Ohtani began the World Baseball Classic in Tokyo for Team Japan with a double on the first pitch he saw and then, one inning later, a grand slam … of course he did.
It continued with an espresso shot …
The hitters of lovable Team Italy celebrated home runs with shots of Italian espresso in a dugout dripping with cheek kisses and caffeine.
After hitting three homers against Mexico, Italy’s Vinnie Pasquantino told Fox that he was, “beaned up.”
Truly, this blip of a tournament has been beaned up, a glorious 10 days of deafening cheers and eye-blacked tears, fans dressed like discount popes and bald eagles, TV ratings through the roof, baseball at its October best … in the middle of spring training?
Italy’s Jac Caglianone takes a shot of espresso as he celebrates with teammate Vinnie Pasquantino after hitting a solo home run against the U.S. during the World Baseball Classic on Tuesday in Houston.
(Kenneth Richmond / Getty Images)
What a thing! What a treat!
All hail the WBC, 20 years old and all grown up, its sixth incarnation stealing the stage in a sweet spot during NBA doldrums and before March Madness.
Have you watched any of it? Have you been energized by all of it? It’s been like two weeks of All-Star games, only the players are serious. It’s been like when baseball was part of the Olympics, only the players are all truly the best in the world.
In the middle of the most boring part of the Cactus and Grapefruit Leagues, it’s like a Superhero League. Two weeks before opening day, it’s like the final week of a pennant race.
It’s competitive, and it’s crazy, and Friday’s quarterfinals were filled with both.
There was giant Vladimir Guerrero Jr. going airborne to score a run for the Dominican Republic against Korea, and then leaping up and pumping his fist as if he had just won the World Series.
There was Juan Soto flying home to score an inning later, his head-first dive celebrated by Soto doing a swim move in the dugout.
Then there was Team USA’s David Bednar, screaming along with the chanting crowd as he worked out of a seventh-inning jam in a win over Canada.
In a tournament filled with equal parts emotion and edginess, Team USA now plays the Dominican Republic Sunday in Miami in a semifinal that could be the most-watched game of this season before the season starts.
Paul Skenes versus a lineup so deep Julio Rodriguez bats seventh? A team led by Aaron Judge and Bryce Harper versus a team featuring Manny Machado and Fernando Tatis Jr?
Dominican Republic’s Vladimir Guerrero Jr. dives past South Korea catcher Park Dong-won to score on a double by Junior Caminero during the World Baseball Classic on Friday in Miami.
(Lynne Sladky / Associated Press)
“I expect it to be one of the best games of all time,” said Team USA Manager Mark DeRosa.
No, the WBC isn’t as big as the World Series. One notable player said it’s even bigger.
“The Classic kind of feels above the World Series,” Kiké Hernández told reporters earlier this spring. “Maybe it’s because of what we have on the chest,”
Hernández, who didn’t play for his home country Puerto Rico because he is recovering from elbow surgery, nonetheless showed up in San Juan for the pool-play games.
He was so excited when Puerto Rico beat Panama on a walk-off home run, he texted Dodgers baseball president Andrew Friedman and asked if he could accompany the team to Houston for the knockout round. Friedman of course said yes.
Yes, yes, yes, more, more, more.
Before this spring, I had watched exactly one WBC at-bat. The entire deal felt cheesy and contrived. American players didn’t appear to care. American players would rather lounge through the final days of spring training in occasional games and on countless golf courses
Other countries loved it. Other countries caused a ruckus. The fan experience was highlighted by a memorable and deafening 2009 final at Dodger Stadium featured a Japan victory over South Korea in a game that many observers said was the loudest they ever attended.
Not me. Didn’t care. I pretty much ignored the whole thing until stumbling upon that one at-bat, the final out in the 2023 title game, that stunning dramatic strikeout of Mike Trout by then-Angel teammate Ohtani to give Japan the title.
Ohtani threw his cap and glove in a rare show of emotion, setting off a wild and sincere celebration as my ignorant self finally realized, “Hey, this is a thing.”
Three years later, the American players have agreed, stacking the roster with stars like Judge and Harper, kids like Pete Crow-Armstrong, vets like Kyle Schwarber and Big Dumpers named Cal Raleigh, all transforming this occasional baseball oddity into must-see TV.
You know how one can tell it’s real American baseball? The team spent its first week mired in social media drama and a second-guessing controversy.
American right fielder Aaron Judge celebrates his team’s win over Canada during a World Baseball Classic quarterfinal game on Friday in Houston.
(David J. Phillip / Associated Press)
Tarik Skubal, the game’s best pitcher, found himself defending his patriotism after leaving the tournament early to better prepare for his opening day start with the Detroit Tigers.
First, he admitted he was surprised at how bad he felt about abandoning Team USA. That seemed to be a theme in a clubhouse that has been stunned at how much this matters.
“I totally misread how I would feel,” he said.
Then, he seemed genuinely hurt that people think he is turning his back on the flag.
“It’s just not fair,” he told the Athletic, later adding, “If they know me, though, and they know me on a personal level and they know what my peers think of me, I don’t think it’s fair to say those things.”
Also finding himself in hot water was USA manager Mark DeRosa, who nearly allowed his team to be eliminated in pool play because he didn’t know the rules.
When Team USA played Italy on Tuesday night, DeRosa rested most of his starters, nearly used retired Clayton Kershaw and basically managed the game as if he thought they didn’t need to win to guarantee advancement to the next round.
Guess what? They needed to win. But they didn’t win, losing 8-6 in a shocking upset. So they were forced to sweat out the Italy-Mexico game on Wednesday, where another Italian upset allowed them to back into the quarterfinals.
DeRosa claimed he knew the rules all along, which he clearly did not.
Before the game against Italy, in an interview on the MLB Network, he said, “Our ticket’s punched to the quarterfinals.”
After the game, DeRosa claimed he just, “misspoke”
And then Thursday he told the media, “I was well aware that we had to win the game.”
The 16-year journeyman clearly messed up, and then tried to cover up, and here’s guessing even if Team USA wins this tournament, he won’t be managing them in the 2028 Olympics or in any future WBC events.
Meanwhile, one American player had a dissenting view about the status of this tournament, Harper offering a tired argument.
“Obviously, the WBC has been great, but it’s not the Olympics, right?” he told reporters. “That’s no disrespect to the WBC or anything, but everybody knows that when the Olympics are on, everybody’s watching. It doesn’t matter what sport it is; it could be the most random sport, and it’s got all the fans watching it.”
Wrong. Here’s guessing more fans will be watching Sunday night in a matchup for the ages. Then, imagine if Team USA wins and plays Japan on Tuesday night for the championship?
With the sport headed toward a seemingly inevitable work stoppage this winter, this could be the sweet beginnings of a long farewell. Soak it in. Enjoy the buzz. Get all beaned up. March madness indeed.
Period dramas are more popular than ever thanks to the likes of Bridgerton and Emerald Fennell’s Wuthering Heights.
Five things about The Other Bennet Sister’s Ella Bruccoleri
Jane Austen’s Pride and Prejudice universe is far from just Elizabeth Bennet and Mr Darcy as a new BBC adaptation is ready to air.
Netflix fans are curious to see how the iconic novel written by author Dolly Alderton will take shape this year but there’s an alternative with a twist on BBC One in the meantime.
Based on the best-selling 2020 novel of the same name, The Other Bennet Sister by Janice Hadlow is finally being brought to life in the shape of a 10-episode period drama.
But rather than telling the love story of Elizabeth and Mr Darcy, the BBC series will be told from the perspective of Mary Bennet, the “seemingly unremarkable” middle sister of the Bennet family.
She may be considered the “overlooked middle sister” of Pride and Prejudice but, in this series, Mary Bennet will stand in the spotlight for the first time.
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Debuting with a double bill tonight, Sunday, March 15, at 8pm on BBC One, The Other Bennet Sister “follows Mary as she steps out of her sisters’ shadows in search of her own identity and purpose, finding herself in the middle of an epic love story along the way.
“Her journey will see her leave her family home in Meryton for the soirées of Regency London and the peaks and vales of the Lake District, all in search of independence, self-love, and reinvention.”
Bringing the 19th Century Regency drama to life are an abundance of familiar faces, led by none other than Call the Midwife actress Ella Bruccoleri as Mary Bennet.
She is joined by stars including Gavin and Stacey’s Ruth Jones as Mrs Bennet, The Capture actress Indira Varma as Mrs Gardiner and Saltburn actor Richard E Grant as Mr Bennet, just to name a few.
Despite not yet airing on BBC One and BBC iPlayer, The Other Bennet has already won itself a legion of fans thanks to Hadlow’s hit book.
Taking to Goodreads, a fan described it as “Beautifully written, moving and plausible, and very much in the spirit of Austen.”
Another echoed: “I would think that Austen herself wrote this book if I didn’t know better.
“Hadlow completely nails Austen’s witty, sharp sense of humor and elegant turns of phrase.”
“I absolutely love this – it’s a lovely, powerful and sweet book and I just adored it”, a third said.
While fourth added: “This is a fantastic re-telling of a classic novel and its characters, reforming our view of Mary Bennet, and elevating her into a heroine in her own right.”
The Other Bennet Sister premieres tonight, Sunday, March 15, at 8pm on BBC One.
Duplantis, widely known by his nickname ‘Mondo’, has already won every major gold available to him, and became the first man in 68 years to retain the Olympic pole vault title at Paris 2024.
The US-born Swede, who chose to represent his mother’s homeland, has not lost a major final since the World Athletics Championship in Doha in 2019, where as a teenager he missed out to American Sam Kendricks on countback.
World record talk has largely replaced any discussion of the destination of men’s pole vault gold medals since he took the record off Lavillenie in February 2020.
How has he done it? A potent combination of lightning runway speed, technical precision in the take-off, explosive power and the bravery to embrace it as he travels far beyond the average height of a giraffe (5.5m).
It is his sprinting prowess in particular that his rivals pinpoint as a defining factor, with the higher approach speed generating greater kinetic energy and creating the foundation for greater heights.
That is something he has enhanced through specially-developed sprinting spikes which he wears for his world record attempts, which feature an unusual hooked spike in the forefoot.
His incremental centimetre-by-centimetre approach to improving the world record is by no means revolutionary; since Sergey Bubka became the first person to clear six metres 40 years ago, the record has been nudged no more than two centimetres higher at a time.
It helped that Duplantis grew up with a pole vault pit in the back garden of his childhood home in Louisiana, with his father a former elite competitor in the discipline.
The record-breaking dominance he has gone on to achieve has transcended the sport and established Duplantis – coached by his parents Greg and Helena – as the sport’s biggest star.
HOUSTON — Kyle Teel, Sam Antonacci and Jac Caglianone homered as Italy built a big lead and held on to stun the United States 8-6 Tuesday night in the World Baseball Classic.
The U.S. is done with pool play at Houston’s Daikin Park and needs the Italians to beat Mexico Wednesday night to be guaranteed a spot in the quarterfinals. If Mexico beats Italy, the three teams will be knotted at 3-1 and the winners will be determined by a tiebreaker, with the team that allowed the most runs eliminated.
Italy starter Michael Lorenzen allowed two hits in 4 2/3 scoreless innings to keep the Americans off balance.
Pete Crow-Armstrong homered twice and drove in four runs, and Gunnar Henderson added a solo shot for the U.S., but the rally came up short when Greg Weissert struck out Aaron Judge with a runner on to end it.
Crow-Armstrong’s second homer, a shot to the second deck in right field, cut the lead to 8-6 with one out in the ninth. Bobby Witt Jr. singled and Henderson struck out before Judge whiffed to start the Italian celebration.
The U.S. was down by 8-1 with two out in the seventh when Crow-Armstrong hit a majestic three-run homer to right field.
Kyle Schwarber and Will Smith hit back-to-back singles with two out in the eighth before Roman Anthony’s RBI single on a line drive to left field. But Ron Marinaccio retired pinch-hitter Bryce Harper on a fly ball to end the inning.
Teel’s home run to the Crawford boxes in left field gave Italy an early lead with two out in the third. McLean then plunked Caglianone before Antonacci’s homer to the bullpen in right-center made it 3-0.
Caglianone’s two-run shot off Ryan Yarbrough pushed the lead to 5-0 with no outs in the fourth.
The Italians added a run on an error, another on a sacrifice fly and a third on a wild pitch by Brad Keller to push the lead to 8-0 in a sloppy sixth by the U.S.
The U.S. finally got on the board with Henderson’s homer in the sixth.
Aaron Judge hit a two-run homer and Roman Anthony added a three-run blast in a big third inning to lead the United States to a 5-3 win over Mexico in the World Baseball Classic at Houston’s Daikin Park on Monday night.
The U.S. improved to 3-0 and will meet Italy (2-0) on Tuesday night, seeking to secure a spot in the quarterfinals in Houston this weekend.
Jarren Duran homered twice for Mexico (2-1), which will face Italy Wednesday night in the last game of Group B play.
The game was played in front of a sellout crowd of 41,628 that was decidedly pro-Mexico.
Reigning National League Cy Young Award winner Paul Skenes gave up one hit and struck out seven in four innings as the U.S. avenged an 11-5 loss to Mexico in the 2023 WBC.
The U.S. led by three entering the eighth inning before Duran took Matthew Boyd deep for his second homer. Boyd then hit Randy Arozarena on the arm with a pitch before striking out Jonathan Aranda.
Griffin Jax took over and induced a double-play grounder from Alejandro Kirk to end the inning.
Bryce Harper singled on a ball that hit reliever Jesus Cruz on the leg with no outs in the third inning. Judge followed with his drive to right field to put the Americans up 2-0 and give him two home runs in the tournament.
Kyle Schwarber singled and Cal Raleigh was hit by a pitch with one out before Anthony’s homer to right-center pushed the lead to 5-0.
Duran homered for a second straight game with his solo shot off Boyd that cut the lead to 5-1 with one out in the sixth. There were two on and two outs when Joey Meneses singled in a run to make it 5-2.
The lovely, funny “American Classic,” premiering Sunday on MGM+, is a love letter to theater, community and community theater. Kevin Kline plays Richard Bean, a narcissistic stage actor. He’s famous enough to be opening on Broadway in “King Lear,” but he has to be pushed onstage and is forgetting lines. After he drunkenly assails a hostile New York Times critic — caught on video, of course — he’s suspended from the play, and his agent (Tony Shalhoub) advises him to get out of town and lay low until the heat’s off, as they used to say in the gangster movies.
Learning that his mother (Jane Alexander, acting royalty, in film clips) has died, Richard heads back to his small Pennsylvania hometown, where his family — all actors, like the Barrymores, but no longer acting — owns a once-celebrated theater. To Richard’s horror, it has, for want of income, become a dinner theater, hosting touring productions of “Nunsense” and “Forever Plaid” instead of the great stage works on which he cut his teeth.
Brother Jon (Jon Tenney), running the kitchen at the theater, is married to Kristen (Laura Linney), Richard’s onetime acting partner, who dated him before her marriage; now she’s the mayor. Their teenage daughter, Miranda (Nell Verlaque) — a name from Shakespeare — does want to act and move to New York, as her mother had before her, but is afraid to tell her parents. Richard’s father, Linus (Len Cariou), is suffering from dementia, though not to the point he won’t actively contribute to the action; every day he comes out again as gay.
Across the eight-episode series, things move from the ridiculous to the sublime. Richard’s attempt to stage his mother’s funeral, with her coffin being lowered from the ceiling, while “Also sprach Zarathustra” plays and smoke billows toward the audience, fortunately comes to naught; but he announces at the ceremony that he’ll direct a production of Thornton Wilder’s 1938 play “Our Town” at the theater, to “restore the soul of this town.” (His big idea is to ignore Wilder’s stage directions, which ask for no curtain, no set and few props, with a “realistic version,” featuring a working soda fountain, rain effects and a horse.) Fate will have other plans for this, and not to give away what in any case should be obvious, the title of the play will also become its ethos, with a cast of amateurs, including Miranda’s jealous boyfriend, Randall (Ajay Friese), and ordinary people standing in for the ordinary people of Wilder’s Grover’s Corners.
The series has a comfortable, cushiony feeling; it’s the sort of show that could have been made as a film in the 1990s, and in which Kline could have starred as easily in his 40s as in his 70s; it has the same relation to reality as “Dave,” in which he played a good-hearted ordinary Joe who takes the place of a lookalike U.S. president. The town is essentially a sunny place, full of mostly sunny people, to all appearances, a typical comedy hamlet. But we’re told it’s distressed, and Mayor Kristen is in transactional cahoots with developer Connor Boyle (Billy Carter), who wants clearance to build a casino on the site of a landmark hotel. (Much of the plot is driven by money — needing it, trading for it, leaving it, losing it.) He also wants his heavily accented, bombshell Russian girlfriend, Nadia (Elise Kibler), to have a part in “Our Town.”
As in the great Canadian comedy “Slings & Arrows,” set at a Shakespeare Festival outside of Toronto, themes and moments and speeches from the play being performed are echoed in the lives of the performers, while the viewer experiences the double magic of watching a fine actor playing an actor playing a part. Kline, of course, is himself an American classic, with a long stage and screen career that encompasses classical drama, romantic and musical comedy and cartoon voiceovers; the series makes room for Richard to perform soliloquies from “Hamlet” and “Henry V,” parts Klein has played onstage. He brings out the sweetness latent in Richard. Linney, who played against her sweetheart image in “Ozark,” is happily back on less deadly ground (though she’s tense and drinks a little). Tenney, who was sweet and funny on “The Closer,” and who we don’t see enough of these days, is sweeter and funnier here, and gets to sing. (All the Beans will sing, except for Linus.)
As a comedy, it is often predicable — you know that things will work out, and some major plot points are as good as inevitable — but it’s the good sort of predictability, where you get what you came for, where you hear the words you want to hear, ones you could never have written yourself. “American Classic” is not out to challenge your world view in any way but wants only to confirm your feelings and in doing so amplify them. Shock effects are fine in their place — and to be sure there are major twists in the plot — but there is a certain release when the thing you’re ready to have happen, happens, whether it brings laughter or tears. Either is welcome.
With summer temperatures and clear skies this weekend, it’s hard to believe that just weeks ago, the city was hit with a week of heavy rainstorms. Several restaurants across the region were forced to temporarily close due to flooding, resulting in revenue loss and expensive repairs.
March brings the start of spring, which means we’re already seeing seasonal produce such as asparagus, peas and apricots appear on our favorite menus. Keep reading for more dining ideas this month, including the return of a globe-trotting cafe, a community-minded food hub in South L.A. and an Argentinian bistro with a connection to Bad Bunny’s Super Bowl performance.
THE Pretty Woman star who infamously scolded Julia Roberts in the iconic scene looks very different these days.
Dey Young has made a rare appearance 35 years after starring as a rather snobby saleswomen on Rodeo Drive in the 1990 romantic comedy.
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Dey Young, who starred in Pretty Woman, has been spotted on an outing in LACredit: BackGridShe is best-known for playing a snobby shop assistant in the 1990 romantic comedyCredit: BackGrid
She has appeared in over 100 movies and television programs throughout her career, but is perhaps best known for her Pretty Woman stint, alongside Julia Roberts and Richard Gere.
The actress, who is now 70-years-old, was seen on a leisurely Sunday morning stroll with her pooch by her side.
She and her dog were strolling along the sidewalk in Los Angeles.
Dey looked chic but kept things simple in a red zip-up, black trousers, and a burgundy colored cap.
As she walked her dog, which was on a leash, the actress also donned some sunglasses and wore her phone on a lanyard across her body.
In Pretty Woman, Dey’s character works at a swanky shop on Rodeo Drive in Beverly Hills.
Julia Robert’s character of Vivian Ward works as a prostitute and goes shopping with her client’s credit card.
When she walks into Dey’s character’s shop, the saleswoman tells Vivian they don’t have clothes for her.
Vivian later goes shopping elsewhere before returning to the snobby shop to tell them “big mistake” after splashing hundreds of dollars.
Despite having long been in the business, Dey isn’t slowing down.
She currently has two projects in the works.
Dey previously spoke about her Pretty Woman role.
Speaking to Today in 2021, she said, “I never knew that this movie would be as big as it was, or that this scene would be so iconic.
“I really think the reason is that it’s a moment a lot of people can relate to it.”
Dey Young is known for starring in Pretty Woman as the snobby saleswomanCredit: UnknownDey’s character was snobby to Julia’s characterCredit: Unknown
Before her Pretty Woman stint, Dey had taken on roles in the likes of Rock ‘n’ Roll High School and Strange Behavior.
She wasn’t planning to audition for Pretty Woman until a chance encounter.
“Alan Thicke and I were friends and he invited me to a tennis party,” she said.
“I got paired with up Garry Marshall.
“We ended up winning our match, and that was a really fun thing. At the end of it, Alan told him I was an actress and (Marshall) was like, ‘Oh, really? Well, you know, I think I might have something for you.’”
She then went on to audition for the film, which was in fact originally called 3,000.
The reason the movie was originally titled 3,000, was because that was the amount negotiated for Julia Robert’s character’s rate.
Julia Roberts played a prostitute named Vivian Ward in Pretty WomanCredit: Alamy
Captain Pugwash first aired on British television in 1957 as a black-and-white stop-motion show, before the full colour version of the series was first broadcast from 1974-75.
The series is based on the much loved children’s comic strips and books created by Josh Ryan.
It follows Captain Horatio Pugwash as he sails the high seas in his ship, the Black Pig, ably assisted by Tom the captain boy, pirates Willy and Barnabas and Master Mate.
Along their adventures, they’re battling against his mortal enemy, Cut-Throat Jake, captain of the Flying Dustman.
The children’s animation was written, illustrated and produced by John Ryan, before Peter Hawkins voiced all the characters, bringing them to life.
Captain Pugwash originally ran from 1957 to 1966 before being revived in colour in the 70s, and again in 1997.
The synopsis teases on ITVX: “The bumbling 50s kids TV star is back on screen. Join him aboard the Black Pig & meet cabin boy Tom, pirates Willy & Barnabas, & Master Mate. Beware of the enemy Cut-Throat Jake.”
Viewers have been left reminiscing on the iconic childhood series, with one writing on Reddit : “Love Pugwash – have complete set of DVDs.”
Another said: “I can hear the theme tune in my head right now,” as a third elsewhere wrote: “Ooh wow, that brings back memories, brilliant.”
This comes as ITV has added a variety of returning and new programmes to the streaming service, with more yet to come this year.
In a press release announced earlier this year, the broadcaster shared: “ITV will ring in the new year with a raft of brand new dramas, exclusive entertainment shows, much loved juggernauts and big name reality.
“Jing Lusi, Michelle Keegan, Martin Compston, Natalie Dormer, Shaun Evans, Romala Garai, Eve Myles, Gemma Arterton, Rafe Spall, Dominic Cooper, Luke Evans, David Morrissey, Douglas Booth, Sophie Rundle, Philip Glenister, Mia McKenna-Bruce, Rishi Nair, Robson Green, Aimée-Ffion Edwards, Daniel Mays, Ben Miller, John Simm, Richie Campbell and Omid Djalili are just some of the names appearing in ITV dramas over the next twelve months.”
Drama includes Michelle Keegan’s The Blame, The Party, based on the acclaimed novel by Elizabeth Day, Gemma Arterton leading a stellar cast in Secret Service, and new scandalous drama Adultery.
Elsewhere in entertainment, Graham Norton hosts a street-sized reality game, The Neighbourhood, Rob Brydon is fronting new gameshow The Floor and Gary Lineker is hosting The Box. Ben Shephard ’s The Summit has already begun, and I’m A Celebrity All Stars will return alongside Britain’s Got Talent, Ant & Dec’s Limitless Win and The 1% Club.
Stepping into Jr. Market boutique in Highland Park is like entering a 1980s time warp. Built into a refurbished shipping container, it’s filled with everything from tiny Walkman-style portables to colorful, number-flip clock radios and, naturally, boomboxes of all sizes. Few are more imposing than the TV the Searcher, a Sharp boombox from the early ‘80s that features a built-in, 5-inch color television.
“Try lifting it, it’s really heavy,” warns Spencer Richardson, the shop’s owner. Indeed, the machine is at least 15 pounds without the 10 D batteries that power the unit. He adds, “I don’t think you’re taking this to the beach so you could watch TV while you listen to music.”
An affable, hyper-knowledgeable proprietor in his early 30s, Richardson repairs and resells analog music technology from the 1980s or earlier. In bringing these rehabbed players back into circulation, he’s helping others rediscover a musical format once left for dead. While his hobby-turned-side hustle started as “a gateway to discover sounds” that he otherwise would not have heard, it now attracts curious customers willing to drop $100-plus for a vintage Technics RS-M2 or My First Sony Walkman. His customers include older baby boomers and Gen X‑ers nostalgic for the players of their childhood, but most have been millennials like himself, drawn to something tactile and analog in an era when everything else disappears into the digital ether.
A rare Technics RS-M2 stereo radio tape deck. “I’ve worked on a lot of tape players and this one shouts quality inside and out,” Richardson writes on Instagram.
(Spencer Richardson)
Unlike turntables, which have become increasingly high-tech thanks to the “vinyl revival” of the last 20 years, almost all cassette players in current production rely on the same, basic tape mechanism from Taiwan, Richardson explains. Though cassette culture is enjoying its own period of rediscovery — albeit on a far smaller scale — he hasn’t seen a market emerge for newly engineered tape decks. And he’s fine with that.
“I’m not one of those people that’s like, ‘Why don’t they make good new tape players?’” he says. “No one needs to make it better. You’re still better off buying a refurbished one from the time when they made them.”
That’s where he steps in.
Richardson works on a Nakamichi tape deck out of his repair studio in downtown L.A.
(Genaro Molina / Los Angeles Times)
It’s easy to forget that when cassettes debuted in the mid-1960s, the technology was groundbreaking. Not only were the players far more portable than turntables but unlike records, tapes were resilient to being tossed about. Even more profoundly, cassettes democratized access to the act of recording itself since cassette technology required minimal infrastructure and cost.
“I think about how incredible it must have been for people to realize they could just put whatever they wanted onto a tape, dub it, give it to a friend,” says Richardson.
Entire genres of music, especially in the developing world, became far more accessible across borders. In some countries, big records are still released on cassette. “I have a Filipino release of Kanye West’s ‘College Dropout’ on tape,” Richardson says.
The constraints of the technology guided the listening experience. Because skipping songs on a player was a hassle, most people sat with cassette albums as a track-by-track, linear journey, the antithesis to the algorithmic, shuffle-centric playlists ubiquitous on today’s streaming platforms. It’s a pace that Richardson appreciates.
“I want things to be intentional and slow,” he says. “I don’t need them to be optimized.”
He learned how to repair gear by watching YouTube videos, perusing old manuals and through trial and error.
(Genaro Molina / Los Angeles Times)
Born in the early 1990s, Richardson grew up in Santa Monica and the Pacific Palisades, where his mother’s home was lost in the L.A. wildfires last year. He’s just old enough to remember cassettes as a child: “My mom had books on tape like ‘Winnie the Pooh,’ but I wasn’t out buying tapes.” Fast forward to the mid-2010s and he was working at the now-defunct Touch Vinyl in West L.A. “Back in 2014, we started this little in-store tape label,” he explained. “Bands would come to play, and we’d duplicate 10 tapes and give them away or sell them.” Richardson slowly began collecting cassettes but after the store closed a few years later, he realized how hard it was to find people to service his tape players.
Finally, once the pandemic hit in 2020 and everyone was stuck at home, he decided to learn how to repair his gear by watching YouTube.“I was just fascinated by the videos, absorbing soldering techniques and tools you might need,” he said. With no formal engineering background, Richardson began collecting information online, perusing old manuals, learning through trial and error. “You just need to get your hands in there and be like, ‘Oh, OK, I see how this works,’ or maybe I don’t see how this works, and I’m just going to bang my head against the wall, and then a year later, try again.” His first successful repair was for his Teac CX-311, a compact stereo cassette player/recorder that he still owns. “It has some quirks but runs well.”
A few years later, Richardson’s girlfriend, Faith, suggested he start selling his players online via an Instagram account — jrmarket.radio — originally created for a short-lived internet station. Tim Mahoney, his childhood friend and a professional photographer, shot the units against a plain white backdrop, as if for an art catalog. A community of enthusiasts quickly found his account and Richardson began selling pieces online and via pop-ups. In 2024, the owners of vintage clothing store the Bearded Beagle invited him to take over the parking lot space behind their new location on Figueroa St. Opening a brick-and-mortar store hadn’t been his ambition but Richardson accepted the opportunity: “I never envisioned opening my own physical store. It’s hard enough to have a retail space in Los Angeles to sell something that’s very niche.”
Jr. Market operates as a shop Thursday through Saturday in Highland Park.
(Spencer Richardson)
Jr. Market — whose name is inspired by Japanese convenience stores known as “junior markets” — isn’t trying to appeal to audiophiles though Richardson does stock studio-quality recording decks. He primarily looks for players with appealing visual design, most of them made in Japan where Richardson has been traveling to since graduating high school. Through those trips, he’s learned where to source pristinely-kept gear, including his best-selling Corocasse: a bright red plastic cube of a radio/tape player, introduced by National in 1983. He also keeps an eye out for the unique Sanyo MR-QF4 from 1979, an elongated boombox with four speakers, designed to play either horizontally or flipped into a vertical tower.
The store also stocks a small selection of portable record players, including a Viktor PK-2, a whimsical, plastic-bodied three-in-one turntable, tape player and AM radio that looks like something designed by a modernist artist for Fisher-Price. That went to local author and historian Sam Sweet, who visited the store with no intention of buying anything and left with the Viktor, which now sits on his writing desk. “Spencer’s part of a grand tradition of workshop tinkerers and specialty mechanics,” Sweet says. “The refurbished devices he sells are as much a reflection of his ethos and expertise as they are treasures of the past.”
Last year, Imma Almourzaeva, an Echo Park art director, came to the store and purchased a massive 1979 Sony “Zilba’p” boombox, which is nearly 2 feet wide and over a foot tall, with wood veneer panels to boot. Almourzaeva, who grew up in Russia in the ‘90s, wanted a player that offered “the tactile feel of my childhood and bringing it back into my daily routine, something familiar, something warm.” The Zilba’p is the largest boombox Richardson has carried and Almourzaeva said, “It’s aesthetically a showstopper. Maybe I have a Napoleon complex because I’m pretty small too. It’s like ‘go big or go home’ for me.” She shared that she recently bought a Soviet-era boombox from Richardson for her brother for Christmas. “It turned out my mom grew up using the same brand of stereo,” Almourzaeva says. Richardson had told her that Soviet boomboxes are “very DIY, more funky and finicky.”
Refurbishment is one of Richardson’s specialties, including repairing customer units, each of them a puzzle he enjoys solving. No matter if a player is sparse or feature-packed, the simple act of playing a cassette creates a sense of calm and focus for him. “You’re not distracted, because it doesn’t do anything else,” he says. In a time where every “smart” device is marketed with dizzying arrays of features, that simplicity can feel downright revolutionary.
