comedian

Nimesh Patel’s ‘Buy the dip’ finds humor and hope in a country in crisis

Nimesh Patel’s stock in comedy has been on an upswing lately. From sold-out shows to a skyrocketing social media following and the release of his first Netflix special, “Buy the Dip,” last month, it’s been amazing the difference a year makes. The new hour filmed in Washington, D.C., delivers surgically precise, dryly delivered jokes and personal stories about America falling apart from the heart of our nation’s capital.

Despite the dire circumstances, it’s in our country’s DNA to believe in the power of the rebound. So does Patel, who’s seen one play out with his own career after taking an unexpected hit. Last fall, the comedian faced public backlash for his decision to accept — and then reject — a spot on the controversial Riyadh Comedy Festival, for which he’d been offered $125,000 to perform along with major names like Dave Chappelle, Bill Burr, Sebastian Maniscalco, Whitney Cummings and many more. The rollout of a comedy festival in Saudi Arabia, a nation whose government has been accused of human rights abuses and, according to U.S. intelligence, the brutal murder of journalist Jamal Khashoggi at its consulate in Turkey, lead to a war of words on the internet aimed at the comedians on the lineup. Hearing the scrutiny loud and clear and ultimately deciding the money wasn’t worth it, Patel decided to pull out and tell the world via Instagram that he wasn’t going, opting instead (and somewhat grudgingly) to make up for the lost bag with 40 extra shows added to his nationwide theater tour. The response to his video announcement drew even more ire from comedy fans. Looking back on it now, he admits his delivery at the time, looking tired and somewhat annoyed by his own decision, wasn’t the greatest.

“People read that as sarcasm and like woe is me,” Patel said in a recent conversation with The Times over Zoom. “I can see why they thought that I was a poor actor in the video that I posted. But everyone acts better than the person they see on the screen until it becomes their life and then they’re like, ‘Oh s—, yeah, I probably would have done the same thing.’ So, f— them!”

Despite the roasting he received, Patel stuck to his word and did the shows. Stepping on stage night after night to earn the money he had planned on making last year from one canceled gig in Saudi Arabia gave him the reps he says he needed to perfect the new hour of material. The title “Buy the Dip” is a nod to the remnants of his former career in finance — it’s stock market terminology about buying a failing asset with the hope that it will go up in value again. But it also describes the optimism from which he now makes his decisions as a parent and as someone who still believes that things can get better, even at their lowest.

“I have to be an optimist, I have to believe the world is getting better, because otherwise, what the f— did I do by having a kid?” he said.

Comedian Nimesh Patel on stage during his special

In his Netflix debut special, “Buy the Dip,” comedian Nimesh Patel turns personal setbacks and a troubled America into sharply observed jokes grounded in unexpected optimism.

(Courtesy of Netflix)

His belief in positivity followed him to D.C. to record the special, the town where he says he got his first big breaks as a comedian opening for major acts like Maz Jobrani at the Warner Theatre, headlining the Bier Baron and the DC Improv and even the Kennedy Center — “or the now-defunct Trump whatever you’re supposed to call it,” he joked. When it comes to his comedy trajectory, taking the long view is essential to realizing that Patel’s path to this special started over a decade ago when Chris Rock discovered him while on stage in Brooklyn and helped him get writing gigs on “Saturday Night Live” and the 2016 Oscars ceremony, two opportunities that solidified his resolve to go into comedy full-time after he lost his job in finance.

As an Indian American comedian, he knows there is a spotlight of cultural representation on him, which he notes in the special and even makes fun of. That kind of attention isn’t on just him but also on Indian Americans in even higher-profile jobs, such as, say, the first Indian American director of the FBI, the chronically embattled Kash Patel.

“Let me be clear, it’s really difficult to both be proud of Kash and despise him at the same time,” Patel says. On the one hand, there’s the astonishing feat of going from being one of the few Indian kids in Virginia amid post-9/11 racism to becoming head of the nation’s domestic intelligence agency. On the other there’s a career riddled with gaffes and allegedly immoral conduct that makes him an easy punching bag for the writers at “SNL” with the help of his late-night TV doppelganger Aziz Ansari.

“For him to go from that to then be serving the country at this level, that is an incredible achievement, and it’s just so sad that that is who our representative is at the moment,” Patel said. “Just like when an Uber driver says to me, ‘Your last name is Patel? Like Kash?’ I’m like, ‘Yeah, just like that, but not like that at all, you know?’”

Nimesh Patel on stage performing his special

Patel revisits the backlash he faced after accepting, then withdrawing from, Saudi Arabia’s Riyadh Comedy Festival, and how dozens of extra tour dates helped shape his new material.

(Courtesy of Netflix)

While trying to distance himself from one person who shares his family name, when it comes to his actual family, Patel has plenty of jokes of being too close to them. Like many millennials, he’s squeezed tight between caring for aging parents and raising a child. At 40, he says in the special that people in his age bracket have become the “Sandwich Generation.” Though, to be fair to his toddler, keeping track of his parents is a much harder task at times.

“They won’t take help. They’re very independent, and I imagine I was the same way when I was growing up,” Patel said. “So it’s that in itself is just like the Progressive commercial that we’re all becoming our parents, but in real life and not driven by a corporate marketing team. It’s just funny to see that play out.”

Whether the obstacles he faces in life are laugh-out-loud funny or career hurdles that threaten to topple him into the abyss, the idea that he can always bounce back is the key to staying unfazed during the highs and the lows of life. And to the extent that anyone can take a lesson from Patel in the art of staying even-keeled, he hopes the special will make people feel a little less bad about the country being on the brink of destruction.

“Everyone knows that we’re not in a good spot right now,” he said. “The dip is here now. I fully believe that we can recover, I hope that we can. It’s going to be a lot of pain. I don’t know if we’re at the bottom just yet, but I’m optimistic, and I have to be. Otherwise, I don’t know what I’m doing.”

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Ben Gleib built a late-night show in his house — he’s not the only comedian going DIY

A quick glance from the sidewalk shows a midsize home in the Valley. Fallen leaves from a large tree scatter across the neatly trimmed front lawn. It’s just like any other house in a suburban neighborhood outside of Los Angeles.

Inside, there’s a whole network TV operation going on.

The three-bedroom chateau is packed with people. Every inch of space in the house is being used to make “Good Night With Ben Gleib” happen. The living room TV displays the multiple angles of cameras spread across the house. The pantry doubles as a control room while the backyard shed was turned into a venue for the musical guest.

It’s not a traditional late-night talk show. It’s not on a legacy network, it isn’t filmed in a studio, and the U.S. president isn’t calling the host a “deranged lunatic.”

This show is filmed in a room of Gleib’s house that was converted into an 18-seat studio. The host drinks a cocktail as he delivers his topical monologue in front of blue drapes, and after the taping concludes the cameras continue to roll and capture the nightcap, where Gleib mingles with audience members.

Rather than following the traditional path — from stand-up or sketch comedy to eventually landing behind a late-night desk — Gleib built his own opportunity and releases it on YouTube, a trend becoming more prominent in the comedy world.

“The landscape has changed very largely,” Gleib said. “It’s hard to make your mark in TV and a stand-up appearance on late night doesn’t change your career like it use to, you really have to find creative ways to create your dream career.”

Production staff controls the taping of the show.

Production staff controls the taping of the show “Good Night With Ben Gleib” on Sept. 16.

(Brian Feinzimer / For The Times)

Since “Lazy Sunday” from “Saturday Night Live” hit the airwaves and caught a second wind on YouTube, the comedy landscape “had changed forever,” according to Seth Meyers.

“What made it so great then and still today is that it was an instant hit but also felt DIY in a way things hadn’t for so long,” said the “Late Night” host in an interview with GQ.

Social media platforms like YouTube have helped make it easier for anyone with a camera to create original content and spread it to the masses. The hashtag “comedy” has 20 billion views on TikTok and genres such as stand-up and sketch comedy grow every year, according to Business Insider. Meanwhile, late-night television has taken a dip in audience and ad revenue.

The old guard of comedy is changing and the DIY movement has transformed fame in the comedy world. Comics no longer have to wait to get stage time on a late-night talk show, they just need to get it done, said Nicole Blaine, owner of the Crow comedy club. It is also inexpensive to create digital content. With platforms like TikTok, Instagram and YouTube, the ability to be seen is easier, she added.

“I don’t think you can count on anyone to ‘make it,’” Blaine said. “I think you literally have to make it yourself and I do believe that the industry [is] paying attention behind the scenes in more ways than the artists know.

“You want to be your own showrunner,” she added.

Makeup artist Lisa Lopez applies makeup to musical guest Ada Pasternak while in the kitchen of the home.

Makeup artist Lisa Lopez gets musical guest Ada Pasternak ready in the kitchen of Ben Gleib’s home, also the set of “Good Night.”

(Brian Feinzimer / For The Times)

Representation comes and goes, but the fan base a comedian creates for themselves stays with them, Blaine said. Creating digital content for social media to back up a career in stand-up demonstrates that success is completely within the control of comics, she continued.

The DIY formula relies on taking advantage of the skills each performer has and using them to self-produce material to build a fan base, a concept that comedian Emmy Browning is putting into practice. Using her background in screenwriting, she pitched “Hands!” to the Elysian Theater and performed it for its Spaghetti Festival, designed to showcase new work, within three months.

“I essentially wrote, cast, directed, produced, got a crew together …,” she said. “It was just a crazy team of people that came together for no money to make this thing happen.”

“Hands!” spoofs FX’s “The Bear,” while satirizing TV conventions, like the will-they-won’t-they romantic plotlines, multicamera operation and filming in front of a live studio audience. Browning’s show was performed live while a camera crew shot different angles that were being projected on screens located on stage.

It made the stream of the show feel like an actual live performance. Now the stream can be seen by anyone, anywhere in the world, at any time. Browning said when her comic friends began to create clips for social media, they were able to travel around the country and perform for the fans they’ve garnered from their content.

“There are so many different ways and opportunities to be seen first,” Browning said. “…If you have the stamina to generate content online that promotes yourself, you can really make a living or create a fan base yourself.”

Self-producing isn’t only about promotion, it’s about creative ownership.

“There’s nothing as creatively freeing as being your own boss and not having to conform to network notes or the comedic ideas and opinions of people who have never been comedians and have never been recognized for their comedy skills,” Gleib said.

Guests are interviewed during the taping of "Good Night With Ben Gleib."

Guests are interviewed during the taping of “Good Night With Ben Gleib.”

(Brian Feinzimer / For The Times)

The sentiment is shared by Ron Lynch, a comedian known for voicing Hugo, the neurotic health inspector in Fox’s animated series “Bob’s Burgers,” who’s produced a variety show at the Elysian Theater called “Tomorrow!” for 20 years now.

The show gives participants the opportunity to do whatever they want, within a five-minute time frame. Half the acts are stand-ups, the other half “are just weird.”

“We’re not responsible for sponsors or anything like that,” Lynch said. “We can basically do whatever we want.”

Self-producing allows creators to explore their voice without any limitations.

“What we do is provide entertainment,” Lynch said.

In the new DIY era, it is not a matter of when a performer will make it, but rather how much a performer really wants it, Blaine said. It’s a lot of work that needs to get done, even after a day job, but it will separate the people who want it badly over those not wanting to put in the time, she added.

It isn’t about landing a late-night talk show, it is about creating.

“It isn’t easy,” Blaine said. “But artists will always find a way if we really want to do it.”

The DIY movement also comes with big risks that will not work unless the comedian believes in it, said Gleib. His team is putting a lot on the shoulders of the comedian to reinvent late night and make it a lucrative business.

And if the big swing doesn’t work?

“I’ll have to come crawling back to the traditional entertainment industry, hoping that I still have a place there,” he added.

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Comedian Carrot Top, 61, rushed to hospital after emergency as Las Vegas show cancelled

CARROT Top has been hospitalised in Las Vegas after an emergency.

His Friday night show at the Luxor was scrapped as a result.

Comedian Carrot Top, whose real name is Scott Thompson Credit: Alamy
The comedian was reportedly rushed to hospital, forcing him to scrap his Friday night show Credit: Alamy

A source told TMZ Carrot Top, 61, had been rushed to hospital after a suicide attempt.

His rep said the comedian was recovering in hospital with “the care and support he needs”.

The performer’s real name is Scott Thompson.

He got his nickname from a high school swimming coach.

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Known for his high-energy shows, Carrot Top had a long-running residency at the Luxor, Las Vegas.

The fast-paced performance has been running since 2005 at the ritzy hotel.

It regularly includes dozens of props and witty one-liners, with the star closing the show with a lip-synced musical montage.

Carrot Top booked his first stand-up comedy gig as a freshman at Florida Atlantic University.

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He was hospitalised after a suicide attempt, his agent said Credit: Getty
His show at the Luxor has been running since 2005 Credit: Alamy

The comedian from Rocklegde, Florida, got his big break in 1991 on Comic Strip live.

From 1995 to 1999, Carrot Top worked as a continuity announcer for Cartoon Network.

In the early 2000s, he landed TV roles in Larry the Cable Guy’s Christmas Spectacular, George Lopez, and Scrubs.

The comedian also snagged roles on the big screen, including in Chairman of the Board, Dennis the Menace Strikes Again and Tugger: The 4×4 Jeep Who Wanted to Fly.

He has appeared on many talk shows, including a 2010 episode of The Jay Leno Show, when he had pies chucked at him by Leno and guest Emma Roberts.

His agent Jami Schlicher said: “Mr. Thompson is recovering in the hospital and is receiving the care and support he needs.

“His family and those closest to him are deeply grateful for the concern, prayers and respectfully ask for privacy.”

The Sun contacted Scott Thompson’s agent for comment.

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