city

A dispute over the city of Los Angeles’ eviction defense program came to an end Tuesday when the City Council approved millions of dollars in funding for the next 15 months.

The program, Stay Housed L.A., started in 2021 and provides thousands of renters with legal representation in eviction proceedings as well as other services.

Tenant advocates feared that the new contract, which passed 12 to 1 and funds an initial portion of a three-year, $177-million contract, was under threat after City Atty. Hydee Feldstein Soto urged the council to reconsider it in a confidential memo last week.

Feldstein Soto said she had concerns about awarding such a large contract to Legal Aid Foundation of Los Angeles, which frequently sues the city over homelessness issues.

Legal Aid is the main legal service provider under the Stay Housed L.A. contract, which also funds Southern California Housing Rights Center for short-term emergency rental assistance, Liberty Hill Foundation for tenant outreach and Strategic Actions for a Just Economy to protect tenants from harassment.

The city’s Housing Department had recommended a three-year contract, but the council opted for a shorter period that can be extended.

Legal Aid has argued that its lawsuits against the city are unrelated to its eviction defense work under the Stay Housed L.A. contract.

“We are very relieved that our services can continue uninterrupted,” said Barbara Schultz, director of housing justice for Legal Aid, in an interview after the vote.

Feldstein Soto, who is running for reelection, said in a statement that her office wanted to make sure the city wasn’t giving a “blank check” to Legal Aid without requiring detailed reporting of finances and outcomes.

“The eviction defense program is a city program and is in zero jeopardy,” she said. “What is in question is a $177-million blank check to [Legal Aid] and its partners without the reports and invoice review that is required by law. That is an amount that exceeds the budget of numerous city departments.”

On Tuesday, the City Council added a requirement that the nonprofits in the program provide “performance metrics” including the number of tenants served, case outcomes and demographic data.

Schultz said that Legal Aid already provides monthly data to the city.

John Lee was the only councilmember who voted against the new contract, saying he was not comfortable with the new “transparency requirements.”

Since its inception, Stay Housed L.A. has opened about 26,000 cases overall, providing full representation for 6,150 cases and working on nearly 20,000 “limited scope” cases, according to data from Legal Aid. The original contract, which is set to lapse at the end of the month, was for about $90 million.

The program is funded by Measure ULA, the “mansion tax” passed by city voters in 2022. On Tuesday, the council included a provision that would allow it to cease funding the eviction defense program if Measure ULA were overturned.

Forget Paris and Venice for an intimate getaway, as there’s another city that has been ranked as the most romantic in Europe, with rooftop bars to catch the sunset and a serene boating lake

Europe’s most romantic city has been named, but it’s not where you might think.

Paris, France, has long been hailed as the ‘city of love’, with proposals in the masses, while Venice, Italy, offers sunset gondola rides along the canals. Yet, according to one new ranking, they’ve both been overshadowed as the most romantic cities in Europe.

Instead, the sun-soaked capital of Spain, Madrid, has taken the crown with its historic charm and intimate settings. There are cosy restaurants, rooftop bars, luxury hotels, along with majestic landmarks, vibrant street art, and passionate flamenco performances, all making for a truly spectacular getaway.

Some of the most notable places to visit include hiring a rowing boat on the serene, picturesque lake at El Retiro Park, or taking a leisurely stroll around the enchanting El Capricho Park or the beautiful Sabatini Gardens at the Royal Palace. The city offers some of the best spots to catch the sunset, including the restaurant Azotea del Círculo, which offers panoramic views from its rooftop terrace, and the gardens in Cerro del Tío Pío, perfect for a sunset stroll.

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However, one popular area that has been hailed as the ‘best sunset spot in Madrid’ is the ancient Egyptian temple, Templo de Debod. Catching the sunset last year, one traveller shared on TripAdvisor: “The magic hour to visit is sunset!.. The temple’s ancient stones turn a rich orange, and the reflective pools surrounding it create a mirror effect that is a photographer’s dream.”

For a break away from exploring the city, there’s the Arab baths at Hammam Al Ándalus for a relaxing soak and a step back in time among its historic buildings, or lively flamenco shows at Corral de la Morería. Couples can enjoy a glass of wine and tapas at the Mercado de San Miguel, a fresh food market, or ride the cable car, the Teleférico de Madrid, which crosses the river.

But a stroll around the city is enough to leave you enchanted, with vibrant graffiti decorating its quaint streets lined with tapas bars and coffee shops, and magnificent architecture. From the iconic Plaza Mayor, Plaza de la Villa, and Puerta del Sol square, to the Royal Palace and the Prado Museum, it’s easy to spend hours exploring this bustling yet charming city.

Madrid was named the most romantic European city following research by Icelandair. The airline analysed data from various European cities, comparing their location, nightlife, single population, inclusivity and happiness, along with Tripadvisor romance ratings and sunset visibility, with Madrid topping the list.

The list proves even more valuable, as Icelandair found that 1 in 10 Brits, in a study of 3,000 people, said travel is the best way to meet a partner. Meanwhile, 1 in 5 Brits said they’ve fallen in love while flying, and further research found that most holiday romances occur while volunteering abroad, during a work trip, or while solo travelling.

Most romantic European cities

1. Madrid, Spain
2. Prague, Czech Republic
3. Lisbon, Portugal
4. Barcelona, Spain
5. Zurich, Switzerland
6. Amsterdam, Netherlands
7. Helsinki, Finland
8. Vienna, Austria
9. Copenhagen, Denmark
10. Rome, Italy
11. Athens, Greece
12. Geneva, Switzerland
13. Oslo, Norway
14. Berlin, Germany
15. Reykjavik, Iceland

Do you have a travel story to share? Email webtravel@reachplc.com

IF YOU told me there was a place that had the streets of Paris but in England, I wouldn’t believe you.

But there is, and after years of living in London, New York and Los Angeles, I decided to move back to the storied cosmopolis that is Canterbury.

Canterbury has just been named the best small city in the UK by The Telegraph, and it isn’t hard to see why.

With a wealth of glorious green spaces, museums, ‘traditional meets trendy’ pubs, inviting restaurants and unique shops, the UNESCO World Heritage Site city in The Garden of England leaves me with a grateful heart.

I first fell in love with its cobbled, meandering streets and willowy riverbank walks as a student at the university here in the 1990s, where I met my husband.

When we finally decided it was time to bring our family home to the UK after two decades living in the US, there was only one place on our list.

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And three years after our return, I still get a buzz walking past the hodgepodge of medieval taverns and churches immortalised in the novels of one of the city’s biggest fans, Charles Dickens.

Here’s my insider guide to get the best out of this glorious city, whether you’re coming for the day or a week.

Canterbury technically invented tourism when it started making the most of the martyrdom of Saint Thomas Becket, who was murdered in the cathedral in 1170, encouraging people to travel to the site for miracles and blessings, and stay for the fine ale and feasts.

Today, the UK’s oldest cathedral and the Mother Church of the worldwide Anglican community, is still a beautiful place to spend a peaceful few hours.

You can admire the breathtaking stained-glass windows, gawp at the tombs of The Black Prince and Henry IV, or explore the wildflower gardens that surround the Gothic cloisters.

And with the first female archbishop in the cathedral’s 1400-year history being enthroned this month, there’s never been a more meaningful time to visit.

Tickets start from £18 per person and include exhibitions, mini talks and activity trails.

Under 18s can go free when accompanied by one paying adult (max two children per adult).

Social media had recently been alive with comparisons between Canterbury and Paris, thanks to both cities’ abundance of pavement cafes and tree-lined streets.

The cities are only being 177 miles apart and my car even picks up French radio stations.

“For me, Canterbury feels like a tiny English version of a Paris arrondissement… a storybook full of historic wonders,” agreed my friend Marie, a Parisian who has called Canterbury home for the last five years.

“I fell in love with its quirky tea rooms, independent boutiques, traditional
pubs and cathedral bells.

“Plus, this place has really friendly locals, who are way more welcoming and laid-back than the people you will find in most French cities!”

For the best of France right here in England, wander The King’s Mile and pop to local gourmands for sweet treats, including Madame Oiseau Chocolatiers for handmade truffles.

Or head into Café Turquoise for delicately fragrant macaroons, and there’s A. T. Patisserie as well, which has inventive eclairs that make your mouth scream hallelujah.

Our shopping definitely compares in originality to the greatest global metropolises.

From the rare gems waiting to be discovered in the infamously wonky and haunted Crooked House Bookshop (where every penny made goes to support a local charity, Catching Lives), to the made-and-glazed-onsite teapots designed by a husband-and-wife team in Canterbury Pottery.

Another spot worth exploring is The Goods Shed – an indoor farmer’s market which boasts farm-fresh soups and stews.

Thanks to Canterbury having the UK’s biggest student-to-resident ratio, the vintage shops are abundant and full of quirky finds.

Check out the Cathedral Quarter’s Superstore, Retro Remix and Karma too.

You’ll leave with a head full of history and a bag full of pre-loved treasures for much less than you’d pay in a bigger city.

Spring is the perfect time to visit, thanks to its plethora of free parks and gardens.

Toddler’s Cove is an action-packed mecca for the under-eight-year-olds, which is just along from Westgate Gardens, with its award-winning flower displays and views of 12th-century towers – the oldest surviving gateway in the country.

Inside the towers is now a museum, escape room and a kid-friendly restaurant called The Pound (don’t miss the spicy chicken
sandwich).

Entrance to the old gaol (jail) museum is free with every meal.

After people-watching on the patio, walk past the controversial new statue of a drowning Ophelia (Shakespeare was inspired to write her character after being transfixed with a similar local scandal).

It is next to The Guildhall – where a young Mozart performed – which houses a great coffee shop.

You can also jump onboard a chauffeured punt for a dreamy historic tour
along the River Stour.

Back on dry land, head to local boy Orlando Bloom’s favourite restaurant, Café des Amies, which serves the best Tex-Mex I’ve ever tasted (and I lived in Austin for seven years).

If you’re up for more action, rent your own paddleboard or kayak from Canoe Wild for a sunset paddle along the river to gaze upon the resident beavers (from £40 per person).

The brand-new Canterbury Tales Experience is a state-of-the-art interactive, immersive journey through the stories of Geoffrey Chaucer – with holograms and actors, sounds and smells of the 13th century.

The experience ends up in a pub too, where you can meet the Father of English Literature himself.

A family ticket for two adults, three kids costs £60.

Other cultural must-dos include the Roman Museum, which gives a family
friendly insight into life in Roman Britain, built around the remains of an original Roman

Another option is Town House, which is complete with stunning mosaics (Adults, £11; children £5.50) and the free Beaney House of Art & Knowledge, which hosts workshops, art shows and exhibitions for all ages throughout the year.

It is also the home of a few of Canterbury’s most beloved fictional characters, including Rupert the Bear and Bagpuss.

For more cities to explore in the UK, here’s the UK’s smallest city with a pretty high street and 26 nearby beaches.

Plus, our expert picks for UK staycation trips to banish post-summer blues – including free hidden gems for kids & £1.50 meals.

WHEN I told my friends about my recent European getaway, many met me with two questions in quick succession: firstly, “Where?” and then pointedly “Why?”

I’m not surprised. I hadn’t heard of the city – a two-and-a-half-hour flight from London – until I decided to whisk my wife away on a romantic weekend there. What I found was meals out for less than £10, posh Airbnbs for only £50-a-night, and drinks at about half the price we pay at home.

In recent years, we’ve had weekend breaks in Paris, Barcelona, Berlin, Vienna, Lisbon, Rome and Amsterdam – but they can often feel too big to truly explore over a weekend.

Add in long airport journey times, expensive hotels and pricey restaurants, and you come home knackered and empty pocketed.

Increasingly, I’ve found that it’s simply more enjoyable to head somewhere smaller: instead of Paris, try Toulouse; instead of Barcelona, try Grenada. So, when we decided on a trip to Poland, we picked a trip to Lublin, rather than Warsaw or Krakow.

We wanted to go on a “couple weekend” – like a date night for married people, but conducted over 48 hours somewhere well away from home. 

Except for Vienna, all our previous minibreaks were in Western Europe – this time, we wanted something more exotic, perhaps to the East or North. 

Plus, we were seriously skint.  Anything in Scandinavia was prohibitively expensive.

One friend had just been to the chic Arctic Circle town of Tromso in Norway and warned: “For even a very average bottle of wine in a bog standard restaurant you are looking at eighty quid”.

I thought he must have mis-typed, but no, that number did indeed have a Y on the end – eighty.

So Norway was out. Sweden and Finland didn’t sound much better when it came to price. 

So when a friend suggested an affordable alternative, Poland, I was interested. Which is how we came to settle on Lublin.

In the east of the country, with a population of around 327,000, Lublin is closer to the border with Ukraine than the capital, Warsaw. 

The city featured prominently in one of our favourite films of last year, A Real Pain, which won Kieran Culkin a Best Supporting Actor Oscar.

It came across as both fascinating and charming. 

We then found we could get a smart Airbnb double room in the heart of this pretty city for £50 a night – and return flights out of Luton on Wizz Air for just £37 each. Sold!

Lublin is a tiny airport – just four gates – so easy and quick to navigate, then there’s a little single carriage tram-like train to ferry you very cheaply the few miles into the city to find that double room. 

Our rental was an absolute steal for the price: views from two large windows looking directly at the dramatic castle with ramparts that dominate the old town, and it also features as a backdrop in A Real Pain

A bottle here for the price of a glass there

The food and drink were a steal too; the wine in particular was a lot, lot cheaper than you’d find in the UK.

A bottle here for the price of a glass there.

In both restaurants, the food was less than half the price for something comparable at home – generous mains for under a tenner.

In fact, everything from Uber rides to gallery tickets seemed to have this “less than half” aspect, which left us thinking it might be even more financially advantageous to simply move here.  

Lublin was beautiful, intense, constantly interesting and surprisingly romantic- but also very, very cheap – perfect for the couple with no money. 

Even though Lublin is the largest city in eastern Poland, there are far fewer crowds than Krakow, making it the ideal family destination too.

Of course, we wanted to check out the locations features in A Real Pain too.

The film, a mix of comedy and tragedy, told the story of two cousins, Culkin and Jesse Eisenberg, visiting the city where their Jewish grandmother had grown up before being caught up in – and narrowly escaping – the Holocaust. 

That historic atrocity looms large in Lublin.

Until 1939, the city was one of the great Jewish centres in all of Europe, comparable to Oxford for its cultural reach.

First, we headed to the Old Jewish Cemetery – but it was closed for the sabbath so we could only peer in at the atmospheric stone monuments.

At a hotel around the corner, a travel group leader told me that the building had been the largest Jewish academy in the world when it opened in 1930.

But barely a decade later, its entire library burned in what is now the hotel carpark and its students were systematically slaughtered. 

Just outside Lublin is a concentration camp, Majdanek, where 78,000 died.

But of course, it wasn’t just Polish Jews who were murdered.

Outside that cemetery, for example, a sign proclaimed: “This place is hallowed by the blood of Poles, prisoners of Lublin Castle, executed by the Nazis on 23 December 1939.”

The fairytale castle we were looking at from our room had a dark past. 

The other film location we tried was a restaurant, Mandragora, in the old town, where Culkin’s character plays the piano.

On our visit to this delightfully old-fashioned place, there was also music, from a small band with accordion, fiddle and clarinet that seemed to give a pre-war atmosphere.

Even more retro-atmospheric was a restaurant not in the film, Zaczarowana, where a gothic interior of shadows, black curtains and candlelight made it feel like we were on the set of some composite film mash-up of the Frankenstein and Dracula stories.

Like travelling back in time

There’s lots to see in the city too.

If travelling with kids, you can head to the Open Air Village Museum, which is an immersive museum with historic farmhouses and of course, farm animals too.

There’s also a water fountain and light show in Litewski Square to watch in awe.

In the Old Town you will find pastel coloured houses, neatly lined up and there is also the castle – one of the oldest royal castles in the country – which has great views across the city.

According to Backpack Adventures, it is even like “travelling back in time” with a number of gates leading onto narrow alleys.

The city has over 150 trolleybuses to get around the city, which were introduced back in 1953.

And it is the perfect time to visit, as the city has been named one of Europe’s Capitals of Culture for 2029.

Hungry? Head to U Szewca in the Old Town, where you an discover a pub with sport-themed rooms, pizza for just £6 and Bolognese for around £7.50, and a beer for about £4.25.

When it comes to grabbing something to drink, head to Nocny Portier where you will find “upside-down pot plants, absurd monkey portraiture and terrific cocktails from a movie-inspired menu”, according to The Times.

You even need a password to head downstairs to the speakeasy and once inside, you will be able to grab a cocktail for just £6 delivered on a toy railway.

For more cheap European getaways, these are the cheapest European cities to fly to this year according to the experts – with loads of flights from £15.

Plus, these are Europe’s top 20 cheapest beach resorts.

The Legal Aid Foundation of Los Angeles routinely sues the city — and wins.

In the last two months, the nonprofit has notched victories in three lawsuits over the city’s handling of the homelessness crisis.

Legal Aid also defends tenants at risk of eviction as part of the city and Los Angeles County’s Stay Housed L.A. program.

Last Tuesday, the City Council was set to vote on a $177-million contract for Legal Aid to continue representing tenants for the next three years, with other groups providing related services.

But the night before the vote, City Atty. Hydee Feldstein Soto sent a confidential memo to council offices recommending that council members “reconsider the award of such a large contract to a frequent litigant against the city,” according to a portion of the memo obtained by The Times.

On the day of the scheduled vote, the council delayed it for a week, until Tuesday.

“[Legal Aid’s] mission includes improving the lives of our client communities through systemic change, which sometimes means filing litigation against government entities engaging in illegal conduct,” Barbara Schultz, director of housing justice for Legal Aid, said in an interview.

Schultz said that Legal Aid’s litigation and eviction work “are entirely separate.”

Through a spokesperson, Feldstein Soto declined to comment. She is running for reelection this year.

The contract, which would last for three years, would award nearly $107 million to Legal Aid for eviction defense and prevention, $42 million to the Southern California Housing Rights Center for short-term emergency rental assistance, nearly $22 million to Liberty Hill Foundation for tenant outreach and close to $7 million to Strategic Actions for a Just Economy to protect tenants from harassment.

The battle over the contract has serious implications for Los Angeles tenants at risk of eviction, Schultz said.

Legal Aid, which has participated in the program since its inception in 2021, will have to stop accepting new clients if the contract does not pass on Tuesday. Each month, about 160 tenants will be without legal representation and about 575 more won’t get advice that could help them avoid eviction proceedings, Schultz said.

Schultz said that Legal Aid subcontracts some of the legal work in the program to groups such as Bet Tzedek and Inner City Law Center.

“We get 600 to 800 eviction filings each month in our district alone. If council doesn’t act, those families will have no help from the city,” City Councilmember Hugo Soto-Martínez said in a statement.

The Stay Housed L.A. program has opened about 26,000 cases overall, providing full representation for 6,150 cases and working on nearly 20,000 “limited scope” cases, according to data from Legal Aid. The original contract, which is set to lapse at the end of the month, was for about $90 million.

Measure ULA, the “mansion tax” passed by city voters in 2022, includes funding for the program.

Last June, Feldstein Soto tried to block the City Council from extending the contract without a competitive bidding process, a core tenet she has preached as the city’s elected legal counsel.

At the time, some City Council members grumbled, but still, they opened the contract to bidders.

Months later, the city Housing Department awarded the contract to Legal Aid and the other organizations before sending it to the City Council for approval.

“Our understanding of the city’s contracting process is that it is trying to get the best services it can at the best value and not using the process to influence the political or legal activities of nonprofit advocacy organizations,” Elizabeth Hamilton, deputy director of Strategic Actions for a Just Economy, which has also filed lawsuits against the city, said in a statement.

Feldstein Soto’s confidential memo cited other potential issues with the contract, calling for an audit of Stay Housed L.A. and asserting that a confidentiality clause in the original contract might violate state public records laws.

Recently, Legal Aid has scored several victories against the city.

In January, a judge ruled that the city violated the state’s open meeting law when council members made a plan behind closed doors to sweep 9,800 homeless encampments. Legal Aid represented the plaintiffs in that case.

In February, with Legal Aid also serving as plaintiffs’ counsel, a judge ruled that the city lacked the legal authority to carry out a state law allowing the dismantling of abandoned or inoperable RVs worth up to $4,000.

That same month, Legal Aid scored another victory when a federal judge found that the city violated homeless people’s constitutional rights by seizing and destroying their property during encampment cleanups.

Travis Kelce will return for another season with the Kansas City Chiefs, who have also agreed a deal to sign Kenneth Walker, according to reports.

Kelce, a three-time Super Bowl winner, has spent his entire NFL career with the Chiefs and the veteran tight end is out of contract after his 13th season.

But a social media post, external by New Heights, the podcast he produces with his brother Jason, said: “He’s back! Travis Kelce is back with the Chiefs for year 14.”

Kansas City hoped the 36-year-old would commit to another season and NFL Network’s Ian Rapoport reported that Kelce has turned down more lucrative offers, external from other teams to agree a one-year deal worth up to $15m (£11.2m).

After reaching five Super Bowls in six years, the Chiefs missed the play-offs last season for the first time since the 2014 campaign.

But they have given their offence another boost by moving for running back Walker, the Most Valuable Player in last season’s Super Bowl, with a three-year deal worth up to $45m (£33.5m), according to NFL Network., external

During the regular season, Walker passed 1,000 rushing yards for the second time in four years with the Seattle Seahawks, and the 25-year-old then helped fill the void after fellow running back Zach Charbonnet suffered a torn ACL in the play-offs.

Walker led the NFL for most carries (65), rushing yards (313) and rushing touchdowns (four) during the post-season, becoming the first running back to be the Super Bowl MVP since 1998.

Champions Seattle were willing to let Walker test the free agency market and he will become the first Super Bowl MVP to immediately switch to a new team since 2003.

Jordan Rivers, who is running to represent a harbor-area district on the Los Angeles City Council, said he will continue his campaign after a report surfaced that he stabbed a neighbor when he was 12.

Rivers, 22, is the sole challenger to incumbent Tim McOsker in the June 2 primary election.

In a lawsuit, Nicholas Parszik and his parents alleged that Rivers stabbed Nicholas, then 8, while the two boys were playing video games in the garage of Nicholas’ San Pedro home on July 30, 2016.

Rivers “stabbed Nicholas repeatedly around the neck and shoulder areas,” inflicting “severe and life threatening physical and emotional injuries,” the lawsuit said.

On Monday, Rivers said it was an “accident” that happened a decade ago.

“I do not believe that past situations or indeed past mistakes define or determine who a person is or what they are,” he said in a statement.

Rivers, who is Black, said that an initial media report about the lawsuit had “a racial undertone” and seemed meant to damage his reputation ahead of the election.

The California Post first reported the lawsuit on Monday, which was also the last day for candidates to withdraw paperwork to run for office.

McOsker is seeking a second term representing District 15, which includes Harbor City, Harbor Gateway, San Pedro, Watts and Wilmington.

“I am saddened and troubled that this happened here in our community, and my heart breaks for the victim and his family. I hope they have gotten the care needed. My office will be here to provide advocacy and support for anybody who has been traumatized by this incident,” McOsker said in a statement.

Asked whether Rivers should withdraw, McOsker campaign consultant Dave Jacobson said, “Only Mr. Rivers could decide whether to run, and only he can decide whether he should stay in the race.”

Rivers, who listed his occupation as “community organizer” on campaign filings, has not reported any campaign donations. By Dec. 31, McOsker’s campaign had raised over $190,000, according to the city’s Ethics Commission.

Juvenile criminal records are sealed. Rivers said that law enforcement “got involved” but that he did not serve time in juvenile hall.

Paul Parszik, Nicholas’ father, said he was doing dishes when he heard screaming from the garage and Nicholas ran into the house with stab wounds on his neck and shoulders.

Paul Parszik recalled shoving his fingers into the wounds to staunch the bleeding.

Nicholas fully recovered and is about to turn 18, his father said, but still has physical scars.

In an interview with The Times, Rivers denied attacking Nicholas. He said he had been cooking and accidentally brought a cooking knife to the younger boy’s home.

He forgot that he had put the knife under a video game controller, and the two began “play fighting,” he said.

Rivers said he didn’t notice anything was wrong until Nicholas was already injured.

Rivers’ mother, Eunice Rivers, wrote in a 2016 filing in the lawsuit that her son “was eating an apple and had a small peeler in his hand to cut his apple when the Plaintiff started wrestling with the Defendant. While wrestling Plaintiff Nicholas was injured.”

Eunice Rivers settled the case, which was filed in Los Angeles County Superior Court, for $10,000 in 2018. The settlement did not include an admission of fault.

In an October court filing, Paul Parszik claimed that Eunice Rivers never paid the settlement and owes $7,941.71 in interest.

Parszik said the lawsuit was primarily intended to pressure the Rivers family to move away, which they did not do.

He plans to attend Rivers’ campaign rallies.

“I can’t wait to go home and go to his first rally and say, ‘Hey, you stabbed my kid and you have no remorse,’” he said.

NFL free agency is here!

Well, kind of.

The league’s so-called legal tampering period begins Monday at 9 a.m. PT, when teams are allowed to start negotiating with the agents for players who are about to become unrestricted free agents. No contracts can actually be signed, however, until the the start of the new NFL league year, which is Wednesday at 1 p.m. PT.

So, basically, fans will start finding out what moves their teams make and where various players will land starting Monday morning.

Hours before the legal tampering period started, the Miami Dolphins announced they will release longtime quarterback Tua Tagovailoa. The 2023 All Star will count $99 million against the Dolphins’ salary cap, the biggest dead cap hit in NFL history. The money can be split over the next two seasons if Tagovailoa is designated a post-June 1 release.

In six years with the Dolphins, Tagovailoa went 44-32 as a starter, completing 68% of his passes for 18,166 yards with 120 touchdowns and 59 interceptions. He made the Pro Bowl in 2023.

“Wearing this jersey and representing this city has been one of the greatest joys of my life,” Tagovailoa wrote Monday on Instagram, adding: “I also carry deep regret that I couldn’t get the job done and bring a championship home to this city. Miami deserves that, and I’ll always wish I could have delivered it for you.”

Who are some of the other big names in the free agency market? As far as quarterbacks are concerned, Green Bay Packers backup Malik Willis could be a hot commodity. Daniel Jones is a free agent after a strong season with Indianapolis, although the Colts placed the transition tag on him and can match any offer.

Veteran quarterback Kyler Murray was informed by the Arizona Cardinals last week that they will be letting him go at the start of the new league year. The Atlanta Falcons have made a similar announcement regarding Kirk Cousins. Other available veteran quarterbacks include Aaron Rodgers, Joe Flacco, Russell Wilson and Marcus Mariota.

Teams in need of a running back might be interested in the services of Kenneth Walker III, who will be a free agent just weeks after he was named Super Bowl LX MVP as a member of the Seattle Seahawks. Travis Etienne of the Jacksonville Jaguars could also find a new home.

This also seems to be a big year for free agent edge rushers (including Trey Hendrickson, Jaelan Phillips, Odafe Oweh, K’Lavon Chaisson and Boye Mafe) and wide receivers (including Alec Pierce, Mike Evans, Romeo Doubs, Rashid Shaheed and Jauan Jennings).

Check back here for updates as teams begin making moves.

PASSENGERS have been filmed evacuating Kansas City International Airport amid unconfirmed reports of an active bomb threat.

Footage being circulated online shows hordes of travelers exiting the Missouri airport in masses.

The reported evacuation began around 11:50am local time on Sunday, according to one onlooker on X.

Others have reported being moved from Concourse B to Concourse A and being filtered onto tarmac via staircases as “emergency sirens” sound in the background.

“We were all told to immediately get to concourse A. K9’s and agents all over the place. No planes on the tarmac,” one passenger wrote online.

There are unconfirmed reports that the evacuation has been triggered by an active bomb threat.

‘PAEDO’ PILOT

Moment airline pilot is arrested in front of passengers over ‘paedo ring’

“There’s an active bomb threat at the Kansas City Airport,” a passenger claiming to have just landed at the airport wrote on X.

“My plane from New Orleans just landed. Pilot said we won’t go to the gate for hours.”

Official Statement

“The Kansas City Aviation Department is aware of a situation at Kansas City International Airport (MCI),” a spokesperson told The U.S. Sun.

“As a precaution, the department has evacuated sections of the Airport Terminal.

“Airport Police are working with the FBI to substantiate any potential threat.”

The spokesperson added that the team “is working with law enforcement to substantiate the legitimacy of a bomb threat.”

Further updates are expected shortly.

It comes just 48 hours after a Southwest Airlines flight was diverted due to a mid-air security threat.

Tensions are high amid the US-Israeli war with Iran that has increased the domestic terror threat and the prolonged shutdown of the Department of Homeland Security (DHS) due to funding disagreements.

Former Security Secretary Kristi Noem warned that this would “endanger national security,” with TSA and border patrol agents stretched to their limits.

“Now is the time to be vigilant at home and to ensure that all of our doors are locked, so to speak,” Speaker Mike Johnson, warned on Wednesday as he discussed the continued shutdown and conflict.

This is breaking news. Please keep checking back for the latest updates…

NEW YORK — A counterprotester demonstrating against a “Stop the Islamic Takeover of New York City” event Saturday lighted and threw a device containing nuts, bolts and screws at the protesting crowd after someone from that group used pepper spray on the counterprotesters, police said.

Police are investigating the incident that started late Saturday morning when someone from the anti-Islam protest associated with far-right activist and pardoned Jan. 6 rioter Jake Lang shot pepper spray into a counterprotesting group near the mayoral residence Gracie Mansion, Police Commissioner Jessica Tisch said.

Tensions continued to heighten, she said, when one of the counterprotesters lighted and threw a device she described as smaller than a football into the protesting crowd of about 20 people.

The device struck a barrier and extinguished itself “a few feet from police officers,” she said. The same person then ran, and another person gave a him a second device, which they then dropped. The devices were wrapped in black tape with nuts, bolts and screws, as well as a fuse. She said it was unclear whether the devices were functioning explosives or hoaxes.

Three people were arrested, and an investigation is underway, Tisch said.

Tisch at a news conference didn’t report any injuries and said she believed Mayor Zohran Mamdani was not at Gracie Mansion at the time.

She said about 20 people showed up to Saturday’s protest connected to Lang, and the counterprotest had about 125 people at its peak.

Lang was charged with assaulting a police officer with a baseball bat, civil disorder and other crimes before receiving a pardon as part of President Trump’s sweeping act of clemency for Jan. 6 defendants last year. Lang recently announced that he is running for U.S. Senate in Florida.

Last month, Lang staged an anti-Islam protest in Minneapolis during the Trump administration’s immigration crackdown there.

Manchester City boss Pep Guardiola is facing a two-game touchline ban after being booked for the sixth time this season during Saturday’s FA Cup win at Newcastle.

Guardiola was shown a yellow card after confronting fourth official Lewis Smith on the touchline at St James’ Park after Kieran Trippier had fouled City’s Jeremy Doku.

New regulations introduced this season mean Premier League managers are suspended for one game once they have received three yellow cards, while six cautions will result in a two-match ban.

The ban applies to league and FA Cup games but not European games or domestic cup finals, meaning Guardiola will be on the touchline for the Carabao Cup final with Arsenal on 22 March.

However, the Spaniard will have to sit out next Saturday’s Premier League fixture with West Ham and City’s FA Cup quarter-final clash on the weekend of 4-5 April, with the draw yet to be made for that round.

After the win at Newcastle, Guardiola said of his angry reaction that led to his booking: “I will tell you something – we have all the records in this country, all of them, despite everything.

“We have the record of the manager with the most yellow cards. I want all records and now I have it, two-game ban now and I will go on holidays the next two games.

“There are things after 10 years I cannot understand. Review the action. Of course I’m going to defend Doku and all my teams.”

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Howard Blume and Noah Goldberg, giving you the latest on city and county government.

She’s blunt. She’s combative. She doesn’t go along to get along.

And now, Los Angeles City Councilmember Monica Rodriguez is almost certainly getting four more years in office.

On Wednesday, with the deadline past, no one filed a petition to challenge Rodriguez in the June 2 primary election. That makes her the only official at City Hall to be in that coveted position this year.

One caveat: Someone could still run as a write-in, waging a long-shot campaign. But realistically, Rodriguez has a free ride to continue representing her northeast San Fernando Valley district.

Rodriguez, who lives in Mission Hills, said she had been prepping for “another fight,” raising money and giving endorsement interviews. Now, she’s started talking about what her third and final term could look like.

“Giddyup. Everyone better buckle up,” she said, cackling.

For an elected official, nothing can bolster one’s confidence like a reelection victory or two. Newly elected council members tend to keep a low profile their first few years. The longer they stay, the more outspoken they become.

Rodriguez, on the other hand, has been willing to speak her mind for quite some time.

She’s been a longstanding critic of Mayor Karen Bass’ Inside Safe program, which moves homeless people indoors. She has pushed, without success, for the city to yank its money from the embattled Los Angeles Homeless Services Authority, or LAHSA. Last fall, she told a mayoral aide that Bass’ team “botched” the Palisades fire recovery in the first few months.

Rodriguez frequently expresses her views in vivid terms, and in ways that can annoy her colleagues.

Last year, she warned a proposal to hike the minimum wage for hotel and airport workers to $30 per hour would trigger job losses, leaving the city with “the best paid unemployed workforce in America.”

She denounced the city’s plan to upgrade the Convention Center, saying the council was continuing to “fund failure.” She regularly drops the phrase “merry go round from hell” — shorthand for her struggle to get her colleagues to pull out of LAHSA, the city-county homeless agency that’s been the subject of blistering audits.

With the election approaching, the zingers have only gotten zingier.

Six weeks ago, City Councilmember Nithya Raman launched a last-minute bid to rewrite Measure ULA, the city’s tax on high-end property sales, saying it had chilled development of much-needed apartments. Raman wanted her proposal to go on the June ballot but failed to garner support from her colleagues, who said it hadn’t been vetted.

Rodriguez, in a screed delivered on the council floor, compared Raman to “the arsonist that comes showing up as a firefighter.”

That was a not-so-veiled reference to the fact that Raman promoted Measure ULA in 2022 — and downplayed concerns that it would affect housing production.

“Ms. Raman, you supported and endorsed the false notion to voters that [Measure ULA] was going to be the panacea — without study, without any of the verified proof,” she said. “We knew that these were the implications.”

Raman, in a statement on Friday, said she endorsed Measure ULA after reading through research suggesting that the tax, which generates money for housing programs, would not affect housing production. Newer analysis, she said, found that the measure “indeed resulted in less investment in multi-family housing.”

“That is a huge concern to me and should be to everyone in L.A., a City that is still very much facing a housing shortage,” said Raman, who is now running for mayor. “I am willing to take some heat to get the best outcomes for the City and to secure support for these crucial revenues.”

Stuart Waldman, president of the Valley Industry and Commerce Assn., a San Fernando Valley-based business group, said he appreciates Rodriguez’s direct approach, even when he disagrees with her.

“A lot of councilmembers, if they don’t agree with you, they won’t even meet with you,” he said. “There are council members who say they’ll listen and take [an issue] under advisement, even though they’ve made up their mind. They just don’t want to tell someone to their face that they disagree.”

Rodriguez’s approach doesn’t always reap political dividends.

Last year, Council President Marqueece Harris-Dawson removed her from a number of high-profile committees, including those that oversee homeless programs, public safety and the city budget.

Despite her warnings, the council hiked the minimum wage for tourism workers and approved the $2.6-billion Convention Center project. She championed the creation of a new youth development department, only for it to wind up on the chopping block in last year’s budget.

Rodriguez, 52, grew up in Arleta, the daughter of a U.S. Marine veteran who served in Vietnam while holding a green card, and later became one of the city’s earliest Latino firefighters in the wake of a federal consent decree on hiring. She graduated from San Fernando High School in 1992, one year after Assemblymember Luz Rivas and two years after U.S. Sen. Alex Padilla.

She worked for former Mayor Richard Riordan and former Councilmember Mike Hernandez and later ran unsuccessfully against former Councilmember Richard Alarcon. She joined the Board of Public Works in 2013, running for council a second time four years later.

With a third term looming, Rodriguez wants to take a program she launched in her district — moving homeless people out of RVs and into housing — and take it citywide. She’s excited about expanding a program for fixing sidewalks that also teaches job skills to young people.

Rodriguez acknowledged that her stances, and her remarks, can rub people the wrong way, noting that it’s “more comfortable to walk in a group than to walk alone.” Nevertheless, she doesn’t intend to change her approach.

“I know what I’m here to do, and I’m just going to continue,” she said.

State of play

— SCRAMBLE FOR SIGNATURES: The deadline for candidates for city office to turn in petitions arrived on Wednesday, and the signatures are still being counted. By Friday, 12 mayoral candidates had qualified to run against Bass, including Raman, reality television star Spencer Pratt and tech entrepreneur Adam Miller. The City Clerk’s office is still reviewing the petitions of several other mayoral hopefuls, all of them political unknowns.

— ANOTHER FREE RIDE: L.A. Unified School board member Kelly Gonez is also running unopposed in the June 2 election. On Wednesday, her one potential opponent, JP Perron, announced he was dropping out. Like Rodriguez, Gonez represents part of the San Fernando Valley.

— A HELPING HAND: For a hot minute, things were touch and go for Sylvia Robledo, a former council aide looking to unseat Councilmember Eunisses Hernandez. After filing her petitions, Robledo learned Tuesday that she was short 14 voter signatures. Raul Claros, one of her rivals in the race, stepped in to help close the gap, gathering some signatures himself. “People want options,” he said later on Instagram. “People want anybody but Eunisses Hernandez.”

Two of Robledo’s other opponents — entrepreneur Nelson Grande and nonprofit executive Maria Lou Calanche — added their own names to her petition. On Wednesday, she qualified for the ballot.

“We may have a different vision or path, but we all want new leadership,” Robledo said.

— JANISSE JETS OFF: The top executive at the Department of Water and Power, Janisse Quiñones, announced this week that she has taken a job as CEO of a privately owned electrical company in her native Puerto Rico. Quiñones, who was hired at $750,000 a year, faced criticism over the DWP’s decision to drain a reservoir shortly before the Palisades fire broke out. Her first day in the new job is March 30.

— TRUMP ON LINE 1: Bass spoke on the phone this week with President Trump to request FEMA reimbursements for the Palisades fire, KNX News reported. Bass told the station that the president was “very receptive.”

“I was reluctant to call because there are a few other things going on, like what’s happening overseas, and I didn’t think, given all that was happening internationally, that he would actually return my call,” she told the station.

— OVERDUE BILLS: The county Board of Supervisors voted this week to fund a financial review of the Los Angeles Homeless Services Authority, after finding that the agency owes tens of millions of dollars to nonprofits that oversee interim housing for the region’s homeless population. Supervisor Lindsey Horvath said her phone was “ringing off the hook” from groups needing to get paid by LAHSA.

— TIT FOR TAT: Meanwhile, the long-running feud between Bass and Horvath continued to boil over, with the two taking digs at each other over the future of the region’s homeless programs. Bass, in a statement, said pulling out of LAHSA too quickly would bring “unintended consequences” and leave “more Angelenos to die on our streets.”

“When the County created their new Department of Homeless Services and Housing, they also created a $300 million gap, which they had to close by prioritizing bureaucracy rather than services,” Bass said.

Horvath shot back, saying she is already conferring with council members on a strategy to have the city pay the county to provide homeless services.

“I’m ready to work with the City Council and show the Mayor what locking arms actually looks like,” she said, swiping one of Bass’ signature phrases.

— PALISADES BOWL IN PERIL: The owners of a mobile home park destroyed last year in the Palisades fire are marketing the site as a potential “mixed use” project — housing plus commercial space, which would result in permanent displacement of residents. City Councilmember Traci Park said any developer looking to take the sellers up on their offer should “pound sand.”

“What we are interested in doing is restoring this property as a mobile home park for the people who were there and remain displaced,” she said.

— PURSUING POT PROCEEDS: L.A. cannabis companies owe the city more than $400 million in business taxes, late fees and interest. Hoping to recoup $30 million of that total, the council voted this week to set up an amnesty program for those pot businesses that still owe money and haven’t already shuttered.

— JAIL DEATHS: Ten people have died in L.A. County jails so far this year, putting the county on track for another record-setting year of in-custody deaths. Now, county supervisors want the Sheriff’s Department to reverse that trend by beefing up safety checks, more closely monitoring cameras and increasing access to the overdose reversal drug Naloxone.

— FOR FLOCK’S SAKE: The Police Commission wants to know how data captured by the controversial license plate reader Flock Safety are being stored and shared. Commissioner Jeff Skobin asked for the information following reports that federal agencies had repeatedly accessed Flock’s surveillance data as part of Trump’s ongoing immigration crackdown.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to fight homelessness went to a stretch of Laurel Canyon Boulevard in North Hollywood, underneath the 170 Freeway. About three dozen people went inside, according to Bass’ team.
• On the docket next week: The council’s Planning and Land Use Management Committee meets Tuesday to take up a proposal to hike the penalties for putting up illegal billboards and other unpermitted signs.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

IN northern Portugal is a beautiful city that was once the home of the country’s very first king.

This year it’s set to become even more popular on the map this year thanks to it being awarded the title of European Green Capital for 2026.

Guimarães is well-known for being the home of the country’s first king who was born there around the year 1109.

Dom Afonso I was the first King of Portugal, he reigned from 1139 until his death in 1185 – and secured Portugal’s independence from the Kingdom of León.

Visitors to the city can to this day see Guimarães Castle, the 10th-century fortress is said to be the actual birthplace of the first Portuguese king.

Tourists are allowed to enter the castle, although it is unfurnished, for around £5.

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When it comes to food and drink, one visitor on Tripadvisor wrote that you could pick up wine between €3.75 and €4 (£3.49).

In Northern Portugal, most restaurants and bars will serve ‘fino’, a small draft beer that you can usually pick up for around €2 (£1.74).

Something else to try is Guimarães’ take on Doces conventuais – which are traditional Portuguese desserts.

A Torta de Guimarães is a crescent moon-shaped pastry with a thin, flaky, and crispy puff pastry shell.

It’s filled with a sweet and creamy mixture of egg yolks, sugar, ground almonds, and chila (gila) squash jam.

Any bakery in the city is likely to sell Tortas de Guimarães which you can usually pick up for around €3 (£2.62).

Guimarães is Largo do Toural is at the the heart of the city. The central square was once used as a market and now has vibrant cafes.

For some incredible views, head up to the cable car which connects the city centre to the summit of the nearby Monte da Penha.

It travels up 1700 meters so you can get incredible views across the whole region.

At the very top is the Penha Sanctuary, a modern, art-deco-style church.

The Guimarães Cable Car typically costs €10 (£8.72) for a return.

This year, Guimarães has been named European Green Capital for 2026.

Part of the reason Guimarães was selected for this was its green spaces – between 2012 and 2023, the city added 95.7 hectares of natural spaces.

This includes along the main rivers and in its forests.

If you want to see it for yourself, Guimarães has a Green Map which takes visitors from Penha Mountain into the city.

Along with it, events are being held all year – Guimarães will host its spring festival in late March where there’s a 10km race through the city.

In April it will hold a three-day contemporary dance festival and the city will take part in Green Week in June as well as Mobility Week in September.

For Brits, the best way to get to Guimarães is by flying to Porto – which is around 25 miles away.

From there, you can hop on a direct bus which takes just 35 minutes and costs £5.

Here’s another quaint Portuguese canal city with white-sand beaches and cheap wine…

For striped houses that look like giant beach huts and beautiful stretches of coastline – head to Aveiro.

The city in Portugal sits on the west coast and is much less known than its neighbour – Porto – and is considered to be the country’s ‘Venice‘.

Along with its waterways, Aveiro is known for its beautiful waterfront houses, bars and boat tours.

The city is built around water including the Ria de Aveiro which is a shallow coastal lagoon – and throughout Aveiro are lots of canals.

The largest is Canal Central de Aveiro, right in the city centre and it’s here where tourists can hop onto a boat and take a river cruise.

Dotted along the water are the brightly coloured Moliceiro boats which were historically used to collect seaweed.

Now, these are used for leisure tours which you can book from €13 (£11.22).

A local pint will set you back just €2.75 (£2.38).

Just a short trip from Aveiro is the Bairrada Region Proximity, which produces plenty of sparkling and red wine, so the city is also perfect for wine lovers.

It is an excellent hub for exploring vineyards on reasonably priced tours, and bars and restaurants in the city centre offer glasses from as little as €2.30 (£2).

Aveiro is known for a local delicacy called ‘ovos moles’ – these traditional Portuguese pastries are essentially a sweet, creamy egg yolk and sugar mixture inside a thin wafer shell.

You can pick these up in local cafes or bakeries for around €1.60 (£1.38) each – and if you treat yourself to a coffee, it will cost as little as €2.16 (£1.87).

Plus, here’s the secret side to Portugal crowned one of the best places in Europe to visit this year.

And here’s a definitive guide on where to eat, sleep, drink and sunbathe in Portugal’s Algarve by the locals.

Writer Catherine Usher travelled by train to the pretty town of Troyes in the Champagne region, discovering art, history and – of course – the best bubbly

Troyes is only a 90-minute train ride from Paris but, compared to the capital, it’s a more compact and intimate location for a French mini-break. You’ll find atmospheric churches, attractive independent shops and chic museums, making it the ideal place to explore for a few days. Although it’s a very popular stop-off point for holidaymakers driving further south in France or onwards to Germany or Switzerland, a car isn’t a necessity. We travelled to Paris first via Eurostar –a much more environmentally-friendly option than flying – then took the train to Troyes. (It’s a 10-minute walk between Gare du Nord and Gare de l’Est in Paris.) Once in Troyes, we were able to explore much of the town on foot.

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What to do in Troyes

Troyes is a pretty city with lots of half-timbered buildings in the old town that were largely built in the 16th century. There are countless cobbled streets to wander down and the atmosphere is relaxed and friendly.

Two museums well worth taking a stroll around are the Musée d’Art Moderne and the Cite du Vitrail.

• The Modern Art Museum , located next to the cathedral, is home to paintings by artists such as Henri Matisse and André Derain. The sloping ceilings on the upper floor make it feel cosy and visitors can enjoy a sense of proximity to the artwork.
• The Cite du Vitrail is the stained glass museum and it is a wonderful, tranquil venue where you can immerse yourself in the elegance and beauty of stained glass. Located in an 18th century building, it explores stained glass from the Middle Ages to the present day and houses striking and memorable exhibits.

Making time for Champagne

Being in the heart of the Champagne region, discovering its most famous export is a must. Chassenay d’Arce champagne house in Ville-sur-Arce is about an hour’s drive from Troyes. It was founded in 1956 by five pioneers and the organisation is now made up of 130 families, with a focus on co-operation and knowledge-sharing.

Visiting its vast cellars and seeing how the bottles are produced is a real eye-opener, and the tasting workshop at the end of the tour is an obvious highlight for champagne connoisseurs and novices alike (see chassenay.com).

Troyes is a straightforward place to explore, but if you really want to find out about its history then a guided tour is a must. Hosted by Troyes La Champagne Tourisme, tours can be arranged for smaller or larger groups, of up to 30 people. Our host, Laura Dudek, was a well-informed, enthusiastic guide who tailored the experience to our interests, taking us to see many of the city’s ornate and impressive churches and cathedrals. For those who prefer to go it alone, you can explore with a City Pass, which includes an audioguide and admission to the museums.

Where to eat and drink

A flute of champagne is no doubt on the agenda for many visitors, and most of the bars and cafés have a variety of local brands to sample.

Octave is a sophisticated, rather understated restaurant located in the centre of Troyes with a beautiful courtyard, where you can enjoy dinner under the stars – usually joined by the friendly cat who lives nearby. The tapas style menu may look daunting at first glance, but the knowledgeable staff are happy to advise and we were very pleased with their recommendations.

For a speedy, fuss-free lunch while sightseeing, Tonton Farine is a welcoming bakery/canteen where everything is homemade. As it’s France, everything tastes more wholesome and delicious than a British equivalent. Most of the other customers looked like they were locals on their lunch break.

If you’re away from Troyes enjoying a champagne tour, Le Moussec in Les Riceys is a fabulous place to stop for lunch. The dishes are tasty and hearty, the restaurant is buzzing, which is always a good sign, and the staff are warm and attentive without being suffocating.

Where to stay

Two elegant boutique hotels, La Maison de Rhodes and Le Champ des Oiseaux, are located in adjoining medieval buildings and offer a combined 23 rooms. Owned and run by the same family, the welcoming hotels are a great base from which to explore the city.

Room categories and decor vary between the two properties, but guests share access to a range of amenities, such as a tranquil walled garden (we were getting Romeo and Juliet vibes), an outdoor heated pool and a small spa. The restaurant has an elegant yet homely ambiance and after your evening meal you can enjoy a nightcap in the moonlit garden. Once settled with a glass of wine, some nibbles and a book, it’s incredibly hard to drag yourself away.

How much does it cost?

Rooms at La Maison de Rhodes start from £245 and Le Champ des Oiseaux start from £174 per night on a B&B basis – see maisonderhodes.com. To book a tour of the town, see troyeslachampagne.com. Eurostar journeys between London and Paris start from £39 each way – see eurostar.com. Fares are all-inclusive with no hidden extras, children under four go free, and a Paris-London journey by Eurostar means 96% fewer CO2 emissions than travelling by plane.

THE UK isn’t short of amazing swimming pools, with some dating back to the Victorian era.

But one in the city centre of London remains relatively unknown – despite a multi-million campaign to reopen it.

Marshall Street Baths is built on the grounds of one of London’s oldest bathhouses in 1852.

Also previously called Westminster Public Baths, it was rebuilt to what it looks like now back in 1931.

Even used as a training ground during World War II, it fell into disrepair over the years.

It was forced to close in 1997, before reopening as Nuffield Health leisure centre in 2010 after a £25million refit.

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Now run by Everyone Active, it is also home to a gym, sauna and steam room.

The Grade II listed building has many of its original features still, including the marble floors, green Swedish marble walls and vaulted ceilings.

Swimmers have raved about the pool, with one calling it a “hidden treasure in the city”.

Another said: “It’s absolutely beautiful. So iconic.”

A third even claimed: “Best pool in London!”

Tickets to the pool range from £5.20 to £9.35, for a single session, otherwise you can buy monthly memberships.

It isn’t the only beautiful swimming pool in the UK.

Mounts Baths in Northampton were dubbed “world class” by the BBC.

Originally built in 1936, the Art Deco pool is on the site of the town’s old prison.

In Manchester, there is Victoria Baths, dating back to 1906, although only opens a few times a year.

And there is a Virgin Active gym which has a beautiful swimming pool built into a former church.

Here’s a Grecian style pool in the UK as well.

Boston Celtics star Jaylen Brown was in the middle of a brand event at a Beverly Hills mansion on Valentine’s Day when police showed up.

It was 7 p.m., and the music for the event — an invite-only gathering for his 741 Performance brand — had long been silent. Brown came down to talk to an officer, expressing confusion at why police had been called.

“We’re just trying to have an event — a panel talking about culture, talking about future, talking about leadership, and for whatever reason I feel like we’re being targeted,” Brown said in a video of the encounter posted on social media.

He asked the officer why the city was shutting it down. “It’s beyond my pay grade,” the officer replied. “They want it shut down.”

The video immediately went viral, with many questioning why the city shut down what appeared to be a calm event. The debate was framed by a series of incidents in recent years in which the local Police Department was accused of profiling Black people.

Beverly Hills officials issued a statement defending their actions. But it didn’t take long for the city to reverse course, issuing an apology to the NBA star and the owner of the home that hosted the event, Oakley founder James Jannard, for initially putting out inaccurate information.

Brown told ESPN he is considering legal action against the city, saying the episode tarnished his and his brand’s image.

“I feel offended by it,” he said. “It’s hard to say that you were not being targeted.”

Beverly Hills officials insist the city did not unfairly single out Brown and stressed the incident was a code-enforcement matter, not one involving policing issues.

The police’s presence at the event on Trousdale Place was prompted by a resident reporting “excessive vehicles on the street,” Beverly Hills Deputy City Manger Keith Sterling said in an email to The Times. A traffic control officer then found “high vehicular traffic, numerous parking violations (including a vehicle blocking a driveway and several vehicles parked in the wrong direction) and numerous people congregating in the driveway.”

“Code enforcement was on site for several hours and observed what they believed to be well in excess of 50 people congregating for an event, which would require a public assembly permit for the safety of event attendees,” he added.

There was also the sound of a generator, which would require a permit, a check-in table, a metal detector and a temporary wall with branding, Sterling said.

Brown’s function occurred during the NBA’s All-Star Weekend in Los Angeles. Sterling noted there were six other NBA-related events in the city at that time.

“The City was aware that the event was timed to coincide with NBA All-Star Weekend but did not have details on who was sponsoring or participating in the event,” Sterling wrote. “The event was shut down for safety reasons alone without regard to the event sponsor or participants.”

Still, the incident revived questions of policing in Beverly Hills — a majority white city in which Black residents make up about 2% of the population.

Some advocates called on Atty. Gen. Rob Bonta to investigate allegations of racial profiling in Beverly Hills. Bonta’s office declined to comment.

In 2020, the Beverly Hills Police Department launched a special detail — the Rodeo Drive Team — amid complaints over what residents and shop owners said was a “criminal element” along the famed shopping corridor. Officers were tasked with combating what officials said was a rise in thefts, people spending money obtained by defrauding the state’s unemployment system and quality of life issues like loud music and the smell of marijuana drifting into stores, according to a 2021 Times investigation. One document The Times reviewed that year showed about 90% of those arrested by the task force were Black.

The task force was disbanded after just two months.

Attorneys Bradley Gage and Benjamin Crump filed a class-action lawsuit against the city in 2021 that remains ongoing. The lawsuit claims none of the arrests led to convictions and some were never prosecuted because police lacked probable cause to make the initial arrest.

The department has denied allegations that it targeted Black shoppers, saying in a statement in 2021 that officers are “committed to keeping our community safe while enforcing the law with respect and dignity for all.”

Shortly after the task force was disbanded, Salehe Bembury, then the vice president of sneakers and men’s footwear for Versace, was carrying a Versace shopping bag and crossing Rodeo Drive next to the luxury store when police stopped him for jaywalking, told him to put his hands behind his back and searched him for weapons.

Body camera footage showed Bembury repeatedly said he was uncomfortable and thought the pat-down was “excessive,” adding he’d designed the shoes inside the bag he was carrying. He started recording on his cellphone.

“I’m getting f— searched for shopping at the store I work for and just being Black,” Bembury said in the recording, holding up the Versace bag. One of the officers involved in the stop disagreed, saying Bembury was changing “the narrative.”

“It’s a very dangerous, scary situation for people of color, and one that we want to remedy so everyone is treated fairly. I don’t know why that’s such a novel idea, but it seems to be a foreign concept for a lot of folks,” Gage said.

In his clients’ lawsuit against the city, two plaintiffs say they were arrested for riding a scooter on the sidewalk. Another allegedly was jailed for three days after officers pulled him and his friend over on their way to the beach for stopping about three inches over the limit line at an intersection. He never was charged with a crime, according to the complaint.

Mike Asfall, president of Beverly Hills/Hollywood Branch of the NAACP, said he’s been working behind the scenes with city officials and the police chief over issues of race and policing. Asfall was honored in February by the Beverly Hills City Council in recognition of Black History Month.

“I do know that we’ve had obstacles,” he said. “We shouldn’t have to walk on eggshells or tiptoe around things just because of the color of our skin. But what I’m not going to do is create more of a rift to give us a problem that’s going to create drama for us.”

Staff writer Cierra Morgan contributed to this report.

Here’s the story…of how a seemingly non-descript home in the San Fernando Valley turned into an L.A. landmark.

The L.A. City Council voted to designate the “Brady Bunch” house as a historic-cultural monument on Wednesday, enshrining the Studio City Midcentury as a piece of the city’s history.

“Long before it became a pop‑culture pilgrimage site and backdrop for countless photo ops, the Brady Bunch House helped shape America’s vision of family life in the late 1960s and early ’70s — especially the idea of a blended family,” said Adrian Scott Fine, president of the L.A. Conservancy. “We’re thrilled to see it now designated as a Historic-Cultural Monument, ensuring the Brady Bunch — and their iconic home — remain part of Los Angeles’ story.”

The Los Angeles Cultural Heritage Commission unanimously voted to recommend the house, located at 11222 Dilling St. in Studio City, as a landmark on Jan. 15. The Planning and Land Use Commission approved the designation a month later, sending final say to the City Council.

“I look forward to seeing this memorialized in the appropriate way as part of San Fernando Valley television history,” Councilmember Adin Nazarian said during the Planning meeting.

The landmark status protects the home from demolition, but doesn’t prohibit it. If the owner ever wants to destroy the home, the Cultural Heritage Commission can delay the process for up to a year to find preservation solutions. The commission also gets more oversight on proposed alterations.

“The Brady Bunch” was filmed in a studio for the entirety of its iconic run from 1969 to 1974. So how does a house that was merely for exterior shots wind up as a landmark?

Through painstaking renovations and a bit of reality TV magic.

The house was built in 1959 by architect Harry M. Londelius, who gave the contemporary ranch a shake roof, cathedral ceilings and heaps of Palos Verdes stone. After starring in the show, the home became a symbol for Southern California’s suburban, single-family charm.

For decades, it was owned by Violet and George McCallister, who bought it for $61,000 in 1973. Once they died, their children sold it in 2018 for $3.5 million — nearly twice the original ask.

The bloated sale price was the result of a bidding war, as offers poured in from TV enthusiasts and celebrities, including ‘N Sync’s Lance Bass. In the end, cable network HGTV emerged as the winner.

The channel had big plans for the property, announcing a $1.9-million remodel that would recreate the interiors exactly how they looked in the show. The entire process was documented in a four-part miniseries titled “A Very Brady Renovation.”

The show featured the actors who played the Brady kids taking sledgehammers to the interiors while “Property Brothers” stars Drew and Jonathan Scott reshaped the living spaces.

An inside look at the “Brady Bunch” house in Studio City.

(Ryan Lahiff for Eklund | Gomes)

The final result was a near picture-perfect replica of the Brady abode: the floating staircase, the groovy orange kitchen counters, even the famous vase destroyed by a stray basketball during a famous episode. (“She always says don’t play ball in the house.”) To make space for the throwback bedrooms, the crew added 2,000 square feet to the rear of the house, as well as a second story — which they hid from the street by lowering the foundation by a foot.

The renovation nearly doubled the square footage, featuring five bedrooms and five bathrooms across more than 5,000 square feet.

After the miniseries, HGTV took a bath on the sale. They flipped it for $3.2 million in 2023 — $300,000 less than they paid for it five years earlier and $2 million less than the asking price.

The house was bought by historic-home enthusiast Tina Trahan and her husband Chris Elbrecht, former chief executive of HBO. It came with a few Brady-themed furniture throw-ins such as a green floral couch and credenza complete with a 3-D printed horse sculpture.

Fans still flock to the house to take photos from the street, but Trahan and Elbrecht opened it to the public for the first time in November, offering a limited run of tours for $275.

Los Angeles has a secret magic to which you have to earn access, and the way you earn it is by making it, becoming a contributor to the city’s misapprehended culture of spectacle and soul, diversity and monolithic elitism. It’s a get-in-where-you-fit-in or get-edged-all-the-way-out kind of city, wherein a deceptively laissez-faire game of musical chairs can determine your fate. Kahlil Joseph has a private magic to which you have to earn access, and you earn it by resonating with the untapped nerve centers of Black culture that animate this city, and even then you might be denied.

Joseph is like the city (Los Angeles, not Hollywood), and the city enforces confidentiality, drive, wit, style and devotion often mistaken for diva-ism. The filmmaker and video artist moved to Los Angeles from Seattle for university, and was quickly followed by his brother, the painter Noah Davis, who would found the Underground Museum, a venue and near-speakeasy with West Coast casual gravitas and pan-African rigor and breadth, which became as important to the zeitgeist of Black Los Angeles as both brothers have.

Movie still from Kahlil Joseph’s film “Blknws: Terms & Conditions.” Funmilayo Akechukwu (Kaneza Schaal) channels a 93-year-old W.E.B Dubois, 200 years in the past.

(Courtesy Rich Spirit / BLKNWS©)

In somewhat rapid succession, Joseph lost his father, Keven Davis, an accomplished attorney who represented the likes of the Williams sisters and Wynton Marsalis, in 2012, and his brother Noah in 2015. Joseph navigated those years in the wake with unadorned reverence, while starting a family of his own and directing some of the most transcendent music videos of the 2010s. As testament to his resilience and that of the community around him, grief sharpened Joseph’s purpose and became a kind of grace he transmuted into moving images so saturated with feeling, sans easy pathos, they offered new ways of seeing. The stakes were higher and layered with the existential absurdity of abrupt shifts, which he carried with an elegant, slightly seething temperament that has found its expression in the work. It’s relevant that he shares a birthday with Miles Davis — this is Los Angeles, where it’s customary for a person to request your cosmic DNA before asking your name — and it’s relevant that like Miles, Joseph’s vocal tone is whisper-pitched, toward the mode of retreat that begets echo; you lean in and hear him twice. His quiet tone is not shyness or false modesty but circumspection and a sense of boundaries that imply respect and love for real communication. You sense this in his work ethic and what it produces, an intimacy of form that implies an almost ritualistic attentiveness to the world around him on its own terms. In the 2012 Flying Lotus music video “Until the Quiet Comes,” directed by Joseph and set in Los Angeles, death and rebirth are addressed as a duet, companions in the expansion of collective consciousness instead of foils or adversaries, as a fallen child leaves his body and returns more alive than before he was bloodied on screen. And the violent scenes aren’t grotesque or didactic — think of Miles’ muted trumpet sound reconfigured as resurrection visuals, of his ability to play and stage ballads so well that their uptempo momentum moves into territories too macabre to mute. Like Miles, Joseph tests and stretches his range.

With the closure of the family-run Underground Museum, first in 2020 and then officially in 2022, the path uptempo was visited by more obstacles and disappointments, a shift, if temporary, in Joseph’s role in the local community, as he became more private and distant from public elegy. On the phone recently, Joseph and I discussed the trauma economy, how much of a trap it is for Black art and artists, especially in this post-BLM, post-Obama, post-neoliberal dominance, post-nonprofit industrial complex dominance territory we’re all in now, whether we face it or not. As antidote and balm to the market for repackaged abjection, Joseph adapted the sensibility that makes his music video landscapes so lush and transgressive for the art world with “Blknws,” which debuted in 2019 as an imagined syndication or television network, a nonlinear merger of digitized Black archival material pulled from the center to the margins and the radical academic avant-garde — an infinitely looping ensemble wherein Fred Moten enters into conversation with memes of ghetto-fabulous street gymnasts doing backflips into a fried chicken spot, for example, collapsing so-called high and low into an endless woodshed for an impossible concert.

The result was so compelling that the project was commissioned by A24 as a feature film sans script, then purchased from them by Rich Spirit and released last year as “Blknws: Terms & Conditions.” In this longer and more structured form, what began as an intentional scattering of ashes becomes an elegiac letter home mediated by shipwreck. Joseph weaves together an imaginary “Transatlantic Biennial” and W.E.B. Dubois’ “Encyclopedia Africana” — a project that Henry Louis Gates Jr. and Kwame Anthony Appiah transformed into a book, which Joseph’s father had given his brother before they passed. In this way, the film becomes a manifesto for alternate destinies within the Black experience, and a semi-formal goodbye letter to the delusional but politically expedient optimism of the 2010s, wherein the end of the neoliberal order becomes a gateway to renewed self-possession and agency. Since our grief is less of a ready-made commodity lately, we can reorient it around ourselves, a little safer and more sovereign from the gnawing public gaze. And we can be more honest about its paces and paths in that more autonomous landscape. “Blknws” arrives how a successful jazz album does, belligerently inconclusive about the next stylistic leaps the music might make but clearly in the process of launching in that unknown or unspeakable (perhaps secret) direction. The film is agitation made vivid and precise in the dialectic between theorized “Black Study” and practical applications of Black marronage, where we realize that big disembodied ideas are no more sophisticated than what can be danced and gestured at and spoken in our real and virtual conversations. Here, the multiverse becomes one transcendental, transatlantic consciousness where past and present, life and afterlife, blur the way they do in Joseph’s interpretation of “Until The Quiet Comes” to give us a film with a song-like hook and an album’s non-sequitur whimsy.

Movie still from Kahlil Joseph’s film “Blknws: Terms & Conditions.” The underwater study of Funmilayo Akechukwu (Kaneza Schaal) located in the hold of the ship.

(Courtesy Rich Spirit / BLKNWS©)

Over the last several months, I’ve discussed with Joseph what might become of the momentum propelling “Blknws: Terms & Conditions,” after the film’s run, as speculators enclose searching for clues and stake in his next project. He’s considered its potential evolution into a media company, a real paper, a production house, a series of related films, or a hybrid of all of these endeavors. Alongside his experience on all sides of the art world, he has an acute awareness of the wayward state of print and digital culture, writing and production, the constant closure or downsizing of veteran media outlets, the aftermath of diversity fever in the form of shrinking major magazines often starting with those who cover culture explicitly, the mass turn toward brand-name digital platforms that become extractive monopolies and diminish what can be covered and produced as writers and artists are overworked, understaffed and undervalued. Galleries are also closing and downsizing, and films that don’t oblige the content farm aren’t solicited as readily as influencer-helmed or easily digestible projects that can be played as background noise for scrolling.

After a screening last December of “Blknws: Terms & Conditions” at 2220 Arts + Archives, a space I co-curate, the rapt audience of local cinephiles seemed eager for some magic-bullet insight into Joseph’s path to creative breakthrough and relative creative freedom. Rather than hacks and shortcuts, he shouted out collaborators and inspirations — Wales Bonner, who hand-stitched garments for the film’s Ghana-based scenes; British composer Klein, who helped score the film; Joseph’s time in Brazil, where his father was from and where he went to high school. Sensibility and natural eclecticism, rather than unchecked ambition, is what propels Joseph; he has an innate knack for assembling bands and ensembles, good taste and good timing.

Kahlil Joseph with friends at the screening of “Blknws: Terms & Conditions.”

“I found the encyclopedia at the Underground,” he explains, of the DuBois work that became central to “Blknws.” “It seemed no one had looked through it, as if my dad and brother left it for me in the future.” And instead of ruminating on the weight of that inheritance, he integrates it into his film, whose refrain-as-question is do you remember the future? As if his father and brother are awake in some scenes, asking him to remember. Another resurrection. “I just want to make films,” Joseph reaffirms as a personal coda when the questions get too meta or abstract, never conflating the material conditions of the craft with the magical thinking that can unfold in scripts and on screen. Most everyone in attendance at 2220 seemed to be there to meet or support one of their favorite artists, one of the devout purists of our time who manages to remain that without getting smug, lazy or feral, all common pitfalls.

Last October, I gave Joseph a copy of Hemingway’s “A Moveable Feast,” which I’d just finished reading myself for the first time. I was impressed to the point of restlessness with the authority of Hemingway’s memory, his recall; it’s one of those books you wanna throw at the wall and absorb word for word at the same time. Hemingway seemed to effortlessly savor and store every detail of his days, while remaining agile and present enough within them to focus on writing one true thing after another, in his daily sessions at the typewriter, as if possessing two coterminal minds and the capacity to access or silence both at will. A juggler too advanced for the circus, language’s great folk hero. Joseph is kind of like this, capable of intense simultaneous focus on both creative and mundane tasks without complaint, and he took to the book as I expected he might, sharing my sense of awe over the writer’s command of time and scene. They are both among the artists who have a polite way of making those around them feel like a team and want to work a little harder and little less aggressively (more communally) at the same time. Editors at his post-production studio have come from all over the country to work with him based on that leadership.

Joseph’s next feature, he suggests, will certainly be more narrative, more of a linear beginning-middle-end story, more Hemingway-esque in its commitments to the blunt daily reality that “Blknws” blurs with Black myth. He and his family have sacrificed unquantifiably in effort to defy stale archetypes and outdated patterns of art practice, and it might be his time or turn to be reciprocated for having endured those risks, time to give his family unequivocal and vivid afterlives on and off screen.

Los Angeles cannabis businesses that owe back taxes wouldn’t have to pay late fees and interest under an “amnesty” program proposed by the City Council.

To qualify, the businesses would have to pay their city taxes within three years.

The council’s unanimous vote on Tuesday, asking the Office of Finance to draft language creating the program, comes at a time when city leaders are searching for money to cover basic services after closing a $1-billion budget gap.

More than 500 of the roughly 700 licensed cannabis businesses in the city collectively owed about $400 million in taxes — an amount that includes $100 million in penalties and $35 million in interest, according to an October report from the Office of Finance.

The total amount owed increased to $417 million as of December, according to Matthew Crawford, the office’s assistant director.

But only about $150 million is collectible, since some tax debts are outside of the three-year statute of limitations and some cannabis businesses are no longer operating.

Based on a projection that about half of eligible cannabis businesses would take part in the program, the city would collect about $30 million in back taxes while waiving about $25 million in penalties, the October report said.

Under the amnesty program, about 20% of the revenue would go to the city’s general fund and the Office of Finance. The Los Angeles Police Department and the city attorney’s office would receive about 40% for illegal cannabis enforcement, and the remaining 40% would fund social equity grants to cannabis operators, particularly members of low-income and minority communities that have been subject to disparate enforcement of criminal cannabis laws.

“The city finds itself with a unique opportunity to bring businesses into compliance and, at the same time, properly fund cannabis industry-centric programming,” City Councilmember Imelda Padilla said during Tuesday’s meeting.

Owners of cannabis businesses say the 10% city tax rate on their gross sales is exorbitant, at the same time that illegal cannabis businesses have carved out a chunk of the market.

“Not only are we competing against the illicit market, we’re competing against licensed dispensaries that the city is allowing to stay open who have made it their business model to not pay tax,” Daniel Sosa, who owns four cannabis dispensaries in the city, told the council on Tuesday.

The amnesty program should be mandatory for businesses that are behind on their taxes, and those who default on their payments should have their licenses stripped, Sosa said.

Sosa said that the tax on cannabis sales should be “just like every other business pays in the city: guns, tobacco, alcohol, major, major billion dollar corporations.”

Other business tax rates in the city range from 0.11% to 0.425%, according to Crawford.

Last month, the council placed a cannabis-related measure on the June 2 ballot that, if approved by voters, would close a tax loophole for illegal cannabis businesses and open them up to the threat of civil collection.

League One strugglers Port Vale cause a cup upset as they beat Championship side Bristol City 1-0 in extra time at Vale Park to book their place in the FA Cup fifth round for the first time in 30 years.

MATCH REPORT: Port Vale 1-0 Bristol City

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The roughly three-mile route winds through historic neighborhoods with excellent views, incredible century-old homes and (literally) breathtaking climbs along with an intriguing collection of gates and doors. The walk also gives you a chance to admire the Hollywood Bowl without jillions of people milling around (and, if necessary, visit its lovely restrooms without waiting forever in line), but be sure to check the Bowl’s schedule ahead of time. The route won’t be possible when it’s having a concert.

Traffic and parking are always a challenge in this part of L.A. and nearly impossible in the High Tower area. I recommend finding a place to park across Highland Avenue on Milner Road because it’s less traveled (and very lovely). One final note: This route has few sidewalks, and those that exist are uneven, so keep an eye open for traffic and trip hazards, which is tougher than it sounds, because there are plenty of lovely sights to distract.

Here’s how to get there:

1. Start your walk at the corner of Camrose Drive and Highland Avenue, next to the Highland-Camrose Bungalow Village (which we’ll visit later.) Walk straight up Camrose past Woodland Way to Rockledge Road, where you’ll turn right and continue your climb.

This Hollywood Heights neighborhood has a real Mediterranean feel, with brilliant white villas clinging to the hills. The narrow winding street offers charming views of balconies and towers and the soothing tinkle of running water, so it’s easy to forget the cacophonous traffic and looming billboards nearby. The views get better as you climb until you reach the top of the hill and the end of Rockledge — at least for vehicles.

2. Continue walking to the end of the cul-de-sac, where you’ll find Los Altos Place, a pedestrian-only street. At the start of the walkway is a beautiful mosaic bench, where you can stop to catch your breath and then descend the first set of stairs, just 12 steps down.

3. This narrow walk takes you past many impressive doors and gates until you reach High Tower Drive. You’ll cross this road to stay on Los Altos Place, but as you cross, take a moment to wonder at the tiny garages built into the bottom of the hill and the High Tower elevator built like a freestanding Italian bell tower (a.k.a. campanile) rising 100 feet above. The elevator tower was designed by architect Carl Kay in the 1920s to provide the neighborhood’s tony residents elevator access to their hilltop homes, which are inaccessible by car.

4. Alas, only residents have a key to the elevator, so you must admire from afar and continue your walk along Los Altos Place, which includes a short set of 23 steps, to another pedestrian walkway called Broadview Terrace, where you will turn right and climb 37 steps toward the tower. At the top you’ll see more mostly white houses, bristling with balconies and to your right, a clearing with some gorgeous views of Hollywood.

5. Keep walking on Broadway Terrace, past the back side of the tower, to the next pedestrian walkway, Alta Loma Terrace, where you will turn right. It’s easy to get confused here, because the narrow walkway seems to have many passages that lead to front doors. After you pass the tower and a large, white Streamline Moderne home on your right, look for the street sign to Alta Loma Terrace on your left, partially hidden by shrubs and turn right.

6. This is another narrow, shaded walkway where you will see more interesting gates and fences than actual homes, but at No. 6881, you’ll pass a boarded-up 1921 Craftsman-style home with Japanese influences peppered with graffiti and “keep out” notices. The home once belonged to pioneering Asian American actor Philip Ahn, but it’s mostly famous now for being the home where Kurt Cobain and Courtney Love lived from 1992 to 1993. It’s sometimes known as the “In Utero” house, because Cobain wrote most of Nirvana’s third and final studio album, “In Utero,” there. Now the most notable thing, beyond the warnings, are the squirrels and bees buzzing around the property’s lovely overgrown landscape.

7. Follow Alta Loma Terrace as it slopes downhill and turns to the right. It’s mostly walkway along here, with intermittent series of short steps, but the descent is steep enough that you’ll feel it in your legs. After a short four steps down to No. 6836, where a beautiful pink bougainvillea drapes near a blue gate, the walkway turns left, and the descent feels faster over a series of four 14-step stairs separated by segments of straight walkways until you finally take 10 steps down into a parking lot and turn left.

8. You’ll be walking beside those adorable little garages on your left, barely big enough to hold a small modern sedan, and exit onto Highland Avenue through a black gate (that is locked from the parking lot side, so be sure you’re ready to leave).

9. Now turn left toward the Hollywood Bowl, and you can walk through the parking area, which is shaded by many beautiful trees and much more pleasant than walking alongside Highland Avenue’s unrelenting traffic. Walk up to the main entrance to admire the lovely Art Deco George Stanley fountain created in 1940, then walk over to the Peppertree Lane walkway — yes, lined by pepper trees — to the amphitheater. which is open to visitors who want to admire.

10. You won’t find much else open except for clean restrooms, which we were happy to visit. After gaping at the shell-shaped stage and the venues towering, arched rows capable of seating 18,000, retrace your steps back toward Highland. And near the place where you exited from the Alta Loma Terrace parking lots, step inside the gates to the Highland Camrose Park Pathway, around 2153 Highland Ave. On concert nights, this park is usually full of people eating their picnic dinners before entering the theater, but the park is usually empty and quiet when the Bowl is closed.

11. Follow the path heading east toward Camrose, and take a few minutes to wander through the cobble-stoned Highland-Camrose Bungalow Village of 14 Craftsman homes built between 1900 and 1924, according to an informational sign at the village. The cute houses were designed to be working-class housing for film-industry folks — what a concept! — and today mostly house offices for organizations affiliated with the Hollywood Bowl as well as the Los Angeles County Sheriff’s Department Parks Bureau.

12. Exit onto Camrose and turn left to Highland Avneue, where you’ll cross to the other side, where Camrose becomes Milner Road and start walking uphill into the Whitley Heights Historical Preservation Overlay Zone, created by developer H.W. Whitley and architect A.S. Barnes. The majority of the stately homes were designed between 1918 and 1928 to resemble a Mediterranean village and quickly became the home of Hollywood’s elite, including Rudolph Valentino, Tyrone Power, Gloria Swanson and Marlene Dietrich, according to the Los Angeles City Planning website.

13. Follow Milner Road as it winds and climbs up the lushly landscaped hill. After the road curves left, watch for La Scène Idéal, an adorable yellow 1923 cottage that hugs the next curve. At Watsonia Terrace, bear right to stay on Milner Road and continue walking uphill, past several grand Spanish Colonial Revival-style homes, the neighborhood’s favored design. It’s the details on these homes that really captured my eye — arched doorways and windows (some with stained glass), tile inlays, elaborate garage doors and wrought iron light fixtures.

14. At the end of Milner, turn right onto Whitley Terrace, with some breathtaking views on your right, along with many more lovely homes. The book mentions a short stair just past 6681 Whitley Terrace, before a stretch of low slung freestanding garages, but it’s apparently been removed. A small plaque marks the spot where the Mary Jackson Staircase was rebuilt in 2000, but it no longer exists, so keep walking a short distance more to Grace Avenue and turn left to continue climbing the hill.

15. The higher you go, the more houses seem to become more stately. At the top of the hill, you’ll see Kendra Court to your left, a gated street closed to the public. Follow Grace Avenue as it turns right and heads downhill.

16. Turn right at the next street, which is Whitley Terrace, and follow it down past Bonair Place, where the road starts curving to the right. Follow the curve to the Whitley Terrace Steps, between 6666 and 6670 Whitley Terrace, and your final stairs, a twisting, 159-step descent with various short landings under shady trees, wrought-iron fences and tiled roofs. At step 66, pause to admire a charming yellow gate and then carry on, through a charming wrought iron gate back to Milner Road and wherever you parked your car.

At least one NBA player objects to the Atlanta Hawks paying tribute to the famous Magic City adult entertainment club during their game Monday against the Orlando Magic.

San Antonio Spurs center Luke Kornet posted a statement on Medium asking the Hawks to call off the promotion “as to ensure that the NBA remains a safe, respectful, and welcoming environment for everyone involved.”

“The NBA should desire to protect and esteem women, many of whom work diligently every day to make this the best basketball league in the world,” Kornet wrote. “We should promote an atmosphere that is protective and respectful of the daughters, wives, sisters, mothers, and partners that we know and love.

“Allowing this night to go forward without protest would reflect poorly on us as an NBA community, specifically in being complicit in the potential objectification and mistreatment of women in our society. Regardless of how a woman finds her way into the adult entertainment industry, many in this space experience abuse, harassment, and violence to which they should never be subjected.”

The Hawks announced its “Magic City Monday” promotion last week. Hawks principal owner Jami Gertz was a producer on the docuseries “Magic City: An American Fantasy” that aired last year on Starz. Atlanta-based artist T.I. will perform at halftime. A collaborative hoodie will be available for purchase, and some of the club’s well-known wings will be served — including the lemon-pepper wings named after former Hawks player Lou Williams.

In 2020, while he was playing for the Clippers during the pandemic, Williams made headlines for visiting Magic City during an excused absence for personal reasons to return home to Atlanta. The NBA was finishing its season in a so-called bubble in Orlando meant to protect against COVID-19. Williams has said he was at the club just to pick up food.

In expressing his objection to the promotion, Kornet stressed that NBA teams should be held “to a higher standard of what they find worthy of promoting.”

“I and others throughout the league were surprised by and object to the Hawks’ decision,” Kornet wrote. “We desire to provide an environment where fans of all ages can safely come and enjoy the game of basketball and where we can celebrate the history and culture of communities in good conscience. The celebration of a strip club is not conduct aligned with that vision.”