built

This village is considered one of the most beautiful villages in the North East, drawing in visitors who flock to soak in its historic charm and stunning natural setting

Just an hour’s drive from Newcastle, you’ll find yourself in the enchanting village of Blanchland, built entirely from historic stone.

Nestled beneath a “woodland cloak in a fairytale setting,” as Visit Northumberland puts it, lies the idyllic village of Blanchland. Perched on the border of County Durham, in Northumberland, this area is hailed as one of the Northeast’s most stunning spots.

The village itself is constructed from the stones of the 1165 Blanchland Abbey, and its rich history resonates through the walls of its buildings. They line the cobbled streets, home to a variety of traditional cafes, bakeries and shops, with nary a sign of modernity in sight.

Blanchland is encircled by fells, offering awe-inspiring views due to its close proximity to the North Pennines Area of Outstanding Natural Beauty. However, what lures many visitors is its historic abbey, founded by Walter de Bolbec and once visited by the illustrious Edward III.

A TripAdvisor review reads: “It’s right in the centre of the medieval village of Blanchland; no entry costs, just go in and peruse at your leisure. It really is a lovely old abbey; nearby tea rooms and gift shops make it well worth a visit.”

Another visitor described the site as “simply lovely”, saying: “Whenever we are in the area, we love to drive to Blanchland to stroll in the attractive stone village and look at this lovely church. The church was once part of a much bigger abbey, and it is perhaps worth considering the general history.”

Despite having just 135 residents according to the 2011 census, the village attracts tourists from across the country, eager to soak up its picturesque atmosphere. Many head straight to the Lord Crewe Arms Hotel, one of Britain’s most historic inns, with roots stretching back to the 12th century.

The pub boasts traditional character throughout, featuring rustic wooden beams, stone walls and crackling open fires. One recent guest said: “After a few days touring round Northumberland we saved the best hotel till last, and it did not disappoint.”

Another raved: “We just loved everything about this hotel. The fabulous location, the glorious building, the gorgeous room, the lovely bar, the friendly and helpful staff – brilliant.”

Set amidst breathtaking countryside, Blanchland offers several popular walking trails perfect for discovering the landscape and taking in the sweeping moorland. For a gentler option, try the Blanchland and Shildon loop at roughly 5.6km, or tackle the 8km route from Blanchland to Edmundbyers, which features diverse terrain and spectacular North Pennines vistas.

For decades, the Stahl House in the Hollywood Hills has been a rarity — a globally known icon of Midcentury Modernism and Los Angeles glamour, still in the hands of the family who commissioned it in 1960. But now it’s for sale.

The asking price is $25 million, which might seem a startling figure for a two-bedroom, 2,300-square-foot home on a snug lot. But that figure might not surprise lovers of modernist architecture who know it as Case Study House #22.

It was designed for the Stahl family by architect Pierre Koenig, captured on black-and-white film by photographer Julius Shulman and has been admired worldwide ever since.

The Architect’s Newspaper called it “one of the world’s most famous buildings.” Los Angeles magazine called Shulman’s image “perhaps the most famous picture ever taken of Los Angeles.”

“There are no comps for the Stahl house. It’s incomparable,” said William Baker, architecture director for the real estate firm the Agency Beverly Hills. The home was included in the company’s fall catalog Nov. 12.

By Friday afternoon, Baker said, he had received hundreds of inquiring calls. In considering offers, Baker said, the family is open to individuals or institutions — “someone who’s going to understand it, honor the house and the story about it.”

The Stahls purchased the lot in 1954 for $13,500 and enlisted Koenig to design the house after other architects were daunted by the slope of the lot. Koenig’s solution was a cantilevered L-shaped structure with walls of steel and glass, a pool and a free-standing stone-faced fireplace between the living and dining areas.

The second bedroom can only be accessed through the primary bedroom — “an efficient use of space” for a family of five, Baker said. The Stahl family has said the home cost $37,500 to build.

Shortly after the home’s completion, photographer Julius Shulman made a black-and-white photograph that became emblematic of the era. It shows the home at night, with two young women sitting inside in a cantilevered corner, its floor-to-ceiling windows revealing the lights of the L.A. Basin glittering in the background.

To bring up the lights, Shulman later told Los Angeles magazine, he used a seven-minute exposure. The resulting image, along with others Shulman made of the house, is now owned by the Getty Research Institute.

In years since, the home has served as a filming location for many TV and film productions, including the 1968 pilot episode of “Columbo” and the movies “Galaxy Quest” (1999) and “Nurse Betty” (2000).

“This home has been the center of our lives for decades, but as we’ve gotten older, it has become increasingly challenging to care for it with the attention and energy it so richly deserves,” the Stahl family announced on its website. Bruce and Shari Stahl, the surviving children of original owners Buck and Carlotta Stahl, added, “[O]ur tour program will continue unchanged for the time being, and we will provide ample notice before any adjustments are made.”

For the last 17 years, the house has been open for tours, most recently on Wednesdays, Fridays and Saturdays, starting at $60 per adult during the day, $90 in the evening, with advance booking required and tight limits on photography. However, the Stahl website indicates all tours are sold out through the end of February.

The real estate listing notes that the home is “a protected landmark and the only Case Study House with original family ownership.”

In nominating it for the National Register of Historic Places in 2009, Amanda Stewart of the Los Angeles Conservancy called it “perhaps the most iconic house constructed in the Case Study House Program.” That program, sponsored by John Entenza’s Arts & Architecture magazine from 1945 to 1966, yielded 25 completed homes, today considered top exemplars of Midcentury home design.

“There’s not a lot of these Case Study houses left. I think there are 19 now,” Baker said. (Baker also said he had recently handled the sale of Case Study House #10 in Pasadena to a buyer who lost a home in January’s Pacific Palisades fire.)

The Stahl home stands on Woods Drive just north of West Hollywood’s city limit, about a quarter of a mile from Chateau Marmont.

Many architecturally important Southern California Modern homes have landed in the hands of institutions, including Frank Lloyd Wright’s Hollyhock House (1921), owned by the city of Los Angeles; the Schindler House (1922), owned by the Friends of the Schindler House and operated by the MAK Center for Art and Architecture; and the Eames House (1949), owned by the nonprofit Eames Foundation. The Sheats-Goldstein Residence, designed by John Lautner in 1961-63 and renovated by Lautner in the 1990s, has been promised by owner James Goldstein to the L.A. County Museum of Art.

Back in 2024, Universal conjured a pink and green tornado that swept pop culture.

From themed drinks at Starbucks and dolls of Elphaba and Glinda, to joint appearances by stars Cynthia Erivo and Ariana Grande at the Olympics and throughout a heavily-publicized press tour, “Wicked” was everywhere.

As the conclusion of the two-part film franchise heads to theaters at the end of the week, the marketing for “Wicked: For Good” has accelerated.

There are still themed Legos, but now also Gain laundry scent boosters, Swiffers and Pottery Barn bedding. There was a “Wicked” night on rival network ABC’s “Dancing With the Stars” and a “Wicked: One Wonderful Night” musical event broadcast on NBC.

The complete takeover of culture was all part of Universal’s plan to build one of its biggest and most important franchises, which has already brought in nearly $759 million in worldwide box office revenue for the first film, not to mention the haul from merchandise sales, theme park tie-ins and other categories.

Beyond the immediate revenue, “Wicked” also gives Universal a rare, female-focused franchise, an underserved audience, particularly as so many recent films have been geared toward men.

The success of the Broadway play, which has run for more than two decades, gave Universal the confidence in its potential for the big screen, said David O’Connor, president of franchise management and brand strategy at Universal Pictures. He’s also been a fan of the stage production almost from the beginning — he watched a table reading on the Universal lot, saw the musical additions to the script and finally, its run in San Francisco.

“For us, you had this potential to really take the fanship and really make ‘Wicked’ into a cultural imperative,” he said in a call from New York ahead of the film’s premiere. “When you think about the characters, the two leads, the themes of friendship, identity and empowerment, and how that resonates universally, and then, of course, the fantastical worlds of Oz and Shiz and Munchkinland, it just seemed like such a great opportunity for us.”

“Wicked” has proved to be a key boost to Universal’s lineup of blockbuster franchises.

Though the studio boasts series like “Jurassic Park,” “Despicable Me” and “Fast & Furious,” it has lacked the deep roster of intellectual property that rivals like Walt Disney Co. and Warner Bros. have, said Brandon Katz, director of insights and content strategy at data firm Greenlight Analytics.

The series “has really emerged as a much-needed, fresh tentpole for Universal,” he said. “There’s such a waterfall of value that this two-part franchise creates that Universal will be banking out on this for years to come.”

The two films were shot back-to-back, with a combined production budget of $300 million, reportedly split evenly between the two.

So far, interest for the second film is high — as of Thursday, “Wicked: For Good” was the highest ticket pre-seller of the year, according to Fandango. It is also the highest PG-rated ticket pre-seller ever on the Fandango platform, passing 2017’s live-action “Beauty and the Beast,” 2019’s animated hit “Frozen 2” and the first “Wicked.”

The film is tracking to haul in $150 million to $160 million in its opening weekend, according to estimates from industry analysts.

And the film’s appeal to women is crucial, particularly in a year when there were few films geared toward female viewers. Despite the persistent debates about the dearth of female-focused films, there have been few big, recent hits, other than 2023’s “Barbie” and last year’s “Wicked.”

“Every three or four years, female audiences are rediscovered with some hit,” said Alisa Perren, professor in the department of radio-television-film at the University of Texas at Austin’s college of communication. “It’s kind of striking how little mainstream female [films] have been released.”

To court all audiences, including those who were familiar with the play as well as those new to the story, Universal leaned into its so-called Symphony program to leverage all arms of the company to promote a film.

The program has been used previously for films like “Despicable Me” and has become a critical part of the marketing campaign, O’Connor said.

One new strategy the company used for supporting this franchise was building a “Wicked” fair, which was held on set in 2023 in London and allowed more than 200 partners to get a feel for the story, see the filmmakers and actors and meet heads of departments, like costumes and props. The studio has done set visits in the past, but nothing like this.

That open house was pivotal in driving partnership agreements and started to fuel the franchise’s success, O’Connor said. One of those was Lego, which signed on with “Wicked” after the fair and has been a partner on both films with product lines and an episode of “Lego Masters.”

Because not all geographic markets had the same built-in awareness of the Broadway play, getting corporate brands on-board was key to increasing knowledge of “Wicked” around the globe, he said.

Though “Wicked: For Good” marks the conclusion to the two-film series, O’Connor was coy about what’s next for the franchise.

“Our focus remains on building experiences that will deepen that connection to ‘Wicked,’” he said. “And all I can say is, we are very committed to ‘Wicked,’ but it’s probably too early to share much more than that.”

ONE of London’s most unique hotels, the Courthouse Hotel is one for history buffs who love some of the city’s darker residents.

Here is everything you need to know about staying there.

Where is the Courthouse Hotel?

This historic hotel is right in the middle of trendy Shoreditch.

It is minutes from the hotel’s famous steps is the pulse of east London’s nightlife scene, with pop-up food stalls, music venues, restaurants and bars. 

You are also just five minutes from Old Street Underground station and can walk easily to Spitalfields Market, the city of London and Columbia Road Flower Market.

What is the hotel like?

The hotel is housed in a Grade II Baroque building, which was once the Old Street Magistrates Court and Police Station. 

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The listed building held some high-profile cases such as the London mobsters, the Kray Twins and author of “1984” George Orwell.

Since undergoing a recent multi million conversion of the historical building with a newly built extension, the hotel features 86 guest rooms and 42 suites.

What are the rooms like?

The hotel’s modern interior is a contrast to its colourful backstory. 

The recently renovated bedrooms are mega-stylish, with art-deco touches and elegant fittings. 

The enormous bathrooms with double walk-in showers are a huge plus. 

Plus, as well as very comfortable beds, almost all rooms have fantastic views over the east London skyline. 

Rooms start from £165 a night.

What can you eat and drink there?

The hotel has a range of places to grab a bite or you can sit at the bar and enjoy a stylish cocktail. 

The Jailhouse Bar is set within the former Police Station of the Old Street Magistrates Court – the very same place the Krays once stood trial. 

There is also a restaurant, aptly named Judge and Jury, which is set in a dramatic former courtroom with panelled walls that serves breakfast, lunch, dinner and afternoon tea. 

It’s fair to say I ate better than the former defendants of this courthouse, with a steak salad and chips and a large glass of red.

There was also a great cocktail menu, making it a great spot to start your night out in Shoreditch, perched at the dramatic bar with an Old Fashioned in hand.

Although, I’m guessing if the Krays were drinking here back in the day, it would more likely have been a pint of stout and a bag of crisps.

By night, the Upper 5th Shoreditch bar has a rooftop terrace and a panoramic view of the skyline. 

What else is there at the hotel?

Believe it or not, the hotel has a 196-seat cinema inside it, as well as an indoor swimming pool and a two-lane bowling alley. 

There is also a serene spa, which is a sanctuary away from the busy city. 

Is the hotel family friendly?

Yes, there is the Hoxton Family Suite which sleeps four people.

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Is the hotel accessible?

In regards to accessibility, the hotel entrance has wheelchair access, and the lift connects to all floors. 

The hotel also has six accessible rooms.

Belém, Brazil — Two stark-white cruise ships loomed over a muddy Amazonian estuary, an odd sight from a beach where two children waded in the water.

The diesel-powered vessels towered over the impoverished riverfront neighborhood where trash littered the ground and a rainbow sheen from household and street runoff glistened on top of rain puddles.

The cruise liners — with their advertised swimming pools, seafront promenades and an array of restaurants and bars — were brought in to house thousands of delegates attending the 12-day United Nations COP30 climate summit in Belém, which ends Friday. The ships helped address a housing crunch created by an influx of roughly 50,000 people into the capital of Pará in northern Brazil.

Along with being a global economic powerhouse, Brazil is also one of the planet’s most important climate actors. The South American nation is home to tropical rainforests that absorb vast amounts of carbon dioxide but are increasingly threatened by deforestation and a drying Amazon.

A navy soldier patrols the Port of Outeiro, where cruise ships are docked to host delegations attending the COP30 U.N. Climate Change Conference in Belem, Brazil, on Nov. 8. Two cruise ships tower imposingly over a sleepy port in the Brazilian Amazon where some 50,000 people are gathering for a U.N. climate conference. With capacity for 6,000 people, the behemoths came from Europe to the riverine city of Belem on Brazil’s north coast to serve as floating hotels.

(Pablo Porciuncula / AFP via Getty Images)

The contrast — a climate conference relying on emissions-heavy cruise ships — has become the defining image of this year’s COP30, where wealth and scarcity sit side by side.

Belém residents said they felt a mix of curiosity and excitement watching the influx of foreigners, eager to show a culture that is often overshadowed by the country’s larger southern cities.

Many described COP30 as the first time the world had paused long enough to take notice of the people living at the mouth of the Amazon River, where locally grown açaí is sold on nearly every block. The region supplies the vast majority of Brazil’s açaí crop and much of what’s exported worldwide.

As humidity hung thick in the hot air, locals across the city of 1.3 million people pointed to expanded docks meant to attract future tourism, freshly painted walkways, restored colonial buildings with late-19th-century European touches and new cultural centers rushed to completion. But the sudden infusion of money layered atop long-standing inequality sharpened questions from residents about what will remain after the summit’s global spotlight fades.

Much of the summit footprint, they said, sits in areas where new structures were built fast, unevenly or only partly completed. Brazil’s government highlighted upgrades to Belém’s airports, ports, drainage systems, sanitation networks, parks and tourist areas, saying the work would leave a lasting legacy beyond COP30.

The BBC reported that a new four-lane highway built for COP30 resulted in tens of thousands of acres of protected Amazon rainforest being leveled, including trees locals relied on to harvest açaí berries to sell. One roadway to ease traffic to the climate summit remains unfinished and blocked by plastic orange netting.

“They cut all this forest to make that road and didn’t even finish it,” said Lucas Lina, 19, who works as an administrator at a Belém fire station, as he pointed to the unfinished road. “I don’t think they ever will. They will delay and delay.”

Lina said climate change is something locals feel acutely. The region has seen unpredictable rainfall, and in some years, receives little at all in an area used to its showers.

“The climate is going crazy,” Ana Paula, a government food safety inspector, said in Portuguese as Lina translated. “We can’t predict anything anymore.”

Even environmentalists acknowledge the optics are fraught, particularly as attendees flew more than 1,800 miles from events in Rio de Janeiro and São Paulo for satellite gatherings. That included members of California’s delegation and Gov. Gavin Newsom.

“It’s not well conceived because there’s not enough housing,” said Terry Tamminen, former California environmental secretary. “If we really cared about the climate, we’d have these events every year and they’d be 100% virtual.”

Such contradictions have often fueled demonstrations at climate summits, including on Friday when roughly 100 Indigenous protesters blocked the conference’s main entrance for more than 90 minutes. They formed a human chain as they denounced development plans they say would accelerate deforestation.

Indigenous activists participate in a climate protest during the COP30 U.N. Climate Summit on Saturday in Belém, Brazil.

(Andre Penner / Associated Press)

“Our forest is not for sale,” they wrote in a statement.

It was the second protest during the first week of COP30 after a brief clash inside the massive newly constructed facility resulted in two security guards suffering minor injuries.

“There are a lot of promises that the government made that are yet to be delivered,” said Lina, who taught himself English by watching YouTube and through online gaming. “We don’t know if these promises will actually be kept up after COP30.”

That tension — between symbolism and the city’s strained reality — defines this climate conference in a way that delegates say feels impossible to ignore.

Brazil remains one of the world’s top oil producers and recently approved new drilling near the rainforest. Many delegates argued that no setting better captures the stakes of the climate crisis than the Amazon, where Indigenous stewardship, extraordinary biodiversity and the consequences of deforestation are felt globally.

“I don’t know there’s a more important location than the rainforest,” Newsom told The Times. “The one area that consistently gets overlooked in the climate discussion is biodiversity.”

This aerial view shows a deforested area of the Amazon rainforest in the municipality of Moju, Brazil, on Wednesday during the COP30 U.N. Climate Change Conference.

(Mauro Pimentel / AFP via Getty Images)

With the summit came new investments that residents say they welcomed, including new bus routes, expansions at ports meant to increase future tourism and increased police presence to make streets safer.

“It’s very good for us,” said Maria Fátima in Portuguese while standing under an awning of a shuttered bar overlooking the cruise ships. She smiled and gave a thumbs up after saying she had never seen an American in Belém before.

“Everyone is very happy,” she said of the possibility that the newly expanded port will bring future tourism.

That port, which experienced an oil spill in April, is now being marketed as the Amazon’s next cruise-tourism hub. Its expansion cost $44 million and relied on nonstop work from construction crews in rotating shifts. The rush project doubled the pier’s capacity.

Room prices aboard the cruise ships soared to more than $1,400 a night for a balcony cabin, according to Times inquiries. On land, Belém’s modest supply of hotels and even seedy love motels that typically rent by the hour surged in price, pushing residents to rent their apartments and homes at rates many said they had never imagined.

People on a beach along the Guama River watch cruise ships docked at the Port of Outeiro, which will host delegations attending the COP30 U.N. Climate Change Conference in Belém, Brazil, on Nov. 6.

(Carlos Fabal/AFP via Getty Images)

One attendee said her hotel room typically goes for $85 a night. Her room cost $1,000 instead.

Newsom even joked about the costs. When a Brazilian journalist asked whether California would make climate investments in the country, Newsom said the price of his room at the Holiday Inn in Belém already felt like an “economic contribution.”

But those prices didn’t benefit everyone. Local media reported that some renters were evicted ahead of the conference in order to open up rooms to foreigners.

Inside the summit, Newsom operated as a proxy for the United States while attending COP30 for two days after President Trump, an outspoken climate skeptic, declined to send any high-level federal officials.

Long Beach resident Dominic Bednar, attending his fifth climate summit, said the contradictions of this year’s summit don’t diminish the importance of being there.

“It’s a double-edged sword,” said Bednar, an assistant professor in the Department of Urban Planning and Public Policy at UC Irvine. “On one hand, it brings understanding to the city and is driving a lot of economic investment. But I’m also curious: What is the carbon footprint of everybody coming into COP and the construction of this place? We are using energy, and we’re contributing to climate pollution.”

People riding in boats participate in a People’s Summit event on Guajara Bay during the COP30 U.N. Climate Summit on Wednesday in Belém, Brazil.

(Andre Penner / Associated Press)

Graduate students from UC San Diego’s Scripps Institution of Oceanography echoed that discomfort, but said not attending would only cede more ground to powerful energy interests that already dominate climate talks.

“We can empathize with not having our voices heard,” said graduate student Danielle McHaskell as she waited to take a photo with Newsom. “And that’s an important part of the climate movement — empathy for other people.”

Newsom, too, said he was aware of the contradiction of using fossil fuels to reach a climate summit.

Still, he defended the decision to hold COP30 in the Amazon. He said it offered a chance to “see what I’ve only seen on TV or could see disappear in my lifetime.” He added that he was particularly excited about venturing into the Amazon rainforest with a small delegation to learn in person about conservation efforts and connect with something beyond policy and negotiations.

“I think that spiritual element really matters in a world that can use a little bit more of that,” he said before returning to California on Sunday. “That’s one of the reasons I’m looking forward to getting deeper into the Amazon.”

A COSY trip to the pub is unmatched during the autumn and winter months – but did you know you could head to an unusual spot that doubles as a tourist attraction?

The Highwayman Inn sits on the edge of Dartmoor, in Devon – but it isn’t your average 13th century inn.

Instead, inside is an emporium of artifacts and curiosities.

The inn is often dubbed the ‘most unusual pub’ in Britain thanks to being full of random objects, and even ghostly sightings of “a burly sea captain, the flamboyant cavalier Samuel, and a provocative serving wench in a mop cap”, according to the inn’s website.

From the outside, visitors are greeted by a nod to the ‘old lady who lived in a shoe’ fairytale, as part of the front of the building forms a giant black boot.

Then as you enter inside, the walls, floors and ceilings have been formed of natural wood and stone from the area.

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And in every nook and cranny there is something interesting, from animal figurines to an Egyptian-style sarcophagus.

There is even a £150 reward poster for the capture of “two highwaymen known to be causing grief among Travellers in these Parts by Robbery of great violence”.

The poster also states: “Render this countryside free from such fiendish rogues.”

Visitors can venture down a once secret passage way as well, which leads them to the Rita Jone’s Locker Bar – it features a gothic door from an old whaling boat named the Diana, which was built in the mid 18th century.

The bar essentially looks like the boughs of a grand ship with wheels also hanging from the ceiling.

In another area, visitors will find the Hideaway, which is more intimate.

In the Coach Cabin Lounge, there are several horse-related items such as bridles and harnesses from the days horse-drawn carriages were used.

Then in Witchy Corner, guests will find a wishing bottle and tarot decorations.

Somewhere in the inn is even a 1.8 metre tall Minotaur, named Asterion.

Much of the menu is vegan and vegetarian, but there are some meat and fish options too.

For example, you could grab pie of the day with chips for £18 or a traditional Devonshire pasty and chips for £18 also.

Desserts include apple pie or Devil’s Chocolate Cake for £8.75 each.

Originally built as an inn in 1282, The Highwayman Inn later became an inn and farm with 20 acres of land.

Then in the 17th century it was renamed to the Golden Fleece, before Plymouth Breweries then renamed it the New Inn.

According to one visitor, the inn provides “an absolutely surreal experience, like stepping into a tardis whilst dining on an old ship all at once”.

For those wanting to enjoy the quirky pub for longer, you can stay in Cobweb Hall – a cottage just opposite the inn.

Inside, there are two bedrooms with four poster beds and each even has its own spiral staircase and Victorian-style bathroom.

The cottage also then has an open plan dining area and living room, as well as a kitchen.

It costs from £198 per night for both rooms, and there is a minimum stay of three nights.

The Highwayman Inn can be found in Sourton, which sits on the edge of Dartmoor National Park.

It is just a six minute drive or 45 minute walk from Meldon Reservoir, which is a great spot for walking around a giant dam.

You can also see Meldon Viaduct just a short walk from the reservoir as well.

Drive slightly past Meldon and you will reach the town of Okehampton, where there are a number of shops, the Museum of Dartmoor Life and Okehampton Castle.

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For other pubs and inns to explore, there is an incredible time-warp pub that’s so hidden it’s not even on the internet – and why you have barely a year left to visit.

Plus, the quaint village that’s home to the best pub in the UK – and it’s just 10 minutes from one of Britain’s best beaches.