cheer

California officials cheered a U.S. Supreme Court ruling Monday that allows states to continue counting mail ballots postmarked by election day but received in the days after — calling it a win for voter participation and access, including in the upcoming November midterm.

They also acknowledged delays in recent vote counting have spurred frustration, and promised to speed the process through other solutions — including by investing millions into new election infrastructure and vote processing capabilities.

Gov. Gavin Newsom — who called the court ruling a “win for voters, plain and simple” — has previously said the state should be able to count ballots faster, and his latest budget includes $29 million for “increased staffing, technology and equipment upgrades and purchases for counties,” $10 million for voter education and outreach at the state and county levels and $750,000 for combating election misinformation.

The court decision, a loss for President Trump and other critics who contend such policies contribute to unacceptable delays in vote counting, specifically upheld a Mississippi policy to accept mail ballots received within five business days of an election.

But it also lets stand similar policies in other states — including California, which counts ballots postmarked by and received within seven days of an election.

California Secretary of State Shirley Weber, who has long prioritized voter participation over a speedy count, called the high court’s ruling a “win for voters, for the rule of law, and for the future of our democracy.”

She said that she will “keep working to ensure every eligible Californian has the opportunity to be heard, because our democracy is strongest when every voice and vote count.”

Dean Logan, head of the Los Angeles County registrar-recorder/county clerk’s office, said in a statement to The Times that the ruling “affirms what Los Angeles County voters deserve: the assurance that a ballot cast by Election Day will be counted if received within the legal timeframe established in State Law.”

“Our office will continue to provide voter education, multilingual outreach, and leverage available resources to ensure voting access for our 5.8 million registered voters,” Logan said.

Many voting rights experts agree California’s vote counting should and could be faster, but disagree with the Trump administration’s efforts to step in with policies such as election day deadlines.

In 2024, California counted more than 406,000 late-arriving mail ballots, but they represented only about 2.5% of the statewide total. Experts say California’s delayed results have far more to do with the massive influx of mail ballots that are placed in ballot drop boxes or arrive at processing facilities on or just before election day.

Rick Hasen, an election law expert and director of the Safeguarding Democracy Project at UCLA Law, said the court’s decision was a “symbolic loss” for Trump, in that the court rejected his preferred policy on mail ballots, but “doesn’t appreciably change how long it takes to count ballots” because late-arriving ballots were never the problem.

In a report published Thursday, the California Voter Foundation recommended statewide adoption of “sign, scan, and go” programs that allow elections officials to immediately process mail ballots that voters submit in person at polling centers or drop boxes.

The foundation recommended ballot curing programs that speed up the process by utilizing a secure text platform when double checking whether a ballot is legitimate when a voter’s signature doesn’t match state records.

It also urged the state to invest $35 million in a voter education campaign to encourage early ballot returns, and more than $55 million in improving counting capacity and efficiency in county elections facilities.

Trump and other conservatives had called for an end to state policies allowing late-arriving mail ballots to be counted as an overdue fix to a voting system that often can’t produce election results in close races for days after polls close, as was the case in California’s recent primary races for governor and L.A. mayor.

Trump has pointed to California’s time-consuming count as proof of widespread fraud to undermine Republican candidates, though he has never produced evidence to support that claim and Democrats have fiercely denied it.

On Monday, Trump called the high court’s decision to uphold such state policies a “tremendous loss,” and more reason to pass the Save America Act — a bill he has backed that would enforce new voter ID and proof of citizenship requirements and ban mail ballots except for military personnel, individuals suffering from illness, disability, and in other rare circumstances.

He said politicians have “no excuse” other than “CHEATING!” to oppose such measures, especially at “a time when there is a powerful Communist Movement taking place in our Country, one more dangerous than World War I, World War II, Pearl Harbor, or September 11th.”

But California leaders rejected that — saying the criticisms of mail ballots are baseless and an attempt by Trump and his allies to undermine elections in which they are poised to lose, particularly in big blue states such as California, by attempting to wrest control over voting processes that have always been the purview of states, not the federal government.

California Atty. Gen. Rob Bonta said Monday that states have been “primarily responsible for regulating elections” since the nation’s founding, and his office was “pleased that the U.S. Supreme Court has respected that authority.”

“Today’s decision recognizes a basic reality: Mail delays happen. When people vote by election day, their ballots should not be discarded because of those delays,” he said.

Sen. Alex Padilla (D-Calif.), the ranking Democrat on the Senate Rules and Administration Committee, which has oversight over federal elections, praised the high court Monday for acknowledging that nothing in federal law precludes states from counting mail ballots in the days after an election.

“Today’s decision is a victory for voting rights and a rejection of Trump’s attacks on mail and absentee voters,” Padilla said.

Liberal groups and many voting rights experts also hailed the ruling as a win for voters.

Moving up deadlines for mail ballots is just one effort in a much broader political war over voting and the rules that govern it. The U.S. Constitution generally gives states the authority to run their own elections, but the Trump administration has been trying to assert greater federal control — especially around mail ballots.

Earlier this year, Trump signed an executive order directing the U.S. Postal Service to assert control over mail balloting by designing new envelopes with special bar codes that would allow the federal government to ensure ballots only go to and get returned by eligible voters. The order prompted the Postal Service to propose new rules requiring states to hand over their voter mailing lists so it could implement Trump’s directive.

In a letter to U.S. Postmaster ‌General David Steiner on Wednesday, Democratic senators denounced the proposed rule as an “unconstitutional and illegal attempt to transform [USPS] into an election administration agency controlled by the White House and President Trump.”

In a Senate hearing the same day, Steiner said that under the new rule, the USPS would not mail the ballots of a state that refused to turn over its voter lists, but also that his agency would adhere to any court orders curtailing its implementation.

On Thursday, just such an order came down in a federal case in which California and other Democrat-led states challenged Trump’s executive order. U.S. District Judge Indira Talwani ruled that the Constitution does not grant the president “any specific powers over elections,” and blocked his order as unlawful.

Nevada Secretary of State Cisco Aguilar, who is chair of the Democratic Assn. of Secretaries of State, said states such as California were right to focus on increasing investment in their own election infrastructure rather than accepting the Trump administration’s “bad policy ideas” for speeding things up.

Newsom’s office on Monday said that is exactly what California has been doing. It pointed to laws passed by the state Legislature last year that allow election officials to begin processing mail ballots earlier and require them to finish counting ballots sooner.

TIJUANA — About 150 miles from SoFi Stadium, south of the Mexican border, sits the hotel housing Iran’s World Cup team for its games at the Inglewood venue.

The entrance to the Marriott in Tijuana is barricaded, flanked by police and members of the Mexican National Guard, guns held close. No one enters without a hotel reservation or special pass.

Despite the tensions and challenges surrounding Iran’s participation in the World Cup, early Saturday morning finds the mood inside the four-star hotel relaxed, even jubilant. Several dozen fans mingle and bond over their shared excitement to see the squad’s players before they depart for their second group-stage match at SoFi.

“I wanted to come down to support Iranian soccer, and cheer for them when they exited the building and make them happy,” says Lucas Zarrabi, 13. The teen, who attended Monday’s 2-2 draw with New Zealand and has a ticket for Sunday’s match against Belgium, is one of several fans from Los Angeles who made the drive to stay with the team. Others flew in from San José and even Miami, turning up at the hotel not quite four miles from the U.S. border crossing.

Showing up is important, some said, because of what they describe as unfair conditions imposed on the team. After the outbreak of war, the Iranian team was forced to move its base camp from Tucson to Tijuana. Eleven team officials and staff members did not receive U.S. visas. The Trump administration has also denied Iran’s requests to arrive two days before matches — and mandated that the team must leave immediately after each game.

“Every little technicality is making it difficult for the team,” says Abbas Eftekhari, 65, who was born in Iran and has lived in the U.S. for more than 40 years. “I think this is going to drain them psychologically and also physically.”

Iran’s soccer federation has been vocal about the obstacles, saying it would lodge a complaint with FIFA.

“Football shouldn’t lose its power to politics,” Hedayat Mombeini, secretary-general of the Iran Football Federation, said Friday. He added that the restrictions “are certainly having a negative effect on us, but we are trying to overcome these problems with our Iranian pride.”

Since the team landed on June 7, Ali Eslami has visited the hotel gates nearly every day.

“It’s the best pleasure for me. I wished them the best luck. I told them it’s hard but they’re doing excellent things,” said Eslami, who splits his time between Southern California and Tijuana.

He was there again Friday, waiting for the players to return from afternoon training blocks away at the Estadio Caliente, home to the Liga MX’s Xolos.

“I have been in America for 50 years — this has been the most emotional thing, to see the team that I have not seen in 50 years,” he said.

Some Iran fans fear reprisal from fellow members of the diaspora for supporting the team, insisting they were in Tijuana for the love of soccer and the players, not politics. Eftekhari worries that the mood at Iran’s first match, where fans and protesters clashed, affected the players.

“As soon as they see that their countrymen have slogans against them, it also has a negative psychological effect on them. But, that’s how things are at this time,” Eftekhari says.

Just over 24 hours until Sunday’s noon kickoff, it’s not just Iranian fans contributing to the atmosphere. A group of flight attendants from China staying at the hotel embrace the excitement, donning jester hats and waving scarves colored red, white and green. And soccer fans from Tijuana are eager to show some local hospitality. Iran has diplomatic ties with Mexico, unlike with the U.S., and sought to move its group-stage matches to the country where it has an embassy.

“We love the Mexican people very much, and for us, the best situation is for our games to be held in Mexico,” Abolfazl Pasandideh, the Iranian ambassador to Mexico, said at the time.

Leonardo Ramirez Lopez, a 10-year-old soccer fanatic from Tijuana, clutches his autograph album in hopes he’ll get new signatures.

“It’s a new team that I don’t have experience with how they play,” he says. But Iran is already his third-favorite team, behind Colombia and Argentina.

After more than two hours of waiting, several dozen fans break into cheers as players finally file through the lobby. The squad smiles and waves, stopping for a few autographs. As each player leaves, he kisses a Quran, pressing his forehead against it before boarding the bus to Tijuana’s airport.

“Iran, Iran! Whoop, whoop!” fans cry, breaking into song.

Angueira writes for the Associated Press.

Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.

“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”

A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.

“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.

Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.

He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.

“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”

His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.

“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”

Another skill he learned from his dad? was working on his feet.

“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”

Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.

Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.

“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”

With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.

From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.

“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”

He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.

James Burrows behind the scenes.

(Chris Pizzello / Invision / Associated Press)

Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.

“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.

Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”

Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.

In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.

Supporters of a new Los Angeles County half-cent sales tax rallied Wednesday to celebrate what they framed as a historic win for the region’s cash-strapped healthcare system.

After a rocky election night that showed the tax lagging, supporters claimed victory Tuesday after the latest vote tally pushed Measure ER further over the 50% margin needed to pass. The measure would impose a new half-cent sales tax countywide, with the proceeds going toward local hospitals and clinics hit by federal funding cuts.

Jim Mangia, the chief executive of St. John’s Community Health who helped craft the measure, summed up the campaign as “grueling and expensive.”

“We had to ask an already overtaxed community — in the midst of runaway inflation and [an] affordability crisis — to tax themselves yet again,” he told a crowd of supporters Wednesday.

L.A. County already has a sales tax of 9.75%, and some cities add their own on top. Measure ER passing would raise the countywide sales tax to 10.25%, with some individual cities having a sales tax of more than 11%, according to the California Department of Tax and Fee Administration.

Despite a recent winning streak for sales taxes in L.A. County, some political observers had forecast doom for the measure, which came at a time of skyrocketing gas prices and cost-weary voters.

The largely informal opposition had consisted mainly of local cities that warned another sales tax would disproportionately burden the poorest residents and force shoppers across the county border in hopes of finding lower costs. Some city leaders had also dinged the county for misusing homelessness money generated from a previous sales tax and argued this new pot of dollars would be handled no better.

But supporters were able to eke out a narrow victory, according to the latest election returns, by emphasizing looming hospital closures and the temporary nature of the tax, which is set to sunset in five years.

“It’s a lifesaver to carry us through the storm we’re all in,” said county Supervisor Holly Mitchell, who led the push within the Board of Supervisors to get the measure on the ballot.

County leaders in February voted 4-1 to put the tax on the ballot after federal legislation threatened to pull health insurance from the poorest residents, leaving the already cash-strapped county to foot the bill for their care. Officials say cuts in the One Big Beautiful Bill Act are expected to slash more than $2 billion from the county’s budget for health services over the next three years.

“It’s disgusting what’s going to happen to our residents,” said Supervisor Hilda Solis, who championed the measure alongside Mitchell.

The tax, which begins Oct. 1, comes at a time of budget-tightening for the county amid rising labor costs and a $4-billion sex abuse settlement that is set to be paid out over the next five years.

Officials estimate the tax will bring in about $1 billion per year, which will go to clinics, hospitals and Planned Parenthood services that supporters say are at risk of closure without a new source of cash.

A similar proposed healthcare sales tax in Contra Costa County, meant to generate $150 million a year, was soundly rejected with about 57% of voters opposing the measure, according to votes tallied as of Wednesday.

Anyone who thinks Coachella’s biggest surprises are reserved for Weekend 1 was proven wrong Friday night as Sabrina Carpenter welcomed Madonna on stage during her Weekend 2 headlining set. The crowd exploded with waves of cheers as the iconic pop star came on stage.

Madge joined Carpenter as a surprise guest during “Juno,” in which Carpenter reemerged in a gown that was a nod to Botticelli’s “The Birth of Venus” for a torch-passing duet of Madonna’s 1990 pop-house gauntlet “Vogue.”

The classic was followed by the debut of the gloriously upbeat “I Feel Free,” the first track from the pop icon’s forthcoming new album “Confessions II,” due out July 3.

The singer announced the record, a sequel to 2005’s “Confessions On A Dancefloor,” on April 15, alongside a 60-second teaser video for “I Feel Free.”

The Coachella performance, however, marks the first time the song has been heard in full — a fitting full circle moment 20 after Madonna played the Sahara Tent in 2006, complete with the same boots and costuming from that gig. “Confessions II” will be Madonna’s first full-length album since 2019’s “Madame X.”

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“Let’s try to be together. Let’s try to avoid disagreements,” Madonna said as she spoke about the moon and planets aligning.

Before the pair ended with “Like a Prayer,” accompanied by a choir, Madonna had another reason to be grateful.

“This is probably the first time I’ve ever performed with someone shorter than me,” Madonna said to Carpenter as the crowd laughed. “Thank you for giving me that experience.”

Senior Audience Editor Vanessa Franko contributed to this report.