century

Met Office predicts ‘unprecedented’ sea surface temperature rise of 3C (5.4F) plus will heighten extreme weather risks.

The impact of this year’s El Nino event is expected to be the most intense in more than a century, United Kingdom forecasters have warned.

The effect of the event will drive the risk of drought, high temperatures, intense rainfall and other extreme weather effects, the Met Office said in a statement issued on Friday.

Typically, El Nino leads sea surface temperatures to rise between 1-2 degrees Celsius (1.8-3.6 degrees Fahrenheit). However, forecasts for the 2026 version predict record values of more than 3C (5.4F) in the coming months, the forecasters said.

“We should be clear that this is an unprecedented event,” said Adam Scaife, head of the office’s long-range forecasting. “I have never seen an El Nino signal this intense in our forecasts.”

If the spike plays out as anticipated, “then 2026 will far exceed our recent experience of El Nino and its worldwide climate influences”, he added.

The chief forecaster separately told the BBC that the three-degree rise was “unheard-of in modern climate records”.

El Nino is triggered by unusually warm sea surface temperatures in the central and eastern tropical Pacific Ocean, influencing global weather patterns.

Governments around the world are already grappling with historic climate events so far this year.

Wildfires have burned through more than 200,000 hectares (494,200 acres) in Indonesia and rampaged across southwestern Europe, forcing the displacement of at least 325,000 people in Spain and France. Other countries are dealing with severe droughts.

The Met Office said El Nino will spawn wetter, stormier conditions in northwestern Europe, including the UK, as autumn and winter arrive in the Northern Hemisphere.

Particularly strong effects are expected throughout the Tropics, Scaife said, “where we expect really severe droughts in places like South America, and the West Pacific”.

In mid-August, the UK recorded its hottest day of the year as the temperature in west London climbed to 38.1C (100.5F), beating the previous high of 38C (100.4F) in June.

Combined with the effects of human-induced climate change, the Met Office warned that the event is “very likely” to make 2027 the hottest year on record globally.

All episodes of the beloved series have found a new streaming home for your next binge watch

Many fans say the series now with a new streaming home is one of their all time favourites.

The show has been labelled as ‘best comedy of the century‘ with many viewers rewatching it constantly. It’s now easier than ever for potentially new audiences to discover it for themselves.

That is because all episodes of Parks and Recreation were just added to a new platform. At the time of writing, it is now available via Paramount+ as of today (August 20).

Users can sign up to the service directly through its own platform and app. Alternatively, those worried about the cost of yet another streaming service can also find the series on Channel 4 or U, at no extra cost.

The advantage of watching on Paramount+ is that viewers can sign up to watch without adverts interrupting their latest binge watch. For those unaware, Parks and Recreation follows the titular department in the local government based in the fictional town of Pawnee, based in Indiana.

There, we find Leslie Knope, the second-in-command of the department. Her life revolves around her work as well as her friends and colleagues. In the early seasons, she does everything she can to help concerned citizen and nurse Ann Perkins turn an abandoned construction site into a new park.

She is somewhat assisted by less enthusiastic colleagues including her boss Ron Swanson and intern April Ludgate. As the show progresses, viewers will see them come across plenty of red tape and other hurdles as they seek to improve their community.

Its impressive cast include Saturday Night Live alum Amy Poehler, now Marvel star Chris Pratt along with the likes of Severance actor Adam Scott, Rob Lowe, Nick Offerman and more.

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The show was co-created by Mike Schur and Dan Goor in what was originally seen as a spin-off of The Office US. It eventually developed into a standalone series in its own right.

Schur went on to create other beloved sitcoms after Parks including Brooklyn Nine-Nine, The Good Place and A Man on the Inside for Netflix. However his work on Parks is still praised to this day.

Many fans suggest that it even surpassed The Office. One fan shared their thoughts online, as they posted to Reddit: “Parks and Recreation is better than The Office The first season was rough, but the rest of the show managed to be hilarious and heartwarming – an extremely difficult combo.”

They continued: “I’ve never seen a show with such distinctly interesting characters that was genuinely laugh out loud funny without having to be cringy, and for that, Parks and Rec wins it all in my book.”

Someone else added: “Hilarious, endlessly rewatchable Parks and Recreation is my favourite show of all time.”

While one person claimed: “Absolutely incredible series. In fact it’s probably the best thing to come out of American television ever and that’s the honest truth. It’s so impressive how consistently funny it is after season 2. Could honestly start re-watching it again and again and be content.”

One person went so far as to label it the “best comedy of this century”. As they went on: “This show has everything you would expect in a comedy series. When binge-watching this show I laughed, I cried, I became emotionally attached to characters, I said ‘aw’, I said ‘wow’, I was sad when characters left, I was happy when new characters were added and so on and so forth.

“The writing is fantastic because the various story lines and running gags are completely engrossing and make me laugh every time. The acting is superb because the dialog flows very well and seems very natural, while the improve scenes are absolutely hilarious. I have never laughed out loud so much when watching a show by myself.”

Parks and Recreation is streaming on Paramount+, Channel 4 and U.

Kaia Gerber says she had an exorcism after her parents believed she was “possessed” as a child.

While promoting her new FX series “The Shards” on the podcast “The Mitch Churi Chat Show,” the 24-year-old actor and model recalled her experience working with Ryan Murphy on “American Horror Stories” (co-created by Brad Falchuk).

Gerber played a teenage ghost in the 2021 “Horror Stories” spinoff trapped inside the historic Rosenheim Mansion, also known as the Murder House from the first “American Horror Story” season. Concerned about the spooky Los Angeles estate — which served a convent for nuns for half a century — Gerber said her mother, supermodel Cindy Crawford, gave her holy water to take on set.

“She was like, ‘I don’t want you to get possessed,’” Gerber said. “I was told I was possessed as a child.”

Gerber — who during the interview sat next to her co-star Homer Gere — shared that she was “haunted” her whole life.

“I do feel as though I attract beings from the other dimension, in a very casual and chill way,” said Gerber, who was also a cast member in “American Horror Story: Double Feature” (the 10th season of the FX anthology series) in 2021, where her character was involved in an alien abduction.

When questioned by host Mitch Churi if the actor-model had undergone an exorcism, she revealed that she “actually” did.

“They played a didgeridoo all over me. That’s how they did the exorcism,” Gerber said. “That actually did happen. I’ve never talked about it, but it actually did happen.”

The sacred wind instrument — which is created from a eucalyptus tree trunk or branch naturally hollowed out by termites — was developed a thousand years ago by the Aboriginal community in northern Australia and is often used in cultural ceremonies.

Some didgeridoo instrumentalists believe its low-frequency sound waves can foster a state of health and harmony for those in the Aboriginal community. An online search showed no info on it being used in an exorcism.

Regardless, the “Bottoms” actor revealed to the Australian podcast host she was “all healed” now that she was promoting the ’80s slasher TV series, which is based on the autofictional novel by Bret Easton Ellis centering on privileged high school seniors who are stalked by a killer known as the Trawler.

In response to her spiritual update, Churi said, “that’s the devil speaking, I don’t know who to trust.”

AS the countdown begins for the most complete solar eclipse in almost three decades, millions are expected to be watching the rare phenomenon.

But which beauty spots in the UK will provide the most impressive views?

With more than 90 per cent of the sun set to disappear from view from most parts of the UK, hills, parks and even dams will be some of the best places to catch sight of the celestial event.

The rule of thumb is to head somewhere with elevation to ensure an unobstructed view of the phenomenon – without skyscrapers or trees blocking the sight.

One such place is Exmoor National Park, which has a maximum elevation of 5586 sq ft (519 meters) and spans across Somerset and Devon.

The park’s Valley of Rocks and Countisbury areas in particular have been highlighted as offering the best views of the western horizon – crucial for seeing the phenomenon.

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In Wales, Elan Valley’s Craig Goch Dam features wide, sweeping views of the surrounding landscape.

Fully accessible by car, foot or bike through the scenic regional Elan Valley road network, stargazers will be able to look across the water for sights of the celestial event.

Galloway Forest Park in Dumfries and Galloway, Scotland remains Britain’s largest forest park, with more than 300 square miles of hills, trees, and more than 250 lochs.

From here, the tallest hill is The Merrick, standing at 2,766 feet high and with the lowest average cloud cover this month, it promises a crystal-clear view of the eclipse.

But for those in and around cities, there are a number of hills and viewpoints easily accessible to residents.

Greenwich Park, Telegraph Hill and Primrose Hill notably provide some of the most expansive views across London.

Those with tickets will be able to watch the spectacle from the historic Royal Observatory, while eclipse enthusiasts will be able to join any number of eclipse picnics taking place at these beauty spots later today (August 12).

LeBron James didn’t have a speech prepared.

“I’m just speaking to y’all from the heart,” the NBA’s all-time leading scorer told the audience Thursday night at the Time 100 Sports gala in New York.

In James’ heart and on his mind at that moment was his oldest son Bronny James, who nearly three years ago suffered sudden cardiac arrest as an 18-year-old rising freshman while practicing with the USC basketball team. He later was diagnosed with a congenital heart defect but eventually was able to resume his basketball career.

James and his son ended up becoming Lakers teammates for two seasons before the 23-year veteran became a free agent this summer. Bronny James is entering his third season with the Lakers after contract became fully guaranteed earlier this month.

“Obviously, if it wasn’t for the coaching staff and the medical team and everybody at USC being there in a timely fashion, we’d possibly be sitting here without our oldest son,” said James “So thank you to everybody and all the efforts when it comes to cardiac arrest.”

In June, Time magazine released its inaugural issue highlighting the 100 most influential people in sports, with James on the cover as “athlete of the century.”

James was one of the featured speakers at the gala honoring those individuals, as were fellow Time 100 Sports list members New York Knicks star Jalen Brunson, Olympic gold medalist skater Alysa Liu, Invictus Games founder Prince Harry and women’s soccer legend Alex Morgan.

Savy King and Damar Hamlin speak onstage during the Time 100 Sports gala July 16 in New York.

(Jemal Countess / Getty Images for TIME)

Earlier in the evening, Buffalo Bills safety Damar Hamlin and Angel City FC defender Savy King gave a presentation on their experiences as athletes who suffered cardiac arrest while playing in games for their respective teams.

Like Bronny James, they were both young athletes at the time of their incidents — Hamlin was 24; King was 20 — and both were fortunate to have trained medical staff members on hand to perform CPR and use defribulators to save their lives.

Their message hit home for James.

“Guys, take that serious,” he said. “If you got kids in elementary, you got kids in middle school, kids in high school, colleges. Make sure they have these devices available where you can get them, practice them. It’s very important, super, super important. Obviously, we know how important it is to our family, so we’re a big advocate of that.”

The history of all living things is examined through five key species chosen for the way they move, feed and reproduce and also for their size and intelligence

Chris Packham famously hates so-called “T-shirt” animals – preferring beetles and bugs to the more box-office elephants, lions and tigers.

But for his major new BBC series examining the history of every living creature’s existence, the presenter had to block that prejudice as he looked back over 4 billion years. In Evolution, viewers will see how every plant and animal evolved – differently – from a single celled organism called LUCA.

And in order to explain this effectively, the five episodes focus on the elephant (size), ostrich (reproduction), horse (movement), bat (feeding) and dolphin (intelligence) to show what changes have happened over the millennia until they started to look a bit like the creatures we recognise today.

“TV likes an iconic species, something to put on the T-shirt,” Chris laughs, acknowledging that he doesn’t normally go for these “celebrity” animals which tend to draw in viewers, but go against the grain for Chris. “On Springwatch we’re always keen to champion the underdog, we make films about slugs and snails and flies and all those sorts of things, so we’re trying to build up that idea in people’s minds that everything counts – not just the fluffy birds in the nest, or the cute pine-marten kits. Survival of the cutest has always been an issue.”

“But had we picked, I don’t know, some innocuous little bug, it wouldn’t have looked great,” he laughed. “I’m not a great fan of T-shirt animals, but I am a fan of using them constructively.”

He even admits that filming the series, in different locations around the globe, brought him one of the best moments of his life, when he found himself right in the middle of a pod of dolphins during a break in filming. “It was absolutely extraordinary,” he says. “There were times when the cameraman was doing something and I was still in the water and I could just actually just be there with them.

“I dived down about four metres and I looked down and I had a dolphin right underneath me, under my chest. And I had couple on one side, I mean they never touch you, but they’re close, and a couple on the other side – and then I looked up and they were above me. And I was like in the middle of a pod of dolphins. You can hear them the whole time, they’re constantly clicking. So you can here that that’s that communication going on.

“It was just five minutes or something, it wasn’t a lot of time, but long enough to actually just engage, and realise that this was one of the most remarkable moments in my entire life. To be in that environment with these astonishing animals. I thought ‘blimey, I’m Flipper’.”

The five-part science show, which must be Packham’s most ambitious programme to date, has clear similarities in scope to Sir David Attenborough’s 1979 series Life on Earth, which set out to look at the earliest life forms. “I’d say it was more modern in its narrative structure,” he says thoughtfully. “Also, we’re catering for an audience that we know we need to surprise. We want to feed them short snippets, which are basically entry information into a bigger story, if you like. Those twenty-second things that get people to prick up their ears. And we want people to down the pub and say, ‘do you know what? I just watched this programme and, you won’t believe it, we couldn’t have a head before we had an arse’.

“I don’t think Life on Earth is like that. That felt very 1970s, because that’s when it was made, this just feels like a really modern, cutting-edge version.”

To film the series the BBC team were very careful about where they went in order to limit the carbon footprint. “Ten or 15 years ago, we would have gone to multiple locations to make a series like this,” Chris says. “But I’m pleased to say that each of our programmes was essentially made in one location.”

The elephants in the series opener were filmed in Kenya and the ostriches in South Africa. The horses were in the UK, with three days in France which was reached by train. Then the dolphins were in the Bahamas and the bats were in Borneo.

Chris says his role as presenter on the show, from the team who previously brought us Earth, is to keep the audience enthralled, and showing his own excitement is a big part of that, just as he experienced while watching his hero Attenborough. He particularly remembers a programme made by the veteran broadcaster about birds of paradise, filmed in Papua New Guinea.

“They were my dream birds because they’re mental, they look like space aliens,” he explains. “And I was sat there waiting for it to come on, just thinking, ‘you b****rd, I want to go to Papua, I want to see that.’ But in fact my response to the programme, and a testament to his broadcasting, was that I absolutely loved it because I felt the connection to the birds through his joy.”

Chris found himself caught up in some beautiful moments that will also tug at the audience’s heartstrings, such as when a baby ostrich hatched out of its egg right into his hands. “You’re peering into it, it’s not even in the world yet, and it’s like you’ve had a sneak preview into a life which is going to unfold,” he marvels. “It’s just this little thing moving, and that was really very emotional, that formation of new life.”

Learning new stuff is “the greatest joy” of his job. “I get to work with people who know more about a subject than I do. And their job is to tell me and the team everything they know about it in 30 seconds,” he says. “So my joy is that I attend the University of Zoology every single day that I’m working, and this is updated information, so we’ve constantly gone to the latest science.”

While they don’t skirt away from the technical stuff, like explaining how DNA works, Chris feels it is carefully woven into the narrative. “There’s no dumbing down, but we are conscious constantly of building a narrative which will keep our audience engaged.”

– Evolution, BBC2, Monday 13 July, 9pm

Just 16 miles north of the California border, enchanting Ashland, Ore., has drawn theater fans for more than 90 years. The city owes its modern tourism economy in large part to William Shakespeare.

The Oregon Shakespeare Festival runs from spring to fall annually, attracting many of the 350,000 annual visitors to the city of 21,000 residents. Locals and travelers gather to watch live productions in venues like the Allen Elizabethan Theatre — modeled after a 1599 London playhouse, with a three-story Tudor facade — where for one magical evening, they’re transported to Shakespeare’s heyday.

While it’s hard to escape the Bard’s reach in the downtown core, Ashland and environs offer much more than theater. Its outdoor wonderland especially is well worth exploring. Or as Shakespeare once put it: “One touch of nature makes the whole world kin.”

Within a short drive await wineries, hiking, cycling and white-water rafting on the magnificent Rogue River. Crater Lake National Park is about a two-hour drive, and the destruction of dams on the Klamath River reopened scenic rafting there last year for the first time in more than a century. As a designated Tree City USA community, Ashland is steeped in greenery. Parks abound. Lovely Ashland Creek meanders through the town.

Founded as a farm town in the 1850s, Ashland incorporated as a city in 1885 after rapid growth fueled by the railroad’s arrival. Many buildings in the downtown historic district date to the turn of the 20th century. Today, Ashland is home to a variety of shops — a couple of favorites include Bloomsbury Books with its ecology rack right out front and Mountain Provisions for high-quality outdoor gear. And with more than 100 restaurants, Ashland’s food and beverage scene runs the gamut from casual (try the porkstrami at Sammich) to inventive (check out the unique Alsatian menu at Nous).

These days, a cautious optimism prevails throughout Ashland, which had been hit hard by the pandemic and simultaneous wildfires. At downtown’s Village Baker, the scent of baking bread hints at the 1,400 loaves produced daily. They start at 4 a.m. and deliver for miles around. That broad reach, co-owner Gerardo Gutierrez says, has helped them weather challenging times.

“We’re coming back from the ashes,” he said.