Carter

Clarence Carter, the blues and soul singer famous for songs including the raunchy hit “Strokin’” featured in Eddie Murphy’s “The Nutty Professor,” has died.

Fame Recording Studios in Carter’s native Alabama announced the singer-songwriter’s death Thursday morning. In a statement shared to Facebook, the studio said Carter “was more than an artist to us,” adding he “was family.” The post did not disclose additional details about Carter’s passing, including the cause of death. Carter was 90.

The Grammy-nominated musician, who was blind since age 1, was most popular in the late 1960s and early ’70s, with chart-busting hits including 1968’s romantic “Slip Away,” 1970’s “Patches” and the Christmas hit “Back Door Santa.” He released a steady stream of music through the ’90s — Carter released 22 studio albums over the course of his career — and earned two Grammy Award nominations.

Carter received his first nod in 1970 for composing ex-wife Candi Staton’s single “I’d Rather Be an Old Man’s Sweetheart,” which was nominated for the rhythm & blues song category. He received his own nomination in R&B vocal performance the following year for his story-driven “Patches,” about a young man fulfilling his father’s expectations.

Former Times pop music critic Robert Hilburn wrote in 1992: “Clarence Carter is one of the most overlooked soul stylists of the modern pop era.”

Among Carter’s musical talents was a knack for descriptive lyricism, which he channeled for unapologetically sexual songs “G Spot” and “Strokin’.” In these numbers, Carter spares no detail in his approach to lovemaking. “Strokin’,’” released in 1986, notably received play in 1996‘s “The Nutty Professor” as Murphy’s titular character drives over to a date.

Born in 1936 in Montgomery, Ala., Carter took an interest in music in his youth, enjoying the blues records his stepfather bought and learning to play the guitar. “I would lie in my bed and hear those bands playing and say to myself, ‘One of these days I’m going to play just like that,’” he told The Times in 1987.

He graduated from Alabama State College in 1960 with a bachelor’s in music and worked briefly as a schoolteacher before beginning his professional music career. Carter formed a duo with friend and singer Calvin Scott, but his collaborator was later seriously injured in an automobile accident. Carter then went solo and began recording music with producer Rick Hall and Fame in Muscle Shoals, amid the late-’60s soul boom.

After the success of his early hits in the ’70s, Carter struggled to find the same chart success amid disco’s popularity. “Nobody’s gonna keep a hit record all the time,” he told The Times. In the early ’80s, his “Working on a Love Building” was a moderate hit. Carter signed to Ichiban Records to record his 1986 album “Dr. C.C.,” which featured “Strokin’” among its tracks.

“By the time I finished doing that song and walked back up to the control room, [the engineer] was laughing so hard he hadn’t even turned the tape machine off,” he said a year after the hit’s release.

Carter released his final studio album, “Sing Along With Clarence Carter,” in 2011 but continued to release live albums and compilations until 2020. He also continued performing live through the 2010s.

The singer-songwriter was married to Staton from 1970 to 1973 and they share a son, Clarence Carter Jr. He married Joyce Jenkins in 2001 and has lived in DeKalb County, Ga., since 1983.

“Clarence Carter leaves behind a legacy of timeless music, unforgettable performances, and a friendship we will always cherish,” Fame Studios said in its statement. “We extend our love and prayers to his family, friends, and fans around the world.”

LAS VEGAS — T-Mobile Arena sits just off the Las Vegas Strip, not far from a faux Manhattan skyline, a pyramid and a casino made to look like a castle.

The line separating illusion from reality can be a thin one in Sin City, where the Ducks opened the second round of the Stanley Cup playoffs Monday intent on proving their first-round victory over the Edmonton Oilers was more than a facade. It didn’t go well, with Brett Howden’s goal early in the second period and Ivan Barbashev’s tie-breaking tally late in the third period giving the Vegas Golden Knights a 3-1 victory in the best-of-seven series.

Mitch Marner added an empty-net goal with six seconds to play to end any hope of a Ducks comeback. Mikael Granlund scored for the Ducks with six minutes left in the game. Game 2 is in Las Vegas on Wednesday.

The Ducks were a shadow of the team that eliminated Edmonton. After averaging a playoff-high 4.33 goals a game, the Ducks were stymied by Vegas goalie Carter Hart, who turned away 33 shots. And after converting eight of 16 power-play opportunities against the Oilers, the Ducks were shut out in four chances against the Golden Knights.

Although the Ducks played their best defensive game of the postseason, giving up just 21 shots, the balanced Knights gave them few good scoring opportunities, especially on the power play.

The Ducks, who needed to use their superior speed to counter the Knights’ edge in experience, pushed the pace in the opening period but got nothing to show for it. The Knights took the lead less than four minutes into the second period when Howden made a dash to the edge of the crease to deflect in a pass from Marner for his fifth goal of the playoffs.

Vegas defenseman Rasmus Andersson celebrates after Mitch Marner’s empty-net goal in the final seconds of a 3-1 win over the Ducks on Monday.

(Ethan Miller / Getty Images)

Howden had a chance to double the lead less than six minutes before the second intermission, but he whiffed trying to bat a loose puck in an open net from the right side.

Mark Stone had an opportunity to score on the power play with less than nine minutes left, but Ducks’ goalie Lukas Dostal made a spectacular save to keep it a one-goal game. And that paid off when Granlund put the puck through Brayden McNabb’s legs 2½ minutes later.

The tie was short-lived, however, with Barbashev redirecting in a pass from Pavel Dorofeyev for the go-ahead goal. Ducks players and coaches vehemently protested, believing officials missed an icing call before the goal.

The Ducks mounted a furious rally after pulling Dostal with about two minutes to play, but that ended with Marner clearing the puck the length of the ice into the empty net.

Dylan Carter, a contestant on Season 24 of “The Voice,” died in a car accident on Saturday.

According to the NBC affiliate serving the Lowcountry region of South Carolina, the musician died in a single-vehicle crash on a rural road in Colleton County. He was 24.

Country music legend Reba McEntire, who was Carter’s coach on “The Voice,” posted a tribute on social media Monday morning, writing, “We will miss Dylan so much. He was a brilliant, kind and talented young man who brought a huge ray of sunshine to The Voice. Rest in peace, my dear friend.”

Moncks Corner Mayor Thomas Hamilton Jr. also memorialized the Lowcountry singer, writing on Facebook that his family was “heartbroken” to hear about the accident.

“As a gifted singer, he frequently entertained our community with his performances at Town events,” read the post. “His kindness and charm earned him immense respect, and his absence will be deeply felt.

“To the loved ones and acquaintances of Dylan, we offer our sincerest condolences during this difficult period. The Town of Moncks Corner, its Council, and entire staff extend their deepest sympathies. He was much more to our family than an entertainer he was our friend and we are deeply saddened.”

Carter was slated to perform Monday night at the town of Moncks Corner’s “Music on Main” event. The organizer posted that the event had been canceled, and the comments section was filled with an outpouring of shock and grief.

Carter competed on Season 24 of “The Voice” in 2023. During his blind audition, he sang Whitney Houston’s “I Look to You,” which he dedicated to his mother, who had died the year before. During his audition, all four judges turned their chairs for the contestant, with Gwen Stefani hitting her red button during the song’s first verse.

“You only get four chairs if you really move the room,” said judge Niall Horan, who called his performance spectacular.

McEntire was choked up and said she could feel and hear Carter’s emotion while he sang. “That’s when you know you’ve got a great song and a great singer,” she said. “When it touches your heart.”

“When I saw y’all turn around, I saw my mom,” Carter told the judges. “She passed back in October and she wanted me to sing it at her funeral, so I did it — I tried, but I couldn’t make it through it. This was the best second chance. I just made her so proud.”

After Carter was eliminated from the competition series, he posted on Instagram, reflecting on his experience: “Well last night did not go as we all were hoping, but I am proud to say that I went out there on that stage and gave it MY ALL.”

Carter admitted that he felt defeated when he was eliminated, adding, “but it did not take me long to realize that I actually didn’t lose anything, instead I gained EVERYTHING!”

“I came to The Voice unsure of myself, unsure of my future, and still grieving the loss of my mom. I left LA with confidence in myself and my future, with a sure purpose as to why I was put on this Earth, and with peace of mind moving on from my mom’s death. I’ve been afraid of moving on from my mom’s death because I thought moving on meant forgetting her. Boy was I wrong!!! I’m moving forward with her, as she shines through me! All she ever wanted was for me to find myself, to find my voice, and for me to be happy…. I left LA with all of that plus more!!! I even gained all of you guys.”

The South Carolina Highway Patrol is investigating the accident.

Nearly five years on from its premiere, every morsel of information about Mike White’s addictive HBO series is still met with feverish excitement. And its upcoming fourth season is no exception: After previous visits to Hawaii, Italy and Thailand, the Emmy-winning series is checking into digs on the French Riviera, with its backdrop none other than the Cannes Film Festival.

Just as closely watched has been the string of starry casting announcements — and one very high-profile departure, Helena Bonham Carter, who departed the show shortly after production began. According to an HBO spokesperson, “With filming just underway on Season 4 of ‘The White Lotus,’ it had become apparent that the character which Mike White created for Helena Bonham Carter did not align once on set. The role has subsequently been rethought, is being rewritten and will be recast in the coming weeks. HBO, the producers and Mike White are saddened that they won’t get to work with her, but remain ardent fans and very much hope to work with the legendary actress on another project soon.”

The road to a new “White Lotus” season is always a twisty one, as executive producer David Bernad recently told The Envelope. He also shared details on the season’s themes, other key cast members and how the production plans to maneuver around tourists. Here‘s what we gleaned from our chat.

A bad French hotel restaurant experience changed everything: Bernad and White spent a week scouting in France but weren’t sold until one fateful night. “Mike and I went to meet a friend for dinner at a hotel in the South, which will remain nameless. The maître d’ was so rude and they called security on us,” says Bernad. However, once inside, the staffer continued to be dismissive of them and the show. “The whole season crystallized in that moment, and as we were leaving, Mike’s like, ‘I know exactly what we’re going to do and we’re doing it in the South of France.’ It was the most productive dinner I’ve had,” he says.

Helena Bonham Carter, the first actor cast in Season 4, became the first to exit, HBO confirmed Friday. Her character will be reimagined and recast.

(Dave Benett / WireImage)

Other countries were in contention: Choosing each season’s swanky location is always a “conundrum,” says Bernad, who shared that he and White initially planned a multicountry European tour. “We were starting in France, then we were going to Spain, then Ireland. But once we had that moment in the South of France at that restaurant, Mike said, ‘I don’t want to see anymore.’ So the rest of the trip was canceled,” says Bernad.

Cannes and its history form the season’s backdrop: One of the show’s familiar sights during the first three seasons has been swelling waves dramatically crashing against rocks, but you’ll see something different in Season 4. “A lot of those shots will be replaced by Cannes, the city itself and the glamour of the festival,” says Bernad. Also, the focus won’t be confined to the present but also pay tribute to the past. “It’s also the storied history and glamour of the festival, and we’re going to be tipping our hat to French cinema throughout,” he adds.

Cast member Vincent Cassel at Cannes with “The Shrouds” in 2024.

(JB Lacroix / FilmMagic)

The season’s theme is “really intentional”: Bernad says he’s known the Season 4 theme since they realized the hit show would be ongoing. “We’ve always had an idea that this season would explore the arts and fame, celebrity and the spiritual journey of being an artist, so we focused on countries that had a long relationship with the arts,” he says. Fashion’s influence is also key as “Dior permeates through the entire season,” he says, adding that French designers and artists are doing pieces for the show that lean into “the painful, existential journey of what it means to be an artist.”

No Hollywood star cameos: With Cannes as the backdrop, you might think A-listers like George Clooney or Anne Hathaway will be wandering through a “White Lotus” scene. Nope. “The show lives in the universe of ‘White Lotus’ so we’re not doing cameos, we’re not doing celebrity,” says Bernad. “In that universe, there are references to real people, but everything is its own world.”

Kumail Nanjiani is among the Americans in the international cast.

(Michael Buckner / Variety via Getty Images)

The Season 4 cast is eclectic… and still evolving: Ironically, the exiting Bonham Carter was the first person cast for Year 4. “Mike always had her in mind as we started this process, and we built the cast around her,” says Bernad. While we wait for her revised character to be recast, an array of international artists are set to appear, including Brits (Steve Coogan and Dylan Ennis), Americans (Sandra Bernhard, Chris Messina, Kumail Nanjiani, Chloe Bennet, Ari Graynor, Heather Graham and Rosie Perez), French (Vincent Cassel, Corentin Fila, Nadia Tereszkiewicz and Laura Smet), Canadians (Alexander Ludwig), Norwegians (Tobias Santelmann), Swedes (Frida Gustavsson) and Australians (Caleb Jonte Edwards). It’s no surprise that multiple language interpreters will be on set, says Bernad.

One White Lotus hotel isn’t enough: “What’s cool and unique this season is there’s going to be two hotels so not everyone is staying at the same hotel,” says Bernad. In fact, while the White Lotus Cannes is a beautiful property — the Hotel Martinez in Cannes will be used for filming — the more coveted place to stay is the White Lotus du Cap, filmed at the Airelles Chateau de la Messardière in Saint-Tropez. “That starts to play into the theme and story about ego and narcissism and how we view ourselves as it relates to how the world views us,” explains Bernad, adding filming at Paris’ Mandarin Oriental Lutetia will also double for some of the Cannes action.

The Airelles Chateau de la Messardière in Saint-Tropez will stand in for the “White Lotus du Cap.”

(Jarry/Tripelon / Gamma-Rapho via Getty Images)

Filming in a high tourist area is a “Jenga tower”: Previous seasons were shot in more remote, secluded locations, but that’s not the case for the fourth season. “We’re shooting in the South of France during a very peak tourist time, and it has been the most challenging season so far,” says Bernad. “It’s like making a Jenga tower work with all the crazy dates in the South of France and things that are booked out.”

Production is the longest ever: Shooting at multiple hotels isn’t new for the show, but in previous seasons, “we would stay in a hotel and we would shoot it out and then we’d move on to the next hotel,” explains Bernad. This time, it’s more of a puzzle that will make Season 4 the longest production schedule ever for the show. “We’re going to be shooting, leaving and then returning [to properties]. We’ll shoot in the spring, and then we’re going to come back in the fall when high season’s over,” he says.

Besides a great hotel, another major factor exists in securing a location: Besides finding the perfect property that will look great on camera and lining up a variety of schedules, a “White Lotus” location “has to be a place we want to live for a year,” says Bernad. “Because it is a year and it is relentless work … I think Tanya [Jennifer Coolidge] says at one point, ‘At this age, you just want to feel comfortable,’ and that’s us.”