crowd

“I would choose to be Latina in every lifetime,” Kali Uchis said from her Saturday night closing set at L.A.’s EDM music festival Hard Summer. “Where are my Latinos at?”

The crowd responded with a resounding roar.

Throughout the day, fans crossed the grounds in bright Latin American soccer jerseys, the eye-catching complementary greens and reds of Mexico and the rich blue of El Salvador dotting the crowd. They held up flags, piñatas and tall signs pasted with images of Dr. Simi and “Dragonball Z” hero Goku — used to mark one’s place in the sea of people.

“Electronic music is for the beach and for Latinos,” said Dominican dembow artist and Hard Summer act Tokischa. “It’s for us. We love to dance, to feel sexy. And electronic music does that.”

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Hard Summer attendees, like Jason, wore Mexican flags as accessories in Inglewood on Saturday, Aug. 1, 2026.  (Katerina Portela / De Los)

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Latino Hard Summer ravers added a spin to festivalwear with vibrant jerseys, flags, and accessories in Inglewood on Sunday, Aug. 2, 2026.  (Katerina Portela / De Los)

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Chris Mondaca couldn’t contain his excitement as he danced to Miguelle and Tons’ set at Hard Summer on Sunday, Aug. 2, 2026.  (Katerina Portela / De Los)

Hard Summer first launched in downtown L.A. in 2007 — yet no Latin artists received top billing. Between Justice, Peaches and hip-hop group 2 Live Crew, the festival became a summit for English-language acts in the electronic and hip-hop genres. Yet last year’s lineup included Colombian reggaeton artist Feid as headliner, along with DJs Deorro, Funk Tribu and Sara Landry, who boosted the Latino community’s presence at the event.

This year at Hollywood Park in Inglewood, Colombian American crooner Kali Uchis headlined the main stage after a day of memorable sets by Argentine singer Six Sex, Mexican producer duo R∅z and Mexican American DJ Bolo.

“The underground DJ scene [in Southern California] is beautiful, but I will say: a few years ago, there was not a lot of Latino representation in the big festival lineups,” said Edgar Avalos, known as Bolo. “I feel like there are more opportunities for Latinos in these lineups. And I want to create an environment for Latino ravers to feel like they’re welcome in this space.”

Saray Zamora, Dafne Carbajal, Ailynn Sanchez , Cecilia Garrido and Celest Garrido decided to go to Hard Summer themed in their family’s home country flags in Inglewood on Saturday, Aug. 1, 2026.

(Katerina Portela / De Los)

The Mexican American DJ and L.A. native Deorro was an inspiration to Avalos, who describes him as “one of the first to break through on major lineups.” Following Deorro’s example, Avalos felt inspired to start his own record label Vibraza for Latino artists and to advocate for their inclusion in festivals — which includes not just onstage visibility, but career opportunities offstage too.

“I feel like there’s a huge bubble, a lot of dope emerging acts within the Latino dance community,” Avalos said. “It’s a blessing to be a part of the crew that’s putting [Latino DJs] on the map.”

According to Luminate’s 2026 data report, electronic dance music dominated the first half of 2026 as the largest growing genre in the U.S. Meanwhile, nearly 1 in 10 streams in the U.S. were songs in Spanish — and casual monthly listenership of Latin music in the States climbed to a peak of 54% of streams in the first quarter of this year.

“[Latino electronic] music makes you feel like … when you’re in the streets, you’re dancing, you feel proud, you let go of certain things or norms,” said Francisca Cuello, known as Six Sex. “Something about being Latino represents a cultural release and an understanding of fun that fits so well with electronic music at night.”

Cuello performed her new album, “Ultra,” as her pouting femme-bot persona who waxes poetic about eroticism over thumping techno beats. She said she was shocked by the number of people who sang the music back to her, despite the album having only been released earlier this summer.

“I never set out to make electronic music, but it’s what called to me,” Cuello said. “To be so far from my country and to connect with people in a country so different from mine, like the U.S., it’s such an honor.”

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Hilary Joy fans herself and jumps at one of the last Hard Summer DJ sets of the night in Inglewood on Saturday, Aug. 1, 2026.  (Katerina Portela / De Los)

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Many of the Latina festivalgoers at Hard Summer wore colors of their home country’s flags or ribbons in their hair, as Alejandra Tadeo chose to do in maximalist braids on the way to Roz’s set in Inglewood on Saturday, Aug. 1, 2026.  (Katerina Portela / De Los)

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Saiah Landaverde said they were most convinced to go to their first Hard Summer for the Latino artists, like Six Sex, on the lineup. They danced with their friend Josh Roque at Roz’s set in Inglewood on Saturday, Aug. 1, 2026.  (Katerina Portela / De Los)

Festival attendee Azareal Hernandez-Moreno said she was most excited for the Hard Summer lineup this year because “it’s for us.”

“I feel like it’s a big moment for these artists to perform at such a big festival,” said Hernandez-Moreno. “[They] get to represent where they’re from. It means something to us as Latinos, as fans.”

Atop the Beatbox Art Car — a Hard Summer stage for emerging acts, which is approximately 20 feet tall and built to resemble a rainbow boombox — DJ Spiñorita mixed house, Latin dance and original funk for her audience. Donning a slicked-back hairstyle, Virgen de Guadalupe top and thick golden hoop earrings that reflected the penetrating rays of the sun, Spiñorita nodded and lifted her arms as ravers mouthed lyrics of “El Sonidito” back to her.

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Hard Summer attendee Angel Rosario dances along to a DJ set by VTSS in an El Salvador jersey in Inglewood on Sunday, Aug. 2, 2026.  (Katerina Portela / De Los)

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Heidy Menendez dressed up in blues and whites to represent El Salvador as she held up a Spanish meme totem that reads, ‘If you know this is how I get, why do you invite me?’ at Roz’s Hard Summer set in Inglewood on Saturday, Aug. 1, 2026.  (Katerina Portela / De Los)

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Latino Hard Summer ravers added a spin to festivalwear with vibrant jerseys, flags, and accessories in Inglewood on Sunday, Aug. 2, 2026.  (Katerina Portela / De Los)

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Miami-based Ecuadorean Peruvian DJ Milushka in the media hub of Hard Summer on Sunday, Aug. 2, 2026.  (Katerina Portela / De Los)

Spiñorita, who is Angela Ramirez by day, said that the L.A. rave scene is one of support and community among Latina artists, who run events for themselves year-round.

“We’re out here and brown and proud of it,” Ramirez said. “We’re putting in the work to make fundraisers for social issues and giving back to our community. Raving and DJing helps to heal trauma and helps us to open up.”

Earlier that day, R∅z sparked crowds of fans to run to their stage as they brought out música mexicana star Peso Pluma. The artist reached out to the crowd as he rapped in Spanish, fans jumping and raising their phones to take pictures and document the moment.

“Viva Mexico!” said R∅z’s Hugo Lara, as cheers rang and flags waved before him.

“I think that because the demographic here is very Latino, we’re all supporting each other,” said Frida Mitre, a Hard Summer attendee. “It was very heartwarming when [Kali Uchis] asked if we were out here, especially because we’ve been going through a lot.

Mitre said one of the sets she was most excited for was Tokischa — “for being so herself.”

Dominican-born rapper and musician Tokischa in her green room at Hard Summer in Inglewood on Saturday, Aug. 1, 2026.

(Katerina Portela / De Los)

“I was born and raised — lived my entire life — in the Dominican Republic,” said Tokischa, just after her high-octane performance. “Where my music plays, it reaches Dominicans there. In the crowd, I saw some Dominican flags. I raise that really high. I just want to see my community having fun.”

As the sun lowered on Sunday, and most Latino artists had finished for the day, local DJ Bianca Oblivion began spinning records jubilantly in her Mexican flag corset, grinning in the afterglow of a landmark weekend.

“It’s a really cool moment to be a Latino DJ,” she said. “Whatever people’s idea of what Latino music is … is not limited. We’re constantly crossing genres and cultures. We’re on the rise.”

EDDIE MARSAN is to play Harry Redknapp in a film about one of football’s most incredible stories, I can reveal.

The actor, a Spurs fan, will put his allegenices to one side when he takes on the role of the West Ham favourite when he was their assistant boss in 1994.

The film by Sir Ridley Scott re-tells the moment Harry actually invited a loudmouth Hammers fan to play up front for the Premier League outfit after hurling abuse at players from the stands — and he went on to score.

Eddie plays gaffer Harry in Halftime Hero, alongside Anson Boon as angry fan Steve Davies.

West Ham were struggling against non-league Oxford City in the pre-season friendly when Steve was told to put on a kit and prove he could do better . . .  and did.

A source said: “Eddie has been cast as Harry in Halftime Hero and will be filming his scenes in the coming weeks.

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“As a huge football fan, Eddie knows this tale well and to take on such a prominent part in a film about such a huge moment in the game is hugely exciting for him.”

Like me, Sherlock Holmes actor Eddie is a Tottenham fanatic, so it will be a dream role to play Harry, who went on to manage Spurs years later.

It’s just a shame he’s going to have to wear a West Ham coaching kit to do it.

I revealed last month that Ridley’s production company was working on the film about Harry’s famous game, which has become part of football folklore.

Steve could be heard heckling striker Lee Chapman and repeatedly branded him a “donkey” for his poor performance.

Harry went into the stands and got him to play, with Steve going on to score and helping West Ham to a 4-0 win.

The historic moment was never caught on camera, so now Anson, Eddie and Ellie Bamber — who plays Steve’s girlfriend — are bringing it to life.

Harry has spoken fondly about the wild episode over the years, admitting he told the stadium announcer that he was bringing on a “great Bulgarian” called “Tittyshev”.

Steve previously said: “It was the greatest moment of my life.

“After that, I was exhausted.

“I was on 30 cigarettes a day back then.

“I had a couple of cigs and a couple of beers in the first half.”

Good on you, Steve.

Me, I’m Jase relaxing

TAKE THAT have just finished their hit Circus Tour, but there’s been no clowning around for former member Jason Orange.

The ex-boybander, who quit the group in 2014 to lead a quieter life, was seen enjoying a peaceful afternoon in a park in Cheshire on Monday.

He now has a successful property portfolio and has declined offers to rejoin the group.

And judging by how zen he looks here, I can’t say I blame him.

LEIGH-ANNE PINNOCK is feathering her nest with a few quid from her fans by becoming a mumfluencer as she prepares to give birth to her third child.

The Little Mix star has started a page where fans can subscribe for £5 a month for “behind the scenes content” and a “private community” to find out what’s going on with her pregnancy.

Announcing the move, Leigh-Anne said: “I’m excited to announce I’ve started a Patreon to share more of my pregnancy, bump updates, everyday life and all of the things in between as I prepare to be a mum of three.

“This is going to be a complete safe space to be open and honest, share advice and give you a little more insight into life right now.”

Leigh-Anne, who will perform at Brighton Pride on Saturday, already has twin daughters with her footballer husband Andre Gray.

Kaia and Homer channel parents

KAIA GERBER and Homer Gere looked like proper Hollywood stars at the premiere of new Disney+ thriller series The Shards – maybe because of their A-lister parents.

Kaia’s supermodel mum Cindy Crawford wed Homer’s old man, Richard Gere in 1991, although the golden couple divorced four years later and went on to have kids with new partners.

Now, their actor offspring are appearing opposite each other in the Shards, which launches next week.

Speaking on the red carpet, Kaia said of Homer: “I’d never met him but I was really, really excited to meet Homer and he’s such a wonderful actor, my god.

“This is his second thing he ever did and he has this confidence and charisma – he’s so magnetic to watch.

“He made my job much easier because of how talented he is.”

Looking forward to tuning in.

Niall hits the clubs

IT’S tee time for golf nut Niall Horan ahead of his Dinner Party Live Tour.

The ex-One Direction singer hit the greens at Royal Lytham & St Annes in Lancashire before the AIG Women’s Open this weekend.

He will soon be heading out on the road, kicking off his tour at Birmingham’s Utilita Arena on September 22.

But the long spells playing shows across the UK, Europe, Australia and North America until next May won’t stop him hitting the greens.

He said earlier this year: “It’s Niall’s golf tour with music, especially in the States.

“Florida is great.

“There’s so much good golf in Florida, and we’ll hit random places in Ohio.

“If we do 30-something shows, I’ll try to get in ten rounds.”

TULISA HAS MAXED OUT ON LOVE

TULISA’s romance with medicinal cannabis kingpin and influencer Maximillian White has gone up in smoke, it seems.

One of my pals has spotted the N Dubz singer back on celebrity dating app Raya.

I told you last autumn that the pair had started dating.

But on Raya, the former X Factor judge has listed her occupation as “singer/investor/author” while her bio simply says, “Lara Croft”.

As for her interests, she’s into, “Music, fitness, deep belly laughs, cheeky bottle of red, all things weird and wonderful.”

Sounds like a fun time to me.

Harry Potter actor Tom Felton and Kingsman star Taron Egerton have both been spotted on the exclusive app, so she has her pick of handsome fellas.

Mel C met her husband Chris Dingwall on Raya, and Lily Allen found her now-ex David Harbour on there too, although the less said about that, the better.

Tulisa was also on there before meeting billionaire Maximillian but insisted she was a “spectator” and said: “I never like or message anyone first . . .  just letting you know.

“I’ve only gone on one date from there, and that was because of a recent rebound.”

Live a little, Tulisa.

ELLIE MUSIC OF LOVE FOR HER BEAU

IT has been dubbed her “divorce album” but Ellie Goulding’s new record will feature at least one song about falling head over heels for her new beau, called, err, Beau.

I first revealed their romance last July when I told how she had jetted off to Italy with actor Beau Minniear, when they stayed at the Four Seasons in Florence together.

Now Ellie, who gave birth to their daughter Iris in March, has written a song about how she was swept off her feet by him during the trip to that very hotel.

On the track, titled 4 Seasons, she sings: “Daydreaming, faint feelings, f**k around at the Four Seasons. I think that I might be falling in love with you.

“I need it, wanna keep it. We mess around, put the damn key in. I think that I might be falling in love.”

The song will be on her sixth album, I Know Too Much, which will be released on September 4.

And from what I’ve heard so far, it’s going to be another brilliant record.

PRINCE’s cult movie Purple Rain is being adapted for the stage and will debut on Broadway next March.

The hit film was accompanied by Prince’s album and song of the same name, with the projects being released in 1984.

The news of the stage musical was announced on the 42nd anniversary of its release and will launch next spring.

ARIANA SUES SONG HACKERS

ARIANA GRANDE has understandably seen red and filed a lawsuit against hackers who leaked unreleased tunes.

The Thank U, Next singer has alleged that two unidentified hackers broke into devices from people she had worked with to get songs and footage of her which was sold for “significant sums of money” on the dark web.

Legal papers have been lodged in Los Angeles to try and unmask those responsible.

The documents claim: “In 2023 alone, 45 unreleased songs belonging to Ms Grande were hacked, stolen, and leaked.

“Since her music debut in 2011, hundreds of similar leaks have taken place.”

And it sounds like Ariana, whose new album Petal will be out on Friday, won’t stop pursuing them until they’re in prison.

Aaron Donald did not attend a Rams fan event Thursday night, but the crowd at the YouTube Theater in Inglewood featured many people wearing No. 99 jerseys. One waved a large printed cutout of the three-time NFL defensive player of the year’s face.

The Rams are waiting for Donald to decide whether he will come out of a two-year retirement and join a star-studded Rams team that is favored to win the Super Bowl, which will be played in February at SoFi Stadium.

“I think it’s real clear where we can start the GoFundMe to bring Aaron back,” team president Kevin Demoff joked to a raucous crowd that was cheering ‘AD, AD, AD.”

The Rams open training camp Saturday at Loyola Marymount. Donald, 35, helped the Rams win Super Bowl LVI at SoFi Stadium to cap the 2021 season. He has indicated that he is considering a return to a defense that features end Myles Garrett, the reigning defensive player of the year, and All-Pro cornerback Trent McDuffie.

“We don’t have a ring, or a Lombardi Trophy or a banner if it’s not for Aaron Donald,” Demoff told the crowd, adding that if Donald wants to return, “We will wait with open arms.”

Tony Pastoors, the Rams chief operating officer, said the Rams want Donald to go “through his process” before making a decision.

“Whenever he’s ready, we’ll be ready,” Pastoors told the crowd. “And, ultimately, I would rather have Aaron Donald when we’re playing actual football games than in July.

“So, we’ll all be patient, and if it happens, we’ll be ready.”

Demoff echoed Pastoors.

“The last 10 years don’t happen without Aaron Donald, and if he wants to come help kick off the next 10 years, by all means we’re ready.”

MELANIE C threw her ‘wedding bouquet’ to a crowd in Ibiza as she DJed just days after her magical ceremony in the UK.

The 52-year-old and Australian model Chris Dingwall said ‘I do’ in an intimate ceremony in the Lake District last weekend.

Just three days after their special day, Melanie jetted off to Spain to take to the decks at the Chinois Ibiza nightclub.

Melanie looked incredible in a hot pink jumpsuit and the club-goers cheered as she lifted up a bouquet of flowers while dancing away to the music.

The Spice Girls star then turned her back to her fans, chucked them behind her and laughed to herself as she got back to the decks.

Melanie has shared a first look at her wedding after tying the knot with her boyfriend of three years, Chris.

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And it came just days after their private legal civil ceremony in Sydney, Australia, where Chris is from.

The couple got married in a stunning ceremony in the grounds of The Country House Cumbria on Saturday.

They were joined by their loved ones, including her Spice Girls bandmates.

Mel B, Geri Horner and Emma Bunton were all in attendance as Victoria Beckham was noticeably absent from the big day – but she was unable to attend due to the World Cup final in the US.

Despite not being able to be there, she designed her pal’s beautiful backless, white wedding gown.

Melanie also wore a custom Adidas robe to get ready for the ceremony, made from ivory silk with white silk stripes and then changed into an Adidas tracksuit look for the evening.

A source told The Sun on Saturday: “Mel and Chris’ wedding was perfect, they couldn’t be happier.

“They chose a classy, laid-back ceremony before a reception with their closest friends and family.

“Mel B gave a speech which got a lot of laughs, as well as some tears — it was really beautiful.

“Geri was there but there was no awkwardness between her and Mel B.

“It was a day for celebrating Mel and Chris’s love for each other and that was all anyone wanted to do.”

Melanie told British Vogue the wedding was “low-key, relaxed, romantic and chic”.

She added: “I’m so excited for the world to know he’s my husband.”

The happy couple met on dating app Raya.

OAKLAND — The 17th year of Mosswood Meltdown at Oakland’s Mosswood Park brought with it a parade of free-thinking freaks on stage and in the crowd that descended on a punker’s picnic paradise for its annual outing of 20 bands over three days last weekend.

Hosted by the pencil-mustachioed art film icon John Waters, it began with a “pre-party” that exploded with main-event energy courtesy of lo-fi indie rock heroes Pavement, along with Wednesday and Vivian Girls on Friday night. The main fest lineup, topped by underground legends Iggy Pop and Bikini Kill, brought wild music with a message of unity among generations of punks to the tree-lined stages surrounded by a city that knows how to throw a good-time rager while staying deathly serious about its musical taste. Here are 10 moments that stood out at this year’s fest.

John Waters hosted the entire weekend, bringing his cackle-inducing foul-mouthed band intros to nearly every set at Mosswood Meltdown.

(Dick Slaughter)

Saturday

Singer/guitarist Toyozo (Yusuke Toyoshima)of The Fadeaways at Mosswood Meltdown

(Dick Slaughter)

The Fadeaways stand out early

Performing Saturday in Mosswood Park was a homecoming for Japanese revival rockers the Fadeaways. It was barely a year ago that they played a guerilla-style set by the festival entrance for a crowd of unsuspecting new fans. Going from ground level to being introduced on the main stage by Waters was a bucket-list achievement. “Their intense leaps in the air remind me of a throwback ricocheting tear-gas canister landing in a crowd of ICE agents,” the fabulously filthy host told the crowd before bringing them up. When they took the stage, the band wasted no time exploding into a searing 10-song set led by “That Girl” and including a screeching cover of the Kingsmen’s “Louie Louie.”

Snooper lead singer Blair Tramel performing on the Field Stage at Mosswood Meltdown

(Dick Slaughter)

Snooper and its puppeteers of chaos

Performing its third set at the festival since 2022, this Nashville four-piece band has quickly become a staple of this fest thanks to a larger-than-life-size puppet show and an electro-shock energy that helped it rumble through an early set on the Field Stage Saturday. Frontwoman Blair Tramel let the creativity of her paper-mache puppets made for the show match her highly caffeinated caterwaul on songs like “On the Line” and “Long Way,” where blown-out guitar tones, glitchy beats and shrieking vocals took Saturday’s decibel level unapologetically into the red.

The Spits performing on the Amphitheater Stage at Mosswood Meltdown.

(Dick Slaughter)

The Spits went full throttle

The sunken Amphitheater stage was a tough place to see anything if you didn’t show up to grab a spot at least 20 minutes early (or just climb a tree). But sweating in the sun to watch a band like the Spits, another Mosswood favorite, was worth pre-planning to get into the pit. The four-piece from Kalamazoo, Mich., hilariously clashed with the all-pink game show backdrop of the stage. Entering in sleeveless denim vests backed with a hailstorm of machine samples and maniacal Vincent Price laughter, the band clearly wasn’t playing any games as the members pounced on the crowd with 26 songs performed at breakneck speed, with dirty, piston-pumping rhythms on “Spit Me Out,” “Rip Up the Streets,” “Bring” and “SK8.”

Mannequin Pussy singer Missy Dabice and bassist Colins “Bear” Regisford on the Field Stage at Mosswood Meltdown

(Dick Slaughter)

Mannequin Pussy end with a loud bark

Blissfully ferocious and never short on words from the stage, frontwoman Missy Dabice didn’t get to say as much as she wanted to between songs due to the brevity of a festival set. But after a well-received set full of songs off 2024’s “I Got Heaven” and 2019’s “Patience,” Dabice still left room for some fiery parting words that embodied the tone of the weekend before wrapping things up with the band’s seething battle cry “Loud Bark.” “Don’t forget to celebrate the beauty of life while in every breath in turn fighting against fascism in every section of this country, good night!”

Otoboke Beaver drummer Emi “Leo” Morimoto performing on Saturday at Mosswood Meltdown

(Dick Slaughter)

Otoboke Beaver’s fury lights a fire

This quartet from Kyoto, Japan, put the Mosswood crowd in a stranglehold at the Field Stage and didn’t let up once during its entire set of math-rocky, manic, candy-colored fury. Even if you had no idea of the meaning behind song titles like “Don’t Light My Fire” or “I Am Not Maternal” or “Hey Where’s the Thank You?” sung mostly in Japanese, its joyous hell-raising energy left a lasting impression with the crowd. You couldn’t help but smile watching the members shred as an inflatable, beaver-shaped inner tube bounced around the mosh pit while they did their best to sound like a satanic garage band.

Iggy Pop headlining Saturday night at Mosswood Meltdown.

(Dick Slaughter)

Iggy Pop’s eternal lust for life

Iggy Pop’s ability to stay shirtless and savage at 79 goes beyond scientific explanation. One can only assume he’s made a deal with the devil that he’ll never stop performing. That seemed OK with the packed crowd that watched him headline Saturday night, rolling through all the Stooges and solo classics that made him the king of the underground. He kicked off his 18-song set with “T.V .Eye” and continued ripping into “Raw Power and “I Got a Right” before anyone in the crowd had a chance to catch their breath. With the Los Tropicanos backing band behind him, Iggy’s energy was transferred through the players who bolstered his catalog of Detroit-bred proto punk with tight precision and the right amount of stumbling sleaziness. Though he ended the set in a cage from “Wild One” to “Mass Production,” it’s clear that he’ll never be confined and that should give us all a bit of extra hope for ourselves.

A crowd surfer at Mosswood Meltdown.

(Dick Slaughter)

Sunday

Peaches Christ performing on the Field Stage at Mosswood Meltdown.

(Dick Slaughter)

Peaches Christ sings with punk pride

The fire on stage for Day 2 of the fest started early by a pack of drag queens led by Peaches Christ. She sauntered on the stage with electrified green and purple hair and Vivienne Westwood-style chic to perform a cover of the Sex Pistols’ “God Save the Queen.” Showing the true rainbow colors of the punk scene has always been an important aspect of Mosswood’s ethos and as a staple of the fest, Christ compelled everyone in the crowd to sing loud and proud as she and her squad each took turns performing classics from the canon of mosh pit hits including “New Rose” by the Damned and “Add It Up” by Violent Femmes. Following her was fellow queen Kochina Rude who came out dressed as Pee-wee Herman to perform the Germs’ “Lexicon Devil” before stage-diving into the crowd. Between flamboyant showmanship and a strong commitment to the vocals on tough songs like Suicidal Tendencies’ “Institutionalized” (slayed by Trixxie Carr) the LGBTQ community’s spirit was on display throughout the set.

Drummer Nick Aguilar and bassist Nikki Piclle of Frankie and the Witchfingers.

(Dick Slaughter)

Frankie and the Witchfingers leaves the crowd spellbound

Casting a spell on the crowd with their sharp synth-laden aggression and bouncy ‘80s dance punk rhythms, Frankie and the Witch Fingers arrived with a bang in the late afternoon sun. With a guitar hiked up to his clavicle, frontman Dylan Sizemore convulsed with energy that saw the power of every chord electrify his bones during the jam-heavy “Conducting Experiments” while the rhythm section of drummer Nick Aguilar and the neon green-haired bassist Nikki Pickle kept the crowd bouncing and magnetized the attention of eyes all around the fest. The best crowd surfing of the day came thanks to a seasoned, white-haired fest attendee in a bike helmet who was getting tossed around like a white-water rafter. The head gear was definitely a smart idea.

Fred Armisen and Carrie Brownstein of the Return of Jackie and Judy perform on the Field Stage at Mosswood Meltdown.

(Dick Slaughter)

The Return of Jackie and Judy revive the Ramones

It’s one thing to perform a set of cover songs, but it’s another thing to play tunes that ensure the vibe of an entire festival is covered as well. “I hope you like the Ramones ‘cuz that’s all we’re playing,” said Carrie Brownstein of Sleater Kinney. Alongside SK bandmates Corin Tucker, Toko Yasuda and “Portlandia” co-star/“Saturday Night Live” comedian Fred Armisen, the quartet formed Ramones tribute the Return of Jackie and Judy. From the thunderous opening chant of “Blitzkrieg Bop” (“Hey! Ho! Let’s Go!”), the all-age crowd strapped in for a roller-coaster ride of leather-clad punk classics that had everyone shouting along. Brownstein did a good job of meeting the moment with both joy and reverence, at various points talking to the crowd about the enduring spirit of the songs as well as dedicating “Rock-n-Roll Radio” to L7 bassist Jennifer Finch, who died Saturday.

Kathleen Hanna and Tobi Vail of Bikini Kill performing on Sunday at Mosswood Meltdown.

(Dick Slaughter)

Bikini Kill passes the torch

The entire vibe around Sunday was fueled by female empowerment thanks to riot grrrl godmothers Bikini Kill. Throngs of young girls in Day-Glo punk garb and face paint mashed against the barricade to see the roots of revolutionary aggression come crashing through the chords of classics like “Carnival,” “Alien She” and, of course, “Rebel Girl.” But frontwoman Kathleen Hanna was just as stoked to see them having a good time in front of her. “I can’t wait to open for you in 10 years,” Hanna said to inspire all the girl bands yet to form in the crowd. . Giving a shout-out to female-fronted young bands like Bitchfit that played one of the most impressive ground-level sets of the weekend was a warm and fuzzy torch-passing moment that summed up the reason a festival like this is still so vital to the survival of punk culture.

A million jubilant Spain supporters are expected to greet their heroes on Monday in Madrid, as the World Cup winners return home after clinching their second star.

Spain’s 1-0 victory against Argentina in New Jersey on Sunday, secured by a Ferran Torres strike in extra-time, has sparked an outpouring of national pride in the football-mad country, whose only other World Cup triumph came in 2010.

Coach Luis de la Fuente and his squad’s flight had a scheduled landing time in Madrid of 12:50pm (10:50 GMT) with the golden trophy in tow, after a dominant performance with “total control” against a “helpless Argentine side”, according to Spanish daily Marca.

Many younger supporters were not yet born when Andres Iniesta’s extra-time goal against the Netherlands secured Spain’s first World Cup in South Africa 16 years ago.

On Monday morning, the Castellana, Madrid’s main avenue, bore the marks of a boozy evening – the tarmac strewn with rubbish, beer cans and shards of glass.

Among the last remaining supporters, some slept with grins on their faces on the pavement or on benches, while others were still staggering home as cleaning crews worked from the early hours to prepare the route for tonight’s party.

“I didn’t sleep much, because … [of] the celebration and then the tension of the match. I think it was a little more difficult for all of us to fall asleep,” Madrid Mayor Jose Luis Martinez-Almeida told RNE radio.

After landing, the players will be received by King Felipe VI at Zarzuela Palace, on the outskirts of Madrid, according to the mayor.

It is not yet known whether the team will be met by Prime Minister Pedro Sanchez at the government headquarters, La Moncloa, as he had to make a swift visit to Algeria.

Spain’s World Cup winners will enjoy an open-top bus parade, starting at Moncloa and heading to Cibeles Square, the central government’s representative in Madrid, Francisco Martin, told Spanish public television.

A ceremony involving the players will then be held at the square, the traditional gathering point for celebrations by the Spanish national team and its supporters.

About one million people are expected to line the parade route, with additional security and transport measures planned to handle the crowds, Martin explained.

A total of 2,050 police officers and 400 Civil Guard personnel will be deployed, he added.

Some supporters who already had only a short night’s sleep are planning to celebrate again, like Bruno Gonzalez del Yerro, a 32-year-old financier.

“We’ll have to celebrate it one way or another, given that it only happens every four years and that Spain hadn’t won it for about [16] years now. It definitely deserves a party,” he said.

Spain’s women’s side won the World Cup in 2023, meaning for the first time a country has both trophies at the same time.

In 2030 Spain will defend their crown on home soil, as one of the World Cup hosts along with Portugal and Morocco.

The Spanish press was running out of superlatives to describe its heroes after they overcame favourites France in the semifinal before downing Argentina.

“The kings of all-time!” wrote Marca, celebrating a “second star that will now be stitched onto the Spanish jersey after yet another masterclass in collective play”.

On a tragic note, a 13-year-old boy was killed at about midnight in the town of Ciudad Rodrigo in the west, after a fountain crumbled under the weight of supporters who had climbed onto it to celebrate.

In Buenos Aires, the initial silence after defeat was striking, and then the tears came once the reality sank in. Their hopes of a fourth World Cup were dashed, but hundreds of thousands of people are expected to greet the team on their return at 5pm local time (20:00 GMT).

After more than five weeks of competition with the expanded format and 48 teams, only Spain and Argentina were left standing by the 104th and final match.

The 2022 champions, despite the presence of all-time great Lionel Messi, failed to create clear chances against Spain’s well-organised and more positive side.

Enzo Fernandez’s red card left Argentina with their backs pinned to the wall, and Barcelona forward Torres slammed home after fellow substitute Nico Williams teed him up.

“It’s not my goal, it’s the goal of 47 million people,” said Spain’s match-winner.

Messi had a sensational World Cup but drifted through the final like a ghost, shedding tears at the end. In Madrid, tears will also flow on Monday night, but tears of joy.

Donny Hathaway had already been expounding on the splendors and indignities of American life by the time he got to the Troubadour in West Hollywood in the last week of August 1971.

A classically trained pianist with a declamatory voice shaped by his years in the church, Hathaway closed Side 1 of his 1970 debut with an original called “Tryin’ Times” — “Maybe folks wouldn’t have to suffer,” he sang, “if there was more love for your brother” — and finished the LP with a stately rendition of Nina Simone’s “To Be Young, Gifted and Black.” Months after the album was released, he dropped a joy bomb of a holiday single, “This Christmas,” that unapologetically made space for a Black experience in the yuletide-industrial complex.

Donny Hathaway performs at Mister Kelly’s in Chicago in 1971.

(Val Mazzenga / Chicago Tribune / Tribune News Service via Getty Images)

Yet Hathaway captured something indelibly American during his week of shows at the Troubadour, which were recorded (along with a later gig at New York’s Bitter End) for the singer’s classic “Live” album that came out in February 1972. On an LP full of spine-tingling performances, the undeniable high point is Hathaway’s take on Carole King’s “You’ve Got a Friend” — a clear-eyed if optimistic portrait of resilience and cultural exchange.

King — who’d made her name in the 1960s as half of a prolific Brill Building songwriting duo with her husband, Gerry Goffin — wrote “You’ve Got a Friend” after leaving Goffin and moving to Los Angeles with her two young daughters. Here she remade herself as a low-key singer-songwriter dispensing wise yet unflashy tunes about love, home and family — part of a gentle resetting of pop’s mood after the turmoil of the previous decade.

Cut like the rest of the album at A&M Studios on La Brea Avenue, “You’ve Got a Friend” helped drive King’s 1971 “Tapestry” LP to sales of more than 10 million copies and to a boatload of trophies (including album, record and song of the year) at the Grammy Awards; the singer’s pal James Taylor, whom she’d performed with for the first time in late 1970 at the Troubadour, topped Billboard’s Hot 100 with his own cover of “Friend” featuring background vocals by Joni Mitchell.

On the advice of Atlantic Records’ Jerry Wexler, Hathaway also recorded “Friend” as a studio duet with Roberta Flack, a fellow Howard University alum; their take sat in the Top 20 of Billboard’s R&B chart as Hathaway began his run at the Troubadour — popular enough that the audience on “Live” erupts at the sound of Hathaway’s opening organ lick.

Carole King at A&M Studios in Los Angeles in 1970.

(Jim McCrary / Redferns via Getty Images)

Indeed, the crowd is really the thing in this live version of “You’ve Got a Friend.” Hathaway and his band — including guitarist Phil Upchurch, bassist Willie Weeks and 16-year-old Fred White (soon to be of Earth, Wind & Fire) on drums — are cooking, to be clear; the groove is funky and viscous, and Hathaway’s vocal is gorgeous, not least in his nimble ad-libs.

But it’s his interplay with the few hundred folks in the room that elevates the recording to a deeply moving piece of art.

For King (and Taylor), the song’s promise of unflagging support is an intimate one-to-one matter; their renditions use homey acoustic arrangements to create a picture of two people exchanging confidences. In Hathaway’s hands, “Friend” is about community: Before he even asks them to, the audience takes over for him on lead vocals in the song’s chorus, a congregation in all but name.

Given the proximity to the civil rights movement, it’s impossible to hear Hathaway’s “You’ve Got a Friend” as disconnected from the struggles of Black people. At the Troubadour (as in his and Flack’s duet), he nixes the song’s second verse to arrive more quickly at the bridge, in which he describes a cold world filled with those who’d “hurt you and try to desert you” — even “take your soul if you let them.”

As Emily J. Lordi notes in her 2016 book about “Donny Hathaway Live,” the crowd lays back during the bridge before rejoining Hathaway for the song’s second chorus; the decision, somehow spontaneous and collective at once, is an expert bit of record-making on the part of an audience that, according to legend, hadn’t been told the concert was being taped.

“From this perspective,” Lordi writes of Hathaway’s fans — some number of whom had surely availed themselves of the Troubadour’s bar, as she points out — “they are not stealing the show so much as they are holding him up, ensuring he won’t sing the duet alone.” Together, performer and audience are turning back (not that they necessarily had a choice) to the ugly truths that singer-songwriter music sometimes sought to move past.

In this way, Hathaway’s “Friend” becomes a reinvention of a reinvention — an act of moral imagination about as American as it gets.

This wasn’t the only instance of a Black soul singer interpreting a tune King had written as a single mom newly arrived in L.A.: In May 1972, the Isley Brothers released a sultry cover of “It’s Too Late”; a month after that, Aretha Franklin’s live “Amazing Grace” album mashed up “You’ve Got a Friend” with “Precious Lord, Take My Hand,” completing the gospel-ification that Hathaway had begun in a bastion of white rock culture temporarily remade as an African American church.

Yet in Hathaway’s “Friend” you can hear the whole story American music tells about identity and belonging (and about commercial ambition).

“This might be a record here,” Hathaway tells the crowd near the end of the song, and so it was — a document of adaptation, a testament to borrowing, a bulwark against pretty fictions.

BECKY Hill has hit back at the crowd that booed her during her surprise festival set as she addressed a viral video.

The pop star, 32, was treated badly at the weekend after she vowed to play only new songs at her secret set at TRNSMT. 

Speaking about the viral video that showed the crowd, she has now said: “Getting booed is not nice.

“I haven’t found a single one of these easy, it’s really upsetting.

“Because I love this job and that’s not making me love it as much as I usually do.”

Speaking directly to the camera she added: “I wanted to bring a new and exclusive thirty minute set of brand new music to a festival crowd unannouced.

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“I thought it would be a great opportunity to play the new music I’ve been working so hard on.

“And I personally love so much.”

She then thanked the team at the festival for giving her that stage and also the crowd of people who you stayed and danced with her right until the very end.

She added: “It was amazing to have such a captive audience who wanted to hear the new stuff too.

“I said on stage how difficult it is to transition into a new single, and new music and new albums.

“And all this conversation online is exactly what I meant.

“I’m not a jukebox, I’m an artist and the tickets at TRNSMT were not sold with my name as part of the line-up.

“And I wanted to do something new, artistically driven.”

Becky explained that she doesn’t normally get the opportunity to do that much in her career.

She added: “But trust me when my name is on the poster I will always sing the tunes that people know and love.”

“I feel really grateful to have those records in my catalogue,” she explained.

The singer concluded that in order to have a long career she needed to have new music and thanked those that stayed to listen to her.

The pop star has no shortage of hits to choose from, with 19 top 40 singles, six top 10s and a number one to her name.

Becky played her new track Daddy’s Range Rover at TRANSMT which hits out at Jack Whitehall for mocking her when he hosted last year’s Brit Awards.

The pair have since buried the hatchet and Jack admitted he apologised to Becky for calling her “Wetherspoons Whitney”. 

Addressing her fans while performing earlier this year, she said: “I’ve had enough of all this s*** so I wrote about it.

The run-up to the World Cup in Los Angeles was marked by anxiety over how immigration enforcement, travel restrictions and anti-Trump backlash would affect the spirit and attendance of the games.

But on the streets of L.A. over the last week, something very different has happened.

Fans from a kaleidoscope of cultural backgrounds have come together to act out the kind of world — and city — they want to live in.

On the shuttle bus from downtown to Inglewood on Monday, there were scores of people with Farsi-emblazoned shirts and crowds of grinning Kiwis as one would expect for the Iran-versus-New Zealand showdown that evening. However, there were also clusters of striped blue Argentina T-shirts, plenty of Team USA jerseys, and a loud group of fans chanting “Viva Mexico” from the back of the bus.

The mood was joyful before Monday’s match among fans of Iran’s national team. The players, because of restrictions by the Trump administration, have had to commute to the games from Tijuana.

(Allen J. Schaben / Los Angeles Times)

Similar scenes played out on the Metro K Line as World Cup-goers from all over traded stories of how they scored tickets, tips for navigating L.A.’s transit system, and wistful memories of tournaments past.

“This festival is about unity and bringing the whole world together; there are 48 nations and everybody is having a good time,” said Ardy Salem, an Iranian American dentist who traveled from the Bay Area to attend the game, as he surveyed the crowd outside SoFi Stadium on Monday with unabashed glee.

“Just for a moment,” he said, “we get to leave all the politics behind.”

David Leon, 32, of Watts was grinning from ear to ear as he stood outside the stadium entrance in his forest-green Mexico jersey, despite the fact that he initially didn’t support having the World Cup in Los Angeles.

“I thought it was going to be a big issue for a bunch of different people to come here,” Leon said.

Fans of New Zealand show their support as they perform the haka, a traditional Maori dance and chant, at Monday’s match.

(Allen J. Schaben / Los Angeles Times)

Leon worried that people from other countries would be turned off by American politics and fearful about traveling to the U.S.

Instead, he’s been delightfully entertained by tourists documenting their wholesome reactions to American culture on social media — such as the German man experiencing Waffle House for the first time and the Swedish woman blown away by ranch dressing.

“It really does bring people together from all these different ethnicities,” Leon said, looking at the lines of people waiting to get into the stadium. “I’ve seen Colombians, I’ve seen Mexicans, people from New Zealand, people from Iran, Germans, Spaniards.”

And for his own community of Mexican Americans, he said the matches had brought a much-needed infusion of joy. This time last year, Immigration and Customs Enforcement raids were roiling Los Angeles, instilling fear throughout immigrant households.

Fans of Mexico are on hand at Monday’s match at SoFi Stadium. Before the World Cup, there were widespread fears of ICE presence at the games.

(Kelvin Kuo/Los Angeles Times)

Just last month, about 2,000 SoFi Stadium workers threatened to strike if they didn’t receive assurance that immigration agents would be kept out of the venue during the World Cup.

Leon said he was definitely worried that ICE would take advantage of crowds gathering for the matches to perform further immigration enforcement.

But, so far, that has not been the case. Instead, many people in his hometown of Watts have been consumed with “World Cup fever,” calling out of work to attend watch parties at local bars and walking down the streets with eyes glued to a livestream of a game on a phone, he said.

While joy was the overriding mood among soccer fans gathered in Inglewood on Monday, the day was not entirely free of tension or pangs of grief for the people who were missing out on the fun.

James Carling, 63, of Ventura said it pains him to know that many fans from countries such as Iran, Haiti and Senegal are unable to attend the matches because of the Trump administration’s travel restrictions.

“Let’s face it, our government hasn’t made it easy for people to visit us, which is a shame,” he said outside the stadium. “There were people from countries whose teams made it [to the World Cup] who were not allowed to come and, sorry, that’s wrong.”

The shadow of the U.S. war with Iran and the anger many Iranian Americans feel over Iran’s current government were also present in Inglewood on Monday. Outside the stadium, some Iranian soccer fans had heated encounters with protesters who felt that supporting the Iranian national team was synonymous with supporting an oppressive regime.

Yet the atmosphere among the Iranians attending Monday night’s game was one of cathartic celebration, where for a few hours they could set aside geopolitical tensions and unite over the simple love of soccer.

In the stadium parking lot, David Arias, a Mexican American resident of Inglewood, gave a fist bump to Kam Pirouz, an Iranian fan who had traveled from Washington, D.C., to see the game.

Mexico and Iran are “homies right now,” Arias said, referencing the fact that the Iranian players are commuting to the Los Angeles games from Tijuana because of restrictions placed on them by the Trump administration.

Fans watch the World Cup group stage match between Iran and New Zealand at SoFi Stadium on Monday.

(Ronaldo Bolanos/Los Angeles Times)

Although Arias did not have tickets to the match, he said he could not resist the chance to meet people from all over the world. So he decided to take his local barbershop to the parking lot outside the stadium and offer free haircuts to fans.

With an hour to go before Monday night’s game, all three seats at his pop-up shop were occupied; Pirouz, the Iranian fan, was getting a fresh fade while seated next to a Mormon missionary from Utah and an Egyptian fan.

“It’s the World Cup, man, the entire world comes together, and it’s beautiful,” Pirouz said mid-haircut. “Best sport in the world.”

Times staff writer Seamus Bozeman contributed to this report.

WASHINGTON — One by one, the burly mixed martial arts fighters made their entrance past the solemn, hulking marble statue of America’s 16th president and jogged down the steps of the Lincoln Memorial to roars from thousands of fans drawn to the unusual sporting weekend marking the nation’s 250th anniversary and President Trump’s 80th birthday.

The news conference Friday night featured the fighters who are preparing to face off Sunday in the Octagon built outside the White House. But it was also a chance to see the UFC fans who have thronged to Washington and endured lightning, humidity and bugs.

Tracy Philbeck and his son Levi drove from Charlotte, N.C., with a group of friends to support their favorite fighter, American Justin Gaethje, in the upcoming lightweight title bout against Georgian Ilia Topuria.

“You will hear an eagle screaming when Justin Gaethje wins,” the elder Philbeck said with a chuckle.

David Halstead journeyed from Albany, Australia, to watch the sport he has loved for a decade. Halstead said Trump, who regularly attends the fights, “put UFC on the map.”

The UFC has said it spent $60 million on this weekend’s festivities, and the president has billed his birthday fete as “the greatest show on Earth.”

Not everyone agrees.

The Public Integrity Project described the event as a “private, commercial, corrupt use of our most sacred national monuments for private gain” in a lawsuit the watchdog group filed to try to stop it from happening on federal land. A federal judge ruled Friday that the White House was allowed to go ahead.

About 1 in 10 U.S. adults consider themselves mixed martial arts fans, according to Ipsos Sports polling conducted in February and March. That survey suggests MMA fans tend to be male and nonwhite. They are more likely to identify as Republicans than Democrats.

“One misconception is that everyone who watches UFC is a Trump supporter, but that’s not the case,” said Ricardo Rodriguez, 24, explaining that he loves the physicality of the sport. “People also expect a knockout every time.”

Ellie Louizes, who practices Muay Thai, or Thai kickboxing, and jujitsu martial arts, drove from Daytona Beach, Fla., with her boyfriend, Jacob Purvis.

Female fans of MMA are the minority. But Louizes said she knows a lot of women who get into watching the sport through their male partners. She said “female fighters are often way more aggressive” than the men.

Fans brushed off criticism

The fans at the Lincoln Memorial brushed off criticism about the bouts being held at the White House — on federal grounds owned not by its occupant, but by the American people.

Holding fights at the “people’s house,” Tracy Philbeck said, “goes back to the days of Teddy Roosevelt.”

President Theodore Roosevelt regularly held sparring sessions at the White House, though they were not formal, public prizefights. He was an enthusiastic amateur boxer who had boxed at Harvard and continued the sport throughout much of his life.

Boxing fans also make up a large part of the UFC’s fan base.

At a UFC-sponsored community event this week at the District of Columbia’s Midtown Youth Academy, the boxing gym’s executive director was helping out with a visit from UFC fighter Randy Brown, who sparred with more than a dozen local teenagers and preteens.

Gloria Lee said meeting the fighter was a big deal for kids at her gym. “It’s just been a thrilling week, and I was about to fall out when he came in the door!” she said.

Asked about her personal UFC fandom, Lee said she had not watched it much. But by the end of Brown’s visit, she got into the ring with the professional fighter and threw some slugs of her own.

Hussein writes for the Associated Press. AP writer Linley Sanders contributed to this report.

MEXICO CITY — FIFA president Gianni Infantino described Mexico City Stadium as a venue “blessed by the gods” and a “true cathedral of soccer.”

Azteca Stadium, as most people know it, is steeped in soccer history and is now the only venue to host three World Cup opening ceremonies. But the Mexican national team had never much World Cup success at the venue.

On Thursday, spurred on by most of the 80,824 fans in attendance and forwards Julián Quiñones and Raúl Jiménez, Mexico managed to defeat South Africa 2-0 and securing its first opening match victory.

Mexico opened the scoring in the ninth minute when Quiñones capitalized on a defensive error by South Africa and fired a shot down the middle, between the legs of goalkeeper Ronwen Williams. The striker, a top scorer in the Saudi Pro League, immediately ran off to celebrate with the bench, marking the first goal of the tournament. The crowd responded by throwing beer into the air.

Mexico continued to press with numerous chances in the first half, including another shot by Quiñones that hit the post and another great save by Williams, who was South Africa’s best player.

“We were far superior in the first half; we could have been up 3-0,” Mexico coach Javier Aguirre said.

South Africa was reduced to 10 men just as the second half began when Sphephelo Sithole brought down Brian Gutiérrez, who was heading toward the goal unmarked. Brazilian referee Wilton Sampaio showed a red card.

“We played well; there were moments when Mexico didn’t know what to do and our organization was very good,” said Hugo Broos, South Africa’s coach.

It seemed the match was going to be easier for the Mexicans with South Africa short-handed, but fans began to boo the Mexican players after they stopped attacking and appeared nervous.

Seeing his players’ lackluster performance on the field, Aguirre responded with substitutions: bringing on 17-year-old Gilberto Mora, a fan favorite, as well as Luis Chávez, to reshape the midfield.

Mexico’s Raúl Jiménez cries while hugging teammate Roberto Alvarado after scoring against South Africa in Mexico City on Thursday to open the World Cup.

(Natacha Pisarenko / Ap Photo/natacha Pisarenko)

“[It was] the start of the World Cup. It’s an intense atmosphere,” Aguirre said.

“In 25 games, we’ve never had players with cramps — today we had three. It was a very intense, emotional state. It shows that the setting weighed on them a little. Not on everyone.”

Shortly after the substitutions, Roberto Álvarado crossed the ball from the right to Raúl Jiménez, who headed it past South Africa’s goalkeeper, Williams, in the 67th minute.

South Africa was reduced to nine men after Themba Zwane struck Álvarado off the ball. After consulting the video assisted referee, the official gave Zwane a red card.

“I think you can accept the first red card,” said Broos. “I think the second one is debatable. It was a bit harsh on the referee’s part. We have two players who won’t be able to play in the next match.”

After the second red card, Mexico took its foot off the gas again and was met with whistles from the crowd, who were hungry for more goals.

Mexico and South Africa faced off in front of 80,824 fans at Mexico City Stadium, more commonly known as Azteca Stadium, on Thursday to open the World Cup.

(David Ramos / Getty Images)

Mexico’s César Montes was sent off in stoppage time for bringing down Khuliso Mudau outside the box as he was heading toward the goal.

With the win, Mexico leads its group with three points and waited to see the result of South Korea versus the Czech Republic in Guadalajara later Thursday. South Africa has zero points. Mexico’s next match is in Guadalajara on June 18 against South Korea, while South Africa faces the Czech Republic in Atlanta.

“We need the next three days to get over the disappointment and fatigue,” Broos said, before addressing his team’s mere two shots on goal. “We have to work on our offense because it wasn’t enough today.”

The match marked the debut of Mora, the youngest player in the World Cup.

“For his first game, he didn’t disappoint,” said Aguirre.

US President Donald Trump was loudly booed when he was shown on screens during the national anthem before Game 3 of the NBA Finals between the San Antonio Spurs and New York Knicks.

NEW YORK — Donald Trump was booed loudly by fans inside Madison Square Garden when he was shown on video screens during the national anthem prior to Game 3 of the NBA Finals on Monday night.

Trump was shown for several seconds giving a military salute. The boos ended when the U.S. flag followed him on the screens, and fans cheered when New York Knicks players were shown. Mentions of the San Antonio Spurs also elicited loud boos.

Trump is watching from Knicks owner James Dolan’s suite, along with granddaughter Kai, personal adviser Boris Epshteyn and Cabinet secretaries Lee Zeldin, Sean Duffy and Doug Burgum. He is the first sitting president to attend an NBA Finals game.

Trump’s Marine One helicopter flew from his home in New Jersey and landed near Wall Street before his motorcade made its way up through Manhattan and to the arena roughly an hour before tipoff. He encountered a handful of people making rude gestures, and outside the area, one group held signs saying “Trump must go.”

He settled into Dolan’s suite shortly afterward.

During the afternoon before Trump’s arrival, the New York Police Department and the U.S. Secret Service set up a large perimeter surrounding Madison Square Garden. Fans lined up to get inside the arena more than four hours before tip-off, in a scene more closely resembling New Year’s Eve in Times Square than the usual leadup to a basketball game.

They were required to provide a ticket or pass to get past various checkpoints, along with going through a Transportation Security Administration-style magnetometer. Secret Service personnel and police were positioned at every corner and in large numbers. Daily commuters, tourists and fans were all confounded at various times as they tried to maneuver the security.

New Yorkers forced to adjust

After traveling from his new home in Florida for the game, Knicks fan Greg Weldon said the main inconvenience he’s faced so far has been the lack of information.

“We’ve asked so many cops, Secret Service, guys with machine guns, what to do, where should we go,” he said. “Nobody knows.”

Knicks coach Mike Brown and Spurs counterpart Mitch Johnson downplayed any concept of being inconvenienced by the closures and enhanced security because of Trump.

“There’s a lot going on, and I’d much rather be a part of it than not,” Johnson said.

With security stepped up, a watch party outside was canceled, and ticket holders were not allowed to bring bags inside the Garden. Fans had gathered near the arena to watch games during this playoff run, during which the Knicks have won 13 games in a row to reach the Final for the first time since 1999 and move two victories from their first NBA title since 1973.

“We are looking forward to bringing back watch parties for Game 4,” Police Commissioner Jessica Tisch said at a news conference Monday. “But I think New Yorkers are used to presidents coming to town, and they understand that that generally means lockdowns of areas and that’s what you’re going to see tonight at the Garden.”

Incidents heighten attention to Trump’s security

This is the latest major sporting event Trump has attended during his time as president, and the security measures have created major hassles for fans.

Thousands of fans missed the start of last year’s U.S. Open men’s singles final between Carlos Alcaraz and Jannik Sinner because of lengthy security lines. Even though the U.S. Tennis Assn. pushed back the start of the match by a half hour, many fans still couldn’t get in because added measures meant that they had to go through screening not only when they arrived at the Billie Jean King National Tennis Center, but again in front of the steps into Arthur Ashe Stadium, where Trump watched from a suite.

Federal law enforcement officials have been reexamining Trump’s security in light of three incidents in the past two years: a shooting at a 2024 rally in Butler, Penn.; the discovery of a man armed with a rifle as Trump played golf in West Palm Beach, Fla., later that year; and the recent shooting at the White House Correspondents’ Assn. dinner.

Asked Sunday his thoughts on Trump attending, Knicks center Mitchell Robinson said: “Cool, I guess. We can still get out there and play [no matter] who’s here and who’s not.”

New York City Mayor Zohran Mamdani and other dignitaries were also at the game.

It was already hard enough for Knicks fans to get inside Madison Square Garden because of astronomical ticket prices. The get-in price for a ticket is higher than the average cost of monthly rent in New York, surging over $5,000. The best seats are tens of thousands of dollars. Mamdani said he bought his ticket, which he said was standing room only, for about $1,000 directly from Madison Square Garden.

The difficulty of seeing the game in person has prompted fans to crowd bars, streets and watch parties all over the city. The watch party near the Garden has become a major event all through the playoffs, but with Trump attending, that event was moved a few blocks away outside the security perimeter, at Bryant Park.

“We improvise,” said Knicks guard Jose Alvarado, who is a New York native. “We’re New Yorkers. We’re going to find a way to watch a game, and that’s what we’re doing.”

Whyno and Price write for the Associated Press.

PARIS — Russian teenager Mirra Andreeva was already a tennis phenom at age 15.

At 19, she’s a Grand Slam champion.

The eighth-ranked Andreeva ended the run of 114th-ranked Polish qualifier Maja Chwalinska by 6-3, 6-2 in the French Open final on Saturday.

Andreeva became the youngest player to win the women’s singles title since Monica Seles, who was 18 when she landed her third straight French Open in 1992.

“You’re so young and talented. It’s so annoying,” Chwalinska told Andreeva during the awards ceremony.

When Andreeva executed a backhand cross-court winner on her first match point, she threw her racket into the air and dropped on her knees to the clay to celebrate.

Mirra Andreeva returns a shot against Maja Chwalinska during the French Open women’s final on Saturday.

(Thibault Camus / Associated Press)

During the trophy presentation, Andreeva took the unusual step of thanking herself “for believing in myself, always giving my 100%, even when it’s tough, trying every day to be better as a person and as a player, believing that I can do this, fighting so many demons inside of me.

“Only I know how tough it was for me,” Andreeva added. “How nervous I was throughout these two weeks.”

Chwalinska was attempting to become the first qualifier to capture the Roland Garros title.

Andreeva was born in Siberia and moved to Sochi and eventually France to develop her tennis career.

She drew loud applause from the crowd on Court Philippe-Chatrier when she spoke a few words of French during the trophy presentation.

“Thanks for your support today and over these past two marvelous weeks here in Paris,” Andreeva said. “It was very important for me.”

Alexander Zverev plays Flavio Cobolli in the men’s final on Sunday to conclude the wildest Grand Slam in recent memory.

Andreeva has been considered a Grand Slam contender since she burst onto the scene as a 15-year-old at the 2023 Madrid Open, where she became the third-youngest player to win a main draw match at a WTA 1000 tournament and made the quarterfinals.

Lately, Andreeva has had to contend with playing under neutral status and without her country’s flag due to the war with Ukraine.

When she beat Marta Kostyuk in the semifinals, Kostyuk refused to shake her hand, as has been the custom for Ukrainian players facing Russians ever since the war started in 2022.

Andreeva has gone a step further than her coach, Conchita Martinez, who lost the 2000 French Open final to Mary Pierce.

Pierce presented the winner’s trophy to Andreeva.

The final was played under mostly sunny skies but wind was a factor in the first Grand Slam final for both players.

Chwalinska double-faulted on the opening point of the match but she was the first player to hold serve in the fifth game for a 3-2 lead.

But then Andreeva won nine straight games to take control as she found a way to hit through the wind and answer Chwalinska’s array of spins and drop shots.

Andreeva produced 25 winners to Chwalinska’s 10 and also had fewer unforced errors: 26 to 29.

There was a strong Polish presence in the crowd.

When Chwalinska was introduced, fans held aloft red-and-white Polish flags and chanted her name: “Ma-ja, Ma-ja.”

Andreeva had little support from the crowd, although there was a shout of “Davai Mirra!” (“Go Mirra”) in Russian late in the match.

In men’s doubles, top-seeded Marcel Granollers and Horacio Zeballos retained their title with a 6-4, 6-2 win against Harri Heliovaara and Henry Patten.

Dampf writes for the Associated Press. Samuel Petrequin contributed to this report.

GK Barry was yelled out by a celebrity teammate during Soccer Aid after she ignored a pass to instead dance with the crowd just seconds into her time on the pitch

GK Barry appeared to leave a Soccer Aid teammate frustrated just moments into her time on the pitch. The Loose Women star was yelled at by Tom Grennan after she was too busy dancing with the crowd to see him pass her the ball.

The 26-year-old influencer, whose real name is Grace Keeling, was on England’s team at this year’s charity match and came on after replacing Tom Hiddleston in the 41st minute of the game. She quickly got the ball and passed it to Grennan, then turned to the crowd to celebrate, but missed Grennan’s return pass.

As Keeling celebrated, Grennan kicked the ball back to her and it rolled out of play. He appeared to yell something at her, gesturing to where the ball had rolled out of bounds, before turning his back.

Fans thought Keeling’s antics were “hilarious”. One said: “GK Barry in soccer aid is absolutely sending me”. Another added: “Literally love GK Barry so much”. A third said: “GK Barry is hilarious”. One called it an “all time soccer aid moment”.

Prior to the match, GK Barry sat down with Mirror to talk about Soccer Aid, particularly what her footballer girlfriend Ella Rutherford thought of it. “She’s really excited,” Keeling revealed. “I’ve never been one to understand football; I’ve never had the chance, but I feel like she’s loving telling me about it. She’s like ‘This is a corner’, and I’m like ‘OK’.”

Keeling joked that she and Rutherford were “swapping roles” and she was going to be “signing up to Portsmouth”. She also revealed how her girlfriend was helping her prepare for the match.

“I’m learning how to dribble,” she laughed, adding: “Learning what goal is ours that we have to shoot in. Ella’s got me on a high protein diet, which is hell – I’ve been doing a lot of that, a lot of eggs, a lot of mince, it’s disgusting but I’m hoping that will make me automatically become a footballer.”

As for advice on how to be on the pitch, Keeling says she’s noticed Rutherford is “very good at stopping people getting the ball”. But Barry is a “wuss”. “Her main thing is, you need to control the ball,” she explained, adding: “I get scared – if I’ve got a six-foot man coming towards me trying to get the ball, he might have to have it.”

Despite her excitement for Soccer Aid, Keeling joked it wasn’t her “bag”. She said: “Because I’ve watched Ella do it i sort of maybe kind of know what to expect a little bit, that’s what I’m telling myself.” But, the thought of 60,000 people attending is giving Grace the fear.

“I have a thing, I forget how to walk if I think someone behind me is looking at me,” she said, adding: “I do fear that I may skip onto the pitch or something like that. But it should be exciting, it’s the biggest thing I’ve done.” And despite being terrified she may embarrass herself, that doesn’t matter for Keeling as she’s taking part in an “amazing” event.

And Keeling admits that aligning herself with such a positive cause is “nice” for her due to the ages of her audience. “I think it’s amazing to tie in with that,” she said, adding: “Our team, there are so many types of people in different bits of the industry, so the amount of people we’ll be able to bring in and donate to the charity is amazing.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

For the third year in a row, Littler finished top of the Premier League standings.

He went on to reach the final for the third consecutive year and has won the title in two of them.

He set a new record for night wins in the league phase in 2025 and matched that tally of six in 2026.

Despite that, Littler said he felt like he did not want to “go to the next Premier League night”.

He added: “Tonight was one of those wins where I had to get it done. Even sat at home, I didn’t want to go out. I didn’t want to go to the next Premier League night but we’ve done it.

“We’ve all got feelings, not just as dart players, we’re humans. I can’t believe I’ve won.”

The current Premier League format lasts 17 weeks if you reach finals night and sees players travel across the UK, Republic of Ireland and Europe to play every Thursday during the league phase.

The event only features eight players – the world’s four top-ranked players and four players who are invited by the Professional Darts Corporation – and runs alongside ProTour events.

Sky Sports pundit Wayne Mardle highlighted how former world champions Gerwyn Price and Phil Taylor have felt a similar strain to Littler in the past.

He said: “It is not a rarity for the Premier League to become too much. Week after week, it is an endurance test.

“Sometimes you can feel down and if you feel down, you become mentally weaker.

“We know how strong Luke Littler is mentally but when you are feeling like you’re public enemy number one, you can feel like you don’t want to turn up, but he did turn up and this is now the by-product of turning up.”

Despite coming close to leaving the competition, Littler’s dominance in the sport continues to grow.

His victory means he has added the Premier League to his World Championship title, World Masters and UK Open successes this year.

Littler holds seven of the eight ranking titles that the Professional Darts Corporation have, plus the Premier League.

“There is a point in everyone’s career when they are at their peak – we don’t know if this is his peak but we know this is peak level because Michael van Gerwen and Phil Taylor’s peak was this kind of standard,” added Mardle.

“We’re assuming he must be near his peak and it is good enough time and time again. There are no weaknesses really.”

Among the next things for Littler to tick off is glory alongside Luke Humphries for England in June’s World Cup of Darts.

If the pair play anything like they did in London on Thursday night, you wouldn’t bet against them.

Russell Crowe has pushed back against TMZ’s coverage of his recent interactions with a crowd of autograph seekers.

“Clickbait,” the “Gladiator” actor wrote in a Monday post on X. “Everybody got their autograph and selfie, the passage to the hotel was kept free for guests, and I still got to the airport on time. One man, no security. Handled. What’s your problem ?”

Earlier that day, the outlet had posted a video of Crowe addressing a crowd of fans and autograph seekers outside of a Paris hotel before making his way to them to sign various memorabilia.

“If you needed a reminder that fans are not always priority No. 1 — turn to Russell Crowe — cause the guy was absolutely not having it outside of his Paris hotel,” TMZ wrote in its since-deleted X post sharing the video. The outlet also framed the video as Crowe “explod[ing] on Pushy Autograph Seekers” in its news story.

In the video, the Academy Award winner is shown giving clear directions to those gathered for his autograph or to snap a photo with him.

“Stay where you are, don’t f— push in on me, I’ll come to you,” Crowe says. “Give everybody space. As soon as somebody’s a d—, I’m gone.”

The actor then approaches the crowd to sign various items held out in front of him. The short clip ends soon after Crowe declines a request to also write “Maximus” — the name of his “Gladiator” character — next to his signature as he continues to sign other things.

Crowe’s temperament, blunt demeanor and distaste for certain aspects of “celebrity” have long been fodder for news coverage. In 2005, the actor made headlines for throwing a phone that hit a Manhattan hotel concierge.

“If I ever was going to torture somebody, I’d put them in a room where they can’t leave and have someone new come in every three minutes and ask the same question over a number of days and then weeks,” Crowe said in a 2010 interview with The Times, describing what happens at a movie press junket on the eve of embarking on one.

“Some people believe celebrity is a power that should be used. Ultimately, your dollars are more powerful,” Crowe said in that interview. “I’m famous for making movies. Celebrity just happens to be an unfortunate byproduct of what I do.”

From California Rock, 1,100 feet above Yosemite Valley, the crown jewel of America’s beloved national parks spreads out beneath you.

The jaw-dropping north face of 8,800-foot Half Dome towers to the east. The silky green ribbon of the Merced River meanders through the valley floor below, astonishingly lush during the spring snow melt. Even cars in the parking lots look fabulous, their roofs and windshields sparkling in the golden sunshine like so many tiny gems.

And then you realize those gems are everywhere — as far as the eye can see — because every single parking space in the valley is full.

On the way down from that vantage point, Upper Yosemite Falls Trail, which was practically empty at 9 a.m., had turned into a human conveyor belt by 11 a.m. Hundreds of people trudged up the steep switchbacks in single file.

People hike the Upper Yosemite Falls trail in Yosemite National Park on Saturday.

(Eric Thayer/Los Angeles Times)

That’s what’s giving parks enthusiasts heartburn this spring.

Even before the summer rush, which begins in earnest in a few days with Memorial Day weekend, California’s most visited national park is seeing enormous crowds. There have been more than 836,000 visits so far in 2026, according to National Park System data — about 100,000 more than this time last year.

The reason, according to parks advocates, is the Trump administration’s decision to abandon a reservation system implemented in 2020 to limit crowds during the COVID-19 pandemic. The system has been used on and off since then to help control the number of visitors and preserve a sense of natural tranquility.

On Saturday, there seemed to be an uneasy balance: The crowds were large but well-managed, with some visitors worried about the months ahead.

On the valley floor, as hundreds of people pressed together to gaze in awe at Lower Yosemite Falls, Jeff Wilson of Folsom said he was having flashbacks to 2023, the last time the park allowed entry without permits.

“It was just absolute bumper-to-bumper traffic all the way around the loop. Zero places to park, cars just circling all day, and people pulling off into just random spots,” Wilson said. “It was an absolute mess.”

People walk to the bottom of Yosemite Falls in Yosemite National Park on Saturday.

(Eric Thayer/Los Angeles Times)

There were echoes of that everywhere on Saturday. Parking lots filled up fast — the lot at Curry Village was full by 8 a.m. — and cars were stashed in every unmarked flat spot their owners thought they could get away with.

Once people found somewhere to leave their cars, they didn’t dare move them. Most relied on the free shuttle that circles the valley floor. The big white buses were jammed to capacity by midday, as were the bus stops, where people often had to wait for several shuttles to pass before one arrived with room.

Still, the lines were reasonable to enter the park and pay the fee — $35 per car for U.S. residents and President Trump’s new $100 per person extra charge for foreigners. That means a family of four from abroad would have to pay $435.

People who arrived very early breezed through the toll booths, and even those who showed up after 9 a.m. said they waited only about 15 to 30 minutes. That was a dramatic improvement over recent weekends, when social media lit up with complaints of hour-and-a-half ordeals.

Traffic flowed slowly but smoothly on the main paved roads around the valley floor. There was the occasional outburst as angry drivers leaned heavily on their horns, filling the peaceful meadow with a sudden blast of urban agita, but in general, things remained calm.

“We thought it would be more crowded,” said Laura Yuen, from the Bay Area. “But it’s actually manageable. We’re on bikes, and people are making room and are courteous.”

Arriving early and stashing the car was key for Yuen and her companion.

“A couple of sights have been crowded — those were the really touristy spots. But other than that, it has been beautiful,” she said. “This is a great time of year to come.”

Whether the good times will last once the high season begins is the question.

People board a shuttle in Yosemite National Park on Saturday.

(Eric Thayer/Los Angeles Times)

Since Trump returned to office in 2025 and unleashed Elon Musk’s Department of Government Efficiency on the federal work force, the National Park System has lost nearly a quarter of its employees to layoffs and buyouts, according to the nonprofit National Parks Conservation Assn.

And the Trump administration has proposed about 3,000 more job cuts — roughly another 25% — in the coming year. Trump has also proposed slashing nearly $800 million from the park system’s roughly $3-billion operating budget.

All of which risks tipping the delicate balance into chaos and gridlock, critics warn.

By 2 p.m., a flashing sign at the entrance to Curry Village advised that the parking lot was full and directed people to try their luck elsewhere.

Still, dozens of drivers crept around the lot, hoping to pounce if someone pulled out. It looked like an especially depressing way to spend an afternoon surrounded by some of the most celebrated natural wonders on Earth.

Kunal Khandwala of San José was among those searching for a spot until he gave up and pulled over, blocking a few cars but ready to move if their owners returned and needed to leave.

His friends had hopped out and joined the line at the Curry Village Pizza Deck, waiting to grab some food and go find a quiet spot for a picnic — far from the village.

The situation was “testing,” Khandwala said, but not intolerable if you relaxed and remained patient.

And anything was better than subjecting yourself to the shuttle, he joked.

People raft down the Merced River with Yosemite Falls in the background in Yosemite National Park on Saturday.

(Eric Thayer/Los Angeles Times)

“The waits are insane,” he said, pitying people who had only a day in the park and were hoping to hit all of the highlights by bus. “There’s no way. You’re not going to see everything you want if you rely on the shuttle.”

Parks officials were unable to provide the number of visitors who arrived on Saturday, or compare that to the crowds on recent weekends.

But with Memorial Day looming, this weekend felt like the calm before the storm.

Which is why Wilson, the frequent visitor from Folsom, said he is “very, very much pro-reservation. It is a hassle — you have to plan ahead — but it just makes it a better experience for everybody.”

He had also brought his bike, which seemed to be the best way to elude the masses.

“This is my favorite place in the world, no matter what the crowds are like,” he said before pedaling off. “As long as you can get in, come, have a good time, you’ll love it.”

WASHINGTON — Thousands of people streamed onto the National Mall for a daylong prayer rally Sunday headlined by President Trump and billed as a “rededication of our country as One Nation under God.”

Against the backdrop of the Washington Monument, worship music blared from a stage that made clear the event’s Christian focus. Arched stained-glass windows, set underneath grand columns resembling a federal building, depicted the nation’s founders alongside a white cross.

The nation’s tradition of separating church and state, however, was not on display. Most speakers celebrated Christianity’s ties to American history, a blending of ideas that critics decried before the gathering as Christian nationalism.

Trump read a passage of Scripture in a video shown at the rally. Filmed in the Oval Office, it was the same footage used during a marathon Bible-reading event last month. The verses from 2 Chronicles are often cited by those who claim America was founded as a Christian nation.

“If my people, which are called by my name, shall humble themselves, and pray, and seek my face, and turn from their wicked ways,” Trump read, “then will I hear from heaven, and will forgive their sin, and will heal their land.”

Other leading Republicans, including Defense Secretary Pete Hegseth, Secretary of State Marco Rubio and House Speaker Mike Johnson (R-La.), were also on the schedule for the event, part of the celebrations marking the nation’s 250th anniversary.

Only one name on the Rededicate 250 program was not Christian. Most were among Trump’s longtime evangelical supporters, including Paula White-Cain of the White House Faith Office and evangelist Franklin Graham of Samaritan’s Purse.

“We are deeply concerned that what is really being rededicated is a nation to a very narrow and ideological part of the Christian faith that betrays our nation’s fundamental commitment to religious freedom,” said the Rev. Adam Russell Taylor, a Baptist minister who leads the progressive Christian organization Sojourners.

The conservative Christian lineup featured guests who often assert that the United States was founded as a Christian nation, a narrative disputed by many historians and other religious traditions and inconsistent with American legal precedent.

Rabbi Jonah Dov Pesner, director of the Religious Action Center of Reform Judaism, noted the religious diversity of early America, including Jews, Muslims and Indigenous people. “I want to shine a light on America’s history as a nation that welcomes, celebrates and protects people of all faiths and those of no faith,” Pesner said.

‘It’s all about Jesus’

Many in the crowd wore Trump hats and patriotic colors, joining the festivities under a sweltering sun.

“It’s all about Jesus,” said Denny Smith, 72, of Rhode Island, who rented a motorized scooter to traverse the National Mall.

Retha Bond, a 58-year-old from southern Illinois, said she was here to hear Trump speak nearby on Jan. 6, 2021. She said she did not join the protesters who rioted later that day at the Capitol, attacking police officers while attempting to overturn the presidential election result, but she has remained a steadfast Trump supporter.

“I’m not saying Trump is the savior,” Bond said. But she said that “this is one of the most important things that could be going on in the world, for us to rededicate our nation back to God.”

At least one event speaker mentioned the slain conservative activist Charlie Kirk. Kirk’s activism has been a powerful example for Alessandra Seawright, 15, of Santa Fe, N.M., who came to Rededicate 250 with her mother.

“I think we just need more of this in our country, and we just need to share the word of the Lord,” she said. “We love going to events like this.”

They also attended Kirk’s memorial service in Arizona, which mixed Christian worship and political messages. Events like these, Seawright said, help her feel less alone in her conservative Christian beliefs.

Prayer event spurs protest

Hegseth, who has infused Christian language and worship with his role leading the Pentagon — drawing criticism — asked the gathering in a video to pray to “our Lord and Savior Jesus Christ.” Referencing George Washington’s faith, he said, “Let us pray without ceasing. Let us pray for our nation on bended knee.”

Orthodox Jewish Rabbi Meir Soloveichik was the only non-Christian religious leader listed on the program. To applause, he told the crowd, “Antisemitism is utterly un-American” — a seeming reference to debates dividing the right.

Soloveichik serves on the Trump administration’s Religious Liberty Commission along with White-Cain, Graham and Cardinal Timothy Dolan and Bishop Robert Barron, Catholic clerics also featured on the program.

The event was organized by Freedom 250, a public-private partnership backed by the White House. Congressional Democrats have questioned the nonprofit’s structure and finances, which they see as a Trump-controlled end run around a separate commission charted by Congress a decade ago to prepare semiquincentennial events.

Progressive groups staged counter-programming. Among them were the Freedom From Religion Foundation, which advocates a strict separation of church and state, and the Christian organization Faithful America. The two groups displayed a large balloon near the mall of a Trump-like golden calf, a biblical reference to idolatry.

On Thursday evening, the Interfaith Alliance projected protest slogans onto an exterior wall of the National Gallery of Art. “Democracy not theocracy,” said one. Another said: “The separation of church and state is good for both.”

Stanley writes for the Associated Press. AP writer Peter Smith in Pittsburgh contributed to this report.

MONTGOMERY, Ala. — Thousands of people rallied Saturday in the cradle of the modern civil rights movement to mobilize a new voting rights era as conservative states dismantle congressional districts that helped secure Black political representation.

U.S. Sen. Cory Booker of New Jersey called Montgomery “sacred soil” in the fight for civil rights.

“If we in our generation do not now do our duty, we will lose the gains and the rights and the liberties that our ancestors afforded us,” Booker said in the Alabama capital.

The crowd was led in chants of “we won’t go back” and “we fight.”

“We are not going down without a fight. We are not going down to Jim Crow maps,” Shalela Dowdy, a plaintiff in the Alabama redistricting case said, alluding to racial gerrymandering in several states that has followed the recent Supreme Court decision to roll back the Voting Rights Act.

A crowd of thousands gathered in front of the city’s historic Alabama Capitol, where the Confederacy was formed in 1861 and where the Rev. Martin Luther King Jr. spoke in 1965 at the end of the Selma-to-Montgomery voting rights march. The stage, set in front of the Capitol, was flanked from behind by statues of Confederate President Jefferson Davis and civil rights icon Rosa Parks — dueling tributes erected nearly 90 years apart.

Speakers said the spot was once the temple of the Confederacy and transformed into holy ground of the civil rights movement.

Some in the crowd said the effort to redraw lines has echoes of the past.

“We lived through the ’60s. It takes you back. When you think that Alabama’s moving forward, it takes two steps back,” said Camellia A. Hooks, a 70-year-old Montgomery resident.

The rally began in Selma, where a violent clash between law enforcement and voting rights activists in 1965 galvanized support for passage of the Voting Rights Act. It then moved to the state Capitol, where King gave his “How Long, Not Long” speech the same year.

The Supreme Court ruling involving Louisiana hollowed out a tenet of the Voting Rights Act that was already weakened by a separate high court decision in 2013 and then narrowed further over the years. That helped clear the way for stricter voter ID laws, registration restrictions and limits on early voting and polling place changes, including in states that once needed federal pre-clearance before they could change voting laws because of their historical discrimination against Black voters.

Veterans of the civil rights movement are alarmed by the speed of the rollbacks, noting that protections won through generations of sacrifice have been weakened in little more than a decade.

Kirk Carrington, 75, was a teen in 1965 when law enforcement officers attacked marchers in Selma on what became known as Bloody Sunday. A white man on a horse wielding a stick chased Carrington through the streets on that day, he said.

“It’s really just appalling to me and all the young people that marched during the ’60s, fought hard to get voting rights, equal rights and civil rights,” Carrington said. “It’s sad that it’s continuing after 60-plus-odd years that we are still fighting for the same thing we fought for back then.”

The effect in Montgomery

Montgomery is home to one of the congressional districts that is being altered in the wake of the Supreme Court ruling.

A federal court in 2023 redrew Alabama’s 2nd Congressional District after ruling that the state intentionally diluted the voting power of Black residents, who make up about 27% of its population. The court said there should be a district where Black people are a majority or near-majority and have an opportunity to elect their candidate of choice.

But the Supreme Court cleared the way for a different map that could let the GOP reclaim the seat. While the matter remains under litigation, the state plans special primaries Aug. 11 under the new map.

Democratic Rep. Shomari Figures, who won election in the district in 2024, said the dispute is not about him but rather people’s opportunity to have representation.

“When Republicans are literally turning back the clock on what representation, what the faces of representation look like, what the opportunities, legitimate opportunities for representation look like across this country, then I think it starts to resonate with people in a little bit of a different way,” Figures said.

Alabama House Speaker Nathaniel Ledbetter, a Republican, said the Louisiana ruling provided an opportunity to revisit a map that was forced on the state by the federal court.

“People tend to forget what happened. When this thing went to court, the Republican Party had that seat, congressional seat 2,” Ledbetter said last week. “There’s been a push through the courts to try to overtake some of these red state seats, and that’s certainly what happened in that one.”

Evan Milligan, the lead plaintiff in the Alabama redistricting case, said there is grief over the dismantling of the Voting Rights Act, but it is crucial that people recommit to the fight.

“We have to accept that this is the new reality, whether we like it or not,” Milligan said. “We don’t have to accept that this will be the reality for the next 10 years or two years or forever.”

Chandler writes for the Associated Press.

Caracas, May 15, 2026 (venezuelanalysis.com) – Venezuelan oil production has moved past 1 million barrels per day (bpd) for the first time in over seven years.

The latest OPEC monthly report placed the Caribbean nation’s April output at 1.031 million bpd, as measured by secondary sources. The figure increased by 46,000 bpd compared to the previous month.

For its part, state oil company PDVSA reported April’s production at 1.136 million bpd, up from 1.095 million bpd in March. Direct and secondary measurements have differed over time due to disagreements over the inclusion of natural gas liquids and condensates.

With the oil industry under crushing US coercive measures, crude production plummeted from around 1.9 million bpd when the first sanctions were levied against PDVSA. Following the US imposition of an export embargo in January 2019, output fell under 1 million bpd, hitting decades-lows around 350,000 bpd in 2020 before a steady recovery in recent years.

Since the January 3 US military strikes against Venezuela and kidnapping of President Nicolás Maduro, the Trump administration has imposed control over the nation’s energy sector, with revenues deposited in US Treasury-run accounts before being partially returned to Caracas at US officials’ discretion. 

US Secretary of State Marco Rubio stated on Thursday that “for the first time in over a decade the wealth of Venezuela is benefitting the people of Venezuela,” though he did not mention the impact of US sanctions first imposed in late 2014.

While US coercive measures remain in place, the White House has issued a series of licenses allowing Western corporations to return to the Venezuelan energy sector.

BP, Chevron, Eni, Repsol, and Shell are among the companies to have struck oil and natural gas contracts with the Venezuelan government led by Acting President Delcy Rodríguez in past weeks, taking advantage of a recent pro-business legislative overhaul that slashed royalties and taxes, granted private partners increased control over operations and sales, and opened the way for disputes to be settled in international arbitration bodies.

Lesser-known companies Overseas Oil and Crossover Energy have likewise inked agreements for energy projects in the South American country. 

ExxonMobil and ConocoPhillips are also evaluating prospects for a return to Venezuela, according to the Wall Street Journal. The two oil giants saw their assets nationalized by the former Hugo Chávez government in the 2000s after refusing to accept the country’s reforms asserting sovereignty over the industry. Both corporations would go on to secure compensation via international arbitration, with an award of over US $10 billion to ConocoPhillips still outstanding. 

The recent rebound in oil production coincided with an increase in US-sourced diluent imports. Exports also surged in April to 1.23 million bpd, the highest figure in over seven years. Apart from a growing number of cargoes to US refineries, Indian refiner Reliance is receiving increased shipments after securing US Treasury approval.

In contrast, two tankers reportedly headed to China and Cuba, respectively, will return their cargoes to Venezuelan ports after being intercepted by US naval forces. Prior to the January 3 operation and US control over oil exports, China had been the primary destination for Venezuelan crude. Caracas had likewise been the main supplier of oil to Cuba in the last two decades.

Venezuelan and US authorities have offered no clarity on the return of export proceeds to the South American country, with US Secretary of State Marco Rubio stating that Caracas needs to submit a “budget request” before accessing its funds. The Venezuelan Central Bank’s handling of US-disbursed resources will be subjected to outside auditing, with Pentagon and CIA contractor Deloitte reportedly among the companies hired.

Despite the absence of official data on Venezuelan export revenues and the portion being returned to the country, the Rodríguez administration’s injection of foreign currency into exchange tables run by public and private banks increased in April and May. US authorities reportedly mandated that PDVSA revenues be funneled directly to private sector importers via forex auctions as opposed to having the Venezuelan Central Bank run foreign currency assignments.

Edited by Lucas Koerner in Caracas.

Considering the amount of comedy that was dropped on L.A. last week for the third Netflix is a Joke Festival, the idea that anyone can see it all is laughable. Yet of course, like fools, once again we tried. Between big outdoor shows, theaters and intimate club gigs, the seven day smorgasboard of stand-up, improv, variety shows, marathons and more was a wild ride we won’t soon forget. Here is our list of the funniest shows we saw at Netflix is a Joke 2026.

Monday, May 4

Ron White, from left, Jim Jefferies, Sam Jay, Shane Gillis, James McCann and Dan Soder at the Hollywood Bowl.

(Adam Rose / Netflix)

Shane Gillis and Friends
Hollywood Bowl
As a sea of comedy fans filled up the Hollywood Bowl to kick off the first outdoor event at Netflix is a Joke, Shane Gillis brought the energy of a season-opening football game to L.A.’s biggest bandshell. Commanding a solid roster of veteran comics including James McCann, Sam Jay, Ron White, Dan Soder, and Jim Jeffries, Gillis took on the role of a grizzled and playfully perverse football coach hosting the night and telling funny stories about his days as a very average high school football player on crappy all-white teams before he blew up in comedy.

“Whoever the home team was in high school football you got to pick the intro song that you would run onto the field to to get hyped. So when me and the white guys were the home team, our music would be like ‘Cut my life into pieces…’ [singing Papa Roach’s “Last Resort”] something scary, something suicidal. That’s as intimidating as white dudes get…sad. Those are the most dangerous whites. If this game doesn’t go well I might shoot this whole thing up on Monday,” Gillis joked.

Fortunately it did go pretty well throughout the night as Gillis brought up each comic that used their different styles to score plenty of laughs throughout the night. (Nate Jackson)

Mike Ward
Dynasty Typewriter

Comedy transcends lines and borders, so when we heard that comedian Mike Ward hopped his own border in Canada to be at Dynasty Typewriter, we were all in. Rachel Bonnetta opened the show with a mix of playful confidence and high-energy hilarity, perfectly warming up the crowd before introducing the main attraction to fans. Record breaker and a master of storytelling in French, he didn’t disappoint with his all-English crossover, covering everything from his legendary Supreme Court of Canada case to teenage lust, dating after marriage, attempting generosity, and “trunk love.” Ward mentioned jokes translating from French to English and how they’d hit, but he was definitely in his element, and it all translated to perfect laughs. (Ali Lerman)

Tuesday, May 5

Theo Von and Mike Tyson record a live podcast at the Wiltern.

(Matthew Salacuse/Netflix )

Theo Von: ‘This Past Weekend’ Live- Guest: Mike Tyson- The Wiltern

Stand-up might own the Netflix Is a Joke Festival, but the podcasts they delivered are absolutely worth talking about. For Theo Von’s first-ever live taping of his hit podcast “This Past Weekend,” he landed the ultimate guest: Iron Mike Tyson. The sold-out crowd at the Wiltern erupted the second Von hit the stage, but that was nothing compared to the deafening roar of screams and “We love you, Mike!” when Tyson walked out.

Tyson admitted he wasn’t familiar with Von, but thankfully stated he did indeed like him, because that would have really messed up the rest of the episode! The two share an inquisitive and child-like energy, turning heavy conversations about growing up broke, the solitude of incarceration, and desperate cries for attention, into something remarkably light. Tyson’s vulnerable side was also on display while speaking about his daughter dying tragically, God’s plan for him, and speaking about his mentor Cus D’Amato, which quite literally brought him to tears. Can a show be heartfelt and insane at the same time? Definitely interested to see how they edit a few things, but when this knockout episode comes out, you’re truly in for a beautiful treat packed with plenty of wild moments. (A.L.)

Seinfeld featuring Leanne Morgan
The Greek Theatre

Blending the big-city humor with hilarious Southern comfort might sound like an odd pairing when talking about comedy, but something about the combo of Jerry Seinfeld and Leanne Morgan just works. Yes, we love a good rant about the terrors of technology from a comedy legend like Seinfeld, who got famous long before the advent of artificial intelligence and smartphones. But his crotchety comedy on a cold night at the Greek Theatre was complimented by Morgan’s ability to add warmth and sweetness to her smack talk about being a small town cheermom in the world of competitive cheerleading which she described as “the Olympics meets Honey Boo Boo.”

Most big comedy shows at the fest had a strict no cellphones policy, Seinfeld was content with just reminding us that our friends are all sick of our stupid cellphone videos. “They don’t care what you’re doing, your life, your experiences, any more than you care about what your friends are doing…everyone is sick of everything. That’s where we’re starting tonight.”

Both are recognized around the world for being on popular TV shows bearing their names. One star seemed genuinely enthralled that people recognized her and clapped when she came out, the other one seemed like he couldn’t get out of the show fast enough and get back to bed. But the mix of both energies of these authentic polar opposites worked well together to keep the crowd laughing. (N.J.)

Wednesday, May 6

David Spade, Dana Carvey and Chris Rock at the Orpheum Theatre.

(Kit Karzen / Netflix)

‘Fly on the Wall’ podcast with Dana Carvey, David Spade and Chris Rock
The Orpheum Theatre

The best way to get amazing stories out of a famous comedian is to be one yourself. It’s the reason a podcast like “Fly on the Wall” with David Spade and Dana Carvey succeed at squeezing the best out of their guests who are often on somebody’s Mt. Rushmore of Comedy. For the festival, the two “Saturday Night Live” alumni brought out the big guns by inviting their buddy Chris Rock downtown — ”way downtown” by his estimation — at 6 p.m. last Wednesday to the Orpheum for a live taping of the podcast. The three stars began by diving ever-so-casually into stories about their interactions with Michael Jackson, Tupac, Kanye and Dave Chappelle. Rock also got to expound on the classic period where he released some of the best comedy specials ever made.

He talked about his groundbreaking hour “Bring the Pain” being the result of doing as many shows as possible to pay for a divorce and as a result, “I got way better” he told Carvey and Spade. “Then I went on a Rocky run where he was knocking motherf— out.” He took that momentum into his next classic special, 1999’s “Bigger & Blacker,” that helped reshape the face of stand-up. “There’s a time in your life when you’re just a vessel and I was in that point of my life,” Rock said. (N.J.)

Nate Jackson at Laugh Factory Hollywood

It’s a skill for a comedian to be able to sit in the pocket of a crowd’s energy and keep a room full of people laughing and on their toes at the same time. Try doing it for six shows back to back. While it’s not the most consecutive sold-out shows he’s ever done at a venue (last year he delivered nine in a row at Zanies in Nashville), Nate Jackson’s ability to leave a mark on the fest at his week-long residency at Laugh Factory Hollywood was akin to watching an executive chef doing a week of cooking in his restaurant. In Jackson’s case that meant delivering some third-degree burns in the front several rows of the crowd known as the “roast zone.” When it comes to killing his customers Jackson prefaces every show the same way. “Rule number one, if I look at you and you don’t want no smoke, look away,” he told the Laugh Factory crowd.

“That is the rule and the standard, I do not get people unless they lock eyes and give me consent. As a matter of fact, this is called the Roast Zone. If anybody is accidentally down there, it’s time to get the f— out. Because rule number two is, if I look at you and you look at me and I start and you don’t like what I decided to talk about, looking away will no longer save you.” To the people that got a little too charred during his show, don’t say he didn’t warn you. (N.J.)

Thursday, May 7

Noah Wyle and Jon Stewart at the Hollywood Bowl.

(Adam Rose / Netflix)

Night of Too Many Stars
Hollywood Bowl

It was a starry, starry night at Thursday’s sold-out Hollywood Bowl Netflix is a Joke Presents: Night of Too Many Stars epic comic bonanza fundraiser benefitting autism programs nationwide, including Autism Speaks. Founded in New York by writer-producer Robert Smigel and his wife Michelle in 2003 following their son Daniel’s autism spectrum disorder diagnosis, the Los Angeles gala was hosted by longtime supporter Jon Stewart and featured a roster of top–tier stand-up talent including Niki Glaser, Ali Wong, Conan O’Brien, Tiffany Haddish, Sarah Silverman, John Mulaney and Adam Sandler, who closed the show with a trio of upbeat tunes. Cast members of reality shows such as “Love on the Spectrum” were also on deck to introduce comics, and auction items throughout the event raised crucially needed funds for individuals on the spectrum: a mock “physical examination” by Noah Wyle, star of HBO’s juggernaut medical series “The Pitt” fetched $18,000; a woman paid $50,000 to be animated into an episode of “The Simpsons.” One man stood up and donated $100,000 with no prize attached. The most special part of the night: I attended along with my son, 19, who is on the autism spectrum and laughed and smiled for three hours straight. (Malina Saval)

Wanda Sykes
Dolby Theatre

Politics, family, inflation, racism, weight gain and greed were among the multiple topics lampooned by Wanda Sykes during a dynamic and often wickedly funny tour stop at the Dolby Theatre last Thursday. Despite the large venue and packed-in audience, Sykes created an intimate club vibe, walking onstage in a utilitarian jumpsuit and instantly bonding with the audience over just how weird things have become in present-day America.

She likened 2026 to the Upside Down in “Stranger Things,” but populated with pedophiles, grifters and racists instead of demogorgons. Turn it upside down “and a billionaire falls through the ceiling,” she said. Her impersonation of Trump dancing and chatting with Epstein in the now infamous video clip was pure brilliance. How a 5-foot-2 Black woman looked more Trump than Trump was a feat unto itself.

Sykes also bemoaned the greed behind things marketed as conveniences, like supermarket self-checkout (“We’re working for free!”), food delivery bots and airport wheelchairs that get passengers to their gate without attendants. “That was someone’s job!” she said. Then added, “What if walking fast and [pushing heavy things] was the only thing they were good at?” Opening for Sykes was her former sidekick on “The Wanda Sykes Show,” Keith Robinson. (Lorraine Ali)

“Kill Tony”
Intuit Dome

The number one live podcast in the world, “Kill Tony,” returned to its roots in our beloved city on Thursday, and this time for the local masses at Intuit Dome. Co-hosted by Tony Hinchcliffe and Brian Redban, when there’s a show of this caliber during a festival, you just know the guests are going to be jaw droppers. Fighting the L.A. traffic to kick off the Dome show were Jelly Roll and Teddy Swims backed up by the Kill Tony Band, maybe? You know, it was hard to hear through all the women screaming. Kidding, we were all scream-singing, and it was such a fun way to start a show. Sitting on panel were beloved KT guests Harland Williams and Gabriel Iglesias, and the “legends bucket” made its way to its first arena in L.A., and the pulls were indeed clutch. Ron White, Joe DeRosa, and Tony’s number one favorite comic, Tony Hinchcliffe (played by Adam Ray), showed the crowd exactly what effortless and absolutely merciless veteran comedy looks like. Between bucket pull madness, a ton of Golden Ticket winners dazzled throughout, treating L.A. to a little slice of what we see in Austin on Mondays. (AL)

Friday, May 8

“Stamptown” at the Montalbán Theatre.

(Aaron Epstein / Netflix)

‘Stamptown’
Montalban Theater

Comedy variety show “Stamptown” begins with master of ceremonies Jack Tucker (the clown persona of Zach Zucker) descending from the ceiling covered in sweat as pyrotechnic flares explode on stage and electric guitars summon him before he falls flat on his face. But don’t worry, it only gets more insane from there. Part musical revue, part comedy showcase, and part circus — “Stamptown,” which filmed its shows for an upcoming Netflix special, is what happens when the lunatics get control of the asylum and decide to put on a Las Vegas show from hell. Tucker’s rapid-fire delivery is punctuated with sound effects, music cues, and the use of a variety of props dangling from his person at all times (including handcuffs, a wad of cash, and two guns). Featuring celebrity cameos, acrobatic stunts, full-frontal nudity, and the show’s stagecrew and audience members getting in on the chaos — “Stamptown” is a true homage to the theatrical possibilities of performance that toes the line ofwhat you think is possible to be done under the label “comedy show.” “Stamptown” at the Montalbán was filmed as part of a Netflix special that will air later this year, which any lover of brain rot and pageantry should be sure to check out. (Leila Jordan)

Dave Chappelle
The Palladium
We’re not allowed to say anything about went on at the Dave Chappelle three-show residency at the Palladium other than the fact that it was an evening of music and comedy. Per usual they locked up the crowd’s phones to see his show but fortunately there were plenty of actual cameras capturing what went on so hopefully you get to see what we saw very soon. (NJ)

Hasan Minhaj versus Ronnie Chieng
Dolby Theatre
Known for their spirited debates on “The Daily Show,” political satirists Hasan Minhaj and Ronny Chieng faced off in a comedy showdown where they challenged one another to prove who is better suited to fix a broken America, Asians (Chieng is from Malaysia) or Indians (Minhaj’s parents are from India)?

Never mind that Indians are South Asians, the two comedians got plenty of laughs backing up their absurd arguments with flow charts, graphs, curated news clips, a faux AI bot called “Niri,” and plenty of racist rhetoric. They broke down the debate into categories: Who’s better at academics? Business and the economy? Cuisine? Chieng argued that Asians are better at sports with a list of Olympic gold medal wins over the past three Summer Games. He won’t use all of Asia, he said, just China. Result? The country had over 100 gold medals. India had just one. Minhaj wondered aloud: For people who love gold so much, why is it so hard for us to win one?

Their choreographed debate exploited and skewered stereotypes via expert timing and pointed wit, hitting home with the predominantly Asian and South Asian audience. (L.A.)

Saturday, May 9

Atsuko Okatsuka with Margaret Cho and Trevor Noah at the Orpheum.

(Andrew Max Levy / Netflix)

Atsuko Okatsuka
The Orpheum Theatre

An Atsuko Okatsuka show is typically full of surprises as a result of her offbeat humor and twerk-master physicality. Her show at the Orpheum is the result of a brand-new hour she’s been performing on her Big Bowl Tour and includes plenty of jokes about dinosaurs and love of Jamaican dancehall choreography. But before she even took the stage with new material, fans got gleefully blindsided by the appearance of two comedy titans, Margaret Cho and Trevor Noah, who came out to deliver punchy opening sets that got loads of laughter to set the tone for Okatsuka’s evening of examining reality through her absurdist lens as an artistic performer who often feels like she’s from another planet. At the end of the show she announced that after releasing her first two specials on HBO (“The Intruder” in 2022) and Hulu (“Father,” which came out in 2025) her next special will be released (surprise!) on Netflix in 2027. (N.J.)

‘My Crazy Ex-Girlfriend’ Reunion

“Crazy Ex-Girlfriend” premiered on the CW Network in 2015 and managed to tell a complete four season story about mental illness in a musical comedy series that featured parody songs on everything from “Cats” to modern pop music to Jewish folk songs. Seven years after it ended, the cast and creatives behind the show reunited to perform a stripped-down selection of the series’ beloved songs. But this concert is not meant to serve as an introduction for those unfamiliar with the original show. The reunion performance is a tribute both to the miraculous existence of “Crazy Ex-Girlfriend” and to the devoted fans who still know all the words to songs like “Let’s Generalize About Men” and “Don’t Be a Lawyer.” (L.J.)

James McCann
Hollywood Improv (Main Room)

Australian-born comedian James McCann topped the bill Saturday night at the Hollywood Improv, and the eclectic crowd packed the place ready to celebrate his arrival in L.A. Host Benton Harshaw and openers Ruby Setnik and Sam Campbell absolutely connected and killed. And if my word count were double, they’d get individual praise for setting the room up perfectly. High energy was the vibe when McCann got on stage to wild roars from the 9:30pm early show crowd and his energy match, noting he was excited to be at the historic club himself. Mullet looking flawless, poems in tow, and dark humor dialed to an 11, he questioned L.A.’s homeless crisis, may have questioned the audience a bit too much, and tore through his thoughts on a census overhaul, the insanity of the TV show “Survivor” (yes, it’s still on), the glory days of drinking, and having visions of finally being successful enough to hire his dream team. (A.L.)

Tom Segura, left, and Bert Kreischer speak during the Two Bears 5k event at the Rose Bowl.

(Jerod Harris / Getty Images for Netflix)

2 Bears 5K
Rose Bowl

Can’t. Type. Too. Sore. And that’s not even from the run-walking, it’s from the afterparty inside Rose Bowl Stadium in Pasadena. Whether you kicked off this magical day of athleticism in downward dog with Ari Shaffir, or if you went straight for the starting line with Bert Kreischer, Tom Segura, and a svelte-looking Jelly Roll (bravo!), there was stretching, pacing, sweating and rejoicing to be had. The hang was so casual it allowed participants to rub elbows with a surplus of comics on hand like H. Foley, Kevin Ryan, Steph Tolev, Jefferson McDonald, Joe DeRosa, Jessimae Peluso, Greg Fitzsimmons, Daphnique Springs, Brittany Ross, Ian Fidance, Kim Congdon, and Dave Williamson. The finish line led runners directly into the Rose Bowl where there was plenty of Por Osos flowing, snacks, interactive games and recovery stations, and a live taping of 2 Bears 1 Cave with our favorite boys and celeb participants.

Sunday, May 10

Marcello Hernandez performed with Feid at the Hollywood Bowl on Sunday.

(Koury Angelo / Netflix)

Marcello Hernandez and Feid
Hollywood Bowl

On “Saturday Night Live,” he plays a Latin Lover named Domingo. But at the Hollywood Bowl on Mother’s Day Sunday, headliner Marcello Hernández riffed on his real life as a mama’s boy growing up in Miami — expanding on material from his 2026 Netflix special, “American Boy” — and duly invited out his mom, Isabel, who was met with a standing ovation. “God gave me a mother who worked her entire life for me,” said Hernández, who eased on his elastic goofball schtick to exalt immigrant mothers. “Today, I give thanks to her — and to all the mothers who are here, as well as those you left back home.”

Attended by nearly 17,000 people, the Bowl’s biggest Spanish-language comedy event also featured a special (and sensual) musical performance by Colombian reggaeton heartthrob Feid, as well as Mexican comedian Sofia Niño de Rivera, who opened the show with her own riotous act. At some point she asked the audience if beating piñatas had been canceled by the woke mob; you’ll just have to trust me when I say it’s even funnier in Spanish. (Suzy Exposito)

Roast of Kevin Hart
Kia Forum
Los Angeles showed up to the Forum in Inglewood for the roast of Kevin Hart, the comedian we love to hate but also love to laugh with. It was a brutal takedown of Hart that could only be accomplished by the utmost respect and love from his peers. A surprise appearance by his longtime rival Katt Williams brought the entire house to their feet. Sheryl Underwood expertly executed the punchlines and made the culture the star of her set. Chelsea Handler could have been the star of her own show. The Rock’s WWE entrance brought the heat of the pyrotechnics to the stage with his explicit propositioning of Hart’s wife, Eniko, and an attempt to breastfeed Hart. Some controversial jokes by lesser, edgy comedians fell flat but Jeff Ross, the master of roasts, held the tempo together and kept the roast moving forward. There was something for everyone in this, as Hart, the hardest working person in comedy, has become famous for. (Janelle Webster)

Flight of the Conchords
The Greek Theatre

Experiencing Flight of the Conchords at the Greek is something many fans of their lusty, yet-bone-dry musical comedy haven’t gotten to experience in a while. It’s been eight years since Jemaine Clement and Bret McKenzie have put us on “Business Time” with their stripped down odes to sexy R&B mixed with a hint of yacht rock, hip-hop power pop and whatever else they decided to throw together from their bag of classic jams that earned them fans in the early aughts. Following a killer opening set from comedian Arj Barker, Flight of the Conchords took the stage looking a bit more like silver foxes than young birds, which made the timeless chuckle-inducing tunes like “Robots,” “The Most Beautiful Girl (In the Room),” “Hurt Feelings” and “Business Time” land with even more impact as the crowd enjoyed some long-awaited nostalgia. Did they forget a few lyrics? Miss some solos? Mess up entire songs? Sure! But with a dose of Kiwi banter and the ability to laugh at themselves, the mistakes only made the show funnier and a reminder of why we’ve missed them. (N.J.)