Clive

Sir Garfield Sobers was called the “greatest all-round cricketer the world has ever known” by former team-mate Sir Clive Lloyd at the legendary West Indies player’s state funeral in Barbados.

Lloyd described all-rounder Sobers, who died aged 89 on 17 July, as “a man who lived in the hearts and minds of Caribbean people and who became a source of inspiration to millions throughout the world”.

An entertaining left-handed batter and bowler of seam and spin, Sobers played 93 Tests between 1954 and 1974, scoring 8,032 runs and taking 235 wickets.

The funeral was staged at the Kensington Oval in Bridgetown, the principle ground in Barbados and home to a pavilion named after Sobers.

Lloyd and fellow West Indies legends Brian Lara and Desmond Haynes were among those who spoke at the state service of thanksgiving, which was also attended by Barbados president Jeffrey Bostic, prime minister Mia Mottley and Barbadian music superstar Rihanna.

West Indies Test captain Roston Chase, who comes from Barbados, vice-captain Jomel Warrican and the current side’s Barbadian players were also in attendance, having completed a Test victory over Pakistan on Monday, winning by 90 runs inside four days in Trinidad.

“Sir Garfield Sobers was not merely the outstanding cricketer of his generation,” Lloyd added. “He brought to the beautiful game a rare combination of brilliance, imagination, courage and joy.”

Sobers’ coffin was draped in the flag of Barbados and set off from the Parliament Buildings in Bridgetown on a gun carriage for a formal procession through the nation’s capital.

On arrival at the stadium, the carriage passed through a guard of honour of raised cricket bats.

“This is not a sad moment,” Lara said of his mentor. “This is a moment for us to celebrate and I hope you feel the same. Today we celebrate the remarkable life of the greatest all-round cricketer.

“We celebrate a man who gave so much to his family, to Barbados, to the West Indies and all of us who had the privilege of knowing him.”

Sobers scored 365 not out against Pakistan in 1958 – an effort which stood as the record Test score for 36 years.

He was also named one of Wisden’s five cricketers of the 20th century.

During his stint at Nottinghamshire in 1968, Sobers became the first player to hit a six off all six balls in an over in a first-class match.

Mottley described Sobers as “a man who if he had not achieved any of those great feats on the cricket field would have been immortalised by his community as a good man and a great man”.

Reverend Canon Guy Hewitt read out a message from King Charles during the service.

“History is distinguished with sporting champions whose records have rightly commanded respect across generations,” the message read. “There have been far fewer however whose name along brings a smile to people’s faces across Barbados, the Caribbean and the Commonwealth.

“Sir Garfield Sobers belongs very firmly in the latter category. I send my deepest sympathies to Sir Garry’s family as they come to terms with this great loss.”

Sobers’ body lay in state at the Barbados parliament on Monday and at the Kensington Oval on Tuesday, with national dignitaries and members of the public able to pay their respects.

He will be laid to rest at Coral Ridge Memorial Gardens in the south of Barbados.

Clive Masters has officially arrived in Walford, and while he gets to know Linda Carter, let’s take a look at the actor’s family life off-screen

EastEnders newcomer Jason Durr has a famous wife who television and gardening fans will know.

During Wednesday’s (July 22) episode of the BBC soap, Jason officially arrived in Walford as Clive Masters, a local Councilor and potential love interest of Linda Carter (Kellie Bright).

As the local community centre is at risk of closing down and being redeveloped, Ian Beale (Adam Woodyatt) put Linda in touch with Clive, who might be able to help with their fight to save the venue.

During their first meeting, it was clear that there was romantic chemistry between Linda and Clive as they opened up about their former partners, and they were set to grow closer in forthcoming episodes.

Will the pair take a chance on a little romance? The former Queen Vic landlady is yet to find love following the presumed death of her beloved husband Mick, played by Danny Dyer, who disappeared at sea on Christmas Day 2022.

Speaking about joining the cast of the BBC soap, Jason, 58, said: “Few shows command their place in the national conversation quite like EastEnders, so I’m delighted to be joining the cast as Clive Masters. Working with the wonderful Kellie Bright has been an absolute joy and pleasure from day one.”

He added: “All the cast, crew and production staff have been incredibly generous, welcoming and good humoured. I’m excited for audiences to meet Clive and see what’s in store.”

Who is Jason Durr married to?

Former Heartbeat star Jason has been married to TV presenter Kate since 2004, after they met while in Majorca, Spain. Kate, a former actor and model, is a garden designer and has even won a Royal Horticultural Society gold medal for her expertise.

In 1984, Kate enjoyed a brief stint in the children’s drama Grange Hill and starred in the television series Perfect World and Sam’s Game, both of which aired in 2001.

She has had success presenting, hosting Dream Ticket, Night Fever, and An Audience with Lennox Lewis, and is best known for her Guinness World Records presenting work.

The couple lives together in Wiltshire, and Kate often shares pictures on her Instagram of her stunning garden and many gorgeous outdoor designs.

Jason and Kate have three children together, two daughters and a son, and they usually keep their family out of the spotlight.

On Wednesday afternoon (July 22), Jason appeared on This Morning to talk about his latest acting role on EastEnders and paid a sweet tribute to his “lovely” wife.

Speaking to ITV daytime hosts Dermot O’Leary and Alison Hammond about learning his scripts, he said: “You’ve got to be absolutely pinpoint perfect with your dialogue, and it’s just a joy to be working with other regulars, who get it.”

Jason added, “Keep reading it. It’s one of those things, repetition, parrot fashion, you know, that kind of thing. The kids help me, my lovely wife helps me.”

Before marrying Kate, Jason was married to an Australian named Jeanine between 1995 and 2000. She was a singer-songwriter, and the pair were together for five years before splitting.

EastEnders airs Monday to Thursday on BBC One and iPlayer

Walk into the Grammy Museum in downtown L.A., and you’ll see Clive Davis’ legacy everywhere.

The museum’s intimate performance space is named for the late record executive, and his visage greets guests at the front door. (Davis was the first million-dollar donor to the nascent Recording Academy archive and exhibition space.) His sprawling roster of acts — Bruce Springsteen, Miles Davis, Whitney Houston, Alicia Keys, Earth, Wind & Fire — defined an entire art form and business model as preserved in the Grammy Museum. Davis’ pre-Grammy gala was the most coveted invitation in music every awards season.

Davis’ death at 94 is “devastating,” said Michael Sticka, chief executive and president of the Grammy Museum. “Clive was always a north star of music and talent and artistry. We’re all lucky to have his legacy to look up to.”

Davis’ death marks the end of perhaps the most important and enduring career in the record industry. Sticka spoke to The Times about Davis’ remarkable longevity, creative vision and how a career like his will likely never be possible again.

Clive was a giant of the record business. How did his career shape the modern record industry?

His career was iconic. He really had a unique ability to not just bring an artist to their fullest potential artistically, but commercially. From attending Monterey Pop and first seeing Janis Joplin to Whitney Houston and Alicia Keys, I don’t think anybody had that ear in them the way that he did.

With Clive, what you got was not just hearing commercial viability, but an understanding of what was going on in the zeitgeist. That’s what propelled his career and legacy beyond most record executives.

His name’s on the building at Grammy Museum’s theater. What did he mean to the institution — not just for fundraising but as a living connection to music history?

He didn’t just donate to the museum. He donated his time, his historical knowledge of music, his firsthand perspective. He always kept tabs on what was happening in music. I always say the Clive Davis Theater is the toughest ticket in town for its intimacy and the level of programming we do. But he did an annual program at the museum where people could come hear stories directly from him. Once he decided he was in, he was all in.

His gala was the place to be every Grammy season too.

I don’t think anybody could gather a roomful of luminaries like that from entertainment, tech and politics in the way that Clive did. We were lucky to be a part of that. Even with the stature he had, he was still a physical presence there, he was approachable. He was always looked at as this living legend, but his legacy was continuously being built.

That’s true over the arc of his career, which saw him lead Columbia, Arista, J Records and more. He had a lot of resurrections as well as successes.

He had this ability to resurrect. Look at Santana and “Supernatural,” he was a producer on that album that was inducted into the Grammy Hall of Fame just last year. So many of us would just give up, but he just had this resolve to continue, and thank God he did.

The record industry is so different now than when he began his career. Artists find audiences on social media rather than being discovered by label executives. Is a career like his — a famous executive driven by their own taste and individual savvy — even possible today?

That’s true, artists break on social media before they’re even on record executives’ radars now. I don’t know if we’ll see that kind of career arc again. Clive had a rare combination of gravitas and being recognized so publicly. The man and his legacy are not going to be replicated.

Beyond the name on the theater, how do you hope the Grammy Museum will honor him with its programming in time to come?

I don’t know yet. We weren’t really prepared for this. We’re gonna have to sit down and think how to pay tribute to such a legacy. I think that the impact the Clive Davis Theater has, bringing in 120 artists a year — I couldn’t think of a more apropos name on the door.

Barry Manilow has told the story behind his first big hit so many times that I had no intention of bringing up the half-century-old “Mandy” when I sat down with the singer on a recent afternoon at his home in Palm Springs. Among the questions I did ask was how he ended up recording the song that opens his new album, and the answer — as it’s so often been throughout Manilow’s career, beginning with that 1975 chart-topper — was Clive Davis.

“It was all Clive,” Manilow said of “Once Before I Go,” the Peter Allen/Dean Pitchford number that leads off his just-released “What a Time” LP. Davis, the star-making record executive with the so-called golden ears, had been urging him to record the song for years, Manilow told me, which inevitably brought him back to the well-rehearsed tale of “Mandy” — to Davis’ decision that Manilow’s debut for his Arista label lacked a breakout smash and to his suggestion that the singer cut a version of a modest hit called “Brandy” by Scott English.

“So I went in the studio and did it trying to sound like that guy,” Manilow recalled, stomping his foot to approximate a lumbering rock beat. “Clive came in and said, ‘That’s terrible.’ I said, ‘I know it’s terrible.’ But in order to learn the song, I’d slowed it down and changed the key — I found the love song hiding in ‘Brandy,’” Manilow continued. (He also changed the title to avoid any confusion with Looking Glass’ “Brandy,” which had recently reached No. 1.) Manilow played the tune in his more romantic style for the exec. “I’ll never forget it — Clive said, ‘Just do that.’ And that was the record.” He laughed.

“He’s a kind of a genius.”

Davis, who died Monday at age 94, didn’t sing or play an instrument. “I knew nothing about music,” he once said, looking back at his entry into the record business. Yet his instincts made him one of the surest spotters and nurturers of talent in pop history, with a long — and varied — line of success stories that included Manilow, Janis Joplin, Neil Diamond, Lou Reed, Patti Smith, Whitney Houston, Aretha Franklin, Dionne Warwick, Alicia Keys, Jennifer Hudson and Maroon 5, among many others. He even helped the Grateful Dead score a Top 10 single with “Touch of Grey” in 1987.

Davis, who got his start in Columbia Records’ legal department, could identify original voices and seemed to intuit which songs were likely to become hits. Sometimes the hits came from the voices themselves, as in the case of Bruce Springsteen, whom Davis cajoled into writing “Blinded by the Light” for his Columbia debut; sometimes the exec match-made performers and composers, as in the case of “Mandy” or “Freeway of Love,” a zippy Narada Michael Walden jam that launched Franklin’s comeback in the mid-1980s.

A natty dresser with a cosmopolitan air, Davis founded Arista in 1974 after he was fired from Columbia (where he’d ascended to the presidency) amid an embezzlement scandal of which he was later cleared. In 2000, he was ousted from Arista in a corporate shakeup — just months after the label won eight Grammy Awards with Carlos Santana’s 15-times-platinum “Supernatural” LP — then launched a new label, J Records, which scored an immediate blockbuster with Keys’ “Songs in A Minor.”

Clive Davis at the Beverly Hills Hotel in 2020.

(Christina House / Los Angeles Times)

Wherever he worked, Davis’ goal was shepherding hits that spanned formats and generations; he delighted in projects like “Smooth,” the inescapable Santana single pairing the rock guitarist and Rob Thomas of Matchbox Twenty, and a series of Great American Songbook albums by the once-scruffy Rod Stewart. He might also have been the music industry’s biggest believer in ballads, at least among suits: Between 1985 and 1992, Houston alone released almost a dozen of music’s all-timers, including “Saving All My Love for You,” “Didn’t We Almost Have It All” and — perhaps the greatest pop ballad ever recorded — her take on Dolly Parton’s “I Will Always Love You.” (It wasn’t a huge hit, but listen to Houston and Jermaine Jackson’s pedal-steel-drenched “Nobody Loves Me Like You Do,” from Houston’s debut, for an early instance of that crossover ambition.)

One of relatively few nonperformers inducted into the Rock & Roll Hall of Fame, Davis brought his flair for variety to the party he threw at the Beverly Hilton every year on the night before the Grammys — a famously hot ticket that drew A-list celebs from the worlds of music and Hollywood as well as business and politics. You could always count on the exec to have persuaded some number of the year’s splashiest new acts to perform; this year’s bash, in January, had Sombr, Olivia Dean and the women of “KPop Demon Hunters.” But my favorite part of the show was always seeing which veteran Davis had tapped to mix it up with the youngsters — Diamond or Manilow, for instance, or Johnny Mathis, who absolutely killed in 2015.

Davis horrified many in 2012 when he opted to proceed with his party just hours after Houston was found dead in a hotel room at the Beverly Hilton. In the years after the singer’s death, Davis drew criticism for taking too much credit for Houston’s artistic achievements; to some, he became a symbol of the music industry’s efforts to tone down Houston’s Blackness in order to reach white audiences. Five years ago, I asked Warwick, who was Houston’s cousin, whether she’d taken on any kind of consulting role on “I Wanna Dance With Somebody,” the 2022 Whitney biopic that Davis produced.

Bobby Brown, from left, Whitney Houston and Clive Davis in New York in 1998.

(Stuart Ramson / AP)

“Not one thing,” she told me. “I want them to let Whitney rest in peace. Leave her alone. Ten years [since she died] — it’s time to let her sleep.” (In a statement Monday, Warwick called Davis her “dear friend” and said she “can think of no other record man that seemed to have that magical ability to know a hit when he heard a song.”)

I spoke with Davis many times over the years and was always struck by his enthusiasm about music and about his recall of events from decades ago. In 2017, I interviewed the exec alongside Mathis and Kenneth “Babyface” Edmonds about a record the three made together that had Mathis singing newish pop songs like Adele’s “Hello” and Pharrell Williams’ “Happy” — a concept Manilow told me in March he and Davis had been talking about replicating. After my story ran, Davis emailed me and said he’d enjoyed the piece, which had a couple of lines about Davis’ tendency to go overboard hyping his projects.

“Yes, a few of your bites required a personal Band-Aid,” he wrote, “but I did appreciate your perspective of the Mathis album’s quality.”

He knew the music was good; Clive Davis always knew when the music was good.

Our Yorkshire Farm star Clive Owen opens up about a travel mishap during his Ireland trip with sons Miles and Sid in Channel 5 series Reuben Owen: Life in the Dales

Clive Owen found himself having to explain a “little incident” that happened away from the cameras, after his sons raised concerns.

The farmer, who has nine children with Amanda Owen, has been appearing in his eldest son Reuben’s Channel 5 programme, Life in the Dales.

The show follows the family, who rose to prominence on Our Yorkshire Farm, as they continue to document the ups and downs of their farming life.

A recent instalment saw Clive venture beyond the Dales on a road trip to Ireland with his sons Miles and Sid, as they took part in the All Nations Shearing Champions.

However, the journey proved far from plain sailing for Clive, as he revealed he had suffered an “incident” along the way, reports the Express.

Upon arriving at the competition in Donegal, ahead of the two-day event, Clive declared: “Well boys we’re here. The sheep pens are empty but they’ll be coming we hope.”

The narrator then observed: “With the chill of yesterday’s storm still in the air, there’s a memory the boys haven’t quite shaken.”

Sid enquired: “Are you feeling better after yesterday?”

The farmer brushed it aside, responding: “You don’t let me forget yesterday, you guys. My little incident on the ship…”

Miles chipped in: “That sea air was getting to you.”

Clive then put his sons’ minds at rest: “No I’m fine, so forget all about it.”

The narrator continued: “Unlikely, but with prize sheep, sizzling stalls of Irish grub and more vintage tractors than you can shake a spanner at, Clive’s little incident might slip off the radar.”

Miles then jokingly questioned whether his dad was “up to” judging, as he commented: “You look the part but whether you’re up to it…”

“Just remember, the judge is always right,” Clive hit back.

Ahead of heading off on their lengthy journey, marking Sid and Miles’ first time outside the country, Clive shared his concerns about leaving the farm.

He told Reuben: “I’m going to take Miles and Sid because they’ve never been on a ship and they’ve never been overseas.”

He went on to the camera: “I used to skive off school and go and watch these famous sales and watch these great men sell these wonderful sheep and dream that maybe one day it might be me.

“For me, to eventually breed a Champion myself, that’s pretty amazing, actually. We called him Glory and sold him for £28,000 which was amazing.

“Fellas that go and judge like myself, know how hard it is to breed these things. So I see it as a great responsibility and a great honour to judge.

“It’s a tough thing to do because you don’t make everybody happy when you judge sheep.”

Before setting off, Miles and Sid shared their excitement for the ferry, with the former saying: “Yeah, they reckon it will be a bit stormy.”

“Hope you don’t get sea sick,” Reuben warned, while his girlfriend reassured: “You’ll be fine!”

After asking if Sid has ever been abroad before, he replied: “No I haven’t, this will be the first time.”

Clive added, “It’s quite a journey,” before sharing his concerns for travelling through the Irish sea before hitting the sheep competition.

“Tomorrow, there’s a big storm passing through so I’m quite worried about the crossing, how rough it will be.

“Whether we’re ill or anything, I would not like that to happen but we shall see.”

Reuben replied: “Well have a good time you three,” as they set off, with Clive saying, “Have a good time you three.”

“Miss you already,” Reuben called after them.

Reuben Owen: Life in the Dales is available to watch on Channel 5.