comedian

TWO of Britain’s best-known comedians’ on-off romance appears to have come to an end — despite previously insisting they were together for good.

Shaparak Khorsandi, formerly known professionally as Shappi, has set tongues wagging after revealing she’s been trying her luck on dating apps, suggesting her relationship with fellow comic Mark Steel is over.

But it seems the world of online romance has been anything but a barrel of laughs for the stand-up star, who admitted she’d already thrown in the towel.

Sharing a candid Instagram video about her dating disasters, she wrote: “I have come off the site because I really didn’t like who I was on it. I never thought I would hate someone for wanting ‘travel tips for Japan’”

She added the hashtags #midlifedating, #onlinedatingfail and #datingapps — but it wasn’t long before eagle-eyed followers noticed something rather surprising.

One asked: “I thought you were already in a relationship, Shappi……” Another questioned: “I thought you were with Mark Steel?”

A-HEAD OF THE GAME

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‘STILL NOT LOADS…’

Katherine Ryan says she’s ‘lazy’ in bed after surprise sex confession

The apparent split is particularly surprising given Mark’s declaration last year that the couple had finally cracked the secret to lasting love after years of breaking up and making up.

The former I’m A Celeb star, who was diagnosed with throat cancer in 2023, previously revealed his devastating health battle had brought them back together after a period apart.

Speaking to The Guardian in February 2025, Mark said: “We were no good not being together,” before insisting things were going “great” between them.

He added: “It’s lovely. You can never say with these things, but… I think it’s permanent now.”

Their rollercoaster romance also featured in his 2025 memoir, The Leopard in My House: One Man’s Adventures in Cancerland, which documented his gruelling cancer treatment and their reconciliation.

And things certainly appeared rosy in October 2024, when Shaparak shared an Instagram video showing Mark waiting at home as she returned from touring, giving fans a glimpse into their domestic bliss.

The pair had been romantically linked since at least 2022, with Shaparak previously referring to Mark as her boyfriend, but her latest dating-app confession suggests their happy ending may have been short-lived.

The Sun has approached representatives for both stars for comment.

COMEDY star Katherine Ryan has branded herself “lazy” when it comes to her sex life.

In a new interview with The Times, the comedian shed light on how often she and her high school sweetheart husband Bobby Kootstra sleep together, having previously announced that they have sex “exactly twice a month… just in case I get pregnant.”

“It’s still not loads. It’s probably once a week, sometimes twice a week, but still not loads,” she told the newspaper. “I just don’t try – I’m a lazy shag.

“I’m really vanilla and Bobby is quite vanilla. We’re well matched in that way.”

Katherine added: “But the things I’ve seen and heard on my travels, my God.

“I just want to have nice, brief, marital sex. That’s it!”

TAKE TWO

Katherine Ryan takes cheeky swipe at David Beckham – weeks after Victoria slur

‘MOMS OUT!’

Laura Whitmore and Katherine Ryan let loose at Emily Atack’s wedding

Katherine and Bobby, both 43, married via civil partnership in 2019.

Despite dating as teens, they split and reconnected later in life.

Katherine has a daughter – Violet – from a previous relationship, but now also shares three children with Bobby – Fred, Fenna and Holland.

Previously talking about sex with The Telegraph, she said: ‘I do think it’s important.

“But in reality, working parents who have small children are so knackered by nighttime, intimacy is just off the table.

“We have to find stolen moments in the day like before heading to work or during a nap, which isn’t always very alluring.”

Last year she spoke to The Sun ahead of the second season of revamped fly-on-the-wall show At Home With Katherine Ryan.

“It’s a real in-depth, all-access, no-holds-barred look at our family, my life and my marriage,” explained the Canadian-born star.

In it, she and Bobby attend their first marriage coaching session where they also discussed their sex life.

“I was surprised to find that I am a lot more prudish about my sex life than I thought,” she admitted. “I think when you talk about sex as a greater theme on stage, you have the shield of humour to dance around.

“You go: ‘Oh, well, I was making a joke!’ But when your husband is sat opposite a marriage coach and he’s like: ‘We had intercourse in the bathroom,’ I was like: ‘Oh God. What’s the punchline?’

“There’s no punchline to hide behind!”

Katherine recently got into hot water with a comment she made about Victoria Beckham, having to explain herself and clear the air over it.

The BBC had upheld complaints after she made the offensive joke about Posh Spice while hosting an episode of Have I Got News For You last year.

Speaking in an episode that aired on November 7 in 2025, Katherine made reference to a 2013 private email sent by David Beckham, where he allegedly used the word ‘c***’.

She said on the show: “I don’t know that we are allowed to broadcast the C-word, but you did reference Victoria Beckham earlier and we’ll allow that.”

The BBC’s Executive Complaints Unit said “there was no such justification” for the comment which two viewers had complained was “gratuitously offensive”.

They added that the word was justified in relation to David’s alleged use of it, but not in reference to his wife.

Now an edited version of the episode has replaced the original on the BBC’s streaming service.

Katherine publicly apologised to Victoria in an Instagram reel where she shared a screenshot of her message to the fashion designer, elaborating that the context around the slur had not been intended as offensive and that she “actually loves Victoria Beckham”.

It seems Chet Hanks, son of Tom Hanks and Rita Wilson, is still in his feels over Eric André’s recollection of his zany and “dangerous” appearance on “The Eric Andre Show.”

Hanks, who became an internet personality in recent years for boasting his Jamaican accent at the 2020 Golden Globes red carpet and unironically coining the phrase “White Boy Summer,” seemingly reignited his feud with André when he confronted the Emmy winner during ComplexCon in Los Angeles over the weekend. On Tuesday, Hanks posted video of himself approaching André and his security team at the event and exchanging some words with the comedian.

It’s unclear what the two men say to each other but Hanks appears to bring up an issue to André who seemingly shrugs it off at first. The conversation seems to turn tense when Hanks speaks face-to-face with André and security personnel block the view. The video concludes with André and his securtiy walking away from Hanks and his posse. In the caption to his video, Hanks said André “had NO MEMORY WHATSOEVER of trashing me to the media after I outshined him on his own show!!”

Representatives for André did not immediately respond on Wednesday to a request for comment.

The tension between Hanks and André could be traced to a March 2023 interview with Rolling Stone in which the comedian called Hanks “emotionally disturbed” and shared details about his guest spot on “The Eric André Show.”

“He stole a motorcycle and rode it around. He almost knocked a bunch of grips and gaffers off their ladders,” André recalled in 2023. “It was very dangerous. He tried to prank us back, but we edited out all his b—! He’s not well. How did Colin Hanks come out so good and Chet Hanks come out so bad?”

Shortly after the interview, Chet Hanks responded to André by claiming he was just attempting to “match [the] energy” of the “weird, outlandish” series. “The Eric André Show” began in 2012 and is the origin for a number of viral memes and sketches and unhinged celebrity moments. Of course, “The Eric André Show,” a parody of late-night talk series, always begins with its eponymous host wrecking his set in the most chaotic manner.

In 2023, Hanks called André a “straight b—.” The comedian swiftly fired back, calling Hanks a “f— liar” and dared Hanks to take a “DNA test and prove that Tom Hanks is his f— father.”

After the weekend confrontation, Hanks said that André ultimately “admitted” the feud began “because he had a problem with me ‘mocking Caribbean culture’ when I did my Jamaican accent all those years ago.” Hanks, who is white and was born in Los Angeles, resurfaced to public consciousness in 2020 when he — unprompted — introduced himself at the Golden Globes red carpet with his impression of Jamaican Patois. His father, the prolific actor beloved for roles in “Saving Private Ryan,” “Forrest Gump” and “Toy Story,” received the Globes’ Cecil B. Demille award later that evening.

“WHO KNEW that in addition to the brain rot and poop joke humor he is known for, Eric is also such a passionate cultural activist!!! Great running into you Eric!!!!,” Hanks, who has repeatedly used and defended the N-word on social media, sarcastically ended his caption.

André, who is Black, has long been a vocal social and cultural activist. The “Street Fighter” actor over the years has spoken out against Israel’s war in Gaza and has used his platform to address racism and police brutality.

This summer André, alongside fellow comedian Clayton English, settled a racial profiling suit against Clayton County police in Georgia. The comics were both allegedly racially profiled and subject to “unconstitutional” stops by Clayton County police at Hartsfield-Jackson International Airport in 2021. The stops were part of a police program intended to combat drug trafficking. The Associated Press reported that the settlement “does not include an admission of fault or liability on the county’s part but says the county has ended the program at issue and has no intention of reactivating it.”

Nimesh Patel’s stock in comedy has been on an upswing lately. From sold-out shows to a skyrocketing social media following and the release of his first Netflix special, “Buy the Dip,” last month, it’s been amazing the difference a year makes. The new hour filmed in Washington, D.C., delivers surgically precise, dryly delivered jokes and personal stories about America falling apart from the heart of our nation’s capital.

Despite the dire circumstances, it’s in our country’s DNA to believe in the power of the rebound. So does Patel, who’s seen one play out with his own career after taking an unexpected hit. Last fall, the comedian faced public backlash for his decision to accept — and then reject — a spot on the controversial Riyadh Comedy Festival, for which he’d been offered $125,000 to perform along with major names like Dave Chappelle, Bill Burr, Sebastian Maniscalco, Whitney Cummings and many more. The rollout of a comedy festival in Saudi Arabia, a nation whose government has been accused of human rights abuses and, according to U.S. intelligence, the brutal murder of journalist Jamal Khashoggi at its consulate in Turkey, lead to a war of words on the internet aimed at the comedians on the lineup. Hearing the scrutiny loud and clear and ultimately deciding the money wasn’t worth it, Patel decided to pull out and tell the world via Instagram that he wasn’t going, opting instead (and somewhat grudgingly) to make up for the lost bag with 40 extra shows added to his nationwide theater tour. The response to his video announcement drew even more ire from comedy fans. Looking back on it now, he admits his delivery at the time, looking tired and somewhat annoyed by his own decision, wasn’t the greatest.

“People read that as sarcasm and like woe is me,” Patel said in a recent conversation with The Times over Zoom. “I can see why they thought that I was a poor actor in the video that I posted. But everyone acts better than the person they see on the screen until it becomes their life and then they’re like, ‘Oh s—, yeah, I probably would have done the same thing.’ So, f— them!”

Despite the roasting he received, Patel stuck to his word and did the shows. Stepping on stage night after night to earn the money he had planned on making last year from one canceled gig in Saudi Arabia gave him the reps he says he needed to perfect the new hour of material. The title “Buy the Dip” is a nod to the remnants of his former career in finance — it’s stock market terminology about buying a failing asset with the hope that it will go up in value again. But it also describes the optimism from which he now makes his decisions as a parent and as someone who still believes that things can get better, even at their lowest.

“I have to be an optimist, I have to believe the world is getting better, because otherwise, what the f— did I do by having a kid?” he said.

In his Netflix debut special, “Buy the Dip,” comedian Nimesh Patel turns personal setbacks and a troubled America into sharply observed jokes grounded in unexpected optimism.

(Courtesy of Netflix)

His belief in positivity followed him to D.C. to record the special, the town where he says he got his first big breaks as a comedian opening for major acts like Maz Jobrani at the Warner Theatre, headlining the Bier Baron and the DC Improv and even the Kennedy Center — “or the now-defunct Trump whatever you’re supposed to call it,” he joked. When it comes to his comedy trajectory, taking the long view is essential to realizing that Patel’s path to this special started over a decade ago when Chris Rock discovered him while on stage in Brooklyn and helped him get writing gigs on “Saturday Night Live” and the 2016 Oscars ceremony, two opportunities that solidified his resolve to go into comedy full-time after he lost his job in finance.

As an Indian American comedian, he knows there is a spotlight of cultural representation on him, which he notes in the special and even makes fun of. That kind of attention isn’t on just him but also on Indian Americans in even higher-profile jobs, such as, say, the first Indian American director of the FBI, the chronically embattled Kash Patel.

“Let me be clear, it’s really difficult to both be proud of Kash and despise him at the same time,” Patel says. On the one hand, there’s the astonishing feat of going from being one of the few Indian kids in Virginia amid post-9/11 racism to becoming head of the nation’s domestic intelligence agency. On the other there’s a career riddled with gaffes and allegedly immoral conduct that makes him an easy punching bag for the writers at “SNL” with the help of his late-night TV doppelganger Aziz Ansari.

“For him to go from that to then be serving the country at this level, that is an incredible achievement, and it’s just so sad that that is who our representative is at the moment,” Patel said. “Just like when an Uber driver says to me, ‘Your last name is Patel? Like Kash?’ I’m like, ‘Yeah, just like that, but not like that at all, you know?’”

Patel revisits the backlash he faced after accepting, then withdrawing from, Saudi Arabia’s Riyadh Comedy Festival, and how dozens of extra tour dates helped shape his new material.

(Courtesy of Netflix)

While trying to distance himself from one person who shares his family name, when it comes to his actual family, Patel has plenty of jokes of being too close to them. Like many millennials, he’s squeezed tight between caring for aging parents and raising a child. At 40, he says in the special that people in his age bracket have become the “Sandwich Generation.” Though, to be fair to his toddler, keeping track of his parents is a much harder task at times.

“They won’t take help. They’re very independent, and I imagine I was the same way when I was growing up,” Patel said. “So it’s that in itself is just like the Progressive commercial that we’re all becoming our parents, but in real life and not driven by a corporate marketing team. It’s just funny to see that play out.”

Whether the obstacles he faces in life are laugh-out-loud funny or career hurdles that threaten to topple him into the abyss, the idea that he can always bounce back is the key to staying unfazed during the highs and the lows of life. And to the extent that anyone can take a lesson from Patel in the art of staying even-keeled, he hopes the special will make people feel a little less bad about the country being on the brink of destruction.

“Everyone knows that we’re not in a good spot right now,” he said. “The dip is here now. I fully believe that we can recover, I hope that we can. It’s going to be a lot of pain. I don’t know if we’re at the bottom just yet, but I’m optimistic, and I have to be. Otherwise, I don’t know what I’m doing.”

A quick glance from the sidewalk shows a midsize home in the Valley. Fallen leaves from a large tree scatter across the neatly trimmed front lawn. It’s just like any other house in a suburban neighborhood outside of Los Angeles.

Inside, there’s a whole network TV operation going on.

The three-bedroom chateau is packed with people. Every inch of space in the house is being used to make “Good Night With Ben Gleib” happen. The living room TV displays the multiple angles of cameras spread across the house. The pantry doubles as a control room while the backyard shed was turned into a venue for the musical guest.

It’s not a traditional late-night talk show. It’s not on a legacy network, it isn’t filmed in a studio, and the U.S. president isn’t calling the host a “deranged lunatic.”

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This show is filmed in a room of Gleib’s house that was converted into an 18-seat studio. The host drinks a cocktail as he delivers his topical monologue in front of blue drapes, and after the taping concludes the cameras continue to roll and capture the nightcap, where Gleib mingles with audience members.

Rather than following the traditional path — from stand-up or sketch comedy to eventually landing behind a late-night desk — Gleib built his own opportunity and releases it on YouTube, a trend becoming more prominent in the comedy world.

“The landscape has changed very largely,” Gleib said. “It’s hard to make your mark in TV and a stand-up appearance on late night doesn’t change your career like it use to, you really have to find creative ways to create your dream career.”

Production staff controls the taping of the show “Good Night With Ben Gleib” on Sept. 16.

(Brian Feinzimer / For The Times)

Since “Lazy Sunday” from “Saturday Night Live” hit the airwaves and caught a second wind on YouTube, the comedy landscape “had changed forever,” according to Seth Meyers.

“What made it so great then and still today is that it was an instant hit but also felt DIY in a way things hadn’t for so long,” said the “Late Night” host in an interview with GQ.

Social media platforms like YouTube have helped make it easier for anyone with a camera to create original content and spread it to the masses. The hashtag “comedy” has 20 billion views on TikTok and genres such as stand-up and sketch comedy grow every year, according to Business Insider. Meanwhile, late-night television has taken a dip in audience and ad revenue.

The old guard of comedy is changing and the DIY movement has transformed fame in the comedy world. Comics no longer have to wait to get stage time on a late-night talk show, they just need to get it done, said Nicole Blaine, owner of the Crow comedy club. It is also inexpensive to create digital content. With platforms like TikTok, Instagram and YouTube, the ability to be seen is easier, she added.

“I don’t think you can count on anyone to ‘make it,’” Blaine said. “I think you literally have to make it yourself and I do believe that the industry [is] paying attention behind the scenes in more ways than the artists know.

“You want to be your own showrunner,” she added.

Makeup artist Lisa Lopez gets musical guest Ada Pasternak ready in the kitchen of Ben Gleib’s home, also the set of “Good Night.”

(Brian Feinzimer / For The Times)

Representation comes and goes, but the fan base a comedian creates for themselves stays with them, Blaine said. Creating digital content for social media to back up a career in stand-up demonstrates that success is completely within the control of comics, she continued.

The DIY formula relies on taking advantage of the skills each performer has and using them to self-produce material to build a fan base, a concept that comedian Emmy Browning is putting into practice. Using her background in screenwriting, she pitched “Hands!” to the Elysian Theater and performed it for its Spaghetti Festival, designed to showcase new work, within three months.

“I essentially wrote, cast, directed, produced, got a crew together …,” she said. “It was just a crazy team of people that came together for no money to make this thing happen.”

“Hands!” spoofs FX’s “The Bear,” while satirizing TV conventions, like the will-they-won’t-they romantic plotlines, multicamera operation and filming in front of a live studio audience. Browning’s show was performed live while a camera crew shot different angles that were being projected on screens located on stage.

It made the stream of the show feel like an actual live performance. Now the stream can be seen by anyone, anywhere in the world, at any time. Browning said when her comic friends began to create clips for social media, they were able to travel around the country and perform for the fans they’ve garnered from their content.

“There are so many different ways and opportunities to be seen first,” Browning said. “…If you have the stamina to generate content online that promotes yourself, you can really make a living or create a fan base yourself.”

Self-producing isn’t only about promotion, it’s about creative ownership.

“There’s nothing as creatively freeing as being your own boss and not having to conform to network notes or the comedic ideas and opinions of people who have never been comedians and have never been recognized for their comedy skills,” Gleib said.

Guests are interviewed during the taping of “Good Night With Ben Gleib.”

(Brian Feinzimer / For The Times)

The sentiment is shared by Ron Lynch, a comedian known for voicing Hugo, the neurotic health inspector in Fox’s animated series “Bob’s Burgers,” who’s produced a variety show at the Elysian Theater called “Tomorrow!” for 20 years now.

The show gives participants the opportunity to do whatever they want, within a five-minute time frame. Half the acts are stand-ups, the other half “are just weird.”

“We’re not responsible for sponsors or anything like that,” Lynch said. “We can basically do whatever we want.”

Self-producing allows creators to explore their voice without any limitations.

“What we do is provide entertainment,” Lynch said.

In the new DIY era, it is not a matter of when a performer will make it, but rather how much a performer really wants it, Blaine said. It’s a lot of work that needs to get done, even after a day job, but it will separate the people who want it badly over those not wanting to put in the time, she added.

It isn’t about landing a late-night talk show, it is about creating.

“It isn’t easy,” Blaine said. “But artists will always find a way if we really want to do it.”

The DIY movement also comes with big risks that will not work unless the comedian believes in it, said Gleib. His team is putting a lot on the shoulders of the comedian to reinvent late night and make it a lucrative business.

And if the big swing doesn’t work?

“I’ll have to come crawling back to the traditional entertainment industry, hoping that I still have a place there,” he added.