concerts

After oohing and aahing over “The Odyssey,” it’s time for the hot summer splash to make way for an intriguing fall lineup.

At the movies, Alexander Skarsgård plays a sexy wicker husband. Tom Cruise, a bizarro oil man. Jenna Ortega, a robot friend, and Kendall Roy, ahem, Jeremy Strong, is Mark Zuckerberg. Then we revisit classics of various stripes on the small screen, from a further-future “Blade Runner” to “A Different World” relaunch to “East of Eden” to “Pride and Prejudice.”

For new books, it’s an Emily fest. Emily St. John Mandel’s “Exit Party,” based in Los Angeles, is being called her best work since “Station Eleven.” And Emily Wilson, “The Odyssey” translator who launched 1,000 hot takes, lets us inside her process. As for arts, directors steal the spotlight: the Lucas Museum of Narrative Art opens with 20 inaugural exhibitions and a collection of David Lynch’s L.A. photography fills a local gallery.

Bookmark this page and come back daily this week as we share even more of the best of fall. — Brittany Levine Beckman

Gladys Knight has announced she’s gearing up to embrace the next phase of her life and career at 82.

The announcement comes after recent performances raised alarm with fans and staff worried about the storied singer’s health.

“After much soul searching I’ve decided that I will be easing into fewer performances while focusing on transitioning into the next stage of my career and life moving forward,” Knight said via Instagram on Thursday.

Knight said she’ll be spending more time on projects with her husband and manager; William McDowell, 68; and visiting with her grandchildren.

“I’d like to take a moment, in advance, to thank all my fans over this last three quarters of a century for making a little girl’s dream come true and supporting her every step of the way,” she continued. “I am immensely grateful to all of you and send my eternal love back to you. … I hope to see your smiling faces out and about and on the road.”

Her publicity team declined further comment Friday.

During her Aug. 18 show in Detroit, Knight took several breaks. And back in July at the Hollywood Bowl, the Grammy-winner seemed to lose her place while belting, “Midnight Train to Georgia,” one of her signature songs.

Backup singers appeared to come to the rescue more than once, guiding the singer back toward the stage as she wandered off and filling in when the lyrics to her classic soul hits seemed to escape her.

In an interview with the Shade Room last year, Knight’s son, Shanga Hankerson, claimed McDowell pushed the singer into performing and manipulates her.

Hankerson said that he drove to North Carolina to see his mom and was kept from being alone with her. He subsequently filed a complaint with the state Department of Health and Human Services.

“I noticed that William would always chime in, make sure that I didn’t get to speak with her by myself or by herself,” he said.

During a performance, Hankerson said he was concerned watching as his mom, who’s been performing for 75 years, fumbled through the set.

“The band played two or three extra bars, and she zoned out. The background singer started singing, and that brought her back. They’re having to rewind the teleprompters because my mom is forgetting to even look at them,” he said.