the people who teach you how to use a pad, those people teach you to use a tampon, how to properly take care of yourself in that way. That’s something that I really love about the show is that we get to highlight that, and that’s one of the bonds that it brings between people. Or in the case of our show, the bond that it brings, but also the amount of chaos that it can bring, too, since fertility is so low in Gilead.
In “The Testaments,” Lucy Halliday stars as Daisy, a new Pearl Girl who is really an undercover spy for Mayday.“I hope people watch the show and it only further ignites their disgust for these things and their shock, because we should never be comfortable,” she says.(Jason Armond / Los Angeles Times)
We talked earlier about the flashback and what we learn about how Daisy found herself in Gilead. But we didn’t dig into Elisabeth Moss — she’s an executive producer, but also we get to see her as June. It starts as a brief glimpse, and more in Episode 3, getting the backstory on how she agrees to let Daisy be a spy at the school and help in Mayday’s mission to bring down Gilead. What was it like having Elisabeth on set?
Infiniti: I snuck onto set when she was working with Lucy, don’t worry. She just showered us with so much love and support. That was the biggest gift that we could have gotten since, in a way, she is “The Handmaid’s Tale.” She is the handmaid in “The Handmaid’s Tale.”
Halliday: Getting to watch her was truly a privilege because she is so knowledgeable, she is an encyclopedia when it comes to this world and when it comes to Gilead and these characters. And I wanted to leech off of that. I wanted to take that home with me because it really further enforced to me the importance of being prepared as an actor, and it’s something that I know we both took seriously in terms of our work ethic when approaching this job. But it definitely was daunting — I think that was actually my first day on set, was a scene with her.
Actors often talk about how their costumes inform their performances. The red garments in “The Handmaid’s Tale” became such a symbol of resistance in real life. Here, you’ve got the plum and green garments that are in accordance with a narrow view of what is acceptable for women to wear. How did the costumes inform your work?
Infiniti: The first thing it really taught me was that my posture is not as good as I thought it was because those costumes really force you to take over perfect posture. I remember when we first started to wear them every single day, for at least 12 to 14 hours [a day], your back is hurting because of how perfectly straight you’re standing. Even though the costumes are made to fit you exactly, they are restrictive and so you feel immediately like you’re thrown into Gilead and thrown into these girls’ shoes. You have to be almost like a doll, in a sense.
Halliday: I physically was a different character when I was in the scenes in Toronto versus when I was in Gilead because I was inhabiting the space in a very different way. It felt like a full transformation, and it was so helpful in terms of understanding how Daisy would feel in that environment because she’s not getting to present herself in any way that she would feel comfortable or would normally do it.
Infiniti: And you had your little pearl [in your ear].
Halliday: I would check if it was there for maybe a month after we finished filming. I was walking around looking like a Secret Service agent.
Infiniti: I was like, “Is that how the Pearl Girls communicate with each other?”
Halliday: It was like the Starship Enterprise.
Lucy Halliday, right, and Chase Infiniti of “The Testaments.”(Jason Armond / Los Angeles Times)
Many people speak of the timeliness of the themes of this show. When you’re actively playing these characters, are you thinking about the politics of the story or does that element come later when you’re reflecting on it or watching it?
Halliday: I don’t think it’d be possible to tell a story without being conscious of any sort of parallels because we all watch the news, we’re all aware of the world we live in. But it’s also worth remembering that none of it was ever intended to be a documentary. Margaret Atwood wrote it based on history, and so everything was always factual, but it was historically factual, and it’s just so happened to be that, unfortunately, we’re seeing events repeat themselves or being emulated in reality.
Chase, you’re coming off “One Battle After Another,” which spoke of modern political division and extremism. How was it to go from that to something like this?
Infiniti: One of the cool things that I really loved about both of those projects is the fact that both Willa [her character in the film] and Agnes are revolutionary characters. You feel an extra sense of responsibility playing somebody so young who is fighting for something that is bigger than them. We’re privileged to be part of something that’s saying something about the world and has the ability to enact change in the world. We really wanted to make sure that we were doing justice by the story, by the writing, by Margaret Atwood’s work and telling the story as authentically as we can from our characters, so that in the most perfect situation, we can transcend the screen and continue to touch people and hopefully enact change in viewers’ own personal lives.
Halliday: We hope people enjoy it because it is a source of entertainment. We hope people feel hope because there’s friendship and there’s a beautiful storyline inherent to it. But I think also what would be great is if people watch it and they do feel shocked. People should feel shocked or taken aback or disgusted by these scenes because we have such an overabundance of exposure to scenes of these nature — whether it be on the news or whether it be on a fictional TV show — but we hear about these events all the time nowadays, and I think we run the risk of becoming desensitized to them. I hope people watch the show and it only further ignites their disgust for these things and their shock, because we should never be comfortable. We should never be able to sit with it and feel OK. We should always have that fire burning.
I’m looking for something that’s open early on the weekends (9 a.m.?) where we can take our 2-year-old daughter. We don’t want it to be an indoor play place or something that is solely designed for kids. Ideally, it would be something that adults enjoy too. Maybe something outdoors or with a restaurant/cafe where we can give ourselves a little treat. We are in Manhattan Beach and have to be back home by 12:30 p.m. for nap time. We’ve been able to make drives to Pasadena and Orange County and make it back in time (bonus of leaving on a Saturday or Sunday because there’s no traffic!) — Brittany Newell
Here’s what we suggest:
Finding places that will keep both you and your toddler entertained can be tricky. But don’t fret, Brittany! I’ve enlisted the help of some of my colleagues who are also parents that understand the need to flee the house before nap time. I’ve compiled a list of fun mini adventures that you can start early-ish.
For an activity close to home, Michelle Woo, The Times’ West Coast experiences editor, suggests renting a toddler bike trailer or bike seat from one of the local shops and taking a ride along the Strand from Manhattan to Redondo and back to Hermosa for a stop at Good Stuff, a beachside restaurant where you can enjoy a refreshing smoothie, mimosa or Woo’s go-to order, “the Good Stuff Breakfast with a pork sausage patty — simple yet comforting.” Then let your daughter play in the sand for a while. And if you haven’t been to the Roundhouse Aquarium before, it’s definitely worth a visit. The free, donation-based marine educational center is home to swell sharks, sea urchins, jellyfish and more that will leave visitors of any age in awe.
About 12 miles up the coast in Venice Beach is the newly renovated Windward Plaza Playground, a nautical-themed fun zone equipped with slides, swings, climbers and more. The best part is that it’s located on the sand at the beach just steps away from the famous boardwalk. Before you get to the park, my colleague Amy King suggests stopping by Breakaway Cafe for yummy breakfast burritos or Menotti’s for coffee.
For an early morning adventure, Times entertainment and features editor Brittany Levine Beckman recommends visiting the Riverside bike path in Frogtown, which opens at 6 a.m., so you can start as early as you’d like. She and her husband usually take turns pushing their 18-month-old daughter in a tricycle along the pathway and get their steps in. Afterward, she suggests going to Lingua Franca, a restaurant situated along the river. “We’ve arrived a few times as soon as the restaurant opens at 10 a.m. on the weekend and been the only early-bird brunchers,” she tells me. “We grab a table outside in the back and our daughter meanders without us feeling annoying.” The restaurant also serves a toddler-approved Dutch baby and a parent-approved bloody Mary, she adds. If you prefer to just grab a coffee, go to Tadaa.Coffee, which has a sand pit that your daughter can play in.
Another fun option is the Natural History Museum in Exposition Park, where you can wander through the awe-inspiring Dinosaur Hall, learn about the evolution of mammals, roam through the enchanting nature gardens and admire more than 2,000 gems and minerals from across the globe. The museum opens at 9:30 a.m., but there’s still plenty of time to explore before nap time. Levine Beckman also enjoys taking her daughter to the museum. “Our toddler loves the animal dioramas,” she tells me. “She likes staring up at the dinosaur bones too (and can say “roar” now), but the big stuffed animals are her favorite.” For food, my colleague Sophia Kercher recommends South LA Cafe, which is located at the museum.
Now for some rapid-fire ideas: Kercher suggests the Stoneview Nature Center, which is a plant-filled city sanctuary nestled in Culver City’s Blair Hills. Here you can chase hummingbirds, roam through the never-crowded garden and “visit Stoneview’s resident quails, which have their own fenced-in compound called, ‘Quallywood,’” she says. Times contributor Rachel Kraus, who recently wrote about the rise of mall parks in Southern California (and why parents are loving them), suggests the Proud Bird near LAX, which she calls “a one stop shop parent and kid utopia.” She adds, “You can order food and drinks (including from a full bar) and let your kids run around on the outdoor play structure, kick a ball on the turf or explore the vintage airplanes.” Also, be sure to check out our list of L.A. playgrounds that are close to coffee shops where you can get a jolt of energy if needed.
I hope these suggestions are helpful with planning your next morning adventure with your toddler and that you are able to create some fun new memories together. Happy exploring!
Sixteen years ago, writer and academic Daniela Gerson met her future wife Talia Inlender at a mutual friend’s birthday party in Los Angeles. Although Gerson came with a date, she felt a strong pull toward Inlender, an immigration lawyer who shared Gerson’s passion for narratives of exile both past and present. As it turned out, Inlender’s grandparents hailed from Zamosch, the same town in Poland where Gerson’s grandparents lived. As Jews, both families were caught in the double bind of Hitler’s genocidal reign of terror and Stalin’s scorched earth campaign through Eastern Europe and Central Asia. Countless thousands were displaced, tortured and killed, but what became of Gerson and Inlender’s ancestors?
This is what Gerson set out to discover in a five-year journey that took her to Poland, Austria, Uzbekistan and Ukraine, sifting for clues that would culminate in the writing of her new book “The Wanderers.” I chatted with Gerson about her families’ extraordinary tale of resilience and survival.
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✍️ Author Chat
Your grandparents were in perpetual exile for almost a decade. They have to leave Poland to escape Hitler’s purges, only to wind up in Ukraine, which results in them being sent to a gulag in Siberia. They had slipped Hitler’s noose but wound up in Stalin’s crosshairs.
I hesitate whenever I’m speaking about it, but it’s one of those things where I’m like, was it the worst thing that ever happened to them? Because their firstborn son had just died, and so that was horrific. They’re mourning their firstborn son, who died immediately of disease upon arriving in Ukraine, [then] almost immediately they’re packed into these cattle cars, with lice crawling all over them. People are sleeping on top of each other, throwing dead bodies out of the train. … The journey takes weeks and they find themselves in this desolate forest hell.
But what’s interesting is this was somehow the better alternative to Poland. As you point out in the book, those who endured the gulag wound up with a higher survival rate than those that remained in Poland.
The deportation saved their lives, and it saved probably about a hundred thousand Jewish lives. It wasn’t just Jews, though. Stalin was also targeting Polish Catholics, and thousands of these prisoners also survived the gulag.
You went to Lviv with your wife to research your family’s exile there, at a time when Ukraine was already at war with Russia. What was the country like when you were there?
It was an odd dissonance. Lviv is just an incredible city. Everywhere were signs of war, but also of people enjoying life. You felt the pain. When I was there, a friend of one of my colleagues was killed. And there was an attack the day after I left. But at the same time, music was everywhere in the streets. Couples were out. The city was beautiful — you could feel both the joy of life and the intensity of war all at once.
Jumping forward in your grandparents’ story: After the war ends in 1946, they go back to Poland, only to be faced with pogroms. After all the forced repatriation and deprivation, they can’t even go home. Why did they not try to go to America?
Not everyone wanted to move to America; some people wanted to move back to Poland. Then Stalin moved the borders of Poland and all of these people are being relocated, the returned people from the Soviet Union, Jews and Polish Catholics, are getting moved to western Poland, what they called Reclaimed Territory. And they face another pogrom there.
Your book is being published at a time when antisemitism is on the rise around the world.
I think it’s become a real issue. It’s an incredibly challenging time to talk about both being Jewish and what it means, and why antisemitism has been so persistent throughout Jewish history, but then to also look separately at the Israeli government’s actions and be able to talk about both separately. To perhaps be in opposition to the Israeli government actions, but also to say the Jews should have rights like any other people. It’s not a binary issue.
“The Wanderers” has a remarkable coda, when your father, who was born when your grandparents were in exile, winds up becoming a lawyer investigating Nazi war crimes.
My father had worked at the U.S. Department of Justice when he was invited to be the first trial attorney for the newly formed Office of Special Investigations. It prosecuted Nazi collaborators who had lied about their participation on immigration forms. He valued the experience deeply but only lasted a year there, ready to move on for a new experience as he often did in his far-reaching and peripatetic career. Toward the end of his life he would reflect upon how the immigration trespasses of the Nazi collaborators he prosecuted were not very different from his own parents’, even if their World War II pasts were very different.
(Los Angeles Times illustration; images from Briscoe Savoy and Viking)
Actor-turned-memoirist Andrew McCarthy has published “Who Needs Friends,” a book about male friendship in a time of social isolation. “Men have no monopoly on loneliness, but it is a massive issue,” McCarthy tells Malina Saval.
“The Complex” revisits the roiling cultural wars of ’80s and ’90s India, when reformists clashed with the repressive policies of the country’s ruling regime. “The book itself was written in solitude and edited in silence because I was trying to mentally travel back in time to 1980s and 1990s India,” author Karan Mahajan tells Sibani Ram.
Thirty-one years after publishing “Bird by Bird,” her beloved guide to writing well, Anne Lamott has now dropped “Good Writing” with her husband, Neal Allen. In a joint interview with Meredith Maran, Lamott and Allen discuss the book’s origins: “I carried around these rules for improving sentences for years,” says Allen. “I think a lot of writers do a book because they notice it’s not out there, and why isn’t it? And then they shrug, ‘Well, I guess it’s up to me.’”
Finally, Paula L. Woods interviews four mystery novelists about their buzzy new books.
📖 Bookstore Faves
The Ripped Bodice is an independent bricks-and-mortar bookstore in Culver City specializing in romance novels.
(Joel Barhamand/For the Times)
Established by sisters Leah Koch and Bea Hodges-Koch in 2016, the Ripped Bodice in Culver City has become a go-to bookstore for romance fiction, which is one of the few literary genres that has been exploding thanks to the romantasy genre and its standard-bearer, author Sarah J. Maas. I talked to general manager Taylor Capizola about the books that customers are excited about right now.
Who are your customers?
We cater to romance lovers and skeptics alike, priding ourselves on finding the perfect romance book for anyone. While most of our customers are romance enthusiasts, we often get visitors who heard about our store through word-of-mouth or social media, so it’s become a bit of a destination location for residents of Los Angeles and tourists as well.
Sarah J. Maas, the queen of romantasy, has two new novels being published later this year. Is excitement already building for that?
Romantasy is currently one of the biggest and most popular genres in all of literature. Excitement is already building around independent bookstore exclusive editions of Maas’ books, potentially signed copies and special events to launch both books. This includes midnight release parties, which we have done for other book releases, including Maas’ third book in the “Crescent City”series. While we haven’t officially announced a midnight release party, it is in the works so we can ensure these books get into readers’ hands as quickly as possible, all while having fun doing it!
Why are romance fiction fans still shopping at your store, as opposed to downloading digital books?
Brick-and-mortar bookstores endure in the digital age for several reasons, but we pride ourselves on being not only a place to buy books, but also a community space. Third spaces are disappearing quickly, and we take that responsibility incredibly seriously, offering multiple author signing events every single week as well as book clubs, craft nights, comedy nights and more. It’s important to have a space where people with like-minded interests can meet, hang out and collectively indulge in their beloved hobbies.
The Suppan name is well known in West Hills. Jeff Suppan was a superstar at Westhills Pony Baseball before moving on to Crespi and having a 17-year career in MLB. His sister, Karen, was once the girls’ volleyball coach at Chaminade. Brother Mike has been a longtime teacher at Chaminade. Jeff still helps at Westhills Pony Baseball.
Now there’s a new Suppan making a name for herself. Jeff’s daughter, Finley, is the star pitcher as a sophomore for Chaminade (10-2-1).
Asked about her father’s contributions, Finley said, “He’s helped me a lot. We’ve had many car rides together. He told me a lot about the mental side of softball. Also how important it is to just focus one pitch at a time as a pitcher and to control the controllable.”
Dad is learning it’s much harder to watch his daughter pitch than pitch himself.
“I have to admit I don’t know how my parents and my family watched me pitch for all those years,” Jeff said. “I guess that’s why my mom always kept score and now I do to.”
Finley’s complete interview will be on Thursday’s edition of Friday Night Live at 5 p.m. via X at LATSondheimer.
This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.
“Kim’s Convenience” may not win points for originality, but originality isn’t really the point of an immigrant family drama meant to be instantly, one might say universally, recognizable.
The play, which opened Tuesday at the Ahmanson Theatre, was a runaway hit at the 2011 Toronto Fringe Festival. That success led to a larger production at Toronto’s Soulpepper Theatre that brought more attention to the show, paving the way for runs off-Broadway, in London’s West End and Washington, D.C.
The story is set in Toronto, and the Kim family (owners of the titular convenience store) is of Korean background. But immigrants from Ireland, Italy, Latin America, India and Eastern Europe and their more assimilated children won’t have any problems relating to the generational conflicts at the heart of this gentle comedy.
Author Ins Choi, who once played the role of the prodigal son, has matured into the part of Appa, the patriarch who left Korea with his wife, Umma (Esther Chung), to start a new life in Canada. He opened a 7-Eleven-style shop, which he once considered calling 7-12, and has been living above the store with his family in what has been an all-hands operation.
Appa made sacrifices to give his son and daughter a better life — and he’s more than happy to tick off a list of what everyone owes him. He’s a mostly benevolent tyrant, but his crotchety side can get ugly and he’s not always in control of his temper. His son Jung (Ryan Jinn) ran away at 16, absconding with money from the store safe, after one of Appa’s flare-ups sent him to the hospital.
Janet (Kelly Seo), Appa’s 30-year-old unmarried daughter, bears the brunt of being the adult child who remained at home. She still works at the store, though her true calling is photography. Her father considers this just a hobby, a weekend recreation that shouldn’t interfere with her taking over the store one day. But she has other ideas for her future.
Change is coming whether Appa likes it or not. A Walmart is heading to the area, and with this news comes an unexpected offer for the shop that would allow him to comfortably retire. But selling the store is tantamount to discarding his story.
Brandon McKnight, left, and Kelly Seo in “Kim’s Convenience.”
(Dahlia Katz)
He explains this to Janet, hoping that she’ll continue his legacy. But she’s put her life on hold for too long. Both her parents never let her forget that she still doesn’t have a husband. But how can she get married when her father subjects any man she dates to the third degree?
Alex (Brandon McKnight), the police officer who answers the 911 call Appa had Janet place to report a Japanese car parked illegally by the store (he still hasn’t forgiven Japan for its invasion of Korea), turns out to be a childhood friend of Jung’s — and someone Janet used to have a crush on. The sparks between them are obvious, and Appa, the soul of indiscretion, can’t help meddling in his overbearing way.
Choi isn’t averse to shtick, if the result is an explosion of audience laughter. One comic gimmick involves Appa’s superhuman grip that can subdue even the mightiest of men. A shoplifter (also played by McKnight, who portrays all the customers and passersby) learns the hard way that Appa is not to be underestimated.
Esther Chung, left, and Ins Choi in “Kim’s Convenience” at the Ahmanson.
(Dahlia Katz)
The scene involves an unsavory routine on how to recognize a shoplifter. Janet challenges Appa’s racist assumptions, but father knows best and no one can convince him otherwise. Janet can’t win with him, but don’t count Appa’s daughter out.
Or his son, for that matter. Jung, who had a stint in rehab, hasn’t had an easy path in life, but he’s stayed in touch with his mother and eventually he and his dad will have their dramatically inevitable reckoning. There’s something determinedly hopeful about “Kim’s Convenience,” which like the store it’s named after, wants its patrons to leave satisfied.
The cast members, under the direction of Weyni Mengesha, all deserve high customer ratings. Choi’s Appa is impossible to stay mad at even when he’s said or done something unforgivable. He doesn’t mean to offend, though other people’s feelings are a luxury he has never been able to afford.
Still, his paternal bluntness is not without its infuriating charm, as when he informs his headstrong daughter, “You have to understand, now is desperation time for you. Sudden death, overtime, penalty kick shoot out. Expiration date is over. Take over store is only choice you having.”
Esther Chung and Ryan Jinn in “Kim’s Convenience” at the Ahmanson.
(Dahlia Katz)
Seo’s Janet is as feisty as she is loyal, making it easy to root for her and her quickly budding romance with McKnight’s worthy Alex. Chung’s Umma doesn’t take up a lot of room in the play, but her maternal presence registers sharply nonetheless. Jinn endows Jung with hidden dimensions of pain and regret.
But the most vivid performance might in fact be the convenience store itself, brought to fluorescent, sanitized, colorful life by scenic designer Joanna Yu and lighting designer Wen-Ling Liao. Nicole Eun-Ju Bell’s video and projection designs subtly transpose the setting when, for instance, Umma meets up with her son at church. The production seems right at home at the Ahmanson, a function of both the broad sitcom-friendly style and the warm Korean American reception that was audible at Tuesday’s opening.
“Kim’s Convenience” has an eager-to-please TV sensibility that can seem formulaic at times. But representation, particularly these days, can be a radical act, and there’s something heartening at the sight of the Kim family enjoying their turn in the mainstream spotlight.
‘Kim’s Convenience’
Where: Ahmanson Theatre, 135 N. Grand Ave., L.A.
When: 7:30 p.m. Tuesdays-Thursdays, 8 p.m. Fridays, 2 and 8 p.m. Saturdays, 1 and 7 p.m. Sundays. Ends April 19
Ranting about the decline of comedy specials while releasing a new one at the same time feels a bit like an oxymoron. But somehow it still makes sense coming from alt-comedy pioneer David Cross, who isn’t just complaining; he’s finding his own route to making specials feel special again. The only way to do that is by putting one out in the manner he’d like to see more often — starting by making the whole crowd stand up too.
Capturing the energy of a concert at the famous 40 Watt Club in Athens, Ga., was the first step in differentiating “The End of the Beginning of the End” from the typical hour you watch on a big streamer. And, with this new special, Cross is able to get back to his own beginnings of touring across the country with love bands as his openers, performing for crowds for as long as he could until he had to run offstage to pee.
Premiering the special earlier this month on his website (and on April 7, it will be available on YouTube via production company 800 Pound Gorilla), Cross is hoping the special connects with comedy fans in a way that we’ve forgotten specials could.
This interview has been edited for length and clarity
Your new special is called “The End of the Beginning of the End.” What does that title mean to you as it relates to the impending doom of what we’re all living right now.
David Cross: Well, you can look at it in a couple different ways. To me, it signifies that the beginning of the end has occurred. And we are now at the end of the beginning of the end. And from where you go with that, that’s for you to decide.
One of the things I love about the special is the fact that you shoot it at a club in the style of a live–music concert.
I’ve shot specials in theaters and it’s just different, not that one is better than the other, but they’re just different. You have a different relationship with the audience. When I first started touring, I would go to music venues and I’d have a band open for me and then I would just go up and pretty much [perform] as long as I could until I had to pee. Sometimes I’d have a band playing, sometimes two bands, then I’d go out. And I did that a couple of times, and then stopped doing that and did theaters, and I decided for the last two specials I’m going to go to, when I shoot it, I’ll go to a music venue, and I was at the 40 Watt Club in Athens this last time, I was at the Metro in Chicago before that, both places I played on earlier tours, and, you know, it’s not seated. People are standing there at the stage, and I prefer it. It’s more fun. It’s not as lucrative but, to me, a more fun show to do.
Comedian David Cross
(Jason Armond / Los Angeles Times)
The ambience of it was great.You can hear people shouting and drinking and having a good time, and the crowd work is also a little more spontaneous and fun than it would be in a regular venue.
Yeah, well, there’s more opportunity for that. But my thing has never been about crowd work. I like engaging with it, it’s kind of a nice distraction from the set that you’ve been doing 100 times, 150 times at that point. So it’s always fun to have that thing happen and that feeling of spontaneity. And like the guy [who I talk to in the crowd during the special], I could not have asked for [someone better]. I mean, even if it was scripted, it wouldn’t have been as good. The guy who [I talk to] during the stuff about hiking Machu Picchu [with Bob Odenkirk], that’s just… [chef’s kiss].
Speaking of Bob Odenkirk, you guys have this long relationship. How would you describe the dynamic of working with Bob and just how you guys bounce ideas off each other?
I mean, it’s great. We have an inordinate amount of respect for each other, both as people and as creative partners. And so there’s never any real issues. There’s things we will definitely disagree with, but we’re both decent people. So you know somebody backs off and says, “OK, let’s do it that way.” But even then, there aren’t that many of those [issues]. We just have really worked well at building something or molding it, creating it and shaping it. And our aforementioned hike to Machu Picchu, we have a documentary about that, that will be premiering at a fancy festival at some point in the near-future. And so we got that doc and we’ve been working on that. And for the way we work now, because he lives in L.A. and I live in New York, and it’s been like that for a while, he’ll write a bunch of stuff, I’ll make notes, I’ll write my things, send it back. And so we’re able to do that and not necessarily have to be in the same room because we’ve had 30-plus years of working with each other.
It’s a kind of like an unspoken language you guys probably have in terms of comedy, which is super important, I imagine, just for collaborating.
Yeah, and it’s something we discovered very early on … before there was even “Mr. Show,” what would ultimately become “Mr. Show,” when we got together to write sketches for this bigger kind of comedy collective thing, and these shows that we would all do with each other, for each other, and the stuff that we would write together was just, like, really good, easy writing — again, one person adding this thing and one person saying here’s a switch yeah and another person adding this thing in. It was fun, it’s cool, still is. One thing he doesn’t get credit for is he’s a really decent human being. And with all the awfulness in the world that’s magnified, every sense is bombarded with it — it’s just good to be hanging with somebody whose energy is a good person, a decent person and an equitable, nice guy, so that’s good as well.
Comedian David Cross poses for a portrait ahead of his comedy special “The End of the Beginning of the End.”
(Jason Armond / Los Angeles Times)
One thing you guys also have in common is you both have kids, and he has a comedy show for kids called “The Appropriate Show.” Have you taken your daughter to see it?
It’s a sketch show [in which] all the sketches are appropriate for kids to watch. And the sketches have been done in other sketch shows onstage, live. And he puts together this thing once, twice a year here in L.A. And I took my daughter to it last year. It’s just sketches that kids can [understand]. At least if they don’t understand the actual references they get the archetype. “Oh, that’s the boss, that’s that uh… And it’s great, it’s a really cool idea uh… “ And would an ass— think of [a show like] that? No, one good decent person; a good man. But listen, this interview isn’t about me, it’s about Bob Odenkirk, so let’s get back to that.
Well, speaking of having comedy geared toward kids, your daughter’s at an age where she’s probably consumed or seen some of your comedy at this point.
Not, not really. No, no.
Do you shield her from your stuff, or are you not so concerned about it?
I don’t actively shield her, but I don’t introduce her to anything. So I was a little bummed out, and I got over it pretty quickly, but when I found out that she had seen a little bit of “Alvin and the Chipmunks,” and only because I don’t want to spoil the enjoyment of what movies are and what kids’ movies are and how things work. And I feel like that would introduce an element of reality that I want her to be able to just enjoy these things without — she’s seen “Kung Fu Panda”when she was younger, like, I don’t know, three, four, five times, has no idea that I’m in that, that my voice is in there. She knows I do stand-up, she gets that now. And when she was younger, she’d say, “Daddy’s silly for a living.” … I’m just trying to ride the balance of letting her have those childhood joys and experiences.
Comedian David Cross.
(Jason Armond / Los Angeles Times)
Does having a kid make you think about what’s coming up in the future of comedy, or what kids are gonna maybe find funny, or what they find funny now? Do you have any thoughts on kid comedy in general?
Not really. I mean, I can see that she and her friends, who are kind of like-minded, are naturally funny, and then that’s kind of encouraging and heartwarming and they’re silly, but I’ll be long gone when that generation is is providing comedy. And I’m still, although I’ve kind of given up, I’m still trying to grasp what works now. I mean, it’s short-term TikTok, Instagram stuff. There are some amazing, like really, really great things being done as far as film sketches for YouTube channels. “Almost Friday,” they’ve got genius-level stuff. I mean, really good. And where the sketch goes in a place, you’re never ahead of it, goes in a place where you’re not expecting. It’s really well written and well performed.
What are your thoughts on what a comedy special is nowadays or what it should be?
I mean, that’s a great question. I think anybody who plays with the form, whether I think it’s that funny or not, is different. But I’m happy when anybody kind of tries at least to play with a form. I just went to Rory Scovel‘s taping last week of his latest special. I don’t know when that’ll air, but if you’ve seen the beginning to his first special, stuff like that where you’re like, “Wait, what’s happening? What’s going on?” I love stuff like that.
I still get excited to watch specials by some of my favorite comics, but there’s a quality that’s missing. And these are stand-ups I love, and they’re not that great. They’re not bad but they’re not special, you know? And all those guys I mentioned, and more, have great specials. Like, you can go back and they’re great. And I don’t know why that is. I mean, there’s still funny stuff, but I don’t ever want to get to that place where its just feels a little phoned-in a little bit… that is, in part, why the last two specials were shot in this more intimate setting that feels special. And … as I said, the energy’s different, it’s a little bit different, and it’s less slick. It feels like you’re in the moment. You don’t need a million dollars to shoot a special. You don’t 28 camera angles, it‘s just bull—. And it takes something away.
Comedian David Cross
(Jason Armond / Los Angeles Times)
It all should feel the right amount of unsafe as well, I think.
That’s never gonna happen at a theater show. You’re never gonna feel that. And I don’t know, it really does feel almost like maybe we peaked in a sense, like there’s too much, and because of that, these things aren’t special. They’re not revelatory, they’re not unique. I dunno, can 18,000 people in an arena really relate to a … billionaire talking about how they’re gonna get canceled. I mean, is that a thing I guess? Those other big, slick specials that are shot in, like, a 3,200-seat, 3,500-seat theater, it just feels like, “Oh this person is up there and I’m listening to their jokes.” There’s nothing wrong with that. They’re often very funny jokes, but it doesn’t go beyond that. It’s just like, “All right, tell me your joke.” It might as well be an audio thing, you know?
Well, hopefully the robots aren’t coming for your job anytime soon.
Absolutely not. I mean, this could be naive, but I feel 100% safe that you are never going to replicate an evening of stand-up at a nigtclub like that. And not sitting down at tables while you’re having drinks and waitresses are coming by. I’m talking about everybody’s up on the stage, sold-out, maximum capacity; everybody’s there, focused, we’re all sharing that thing. You can’t. AI’s not going to be able to do that.
Yeah, the robots can’t do that, Terminator can’t do that..
Oh, I forgot about Terminator. He could do that. G— it.
Taylor Frankie Paul might have whiplash in the wake of a leaked video that derailed her “Bachelorette” debut, but she says her kids are also feeling the sting.
Last week, the embattled reality TV star was gearing up for Sunday’s launch of “The Bachelorette” when a video of a 2023 domestic dispute between Paul and Dakota Mortensen (her then-boyfriend and the father of her youngest son) was leaked to TMZ.
Paul’s initial claim to fame was launching #MomTok in 2020, which precipitated the 2024 Hulu series “The Secret Lives of Mormon Wives.” Although the incident was documented both in court records and on the first season of the reality series (a portion of Paul’s arrest was shown via police bodycam in Episode 1), the recently leaked video showed some of the altercation.
Paul is seen arguing with Mortensen, she is filmed kicking toward him, and throwing metal barstools across the room toward him. Paul’s daughter was on the couch at the time of the altercation, and toward the end of the video, she is heard crying while Mortensen says, “Stop throwing stuff and help your daughter.”
Paul later pleaded guilty to one count of aggravated assault, and four other charges were dropped.
As the leaked video made its way across the internet, content creators jumped to post commentary. Tiktok user @turtzc posted a take slamming Mortensen for allegedly leaking the video on their son’s 2nd birthday. “The fact that Dakota did this to the mother of his child on his child’s birthday tells you everything you need to know about Dakota,” he said.
Paul replied to the video, writing, “Worst part is my daughter having to relive and see it all over again years later after extensive work with her and apologies to her about that night.”
She added that her son’s birthday was “taken from him.”
Mortensen has denied that he leaked the video. He told ET that his “No. 1 priority” is protecting his and Paul’s son.
Paul spoke with the outlet and said, “I’ve never touched my children, so for me to see those headlines has been heartbreaking. I’m all for taking responsibility for my own life and actions. There is more to the story, and it just sucks to be known as the crazy girl.”
To make matters worse, reports surfaced that Paul and Mortensen were involved in another dispute in late February. Utah’s Draper City Police Department confirmed that there is an open investigation. As a result of the inquiry, Paul has temporarily lost custody of Ever, the son she shares with Mortensen.
Last week, Paul sat down with “Good Morning America” shortly after the video leaked and news that production on “Secret Lives” had paused.
Paul said it was “hard to say” how she envisioned her future on the show.
“It’s hard to see past this,” she said. “I’m not gonna lie. In this moment it’s just so heavy when your life is broadcast out there in these headlines. It’s like the end of the world. That’s what it feels like. … I will say I’ve been here before, and I got through it and, you know, shared my story and my light. So I’m hoping that I can do that again.”
CHAPPELL Roan has spoken out again in the war of words between her and the famous family who accused her of being rude to fans.
A storm of controversy was sparked when ex-Chelsea and Arsenal footballer Jorginho accused the singer of sending her“aggressive” security over to his step-daughter and allegedly berating the child and her mother at a hotel in Sao Paulo.
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Chappell Roan defended herself again over accusations she sent security to scold a childCredit: GettyFootballer Jorginho and his wife Catherine Harding accused the singer of upsetting daughter, AdaCredit: Instagram @cat_cavelli_Jude Law is the biological father of AdaCredit: Getty
Jorginho is married to Catherine Harding who shares the 11-year-old girl, named Ava, with her ex, British actor Jude Law.
After the footballer lambasted Chappell on Instagram, the Pink Pony Club singer posted a video saying she had not noticed the young girl and did not send security over to speak to them.
But then Catherine weighed in on her own social media saying the security was very aggressive and left Ada in tears.
Now that the incident has gone viral, Chappell has issued another statement through her spokesperson.
“Chappell was not aware of any interaction between this mother/daughter and a third-party security office,” the spokesperson said.
“She did not see them at breakfast in her hotel, as she said in her video. She did not direct her personal security or anyone on her team to interact with them.”
The statement continued: “Chappell holds her own teams to the highest standards and has zero tolerance for any kind of aggressive behaviour towards her or her fans.”
Catherine and Ada had planned to attend Chappell’s set at the Lollapalooza festival as part of the child’s birthday present, but skipped it after the interaction with the security guard.
The furore kicked off when Jorginho put Chappell on blast when he wrote about an “upsetting situation” that had occurred at the hotel.
“My wife (@catcavelli) is in Sao Paulo for @lollapaloozabr. This morning, my daughter woke up incredibly excited, she even made a sign because she was so happy to see an artist she really admires, or used to admire.”
Chappell posted a video denying the accusationsCredit: Not known, clear with picture deskThen Catherine also posted refuting Chappell’s claimsCredit: catcavelli/Instagram
He continued: “By coincidence, they’re staying at the same hotel as this artist.
“During breakfast, the artist walked past their table. My daughter, like any child, recognized her, got excited, and just wanted to make sure it was really her.
“And the worst part is she didn’t even approach her. She simply walked past the singer’s table, looked to confirm it was her, smiled, and went back to sit with her mum. She didn’t say anything, didn’t ask for anything.
“What happened next was completely disproportionate.”
After Jorginho’s post blew up, Chappell filmed a video from her bed to refute his claims.
“I did not ask the security guard to go up and talk to this mother and child. I did not. They did not come up to me. I did not do anything. It’s unfair for security to just assume someone doesn’t have good intentions when they have no reason to believe it as there’s no action been taken,” she said.
“I do not hate people who are fans of my music. I do not hate children, like that is crazy. I am sorry to the mother and child that someone was assuming something.
“If you felt uncomfortable that makes me really sad. You did not deserve that.”
Jorginho and Catherine now live in Rio de Janeiro where he plays for the club Flamengo.
In 2014, Catherine was briefly in a relationship with Hollywood A-lister Jude Law.
Catherine fell pregnant during their time together, and the singer-songwriter gave birth to daughter Ada.
She and Jorginho started dating in 2019 and the pair welcomed their first child, son Jax, to the world in September 2020.
Jorginho and Catherine tied the knot in a stunning ceremony in Lake Como in 2025.
The Irish-born singer, 32, appeared on the 2020 edition of The Voice UK – under the name Cat Cavelli.
The singer issued a written statement through her teamCredit: Not known, clear with picture desk
A soccer star has accused a pop star of making the daughter of a movie star cry.
Chappell Roan — who, in recent years, called out fans’ “creepy behavior” and said she “pumped the brakes” on fame to protect her own privacy — was accused over the weekend by soccer star Jorginho of rough treatment of his family.
Roan (letting up on the brakes?) headlined Lollapalooza Brazil over the weekend, and Jorginho was in attendance along with his wife and child. While there, as outlined by People, the footballer said the 11-year-old was thrilled to see the singer while they were dining at their São Paulo hotel. The girl walked by the 28-year-old “Pink Pony Club” singer’s table “to confirm it was her, smiled, and went back to sit with her mum. She didn’t say anything, didn’t ask for anything,” he wrote.
Jorginho of Brazil’s Flamengo celebrates after scoring his side’s second goal, from the penalty spot, during the Recopa Sudamericana second leg final soccer match against Argentina’s Lanus in Rio de Janeiro, Thursday, Feb. 26, 2026.
(Bruna Prado/AP)
Jorginho alleged that, after the girl sat down, a “large security guard” came over and interrupted their breakfast to generally make their lives miserable. The guard allegedly told the girl’s mother “she shouldn’t allow [her] daughter to ‘disrespect’ or ‘harass’ other people.”
The girl was “extremely shaken and cried a lot,” said Jorginho, a player for the Brazilian club Flamengo whose legal name is Jorge Luiz Frello Filho.
Jorginho knows what it’s like to be famous and have fans. (Jude Law also has a little experience in that department.)
Jorginho told his nearly 5 million Instagram followers that he knew what it was like when fans didn’t respect boundaries, and “[w]hat happened there was not that.”
On Sunday, Roan responded on Instagram. She said the guard was not her personal security and that no one — including a starry-eyed 11-year-old girl — had bothered her.
“I did not ask the security guard to go up and talk to this mother and child. … They did not come up to me. They weren’t doing anything.”
“I do not hate people who are fans of my music. I do not hate children.”
She expressed her regrets to the girl and her mom. A representative for the artist did not immediately respond to The Times’ request for further comment.
Roan has shown that she’s not afraid to speak out when she does feel a fan has overstepped. This incident comes after an episode this month in Paris when the singer filmed herself in selfie mode as a swarm of people shouted behind her.
“I’m just trying to go to dinner,” she tells the camera in a video captured by an onlooker, “and I’ve asked these people several times to get away from me.”
Even as she calmly reprimands them, one man continues to ask for her autograph.
Former Chelsea and Arsenal player Jorginho may be best known as a defensive midfielder – but he has gone viral on social media for his attack on pop singer Chappell Roan, alleging her security guard reduced his 11-year-old daughter to tears.
The 34-year-old Italy international, who has dual Brazilian citizenship and now plays for Flamengo in Rio de Janeiro, claimed in a post on Instagram, external that his family suffered the “very upsetting situation” over breakfast at a hotel in Sao Paulo, Brazil.
The former Premier League midfielder said his daughter was a big Chappell Roan fan and had made a sign to take to the Lollapalooza music festival in Sao Paulo, which the singer was headlining.
He says his daughter recognised the star while eating at a nearby table and walked past her, smiled, then went back to her seat without saying anything or asking anything of the Pink Pony Club singer.
“What happened next was completely disproportionate,” he wrote.
“A large security guard came over to their table while they were still having breakfast and began speaking in an extremely aggressive manner to both my wife [Catherine Harding] and my daughter, saying that she shouldn’t allow my daughter to ‘disrespect’ or ‘harass’ other people.”
He added: “He even said he would file a complaint against them with the hotel, while my 11-year-old daughter was sitting there in tears. My daughter was extremely shaken and cried a lot.”
Chappell Roan has not responded to his claims.
Jorginho said he understood well the pressures of public exposure after playing 57 times for Italy – helping them win the European title in 2021 by beating England at Wembley.
He has also played for elite clubs across Europe and Brazil – winning the Champions League and Europa League with Chelsea and silverware in Italy with Napoli.
But he added: “I understand very well what respect and boundaries are. What happened there was not that. It was just a child admiring someone.
“It’s sad to see this kind of treatment coming from those who should understand the importance of fans. At the end of the day, they are the ones who build all of this.
“I sincerely hope this serves as a moment of reflection. No-one should have to go through this, especially not a child.”
Jorginho finished his impassioned post with a direct message to Chappell Roan, written in capital letters: “WITHOUT YOUR FANS, YOU WOULD BE NOTHING. AND TO THE FANS, SHE DOES NOT DESERVE YOUR AFFECTION.”
The “unexpected beef”, as described by some commentators, led to a flood of responses on social media in support of Jorginho and his family – some serious, some tongue-in-cheek.
Rio de Janeiro’s mayor, Eduardo Cavaliere, wrote that he intended to ban Chappell Roan from performing in his city, adding that Jorginho’s daughter would be invited as a guest of honour to the city’s Todo Mundo music festival in May.
Tom Junod has devoted his long and distinguished career to writing about other people. He won two National Magazine Awards as a star feature writer for Esquire, GQ and ESPN: The Magazine, covering everything from athletes and movie stars to the victims of 9/11 with his elegant prose style. However, it took Junod years before he could tackle the toughest subject of all: His father, Lou, a decorated World War II veteran who fashioned himself as a kind of suburban Sinatra.
He was a hard-drinking philanderer who carried with him a complicated legacy that Junod untangles in his memoir “In the Days of My Youth I Was Told What It Means to Be a Man.” I spoke with Junod about fathers and sons, and the difficulty of excavating his family’s fraught history.
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✍️ Author Chat
You pondered this book for years. Was there a moment when you finally said, “Right, time to write this now”?
There was definitely a moment, when my brother Michael had lunch with a woman named Muntu Law, who was one of my father’s lovers. It was the late summer of 2015. She told him, “Of course, you know your Dad and I had an affair for 11 years.” And he didn’t know that. He called me immediately after and asked me if I knew about the affair and I said yes. He asked me why I hadn’t told him, and I responded that I both knew and didn’t know. I knew it the moment Muntu stood up at my father’s funeral.
You intuited it?
Yes. There was a split there that I needed to reconcile and explore. There was too much unresolved stuff.
Your father’s story is shot through with a lot of tragedy. What is the writing process like for you? Was it an unburdening, a catharsis or something else?
When you unburden yourself, what you wind up doing is taking up much heavier burdens, which is what the book was. But it’s very interesting, because now I’m talking about my father with people in my family, and some of these discussions are difficult, but at least I’m talking about him with them. It was mostly pain, writing the book. Exposing your secrets isn’t particularly a relief, but it allows you to carry on your life without the necessity of being silent.
Tom Junod untangles his father’s complicated legacy in his memoir “In the Days of My Youth I Was Told What It Means to Be a Man.”
(Lee Crum)
Your Dad is emblematic of this kind of postwar American male that served in the war and came home flush with triumph and a kind of male privilege. Would you agree?
To the absolute max. My dad was an extreme character, and I think what the war did for a lot of men was it allowed them to reinvent themselves and create themselves. I look at my dad as a completely self-created phenomenon.
He clearly carried himself like a star.
There’s a line in the book where I say that Dad was the only celebrity I’ve ever known.
What’s remarkable is that you broke the cycle. You write about your marriage to your wife, Janet, in the book, whom you met in college. You have been together for over 40 years.
I think a lot of people are surprised by that when they read the book. People just thought I had it, you know — that I was successful and I was able to handle difficult situations. Back in the summer, I gave a copy to my friend, Lisa Hanselman, who I worked with at Esquire and GQ for a long time. And she called me up one morning and just said, “I didn’t know.” And that meant a lot to me. In my mind, it’s one of those things that justifies the effort it took to write the book.
(This Q&A was edited for length and clarity.)
📰 The Week(s) in Books
In “AlphaPussy,” Gina Gershon’s real-life stories deal with “themes of manipulation, survival, and moving around and being able to stand on your own two feet.”
(Evelyn Freja / For The Times)
Mark Athitakis is agog over Lauren Groff’s new story collection “Brawler,” a book that “blends the depth of the long view and the drama of the pivotal moment.”
Acclaimed nonfiction writer Daniel Okrent has written “Stephen Sondheim: Art Isn’t Easy,” a short, sharp biography of Stephen Sondheim for Yale’s “Jewish Lives” series, and Julia M. Klein approves. “[Okrent] seeks to liberate Sondheim’s reputation from the encrustation of myth and to demystify his relationships, while offering a succinct analysis of his achievements,” she writes.
Actor Gina Gershon has written a freewheeling memoir called “AlphaPussy,” which looks back on her San Fernando Valley childhood as a proving ground for dealing with male toxicity as a woman in Hollywood. “I’m not that tough,” Gershon tells Cat Woods. “But I’d learned how to maneuver a lot just from growing up in the Valley, and it was a crazy time to be living there. So I thought about the stories that led me to be able to steer myself through toxicity.”
Finally, Yvonne Villarreal sat with Christina Applegate to discuss her new memoir, “You With the Sad Eyes.” “This book is not cathartic for me — let’s just go there,” Applegate says. “I just needed to dump this s— out somewhere.”
📖 Bookstore Faves
Casita Bookstore in Long Beach prioritizes stories from unrepresented and marginalized voices, says owner Antonette Franceschi-Chavez.
(Antonette Franceschi-Chavez)
An inviting literary haven in Long Beach, Casita Bookstore prioritizes stories from underrepresented and marginalized voices from the BIPOC, immigrant, LGBTQ+ communities and what store owner Antonette Franceschi‑Chavez calls “other historically silenced communities.” I spoke with Franceschi‑Chavez about what readers are excited about now.
What kind of clientele do you get in the store, typically?
Our clientele is wonderfully diverse, but they share a common desire for stories, knowledge and community that center voices often underrepresented in mainstream spaces. We see a strong mix of local community members, educators, families and young readers, along with writers, activists and creatives who are drawn to our focus on books by [underrepresented and marginalized writers].
What’s selling right now?
That’s a difficult question, because we get a wide range of reader personalities. I can say that one of the top-selling trends in adult reading right now is dystopian fiction. Some of the top sellers in our bookstore are “Parable of the Sower” by Octavia Butler, “Chicano Frankenstein” by Daniel Olivas and Agustina Bazterrica’s “Tender Is the Flesh.”
Is there still a place for bookstores as community builders?
Of course! Indie bookstores are vital community hubs. Even in the digital age, bookstores provide physical spaces for connection, conversation and shared experience. You can’t replicate that type of connection online. We’re also living in a time when voices are being silenced or punished for speaking out about social justice, oppressive actions and, overall, what’s right. Bookstores are here to lend their spaces, share those stories and bring attention to needed causes. I’ve seen many bookstores, including ours, function as fundraising and donation hubs, protest art spaces, open-mic venues to allow for communities to unite in shared social causes.
Michelle Keegan shared this sweet snap of daughter Palma and her mum all in matching PJsCredit: InstagramMichelle shares baby Palma with her husband MarkCredit: InstagramMichelle dressed baby Palma in matching PJs at Christmas as wellCredit: instagramMichelle has settled well into life as a first time mumCredit: Instagram
Former Coronation Street actress Michelle looked every inch the proud mum, as she beamed in the photo.
The Fool Me Once star posted the sweet snap on her Instagram Stories last night.
In the heartwarming photo, which is to celebrate Mother’s Day this weekend, Michelle is seen posing in matching nightwear with her mum Jacqueline and daughter Palma.
The trio looked adorable all wearing the same PJs that were cream with flowers on them.
To celebrate their only child turning one, they hosted a pink-themed bash for the young tot at their £3.5 million mansion.
No expense was spared, and there was yummy food and drinks for party-goers to enjoy.
No expense was spared for Palma’s first birthday last weekendCredit: Instagram/luxe.eventsandpartiesMark and Michelle hired a marquee for a bouncy castle and balloon domeCredit: Instagram/luxe.eventsandparties
There was a themed cocktail bar serving “Palma Tinis”, with vodka, raspberry liqueurs and pineapple juice, and pink gin refreshers called “Bubbly First Birthday”.
Outside in the couple’s huge garden, there was a large marquee which had an inflatable balloon dome, a bouncy slide, and seating areas.
The couple have kept their firstborn largely out of the spotlight, hiding her face from social media snaps to maintain her privacy.
Michelle and Mark shared the arrival of Palma last year: “Together we have a new love to share… Our little girl.
Michelle welcomed baby Palma with Mark last yearCredit: InstagramMichelle and Mark got married in 2015Credit: PA
COLUMBIA, S.C. — U.S. Rep. Jim Clyburn, the dean of South Carolina’s Democrats, said Thursday that he will run for an 18th House term, a move that could position him as an influential elder statesman in Congress if his party regains the majority in November.
The decision by the 85-year-old lawmaker cuts against calls for generational change within the party. Clyburn is one of several veteran Democrats running again instead of stepping aside for younger politicians whose frustration increased in the wake of President Biden’s failed reelection campaign.
“I’m here today to say I do believe that I’m very well equipped and healthy enough to move into the next term, trying to do the things that are necessary to continue that pursuit of perfection,” Clyburn said at state party headquarters in Columbia. “And so I will run a very vigorous campaign.”
Clyburn is among the oldest Democrats serving in Washington, and the only member of the last Democratic leadership team who is looking to stick around. Former Speaker Nancy Pelosi of California and former Majority Leader Steny Hoyer of Maryland both plan to retire at the end of their current terms.
Clyburn said that he sought counsel from his three daughters before making his announcement. One of them — Mignon Clyburn, a former member of the Federal Communications Commission — said she was concerned about the political vitriol that her father would face in Washington.
“Her interest was in her daddy and what she thought I might be subjected to,” Clyburn said. “When Mignon finally had decided that she could live with it, I’m here.”
Clyburn said he heard from another woman that “‘we don’t listen to them people up there, and you should not. You should listen to the people down here, and we don’t want you to leave.’ And so I’m responding to the people that are here.”
Clyburn served as majority whip and assistant Democratic leader. Remaining in Congress for another term could give him a chance to serve alongside the first Black speaker of the House as Rep. Hakeem Jeffries of New York is in line for the gavel should Democrats win control. Clyburn for many years was the highest-ranking Black lawmaker in the House.
On Thursday, asked about the prospect of being able to advise Jeffries, Clyburn said the two spoke recently about a possible working relationship in the next Congress.
“He expressed an interest in my being a part of his leadership, if we were to take the House back,” Clyburn said. “It made me feel necessary.”
Four years ago, when Clyburn announced his bid for a 16th term, he told the Associated Press that he intended to keep campaigning as long as his health and support from his family remained stalwart.
“I’ve told them, if you ever see that I need to go to the rocking chair or spend my spare time on the golf course, let me know,” he said describing his daughters’ counsel.
Clyburn won his 2024 reelection by more than 20 percentage points. First elected in 1992, he represents the district that sweeps from areas around the capital of Columbia through rural central and eastern counties down to Charleston.
Should he serve an 18th term, Clyburn would become the longest-serving South Carolinian ever in the U.S. House. Time horizons are longer for the state’s U.S. senators, two of whom — Republican Strom Thurmond and Democrat Fritz Hollings — served 48 years and nearly 39 years, respectively.
Filing for election in this year’s elections in South Carolina opens Monday and closes March 30. South Carolina’s primary elections will be held June 9.
Whenever Clyburn does leave office, the competition to be his successor will be fierce. He is the only Democrat representing his state in Washington.
As to whether his 18th term could be his last, Clyburn called that an “open question.”
“I’m looking forward to the day that I can spend more time reading, writing and playing golf, and so this could very well be to my last term,” he said. “And it could very well not be.”
In this image released Thursday by state media, North Korean leader Kim Jong Un’s daughter Kim Ju Ae fires a pistol during an inspection of a munitions factory with her father. Photo by KCNA/EPA
SEOUL, March 12 (UPI) — North Korean leader Kim Jong Un inspected a munitions factory that produces light arms, state-run media reported Thursday, where he test-fired newly developed pistols alongside his daughter Ju Ae.
Kim visited the factory on Wednesday accompanied by officials from the ruling Workers’ Party, according to the official Korean Central News Agency. The report did not specify the location of the facility.
During the visit, Kim stopped at the factory’s shooting range to test-fire a pistol that he said was “superior in its structural performance, rate of hits, concentration fire and combat utility,” KCNA reported.
Kim “expressed satisfaction over the development of a really excellent pistol,” the report said.
The handgun was approved for production at a meeting of the party’s Central Military Commission last month, according to KCNA. The factory operates under North Korea’s Second Economy Commission, which oversees the country’s weapons production and defense industry.
While Ju Ae was not mentioned in the KCNA report, photographs released by state media showed her accompanying her father during the inspection. The pair wore matching leather jackets and fired pistols at the factory’s indoor range alongside senior officials.
Ju Ae, believed to have been born around 2013, has appeared alongside her father at public events with increasing frequency, including missile launches, military demonstrations and major political gatherings.
South Korea’s National Intelligence Service said last month that Ju Ae appears close to being designated as Kim’s successor.
The factory visit comes in the wake of last month’s Workers’ Party congress, where Kim outlined defense priorities for the next five years. While Pyongyang continues to prioritize the expansion of its nuclear arsenal, the North Korean leader has also emphasized strengthening conventional weapons production.
During the congress, Kim presented newly developed sniper rifles to senior officials and military commanders, with state media releasing images of Ju Ae inspecting and firing one of the weapons.
During Wednesday’s visit, Kim stressed the importance of factories producing pistols and other light arms to strengthen “the combat efficiency of the army, public security forces and militia forces,” KCNA said.
He also announced plans to convene a meeting of the party’s Central Military Commission next month to review plans for modernizing munitions factories and allocating funds to upgrade three key defense production facilities.
The inspection comes as the United States and South Korea conduct their annual Freedom Shield joint military exercise, which Pyongyang routinely condemns as a rehearsal for invasion. Earlier this week, Kim Yo Jong, the powerful sister of the North Korean leader, warned the drills could bring “unimaginably terrible consequences.”
Luka Doncic is attempting to bring his daughters to the United States from his native Slovenia after separating from his fiancée, according to reports.
His former fiancée, Anamaria Goltes, 28, has filed a petition in California seeking child support and attorney fees from Doncic. One of Doncic’s daughters was with him for three months in 2025, and his other daughter has never been to California. Doncic, 27, told ESPN that he had “no idea” Goltes filed the petition.
“I love my daughters more than anything, and I’ve been doing everything I can for them to be with me in the U.S. during the season, but that hasn’t been possible, so I recently made the tough decision to end my engagement,” Doncic said in a statement. “Everything I do is for my daughters’ happiness, and I will always fight to be with them and give them the best life I can.”
Doncic and Goltes were engaged for nearly three years. Their oldest daughter, Gabriela, was born in November 2023, and Olivia was born in December. Doncic traveled to Slovenia for Olivia’s birth, missing games against the Toronto Raptors on Dec. 4 and Boston Celtics on Dec. 5.
During his visit, Doncic told Goltes he wanted to bring Gabriela to the United States when he returned to rejoin the Lakers, according to reports. Goltes objected, and Doncic departed without his daughter.
“I don’t even know how to describe it,” he told reporters of being present for Olivia’s birth. “It was a lot. I was there for the birth of my daughter, so that means everything to me. But it was definitely a roller coaster.
“I got to see my daughter again, my newborn. Coming back, it was kind of hard to leave them behind. But it’s a job, so I got to do it. So hopefully I’ll see them soon.”
Doncic posted a photo on social media of Olivia wearing a pink sweater with a heart emoji covering her face. In his first game back, he inscribed a G and O with a heart on his shoes.
“Two girls, they’re going to make my life hell for sure, I know that,” Doncic said, half-joking. “I’m going to be their security after I retire. All jokes aside, it’s the best thing in the world. I’m just blessed.”
Goltes deleted photos of her and Doncic from her Instagram account last week, and Doncic acknowledged that they had separated. Two weeks ago, he filed an injunction with a Slovenian court seeking immediate contact with his daughters, ESPN reported.
Doncic, who was traded to the Lakers from the Dallas Mavericks for Anthony Davis in February 2025, leads the NBA with a 32.5 points-per-game average. The guard also averages 8.4 assists and 7.8 rebounds.
