coachella

LAS VEGAS — “You know, I was thinking,” Gwen Stefani said, looking out at the crowd before her on Wednesday night at Sphere. The singer was maybe an hour and a half into the first show of No Doubt’s monthlong residency at the dome-shaped venue just off the Las Vegas Strip, and now the moment had come for the hit that changed everything for this once-scrappy ska-punk band from Orange County.

“I was thinking about this next song, and I was thinking about Anaheim,” she continued. “Do you know where Anaheim is?”

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The song, of course, was “Just a Girl,” which Stefani said she wrote “out of pure innocence in a time where I was just becoming aware of myself and my surroundings.” She added that she’d always assumed she’d outgrow the song — that someday it would feel disconnected from the life of a woman who went on to become a pop star with a clothing line and a gig on TV. Here she was, though, about to do “Just a Girl” for 20,000 or so fans eager to sing along.

“You tell me if you think it’s still relevant,” she said.

In a built-to-please town where old hits are welcome on any stage — not least Sphere’s, which these days also hosts the Eagles and the Backstreet Boys — the crowd’s verdict was no surprise. Yet this was a more committed look back than might have been expected, with a loose narrative arc tracing No Doubt’s ascent (rather than its peak) and a set list filled with deep cuts well beyond the catchy singles that once blanketed KROQ and MTV.

Beneath a massive wraparound screen that flickered with vintage camcorder-style footage from the early 1990s, the group played “Excuse Me Mr.” and “New” and “Total Hate ’95”; Stefani and her bandmates — guitarist Tom Dumont, bassist Tony Kanal and drummer Adrian Young — did “Trapped in a Box,” “End It on This” and “The Climb,” which No Doubt heads on the internet say they hadn’t performed live in nearly three decades.

Then again, for one of those decades, No Doubt wasn’t performing at all. The band made its ballyhooed comeback in 2024 at Coachella, where it delivered a punchy, compact set of hits and brought out Olivia Rodrigo for a guest spot that demonstrated Stefani’s influence — musical, attitudinal, sartorial — on the generation of female pop stars that came after her. (At Sphere, Stefani’s taste in plaids and animal prints was clearly still casting a spell among her admirers.)

No Doubt’s Sphere residency is scheduled to run through mid-June.

(John Shearer)

The takeaway from Coachella was that the band had worked itself back into fighting shape; Stefani, in particular, seemed eager to prove that her years doling out niceties on “The Voice” and dabbling in country music with her husband, Blake Shelton, hadn’t dulled her edge. Here, the band went further, using Sphere’s state-of-the-art environs to imagine itself back in a dingy club or student union.

There were big visual moments, including a simulated trip through a crumbling amusement park — the “Tragic Kingdom” of the group’s breakout 1995 LP — and a bit with a stories-tall cartoon Stefani towering over the room in her fishnets and combat boots. And even with all of the obscurities, it’s not as though No Doubt skipped its best-known songs: “Bathwater” and “Spiderwebs” were bouncy yet propulsive, while “Underneath It All” and “Hella Good” showcased the players’ nimble rhythmic interplay. Stefani’s voice was at its pleading best in “Don’t Speak,” one of the great pop ballads of the last 30 years, and “Simple Kind of Life,” which was accompanied by a video starring Stefani and Kanal acting out some episode from their ancient romance.

Before “Ex-Girlfriend,” which Stefani wrote amid her doomed marriage to Gavin Rossdale of Bush, the singer said, “It gives me — what is it? The PTSD. But because I absolutely adore you guys, I’m gonna suffer.”

Yet this was the chapter of No Doubt’s story — basically the apex of its popularity — that the band seemed least interested in exploring on Wednesday. The impression you got was that Stefani and her pals hadn’t come to Vegas to cruise or to gloat or even to soak up the easy adulation that’s always on offer here; weirdly, they’d come to remember the struggle.

After back-to-back appearances at both weekends of Coachella, David Lee Roth popped out Saturday at Stagecoach to sing Van Halen’s “Jump” with Teddy Swims for the third (and final?) time. To discuss what he called his “three-peat,” I caught up later with the 71-year-old singer, who wore a bedazzled jacket and a leather vest.

Have you bought property in Indio? Do you just live here now?
No, I’ve bought property in the American musical fabric that extends beyond time frame, that extends beyond shoes and haircuts. It includes cowboy hats and yarmulkes.

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Next weekend this place is gonna be barren. Will you be back to sing “Jump” with nobody?
There’ll be plenty of people here for the Diamond Dave Big Rig Trucking School and Day Care Center.

You’re on your own tour right now. How are those shows going?
They go exquisitely because if you enjoy what you saw onstage [tonight], it’s that times 22 songs.

Twenty-two songs in the set.
Oh yeah. I wrote every word that I sing, I wrote every note that I sing — all the melodies — and I stacked all the harmonies. Ed [Van Halen], of course, contributed all the great guitar parts. And we wrote all of those parts literally sitting in a tiny little alcove room where you put a washer and a dryer. We would sit knee-to-knee the room was so small, and he’d play the electric guitar. His mom wouldn’t let him plug in because it would be too loud, so I had to lean over. Every song that you know of Van Halen, I heard from an unplugged-in electric guitar from four inches away, going, “Too long.”

Tighten it up.
Cut it short. All great musicians finish long after the ending.

Last time we talked, you said you were wearing Artemis II. What’s the outfit tonight?
This is classic Nudie’s western wear from Lankershim. This is from the ’50s. This has been all over the world. This is made by Nudie’s of Hollywood, who made all of Roy Rogers’ and Jean Autry’s [clothes] and all of “Bonanza,” “Gunsmoke,” “Rawhide’s” wear. Look up Nudie of Hollywood, OK? This baby’s worth more than my shoes, and they’re custom-made. This jacket’s worth more than my teeth — same thing.

After a brief reprieve following the end of Coachella, we find ourselves in the desert again for Stagecoach — hot, dusty and eager to be amused. The first day of the weekend offered plenty of top-tier country performances including Cody Johnson, Ella Langley, and Bailey Zimmerman along with a dose of nostalgia courtesy of ‘90s stars Counting Crows and Emo Nite featuring Ashlee Simpson. Let’s also not forget that Stagecoach is a place to catch celebrity cameos—we’re looking at you, Sydney Sweeney. Here’s our recap of all the fun we experienced on Day 1 of the festival.

Jessie Erickson, of Anchorage, Alaska, sings “more than my home town” by Morgan Wallen at the SYRN Saloon during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Allen J. Schaben/Los Angeles Times)

I found a karaoke bar at Stagecoach — but it was Sydney Sweeney’s lingerie pop-up

En route to the press tent this sunny Friday, I saw a spot with saloon doors boasting karaoke. It didn’t click that the air-conditioned pop-up was a bar connected to Sydney Sweeney’s Syrn brand until I was inside and saw the lingerie hanging from the bar.

It was early in the day, so not much karaoke was happening, but you could scan a QR code and sign up via a Karafun link. I contemplated doing “A Long December” from the Counting Crows since they’re playing the Mustang Stage this evening, but thought it would No.1 bring down the mood and No.2, not really fit in with the Coyote Ugly vibes.

However, I saw dartboards on the wall and a sign to ask the “brand ambassador” about darts and I immediately thought — the hard drinkin’ Stagecoach crowd should probably not have sharp objects. They don’t. I found a “brand ambassador” and he showed off the darts, which were magnetic. It still might not be the best idea to let people throw projectiles as the night goes on, though. (Vanessa Franko)

Emo nite featuring Ashlee Simpson performs at Diplo’s Honkytonk during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Allen J. Schaben/Los Angeles Times)

Emo Nite with Ashlee Simpson and 3OH!3 made Stagecoach dance with their feelings

I said that it felt like I went to Warped Tour two weeks ago when I saw ska/punk band Less Than Jake perform at Coachella’s Heineken House and this weekend I found the Stagecoach version of Warped Tour on Day 1!

How is the giant country festival channeling the SoCal-born traveling punk festival, you ask? The popular Emo Nite DJ set was booked at Diplo’s Honky Tonk. (Emo Nite is no stranger to the Goldenvoice desert fests, by the way. They played the Sahara Tent at Coachella a few years back, too.)

Emo Nite’s Morgan Reed and T.J. Petracca opened up with Fall Out Boy’s “Sugar We’re Goin Down” to set the sing-a-long tone before blistering through a set of remixes to songs by beloved emo and pop-punk artists such as Panic! At the Disco, Paramore, All-American Rejects and My Chemical Romance. They also played some emo-adjacent and not-so-emo-adjacent tracks, such as the Killers’ “Mr. Brightside,” System of a Down’s “Chop Suey” and Justin Bieber’s “Baby.” (Bieberchella lives even at Stagecoach!)

Actress Sydney Sweeney takes photos with fans during the Stagecoach.

(Evan Schaben/For The Times)

Sydney Sweeney takes pictures with fans at Stagecoach

Actress Sydney Sweeney snapped photos with fans during BigXThaPlug’s set at the Mustang Stage Friday at Stagecoach. Sweeney also has a pop-up bar promoting her lingerie line Syrn at the festival. (Evan Schaben)

Ella Langley performs on the Mane Stage during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Evan Schaben/For The Times)

Ella Langley takes a victory lap

“I’m gonna go ahead and burst your bubble,” Ella Langley said about halfway through her main-stage set Friday night. She’d just teed up her brand-new single, “I Can’t Love You Anymore,” a shimmering roots-soul duet with country’s biggest star, Morgan Wallen. “Morgan is not here,” she continued. “He’s on dad duty this weekend. Can’t blame a man for being a good dad.”

And you can’t blame Langley for managing expectations. But she didn’t need Wallen (or anybody else) to show why she’s the biggest thing in country music right now: This was an effortlessly cool performance by a deeply vibey singer and songwriter who’s absorbed more than Stevie Nicks’ predilection for lightweight shawls. (“Broken” was extremely Fleetwood Mac-coded.)

Langley did bring out a special guest: the podcaster Theo Von, who did Riley Green’s part in “You Look Like You Love Me” for some reason. (Big podcaster energy is what I’ll say.) She played “Choosin’ Texas” — her dreamy pop-country smash that’s currently at No. 1 on Billboard’s Hot 100 — not last but next to last, leaving “Weren’t for the Wind” as her closer. Baller move. (Mikael Wood)

Counting Crows will perform on Sept. 3 at the Rady Shell at Jacobs Park.

(Courtesy of the San Diego Symphony)

Counting Crows and the perfect Stagecoach sunset

I am very into the ‘90s alt acts playing Stagecoach 2026 (I see you, Third Eye Blind) and Counting Crows got things off to a sublime start as the sun set Friday.

While the band played its breakout hit, “Mr. Jones,” early in the set, singer Adam Duritz let the crowd take the lead and almost did some spoken word in the second verse.

“How was your first day at country Coachella? They only call it Stagecoach because Count-chella doesn’t sound good,” the singer asked the crowd before the band launched into the “Shrek 2” ditty “Accidentally in Love.”

The hits kept coming, including “Round Here” and “Rain King.”

But the perfect moment under cotton candy skies happened during the band’s penultimate song, “A Long December” off 1996’s “Recovering the Satellites.” With the crowd singing along, the sun setting behind the mountains and good feelings all around, it was nothing if not a vibe. (VF)

Bailey Zimmerman performs on the Mane Stage during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Evan Schaben/For The Times)

Bailey Zimmerman with an encouraging word

Bailey Zimmerman brought his puppy-ish energy — and an encouraging self-help message — to Stagecoach’s main stage Friday night ahead of Cody Johnson’s headlining set. “I grew up with nothing, and I worked my ass off to be where I am,” he bellowed before ripping off his shirt to punctuate the point. (MW)

Cody Johnson performs on the Mane Stage during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Allen J. Schaben/Los Angeles Times)

Cody Johnson closes Night 1 with Boyz II Men

Cody Johnson opened his headlining set Friday night by promising to “bring a little Texas to California if that’s all right with y’all.” Yet the most surprising moment of his 90-minute show actually brought a bit of Philadelphia to Stagecoach when Boyz II Men dropped in to join Johnson for a rendition of the veteran R&B crew’s “On Bended Knee.”

If we’re being honest, the vocal mix was … not the evening’s finest. But the selection was appealingly unexpected from a down-the-middle country star like Johnson, who spent much of the rest of his set recounting his long music-industry come-up and urging folks to see past their differences in the name of unity.

He also lamented the three months he had to take off the road after busting his eardrum last year — “I was depressed about it,” he said — before acknowledging that the unanticipated break meant he got to be home for the birth of his youngest child. (MW)

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Trade the flower crowns and sneakers for a cowboy hat and some boots, because Coachella has moved out of the Empire Polo Club in Indio and the Stagecoach Festival is moving in, April 24 to 26.

Post Malone, who headlined Coachella in 2025 and played a set of country covers at Stagecoach in 2024, is back to headline the country music fest along with Lainey Wilson and Cody Johnson.

From what to know about the festival to how you can watch from home, here’s your guide to Stagecoach.

When is Stagecoach? Where is the venue?

Stagecoach 2026 runs April 24 to 26 at the Empire Polo Club at 81-800 Ave. 51 in Indio.

Who is performing at Stagecoach 2026?

This year’s main stage headliners are Cody Johnson, Lainey Wilson and Post Malone.

You can also expect big sets from Brooks & Dunn, Bailey Zimmerman and more rock-centric acts like Journey, Counting Crows, Third Eye Blind and Bush. Then there’s Ludacris, Pitbull and Diplo, who is bringing back his HonkyTonk dance area as well as performing.

See the full lineup.

Fun fact: Mane Stage performer Teddy Swims played the main stage at Coachella the last two weekends, but we haven’t heard if he’s bringing out David Lee Roth again. And Diplo was also at Coachella with Major Lazer.

What’s new at Stagecoach this year?

The big thing is the new Mustang Stage. Back in the early years of Stagecoach, there was a tent with the same name that featured a lot of cowboy poets and bluegrass. It was much smaller than what we’re expecting of this new one, which is set up where the massive Sahara Tent is during Coachella.

Anyone who has tried to see one of the big artists over at the Palomino Stage during Stagecoach in recent years knows how it can easily overflow, so this should ease some of that congestion for artists like Journey, Hootie & the Blowfish and the Red Clay Strays.

It’s also taking over the late-night sets with Diplo, Pitbull and Ludacris that had previously been done at the Palomino.

Can I still get tickets to Stagecoach? How much are passes?

Yes, there are still passes available for Stagecoach 2026. A general admission three-day pass is $619. (There’s also a deal if you buy a six-pack of GA passes that comes out to $569 per pass.) You can get a GA combo pass that includes shuttle transportation starting at $699. There’s also a GA pass that gets you access to the Rhinestone Saloon adjacent to the Mane Stage and the Rose Garden Saloon next to the Palomino Stage for $974.

If you want to get close to the Mane Stage, a Corral Standing Pit pass is $1,899. Corral reserved seating runs from $1,199 to $2,299. The chairs are folding camping chairs, and the highest tier option has drink holders. If you purchase any of the seating options, you can take the chair home as a souvenir Sunday night. Corral passes (standing or seated) come with access to the more exclusive Corral Saloon as well as the Rhinestone and Rose Garden Saloons.

You can buy tickets at stagecoach.com/passes.

What’s the difference between general admission and Corral passes?

Stagecoach is different from Coachella in that if you want to be close to the largest stage, you will need to pay for a Corral pass. Those in the Corral Standing Pit will be the closest.

If you have a GA pass, be prepared to just see the biggest acts on a screen. For Stagecoach, there are multiple screens set up in the field for the general admission areas — and usually a feed with a screen over by the Beer Barn, too.

GA passholders who are willing to stand typically have access to an area closer to the Mane Stage than those with blankets or low-backed lawn chairs.

That being said, GA passholders have traditionally been able to get up close at all of the other stages.

When does Stagecoach release set times?

Stagecoach set times are already posted. Similar to Coachella’s surprises, the festival recently announced that Dan + Shay are on the bill for Friday on the Palomino Stage.

When do gates open at Stagecoach? How late does the music go?

The parking lots open at noon daily and the gates open at 1. Everything ends at midnight or earlier.

As the venue opened, country music fans made a run across the field to secure good concert-viewing positions on the first day of Stagecoach in 2022.

(Allen J. Schaben / Los Angeles Times)

What’s the deal with parking? What about the shuttles? Can I take a rideshare? How’s traffic?

Who says you can’t get anything for free anymore? Day parking is free at Stagecoach.

Like I recommended for Coachella, drop a pin in your phone as soon as you park so you can find your car at the end of the night.

There is a rideshare lot. You can also purchase a shuttle pass for $130. There’s also preferred parking for $299.

Stagecoach doesn’t have as many people as Coachella, so the traffic usually isn’t as bad, but Monday can get congested as people head home from the desert.

If you want to avoid traffic or you’re looking for some off-site adventures during Stagecoach, check out these 14 fun desert side quests.

Where do I put my stuff? Are there lockers? Is there a place to charge my phone?

Stagecoach still has medium-sized lockers available to rent. They are $84 for the weekend and you can reserve them in advance. Small charging lockers for devices are $74 for the weekend.

Backpacks 18” x 13” x 8.5” or smaller are allowed inside the venue.

Beyond the charging lockers, there are places around the grounds where you can charge your own devices. Bring your own cable/plug.

A man drinks a beer from a woman’s boot while watching Willie Nelson & Family perform on the Mane Stage on the second day of Stagecoach 2024.

(Allen J. Schaben / Los Angeles Times)

What’s the weather going to be like for Stagecoach and how can I prepare for it?

It’s looking like we’ll hit a high of 90 degrees on Friday, 81 on Saturday and 78 on Sunday, according to Accuweather. The lows will dip into the 50s, though, so you might want to throw in a long-sleeved flannel shirt or hoodie for when the sun goes down and Brooks & Dunn sing about dancing under a neon moon. Since blankets and towels (50” x 70” max) are also allowed, you could also roll yourself up into a Stagecoach burrito, I suppose.

You can also bring in handheld fans (paper or battery-powered).

Plastic personal-sized water misters are allowed in, too, but they have to be empty when you get there.

The wind doesn’t look too bad right now, but it will inevitably kick up. Don’t bring a cough home as a souvenir. Bring a face covering like a bandanna or a PPE mask.

The desert is hot. Are there water stations?

I know lots of people enjoy the beer at Stagecoach, but it’s not the same as water. My mantra in April is dehydration is serious business. And if you’re drinking beer, you definitely want to keep drinking water.

The good news is that there are multiple refill stations around the grounds, and if you need to buy a bottle of water, it’s only $2.

Like Coachella, you can bring in an empty refillable container, but it needs to be plastic (no metal or glass) and 64 ounces or less. Empty hydration backpacks are allowed, too.

For a free boost of electrolytes, the Electrolit booth is back with free samples between the Mane Stage and Diplo’s HonkyTonk. (Pro tip: I stopped there every day on my way in during Coachella. Hydrate early, hydrate often.)

What’s the deal with food at Stagecoach?

If you like barbecue, you’re in the right place. There’s a whole lot of it at Stagecoach. Flavortown also comes to Stagecoach with cooking demos throughout the weekend courtesy of Guy Fieri and friends.

There are a fair number of vendors that were also at Coachella, including Prince St. Pizza, Irv’s Burgers, Love Hour and Oh My Burger, the latter two of which impressed Danielle Dorsey, one of our food editors, at Coachella this year.

If you’re buying food on site, plan on $20 and up for most entrees, with a few deals to be had.

If you’re looking for freebies, the Electrolit and Coca-Cola installations are still there from Coachella and Monster Energy also has a space where it’s giving out samples. (Monster Energy also has a meet and greet with Redferrin after his performance on Saturday and a surprise DJ set on Sunday.) As for free food, sometimes they pass out samples to the crowd after the Guy Fieri demonstrations.

What else can I do while I’m in the desert? Is there time to do anything outside of the festival?

I’m glad you asked. Earlier this month, we put together a collection of side quests around the desert. Some, like snapping a photo of the Forever Marilyn statue in Palm Springs or seeing the former Coachella festival art installation “Sarbalé Ke,” are easy to do before entering Stagecoach for the day. Others are more involved and can be a great way to miss that traffic coming back on Monday.

If you’re looking for more options, we’ve got a Gen Z guide to eating, drinking and shopping in Palm Springs and restaurant critic Bill Addison recently updated his dining guide to Palm Springs.

How can I watch Stagecoach from home?

In recent years, Stagecoach has been streamed on Prime Video, Amazon Music and Twitch.

The streams start each day at 3 p.m. Pacific. There are two channels set up.

A specific schedule hasn’t yet been announced, but a press release from Amazon says the stream will include sets from Cody Johnson, Lainey Wilson, Post Malone, Third Eye Blind, Avery Anna, Ludacris, Michael Marcagi, Pitbull, the Red Clay Strays, Wynonna Judd and Diplo.

Talk about a crime of fashion.

Madonna revealed Monday on social media that the purple jacket, corset and dress she wore Friday during a surprise performance with Sabrina Carpenter at Coachella are missing.

“Bringing Confessions II back to where it began was such a thrill,” she wrote. “This full circle moment hit different until I discovered that the vintage pieces that I wore went missing. … These aren’t just clothes, they are part of my history.”

The clothes are archival items that she wore in the early aughts during her “Confessions on a Dance Floor” era. Her upcoming “Confessions on a Dance Floor: Part II,” set to be released July 3, is a sequel to the 2005 album. Madonna played Coachella’s Sahara Tent 20 years ago in a similar purple getup.

Madonna appeared midway through Carpenter’s headlining performance at Weekend 2 of Coachella. The 67-year-old singer rose from beneath the stage as Carpenter sang “Juno.” The pair then transitioned into a rendition of her 1990 hit “Vogue.” Madonna also performed an unreleased song — “Bring Your Love” — followed by 2005’s “Get Together” and 1989’s “Like a Prayer.”

“I’m hoping and praying that some kind soul, will find these items and reach out to my team,” she continued, offering a reward to anyone who could recover the items and providing an email for her representatives.

A spokesperson for the Indio Police Department said in a statement Tuesday that “at this time, there is no evidence to suggest the bags were intentionally stolen.”

A representative for the singer filed a missing property report for items including clothing and jewelry Saturday shortly after 7 p.m., according to the statement. The items were last seen on a golf cart at the Empire Polo Grounds Saturday around 1:30 a.m.

“Preliminary investigation indicates the two bags containing the items may have fallen off a golf cart operated by staff who were on their way to load the bags onto a bus,” the statement read. “Upon arriving at the hotel shortly thereafter, the staff realized the bags were missing.”

If you have seen the bags, contact Indio Police at (760) 391-4057 or Crime Stoppers at (760) 341-STOP to share information anonymously.

Karol G is taking her 2025 album, “Tropicoqueta,” worldwide.

After wrapping two bombastic headlining sets at Coachella this year, the Colombian superstar announced a stadium world tour on Instagram Tuesday morning.

The “Viajando Por El Mundo Tropitour” will kick off July 24 at Chicago’s Soldier Field. The “Provenza” artist will then head out to Las Vegas on Aug. 7 before making a stop at SoFi Stadium in Inglewood on Aug. 14. She’ll grace California with one more performance on Aug. 21 at Levi’s Stadium in Santa Clara.

The 35-year-old singer will wrap up the U.S. leg of her tour with a performance in Dallas on Oct. 15 before commencing the international section of the tour in Monterrey, Mexico, on Nov. 6. This string of shows is scheduled to finish exactly a year after commencing, with a July 24, 2027, set in Milan, Italy.

Karol G was the first Latina to headline Coachella in the desert fest’s 27-year history. She was only the second Latin music artist to get top billing at the event, with Bad Bunny being the first to ever do it with his 2023 headlining performances.

“This is for my Latinos that have been struggling in this country lately,” she told her fans during her history-making performance. “We stand for them. I stand for my Latina community. I am very proud because this brings out the best in us: unity, resilience and a strong spirit. We do this because we want everyone to feel welcome to our culture, so I want everyone to feel proud of where you come from.”

During her Coachella shows, which took place across two weekends in April, she brought out a cavalcade of guest performers — including L.A.’s own Becky G, the Colombian reggaeton revivalist J Balvin and Greg Gonzalez from Cigarettes After Sex.

The “Si Antes Te Hubiera Conocido” artist first teased that she’d be embarking on a tour at the end of her set during the second weekend of Coachella. Text reading “Nos Vamos de Tour” (We’re going on tour) was displayed as she played her final song.

MADONNA has been left heartbroken as she revealed that someone has “stolen” her vintage clothes after performing at Coachella.

The 67-year-old music legend teamed up with Espresso singer Sabrina for a show-stopping finale – dressed-to-impress in purple lingerie.

Two decades after her own epic headlining slot at the Californian festival, the queen of pop turned heads in a flesh-flashing frilly outfit.

Wearing a purple corset with matching lilac gloves, purple stockings and knee-high stiletto boots, the comeback queen accessorised with tinted shades and her long blonde hair down in waves.

She joined a lingerie-clad Sabrina, 26, who wowed in a white lace sparkly bodice and heels during her headline set at Coachella.

But now pop icon Madonna has been left with a sour taste in her mouth after precious pieces from her wardrobe went missing following the set.

material girls

Madonna strips down to lingerie for duo with Sabrina Carpenter at Coachella

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She shared on Instagram today: “Still flying high since Friday night at Coachella!

“Thank you to Sabrina and everyone who made it possible.

“Bringing Confessions II back to where it began was such a thrill.

“This full circle moment hit different until I discovered that the vintage pieces that I wore went missing – my costume that was pulled from my personal archives – jacket, corset, dress and all other garment.”

The musician stressed how irreplaceable these items are and issued an appeal for them to be returned.

Madonna continued: “These aren’t just clothes, they are part of my history.

“Other archival items from the same era went missing as well.

“I’m hoping and praying that some kind soul will find these items and reach out to my team.

“I’m offering a reward for their safe return. Thank you will all my heart.”

Over the weekend, Madonna and Sabrina delighted the crowds with classic hits including Vogue, Like A Prayer and I Feel So Free from Madonna’s new album.

Sabrina had been mid-performance when an instrumental tease of Madonna‘s 1990 hit song Vogue weaved in.

Madonna told the cheering audience: “Wow, thank you.

“Sabrina, thank you so much for inviting me on your show.”

Holding hands, she replied: “No thanks needed, Madonna.”

“Well, I have a few things I want to get off my chest. So, 20 years ago today I performed at Coachella,” admitted the Ray of Light singer.

“I was in the dance tent and it was the first time I performed Confessions On The Dance Floor part one in America.

“It’s a full circle moment, you know? Very meaningful for me.” 

She urged: “Let’s try to be together. Let’s try to avoid disagreements.

“And to that point, the great thing about music is that it brings people together. 

“It’s the one place that people have to put their differences aside, put their s**t down and just everybody have a good time together, right?

“So I am thrilled to be a part of that healing experience…”

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

In 2024, Sabrina paid ­tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and exactly how you expect her to be — just, like, so magnetic.”

US band The Strokes used their Coachella set to showcase the US-Israeli destruction of universities in Gaza and Iran, including Gaza’s al-Israa University.

PINKPANTHERESS brought out Zara Larsson, KATSEYE and Janelle Monae at the second weekend of Coachelle for her on-stage birthday bash.

The singer, 25, celebrated her big day while performing, with a slew of famous faces joining her for the iconic show.

Her fellow pop star Zara came out solo during her set to perform her song Midnight Sun to the crowd.

She thanked them and appeared to tease that PinkPantheress will feature on the upcoming deluxe version of her album of the same name.

At one stage, Janelle briefly joined the Boy’s A Liar singer on stage to play the guitar.

Later on, Australian DJ Ninajirachi played during the set, which led to several stars appearing, including actress Chase Infiniti, Manon from KATSEYE and Slayyyter.

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During her performance of Illegal with Tyriq Withers, the two spent the entire set dancing around one another.

The actor expressed: “I really had something important to say. I know it’s Coachella, shoutout Coachella, but a birdie told me that it is your birthday.”

He gave her a rose as the back up dancers held up a sign that said “Happy Birthday” which led to a thunderous applause from the audience.

The pair hugged before walking off stage hand in hand.

PinkPantheress wasn’t the only performer to bring out a special guest at this year’s Coachella festival.

Justin Bieber brought out Billie Eilish during weekend two, who has been a longtime fan of his.

He then sang he song One Less Lonely Girl to her midway through his Coachella set.

Clearly overcome by the special moment, Billie appeared emotional as she enjoyed being serenaded.

Fans took to X to react to the moment as one said: “THE FACT that it wasn’t planned, literally it was Hailey Bieber herself who pushed Billie Eilish to get on stage and be the OLLG.”

A second wrote: “No way that Billie Eilish became one less lonely girl in 2026.”

“This is so cute I love how Billie still stays in her fangirl zone around Justin,” said a third.

“Will go down as one of the most iconic Coachella performances ever,” added a fourth.

During her own set, Sabrina Carpenter stunned revellers by bringing out the icon that is Madonna.

The 67-year-old legend teamed up the Espresso singer for a show-stopping finale – dressed-to-impress in purple lingerie.

Two decades after her own epic headlining slot at the Californian festival, the queen of pop turned heads in a flesh-flashing frilly outfit.

The duo delighted the crowds with classic hits including Vogue, Like A Prayer and I Feel So Free from Madonna’s new album.

Sabrina had been mid-performance when an instrumental tease of Madonna‘s 1990 hit song Vogue weaved in.

Madonna told the cheering audience: “Wow, thank you.

“Sabrina, thank you so much for inviting me on your show.”

Holding hands, she replied: “No thanks needed, Madonna.”

ADDISON Rae surprised music lovers at Coachella weekend two by bringing out Olivia Rodrigo to perform her new single Drop Dead.

The track came out on Friday, marking itself as the lead single off of Olivia’s much-anticipated third album “you look pretty sad for a girl so in love.”

The Diet Pepsi singer turned to the crowd and asked them if they had been listening to any new music during the week, before beginning to sing her 2025 single, Headphones On.

However, when Addison sung the lyrics “I compare myself to the new IT girl,” Olivia came out of nowhere and joined in the performance.

The moment was met with enormous cheers from the crowd, as no one expected a special guest to arrive.

But the roaring reception only got louder as the ladies launched into singing Drop Dead.

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Olivia announced that she was releasing her third album earlier this month via a post to her Instagram channel.

In the post she shared a photo of the front cover, showing her with her eyes shut on a swing set.

In the caption she revealed the release date as June 12, sharing: “My third album ‘You seem pretty sad for a girl so in love’ is out June 12th.

“I am so proud of this record and I can’t wait for you to hear it.”

Drop Dead is the first new music to arrive from Olivia since September 2023 when she released her Sophomore album, GUTS.

GUTS achieved massive success with hits including Vampire and Bad Idea Right?

It followed the success of her debut album SOUR from 2021, adored for smash-hit Drivers License.

Weekend two of Coachella has been incredibly popular, abundant with A-list celebrities and more surprise guests.

Sabrina Carpenter wowed the audience on Friday night with a long set that told the story of a young girl navigating Hollywood throughout each song.

But just when fans thought the show couldn’t get any better Sabrina brought out Madonna, and they dueted a rendition of Like A Prayer.

Justin Bieber also wowed the crowd and got them in their feelings, bringing a laptop on stage to sing along to his old hits karaoke-style.

But PinkPantheress pulled out all the stops when it came to surprise guests.

The songstress brought out not one but three fellow musicians including Zara Larsson and Janelle Monae.

KATSEYE concluded the trio of surprise singers, and the crowd absolutely loved it.

Coachella festival is held annually at the Empire Polo Club in California.

On the first Sunday night of Coachella, headliner Karol G told her American fans, and her global audience, to keep fighting.

“This is for my Latinos that have been struggling in this country lately,” the Colombian superstar told the tens of thousands watching her in person, and many more on the fest’s livestream. She’d recently criticized ICE in a Playboy interview, but this set was about her fans’ resolve. “We want everyone to feel welcome to our culture, so I want everyone to feel proud of where you come from. Don’t feel fear — feel pride!” she said.

Any artist would be proud to play that caliber of headline slot. But right now, many foreign acts also feel fear — or at least wariness — about booking substantial tours in the United States. A year of brutal ICE raids, tensions at border crossings and policed political speech, coupled with sky-high prices for expedited visas, fuel and other touring logistics, could push international acts away from the U.S.

“The fears that ICE would raid shows didn’t really materialize, but there is a chilling effect,” said Andy Gensler, editor of the touring-biz trade bible Pollstar. “Trump’s only been back in office a year, so we haven’t fully seen the effects, but it does send a message that if you’re a political artist you won’t get a visa. With the economic shock of gas prices and tourism way down, the signifiers are out there.”

The music economy is still thriving in SoCal. Coachella sold out with record spending from fans, and fears that ICE might show up for a prominent Latin headliner proved unfounded. (The agency did not respond to a request for comment on Coachella, and Lt. Deirdre Vickers of the Riverside County Sheriff’s office said that their office “does not participate in immigration enforcement operations.”)

But in smaller venues featuring emerging and mid-tier global acts, some see trouble ahead.

Pollstar’s Gensler estimates that the total number of concerts in the U.S. they tracked for the first quarter of 2026 was down about 17% from last year. That could be due to many economic factors — but slower international touring could be contributing.

“The U.S. is still incredibly lucrative market, the arena and stadium level buildings are vast and you can make more money here than any market in the world,” Gensler said. “But I’ve heard anecdotally that fewer people are going to South by Southwest, and tourism from Canada is way down, and that includes music tourism to California. As barriers go up, and the economic shock of gas prices impacts touring, it’s hard to know how that will all shake out.”

Talent firms who specialize in bringing young acts to the U.S. began noticing pullback before this year’s festival season. Adam Lewis is the head of Planetary Group, a marketing agency that produces and promoting musician showcases in the U.S., with a significant roster of artists from abroad. He said that performers who ordinarily would leap at the chance to play U.S. festivals are taking hard looks at the payoffs and risks.

“Artists are thinking twice, based on what the government is doing right now,” Lewis said. “You can look at the economics — the fees are cost prohibitive to get a visa. People are scared, at the bottom line. Artists and industry people are afraid to come to the U.S. for any music event. The money is going elsewhere.”

South by Southwest, the March Texas confab for music, film and tech, was among the first festivals to feel a pinch this year. Several sources said they saw fewer foreign showcases and acts amid a broader culling of music. In 2025, Canada canceled its popular annual showcase, after deciding that hostile policies made the risks not worth the rewards. Many still pulled off successful events, but acknowledged the mood has shifted.

“The perception of how hard it’s gotten has taken root, and that has meant that not as many acts will take the chance on the threat of being turned away or risking future entry,” said Angela Dorgan, the director of Music From Ireland, the Irish Music Export office (which is funded by Culture Ireland). That organization has helped break acts like CMAT (a hit at Coachella this year) and Fontaines DC in the U.S.

“Artists want to continue to come here in spite of the trouble and not stay away because of it. There’s a unique pull to America for all Irish people, so we don’t want to see you hurting,” Dorgan said. ”Irish artists feel that their U.S. fans need music more than ever now and want to continue to connect with and support their fans.”

Takafumi Sugahara, the organizer of “Tokyo Calling X Inspired By Tokyo,” a Japanese showcase at South by Southwest, agreed: “Bringing artists to the United States has always been challenging when it comes to obtaining visas, but it feels like the process has become even more difficult than before — perhaps due to the current political climate under the current administration.”

Fans watch Karol G perform at the Coachella stage last weekend. “We want everyone to feel welcome to our culture, so I want everyone to feel proud of where you come from. Don’t feel fear — feel pride!” the Colombian superstar said.

(Christina House / Los Angeles Times)

After high-profile incidents of tourist detainments and fear of reprisals for political speech, those worries and long-dreaded expenses may shift their priorities. “From my point of view, the impact of global conflicts or wars does not seem to be affecting artists’ decisions very strongly for now,” they said. “However, if the current situation were to worsen, it’s possible that we could begin to see that change.”

Coachella usually hits a few visa snafus every year (this year, the English electronic artist Tourist had to cancel. Last year, it was FKA Twigs). Yet the Grammy-winning Malian Algerian group Tinariwen had to cancel a major tour this year, after the Trump administration placed severe new travel restrictions on 19 countries, including Mali. Folk legend Cat Stevens scotched a book tour after visa problems. Outspoken acts like the U.K.’s Bob Vylan have been denied U.S. visas for criticizing Israel, and the Irish rap group Kneecap faced hurdles after their visa sponsor, Independent Artist Group, dropped them for similar reasons last year.

The Times spoke to one European band (who asked not to be named, for fear of reprisals from the U.S. government) who had a substantial tour of U.S. theaters booked last year, before their visas were denied just days before the tour was due to begin. They were forced to cancel those dates and reschedule for spring 2026, losing tens of thousands of dollars in up-front costs and non-refundable fees. (A performance visa routinely costs $6,000 with now-necessary expedited processing.)

“Our manager said, ‘This has never happened before, but even though you paid lot of money and the check cleared, you won’t have visas,’” the band said. They wondered if their pro-Palestinian advocacy might have played a role, but now believe it was due to changes in their application forms.

That small discrepancy “meant we lost tens of thousands of [dollars], which for a mid-tier band with a loyal cult following, was quite ruinous,” they said. “We had to put on fundraising shows to get to zero, then re-apply for visas, and paid four grand extra to expedite them. We took out a loan to pay it. We felt relentlessly fleeced,” they said. “We love the U.S., but now there is a reality in which we have to cut our losses and stop coming. A lot of bands are giving up on the U.S., for sure.”

“It’s a different feeling now where the U.S. government can do anything to us, and we just have to take it,” they added. “They’re moving the goalposts the whole time. It’s scary.”

That fate can befall even major acts, particularly those from Latin America.

Last year, superstar Mexican singer Julión Álvarez canceled his concert for a planned 50,000 fans in Arlington, Texas, when his touring visa was revoked. Grupo Firme faced a similar fate at the La Onda festival in Napa Valley. Los Alegres del Barranco saw their visas canceled after they projected an image of drug kingpin “El Mencho” during a concert.

“That was a moment where people realize how serious or scary it can get for promoters with this administration when comes to the visa situation, how quickly things can change and you can lose millions,” said Oscar Aréliz, a Latin music expert at Pollstar.

An act the caliber of Karol G might not face quite the same risks, though she told Playboy that “If you say the thing, maybe the next day you’ll get a call: ‘Hey, we are taking your visa away.’ You become bait, because some people want to show their power.”

If it can happen to a stadium-filler like Álvarez, it can happen to anyone. That might make some Latin acts prioritize other regions.

Bad Bunny demurred on touring the continental U.S. for fear of ICE raids at his shows, opting for a lengthy residence in his home territory of Puerto Rico instead.

Local Latin music hubs like Santa Fe Springs and Pico Rivera have suffered greatly under recent ICE raids and have seen fans retreat in fear. Las Vegas is a major touring destination for acts during Mexican independence celebrations in September, but now “it feels different,” Aréliz said. He expects the city — typically boisterous with Latin acts then — to lose a big chunk of music tourism from the north and south.

“Vegas’ top tourist countries are Canada and Mexico, so we’re going to see other countries benefit from this. If acts struggle to tour here because of the visa situation, they’re going to tour Mexico and Latin America instead,” he added.

Tours typically book a year in advance, so the full effects of the visa issues and ICE fears may not be felt until later in 2026 or 2027. The results of the midterm elections may change global perception of America’s safety. The country is still an incredibly valuable touring market for acts that can make it work.

But the world’s music community now looks at the U.S. like an old friend going through a rough patch: They’ll be happy to see us once we pull it together.

“Certainly over the last number of years in the U.S., we have been thinking of where we could find these new audiences for Irish music,” Dorgan said. “The unofficial theme of our at home showcase Ireland Music Week was, ‘America. We are not breaking up with you, but we are seeing other people.’”

JUSTIN Bieber superfan Billie Eilish dramatically dropped to the floor on at Coachella when he brought her out on stage.

At weekend 2 of the desert festival, Billie could be seen crawling up the stage before sitting on a chair in front of her idol, Justin, who she has long been a fan of.

Justin then sang the song One Less Lonely Girl to her midway through his Coachella set.

Billie, who has long been a fan of the Baby singer, looked so emotional as she was serenaded by the star.

On X, fans have reacted to the moment.

One person penned: “THE FACT that it wasn’t planned, literally it was Hailey Bieber herself who pushed Billie Eilish to get on stage and be the OLLG.”

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A second wrote: “No way that Billie Eilish became one less lonely girl in 2026.”

“This is so cute I love how Billie still stays in her fangirl zone around Justin,” said a third.

“Will go down as one of the most iconic Coachella performances ever,” added a fourth.

“She’s such a fan lmao,” penned a fifth.

While a sixth said: “Justin pulling Billie on stage for ‘One Less Lonely Girl’ and holding her like that?? Coachella 2026 just healed my 2015 heart. This is the collab we NEVER knew we needed.”

Billie has long credited Justin as an inspiration, and even grew up as a Belieber.

“He’s amazing. He’s so sweet and, like, I feel – just, honestly, I feel for him, man. He’s been through a lot, dude,” Billie told Ellen DeGeneres previously.

The pair met at Coachella in 2019 and went on to collaborate on the remix to her song Bad Guy.

When the remix came out, Billie shared a photo of her as a teen in her bedroom which had posters of Justin plastered all of the walls.

Alongside the snap, she penned: “BAD GUY FEAT. JUSTIN BIEBER OUT NOWWW OMGFFFFGGG ANYTHING IS POSSIBLE MAN.”

This weekend’s set from Justin marked his second weekend headlining at Coachella this year.

Following his headline set last weekend, the star hosted a blowout bash with wife Hailey and A-list friends.

A source told The U.S. Sun that the party was ultra-exclusive and hosted by Justin’s new fashion brand, Skylrk, which also had a pop-up at the festival.

“Many people were turned down who had previously been invited,” they claimed.

“Promoters also had a lot of girls on their guest lists and I heard Hailey was turning them away.”

Influencer Zach Clayton echoed this by sharing a video on his TikTok showing a guy complaining, “They cut all my guest list off.”

He explained he invited 20 girls and they were all denied, joking that Hailey is a “boss,” and she was likely the reason they were not given access to the private event.

With its sunsoaked Californian desert setting, A-list celeb guests and top music acts, hip US festival Coachella might look like the dream destination when scrolling through the Instagram feed of one of the myriad of Love Island stars in attendance.

But while influencers are given the VIP experience, thanks to the brands who pay big bucks to take them there for free, the reality for normal punters can be a whole different story.

As the cult festival kicks off its second consecutive weekend in Palm Springs, social media has been awash with complaints from regular folk exposing the ‘truth’ about what it’s like to go there as a non VIP – and it makes for some pretty grim reading.

From nightmarish queues for cold showers, to hefty £3,000 price tags for three days at the event, various TikTok testimonials may make you think twice before booking for next year’s gig.

As someone who went as a normal person and not as an influencer, it was one of the worst concert experiences I’ve ever had,” TikTok user @lottiestars ranted in a recent social media video.

“Firstly, there’s no place for you to be dropped off. The festival is, like, really disorganised. So I remember we asked 20 different people: ‘Where do we go?’ and they they were like: ‘Oh, we don’t know’. And they actually worked for the event! So you’ll end up sitting in traffic for most of the time before you can find a spot and get dropped off.”

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She added that when she then finally arrived, the event proved a nightmare for her pal who was disabled.

“You have another what feels like an hour long walk to actually get into the festival, you have to do is on this super dusty, bumpy, unpaved road, which was really hard for my friend because they were in a wheelchair… they kept getting knocked over and falling out of their wheelchair, so it was not like wheelchair accessible.”

Once inside the venue, Lottie alleged that the atmosphere was not enjoyable thanks to a myriad of influencers creating a stressful environment.

“Everyone’s vibe is really, really bad. A lot of people were pretty mean. They’re like, ‘No, you’re not coming this way and stuff, you can’t go through’ so it’s harder to work your way through the crowd or to reconnect through your friends.

“It’s not as easy to take cute pictures as you think. Literally, everyone’s taking pictures. It’s like a field of cow, but instead of cows, it’s people.”

To top it all, Lottie wrapped up her video by claiming she got sick from the notorious desert winds.

She said: “I was so sick because during the daytime, it’s burning hot, and then at nighttime, it’s freezing cold, and the dust is really, really intense. Like, you’ll blow your nose, and they’ll be black dirt coming out of your nose.

“The third night, I couldn’t even enjoy the festival, and I probably was only there for like 30 minutes and I had to leave.”

And it seems this is far from a one-off negative review.

The Strokes fan @emilyjadebispo says her experience watching her favourite band was ruined by influencers who were only there to watch Justin Bieber and had no idea about ‘festival etiquette’.

She claimed: “The people around me who were there for Justin Bieber were f***ing insufferable. Oh, my God. It’s like they have never been to a festival before. They have no idea what it’s like that other genres exist.

“They are just completely unaware of any sort of concert etiquette at all. The people to my left, during one of my favourite bands sets, were talking the entire time saying: ‘I don’t even know who this is. What even is this? This is really honestly killing my vibe for Bieber.’”

For those who camp and aren’t holed up in pricey villas like the influencer crowd, some describe the experience as “endurance training.”

@huioyg3 said in one TikTok video: “Basic shower access has turned into a survival challenge, people are waiting in line for hours just to get a quick rinse, often with freezing cold water.

“To avoid this nightmare, some festival goers are spending hundreds of dollars on portable shower setups, building their own tents just to maintain a sense of hygiene.

“Another issue is making things worse, extreme heat. Phones are overheating, energy levels are dropping, and what’s supposed to be a fun four day experience is starting to feel more like endurance training.”

Of course, the biggest issue for many is how the festival impacted their wallet.

General admission tickets cost around $799 [£590] for three days, while VIP – which allows you to get closer to the stage and gives you a shuttle pass into the venue – will mean you shell out even more, clocking in around $1299 [£959].

“Coachella started as a low price event to protest against high cost events,” one music fan vented online.

“How are people affording this?” fumed another.

Some, however, claimed it was worth the price of VIP.

“It was 100% worth it We do get closer viewing to some of the stages. And honestly, when the big performers do come out, it gets super packed,” said tiktok user @noesilva

If you shun camping though, hotels can be extortionate due to high demand, as Noa explains.

“Next thing I spent money on was a hotel, which was the most expensive part. It was $2,300 [£1698] for three nights, and I know it sounds like a lot of money, but for me personally, I was not going to go camping.

And finally, you got to think of all the extra expenses that are probably gonna be happening during the trip, which is food, drinks, merch, like all the extra stuff that you’re going to be paying for, and realistically, that’s going to cost me around $500 [£370]. So in total, this trip is costing me around $4,000 [£2950].”

Another furious former Coachella fan, Nick Holiday, summed it up in a top-rated TikTok video.

“They’re charging $100 [£74]for one bite of caviar, four chicken nuggets and seven french fries. That’s honestly a crime against humanity.”

POP icon Madonna stunned festival-goers with a racy return to the Coachella stage as a surprise guest alongside Sabrina Carpenter.

The 67-year-old music legend teamed up with Espresso singer Sabrina for a show-stopping finale – dressed-to-impress in purple lingerie.

Two decades after her own epic headlining slot at the Californian festival, the queen of pop turned heads in a flesh-flashing frilly outfit.

Wearing a purple corset with matching lilac gloves, purple stockings and knee-high stiletto boots, the comeback queen accessorised with tinted shades and her long blonde hair down in waves.

She joined a lingerie-clad Sabrina, 26, who wowed in a white lace sparkly bodice and heels during her headline set at Coachella.

The duo delighted the crowds with classic hits including Vogue, Like A Prayer and I Feel So Free from Madonna’s new album.

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Sabrina had been mid-performance when an instrumental tease of Madonna‘s 1990 hit song Vogue weaved in.

Madonna told the cheering audience: “Wow, thank you.

“Sabrina, thank you so much for inviting me on your show.”

Holding hands, she replied: “No thanks needed, Madonna.”

“Well, I have a few things I want to get off my chest. So, 20 years ago today I performed at Coachella,” admitted the Ray of Light singer.

“I was in the dance tent and it was the first time I performed Confessions On The Dance Floor part one in America.

“It’s a full circle moment, you know? Very meaningful for me.” 

She urged: “Let’s try to be together. Let’s try to avoid disagreements.

“And to that point, the great thing about music is that it brings people together. 

“It’s the one place that people have to put their differences aside, put their s**t down and just everybody have a good time together, right?

“So I am thrilled to be a part of that healing experience…”

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

In 2024, Sabrina paid ­tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and exactly how you expect her to be — just, like, so magnetic.”

The Please Please Please singer has thrilled fans sharing a photo dump containing some sizzling snaps of her festival stint – including a mini dress, knee-high boots and beret combo.

Anyone who thinks Coachella’s biggest surprises are reserved for Weekend 1 was proven wrong Friday night as Sabrina Carpenter welcomed Madonna on stage during her Weekend 2 headlining set. The crowd exploded with waves of cheers as the iconic pop star came on stage.

Madge joined Carpenter as a surprise guest during “Juno,” in which Carpenter reemerged in a gown that was a nod to Botticelli’s “The Birth of Venus” for a torch-passing duet of Madonna’s 1990 pop-house gauntlet “Vogue.”

The classic was followed by the debut of the gloriously upbeat “I Feel Free,” the first track from the pop icon’s forthcoming new album “Confessions II,” due out July 3.

The singer announced the record, a sequel to 2005’s “Confessions On A Dancefloor,” on April 15, alongside a 60-second teaser video for “I Feel Free.”

The Coachella performance, however, marks the first time the song has been heard in full — a fitting full circle moment 20 after Madonna played the Sahara Tent in 2006, complete with the same boots and costuming from that gig. “Confessions II” will be Madonna’s first full-length album since 2019’s “Madame X.”

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“Let’s try to be together. Let’s try to avoid disagreements,” Madonna said as she spoke about the moon and planets aligning.

Before the pair ended with “Like a Prayer,” accompanied by a choir, Madonna had another reason to be grateful.

“This is probably the first time I’ve ever performed with someone shorter than me,” Madonna said to Carpenter as the crowd laughed. “Thank you for giving me that experience.”

Senior Audience Editor Vanessa Franko contributed to this report.

Commenters who never have been — and never will go — complain about the cost, the influencers, the hype. Purists wax poetic about the days when they disappeared into three days of music and the field wasn’t overtaken by brands like Barbie and e.l.f. cosmetics. Defenders claim they can camp their way to an affordable weekend, and others spend the whole time posting. A select few even talk about great performances they saw — it’s still a music festival.

But one thing everybody can agree on: Coachella has changed. I should know. I’ve been covering it as a journalist since 2007.

Rapid advancements in technology and mass adoption of social media have brought out the best and worst of the festival — not just on screens thousands of miles away, but to those of us trying not to trip over the makeshift photoshoot you might have seen on Instagram.

Coachella pre-2010 was a purist’s paradise

Some of Coachella’s most iconic moments happened before smartphones: The Flaming Lips in a human hamster ball in 2004; Daft Punk’s 2006 pyramid set; Rage Against the Machine reuniting and calling for the George W. Bush administration to be tried for war crimes in 2007. If you even had a cellphone when Coachella started in 1999 it was probably a Nokia brick or a flip phone with an antenna that had limited talk and text options.

In the early years, there were no brand activations on the field; nobody knew what an influencer was and the only corporate sign you saw was for Heineken in the beer gardens. (There was no Heineken House with its own stage, just signs advertising the beer.)

The grounds were also considerably smaller, making it easier to explore the different stages and discover new music. You didn’t have fancy food options, but a slice of Spicy Pie was less than $10. (Coachella upgraded its food options from festival staples to weekend outposts of L.A. restaurants in 2014.)

The music was the draw. The festival’s track record includes artists like the Killers, the Black Keys, Childish Gambino and Kendrick Lamar climbing up from small type to headliner on the lineup poster.

Livestreams and influencers made Coachella’s reach global

The vibes started to shift in 2010 as smartphones grew in popularity, although the service on the field was spotty. It was the first year Coachella offered a livestream — available via Facebook and MySpace. The next year, the stream moved to YouTube, where it remains and draws millions of viewers.

As Coachella expanded to twin weekends due to popular demand on the ground in 2012, it also had the first viral moment fans could enjoy from thousands of miles away: Dr. Dre and Snoop Dogg brought 2Pac back to life via a hologram.

Celebrities were always at Coachella (I spotted Ryan Seacrest, Corbin Bernsen, David Hasselhoff and Danny DeVito in my early years), but the rise of social media made celebrity culture a key part of the event. By 2011, TMZ was posting about stars like Lindsay Lohan. Clips from Coachella went viral and ended up on shows like “Tosh.0” and referenced in “Community.”

The art, which was always part of the festival, became bigger and more iconic. On the growing photo app Instagram, larger-than-life sculptures of astronauts started appearing in selfies.

Brands saw an opportunity. American Express, H&M and Samsung launched activations on-site in 2015. The party scene outside the festival, with non-affiliated events that were timed because everyone was in town for Coachella, became marketing vehicles. Brands are still cashing in more than a decade later.

The next watershed moment was Beyoncé in 2018. Today, most headlining sets at the fest feel as if they are designed for the viewing experience on the livestream rather than the fans on the field (ahem, Justin Bieber and his laptop). But Beyoncé’s spectacle was just as mind-blowing on-site as it was at home. A year later, the “Homecoming” special debuted on Netflix, widening the reach.

Coachella became a key part of the pop culture landscape, and then it became a cornerstone of the influencer economy.

Behind all the hype, there’s still a music festival hiding

I inadvertently photobombed approximately 500 people just trying to go to and from the press tent last weekend and my inbox is overflowing with requests for coverage of off-site events with brands, celebs and TikTok influencers, including social media clips.

But at the end of the day, Coachella is still a music festival, and a really good one at that. The Strokes, David Byrne, Jack White, Iggy Pop, Turnstile, Wet Leg, Fujii Kaze and even Less Than Jake in the Heineken House were some of the best performances I had seen in years.

Coachella is what you make of it. And besides, everyone knows there are fewer influencers on Weekend 2.

Today’s top stories

A health worker administers a measles test on Fernando Tarin, of Seagraves, Texas, at a mobile testing site outside Seminole Hospital District on Feb. 21, 2025.

(Julio Cortez / Associated Press)

Increasing measles cases in California

• California in 2026 has already seen its highest number of annual measles cases in seven years amid an ongoing resurgence of a disease once considered effectively eradicated in the U.S.
• The re-emergence comes as vaccination rates have tumbled nationwide in recent years.

Testing LAX’s long-awaited train

• LAX’s 2.25-mile electric train system will begin running without passengers next week as testing advances following a series of delays.
• The Automated People Mover system began construction in 2019 and was initially slated to open to the public in 2023.

Nationwide recall of a popular anxiety drug

• Specific bottles of Xanax, one of the most widely prescribed medications to treat anxiety and panic disorders, has been recalled due to its failure to dissolve at a standard rate.
• FDA officials are not warning against consuming the product at this time.

What else is going on

Commentary and opinions

This morning’s must-read

Another must-read

For your downtime

Reporter Deborah Vankin gets a massage by an “Aescape” robot at Pause Wellness Studio.

(Christina House / Los Angeles Times)

Going out

Staying in

A question for you: Are you planning on leaving California for another state? If so, tell us why.

Laura says, “I left California during the pandemic. Part of the push factor for me was politics, but not blue politics. I had been living in OC since 2018 and was surprised it was so Conservative (and conservative). That became a bigger source of discomfort for me as the vaccine question demonstrated how our neighbors’ decisions can impact us directly. Rather than moving elsewhere in California, which would have sorted out the political discomfort nicely, I moved to a much more affordable state where I had family.”

Email us at essentialcalifornia@latimes.com, and your response might appear in the newsletter this week.

And finally … from our archives

Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club on April 16, 2017.

(Amy Harris / Invision / AP)

On April 16, 2018, Compton’s own Kendrick Lamar became the first hip-hop artist to win the Pulitzer Prize for music.

He won for his album “Damn.,” which the Times’ Mikael Wood heralded as Lamar’s graduation to pop superstardom.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

A powerful dust storm disrupted the first weekend of the Coachella music festival as blustery winds swept over the sprawling grounds and enveloped concertgoers in a whirlwind of desert sand.

Several social media videos from last Friday night showed attendees navigating the festival grounds amid wind-tossed tents and wearing face masks to guard against the airborne dust.

The weather conditions prompted the South Coast Air District to issue dust advisories for parts of the Coachella Valley, warning that strong winds could expose people to unhealthy dust levels. The dust storm caused festival organizers to cancel a highly anticipated performance by Italian EDM artist Anyma, who had been scheduled to perform Friday at midnight on the main stage.

“I don’t have many words other than to say I’m truly devastated and deeply sorry to everyone who showed up to the main stage, and to those watching the livestream at home,” he posted on X. “The dangerous winds not only prevented us and Coachella from building our stage, but also made it impossible for my entire live setup and performance to operate safely.”

It was the latest instance in which dusty conditions hampered one of the nation’s largest and most profitable music festival, which has been called “Dustchella.” But it is just one fragment of the economy disrupted by this natural phenomenon.

Wind-driven dust is an overlooked environmental hazard — and one that carries a hefty price tag. A recent study estimated that dust storms cost more than $154 billion in the U.S. in 2017, alone. The evaluation puts dust events on par with natural disasters in terms of economic costs, eclipsing, for example, the 2017 wildfire season but shy of that year’s hurricane season, according to Irene Feng, the lead author of the 2024 study, who researched dust at the University of Texas at El Paso.

“Dust is kind of a big deal,” said Feng, now a post-graduate student at George Mason University. “The fact that it was even comparable to hurricanes … was a huge surprise to me.”

Since researchers last attempted to calculate the costs associated with dust pollution in the 1990s, the numbers overall numbers essentially quadrupled.

Some of the greatest costs calculated in the new study include:

• $100 billion related to dust-related deaths and lost productivity from health issues, as inhaling dust particles can lead to serious respiratory illness and trigger heart attacks.
• $40 billion from additional household costs from cleaning, painting and property damage.
• $9.6 billion for damages to agriculture from lost water and weaker crop yields.
• $4 billion in lost value of weakened renewable energy generation, because dust obscures solar panels and gum up wind turbines.
• $280 million for traffic crashes caused by reduced visibility due to dust storms.

Among one of the most grave conditions Feng analyzed was a potentially life-threatening respiratory infection known as “valley fever.” Throughout much of Southwest, desert soil can be laced with Coccidioides fungus spores. When inhaled, this fungus can propagate in the lungs, potentially causing scarring and collapse of lungs.

In many cases, valley fever symptoms can mirror the flu or COVID, leading doctors to misdiagnose patients, and to not provide proper treatment.

Coachella, which is hosted at an irrigated polo field surrounded by desert, is particularly susceptible.

“When I heard that there was a dust event at Coachella, I was actually really concerned about the valley fever cases that might come out of that,” Feng said. “Because there’s so many people traveling from outside the state, and they don’t necessarily know what valley fever is.”

But devastating dust-related effects, like valley fever, can be mitigated, at least to some degree, according to environmental experts.

In California, state and local government agencies have launched dust-mitigation efforts by installing windbreaks, such as cultivating native plants or reshaping the topography with more ridges. About 200 miles north of Los Angeles, at the eastern base of the Sierra Nevada mountains, Owens Lake, a critical and controversial source of water for Angelenos, city officials say they have drastically reduced dust near the dry, exposed lake bed in recent years after implementing some of these measures.

Scientists say global warming is causing warmer temperatures and more intense droughts, paving the way for more dust emissions. Feng said that could require more innovative solution, more action and more money.

“From what I’ve seen, it’s projected to be dustier in the future,” Feng said. “So, all these effects, all these costs, they’re just only going to get worse.”

More recent air news

The NAACP sued Elon Musk’s artificial intelligence company this week, claiming xAI (the creator of Grok) violated federal clean air laws. The lawsuit, reported by CNBC’s climate tech reporter Lora Kolodny, accuses the company of installing and operating 27 natural gas-fired turbines to power its data center in Memphis without the necessary air permits.

Recent far-flung wildfire smoke has led to air quality risks in unlikely places. Now, Michigan, my beloved home state, is overhauling its air quality alerts system after having endured heavy smoke from Canadian wildfires in 2023 and 2025, per Planet Detroit’s senior reporter Brian Allnutt.

New research suggests methane emissions have been drastically underestimated in the country’s largest cities. An satellite analysis of 12 urban areas, including New York City and Los Angeles, found up to 80% more methane emissions than previously thought, according to ABC reporter Julia Jacobo.

Because methane warms the atmosphere far more than carbon dioxide, the findings underscore the need to investigate large emitters, such as landfills, gas pipelines and wastewater treatment facilities. One other, underreported source is California’s man-made lakes that we tap for drinking water, L.A. Times water reporter Ian James writes. Environmental groups are urging environmental regulators to investigate why.

A few last things in climate news

Sales of new electric vehicles have slumped as Trump has eliminated federal incentives for car buyers. But, as oil prices have spiked due to the war in Iran, used EV sales have jumped 20%, signaling a renewed willingness by Americans to ween themselves off fossil fuels, according to Bloomberg senior correspondent Kyle Stock.

Stingrays injuries in Southern California have been on the rise. LAist climate reporter Erin Stone, who was recently wounded by stingray’s barb herself, writes that warming waters attract more rays and make these painful encounters more likely.

Under an ambitious proposal, the Bay Area could host the world’s largest floating wind farm, taking California closer to its 100% renewable energy goal, L.A. Times climate reporter Hayley Smith writes. The plan would involve building hundreds of Eiffel Tower-sized wind turbines and towing them into the deep, breezy waters of the Humboldt Bay, where they could generate up to 15% of the state’s electricity.

This is the latest edition of Boiling Point, a newsletter about climate change and the environment in the American West. Sign up here to get it in your inbox. And listen to our Boiling Point podcast here.

For more air quality news, follow me at @_TonyBriscoe on X and on LinkedIn.

Since I started DJing nearly a decade ago, it’s been a dream of mine to DJ at a music festival, a place where music lovers of all walks of life converge. So when I got the opportunity to spin at Coachella, the country’s festival of all festivals, I was over the moon.

This was my second time playing at Coachella with Party in My Living Room, a house party concert series founded by Inglewood native Yannick “Thurz” Koffi in 2015. The activation, designed to look like an actual living room with couches and artwork, was a collaboration with GV Black, a group promoting “Black, Indigenous, and People of Color (BIPOC) to be seen at the festival.” For the last four years, Koffi has been inviting DJs and musicians (Ty Dolla Sign, P-Lo, Kamaiyah and Isaiah Rashad, to name a few) to perform at the pop-up, which has quickly become a popular side quest for festivalgoers. So when Koffi asked me to be a part of the stacked lineup during Weekend 1, I was honored.

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After preparing my set for weeks, the moment had finally come for me to spin on Sunday afternoon. I soaked up the entire weekend experience — from the celebrity-packed artist compound to the exclusive pop-ups (Redbull Mirage and the Soho House hideout) and the free dining. Here’s a peak behind the curtain from an artist’s perspective and what I learned about DJing at the festival.

Kailyn Hype played house, hip-hop, jersey club, baile funk and other genres during her high-energy DJ set at Coachella.

(Kayla Bartkowski / Los Angeles Times)

1. Spinning at a daytime desert festival is much different than at a bar

I was in charge of kicking off the activation on the final day of Coachella Weekend 1, which is an underrated job because it means that you get to set the tone for the day.

If I were spinning at a bar, club or flea market, I’d likely ease into my set with more chill songs before getting into bangers. But this was a festival and the crowd was ready to party, so I didn’t waste any of my 45-minute set. (My set was initially scheduled for one hour, but it was cut due to a sound check delay.) However, I left the big hip-hop tracks for the other DJs to play, which is a common DJ courtesy.

With songs like “Tonight” by Pink Pantheress, “Am I Wrong” by Anderson.Paak, “Brighter Days” by Cajmere, “Nissan Altima” by Doechii and several high-energy remixes that I found on Bandcamp, my set was everything I’d hoped for: fun, joyful and liberating. The crowd and I jumped up and down, threw up our hands, sang and danced together. And even if they didn’t know the words to a particular track, they were still open to all of it, which is one of the best feelings you can get as a DJ.

2. The artist wristband was my golden ticket — to a glorious buffet

With so many delicious food vendors like Villa’s Tacos, Prince Street Pizza, Happy Ice and El Moro, I knew that I was going to be eating good at Coachella. What I didn’t expect is for there to be free catering for folks with artist wristbands, like myself. After making my way through the artist compound, past the golf carts that transported performers and celebrities (I spotted Teyana Taylor and Damson Idris) and along a plant-filled pathway, I made it to the elaborate dining area. Inside the room, which was draped with colorful curtains with guitars attached to them, I felt like a kid at a buffet. There were poke bowls, a sandwich station, pizza, steak, ice cream sundae and even a “wrap station,” so you could take your food to go.

“Since I started DJing nearly a decade ago, it’s been a dream of mine to DJ at a music festival,” says Kailyn Brown.

(Kayla Bartkowski / Los Angeles Times)

3. But even if you have an artist wristband, long lines are inescapable

At any major event, be it a music festival or sports game, lines are to be expected. But I’d be lying if I didn’t admit that I expected the bathroom lines in the artist compound — an exclusive backstage area for artists and their crews — to be shorter. I quickly realized that the lines were unavoidable and if I really needed to go, it was usually faster to go to the porta-potties in the general admission or VIP areas.

4. I found respite at exclusive lounges

After running around the festival for hours, it was nice to be able to take a break from the heat in stylish, exclusive areas like the Red Bull Mirage and Soho House’s hideout.

Red Bull invited me to check out their three-story social hub and hospitality destination at Coachella, which included a Nobu omakase dinner on the top floor. Overlooking the Quasar stage, it offered the perfect spot to sip on the energy drink company’s signature cocktails (the Paloma was my favorite) and watch energetic DJ sets from artists like David Guetta, Fatboy Slim and Pawsa. It’s also where “Love Island USA” Season 7 favorite Olandria was serving Red bull mocktails — and looks — from behind the bar.

While Red Bull Mirage provided day club vibes, the energy at the Soho House hideout was a bit more laid-back. Located inside a luxurious air-conditioned tent near the main Coachella stage, invited guests and Soho House members with VIP passes could order from the bespoke bar, grab a bite (e.g., burgers, fries and maki rolls) and enjoy music from a live DJ.

Founded by Inglewood native Yannick “Thurz” Koffi in 2015, Party in My Living Room is a house party concert series.

(Kayla Bartkowski / Los Angeles Times)

With an artist pass in tow, Kailyn Brown explored the artist lounge, dining hall and other exclusive areas at the music festival.

(Kayla Bartkowski / Los Angeles Times)

5. Music festivals can be a lot, but there’s a reason we keep coming back

After I was finished with my set, several people came up to thank me including one man, a Mexico-based artist named Memo Wright, who drew a live sketch of me spinning, which made my day. Even some of my Times colleagues took a break from reporting to stop by and say hello.

As I drove back home from the desert the following morning, I reflected on why I love music festivals so much and have been attending them since I was 16. Though events like Coachella get a bad rap for being expensive, crowded and uncomfortable (yes, it’s hot and dusty), this experience reminded me why people keep coming back — for the love of music and being able to commune with others who are just as obsessed with it as you are.

JUSTIN Bieber’s private Coachella after-party had a guest list so exclusive that promoters and influencers who were initially invited wound up being turned away, The U.S. Sun can reveal.

The pop star was supported by the Kardashian-Jenner clan, along with actor Jacob Elordi, who was seen with them in the crowd – and later cozying up with Kendall at the after-party.

Following Bieber’s headlining set on Saturday night in Indio, California, the star hosted a blowout bash with wife Hailey and A-list friends.

Kendall, 30, and Jacob, 28, were reportedly “all over each other” at the after-party.

A source told The U.S. Sun that the party was ultra-exclusive and hosted by Bieber’s new fashion brand, Skylrk, which also had a pop-up at the festival.

“Many people were turned down who had previously been invited,” they claimed.

“Promoters also had a lot of girls on their guest lists and I heard Hailey was turning them away.”

Influencer Zach Clayton echoed this by sharing a video on his TikTok showing a guy complaining, “They cut all my guest list off.”

He explained he invited 20 girls and they were all denied, joking that Hailey is a “boss,” and she was likely the reason they were not given access to the private event.

An insider also told The U.S. Sun that the party was off-grounds, as it’s well known Bieber purchased a $16.6 million estate in the ultra-exclusive Madison Club in nearby La Quinta.

The U.S. Sun has reached out to the Biebers’ reps for comment.

Kylie and other Kardashian family members also own property in the guard-gated community.

A source told The U.S. Sun that Kendall and Jacob are not serious but were seen getting close in the early hours.

“Kendall is 100 percent Jacob’s type. I heard they’re having fun and he hung out with her Sunday, too,” they said.

Australian Jacob has been single since splitting from influencer Olivia Jade Giannulli in October 2025.

The pair had an on-and-off relationship from December 2021 through late 2025.

They last stepped out together at a Frankenstein screening in New York on January 14, but are said to be over.

“Him and Olivia are so done,” the insider added.

The U.S. Sun reached out to Kendall and Jacob’s reps for comment.

Kendall was seen at the festival dressed casually in a pair of white denim shorts, a white tank top, an Adidas hat, and shades.

Jacob wore Bieber’s merchandise, including a black Swag cap, and was seen sneaking through the crowd as he enjoyed the set with the Kardashian-Jenners.

Meanwhile, Kendall has been single since her brief romance with rapper and actor Bad Bunny.

Following their December 2023 breakup, they were spotted together again in May 2024.

Kendall was also seen at the Super Bowl in February, awkwardly dancing to his halftime performance, while the rapper had reconnected with his ex-girlfriend, Gabriela Berlingeri.

Kendall’s new romance with a movie star has tongues wagging, as her sister, Kylie Jenner, is dating Oscar-nominated actor Timothee Chalamet, who was also seen at the festival.

Both actors were highlighted as key figures of this year’s awards season, often appearing together at events.

Kim Kardashian was also seen at Coachella, hiding in the crowd with new love Lewis Hamilton as they tried to go incognito.

Kendall, Kylie, and Kourtney were seen earlier in the weekend at the annual 818 Outpost event, which promoted the family’s brands, along with Hailey Bieber’s skincare line, Rhode.

Justin Bieber will return to the stage this weekend after a headline Coachella set that sharply divided fans.

The pop star opted for a stripped-back, intimate performance style — at times sitting behind a laptop, taking requests, and playing a mix of old music videos, childhood clips, and viral moments.

Some critics labeled the set “lazy” and “low effort,” arguing it lacked the polish expected from a major headliner.

Others, however, praised the nostalgic feel, as Bieber revisited his biggest hits alongside newer material.

REALITY TV’s Kendall Jenner bagged another famous bloke — reportedly snogging Wuthering Heights’ Jacob Elordi at a festival.

The Kardashians star was at Coachella in California on Saturday night to watch pal Justin Bieber headline the show.

Kendall, 30, and Jacob, 28, were “all over each other,” at the after party, according to gossip site Deuxmoi.

But there are no photos or video of them together at the bash.

One fan wrote online: “They’re so equally hot, honestly good for them.”

They are thought to have been pals for several years and were snapped together in 2022.

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Kendall, who wore a white tank top to the event, could be following in her sister Kylie Jenner’s footsteps.

She has been dating another actor, Dune star Timothee Chalamet, for the past three years.

They were also at Coachella, as was Kendall and Kylie’s half-sister Kim Kardashian and her F1 driver beau Lewis Hamilton.

Kendall was in a relationship with US basketball player Devin Booker from 2020 to 2022, then had a romance with rapper Bad Bunny from 2023 to 2024.

Jacob split from his girlfriend of four years, YouTuber Olivia Jade Giannulli, last October.

He previously dated model Kaia Gerber.

Sabrina Carpenter has apologized after sparking backlash for mistaking a Coachella fan’s traditional Arabic cheer for yodeling, which she described as “weird.”

The Grammy winner was performing her first headlining show at Coachella on Friday night when an audience member suddenly let out a high-pitched cry called a zaghrouta.

“My apologies i didn’t see this person with my eyes and couldn’t hear clearly,” Carpenter wrote Saturday on X. “My reaction was pure confusion, sarcasm and not ill intended. Could have handled it better!”

She continued: “Now i know what a Zaghrouta is! I welcome all cheers and yodels from here on out.”

What happened?

The misunderstanding took place between songs. As applause for her previous number, “Please, Please, Please,” faded and Carpenter sat down at the piano for her next number, someone in the crowd suddenly let out a loud trill.

“I think I heard someone yodel,” Carpenter said into the microphone. “Is that what you’re doing? I don’t like it.”

“It’s my culture,” a voice from the audience shouted.

“That’s your culture … is yodeling?” Carpenter responded with a quizzical frown.

“It’s a call, it’s a call of celebration,” the audience member could be heard saying.

“Is this Burning Man? What’s going on? This is weird,” Carpenter replied, before continuing her next song,“We Almost Broke Up Again Last Night.” It was the singer’s first live performance of the single from her new album, “Man’s Best Friend.”

What was the public response?

Carpenter made the public statement after an online uproar. Her apology on X was a quote reply to a post calling her reaction to the fan’s cheer “insensitive and Islamophobic.”

The singer was “mad disrespectful for mocking the zaghrouta,” wrote another X user. “What’s worse is the blatant racism that followed and the laughs of the audience,” they continued.

Carpenter’s apology was generally well-received online, with some fans thanking her for taking accountability. Carpenter’s representatives did not immediately respond to a request for comment.

Carpenter has gone from a child actor known for her role as Maya on Disney’s “Girl Meets World” to pop stardom in the past few years. During her debut at Coachella in 2024, she vowed to return as a headliner. Her Coachella show on Friday was an elaborate Hollywood-themed production — dubbed “Sabrinawood” — packed with references to classic movies, including a dance from 1987’s “Dirty Dancing,” and celebrity cameos.

What is a zaghrouta?

A zaghrouta is a loud, rhythmic sound made by quickly moving the tongue while letting out a high-pitched cry.

Shakira, who was born and raised in Colombia and has Lebanese roots, previously made headlines in 2020 for letting out a zaghrouta during the Super Bowl LIV halftime show.

Nesreen Akhtarkhavari, an associate professor and director of Arabic studies at DePaul University in Chicago, told the Chicago Tribune at the time that the ululation is a Middle Eastern expression of joy made during weddings, sporting events and protests.