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Mérida, August 11, 2026 (venezuelanalysis.com) – Venezuela concluded a successful performance at the XXV Central American and Caribbean Games in Santo Domingo, Dominican Republic.

The Caribbean nation’s delegation finished fourth in the overall medal table, securing 216 medals: 49 gold, 70 silver, and 97 bronze, finishing just two gold medals behind third-place Cuba. Mexico topped the standings with 407 medals, followed by Colombia with 266 medals. The competition lasted from July 24 to August 8 and featured athletes from 37 countries.

The Venezuelan athletes, with a mix of veterans and up-and-coming talents, enjoyed success across multiple disciplines. Olympic medallists Julio Mayora and Keydomar Vallenilla dominated their respective 73kg and 96kg weightlifting divisions, while 19-year-old phenom Mauricio Loaiza earned a breakthrough gold medal in the 110kg division. Venezuela racked up 11 weightlifting gold medals.

In aquatic events, open-water swimmer Paola Pérez successfully defended her regional title by taking gold in the 10-kilometer individual race, while swimmers María Yegres and Manuel Díaz won the 400-meter freestyle and 100-meter butterfly, respectively.

Combat sports also delivered critical victories. Venezuelan judokas Anriquelis Barrios and Karen León delivered dominant performances to secure two of the team’s three judo golds.

In women’s boxing, Omailyn Alcalá, Krisandy Ríos, and Maryelis Iriza achieved a historic three-gold sweep. Venezuelan fencers likewise maintained their regional dominance, winning their fifth consecutive title in men’s sabre and second in women’s epee, bolstered by gold in women’s foil by Anabella Acurero.

Rodolfo Monacelli secured first place in bowling, and chess grandmasters Vicmary Pérez and Félix Ynojosa captured top honors in their respective individual events. 19-year-old pole vaulter Ricardo Montes de Oca continued his promising career by soaring to victory in track and field.

Venezuela also achieved a gold medal in modern pentathlon, and surfer Rafael “Nono” Pereira edged out fellow countryman José Joaquín López in an all-Venezuelan shortboard surfing final at Encuentro Beach.

A major highlight of the South American nation’s performance came on the pitch, where Venezuela’s under-20 soccer team captured the gold medal by defeating a heavily favored Mexican squad in the final. The victory marked Venezuela’s third ever gold medal in men’s soccer at the Central American and Caribbean Games.

Venezuelan Acting President Delcy Rodríguez issued an official statement praising the national team’s performance at the games.

“The medals won reflect the strength, discipline, passion, and love for this land. My recognition goes to every athlete and coach who gave their all; they fought and dreamed to bring great joy to our people,” she said. 

Following the strong performance, the country’s best in eight years, Venezuela is set to host the XXVI Central American and Caribbean Games in 2030. Sports Minister Franklin Cardillo announced that Venezuela’s candidacy was officially ratified during the closing ceremony in Santo Domingo.

Cardillo affirmed that Venezuelan authorities and regional athletic federations are already coordinating logistics to prepare world-class facilities and host a successful edition of the Games in 2030. Venezuelan athletes will next represent the national tricolor flag at the upcoming South American Games in Argentina starting on September 12.

Edited by Ricardo Vaz in Caracas.

In this week’s episode of The Envelope podcast, “The Pitt’s” Noah Wyle reflects on 25 Emmy nominations for the series, responds to criticism of casting decisions, and previews Season 3 of the HBO Max medical drama, now in production.

Kelvin Washington: Hello, and welcome back to The Envelope. It’s been a little while. Kelvin Washington alongside Yvonne Villarreal. We also have Mark Olsen. Good to see you. This is one of my favorite things, because I learn so much from you two. And by the way, I got a big shout-out from somebody at the other job that I do —

Yvonne Villarreal: You have another job?

Washington: Which one do you want to talk about? I have 17 of them. But she was saying how she was listening to something and then she said, “I want to hear more about it.” So she Googled, we came up and she was blown away to see it, and we did such great jobs. So she’s a big fan of you two. Shout out to Larissa if she watches again. But let’s get into, of course, Emmy nominations. You have surprises, you have ones you kind of expected, snubs, the whole nine. Let’s start with you, Yvonne. Anything jump out?

Villarreal: Leading the pack was “The Pitt,” which I think everyone expected, and coming in close second was “Hacks.” But I think the third most-nominated show that was thrilling to see have a big showing was “Widow’s Bay.” It was this latecomer to the race, and it’s just this show that has taken people by storm. The word of mouth has really grown. And I know, Mark, you got Matthew [Rhys] in an upcoming episode here. It’s just nice to see how that show’s performed.

I was a little bummed that we didn’t get a [big] showing of “The Comeback,” the third season. That was maybe my snub mark.

Mark Olsen: Not that it’s a causal thing, but I was excited to see a guest from the [podcast], Riz Ahmed, was nominated for the show “Bait,” [which is] kind of like a meta-psycho-emotional biography of an actor caught in conflict between his community and his career. And then also, I have to say, Meg Stalter from “Hacks,” I thought was exciting. For no other reason than to have her on that red carpet, to maybe get a little time on the telecast and the chaos that that just promises.

Villarreal: I want to know who she’s going to come dressed as. She always stuns on the red carpet with who she is sort of making fun of.

Washington: You need a little bit of that, a little chaos. That’s what makes those things interesting. For me, I was just thinking about, again, how we’ve had so many folks who were known for films now all of a sudden becoming television stars. Seems a little weird to say it, but Jason Bateman being one of them, nominated for a couple of shows. So it’s just been incredible to see some people’s transition into that, where 15, 20 years ago, it‘d almost be the downfall of your career to do so much TV. Now it’s a cool addition to your career. Let’s get into it. You mentioned “The Pitt,” Yvonne. And Noah Wyle, you had a chance to have a chat with him. Tell me a little bit more about it.

Villarreal: They got the big news about their 25 nominations while on set. They’re in production on Season 3. And when we caught up with Noah, he had just wrapped filming the episode that he wrote and directed this season, Episode 3. And it was really fun to catch up with him, especially considering how much he’s shouldered in portraying Dr. Michael Rabinovitch, a.k.a. Dr. Robby. You know, this is a character that’s had a really deep mental health journey the past two seasons. Season 2 picked up with him on the eve of a three-month sabbatical, and we think he’s finally going to get this break that he needs to deal with some of the things he’s been going through. But as the season progresses, we see him really confronting just how much of a mental breakdown he’s at right now. And we talked about that. He shared a lot about what’s coming up in Season 3. And we also get into some of the advocacy efforts he’s been involved with.

Washington: You know what I find interesting about that is, when you look at the folks from “Law & Order: SVU” and some other shows, [they’re] just a character, but all of a sudden folks really look at you as this advocate and they’ve turned around and become very passionate about those things, and I can see how that would be the case [here] as well. All right, let’s get into it. Yvonne and Noah, here’s their conversation.

Wyle on the Warner Bros. lot in Burbank in June.

(Christina House / Los Angeles Times)

Yvonne Villarreal: Noah, thanks so much for taking the time. We’re on the Warner Bros. lot inside an office space because you are deep in the throes of production on Season 3 while navigating the awards circuit. Tell me what that’s like. What is your headspace right now? Have you learned anything from last year?

Noah Wyle: It feels like we’ve just come back, even though today we started shooting Episode 4 already, which is amazing that we’re almost a third of the way through the season. It feels really good to be back. It’s odd that this is Season 3. It still feels like a new show. Everybody’s still energetic and excited to be there. The awards stuff hasn’t really kicked into overdrive yet, so it hasn’t been too much of a distraction. It’s just been really exciting, especially for our cast and crew who are so well represented in the nominations.

Villarreal: It was really staggering. Is there a moment from the last award season that stands out? An interaction or an experience going through that?

Wyle: The first one that comes to mind was an impromptu meeting I had with Stephen Graham after the Emmys where we bumped into each other on the street and he said some lovely things to me, and I said some lovely things to him. It was the first time I’d ever met him, then Keith David walked by, who was an old friend. It was a very collegiate moment. That was the time I actually took a breath that night and was like, “Hey, look at this — oh, my God, look at all of this.”

Villarreal: Where are the trophies?

Wyle: They’re on the mantle at the moment, at home.

Villarreal: Next to the Golden Globe made by your daughter?

Wyle: Yep, it’s right there in the center.

Villarreal: I want to review the show’s chart. “The Pitt” leads this year’s Emmy nominees with 25 nominations overall. You are nominated in the lead actor category, as well as directing. Do you feel like you’re better equipped or prepared to deal with the spotlight and attention that the show’s receiving now versus when you were doing “ER” at the height of its moment?

Wyle: Oh, I thought you were going to compare it to last year. Comparing it to 30 years ago, yes, I’m way better equipped.

Villarreal: Tell me.

Wyle: Just older, wiser. You’ve been to the dance before, know it for what it is. There’s nothing that’s going to be shocking about the process. Also, I have enough life perspective to just be extremely grateful and present for it and just be really excited about it.

Villarreal: How aware are you that the spotlight is on you? What does that feel like?

Wyle: I’m not that aware of it because I feel mostly cloistered once we start production on Soundstages 21 and 22. Occasionally the tours go by and I see [people] get all excited. But for the most part, I live a pretty hermetic life when we’re working. So except for when I Instagram scroll or one of my kids brings me news from out there, I don’t really get out much.

Villarreal: Your mom is a nurse. What does she think of this moment? Does it feel any different than during your “ER” days?

Wyle: Yes. I think back then it was just a novelty that she was working in a hospital and her son was on this extraordinarily popular medical drama at the same time. Now we’ve had an opportunity, especially the last couple years, through the [medical apparel] company Figs, to go to Washington and do some lobbying together, which allows her career, my career, to sort of work hand in hand. And for me to have a different perspective on who she was as a woman while she was a nurse working, because I only really saw her as Mom through those years. To answer your question, how was her perspective different? I think she’s, dare I say it, maybe a little more proud of me than she used to be. She’s said as much. I think in the old days she was proud of me being successful in having my dream of becoming an actor come true. Now she’s proud of me because she feels that I’ve used that platform to do some humanitarian good works outside of personal aggrandizement.

Villarreal: How many times is she visiting the set?

Wyle: Oh, I don’t let anybody visit this. By design, we keep a very closed set. In fact, if you come as a visitor, you have to put on scrubs so you fit in — and you feel really uncomfortable and you can’t wait to leave. That’s how we roll.

Villarreal: I want to dig into Season 2. When we pick up with Robby, it’s the eve of his three-month sabbatical, and we think maybe it’s this much-needed break. But as hour by hour goes by, it becomes clear that he’s maybe viewing this as a death sentence. What intrigued you, what worried you, about what he was facing in Season 2?

Wyle: Once we decided that we wanted to put, at the center of this medical drama that was an exposé and sharp look at the medical world, in 2026, a mental health journey of one particular person and have as part of that mental health journey be suicidal ideation, which speaks to a lot of the prevalence of that in this profession, once we committed to that idea, it was really exciting to walk it through. And to play the first half of the season as a guy going on vacation to get his head clear and play the second half of a season as a man buttoning up every aspect of his life in the event that this was a one-way trip. And leaving that almost to the Fates to decide as the day unfolded, looking for signs and signals to determine which way that should go. And increasingly as the day goes on, to be met with both the increasing desire to make it a one-way trip and the community that desperately don’t want him to, and ultimately keep him on this side of that edge.

Villarreal: You wrote two episodes in Season 2, and in “8 p.m.” we really see Robby’s mental health journey come to a head. What was that like, to put dialogue to what he was feeling internally, for you as the actor playing him?

Wyle: That particular dialogue was gifted to me by a doctor who shared with me that that was exactly what he said to his wife one morning when he was going through something very similar. And the way that it resonated with me when he said it, the way it went straight to my heart, I knew if I spoke it as simply, it would speak to other people. And rather profoundly, I got a letter by a young man who said that exact dialogue was so reminiscent of what was going inside his own head that it kept him from harming himself and was the catalyst for having him reach out to get help. Because it was so truthful, because it came from such a truthful place, it had a multiplier effect when we put it on TV. So to get to voice it to the world, that was extremely significant to me. It was the masks just really starting to fall to the point where you can no longer keep it in. And the Duke character [played by guest actor nominee Jeff Kober] is the only person who he felt he could share it with, because it’s enough objectivity, away from the hospital, without any kind of preconceived history. And it’s obviously somebody who’s been down a very bumpy road himself and won’t judge the decision one way or the other. He’ll just sit there, almost Buddha-like, and absorb it.

Villarreal: I know during the pandemic — this was sort of what was the impetus for the show — you were getting a lot of messages during that time, people messaging you about “ER” and what that did for them. How do you shoulder those types of interactions?

Wyle: That one made me cry. My hands started shaking. … You always want your work to have impact, you want it to have meaning, you want people to glean something from it that’s relevant to their own lives. And I’ve been very fortunate in my career. I remember back in the “ER” days, when Carter got sober, people would write me and say, “You helped me deal with my drug addiction.” When I was on “Falling Skies” and played the grievous loss of a spouse, people reached out to me. I’ve been a lightning rod for pain a couple of times in my career. And you asked me, how do I shoulder it? I think I sort of see it as a gift. When you have that connection to somebody, when they respond that way, it’s the ultimate compliment. And you’ve built a bridge where there didn’t exist one before. It’s even better if you build them between two strangers that don’t know each other, that now have commonality that has nothing to do with you.

Villarreal: Not to compare the two professions, but does it make you see the work you do as an actor a form of public service? We see how, when people are at their lowest moments in the hospital, they’re watching TV, they’re connecting with characters, with their family members, in these rooms. And then also what you just described, the interactions that you’ve had with these people [who were] inspired to become healthcare workers, shows you how they connect with the characters.

Wyle: As you’re saying that, that’s what birthed “The Pitt.” I was getting letters from people telling me that my work had meaning to them at the very moment when I didn’t feel like my work had meaning at all, because it had no relevance, because we were in the middle of a pandemic. Who wants to see a guy jump around in a costume while people are out there really being sick? And suddenly, I felt like I didn’t have a skill that actually could hurt or help anybody. It was only sort of a frivolous skill. Then those letters turned into the DNA that the show became.

Villarreal: Seeing what Robby is facing, how do you establish boundaries for yourself in terms of taking it in — dealing with the burnout, and overwhelming emotion of it?

Wyle: It’s a process. I am engaged in several modes of therapy to offload this and be able to surf it from both an artistic curiosity perspective and a need for balance. It’s interesting work, this work, and I do it with the full support of a loving wife and family who understand that this is different than what most people do for a living.

Villarreal: You seem to be giving yourself a lot of work these days in addition to acting in this hit show. As the No. 1, you’re writing and your directing. Do you like stress, Noah?

Wyle: I know it sounds odd, but my brain works really fast and it works nonstop. I don’t know what to do with myself most of the time. But when I’m engaged in [creative work], especially directing, it is a full-course meal for me. I feel totally alive and in my happy place. This last week, getting to direct a piece that I wrote, was even more fun because I’d pictured it already in my mind when I was writing it, which is a form of prep. But then you get to give it to everybody else to see what they want to do with it and what you’re creating communally suddenly becomes the third version of it, which I think is really great.

Villarreal: We like a tease here. Is there a note from this recent episode that you wrote and directed that was interesting to give that won’t make sense to us until we watch it?

Wyle: A directorial note? More glitter!

Villarreal: The episode you directed in Season 2, you had the interesting job of dealing with vomit.

Wyle: Yes. Vomit is hard. We’ve been making movies for a long time and we still haven’t come up with a decent vomit rig. I’m not selling Rob Nary, our special effects supervisor, down the drain here with this comment, but it is really hard to come up with a piece that doesn’t look like it’s on the side of a guy’s mouth when he’s throwing up. And you can put stuff in a guy’s mouth and have him spit it out, but to really get a good projectile vomit, you need to have some sort of cannon apparatus. And it has to come from a place that looks localized to the mouth, and it has to be the same diameter of the actor’s mouth. We went through, I don’t know, five designs on that thing and still ended up with something I thought was passable but not impressive — not “Pitt”- level impressive.

Villarreal: Interesting. Do you feel like you’ve upped the ante —

Wyle: I feel like I’ve put a challenge out there to somebody to come up with a decent vomit [effect]. It’s not as easy as it sounds.

Villarreal: It was also the episode where we get the passing of Louie [guest actor nominee Ernest Harden Jr.], and it was such a heartfelt moment and a reminder of the people that are there day-to-day or frequently, and the humanity that you still want to show them.

Wyle: Valerie Chu wrote a hell of a script. Valerie is a wonderful writer, and that episode just dramaturgically was a little different than the other ones because it did put more of an emphasis on the nursing staff than it did the doctors. Usually, we walk into a room and walk out of a room with a doctor. This time, we walked into rooms and out of rooms with the nurses, and we really tried to highlight the whole range of services that nurses give — pushing medications, double-checking doctor’s orders, holding hands, bringing blankets, wiping asses; all of the dirty work that goes into palliative care and treatment. That was the thesis. How do we exemplify those actions? Then, of course, at the center of it was Louie’s passing and the conferring of dignity to somebody after they’ve died was the theme I wanted to focus on. In the beginning, he’s a bloody mess, almost unrecognizable, and certainly not dignified. Then, through the cleaning and the preparation and then eventually the service — that’s on a clock because we’ve got other Louies to treat — we confer him his dignity. We fill in the backstory of his narrative. We give context to his life and honor the man. That was the lens progression we were going for and heart progression we were looking for.

Villarreal: What did it say to you that Robby committed those life details to memory from those interactions?

Wyle: To me, that is what you carry with you. It’s odd, the things you remember about somebody. It’s odd, the things that land with you. Usually, they resonate with something that you’re vulnerable to or have experienced. But with Robby, who never had a family and always seemingly wanted one but never allowed himself, the idea of somebody who had one and lost one is particularly profound. And as we get into subsequent episodes that we’re dealing with now, we see that Robby’s sense of loss predates Louie and his mentor, Adamson, and it goes back to almost an original sin.

Villarreal: A lot of people wanted you to take home Baby Jane Doe to heal and deal with some of your stuff.

Wyle: I don’t think you should throw a drowning man a baby. It doesn’t seem like a good, logical thing to do for either one of them. I think Robby went home and wished that he had the capacity to be someone who could have taken that baby home for a little while. And that was probably one of the things that nagged at him along that trip. If you wish you were better, then why wouldn’t you come back and try? And as we watch him begin to try to evolve and work through some of the things that have been stumbling blocks for him in becoming a fully evolved human, that’ll be one of them, hopefully.

Villarreal: I want to return to an earlier point, which is, you’ve done a lot of advocacy work. Even before “The Pitt,” you were arrested in 2012 in Washington, D.C., alongside 100 activists from the disability rights group ADAPT during a demonstration urging Congress not to cut Medicaid. Recently, you joined healthcare workers along with your mom at a rally on Capitol Hill. You also spoke at a congressional hearing focused on declining entertainment jobs in L.A. and the push for federal production tax incentives. How has using this spotlight and your voice for causes that are important to you deepened your experience with “The Pitt”?

Wyle: Well, that’s a very apropos question because I wrote into Episode 3 [of Season 3] a character based on a guy I was with when I was arrested with back then. A really wonderful guy, sort of a self-advocate and kind of a grump, total badass activist who has muscular dystrophy and has a tracheotomy. And so I thought, why don’t we put that character on the show and put him as a patient? And then I thought, “Well, who the hell is going to play that guy?” I called this guy and said, “Hey, I got a part for you, man. I need you to do it for me.” And we flew him out with his aide. And he came in, shot two days last week. He was phenomenal. The representation that we are going to give people in that community is going to be unprecedented, but it comes from a 30-year friendship I’ve had with this guy from some of the wars we fought together through the years, so it all dovetails together. I’m using one to feed the other at the moment and seeing where it’s applicable and where I think it could do the most good.

It’s just an amazing confluence of events. I’m an Angeleno who thinks there should be work here. I have an opportunity to bring a show here and employ 300 people nine months a year and be an advocate for other shows to follow a similar economic model to try and take full advantage of the generational talent that’s here. That’s just an alignment of my values and opportunities that seems almost blessed at the moment, but it’s not effortful. When you read it like that, it makes it sound like Mr. Smith.

Villarreal: Well, so many choose not to put their voice out there in those ways, but you’ve decided to do it

Wyle: I’ll speak up for my city.

Villarreal: What’s so great about a show like “The Pitt” is we get to watch regular, decent people doing competent work. Some call it competency porn. What do you think is our attraction to that?

Wyle: I think it’s twofold. I think on one hand, it’s wish fulfillment. You want to believe that there’s really competent, smart people in those jobs, so that, God forbid, if anything happens to you, that’s what you’re gonna encounter. And then I just read an article, I forget who wrote it, I wish I could cite it, that talked about this other aspect of watching people do work that has meaning, that actually makes a difference, touches a vacuum that we feel we don’t have in our lives and it’s a different kind of wish fulfillment. It’s almost like, “I want to be doing something more with my life that has absolute physical and tangible connection to another human being that makes a difference, that has a net positive.” And I think that’s interesting.

Villarreal: Sort of what you were feeling during the pandemic.

Wyle: It’s exactly what I was feeling during the pandemic: “How can I make more of this time on Earth and serve more than myself?”

Villarreal: I want to talk about “The Pitt” fandom because they are passionate and vocal. Has anything surprised you about their response to the show?

Wyle: Only everything. The embracement, the passion, the creativity, the advocacy, the identification, the continued support. It’s really been incredibly gratifying. It’s exactly what you hope, you know, that your work will do, spark a conversation and maybe a bit of change. But you certainly, you never anticipate reaching the levels that this one has where people are just gaga for it.

Villarreal: Recent cast departures have obviously drawn some criticism. As the No. 1 on the show and an executive producer, how do you navigate fan response when it’s negative? What are you learning about how to take that in?

Wyle: It’s nuanced. It’s new for me, new for all of us in a way. You try to put it in perspective, and it’s relatively small in relation to the overall [response], in terms of the more vocal critics. But at the same time, this is who’s watching. This is why you’re telling a story. If it’s touching a nerve that’s unintended, address it. Figure out a way to do it more sensitively, to come at it from a different point of view. We’re certainly doing the best that we can in there, but it’s impossible to anticipate what’s going to resonate and why. And I can’t tell you how many times I was surprised at what people thought was funny or what people thought was horrific or offensive. And it’s an interesting barometer of where we are as a country. It’s an interesting cross section of where the population’s at. But in terms of how it affects the creative work, it becomes a slippery slope if that’s the tail that wags the dog. So every year, we come in and we sort of have to gut-check ourselves and do a postmortem on the season. What worked well, what didn’t work well. And what is going to be part of this narrative as we go forward? Cast changes are gonna be part of that. That’s inevitable.

Villarreal: How about in relation to your character? Some of the discussion about what’s playing out onscreen, it’s been interesting to see how people look at Robby and maybe some of his flaws that come out. What do you see as his blind spot?

Wyle: Well, can we start with [we’re] watching a guy who’s going to kill himself? The guy is going to kill himself today, most likely. He’s going to leave and not come back. And as that reality gets increasingly clear to him, he acts continually beneath his grace. He doesn’t necessarily want people to miss him. He doesn’t necessarily want [them] to overidealize him because he doesn’t want them to mythologize him. So some people he was really tender with, and some people he was really harsh with, and some he will carry regret with, and some he probably wishes he had gone further. But all of that pathology was on display as a cry for help for anybody that was really looking to see it, more than I felt it was indicative of how he felt in a normal frame of mind in those relationships. I think he pushed Abbot [Shawn Hatosy] so far away. He pushed Dana [Katherine LaNasa] so far away. He was overly harsh with Mohan [Supriya Ganesh]. He was almost paternal with Javadi [Shabana Azeez]. He had a different vibe and energy with everybody. But ultimately, it was to sort of say goodbye in a way that he felt would be most appropriate. And I’m glad people felt that it wasn’t appropriate, because it was a man setting fire.

I did say in casting, I was like, “Can we cast some guys that are like my size that I could yell at that so people feel like it’s a good, fair fight?”

Villarreal: And you were vetoed?

Wyle: No, no, we’re going to sort of figure that out because it’s nice to show volatility in character, but if it’s a character that’s surrounded by women, it’s very difficult thing to depict without it seeming disproportionate in power. So it’s something I was conscious of when I came back this year. I was like, “It‘s difficult to show this character’s rage when it would be super inappropriate to express it with every single person in this room.” So, bring somebody in that can handle it and match it a little bit. And for my money, that’s what Al-Hashimi [Sepideh Moafi] was. She gave as good as she got, and those scenes between us were terrific.

Villarreal: Season 3 will be taking place on Nov.r 12, 2026, right? A lot of that had to do with the anticipation of and preparation for the ramifications of the Big Beautiful Bill on people’s lives. Tell me about that.

Wyle: It’s Thursday, November 12th, which means that tomorrow is Friday the 13th. And there was something fun about playing with the eve of a day that is usually fraught with peril. But this day is fraught with peril for all sorts of reasons. And it isn’t Friday the 13th. It also is coming into the holidays and it’s getting colder. A lot of the social issues that Pittsburgh and a lot [of places] with colder climates deal with are going to come up. People are turning on their heaters for the first time, if they can afford to turn on their heaters; people that don’t have access to housing are gonna be feeling the pinch even more than that. All of that goes into our narrative. And then, as I think you were alluding to, this is in preparation for what’s gonna take place in January [2027] with [provisions of] the Big Beautiful Bill [going into effect], which is gonna throw a lot of people off the rolls in a lot of states and cause a whole ripple effect through the healthcare industry. In anticipation of that happening, people are gonna have to make some very hard choices. They’re going to probably want to hoard medication if they can. They’re gonna try and load up on as many treatments as possible, put as many things into place as they can for that eventuality. And we wanted to highlight what some of those struggles are gonna be because I don’t know that they’re gonna be reported in January.

Villarreal: How fast, when that decision came through, were you getting outreach from healthcare professionals wanting to meet with you, with the writers room, about how can they can help you think about what’s going to happen?

Wyle: We have a great organization that’s an adjunct to the Norman Lear Foundation called Hollywood Health. And they broker all sorts of meetings for us in the writers room with experts from every aspect of the healthcare spectrum you can imagine. And so we really were curious to find out from those experts what the statistics were going to be. And they run models on best-case scenario to worst-case scenario and tell us pretty much with a high degree of certainty what the bandwidth is gonna be. And then we take that data and try to figure out the storyline that would be most effective to tell it. But it starts with trying to get it as accurate as possible in our crystal ball, looking forward to where we’re gonna be.

Villarreal: If you could give one word to Dr. Robby’s mental state in Season 3, what would that word be? Or what would the song he’d be listening to at that moment, walking back into work?

Wyle: I don’t want to tip the bit on a song that we might use and the ones that are in my head are so corny and cheesy that I don’t want anybody to suddenly start cutting memes to it. [Looks at camera.] Because you know you will.

Villarreal: Come on, Noah. Give us a ’90s throwback.

Wyle: “Scar Tissue” [by the Red Hot Chili Peppers].

Villarreal: Oh, that’s a good one. OK, before I let you go, is there any PSA you want to give folks right now about whether they should be consuming lettuce? Is Dr. Robby consuming lettuce?

Wyle: Oh, my God, don’t ask me. My wife and I have huge fights about produce every night. I don’t know what the hell’s going on.

Villarreal: I’m always like: What would Dr. Robby do?

Wyle: I don’t know that Dr. Robby eats a lot of vegetables. I think all of your canned vegetables are safe, says Dr. Robby.

Elizabeth Kobliha knows her one-eyed cat Likho has more friends than she does. So much so that on his 15th birthday last Saturday, the sidewalk outside her downtown Long Beach store where he spends most of his time transformed into a makeshift fair.

There were vendors selling peach cobbler, watches, hot dogs and offering tattoos and face paint. A DJ spun records in celebration.

“He’s a very good businessman. We’ve got stickers, T-shirts, keychains, and buttons [of him], and it all goes under his account, his name,” Kobliha said of the cat.

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Before Likho roamed the 7,000-square-foot Long Beach Vintage Etc, there was Apollo. The “big rag doll” came in with health problems but was the perfect shop cat. Apollo, a Maine coon who died at 13 following a seizure a year after his arrival in 2015, had curbed the shop’s mouse problem and brought “so much love and energy.”

Similarly, Likho, a one-eyed Russian Blue, also was ailing when Kobilha took him in at 8 years old, but she wanted him anyhow.

“I always wanted to open my own shop so I can have a shop cat,” Kobliha says, adding she was inspired by bookstores with cats “just chilling.”

Vendors line the sidewalk for Likho’s birthday party. The cat is a local celebrity.

(Jason Armond / Los Angeles Times)

In 2016, Kobliha was swiping through Facebook when a video stopped her scroll. In it, a woman inside of a hoarder’s garage bobbed a feather toy in front of Likho, who jumped up to catch it.

The post was made by Sia Barbi in collaboration with animal rescue group Stray Cat Alliance after the cat had been abandoned at the Hancock Park home. During the early ‘90s, Sia and identical twin sister, Shane, made waves in the fashion and pop culture worlds, often modeling for Chanel, Thierry Mugler and Jean Paul Gaultier. Their rise to fame began after the Los Angeles Times covered a Sunset Boulevard billboard featuring the twins wearing little clothing that had been causing car accidents.

“Guys of a certain generation would get very hot and bothered over them,” Kobliha said of the Barbi twins. As they exited the modeling industry, they pivoted into animal activism and volunteering for rescue groups and trap, neuter and return programs for cats.

Elizabeth Kobliha holds her cat Likho. When she opened her vintage store, she knew she wanted a shop cat just like chill bookstore cats.

(Jason Armond / Los Angeles Times)

Kobliha wanted to adopt Likho, but first he’d need a $3,000 operation to remove an infected eye, paid for by the Stray Cat Alliance.

“They took care of everything, then we had to wait because he had to recuperate,” she recalls. “The whole time I’m thinking, ‘Oh my God, what if it doesn’t work out? What if the cat gets here and is just absolutely bonkers?’”

That fear was for nothing. Likho, who lives at the shop full-time, acclimated within a day. “He has been a beautiful addition ever since then,” Kobliha says.

He’s since become the face of the shop, with a mural dedicated to him outside to welcome customers. That was done by local muralist LaJon Miller, who worked on another on the sidewalk during Likho’s party.

“I got adopted into it,” he says of the Likho fandom. “He’s been my muse on this street for a while. … He just roams around the store, chills, does his little nap thing, and hangs out with everybody, so he’s very social.”

Likho has never harmed the centuries-old objects in her shop, Kobliha says, but he has spooked suspected ghosts.

LaJon Miller, who calls Likho his muse, paints a portrait of the cat on the sidewalk outside of Long Beach Vintage Etc.

(Jason Armond / Los Angeles Times)

Kobliha believes ghosts once connected to shops at the 1922 building — a former patron of a grocery store shamed for his obesity and a former furniture shop owner who died by suicide — still roam her store’s stalls.

“We see shadow figures … there’s a certain area where they pass back and forth. They don’t do anything, but they’re scary as hell,” Kobliha says of unusual sightings. “Likho is very protective, and we do feel really safe when he’s around.”

“It is a little weird, though, when he’s sleeping, and then suddenly he will jump up and look around,” she adds.

Likho’s biggest fan may be a man named Dom Gomez. He lives within walking distance of the shop, and tends to visit after long shifts at a restaurant aboard the Queen Mary. He stopped by the birthday party wearing his work uniform: a white, button-down shirt and black slacks. His hair slicked; his hands behind his back.

Likho’s face graces merchandise at Long Beach Vintage Etc like this fan.

(Jason Armond / Los Angeles Times)

When he speaks of Likho, he speaks with a tender cadence and dignified countenance, as if he were his own.

“Time flies, you know?” he says, smiling, of visiting Likho over the years. “He gets a lot of love from all the ladies that work here and myself … he has a lot of fans. I don’t know who’s more famous, Muhammad Ali or Likho the Cat.”

On a previous birthday, Gomez wanted to get Likho a gift. He settled on a kid’s denim jacket he modified for a cat with a patch for the Cure on the back but, regrettably, it was a “little too big.” Next year, he’ll give it another shot with a sweater.

“That’s my little buddy right there,” he says. “Today is a special day. I didn’t know a cat could live that long, but I think he’s still got a lot of energy to live … maybe another 100 years, I hope.”

The Grand Mosque of Paris is celebrating 100 years since its inauguration. Built to remember Muslim soldiers who died in World War I, the mosque has become a symbol of Islam in France and a flashpoint for political tension.

Rhea Seehorn was nervous about whether “Pluribus” would be recognized by Emmy voters Wednesday when nominations were announced. So she was jubilant when she and the surreal sci-series on Apple TV scored 18 nominations, the most for a first-year drama.

“I’m just so grateful,” the actor said in a phone interview. “People were like, ‘Why were you nervous?’ Honestly, you never actually know. I’m just so thrilled for the show, my co-stars, the production design, the editing, the writing, the music, the sound. I haven’t moved from my couch since they first announced everything because I’m still trying to call everybody on the show.”

Seehorn received a nomination for lead actress in a drama series for her portrayal of cynical Carol Sturka, a fantasy romance author who finds herself in a mystifying situation after a virus seems to have wiped out most of Earth’s population. The series was created by Vince Gilligan, who created the acclaimed series “Breaking Bad” and co-created its spinoff “Better Call Saul,” which also featured Seehorn.

The actor compared her experience of being nominated for “Pluribus” to “Better Call Saul,” which earned her two supporting actress nominations: “ ‘Better Call Saul’ was such a family that supported and cheered each other on, and I’m so grateful I have that environment again. People could not be happier for each other, and we get to celebrate the show together.”

She added, “The only part that feels different is that it’s my first nomination as a lead. It’s the process of Vince writing this for me and seeing the mountain which he wanted me to climb and going through that process. The whole thing has been its own journey, so ending up with awards and nominations, and being so well received by critics and fans is not lost on me.”

The series has been applauded for its mix of drama, comedy and strangeness in its portrait of a woman coming to terms to what seems like an impossible dilemma.

“I love the storytelling, how much Vince and I would drill down on making this as authentic as we could in terms of an everyman who has to deal with an insane situation,” Seehorn said. “Most of us are just not heroic or leaping off the couch to go save the world. And Carol is dealing with immense grief and confusion in an utter dystopian crisis. I love the humor and the drama that comes out of us being as realistic as we can with her amidst an unrealistic event.”

Fans of “Pluribus” have been relentlessly curious since the finale in December about when the second season will launch.

“I don’t know anything about that,” Seehorn said. “I don’t have to keep secrets because I’m not great at keeping them, and I know nothing. I don’t know what I’m doing with an atom bomb in the driveway. I can’t wait to find out. The writers want to have the same quality and reward the intelligence of the fans and never phone a single thing in. So their process is their process.”

TAMERA Mowry fans couldn’t believe the star’s real age as she took to social media to mark her birthday.  

She and twin sister Tia are 90s sitcom icons after starring in the series Sister, Sister – which aired on Nickelodeon in the UK from 1994 until 1999. 

Today Tamera shared a clip on TikTok revealing the women are celebrating their 48th birthday, and fans refused to believe it. 

The clip showed her being presented with a cake decorated with ‘3’ and ‘8’ candles, before someone off camera switched the first for a ‘4’. 

After jokingly running away from the cake, Tamera stopped and pulled the candles from the cake before holding them up and smiling at the camera. 

She wrote: “We spend so much time running from our age. Well, this year, I’m dancing with it. 48 and grateful, because every year is a gift not everyone gets to unwrap.”

BACK AT IT!

Tia Mowry, 47, is dating hunky teacher Javon’e Armada, 35, after divorce

TWISTED SISTERS

Tia Mowry breaks silence on long-rumored feud with twin Tamera

Rushing to comment, one fan wrote: “Why did I think she’s actually 38? She looks amazing.”

Another said: “There is no way they’re 48!!!”

Someone else wrote: “Oh baby you look 28.”

And a fourth added: “Excuse me, 48? You don’t look a day over 20.”

It comes after Tia spoke out following long-running rumours of a feud between the two sisters.

Confirming there are issues between them, she told Entertainment Tonight: “Yes, there’s distance.

“But when something is important to you… you will make time for it.

“We’ve made a pact with each other that we’ll reach out once per week, and that’s on Sundays.”

Cape Verde’s football team is getting a hero’s welcome on its return home after a historic World Cup run, in which it became the smallest nation by population ever to reach the tournament’s knockout rounds.

Happy Birthday, America!

You turned 250 on Saturday and, honestly, you don’t look a day over 249. (Ha ha.)

Seriously, it’s perfectly understandable why there’s more gray on your scalp and deeper worry lines on your face. This last year has been another challenging one, to say the least. (And we thought the one cataloged 12 months ago in this space was rough.)

The country is caught up in an unpopular, on-again, off-again war with Iran that was recklessly launched by President Trump with far more swagger than foresight. In an utterly predictable move, Iran choked off the the Strait of Hormuz, a vital passageway for the world’s oil, sending gasoline prices skyrocketing. Though they’ve fallen since the announcement of a shaky ceasefire agreement, the cost of filling up is still significantly higher than a year ago.

Of course, costlier oil means virtually everything else has become more expensive. Trump was reelected in good part because he vowed to tame inflation on his very first day in office. Instead, it’s reached a three-year high.

The ground beef served up at many July 4 cookouts costs 75 cents a pound more than it did a year ago. A package of hamburger buns is up 15 cents. The price of hot dogs and other picnic staples have also increased, along with just about every other item at the grocery store.

Chew that over with your corn on the cob. (Up roughly 2.5% from July 2025.)

Meanwhile, Trump enriched himself to the tune of $2.2 billion during his first year in office alone. Treating the U.S. treasury like his personal cash cow, the president has lavished hundreds of millions of taxpayer dollars on vanity projects such as a personally kitted out Air Force One — a “gift” from Qatar that Trump plans to keep after retirement — and a gilded White House ballroom, rising where the demolished East Wing used to stand. Plans are underway for a grand, marble arch in Washington celebrating, well, you know who.

At the same time, Trump has squandered money and resources pursuing political vendettas, persecution of his enemies and fruitless investigations like the one probing “theft” of the 2020 election and “vandalism” at the algae-clogged Reflecting Pool he promised and failed to rehab.

All this while millions of Americans have lost healthcare coverage and/or federal food assistance, all thanks to the One Big Billionaire Bounty bill that Trump signed into law a year ago.

It’s all a bit unnerving isn’t it, America? You’re on edge in a way you haven’t been in at least a generation.

In Minnesota, in the dead of winter, two of your citizens were gunned down by federal officers as they engaged in that most American of exercises, registering dissent against the policies of their government. From sea to shining sea, innocent Americans have been arrested — and sometimes shipped abroad — and immigrant communities cower in fear of federal agents who often seem bent more on meeting deportation quotas than meting out justice.

You’re divided, America, in ways no one alive has ever seen.

It starts at the very top. Trump acts as though he’s president of a favored rump group — his political supporters — rather than the nation as a whole. He’s used your 250th birthday not to celebrate those many grand and glorious things that hold us together as Americans but to bask in the tanning-bed glow of his immeasurable self-regard.

But, heck, if it’s any consolation on this star-spangled holiday weekend, the country has been through worse. Much worse. And you, America, have not only survived but in many ways grown stronger by surmounting obstacles, facing down your flaws and overcoming some knee-buckling, soul-crushing challenges.

Slavery. Civil war. Racist exclusionary laws. Genocide against indigenous peoples. Two worldwide conflicts. Depression. Financial crises. And too many deadly natural disasters — fire, floods, earthquakes, hurricanes — to enumerate.

Your treatment of some Americans, it should be said, hasn’t always been fair and just. It still isn’t.

People are despairing over the Supreme Court and its genuflecting deference to the president. The justices of its conservative majority have done just about everything short of handing Trump a crown and scepter to reign as a virtually untouchable, imperial president.

But it’s worth noting that earlier court majorities held that Black Americans — “beings of an inferior order,” in the words of the wretched Dred Scott decision — could be denied citizenship, that racial segregation was constitutional and that compulsory sterilization based on eugenics was perfectly fine from a legal standpoint.

That ugly, sordid history won’t necessarily make anyone feel better about the current state of affairs, nor should it. But it does offer some perspective and, with it, hope.

This weekend is best celebrated honoring the country’s many good things and the bright, shining place that America aspires to be, with liberty and justice for all. So chin up! Have another slice of birthday cake, America, and don’t worry about the calories — you really do look terrific for 250!

Going forward it’s up to us, your citizens, to keep working toward that more perfect union mentioned in the preamble to the Constitution. Whatever ails you, America, the remedy resides with we the people and the power we hold, particularly at the ballot box.

Unhappy with the wrecking crew that’s heedlessly chain-sawed federal programs and allowed Trump to money-grub with both fists, defile the White House and undermine our rule of law? Send a message and vote ‘em out, starting in November’s midterm election. And bear in mind the damage that’s been wrought come the 2028 presidential race.

Don’t stop believing that, as dark and difficult as things may seem right now, better days lie ahead.

That undimmed and abiding faith is what makes America great.

In many ways, Saturday was a typical July 4 holiday in the United States.

The country marked the anniversary of its Declaration of Independence with hotdog-eating contests, parades, fireworks and baseball games.

But this Independence Day was different, not least because it marked the country’s semiquincentennial: the 250th year since the US’s founding.

It also was one of the most politically charged Independence Day celebrations in recent memory.

President Donald Trump is expected to speak this evening from the National Mall in Washington, DC, right before what has been billed as the “world’s largest fireworks display”.

More than 850,000 fireworks are expected to launch from barges in the Potomac River, lighting up the sky above the capital.

But while Independence Day festivities have long been billed as non-partisan events, Trump has pledged to make the night’s celebration “the most spectacular TRUMP RALLY of them all”.

The event comes as Trump’s Republican Party seeks to defend its control of Congress in November’s midterm elections, with a heated primary season already under way.

Trump’s involvement in the semiquincentennial has long been controversial.

On January 29, 2025 — just nine days into his second term as president — Trump issued an executive order establishing a White House task force to oversee celebrations for the 250th anniversary. Trump named himself its chair.

That task force would eventually set the groundwork for Freedom 250, a public-private partnership that organised some of the biggest events of the semiquincentennial, including the Great American State Fair on the National Mall.

But Freedom 250 was accused of funnelling resources away from America250, a congressionally approved panel that had likewise been charged with planning semiquincentennial celebrations since its founding in 2016.

The existence of the two groups has also spurred confusion. In late May, for instance, a suite of performers dropped out of the Great American State Fair, alleging they had been misled about its affiliation with Trump.

Before Saturday’s events, Democrats in the House of Representatives released a report (PDF) accusing Trump of using Freedom 250 for political purposes, including by awarding contracts to Trump allies.

It also alleges that Freedom 250 has been “operating outside the transparency and accountability requirements” Congress imposes on such celebrations — and that it may even have committed wire fraud by redirecting “unsuspecting donors” away from America250 and towards its own programmes.

“Under President Donald Trump, this anniversary has been hijacked and perverted into a hotbed of corruption and self-enrichment,” the report reads.

But speaking at a naval parade in New York City on Saturday, Vice President JD Vance brushed aside the criticisms. He called on revellers to reject the “small but loud voices” that “speak obsessively” of the US’s “imperfections”.

“What I’d ask you to do, my fellow Americans, on our 250th birthday, is to reject the two-dimensional view of your fellow citizens and reject the two-dimensional view of your country,” he said.

“Reject that America is a place for zero-sum thinking because it is not. Our history is one of people carving a great civilisation out of the wilderness. Reject the view of your nation that sees only its sins but not its grace and its greatness.”

Morocco’s Ismael Saibari embraced his mother after scoring the winning penalty against Netherlands to reach the World Cup last 16. The players danced and cheered in the dressing room after the dramatic win in Monterrey, Mexico.

MOLLY-MAE Hague has shared some sweet new snaps of baby Midas, and they look absolutely adorable.

The reality TV stunner and her beau Tommy Fury welcomed their second child together four weeks ago.

Now marking the milestone of four weeks as a family of four, Molly-Mae took to her Instagram story to share a series of unseen baby photos.

In the first snap Tommy is cradling tiny Midas in his arms and laughing with glee.

The couple’s daughter Bambi, 3, is sitting playfully on Tommy’s leg and looking up at him as he laughs.

Over the top of the photo Molly-Mae penned: “One month as a crazy family of four,” followed by emojis of a laughing face, white heart and a family.

Read more Molly-Mae Hague

FAMILY FURY

Why Molly-Mae’s second baby has created new rift with Tommy Fury’s family

PLUSH CRIB

Molly-Mae reveals first look at Midas’ chic nursery with £1.6k designer blanket

A second snap shows Midas being held outside on some patio furniture.

The little one is swaddled up in a white blanket, sleepily keeping his eyes open.

Above his head, Molly-Mae gushed yet again: “4 weeks of you.”

A final snap shows Molly-Mae holding Midas while still in a hospital bed.

Tommy is looking down at his son with his hands held up to his face in disbelief and joy.

Molly-Mae said of the moment: “One of the best moments of my life. Will never get over it.”

The new photos come less than a week after Molly-Mae posted a sentimental post about Tommy’s first Father’s Day as a father of two.

Molly-Mae had set up a beautiful balloon display and filmed Tommy’s shocked reaction as he walked down the stairs. 

The sweet clip also showed Bambi as she passed a card to her father, full of giggles. 

South Africa’s team has celebrated reaching the World Cup knockout stage for the first time after defeating South Korea 1-0 at Monterrey Stadium in Mexico. A video showed players dancing and chanting in the dressing room.

MEXICO CITY — The Mexican national team overcame a lackluster first half to rout the Czechia thanks to a dream second half that allowed it to finish the group stage undefeated on a night that will be remembered as one of the greatest in Mexican World Cup history.

The celebration of Mexico’s 3-0 win Wednesday at Azteca Stadium turned into a tribute to legendary goalkeeper Guillermo Ochoa, who entered the game in the final minutes to receive a standing ovation unlike any other Mexican player has ever received in the history of the tournament.

With the loss, the Czechia was eliminated after failing to earn more than one point in the tournament. In the other group match, South Africa defeated South Korea 1-0 in Monterrey and advanced in second place. South Korea will have to wait to find out if it advances as one of the eight best third-place teams or it was eliminated.

Czechia put up a strong performance during the first 45 minutes, during which Mexico showed little offensive clarity, mainly due to a lack of control in midfield.

Everything changed in a matter of six minutes during the second half, when El Tri figured out Czechia and secured its best victory in the group stage.

Mateo Chávez, 22, opened the scoring in the 55th minute with the help of Mexico’s lethal counterattack. Luis Romo set up the goal by shaking off three Czechia players at midfield and pushing forward, passing to Chávez, who beat Czechia’s Michal Sadilek and buried a shot to the left side of goal.

Forward Julián Quiñones extended the lead in the 61st minute, exploiting Czechia’s defensive confusion in the penalty area.

Álvaro Fidalgo, who was a second-half substitute, capped the win with a stoppage time goal. The run on the final goal was set up by a booming Ochoa kick and triggered a raucous celebration by the goalkeeper and his teammates.

The match encapsulated both the present and the future of the Mexican national team.

Gilberto Mora, a 17-year-old midfielder from Tijuana and the team’s youngest player at the World Cup, was instrumental in the second half, setting up several of the plays that decided the outcome. With a 2-0 lead, one of the greatest moments for a goalkeeper in World Cup history unfolded. Ochoa replaced starting goalkeeper Raúl Rangel and was greeted with a standing ovation from a large portion of the 80,824 fans at Azteca Stadium.

Mexico’s Julian Quinones celebrates scoring his side’s second goal against Czechia during a World Cup match in Mexico City on Wednesday.

(Silvia Izquierdo / Associated Press)

The fans chanted Ochoa’s name every time the goalkeeper touched the ball, honoring a player who has competed in six World Cups for Mexico.

Coach Javier Aguirre said that finishing first in the group was a “primary objective” for Mexico, which had already qualified for the next round. The team achieved a first for a Mexican national team by securing three consecutive wins without conceding a goal in the group stage of a World Cup. Mexico defeated South Africa 2-0 in the opening match and South Korea 1-0 in the second game.

The national team, which is co-hosting the tournament alongside Canada and the United States, will face its next opponent — one of the best third-place finishers — on Tuesday at Azteca Stadium.

The only sour note for Mexico came in the scoreless first half when the restless crowd unleashed a popular homophobic chant at least twice. FIFA has previously sanctioned the Mexican soccer federation in an effort to stop fans from saying the chant.

Footage shows Colombian outsider Abelardo de la Espriella in an armoured vehicle next to his vice-presidential candidate, Jose Manuel Restrepo, celebrating a narrow lead in the preliminary election results.

The classic Chicano film “Zoot Suit” is celebrating its 45th anniversary this year in style.

The Golden Globe-nominated movie, featuring a lead performance by Edward James Olmos, was based on a stage play penned by legendary screenwriter and director Luis Valdez, who drew inspiration from a pamphlet about the 1942 Sleepy Lagoon murder case and the riots that it sparked.

On Thursday it was announced that the flick will be screened at The Ford amphitheater on July 8 to honor its notable benchmark and enduring legacy. The special screening will include a conversation with Valdez, Olmos and actor-educator Cristina Frías, who will discuss the movie’s production, influence and place in the L.A. film canon.

“‘Zoot Suit’ changed the way our stories could be seen on screen,” Olmos said in a statement. “It gave voice to a history that many people had never been taught and showed the beauty, strength and complexity of the Chicano experience. Forty-five years later, the film continues to inspire because it is about more than one moment in time. It is about identity, dignity and the responsibility we have to remember where we come from.”

The screening will also feature a vintage car show put on by the Pachuco Car Club, which will showcase the rides reminiscent of the time period shown in the movie.

In June 1943, L.A. was engulfed in the lawlessness and violence that became known as the Zoot Suit Riots. The name is misleading because it suggests that the zoot suiters — the young Mexican, Black and Filipino men and boys who wore the flamboyant outfits — were the perpetrators.

In fact, they were the victims.

The attacks by servicemen and white Angelenos on zoot suiters, derided as “gamin dandies” in The Times, were driven by prejudice and the anti-immigrant attitudes of the era. The roots of the unrest can be traced to events that occurred more than a year earlier — such as the incarceration of Japanese Americans after Pearl Harbor, as well as the murder of a young man, which was later known as the Sleepy Lagoon murder case.

In his 1981 review of the film, The Times’ former film critic Kevin Thomas praised Valdez’s direction and the strength of the cast.

“Valdez has captured well many of the elements of the era that contributed to the fate of the Sleepy Lagoon defendants — the sensationalist press, the feverish patriotism of wartime and the rampant bigotry directed at all minorities,” Thomas wrote. “At the same time, Valdez makes clear that various people outside the Mexican-American community helped in the struggle to mount an appeal for the Sleepy Lagoon defendants. And he questions the entire validity of the switch-bladed, cynical pachuco mystique as [Daniel Valdez’s] Henry comes to realize that El Pachuco [Olmos] is at once his best friend — and worst enemy.”

The original 1979 Broadway run of the “Zoot Suit” play catapulted Olmos to the national stage and led to him getting a Tony nomination for best featured actor in a play.

“It was a monumental moment in time, and we captured lightning in a bottle,” Olmos told The Times in 2023. “Not only did it change the course of Latinos in theater but it touched the very soul of the culture. It was catching the voice of the pachuco.”

NEW YORK — It was bedlam on Broadway as the New York Knicks won their first NBA championship in 53 years on Saturday night, with exuberant celebrations marred by mayhem and violence, including a shooting in Times Square.

Outside Madison Square Garden, a crowd watching on a big screen roared as the Knicks rallied from a 16-point deficit to beat the Spurs in San Antonio in Game 5 of the NBA Finals.

Soon after, tens of thousands of people filled the streets and the rowdiest among them were clashing with police, smashing windshields, scaling scaffolding, light poles and a statue, climbing into and atop school buses in Times Square and trying to hitch a ride on a moving fire truck.

Around 2 a.m., a 17-year-old was shot near 42nd Street and Broadway, police said. Bystander video captured the sound of at least seven shots and showed people crouching and running for cover. Police took the victim to the hospital because an ambulance could not get through the crowds, police said. A gun was recovered and three people were taken into custody.

Four people were stabbed or slashed, and one of the school buses, which was being used for World Cup transportation, was set on fire and engulfed in flames, police said. Other buses and five police cars were also damaged, police said.

In all, 63 people were arrested, with charges including assault on a police officer, criminal possession of a weapon, criminal mischief and disorderly conduct.

Knicks owner James Dolan, speaking in San Antonio after the game, urged fans to stay calm.

“We need to tell everybody in New York that we know that they’re celebrating, we want them to have a great time,” said Dolan, interrupting guard Josh Hart’s news conference. “Please be safe. Don’t get hurt; don’t hurt anybody.”

The city will officially celebrate the Knicks on Thursday with a parade and City Hall ceremony.

As the clock ticked to the final buzzer on Saturday night, anxiety that had dominated the game’s first three quarters gave way to euphoria. An orange-and-blue-tinted fever dream that started with the Knicks’ first playoff game two months ago ended in the third title in their 80-year history.

Fireworks boomed over Brooklyn and Central Park. Fans flocked to Times Square and ran through the streets. Outside the Garden, they sang the team’s anthem: “Go New York, Go New York, Go!”

Police officers and ambulance workers shouted, “Let’s go Knicks!” over loudspeakers in Brooklyn. Strangers shook hands and hugged. In the Lincoln Tunnel, where people were riding buses back from the World Cup at MetLife Stadium in New Jersey, drivers honked their horns in celebration.

“I’m so overwhelmed. I’m so happy,” said Mathieu Ogno of Long Island, who fought back tears as he soaked in the victory at a team-sanctioned watch party at Wollman Rink in Central Park.

Ogno wore the jersey of Knicks captain Jalen Brunson, whose 45 points propelled his team to victory and him to the NBA Finals MVP. Brunson’s gritty determination and chip-on-his-shoulder style have made him a fan favorite, embodying New York’s working-class ethos.

The Knicks’ championship — 19,392 days since their last — capped an extraordinary postseason for a franchise that hadn’t been to the NBA Finals since losing to the Spurs in 1999. Since April 23, the team has won 15 of 16 games, with its lone loss coming Monday in Game 3.

Their last title, in 1973, was also won on the road in a Game 5. Their first, in 1970, was won at home in a Game 7 thriller. Neither was celebrated with a parade.

“I’m happy to see my Knicks finally make it over the hump,” said Shawn Muoneke, 26. “I’ve seen them knock on the door. They were knocking on the door the past few years. But they finally made it over the hump, and I’m so happy to see it and I’m so happy I’m in the city to experience it.”

Muoneke, born a year after the Knicks’ last trip to the NBA Finals, started rooting for them when he was 10. He drove from Maryland to be in the city for Game 5 at the team’s Central Park watch party.

“I saw the ups, the downs and I watched the team come back up, and I was so happy to see them finally reach the highest echelon of stardom as a team,” Muoneke said.

After the Knicks’ win, he said, the vibes in the city “are the highest they’ve ever been.”

President Trump, a longtime Knicks fan who attended Game 3 at the Garden with Dolan, congratulated the team in a post on social media.

“What a year it has been but, even more so, what incredible playoff wins we have all witnessed, especially the last four — Maybe the greatest in the history of basketball,” Trump wrote.

With Brunson’s clutch performance, he added, “a superstar was born.”

After several dozen arrests throughout the playoffs and violence after Games 3 and 4 in New York that left officers injured and a teen in a coma, police girded for unrest as Saturday turned to Sunday.

“As we celebrate, be responsible, look out for one another, stay safe, be smart, and make this a night that reflects the very best of our city,” Mayor Zohran Mamdani said on social media. “Let’s go Knicks.”

Sisak and Lum write for the Associated Press. AP writer Emily Wang Fujiyama contributed to this report.

90s movie actress Ashley Judd looks worlds away from her Hollywood days as she rings in her birthday and sings into a hairbush.

The iconic star celebrated her 58th birthday in May and took to Instagram to share a note with her fans.

She was one of the most popular actresses in the 90s and has a strong filmography of work to prove it.

Ashley shared a video of herself singing into a hairbrush as she danced away in her garden with loved ones on her special day.

She popped her grey locks into ponytails as wore a navy plaid dress and went make-up free.

The actress also posted snaps of herself sat in front of a birthday cake as well as being serenaded by a group of musicians who played their instruments for her.

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She penned: “On my 58th birthday, my inner 12-year-old was ready to receive love, care, attunement, delight, protection, and provision.

“Have you ever considered, from your adult perspective, restaging for your sweet inner child an experience she either never had at all?

“Or an experience that did not unfold with the safety and attention it should have?

“I deeply enjoy doing this from a loving inner-parent perspective for my inner family.”

Ashley went on to open up about her childhood and her relationship with birthdays as her fans wished her well on her special day.

The movie star began her career back in 1991 with a guest role in the television series, Star Trek: The Next Generation.

Over her three-decade long career, she’s starred in movies including thriller Double Jeopardy, crime drama Heat and in The Divergent Series.

Her last acting role was in thriller film Lazareth, which released in 2024.

She’s worked with the who’s who of Hollywood, including Robert Deniro, Al Pacino, Tommy Lee Jones, Samuel L Jackson and Jim Carrey.

These days Ashley spends her time working as an activist and humanitarian and is an ambassador for UNFPA (United Nations Population Fund), which is a sexual and reproductive health agency.

She isn’t the only famous person in her family as she’s the daughter of country music singer Naomi Judd.

Her half sister Wynonna also forayed into the country music world.

When Craig Ferguson left CBS’ “The Late Late Show” in December 2014, fulfilling a pledge made public the previous April, it was assumed by some that it had something to do with not being offered the chair being vacated by his illustrious lead-in, David Letterman. (Stephen Colbert, you may be aware, was named the new “Late Show” host.) Others simply couldn’t believe anyone would just walk away from such a job, which Ferguson had held for two weeks shy of 10 years, because, even in the less prestigious 12:30 time slot it seemed like a prize — but mostly because he was so good at it.

“That’s one of the odd things about that particular genre of television,” he told me in 2016. “The minute I started at 12:30, the question became when and do you want and how are you going to get 11:30? But I never wanted 12:30, never mind 11:30. Why is that a thing?”

Ferguson went on to other things. He’s hosted game shows (currently the CW’s “Scrabble,” with puckish energy); toured as a stand-up (he’s on the road into June); hosted a history-themed panel show, “Craig Ferguson: Join or Die”; launched “Joy, a Podcast,” which is as close as he’s come to the confessional freestyling of “The Late Late Show”; and published “Riding the Elephant: A Memoir of Altercations, Humiliations, Hallucinations & Observations.”

His latest show, premiering Saturday on CNN, is “American on Purpose,” which shares a title with his first memoir, a reference to the Scottish-born Ferguson becoming an American citizen. Timed generally to the 250th anniversary of the United States, it finds Ferguson in a five-episode crazy quilt of observations, interviews, inquiries, stunts, games and documentary vignettes forming a comical, but not unserious, somewhat wayward look at American ideas and ideals — freedom of speech, capitalism, patriotism, individualism and immigration. It’s a vision wide enough to include monster trucks, lowriders, underground comedy, Miami street art, Texas barbecue and haggis tacos, dreamed up by Ferguson and executed by celebrity chef Marcus Samuelsson.

Ferguson, a Scotsman, having haggis tacos on “American on Purpose.”

(CNN)

“You know me,” Ferguson said when we spoke over video call recently. “Less format is better for me always.”

His caveat to the producers was that he wouldn’t “make an anti-American show. I wouldn’t make a show pointing out everything that’s wrong. I feel that’s a market that’s heavily catered to. I’m not a f—ing idiot, I’m not making propaganda, I won’t make a jingoistic show. But I want to make a show which is celebratory,” Ferguson says. “And I want to be clear that the show I make for CNN will be the same as if I was making it for Fox News. It has to be my point of view, which is upbeat without being dumb — I hope. I feel like we got pretty close.” This conversation has been condensed and edited for clarity.

A good friend of mine, an Englishman, recently became an American citizen and had only wonderful things to say about the naturalization ceremony, the diversity of his fellow new Americans, and the graciousness of the people conducting it. What was your experience?

My ceremony was in Pomona fairgrounds in 2008. And I think it was 2,000 of us; I think it was 1,999 new Mexican Americans and one new Scottish American. And it was f—ing wonderful. And it is moving. I kind of wish it for my friends who are born here, American citizens, because you have to remove your everyday, “Oh my God, did you see the news today” cynicism, and remember what this place is about — freedom, second chances, third chances, escape, representation, individualism, different ideas coexisting in one country, wildly different points of view somehow managing to get along. That is f—ing beautiful. What I still feel as an immigrant American is a certain gratitude that doesn’t leave you. I’m not blind to the faults of the United States. Show me a country that doesn’t have faults. We talk about the bloody past. Show me a country that doesn’t have a bloody past. Humans have a bloody past. I’m not saying there’s nothing wrong, but I’m not looking at that in this show. I’m looking at what makes me feel great about this place, and it is a great place, an aspirational place. To my mind, we are still the big foam finger number one. I don’t think there’s anyone can touch us for … unusualness. We’re really unusual.

It’s a very optimistic show. Is that how you feel personally about the future of the country, and humanity?

Like most people, I have my moods. I got a real boost of optimism [hanging out] with very clever academics who kind of guard the Declaration of Independence in Philadelphia. And you say to them, “People say the country’s never been this divided.” They always laugh. They laugh at the idea it’s never been as bad as this, the rhetoric has never been this hateful. They’re like, “It’s always been like this. It’s always been an argument. The whole point of this place is that it is an argument.” The guys who started this country, some of them hated each other with just as much venom and outrage and indignance as political players hate each other today. I find that quite encouraging. Like I said, I’m not blind to the fact that there are issues and faults and deep things to worry about. But that’s not what this show’s about. It’s as if I was a musician, and I decided to write a happy song. People say, “Why aren’t you sad?” I’m like, “Well, I get that sometimes, but this song is a happy song, this is a rock song. I’ll do a power ballad later on.” It’s not terrible to to do something upbeat every now and again.

What did you discover in the course of making the show?

There were many things, actually. In L.A., I did a kind of run around with the guys who make the lowrider cars, and the community and the story of how that came about are really fascinating, a kind of parallel run of the rise of the automobile in America, but how it was taken on by the Mexican culture. Another that really stuck with me was in the Everglades, when I was with the Gladesman there, finding out that a large percentage of them [were descended from] displaced Scottish peasants, cleared out of the Highlands to make room for sheep for the landowners; they went to Canada, and they drifted all the way down to the southern tip of the United States. These guys there could trace their ancestry back to 100 miles from where I grew up. Americans would be kicked out of most of the countries of the world. So it makes us awesome. I mean, 40% of this country can trace themselves through Ellis Island, through that administration building in New York. That’s insane.

Ferguson at Venice Beach in a segment on the show.

(CNN)

When did you get interested in history?

In Scotland, we’re surrounded by it all the time. There’s a lot of stuff still lying around from a long time ago. American history became interesting to me because it was so attached to Scotland. The Scottish Enlightenment is really kind of the origin story of the Declaration of Independence. Knowing that the philosophy that was coming out of Edinburgh in the 1700s was directly feeding into what these guys were doing, it felt like the continuation of a certain strain of Scottish history. It didn’t end with “Highlander” or “Shrek.”

There’s a road movie element to the series. Do you take trips around the country on your own time?

All the time. I don’t think you can know the United States unless you’ve driven across it at least a couple of times. If you can take a car from New Orleans to Northeastern Maine, Florida to Washington state, it’s worth doing. One of the things that was in the engine for me when I started this [series] was, I’ve seen over the years a lot of — probably more in Britain than in America — lazy kind of pseudo-intellectual documentaries where somebody will say, “Well, you know, the thing about America is…” Well, which America are you talking about? And they will go and get some guy that lives on his boat in Fort Lauderdale with a hat that’s got “Who Farted?” written on it and tell you that’s America. That guy’s there and he’s awesome, but it’s not the whole story. You know what I mean? It’s like saying “Well, you know, Hitler was a vegetarian.” That’s true, he was. But it’s not really the whole f—ing story, is it?

KATIE Price has said that she misses her husband nine days on from his disappearance after he failed to fly to the UK from Dubai.

Celebrating her 48th birthday alone, Katie took to Instagram to share her pain with fans over missing Lee Andrews.

Taking to her Instagram story and grid on Friday night, just hours after it was revealed her husband had followed a mystery woman online, Katie shared a moving video which saw photos of her and Lee flash past.

In the background, the former glamour model even crooned the hit Get Here.

“Missing my husband so much it breaks my heart knowing he is still missing so I did this song quick as words mean so much to the situation,” she penned in the caption.

“You can reach me by sailboat / Climb a tree and swing rope to rope / Take a sled and slide downslope.

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“You can jump on a speedy colt / Cross the border in a blaze of hope,” Katie croons in the song accompanying the post.

She continues to sing: “I don’t care how you get here / Just get here if you can.”

Reacting to Katie’s heartbreaking post, one fan penned: “This is sad as she genuinely fell in love with him.”

“Katie he doesn’t deserve you. you deserve so much better.. enjoy the rest of your birthday with people who love you,” said another.

While a third wrote: “I really feel for you.”

And a fourth said: “What a sweetheart bless you Kate. Look after yourself. So sorry this is being played out, you have lots of great people around you family is all you need.”

Katie previously revealed how Lee, 43, had “disappeared” last week, after he failed to fly back to the UK for a Good Morning Britain appearance.

Lee told Katie in a voicenote that he needed an “exit stamp” to leave Dubai when he was claiming to be coming back to the UK.

But after he failed to get on a plane, Katie sensationally claimed he had been kidnapped and that the last she’d heard from him, he was in the back of a van with cable ties on his arms.

Katie has since been left fearing for her husband and desperately trying to found out his whereabouts.

A source close to the ex glamour model told us earlier this week: “Lee is officially a missing person now.

At the weekend, Katie said: “I know there is all this speculation but something really serious has happened.”

Then, this week on her podcast, The Katie Price Show, the mum-of-five revealed she was giving up searching for her husband.

“There’s nothing I can do, nothing more that I can say.

“And the police are dealing with it. I’m just leaving it to the police.

“I’m not gonna talk about it anymore, I’m just staying quiet because it’s getting ridiculous now, people just taking the p**s out of everything”.

Katie added: “The police are now handling it, the British police, British consulate, the foreign office, Interpol they’re on the case looking for Lee.

“All I can do is just get on with my life.

“I’ve got lots of exciting things coming up, and I’m just waiting for a call.

“What am I supposed to do, sit here and cry and do nothing, stay in bed?”

She also said: “For my own sanity, I am taking a step back”.

Katie has now not heard from Lee for nine days now, with her husband failing to get in touch despite it being her 48th birthday.