community

City of South Gate offers glimpse into neighborhood sports worship

Times keep changing in high school sports, but some things stay the same, such as neighborhoods embracing their local sports teams whether they win or lose.

In the city of South Gate, there’s three high schools nearby one another, which draws fans to gyms, football fields, soccer fields, baseball and softball diamonds.

South Gate and South East are set to play in a Friday night Eastern League basketball game. Legacy is also in South Gate.

Steven Reyes, an assistant basketball coach at South Gate, offered an observation about participating in the rivalry games:

“This is a really strong local sports story because it’s not just about basketball — it’s about the city. In South Gate, three high schools are battling for city bragging rights, and every matchup feels like a playoff game. The gyms are packed, the community shows up, and the players know they’re representing more than just a team.

“What makes it special is the rivalry. These kids grow up playing against each other, they know each other, and when they face off, it’s personal — but in a competitive, respectful way. Each school has a different style, different identity, and it creates real drama throughout the season.

“It’s the kind of story that shows how sports bring a city together. Parents, alumni, and students are all invested, and the outcome actually matters to the community. This isn’t a one-game story — it’s an ongoing battle for pride, momentum, and respect. That’s why it’s compelling.”

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Source link

Sundance 2026: Inside the queer Mexican rodeo film ‘Jaripeo’

Before starting a cosmopolitan life as an artist in Mexico City, queer filmmaker Efraín Mojica came of age between Riverside and the rural town of Penjamillo, Michoacán: home to an annual jaripeo, or a Mexican rodeo competition that takes place every Christmas.

Every year, cowboys convene to test-drive their masculinity, namely by swigging handles of tequila and precariously mounting the backs of bucking bulls. These heroic shows of manhood long fascinated Mojica, who frequented jaripeos with family — and quietly forged a community with other locals who diverged from Mexican gender norms.

That community would become the cast of “Jaripeo,” the debut documentary feature film by Mojica and co-director Rebecca Zweig, which premiered at this year’s Sundance Film Festival in Park City, Utah. Shot in the style of cinéma vérité, Mojica appears as both a narrator and protagonist. Zweig, who first encountered Mojica in Seattle’s punk scene, follows them behind the lens as they interview members of the LGBTQ community in and around Penjamillo.

“[Mojica] invited me to Michoacán in 2018 to spend Christmas with their family,” Zweig tells The Times, the day after the film’s Jan. 25 premiere. “As soon as I was at the rodeo with them, I became obsessed with the performance of masculinity.”

“[Zweig] was like, ‘How do you feel about making a documentary [about] the rodeos?’” Mojica tells The Times. “I said, ‘Yeah, but it’s got to be gay.’”

Produced by Sarah Strunin, the documentary begins with a pastoral scene from Mojica’s pickup truck as they overlook the grasslands of Michoacán. Pink party lights and techno music are woven into scenes of bandas and revelers in tejana hats, who kick up dust as they dance inside the rodeo ring. The crew flashes strobe lights in the cornfields, lighting up the figures of sexy cowboys sifting through the crops to find one another — drawing parallels to queer nightlife in the cities.

“On New Year’s there’s a rodeo in Acuitzeramo, with like 10,000 people and big speakers with heavy bass,” said Mojica. “What’s the big difference between a city rave and a rancho jaripeo, you know? They’re doing the exact same thing.”

“I wanted to blur all the lines and make these abstract sequences,” says Zweig. “And I thought, how much is that gonna be allowed in a formal [film] institution? I want to shout out public media, [because] when we got the Open Call Fund from ITVS, they took a chance on us as first-time filmmakers. [Marlon Riggs’ documentary] ‘Tongues Untied’ was also funded by ITVS — the legacy of queer cinema and documentaries in the U.S. has been supported by public media.”

Efraín Mojica, Noé Margarito Zaragoza, and Rebecca Zweig (L-R) pose at the 2026 Sundance Film Festival.

“We have to deal with these issues in our towns, and [people] are still not open to receiving that kind of help,” says Noé Margarito Zaragoza, center, who stars in the new film “Jaripeo.”

(Cat Cardenas / De Los)

Each interview adds more color and dimension to Mojica’s memories of the village they left long ago, no longer suspended in the past. Mojica visits Arturo Calderón, a local rodeo clown known as “La Pirinola,” who performs in drag; Calderón lets the camera roll as he paints his eyelids electric blue.

They later stop by the local church and the disco with Joseph Cerda Bañales, a bearded makeup artist who brandishes long stiletto nails to the rodeos. Despite efforts from the festival organizers, and even a letter from Sen. John Curtis (R-Utah), Cerda was unfortunately not granted entry into the U.S. for the Sundance premiere.

“Joseph is the mayor of his town,” says Mojica. “He’s the president of the church. He runs the folkloric ballet. He does everything. It’s not that there’s no more traditional culture… People just want to keep the community together. [It means] holding a bunch of truths [and] contradictions at the same time.”

Mojica even shares flirtatious moments onscreen while interviewing Noé Margarito Zaragoza, a dashing and stoic ranchero who lives discreetly as a gay man.

“It’s exciting, but at the same time I’m a little nervous,” says Margarito of coming out in the film. “Part of my family doesn’t know what’s going on with my life, so I don’t know how they’re going to take it. But my main family members — my siblings, my dad — well, they feel content and happy [for me], so I’m going forward and giving it my all.”

Rebecca Zweig and Efraín Mojica pose at the Sundance Film Festival.

“We never talked about my queer identity,” says Mojica of their own family, some of whom flew in for the premiere of “Jaripeo” at the Yarrow Theatre in Park City. Mojica planned a belated coming out talk at dinner the night before; the discussion never happened.

“I choked up,” says Mojica. “I thought, ‘OK, I’m just going to give them a little heads up of what the film’s actually about.’ But I could not vocalize a single word. My eyes started tearing up. So I was like, ‘See you tomorrow!’”

It was after the screening, during an open Q&A, when Mojica’s mother quelled the artist’s fears in one fell swoop.

“What was the reception from your family after seeing the film?” an audience member asked Mojica in Spanish — unaware that their family had just watched it for the first time with everyone else in the theater.

To that, Mrs. Mojica Rubio rose from her seat and introduced herself “as a very proud mamá” who loves her child “unconditionally.”

After a beat, she exclaimed: “It’s the 21st century!”

Mrs. Mojica Rubio’s show of support was promptly met with resounding cheers from the audience. “My mom also approached [Margarito] and said, ‘I’m going to give you a mother’s hug, because you deserve it,’” says Mojica, who appears misty-eyed as they recount the scene.

In a time of increasing hostility against LGBTQ people and immigrants in the United States, to behold the strength of a mother’s love — and the solidarity across communities — affirms the purpose of such a film, with a power that transcends states, governments and institutions.

“People in different countries [have] this antiquated idea that Mexico is this little ranchita that’s hateful, that they’re gonna beat you if you’re queer. But we really care for each other,” Mojica says.

“We have to deal with these issues in our towns, and [people] are still not open to receiving that kind of help,” added Margarito. “So let’s hope [the movie is] a success.”

Source link

Over 100 Latinos sign open letter to Hollywood for ‘Deep Cuts’ fiasco

Eva Longoria, John Leguizamo and Xochitl Gomez are among the 100-plus Latino actors, artists and creatives who have signed an open letter calling for accountability in Hollywood — citing longtime discrimination in casting and storytelling.

The public statement follows the controversy surrounding Odessa A’zion, who dropped her role as a Latina character in Sean Durkin’s “Deep Cuts,” following online backlash over the actor herself not being Latina.

“Recent casting decisions around the character Zoe Gutierrez in A24’s ‘Deep Cuts’ have exposed a troubling pattern,” the letter states. “We acknowledge and commend Odessa A’zion for listening, reflecting and deciding to exit the project and become an ally. Yet how did this happen?”

Earlier this week, the Wrap revealed that the “I Love L.A.” and “Marty Supreme” breakout star was cast as Zoe Gutierrez in the A24 film adaptation of Holly Brickley’s music-filled coming-of-age novel. The character’s identity plays an important role in the book, as she is written as a half-Mexican and half-Jewish lesbian.

Though the 25-year-old announced Wednesday night that she had dropped the role — admitting through her Instagram stories that she had not yet read the book, nor learned of all the character’s traits — the incident has unearthed questions about Latino representation in Hollywood.

“This isn’t about Odessa,” said Xochitl Gomez to The Times on Friday. “It’s about the executives, the producers and the whole system at the top. They thought it was OK to not even audition Latinas for the role in the first place. Latinas were pitched, including me, but we were told that there was an actress with an exclusive offer. This role never showed up on the casting grid because it was already gone.”

Xochitl Gomez attends "REBBECA" LA Premiere on November 30, 2025 in Los Angeles, California.

Xochitl Gomez attends “REBBECA” LA Premiere on November 30, 2025 in Los Angeles, California. (Photo by JC Olivera/Getty Images for State of the Art)

(JC Olivera / Getty Images for State of the Art)

According to UCLA’s 2025 Hollywood Diversity Report, Latinos were cast in only 1% of the leading roles in the top 104 English-language films released theatrically in 2024, despite constituting roughly 20% of the total U.S. population.

In TV, representation is just as stark. Latinos are cast in only 6% of all roles across the top U.S. broadcast series, as per a recent study by ¡Pa’lante! — a Latino representation initiative from the USC Norman Lear Center — which also found that 1 in 4 Latino characters are depicted as career criminals.

“The absence of Latina audition opportunities, and the choice to replace a clearly Latina character with a non-Latina actress, signals a broader, ongoing erasure of our community from the stories that define our culture,” the letter continues. “This is not about any one actor or project. It is about a system that repeatedly overlooks qualified Latino talent even as our identities, histories, and experiences fuel the most enduring stories.”

The signatories request that Latino actors be hired for a diverse range of roles, including non-stereotypical leads. There is also a demand for more Latino executives to be involved in green-lighting projects and the inclusion of Latino consultants, writers and producers from the earliest stages of development. Finally, there is a call on Hollywood to create mentorship, scholarships and opportunities that expand access on all levels of the ecosystem.

This plea by marginalized creatives is not the first pushback — nor likely the last — against a stagnant Hollywood machine.

As early as the 1920s, the portrayal of Latinos was so negative that the Mexican government, and even Woodrow Wilson reportedly told Hollywood producers to “please be a little kinder to the Mexicans.”

In 1999, the National Hispanic Media Coalition (NHMC) and the National Assn. for the Advancement of Colored People (NAACP) called for the boycott of broadcast networks’ 26 new fall series because they did not feature a non-white lead, sparking dialogue over the diversity of Hollywood at the time.

Comedian Chris Rock blasted the industry in a 2014 essay for its omission of Mexicans in Los Angeles, where nearly half of the population is Latino: “You’re in L.A., you’ve got to try not to hire Mexicans.”

Rep. Joaquin Castro (D-Texas) — who in recent years has nominated several Latino-focused films to the Library of Congress National Film Registry — also penned a 2020 column in Variety, underscoring the dearth representation of Latinos in entertainment and the consequences of omission. “Prejudice has existed in the United States for generations, but the image of our community created by film and television has done little to counter bigoted views, and too often has amplified them.”

Another letter published in October 2020 with over 270 showrunners, creators, television and film writers signatures — including Lin-Manuel Miranda and “One Day at a Time” co-creator Gloria Calderón Kellett — called for systemic change in the industry. “We are tired,” they wrote.

The pushback continued in 2022, when actor Leguizamo penned an open letter in The Times about the history of Latino representation and the co-option of Latino stories — including that of Mexican revolutionary Emiliano Zapata, who was portrayed by a brownface Marlon Brando in the 1952 film “Viva Zapata!,” and Al Pacino, who played the fictional Cuban character Tony Montana in the 1983 film “Scarface.”

Wrote Leguizamo, “There’s a fix for this: Cast more Latinos!”

Read the full open letter below.

Dear Casting Directors, Creative Executives, Writers, Producers, and Hollywood Leaders,

We write to you with urgency, because storytelling is humanity’s compass and Hollywood wields all the power. The stories you choose to tell, and how you tell them, shape public perception, cultural understanding, and who gets to see themselves reflected on screen. In these challenging moments that power comes with real responsibility.

Recent casting decisions around the character Zoe Gutierrez in A 24’s Deep Cuts have exposed a troubling pattern. We acknowledge and commend Odessa A’zion for listening, reflecting and deciding to exit the project and become an ally. Yet how did this happen? The absence of Latina audition opportunities, and the choice to replace a clearly Latina character with a non-Latina actress, signals a broader, ongoing erasure of our community from the stories that define our culture. This is not about any one actor or project. It is about a system that repeatedly overlooks qualified Latino talent even as our identities, histories, and experiences fuel the most enduring stories.

Latino communities are already underrepresented and misrepresented in ways that distort reality and harm real people. Casting decisions carry real weight: they influence who is seen as worthy of authentic storytelling and who gets to tell those stories with care, nuance, and authority.

We are calling for accountability, intentionality, and equity in casting and storytelling. Authentic representation means more than casting a performer who looks like the character; it means involving the communities being portrayed not just in front of the camera, but in the decisions that shape these stories from their inception. Our stories deserve to be shaped with the input, guidance, and leadership of Latino creators, consultants, writers, and performers at every stage.

We implore you to join us in concrete action:

  • Audition and hire more Latino actors for a diverse range of roles, including non-stereotypical leads
  • Hire Latino executives in your greenlighting rooms
  • Include Latino voices as consultants, writers, and producers from the earliest stages of development
  • Create and support pipelines: mentoring, scholarships, and opportunities that expand access all levels of the ecosystem

The world is watching.

Aaron Dominguez

Aitch Alberto

Alex Lora

Alma Martinez

Amanda Diaz

Ana Navarro Cardenas

Andrea Chignoli

Angel Manuel Soto

Angelique Cabral

Anna Terrazas

Annie Gonzalez

Antonio Negret

Becky G

Benjamin Odell

Brandon Guzman

Brandon Perea

Bricia Lopez

Camila Baquero

Carla Gutierrez

Carla Hool

Carlo Siliotto

Carlos Eric Lopez

Carlos Gutierrez

Carlos Lopez Estrada

Chrissie Fit

Christian Serratos

Cierra Ramirez

Cristina Rodlo

Cyria Fiallo

Daniella Pineda

Danny Ramirez

David Castenada

Desi Perkins

Diego Boneta

Edgar Ramirez

Edher Campos

Eiza Gonzalez

Elisa Capai

Elsa Collins

Emilie Lesclaux

Ennio Torresan

Enrique Melendez

Eva Longoria

Fabrizio Guido

Felipe Vargas

Fernando Garcia

Flavia Amon

Flavia De Sousa

Francia Raisa

Gabriela Maire

Gina Rodriguez

Gloria Calderon Kellett

Gregory Diaz IV

Ilda Santiago

Isabella Gomez

Isabela Merced

Isabella Ferria

Isis Mussenden

Ismael Cruz Cordova

Ivette Rodriguez

Jacob Scipio

Javier Munoz

Jazmin Aguilar

Jesse Garcia

Jessica Alba

Jesus Pimental-Melo

Jillian Mercado

John Leguizamo

Jose Velazquez

Juan Pa Zurita

Julio Macias

Justina Machado

Karrie Martin Lachney

Kate Del Castillo

Klaudia Reynicke

Kylie Cantrall

Leo Gonzalez

Lisette Olivera

Lorenza Munoz

Luca Castellani

Lucila Moctezuma

Lucy Barreto

Lynette Coll

Maia Reficco

Marcel Ruiz

Maria Legarda

Mariana Oliva

Mariem Perez Riera

Marvin Lemus

Mauro Mueller

Mayan Lopez

Melissa Barrera

Melissa Fumero

Melissa Martinez

Michael Cimino

Michael Pena

Miguel Mora

Mishel Prada

Monica Villarreal

Natalia Boneta

Natalie Chaidez

Natalie Morales

Nava Mau

Naz Perez

Nezza (Vanessa Hernandez)

Neysa Bove

Nicolas Celis

Nicole Betancur

Orlando Pineda

Patricia Cardosa

Patricia Riggen

Patty Rodriguez

Paulina Garcia

Petra Costa

Rafael Agustin

Rafael Cebrian

Ramon Rodriguez

Rene G. Boscio

Robin De Jesus

Rodrigo Teixeira

Rudy Mancuso

Ruy Garcia

Sierra Ornellas

Stephanie Beatriz

Tonatiuh Elizarrarz

Tony Revolori

Victoria Alonso

Xochitl Gomez

Xolo Mariduena

Yareli Arizmendri

Source link

Federal agents, leaders defy practices honed by police for decades

Drawing on decades of experience after having dealt with the beating of Rodney King, the killing of George Floyd and more, American law enforcement leaders, civil rights advocates and other legal experts have honed best practices for officers making street arrests, conducting crowd control and maintaining public safety amid mass protests.

Officers are trained to not stand in front of or reach into moving vehicles, to never pull their firearms unless it is absolutely necessary, and to use force only in proportion to a corresponding threat. They are trained to clearly identify themselves, de-escalate tensions, respect the sanctity of life and quickly render aid to anyone they wound.

When police shootings occur, leaders are trained to carefully protect evidence and immediately launch an investigation — or multiple ones — in order to assure the community that any potential wrongdoing by officers will be fairly assessed.

According to many of those same leaders and experts, it has become increasingly clear in recent days that those standards have been disregarded — if not entirely tossed aside — by the federal immigration agents swarming into American cities on the orders of President Trump and administration officials tasked with overseeing the operations.

In both small, increasingly routine ways and sudden, stunning bursts — such as the fatal shootings of U.S. citizens Renee Good and Alex Pretti in Minneapolis — agents have badly breached those standards, the experts said, and without any apparent concern or investigative oversight from the administration.

Agents are entering homes without warrants, swarming moving vehicles in the street and escalating standoffs with protesters using excessive force, while department leaders and administration officials justify their actions with simple, brash rhetoric rather than careful, sophisticated investigations.

“It’s a terrible disappointment,” said former Los Angeles Police Chief Michel Moore. “These tactics — if you call them that — are far and away out of touch with contemporary policing standards.”

“This isn’t law enforcement, this is terror enforcement,” said Connie Rice, a longtime civil rights attorney who has worked on LAPD reforms for decades. “They’re not following any laws, any training. This is just thuggery.”

“They use excessive force against suspects and protesters, they detain and arrest people without legal cause, they violate the 1st Amendment rights of protesters and observers,” said Georgetown law professor Paul Butler, a former federal prosecutor.

“These types of tactics end up hurting all of law enforcement, not just federal law enforcement, even though state and locals didn’t ask for these types of tactics, and, frankly, have been moving away from them for years out of a recognition that they undermine trust in communities and ultimately hurt their public safety mission,” said Vanita Gupta, associate attorney general under President Biden and head of the Justice Department’s Civil Rights Division under President Obama.

The White House said Trump does not “want any Americans to lose their lives in the streets,” believes what happened to Pretti was “a tragedy” and has called for an “honorable and honest investigation.” But administration officials also have defended the immigration crackdown and the federal agents involved, blaming protesters for interfering with law enforcement operations and accusing critics of endangering agents. However, many of those critics said it is the tactics that are endangering officers.

Gupta said Trump’s immigration surge “deeply strains the critical partnerships” that local, state and federal law enforcement agencies typically have with one another, and puts local leaders in an “incredibly challenging position” in their communities.

“State and local chiefs have to spend 365 days of the year building trust in their community and establishing legitimacy … and in comes this surge of federal agents who are acting out of control in their communities and creating very unsafe conditions on the ground,” Gupta said. “That is why you’re seeing more and more chiefs and former chiefs speaking out.”

Moore said the tactics are “unnecessarily exposing those agents to harm, physical harm, as well as driving an emotional response and losing legitimacy with the very public that, as an agency, they are saying they are there to protect.”

Issues on the ground

Good was fatally shot as she tried to drive away from a chaotic scene involving federal agents. The Trump administration said the officer who shot her was in danger of being run over. Homeland Security Secretary Kristi Noem, without evidence, accused Good, 37, of being a “domestic terrorist.”

Experts questioned why the group of agents swarmed Good’s vehicle, why the officer who fired positioned himself in front of it, and whether the officer was in fact in danger of being hit given Good was turning her wheel away from him. They especially questioned his later shots into the vehicle as it was passing him.

Under best practices for policing, officers are never to shoot into moving vehicles except in exigent circumstances, and are trained to avoid placing themselves in harm’s way. “You don’t put yourself in that position because you have the option to just take down the license plate number and go arrest them later if you think they’ve violated the law,” said Carol Sobel, a Los Angeles civil rights attorney who has driven police reform for decades.

Moore said he was trained in the 1980s to avoid engaging with moving vehicles, yet “40 years later, you see not just one occasion but multiple occasions of those tactics” from immigration agents.

Pretti was fatally shot after trying to protect a woman who was violently shoved to the ground by an immigration agent also spraying chemical irritant. The Trump administration said that Pretti had a gun, and that the officers had acted in self-defense. Without evidence, Noem alleged Pretti, also 37, was “attacking” agents and “brandishing” the gun, while White House advisor Stephen Miller alleged that Pretti “tried to murder federal agents.”

Experts questioned why the agents were being so aggressive with the woman Pretti was trying to help, and why they reacted so violently — with a burst of gunfire — when he was surrounded by agents, on the ground and already disarmed.

Moore said that the officer who shoved the woman appeared to be using “brute force rather than efforts to create de-escalation,” and that spraying irritants is never suitable for dealing with “passive resistance,” which appeared to be what the woman and Pretti were involved in.

In both shootings, experts also questioned why the agents were wearing masks and failed to render aid, and lamented the immediate rush to judgment by Trump administration officials.

Gupta said the immigration agents’ tactics were “out of line” with local, state and federal policing standards and “offensive to all of that work that has been done” to establish those standards.

Bernard Parks, another former chief of the Los Angeles Police Department, said that videos from the two incidents and other recent immigration operations make it clear the agents are “totally untrained” for the operation, which he called “poorly designed, poorly trained,” with a “total lack of common sense and decency.”

Ed Obayashi, an expert in police use of force, said that although the agents’ actions in the two shootings are under investigation, it is “obvious” that Trump administration officials have not followed best practices for conducting those inquiries.

“The scenes have been contaminated, I haven’t seen any evidence or any what you would call standard investigative protocols, like freezing the scene, witness checks, canvassing the neighborhood, supervisors responding to try to determine what happened,” he said.

The path forward

Last week, California joined other Democrat-led states in challenging the crackdown in Minneapolis in court, arguing that Noem’s department “has set in motion an extraordinary campaign of recklessness and disregard for norms of constitutional policing and the sanctity of life.”

On Sunday, the International Assn. of Chiefs of Police, which has played a central role in establishing modern policing standards in the U.S., said it believes that “effective public safety depends on comprehensive training, investigative integrity, adherence to the rule of law, and strong coordination among federal, state, and local partners,” and called on the White House to convene those partners for “policy-level discussions aimed at identifying a constructive path forward.”

On Tuesday, Gov. Gavin Newsom and California Atty. Gen. Rob Bonta reminded California law enforcement that they have the right to investigate federal agents for violating state law.

Gupta said the Trump administration failing to investigate fatal shootings by federal agents while “boxing out” local and state officials suggests “impunity” for the agents and “puts the country in a very dangerous place” — and state investigators must allowed in to investigate.

Butler said that the situation would definitely be improved if agents started adhering to modern policing standards, but that problems will persist as long as Trump continues to demand that immigration agents arrest thousands of people per day.

“There’s just no kind and gentle way,” he said, “to take thousands of people off the streets every day.”

Source link