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CLUB Med has just dropped a massive Summer 2027 flash sale, slashing up to 20 per cent off all inclusive escapes.

You’ll need to act fast, though. The sale is on for strictly four days only, running from October 13 until October 16.

Save up to 20% on Club Med all inclusive holidays

The sale covers holidays between May – November 2027, giving you the perfect chance to book in something to look forward to next year – and save some extra cash while doing so.

Known for premium all inclusive escapes that offer everything from Michelin-level dining to indulgent spas, Club Med are near impossible to beat when it comes to all inclusive breaks. And with this sale, prices for these fancy premium breaks have been slashed.

Each resort is also packed with activities like watersports, archery, a flying trapeze and more, plus kids clubs to keep the little ones entertained while you unwind.

From stylish Spanish retreats to white Caribbean beaches, here’s some of Club Med‘s most popular getaways you can book now in their mega flash sale.

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UK family holidays from £6pp a night with all inclusive breaks & kids eat free

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Cheap all inclusive hotels with brilliant Tripadvisor ratings – from £299pp

Magna Marbella, Spain

Sitting at the foot of the dramatic Sierra Blanca mountains, this 14-acre oasis offers sweeping views over the sparkling Mediterranean Sea.

The sprawling Spanish resort is the ultimate family playground, packed with activities including a flying trapeze, a massive splash park, and trendy Padel courts.

For some quiet time, grown ups can retreat to the adults-only Zen Zone pool while the young ones are kept busy in the kids club, or unwind with a relaxing treatment at the indulgent Cinq Mondes spa.

With endless activities and unlimited Mediterranean dining and drinks included in the price, it is the perfect fuss-free European getaway for all ages.

Save up to 20% on Club Med all inclusive holidays

Palmiye, Turkey

Club Med Palmiye in Turkey is home to a private expanse of pearl-coloured sand and pebble beach, giving it a peaceful and uncrowded feel.

When booking accommodation here, you can choose between the sleek, main hotel facing the sea, or the Villagio, a collection of peaceful bungalows tucked away in the green gardens.

Palmiye’s biggest draw is its massive range of watersports held right on its own shoreline.

You don’t have to pay extra or shuttle off-property to get out on the water: waterskiing, wakeboarding, sailing, and windsurfing are all included in the stay, complete with professional instruction.

Save up to 20% on Club Med all inclusive holidays

Punta Cana, Dominican Republic

Set on a 2,000-foot stretch of pristine white Caribbean sand, Club Med Punta Cana offers the ultimate Dominican Republic getaway – without the cramped, elbow-to-elbow feel of the coastline’s mega-resorts.

This private retreat is wrapped up in lush coconut groves and tropical gardens. At the massive lagoon pool, take your pick between chilling on an in-water lounger or lazing on a giant cabana.

All inclusive food and drink here is second-to-none, with the Hibiscus Bar serving up smoothies and cocktails and the Indigo Beach Lounge grilling local seafood and meats.

As the evening draws in, the venue transforms into an oceanfront nightclub where you can dance the night away on the sands and watch the sun sink behind the sea.

Save up to 20% on Club Med all inclusive holidays

Cefalu, Sicily

Perched on the rugged cliffs of northern Sicily, Club Med Cefalu offers a totally different vibe to your typical beachfront all inclusive.

Here you’ll stay in a private wooden bungalow built into the rocks, with incredible views over the glimmering bay.

Only 20% of the grounds here are actually built upon, so you’ll have plenty of stunning landscapes to explore.

Dining is overseen by a Michelin-starred chef, serving up everything from beachfront barbecues to local Italian wines and handmade pastas.

Save up to 20% on Club Med all inclusive holidays

Gregolimano, Greece

Forget the crowds of Santorini or Mykonos. Reaching Club Med Gregolimano feels like discovering a secret Greek gem, with a dramatic boat arrival onto the island of Evia.

This breath-taking resort is draped across a private, pine-covered peninsula that hooks out into the Aegean Sea.

As for activities, there’s tennis, Padel, yoga and Pilates classes plus an archery range shaded by a canopy of pines, to name but a few.

While it’s tempting to never leave the property, Gregolimano acts is a great base for exploring some of the Greek islands‘ best historical sites.

Well-positioned on the island of Evia, the resort can organise excursions to the mystical ancient ruins of Delphi or the sky-high monasteries of Meteora.

This spot is truly a Club Med gem – it’s rare that you can walk through millennia of history in the morning and be back at the pool with a cocktail by the afternoon!

Save up to 20% on Club Med all inclusive holidays

Prices correct at the time of publication.

London, United Kingdom – Nearly 200 people packed into Edami, a small Lebanese bakery in east London, to celebrate a decade of Lajee Celtic, a grassroots sports club based in a Palestinian refugee camp in the occupied West Bank.

What began as a football project has grown into an international symbol of solidarity.

In London, the room was filled with Palestinian flags, the aroma of Edami’s freshly baked manousheh, and Lajee Celtic shirts – which have been worn by celebrities, including football icon Eric Cantona and the actor Hannah Einbinder.

Martin, a Lajee Celtic organiser, travelled down from Glasgow for the celebration in September. He first visited Aida Camp, in the occupied West Bank, more than 10 years ago, a trip he described as life-changing.

“I don’t think anyone would really have expected that the project would have been as successful as it’s been,” said Martin, who requested to be identified by his first name. “But Celtic is a unique football club with its foundation, its Irish identity, the diaspora community, its universal support and then the values, which tie so much of that together.”

The relationship between Aida Camp, where Lajee is based, and Celtic supporters developed over years.

Mohammed al-Azzeh, director of the Lajee Centre, which provides services to the youth of the camp, remembers how it all began.

“We’d built up relationships with friends from Scotland and Ireland who had visited Palestine, and then in 2012, I travelled to Glasgow for the first time. We started to have conversations about creating a football academy,” he recalled.

By 2015, the idea was taking shape when a group of footballers from the camp travelled to Belfast to play a game.

Then came the 2016 Champions League draw. Celtic were paired with Israeli side Hapoel Be’er Sheva.

Supporters ignored warnings that displaying Palestinian flags could result in a fine. As the teams emerged, the stadium was transformed into a sea of Palestinian flags, an action led by Celtic ultras, the Green Brigade.

UEFA subsequently fined Celtic.

The Green Brigade responded by launching the Match The Fine For Palestine campaign. Not to pay the fine, but to support Palestinian organisations, including with the formation of a football academy in Aida Camp.

For al-Azzeh, it was a turning point.

“The support and solidarity shown in that game was really a pivotal moment,” he said. “And that’s what ultimately led to Lajee Celtic becoming what it is today.”

The team has brought together young Palestinians from villages around Bethlehem, refugee camps and communities in Hebron and Jerusalem.

“It means a lot, for us as Palestinians, to be in one place and meeting each other,” al-Azzeh said. “It becomes about more than just playing football.”

Lajee Celtic is competing in organised football for the first time. The club had been due to enter the Palestinian league three years ago, but the competition was cancelled when Israel’s genocidal war in Gaza began. Now, despite restrictions on movement between Palestinian cities and the wider disruption to football, the club has entered the Thousand Martyrs Cup, named after the 1,014 athletes killed in Gaza since October 2023.

Bassil Mikdadi, journalist and founder of Football Palestine, said that international reach has given Lajee Celtic a significance beyond the club itself.

“Lajee Celtic is a blueprint for ways in which fans of European clubs can directly support those on the ground in Palestine. It’s connective tissue,” he said.

For Martin, the popular shirts are more than merchandise.

“When people buy these shirts, they do so knowing that the money is funding football, sports and general youth development in Palestine. And then when the same people wear these shirts, whether they’re in Glasgow or London or New York, they’re each making their own individual solidarity action.”

Lajee Celtic created a link between clubs and communities inside Palestine and supporters and campaigners abroad.

“It has this kind of cross-cultural, cross-border solidarity,” he said.

That connection has become increasingly important as Palestinian football has struggled to continue since the genocide in Gaza.

For Mikdadi, the survival of grassroots clubs is essential: They are the groundwork for the national team.

“The success of the Palestinian national team in recent years … the base of that success has always been players provided by clubs in the West Bank and Gaza,” he said.

The club’s ambitions stretch beyond football. It has expanded into sports such as boxing and table tennis, while creating opportunities for young Palestinians across Palestine and the diaspora.

“Fundraising campaigns come and go all the time. But when you create a football club and when you have that sort of tangible idea at the heart of it, then you are creating a journey,” said Martin.

Mohammed al-Azzeh recalled a meaningful memory on a beach in Cape Town, South Africa, where the team played two friendlies in 2025.

Samir al-Amir, a coordinator with Lajee Celtic, had spent more than 19 years in Israeli prisons. When he travelled with the team to South Africa, it was the first time he had been able to leave the walls and checkpoints of the West Bank.

Al-Azzeh remembers watching him on the beach.

“He was acting like a young boy because it was the first time seeing the sea,” he said. “Without Lajee Celtic, I’m not sure Samir would have ever had that opportunity. That illustrates why the project is so important,” he said.

The Premier League has confirmed that Manchester City have been found guilty of all charges related to breaches of Premier League financial rules between 2009-10 and 2017-18.

An independent Commission found that during that time period, the club arranged “sham contracts” with a number of its commercial partners, as well as “relying on sham agreements to artificially inflate the club’s revenues and reduce its costs”.

The statement also said that City were guilty of the majority of charges in relation to its failure to co-operate, but an exact figure was not given.

More to follow.

SEATTLE — Logan Gilbert struck out eight in four no-hit innings and five Seattle pitchers combined for 12 strikeouts as the Mariners beat the Angels 7-3 in the regular-season finale for both teams.

The Angels finish 2026 with a record of 62-100, the first 100 loss season in franchise history. It was a 10-game slide for the Angels, who had a 72-90 record in 2025.

Gilbert retired the first 12 batters he faced and, after walking Moisés Ballesteros at the start of the fifth inning, was lifted and left to a standing ovation from the Mariners fans.

The Mariners took a 1-0 lead in the second inning when Weston Wilson drove in Cole Young with a grounder to third base.

Seattle scored two more runs in the third on Cal Raleigh’s RBI single off Angels starter Yusei Kikuchi, and Dominic Canzone scored on a groundout by Josh Naylor to make it 3-0.

Kikuchi (1-7) gave up three runs and six hits over five innings, with one walk and seven strikeouts.

Bryce Teodosio scored for the Angels on a sacrifice fly in the top of the sixth inning, but the Mariners responded with three in the bottom half when Young scored on an Angels throwing error and Randy Arozarena drove in two with a double to make it 6-1.

Jose Siri hit a two-run homer for the Angels in the eighth, and Leo Rivas scored for the Mariners in the bottom half on a wild pitch.

Cooper Criswell pitched the ninth for the Mariners. Eduard Bazardo (4-4) got the win.

After finishing the 2025 season with a 90-72 record and advancing to the seventh game of the ALCS against Toronto, the Mariners missed the playoffs with a disappointing 76-86 record this season. Despite that mark, the Mariners drew 2,883,798 fans in 2026, the team’s highest total since 2004.

Premier League clubs are seeking legal advice about compensation from Manchester City over the case.

One source, who held a senior executive position at two Premier League sides, said they expected clubs to submit individual compensation claims against Manchester City.

Another leading lawyer told the BBC that process could even be centralised by the league.

Premier League rules allow clubs to seek legal action against each other for compensation.

In June, Everton were told they must pay Burnley £35m after they broke PSR over a three-year period.

Burnley argued the breach impacted their chances of staying in the Premier League, and sought compensation for the losses associated with being relegated.

Everton are appealing, with sources previously saying they would “robustly and thoroughly” contest the ruling, but it provides an interesting backdrop to the Manchester City case.

There is uncertainty over a statute of limitations, which would set a cut-off point for claims.

Arsenal, Manchester United, Liverpool and Tottenham Hotspur reportedly preserved their rights to claim compensation two years ago.

This is not just about Manchester United (twice) and Liverpool, who finished as runners-up to City in their title-winning seasons.

It is about those clubs who just missed out on the Champions League, or failed to make Europe, or even those who were relegated.

And it could even result in claims over the prize money for each Premier League place, or the potential commercial earnings lost by rival clubs.

Kieran Maguire, professor of football finance at the University of Liverpool, told BBC Sport it would be considered a “denial of an opportunity” by complainants.

Maguire explained that the “statute of limitations is not referenced” in the Premier League’s traditional handbook, though that could be subject to a legal challenge from City.

But what of the compensation? Just looking at Champions League qualifying could bring huge financial claims.

“The Champions League in those days was worth a minimum of £30m,” Maguire said. “I think by the time we got to 2018, it was probably worth £60m or £70m, and that’s in prize money.

“On top of that, you could claim for loss of gate receipts, loss of sponsor bonuses. This is highly unlikely, but it’s certainly being discussed.

“Players get bonuses for qualifying for the Champions League. Those bonuses, if you talk to people connected to the elite clubs, are normally in the region of 25%.

“An average salary in those days would probably, if you go back to 2012, be in the region of £80,000 or £90,000 a week. Twenty-five percent of that is four or five million pounds a year. That’s how the issues stack up.”

Points deductions, fines, and compensation claims.

This is an extremely messy situation for the Premier League, and it does not look like being resolved anytime soon.

La Liga president Javier Tebas says claiming there is a refereeing conspiracy against Real Madrid is like “living in another galaxy”.

Real manager Jose Mourinho accused officials of making key errors after his side were beaten 2-1 by rivals Atletico Madrid last week.

Mourinho brought printouts of screenshots to the post-match news conference, claiming Atletico should have been given two red cards in the first half.

Writing in response to an article in the Spanish media which claimed there is a “conspiracy” against Real, Tebes dismissed the allegations.

“Claiming that referees are directed against Real Madrid is living in another galaxy,” Tebas said on social media.

“That narrative serves as an excuse to cover up other shortcomings that are plain to see in these first matches of the season.

“It’s more comfortable to point to a conspiracy than to explain what’s happening on the pitch.”

Real are fourth in La Liga, six points behind Barcelona who top the table on 21 points after winning all seven of their league games this season.

After defeat by Atletico, where Real went down to 10 men in a feisty encounter after defender Dean Huijsen was sent off, Mourinho blamed the officiating.

“We can skip the press conference because the story of the match is right here,” Mourinho said as he showed media the printed images.

“Those were two clear red cards. Given the difficulties we faced afterwards playing 11 against 10, we can only imagine what 50 minutes of 11 against nine would have been like.”

Tebas has been critical of Real and its president Florentino Perez in previous years after disagreeing with their plans to join a European Super League in 2021.

In 2025 he said Real had “lost their head” after the club sent a formal letter of complaint to the Spanish FA about officiating in the league.

Published on
22/09/2026 – 7:00 GMT+2

US chipmaker AMD has become the latest company to join the $1 trillion (€850bn) valuation club, as investors pile into stocks benefiting from the massive investment boom in artificial intelligence.

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At around 5:10 p.m. CEST on Monday, AMD shares were up 9.4% at $612 (€520), extending a surge that has added some $200 billion (€170bn) in valuation to the semiconductor company in a week.

The California-based group, which has announced ventures with both OpenAI and Anthropic, notched a 50% jump in second-quarter revenues over the year-ago level to $11.5 billion (€9.8bn), thanks to a more than doubling of data centre revenue.

In releasing results in early August, AMD said it expects data centre sales to accelerate in the second half of 2026.

Even with the latest surge, AMD’s valuation significantly trails rival chip company Nvidia, considered the pace-setter in artificial intelligence.

Nvidia’s valuation currently approaches $5.5 trillion (€4.7trn).

Additional sources • AFP

Every so often, an aspiring screenwriter wanders into the dim red glow of Jumbo’s Clown Room hoping to interview one of the dancers. “They’re like: ‘I’m writing a screenplay. Can I interview you?” says Cecilia Fairchild, one of the longtime dancers at the renowned East Hollywood bikini bar.

Her response is usually some version of this: “I’m like, ‘Why are you writing about that? Don’t you know we are all writing that too? Leave us alone,’” Fairchild says with a mischievous laugh. What bothers Fairchild is the assumption behind it — that the dancers are voiceless and helpless. Worst of all, they’re presumed to have stories worth mining but not the ability to produce literature themselves.

Jumbo’s has a longstanding reputation of being part of L.A.’s literary lore.

In the 1970s and 1980s, Charles Bukowski — L.A. nightlife’s debaucherous poet laureate — was rumored to haunt the bikini bar in its early days. David Lynch wrote his classic screenplay “Blue Velvet” at the bar. (According to local legends, the iconic opening shot of “Blue Velvet” came to Lynch when he spotted a dancer with only one ear.) Writer and director Quentin Tarantino reputedly wrote at the bar. But while Jumbo’s has garnered a mythology as a magnet for filmmakers, writers and musicians who collect impressions, the dive’s dancers have shifted from being the subject to the artists.

Many of Jumbo’s dancers write fiction and memoir, host literary salons across Los Angeles and find ways to tell their own stories rather than serve as muses. “It’s funny because I wish that male auteurs would tell the story of customers. I want a sniffer’s memoir. I think that’s a real point of view,” Fairchild says. (Speaking of alienation and horniness, the dancer has been meaning to crack the Marcel Proust canon.)

Honey Ryder (Claudia Musikul) types on the bar inside Jumbo’s Clown Room. (Carlin Stiehl / For The Times)

Fairchild is a playwright, poet and memoirist. Her recently completed memoir, “The Poison + The Spit,” traces a life of tumultuous love affairs and a stint dancing in New Orleans, rendered in prose that is whimsical, surreal and deeply emotional. The dancer also hosts the Downpour, a popular monthly literary salon at Bar Covell, and recently directed “Fool in the Pool,” a play that premiered at El Condor in Silver Lake this summer.

Her writing style mirrors her dancing: kinetic, wild and unpredictable. She sometimes takes the stage in roller skates, dancing to David Bowie. Her memoir achieves that same sense of hypnotic motion. “The memoir is so heavy,” she says. “Everything was so sad that I needed some lens to look at it that was fun, zippy and crazy.”

For Fairchild, dancing and writing possess the same need to expose oneself. “Vulnerability is one of the most interesting things about dancing,” she says. “There really is the potential to look into people, and they look into you, and you wordlessly share something with them that is half sexual and half this other thing.”

Meanwhile, Danielle Henderson — another dancer and aspiring novelist at Jumbo’s who writes under the pen name D.M. Faulk — has been working on a science-fiction novel titled “Meridian.” The book imagines a dystopian American wasteland where pregnant women are surveilled and controlled. She has been a longtime science-fiction fan since she and her father watched “Jurassic Park” and “Planet of the Apes” when she was a child.

Long treated as passive muses by visiting writers, Jumbo’s dancers — from left, Caroline Blaike (Caroline Moyer), Honey Ryder (Claudia Musikul), and Cecilia Fairchild — are reclaiming the narrative as active poets, memoirists and screenwriters.

(Carlin Stiehl / For The Times)

Unexpectedly, the Jumbo’s comically tiny dressing room became the inspiration for her novel. In 2022, when Roe v. Wade was overturned, conversations between dancers about reproductive rights ignited in the dressing room, which in turn informed her novel.

“A lot of those conversations happen in the dressing room. I’m incredibly inspired by the women I’m with who are incredibly sex positive and strong.” That ethos informed Henderson’s protagonist, Zayla.

In recent years, the bar has become a local author hangout. Allie Rowbottom, the author of the recent buzzy adult film novel “Lovers XXX,” discovered the bar in 2011 on the occasion of writer Elizabeth Hall’s birthday party. “I recall sitting front row on novelist Jon Lindsey’s lap, raining dollar bills on dancers performing intricate, beautiful athletic feats,” Rowbottom says. “I spent more than I could afford that night and have been back often since.”

Increasingly, Jumbo’s has cemented itself as a watering hole to the local writing scene. “Two years ago, I rented out a few tables for Jon Lindsey’s birthday, attended by Los Angeles literati like Tea Hacic-Vlahovic, Sammy Loren, Morgan Krantz, Tex Gresham and Nada Alic,” she adds.

According to Rowbottom, Jumbo’s is rife for literary inspiration. “To me, Jumbo’s feels uniquely dedicated, as a venue, to intersecting sex and art, despite the obvious dissonance of selling either,” she says. “I suspect such is what has historically made it a rich spot for writers, dissonance and tension being of utmost importance to good literary work.”

From left, Caroline Blaike (Caroline Moyer), Honey Ryder (Claudia Musikul), Cecilia Fairchild and Stephen (Aaron Laughton) inside Jumbo’s Clown Room.

(Carlin Stiehl / For The Times)

A charged scene in L.A. writer Aiden Arata’s critically-acclaimed 2025 essay collection, “You Have a New Memory,” features a night out at Jumbo’s Clown Room. “The dancers are starlets, athletes, artists; the theme is clown, and also longing — longing is a high form of physical comedy,” says Arata. “It possesses that heady mix of scuzz and glamour that can trick you into thinking your life is about to change.”

Jumbo’s burgeoning literary interest revives a hotly debated question: Who gets to tell the stories of sex work? For decades, the club has inspired celebrated writers and filmmakers, but Claudia Musikul — a dancer at Jumbo’s and a screenwriter herself — hopes its literary legacy will increasingly belong to the people at its core: the dancers.

“I hope that everybody can actually get their work out there because I feel it’s much deserved,” says Musikul. “You’ve probably heard about Bukowski, David Lynch doing ‘Blue Velvet’, or Anthony Bourdain. That’s all really cool, but in a way, it’s the actual dancers’ turn to have that kind of recognition.”

Musikul primarily writes screenplays about strippers, a subject she believes is seldom represented authentically. She has been in writing partnerships and workshops while developing scripts centered on dancers. In a sea of films depicting sex work, she cites Paul Verhoeven’s “Showgirls” as a film that resonates with her experience.

“‘Showgirls’ is my very favorite movie,” she says. “It’s my very special place in my heart movie.”

For Caroline Blaike, a poet and dancer at Jumbo’s, the connection between dancing and writing lies in observation. Years of performing have made her acutely attentive to the people who pass through the club, a voyeuristic habit that carries over into her poetry.

“When you’re a dancer, you’re very observant. You watch every person that walks in,” she says. “I feel like the way dancing makes you observe people helps you write from a perspective that other people can then relate to.”

Blaike has been working on a poetry collection that explores love, queerness, desire and personhood. “It’s gotten a little sexier over time, which is kind of fun,” she says. “I also just write about love, being gay, just existing. It can be a little aggressive, but people seem to like it, so that’s good.” She writes these poems from her prized typewriter — a “1951 Olympia typewriter that is my child.”

Among Blaike’s earliest literary touchstones was Maya Angelou. She still remembers encountering Angelou’s line in her poem “Still I Rise,” “I dance like I have diamonds at the meeting of my thighs,” and being stunned by it.

“I was like, ‘Oh, you can write that? That’s amazing,’” she says.

The literary ambitions at Jumbo’s extend well beyond the stage. Stephen Laughton, one of the club’s security guards, jokes that he leads a double life. By night, he keeps watch at the door; by day, he is an award-winning playwright. He’s recently been named the new associate artistic director of the Echo Theater in Atwater Village, and Laughton’s served as the writer-in-residence in the astrophysics department at the Natural History Museum in New York. Last November, his latest play became the first in the world to be staged in a planetarium.

“It’s this crazy, beautiful science play about two guys who meet in a club that explores mental health in the LGBT community, human interaction, time and astrophysics,” Laughton says.

Like many of his co-workers, Laughton has found himself turning Jumbo’s into copy. The club, he suggests, has a way of compelling everyone who works there to write about it.

“I think that probably what we’re all going to realize is that we’re all writing a version of the exact same story,” Laughton jokes.

Blaike argues that the dancers’ diverse talents are a key reason why Jumbo’s Clown Room has become such a beloved institution in the city. “It attracts confident, creative women who work there,” says Blaike. “Our community of women is supportive of each other and each other’s endeavors. … It really does facilitate that.”