brothers

For John and TJ Osborne, work and family have long been intertwined.

Today the siblings are known to country music fans as Brothers Osborne, the rock-leaning twosome that’s put 13 songs on Billboard’s Country Airplay chart and been named vocal duo of the year half a dozen times at the annual CMA Awards. Before they moved to Nashville, though, the brothers grew up helping out with their dad’s plumbing business in the late 1990s in the small fishing town of Deale, Md.

“You know how every country star opens a bar in Nashville?” John asks. “I was thinking it’d be funny to start a Brothers Osborne plumbing company that services all the bars.”

With TJ on lead vocals and John on lead guitar, the brothers look back at those early days in Deale on their nostalgic new album, “Watertown,” which came out last week, 10 years after the release of their first LP. It’s got handsome, well-drawn songs about long-lost loves and teenage indiscretions, not to mention one tune about some of the colorful Osbornes who don’t play in the band.

“We got a mama that you wouldn’t want to take home to mama,” TJ sings in “Family Business,” which rhymes that line with “Got a daddy with a girlfriend who loves marijuana” and “Sister took a swing at her first boy’s father.”

“I always tell people that TJ and I are the most boring people in our family,” John says. “Our sister really did punch her ex-husband in the face.”

TJ, 41, calls the album a tribute to the people who shaped him and his brother, who’s 44. “When you’re a kid, you want to run away from home and spread your wings,” the singer says. “Then at some point, it’s like that place is almost calling you back.”

That the Osbornes are at an age to memorialize the old days puts them on the outskirts, to some extent, of a country scene crowded with ascendant zoomers like Ella Langley, Tucker Wetmore and Megan Moroney. Yet the brothers are hardly fuddy-duddys: In 2021, TJ became the first country artist signed to a major label to come out as gay; musically, he and John consistently make unexpected stylistic choices — take the ringing new wave guitars in “Family Business” — even as they court down-the-middle success, as with the new album’s lead single, “Born and Raised Hell,” which features the country radio kingpin Cody Johnson.

“John and TJ don’t make corporate country music,” says Ashley McBryde, who’s collaborated repeatedly with the brothers. McBryde calls John “a guitar god” and says TJ’s deep voice “could make your kneecaps come unglued”; she adds that she likes to listen to their records “while I’m doing yard work, slinging a chainsaw.”

“Our mission the whole time has been: How do we thread the needle of doing something that’s a little left of center while making it commercial enough that people can hear it?” TJ says over coffee at an outdoor cafe in Griffith Park. The Osbornes are in town on a recent afternoon between tour dates; last night they did dinner at Nobu in West Hollywood — “bougie as f—,” John acknowledges — then “climbed up the La Cienega mountain,” as the guitarist puts it, back to their hotel on Sunset.

“The last 50 yards, I felt like I was gonna puke,” John says.

Does Nashville have good sushi?

“They do now,” John replies. “Back in the day, there was just this place Ken’s — kind of a hole in the wall where you’d get these huge styrofoam containers of rolls. It was really cheap, and we’d all get really stoned and eat tons of sushi.”

The brothers learned to play from their dad in Maryland in a family roots-music combo called Deuce and a Quarter; each went to Nashville to do his own thing but didn’t really gain any traction until they teamed up — a union they say their mother envisioned from the jump.

“I think the second TJ was born, she thought to herself: I have a country band on my hands,” John says. “She’s very — what’s the word I want to use? — goal-driven, in a good way. So when we finally joined forces and things started taking off, there was a bit of ‘I told you so’ about it.” He laughs. “In her defense, she was right.” (The brothers’ sister Natalie also works in Nashville as an A&R exec at the indie label Leo33, where she signed Zach Top.)

Brothers Osborne — nominated again for vocal duo of the year at next month’s CMAs ceremony — came up in a tightknit peer group that also included McBryde, Maren Morris and Kacey Musgraves. The duo broke out with a No. 1 showing for “Stay a Little Longer,” a single from their platinum 2016 debut; since then they’ve scored hits with tunes with like “21 Summer,” “Nobody’s Nobody” and “Burning Man,” the last a collab with Dierks Bentley that also went to No. 1.

Asked why they’ve been embraced by the traditional Nashville biz in a way that’s sometimes eluded Musgraves, TJ shakes his head. “There’s so many Kacey songs that I’m just like, How was this not a huge hit for her?” he says. “There is a game you have to play with country radio — doing things for them that we were willing to do that I know Kacey was just like, ‘No thanks.’”

Why does he reckon he and his brother were willing to jump through the hoops?

“I mean, we knew it would help,” he says. “We grew up in a poor family where everyone worked their asses off just to get by paycheck to paycheck. So I think for us it was about the fact that we’re gonna put in the work and get noticed.”

“You have to be willing to compromise — not your art or your dignity but compromise your time,” John says, “in the hopes that you can pursue a career in music because it’s very competitive.”

Over the past few years, some of Nashville’s biggest hits have come from outsiders like Post Malone experimenting with country music. Speaking broadly, TJ says the trendiness of the genre “is a little annoying because people are like, ‘I hate all country music,’ until their career flounders and suddenly they do a country record. Some of these people, they don’t know anything about it.

“At the same time, the genre is the biggest it’s ever been, which probably set the stage for a song like ‘Choosin’ Texas’ to be the song that it was,” he adds of Langley’s pedal-steel-soaked mega-smash, which just logged its 25th week atop Billboard’s Hot 100 — longer than any other song in chart history.

“I was just up in Brooklyn at a gay bar, and I’m like, All the gays are singing along — what the f—?” TJ says. “Also very jealous of that. I want a song all the gays are singing.”

Five years after he came out in a widely publicized Time magazine story, TJ says he doesn’t think much about his position as one of the few openly gay men in country music. As we keep talking, though, some things seem to come to mind.

“There was a moment recently with all the equity and inclusion stuff where [my identity] started to feel political — that was weird,” he says. “It felt like picking sides, even though I’m like, This is just my sexuality. But I feel like we’re kind of getting back out of that a bit.”

Then again, TJ recalls his appearance at May’s ACM Awards, where he presented Langley with the prize for female artist of the year. “I made a joke about my gay ass being up here giving this award, and there were comments from people being like, ‘I don’t understand why you have to talk about it,’” he says. “It’s like, F—, maybe people aren’t as open to it as I thought. It was proof to me that there’s still a lot of ground to cover.”

Is TJ up for doing the work of opening minds?

“I am. And I think it’s important work because there’s so many different types of gay people. There’s also so many different types of rural Americans. We’ll go to some places, and there are people who I perceive to maybe have some sort of bigotry towards me but I read them wrong and they’re actually totally cool.

“Look, you’re not gonna be able to convince everybody,” he adds. “There’s people that just hate on people for the stupidest reasons. Girls have it the worst. Anytime a girl does anything — ‘She looks like a slut,’ ‘She’s fat,’ ‘She’s too skinny.’ There’s just some mean people out there.”

“We’ve heard it all,” John says.

“There was this amazing burn we got one time where we’d taken ‘21 Summer’ out of the set,” TJ says, “and someone commented, ‘I can’t believe Brothers Osborne played 21 guitar solos but not ‘21 Summer.’” He laughs. “See, at least that’s pretty clever.”

Omar has come under fire this week with Big Brother fans after they previously hit out at uncomfortable scenes

A Big Brother housemate has been issued a warning after fans slammed their recent behaviour.

Omar has come under fire with fans lately regarding his negative comments and behaviour towards Rhianna. The two have been growing closer since the start of the show, also admitting their love for one another.

Big Brother previously issued a statement in response to recent calls from a number of fans who called for Omar to be removed from the house. It came after this week saw the two hitting rocky ground with Rihanna describing them like a ‘divorced couple’.

The pair seemed to break off their relationship but at one point Omar went over to her, lowered his head and told her to stop talking about him before leaving the room.

It comes after previous comments from Omar about him not teaching his co-star “how to respect a man”. But amidst the backlash, Big Brother issued Omar with a warning in tonight’s episode (October 21).

Being called to the Diary Room, Big Brother told Omar: “At times it feels you are dismissive about your housemates’ experiences.” They later added that Omar’s language used “on more than one occasion could cause offence to housemates or the fellow public.”

However, Omar hit out at the warning, adding: “I fully understand… I’ve never dismissed housemates feelings in all honesty.” He later said that he didn’t dismiss feelings but rather tell them the truth.

He replied: “Let’s be honest here we’re not talking about housemates, we’re talking about me and Rhianna.” He then continued to say he had done “nothing but look out for her and care for her” before going on to say: “Like I said, I’ve acknowledged my housemates feelings.”

Big Brother replied: “You must always be mindful of the impact your language and behaviour can have on others.”

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Later, speaking to Rhianna, Omar said: “Have I ever controlled you in any way, or limited you in any way?” Rhianna said: “I am my own person, no-one can control me. I don’t feel controlled by you.”

Viewers at home expressed their frustrations as one person wrote on X: “Big Brother please boot Omar out, he’s not even giving a f*** about Rhianna’s feelings.”

Another fumed: “This is deeply uncomfortable to watch. Rhianna needs to get far away from Omar as soon as this show’s over.” A third added: “Omar tryna save himself lol, he’s finished.”

It comes after Women’s Aid issued a statement on Instagram, alleging the reality star of displaying controlling behaviour in the house. They wrote: “We’re seeing coercive and controlling behaviours being given a platform in popular media like Big Brother. We’ve been contacted by many viewers who have expressed concern. Not only does Big Brother risk minimising survivors’ experiences, it also risks presenting abuse as a form of entertainment.

“Producers should understand their responsibility to keep contestants emotionally and physically safe. The women in these programmes are real people and need real support. We continue to urge television companies such as ITV to engage with experts like Women’s Aid to understand the nature of abuse and how they can do better to protect contestants.”

However, Big Brother released a statement confirming all housemates “receive Respect and Inclusion training and an extensive briefing from the Big Brother Senior team to prepare them for living in the House and to set out Big Brother’s expectations for appropriate behaviour and language”.

Big Brother continues tomorrow at 9pm on ITV2 and ITVX.

ITV have issued a statement after a furious backlash from fans in the way Omar has been treating fellow housemate Rhianna.

ITV has issued a statement after furious Big Brother fans voiced their concern about Omar’s behaviour towards Rhianna on Monday night’s episode.

Fans were quick to rush to social media to complain about his actions and some even called for producers of the show to “step in” after the altercation left Rhianna in tears. Others insisted he needed to be removed immediately.

ITV today released a statement pointing to their strictly-enforced welfare protocols. It said: “All Housemates receive Respect and Inclusion training and an extensive briefing from the Big Brother Senior team to prepare them for living in the House and to set out Big Brother’s expectations for appropriate behaviour and language.

“Housemates are monitored 24 hours a day and any instances of inappropriate behaviour are responded to appropriately.

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“Welfare and safeguarding are prioritised throughout the production, with a dedicated welfare team available to support Housemates before, during and after their time in the House.”

The issue arose as viewers watched on as Rhianna appeared to end her relationship with Omar. She questioned his maturity in conversation.

Rhianna was later called to the Diary Room. She was asked by Big Brother if she was okay and she told them: “I’m not that good but I’ll be fine. Obviously me and Omar have not been good over the last few days and sometimes I don’t like the way he speaks to me.”

She added: “I wouldn’t let a boy speak to me like that outside of here so why am I letting him speak to me like that… If it keeps going in circles, we can just be friends.”

Fans quickly shared their views on social media and said the viewing was “uncomfortable”. One user on X, formerly known as Twitter, said: “Big Brother really needs to intervene between Omar and Rhianna and call out the abhorrent actions of Omar.

“The way he speaks to her, the double standards and all the red flags are so concerning for her and any other potential future partners.”

Former I’m A Celebrity Star and regular guest on Big Brother companion shows Dean McCulloch shared a TikTok and captioned it: “Omar needs to be removed from the house with immediate effect.”

He said: “Those scenes that we had to watch tonight and that behaviour that Rihanna had to endure is completely unacceptable. That’s not even good TV. That’s not even close to being good TV.

“The way that he has spoken about her and to her and the way he is treating her . . . should not be tolerated in any way shape or form. He needs to be made an example of. The way he leaned over her, spoke to her in her ear, the way he told her she needed to fix up, the way he said look at me…we’ve moved into a dark place and Rihanna needs to be protected.”

ITV’s comment comes after Women’s Aid also responded to the scenes. On Instagram, they said: “We’re seeing coercive and controlling behaviours being given a platform in popular media like Big Brother. We’ve been contacted by many viewers who have expressed concern. Not only does Big Brother risk minimising survivors’ experiences, it also risks presenting abuse as a form of entertainment.

“Producers should understand their responsibility to keep contestants emotionally and physically safe. The women in these programmes are real people and need real support. We continue to urge television companies such as ITV to engage with experts like Women’s Aid to understand the nature of abuse and how they can do better to protect contestants.”

For confidential support, call the 24-hour National Domestic Abuse Freephone Helpline on 0808 2000 247 or visit womensaid.co.uk

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BIG Brother’s Omar El Mayer will remain in the spy house despite being accused of “coercive and abusive” behaviour towards Rhianna Collins – but I’ve heard of events that have happened in the shared bedroom that feel even more worrying.

The Sun’s mole on the show has shared details of one strange action the jewellery salesman has performed before bed and how it has raised eyebrows on set amid fan outcry.

It comes as Women’s Aid have spoken out over Omar’s behaviour as viewers rush to complain to Ofcom.

Omar, 21, scolded Rhianna, also 21, for speaking about their argument to her co-stars before using “red-flag” language including “don’t talk about me”, “don’t cry”, “don’t look away from me”, “sort yourself out” and “fix up”.

Now unaired scenes can be revealed and it all hangs on Big Brother’s thorough duty of care measures.

Our source said: “If there are people sharing a bed, Big Brother has a rule that every night they individually have to show the camera a thumbs up or thumbs down to show that they consent to that situation.

“If there is no sign, or a thumbs down, Big Brother intervenes and calls them to the diary room.

“Over the last few nights Omar has been putting thumbs DOWN and so has been called into the diary room.

“When he’s in there he doesn’t really seem to explain much.”

The revelation shocked me, as a Big Brother fan as well as someone who closely reports on the show, because surely it seems more likely Rhianna would be the one flagging concern to bosses.

Our source added: “It’s raised eyebrows – if he’d done it once, fair enough, but the fact he’s done a thumbs down over a few nights suggests it’s a pattern of behaviour to control the narrative.

“There’s clearly complex emotions at play but it’s troubling.”

The revelation comes amid a rising storm around Omar remaining on the show.

As yet, bosses have not moved to remove him from the house.

A Big Brother spokesman said: “All Housemates receive Respect and Inclusion training and an extensive briefing from the Big Brother Senior team to prepare them for living in the House and to set out Big Brother’s expectations for appropriate behaviour and language.

“Housemates are monitored 24 hours a day and any instances of inappropriate behaviour are responded to appropriately.

“Welfare and safeguarding are prioritised throughout the production, with a dedicated welfare team available to support Housemates before, during and after their time in the House.”

Yesterday Women’s Aid spoke out following complaints over last night’s “worrying” scenes between Omar and Rhianna.

Spokesman Veronica Oakeshott told The Sun: “The nature of abuse means that it often begins with ‘red flag’ coercive and controlling behaviours like isolating you from friends or repeatedly putting you down, before escalating into other forms of abuse.

“Coercive control creates invisible chains and a sense of fear that impacts every element of a survivor‘s life.

“It’s worrying to see behaviours like this being given a platform in popular media like Big Brother.”

Women’s Aid has been contacted by “many viewers who have expressed concern”, added Veronica.

We also told how fans, ex-Housemates and celebrities have all demanded Omar is axed over his behaviour – with viewers in their droves contacting TV regulator, Ofcom.

She added: “We continue to urge television companies such as ITV to engage with experts like Women’s Aid to understand the nature of abuse and how they can do better to protect contestants. We would welcome a discussion with the Big Brother team.”

Scenes between Omar and Rhianna have seen her telling Omar “I don’t want to argue with you”, to which he replied “Well, then, don’t say mad things that you don’t mean. It’s not fair. You need to sort it out, get it together.”

Rhianna then whispered “I’m sorry” and he accepted her apology saying “it’s OK” before they spent the night together in bed.

In another sinister moment from last night’s hard-to-watch episode, Omar interrupted Rhianna’s conversation with Rochelle and Phillip to whisper in her ear.

Bending down to Rhianna in bed to conceal his warning, Omar said: “Do me a favour, I know you’re upset, but don’t talk about me. Thank you.”

One viewer commented: “The fact Omar’s comfortable doing this on national TV scares me for what he does behind closed doors.”

Another added: “This has become dangerous now. Omar needs removing from the house.

“He has been gaslighting and emotionally abusing Rhianna for weeks.

“You don’t have to be a genius to know what would be happening if the cameras and other housemates weren’t there.”

As we head into fall television season, you might notice some familiar titles, not just because a few shows are returning for new seasons, but because they’re prequels, continuations or adaptations of well-known books or films — sometimes both.

The only guide you need for fall entertainment.

Hollywood has leaned into established IP this season, but if you’re seeking an original story, don’t fret, several of those are coming too. Viewers will have plenty to cozy up to, with a slew of series dropping around holidays — a perfect time to binge your new favorite watch.

‘Monster: The Lizzie Borden Story,’ Sept. 17 (Netflix)

Ella Beatty as Lizzie Borden in Netflix’s “Monster: The Lizzie Borden Story.”

(Netflix)

Described as a “darkly comic spin on a Victorian-era murder,” the fourth installment of Ryan Murphy and Ian Brennan’s true-crime anthology chronicles the story of Sunday school teacher Lizzie Borden, who in 1893 was the prime suspect in the still unsolved ax murders of her father and stepmother inside their Fall River, Mass., home. The 32-year-old “spinster” was tried by an all-male jury who found her innocent of the gruesome crime. Their quaint view of women as meek, docile and powerless clearly worked in her favor. Ella Beatty plays the rage-filled, blood-spattered Borden in this eight-episode series. Charlie Hunnam, who appeared in the third installment of “Monster,” portrays her wealthy but ultimately unfortunate father Andrew Borden, and Rebecca Hall plays his second wife, Abby Borden. The drama reportedly includes the music of modern artists such as Kate Bush, while the trailer simply leans into the haunting Victorian-era nursery rhyme “Lizzie Borden took an axe …” — Lorraine Ali

‘Brothers,’ Sept. 23 (Apple TV)

Woody Harrelson and Matthew McConaughey in Apple TV’s “Brothers.”

(Ryan Green / Apple TV)

Twelve years ago, after their chemistry lit up Season 1 of “True Detective,” stars Woody Harrelson and Matthew McConaughey became Hollywood’s most beloved bromance. When Harrelson later told a tale in which McConaughey’s mother revealed she had known Harrelson’s father around the time McConaughey was conceived, it made a lot of hot-rumor sense. Also, apparently, a fine pitch for a series, with the two men playing fictionalized versions of themselves. After a family crisis, Harrelson flees with his wife and daughters to McConaughey’s Texas ranch where he hears a similar “I knew your father” story from Ma Mac (Holland Taylor). As he decides what to do, McConaughey decides to run for governor of Texas. The personal eccentricities of the two leads, along with their odd-couple vibe, provide most of the show’s humor, but the best reason to watch is Taylor, who shows both stars how it’s done, by stealing the show from under their feet. — Mary McNamara

‘American Hostage,’ Sept. 20 (MGM+)

Jon Hamm as Fred Heckman in MGM+’s “American Hostage.”

(Steve Ackerman / MGM+ / Sony Pictures Television)

Set in the 1970s, this anthology series based on a scripted podcast of the same name tells the true story of Fred Heckman, a respected radio journalist played by Jon Hamm, who also executive produces. Heckman, the news director of WIBC-AM in Indianapolis, is placed at the center of a story when hostage-taker Tony Kiritsis (Giovanni Ribisi) requests to be interviewed by the newsman as police attempt to negotiate the release of his hostage, mortgage broker Dick Hall (Kristoffer Polaha). The series contemplates topics like shady lending practices by financial institutions — something that will resonate deeply with today’s economy — and the ethics of placing oneself in a news story. Shawn Ryan (“The Shield,” “The Night Agent”) and Eileen Myers (“Big Love”) serve as co-showrunners and executive producers. — Maira Garcia

‘East of Eden,’ Oct. 1 (Netflix)

Mike Faist as Charles Trask, Christopher Abbott as Adam Trask and Florence Pugh as Cathy Ames in Netflix’s “East of Eden.”

(Netflix)

Zoe Kazan has established herself in the past several years as a versatile artist who impressed critics and audiences with her lead role in “Ruby Sparks” and her Emmy-nominated performance in HBO’s “Olive Kitteridge.” The spotlight is likely to get brighter with Netflix’s “East of Eden,” the latest adaptation of John Steinbeck’s classic novel. A previous version of the novel was directed by Kazan’s grandfather Elia Kazan, and is best known as one of three films starring James Dean. Zoe Kazan is the writer and co-showrunner of the Netflix project, which stars Florence Pugh as anti-heroine Cathy Ames — a character sidelined in the 1955 film. Christopher Abbott (“Girls”) and Mike Faist (“Challengers”) co-star. — Greg Braxton

‘Below,’ Oct. 8 (Netflix)

Josh Hartnett as Calvin and Mackenzie Davis as Fonda in Netflix’s “Below.”

(Netflix)

Summer is over, but that doesn’t mean there can’t still be stories about killer creatures under the sea. Netflix’s “Below” joins the watery spectrum already inhabited by “Jaws,” “The Meg,” “47 Meters Down” and numerous other entries as it unveils its premise about a seaside town targeted by a mysterious monster. Josh Hartnett (“Trap”) stars as a fisherman and single father living in a small Newfoundland town who must find a way to protect his family and the community when an unidentified creature starts wreaking havoc. He joins forces with a marine researcher (Mackenzie Davis of “Station Eleven”) who informs him of the town’s mysterious history and buried secrets. — G.B.

‘Cupertino,’ Oct. 8 (CBS)

Rachel Keller as Olivia Siffre, Ella Stiller as Christy Palladino and Mike Colter as Michael Price in CBS’ “Cupertino.”

(Elizabeth Fisher / CBS)

Robert and Michelle King return to the network and territory of their acclaimed series “The Good Wife” with this Silicon Valley-based legal dramedy, replicating that show’s mix of quirk, current events and courtroom nail-biters. To continue the David vs. Goliath comparison the network has put out, it launches its stones at the brow of the tech industry, with Mike Colter and Rachel Keller as lawyers fired with bad cause who team up to defend the little guys from the big jerks. Ella Stiller is their ingenuous aide-de-camp, Busy Philipps a flamboyant investor and Renée Elise Goldsberry as an opposing counsel who has history with Colter. — Robert Lloyd

‘Avatar: Seven Havens,’ Oct. 9 (Paramount+)

Saheli Khan as Pavi, Dee Bradley Baker as Geet/Ruhi and Aishwarya “Aishu” Devan as Nisha in “Avatar: Seven Havens” on Paramount+.

(Paramount+)

When “Avatar: The Last Airbender” premiered over 20 years ago, it introduced audiences to a world inspired by Asian and Indigenous cultures, where certain people can manipulate elements through a martial arts-infused ability known as bending. It also helped show that an animated kids series can tackle weighty themes such as war, genocide, imperialism, sexism, propaganda and political corruption in a serialized story and be a hit. In the world of “Avatar,” there is one special bender who is the master of all four elements — water, earth, fire and air — and is tasked with maintaining balance in the world. Set after the events of “The Last Airbender” and “The Legend of Korra,” “Avatar: Seven Havens” follows the current incarnation of the Avatar, Pavi. Young Pavi and her twin sister, Nisha, live in a world that no longer sees the Avatar as humanity’s savior after it was devastated by a calamity. Pavi and her allies still have to figure out a way to save the world, though. Every Avatar seems to have to deal with problems caused or left unresolved by their predecessors. As a Korra fan, I’m curious to see what sort of legacy she ended up leaving behind. — Tracy Brown

‘VisionQuest,’ Oct. 14 (Disney+)

Paul Bettany in Marvel’s “VisionQuest” on Disney+.

(Marvel)

When we last saw Vision (Paul Bettany), the reconstructed synthezoid and former Avenger had just regained his memories — thanks to an assist from his magically created double — before flying off into the unknown at the end of “WandaVision.” Much has changed in the Marvel Cinematic Universe since then, but I’m ready to dive back into this corner of the multiverse occupied by “WandaVision,” “Agatha All Along” and the upcoming “VisionQuest.” Capping off the TV trilogy, the new series will see Vision navigating life after “WandaVision” along with existential questions about his personhood and identity with the help of some friends in the form of other Marvel AI and robots, including Ultron (James Spader). Both “WandaVision” and “Agatha” were meditations on grief, trauma and motherhood, by way of sitcoms and magical escape rooms, respectively. I’m interested to see how this final installment will explore the patrilineal connection between Ultron, Vision and Tommy (Ruaridh Mollica), one of Wanda and Vision’s long lost twins who were magically created in “WandaVision.” Could the series tee up a full Maximoff family reunion? I hope so. — T.B.

‘Crystal Lake,’ Oct. 15 (Peacock)

Linda Cardellini as Pamela Voorhees in Peacock’s “Crystal Lake.”

(Peacock)

Drew Barrymore made a fatal mistake in the opening scene of the 1996 horror film “Scream” when the creepy murderer on the telephone quizzed her about the name of the killer in the original “Friday the 13th.” When Barrymore answered “Jason Voorhees,” she was reminded that the original killer was actually Pamela Voorhees, Jason’s mother. Pamela is center stage in “Crystal Lake,” Peacock’s prequel to the bloody franchise launched in 1980. Linda Cardellini (“DTF St. Louis”) plays the grief-stricken mother who seeks revenge after her son drowns at a summer camp. There will be blood. — G.B.

‘The Diplomat’ Season 4, Oct. 15 (Netflix)

Keri Russell as Kate Wyler, Rufus Sewell as Hal Wyler and Allison Janney as Grace Penn in Season 4 of “The Diplomat.”

(Netflix)

For those of us who stay ready for the Kate Wyler 2028 campaign, it’s time to lock in. The highly competent, intensely impulsive, deeply flawed and incredibly relatable political power player with unapologetically messy hair is back to clean up more backroom deals and betrayals, volatile international crises and unstable government leadership — all while managing a topsy-turvy marriage tangled up in it. The fourth season picks up directly after the Season 3 finale cliffhanger, where Kate (Keri Russell) learned that her husband, Vice President Hal Wyler (Rufus Sewell), and President Grace Penn (Allison Janney) secretly conspired to steal a Russian nuclear weapon. The new season will explore the fallout and tension in domestic and international relationships, and the marital strife in between. Somehow, political chaos feels good in a show like this. — Yvonne Villarreal

‘Nocturne,’ Oct. 30 (Apple TV)

Stephen Graham and Liev Schreiber in Apple TV’s “Nocturne.”

(Dennis P. Mong Jr / Apple TV)

Stephen Graham plays the diabolically cunning serial killer Jurek Walter in “Nocturne,” a chilling psychological thriller that promises “Hannibal”-level creepiness (as in the film). The 10-episode drama stars Liev Schreiber as Jonah Lynn, a former soldier turned homicide detective who moves to a small town in western Pennsylvania after working the tough streets of Philadelphia. But the peace and quiet he hoped for is shattered when his family is targeted by Jurek. Lynn’s surrogate daughter, FBI Agent Saga Bauer (Zazie Beetz), steps in the fray, upping the stakes. Based on Lars Kepler’s crime novels “Lazarus” and “The Sandman,” the series also stars Bill Camp, Rory Culkin, Poorna Jagannathan, Chrissy Metz and Gary Carr. The cast alone should make “Nocturne” a killer thriller, but we’ll have to wait until October to see if it slays. — L.A.

‘Yellowjackets’ Season 4, Nov. 20 (Paramount+)

Sophie Thatcher as teen Natalie in the finale of Season 3 of “Yellowjackets.”

(Paramount+ with Showtime)

At the end of Season 3, “Yellowjackets” gave us an on-the-nose cliffhanger: We see young Natalie (Sophie Thatcher) reach a cliff, satellite phone in hand, as Aerosmith’s “Livin’ on the Edge” plays. She screams into the receiver, “Can anyone hear me?” Response: “I can hear you.” Over the past three seasons, the Yellowjackets, the New Jersey girls soccer team lost in the Canadian wilderness after a plane crash, have been trying to survive harsh weather, a lack of food and medical care — and one another. It appears we’ll finally get to see them rescued, based on the recent trailer for the new season, as well as the aftermath. The series, created by Ashley Lyle and Bart Nickerson, was originally pitched as a five-season arc, but they announced last year that Season 4 would be the last. The dual timelines in the show, where we see the survivors as teenagers and adults, have felt disconnected at times, but let’s hope this season finally offers clarity. — M.G.

‘Dig,’ Nov. 23 (Peacock)

Hugh Laurie as Neville and Amy Poehler as Elise in Peacock’s “Dig.”

(Colleen Hayes / Peacock)

A new comedy series starring Amy Poehler that she co-created with “Parks & Recreation” executive producer Michael Schur? Sign me up! The workplace at the center of “Dig” is an excavation site in Greece, where Poehler’s Elise is among a team of archaeologists that unearths a rare artifact. According to the logline, this discovery kicks off an “adventure of a lifetime” — and I’m curious what that might mean for people whose careers presumably involve carefully sifting through old dirt all day. The show also stars Hugh Laurie as Neville, a British archaeology professor, as well as Geraldine Viswanathan, Antonia Thomas and Fina Strazza. The series is based on Kate Myers’ novel “Excavations,” and in the book, the four central women have their own issues and hang-ups and don’t really get along, at least initially. If there’s anyone I trust to mine comedy gold with that setup, it’s Poehler and Schur, who is co-showrunning with J.J. Philbin. — T.B.

‘Blade Runner 2099,’ Nov. 25 (Prime Video)

Hunter Schafer as Cora in Prime Video’s “Blade Runner 2099.”

(Clay Enos / Prime)

Having slept on the franchise’s previous sequel, “Blade Runner 2049,” I find myself quite excited by the prospect of this tale of biological and synthetic life forms in a smoggy, next-millennium Los Angeles, not least (and likely most) because Michelle Yeoh stars in it. Yeoh plays an aging replicant detective in search of rogue replicants — here, in a “Planet of the Apes” style twist, the world has turned upside down, with the artificial life forms in power and the people powerless. Hunter Schafer plays Yeoh’s partner, a human masquerading as a replicant. (As to L.A., you will not recognize the old place, which in any case was created in Prague and Barcelona.) — R.L.

‘The Hunting Wives’ Season 2, Nov. 26 (Netflix)

Malin Akerman as Margo, left, and Brittany Snow as Sophie in Season 2 of “The Hunting Wives.”

(Netflix)

For those who are watching the show for the plot, get ready to yeehaw about all the melodrama that’s about to hit your screen. Following its massive breakout success on Netflix, the series about East Texas socialites is back for a twisty and steamy eight-episode second season that will no doubt launch a heavy helping of memes, GIFs and explicit fanfics. For the uninitiated, the series based on May Cobb’s bestselling novel follows Sophie (Brittany Snow), a married East Coast liberal who moves to a wealthy Texas town and immediately becomes infatuated with Margo (Malin Akerman), the local queen bee of a clique of conservative women who have a knack for behaving badly. Their toxic, lusty friendship and the show’s crime mystery subplots had viewers hooked. After the chaotic events of the Season 1 finale, the new episodes pick up with Sophie and Margo on the outs but pulled back into another dangerous game of cat and mouse that will make their situationship all the more complicated and angsty. But fear not, Margo’s wig remains a comforting presence through it all. — Y.V.

‘Harry Potter and the Philosopher’s Stone,’ Dec. 25 (HBO)

Ron (Alastair Stout), Harry (Dominic McLaughlin) and Hermione (Arabella Stanton) in HBO’s “Harry Potter and the Philosopher’s Stone.”

(Aidan Monaghan / HBO)

In the U.K., Christmas Day telly is a much bigger deal than it is in the U.S., which may be why HBO decided to launch its new “Harry Potter” series, beginning with the U.K.-titled eight-episode “Harry Potter and the Philosopher’s Stone,” on Dec. 25. “Highly anticipated” doesn’t even begin to cover it; a quarter century since the film versions began lighting up the box office, the story of “the boy who lived” continues to entrance fans old and new. Starring newcomers Dominic McLaughlin as Harry Potter, Alastair Stout as Ronald Weasley and Arabella Stanton as Hermione Granger, the series promises a richer, more detailed adaptation of the books, along with a more contemporary feel. With John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Nick Frost as Hagrid and Paapa Essiedu as Severus Snape, the cast is just as formidable and star-studded as the films. And with a reported $58-million price tag, the production values should burn just as brightly, especially at Christmas. — M.M.

‘North of North’ Season 2, Fall 2026 (Netflix)

Anna Lambe as Siaja in Season 2 of “North of North” on Netflix.

(Netflix)

No news regarding the coming fall season has made me happier than the return of this sunny, aspirational Indigenous comedy, set in a small town among the Inuit people in Nunavut, Canada’s northernmost territory. A luminous Anna Lambe plays Siaja, who in the first season went a long way toward finding herself in a life bounded by a narcissist husband (estranged, but always around), a once-difficult mother, a rambunctious child, a new love interest, a surprising father, a capricious yet not uncaring boss (Mary Lynn Rajskub) and a mythological sea spirit — in other words, lots to go on in a second season. (For even more Canadian content: “Kids in the Hall” alum Bruce McCulloch joins the cast as a first-aid instructor.) — R.L.

‘Pride and Prejudice,’ fall 2026 (Netflix)

Lizzie (Emma Corrin), Jane (Freya Mavor), Mrs. Bennet (Olivia Colman), Lydia (Rhea Norwood), Mary (Hopey Parish) and Kitty (Hollie Avery) in Netflix’s “Pride and Prejudice.”

(Ludovic Robert / Netflix)

Every generation gets its own Mr. Darcy. Experiencing Jane Austen’s most famous work — whether on the page or on the screen — is a cultural rite of passage for many young women. The 1995 BBC miniseries starring Jennifer Ehle and Colin Firth, and the 2005 film starring Keira Knightley and Matthew MacFadyen, are the two definitive, most popular screen adaptations of the classic novel, often drawing fierce debate from enthusiasts about which is better. (Sorry, but that misty sunrise walk by MacFadyen’s Mr. Darcy changed lives — namely, mine — and will always give the 2005 version a slight edge in my eyes.) Now, the classic novel is getting its streaming-era adaptation. Written by bestselling author Dolly Alderton (“Good Material”), the six-part limited series promises to be a faithful adaptation. Emma Corrin (“The Crown”) and Jack Lowden (“Slow Horses”) take the mantel as the original and ultimate enemies-to-lovers couple, Elizabeth Bennet and Mr. Darcy. Will it live up to its predecessors? Will it capture Austen’s witty text and unforgettable scenes of yearning? I don’t know. But I’m going to watch it anyway because — I mean, come on — it’s “Pride and Prejudice” and I’m just a girl who’s always on the lookout for slow-burn tension and hand-flex close-ups. I’m preparing myself now for the hours of sleep I’ll lose getting sucked into the TikTok discourse about it. — Y.V.

The new housemate has quickly become a frontrunner to win the ITV2 show

A Big Brother housemate looks almost unrecognisable in a snap taken before she found fame.

The ITV2 reality show originally welcomed 16 contestants into the famous house last month, but two new faces have just joined the chaos. East Londoner Twinks entered the house last Friday (October 2), alongside teaching assistant Catrin.

Fashion stylist Twinks has quickly become a fan favourite, although she struggled to bond with some of her co-stars straight away. She has quickly built a reputation for her eye-catching style and it seems to have started long before viewers met the reality star.

In a throwback snap shared by her close friend Louise O’Mahony, the Big Brother housemate is seen with pink hair, a far cry from her current blonde look.

The picture was posted by her fashion designer ‘best friend,’ whose designs have actually made it into the Big Brother house. Louise has revealed online that Twinks has been wearing outfits from her clothing brand on the show.

Louise also shared a sweet tribute about their friendship, writing on Instagram: “If you told me 13 years ago that Twinks would go into the BB house I honestly …wouldn’t be surprised.

“She has entered the Big Brother house as a new housemate of 2026!! Thank god frankly, because that house needs some sparkle and whimsy injected into it ASAP! Who better to bring the vibes back up than the Queen of charisma, curator of colour, the Party Princess!”

The heartfelt statement continued: “One of the last things she said to me was “I’ll do anything to make my friends laugh” well, here we are…Who knows what chaos might come in the next few weeks! For any friends and fans seeing this, she’s going to need us to get behind her, sing her praises in the comments and make sure she doesn’t get voted off in any public votes.”

Twinks was immune from nominations during her first week in the house, but housemates will be free to put her up for the public vote during the next nomination vote. She has so far been a popular with the likes of Rob, Harry, Pauline and Sam.

But she initially failed to win over Rochelle,57, and Philip,53, who were sceptical about the Londoner from the moment she walked into the house. And it seems Twinks already anticipated some tension with the “mature members of the house”.

Just before joining the show, she told ITV: “I’m apprehensive about meeting the more mature members of the house from what I’ve seen. We’ve got a lot of youngers in there and I tend to go into big sis, mummy mode with youngers. I’m surprised at the more mature members of the House.”

On the flip side, the 36-year-old knew who she would instantly click with. “I’m excited to meet Rob and Sam – I think that’s where you’ll find me. I’m a silly goose in high glam,” she said. “I really have no interest in talking shit behind people’s backs or being shouted at. I do not want to be shouted at. I just want to sing some show tunes!”

Big Brother continues tonight at 9pm on ITV2 and ITVX

Johanne has addressed Big Brother viewers for the first time since leaving the iconic house

A controversial Big Brother star has been flooded with support following their eviction.

Last week (October 2), Johanne Cade was the third Big Brother housemate to be evicted from the show after going head-to-head with Rochelle in the public vote. The pair had continued to clash and butt heads since the start of the show last month, with explosive rows often breaking out.

Viewers would take sides on who they believed was in the wrong at the time, with many complaints pouring in to Ofcom. Johanne herself was issued a formal warning from Big Brother after a particularly explosive row with Rochelle, in which Big Brother deemed her “tone and body language as unacceptable”.

But the star remains a talking point, as some viewers say she should return to the iconic house and that she should not have left in the first place. But despite her exit, the chaos and drama persist as tensions rise.

Nowadays, after leaving the show, Johanne has spoken out about her time in the iconic house as she is seen fighting back her tears in an emotional social media clip.

Taking to TikTok, Johanne shared a video captioned: “Still taking it all in. Thank you for loving me, laughing with me, and embracing every bit of JOHANNE.

“The love you’ve shown me means more than you know. Thank you for seeing me. P.S. This is my ONLY official page. Please report any fakes.”

In the clip, the star became emotional as she said: “I don’t want to cry, so I actually wrote this down so I can just say it in one take. To every single person who watched me, supported me, defended me, laughed with me, shouted at the TV because of me, voted for me and allowed me to be unapologetically Johanne, thank you.”

Fighting back tears, she added: “Walking into the Big Brother house was one of the craziest most incredible experiences of my life. I went in there determined to be myself. Loud, opinionated, emotional, glamourous, messy, funny and completely imperfect and I wouldn’t change a thing.”

Speaking about the “overwhelming support” after the show, Johanne then broke down in tears as she said: “It has meant more to me than you guys will ever know.

“I may have left the Big Brother house, but trust me, I am just getting started. There is so much more to come.” The Big Brother star then fought back tears as she admitted she “would not change a thing” and thanked her supporters once more.

The support came pouring in as one person wrote: “Girl, we need you to get a (good) agent so you can stay on our screen!” Another said: “YOU WERE SOOOOO FUNNY. That house is boring now.”

A third commented: “You are the peoples winner”, as a fourth added: “You are the greatest housemate in 20 years and you deserve the world.”

A fifth replied: “OMGGGG IS IT REALLY YOUUUU JOHANNE I WANTED YOU TO WIN IVE BOYCOTTED BIG BROTHER I STOPPED WATCHING IT NOW YOURE GONE I ONLY STARTED BECAUSE OF YOU, I saw your Aries tattoo so if you are than girl slaaaàaaaaayyy wanna see more of you but girl I love you so much.”

Over on Instagram, Johanne received support from famous faces including Alison Hammond and former Big Brother star Kerry Riches.

Big Brother continues tonight at 9pm on ITV2 and ITVX