Brian

The L.A. billboard magnate whose name hung over the entrance to USC’s practice football field for a quarter century is suing the school for building a new, $200 million facility over top of it.

Brian Kennedy, a former whose company Regency Outdoor Advertising owns billboards all over Los Angeles, claims in the lawsuit that USC breached its contract by demolishing the practice field to build the Bloom Football Performance Center, which is set to open early next month. The arrival of the state-of-the-art facility and erasure of a field that featured the name of Kennedy and one other donor, according to a complaint obtained by The Times, has caused him “reputational harm,” “embarrassment” and “humiliation.”

“For more than two decades,” the complaint states, “the Field stood as a visible acknowledgment of [Kennedy’s] extraordinary contributions to [USC] and the lasting relationship between [Kennedy] and the University.”

Kennedy was one of USC’s most visible and vocal boosters during its glory years under football coach Pete Carroll. In recent years, Kennedy had also used his billboards to demand the return of former USC running back Reggie Bush’s Heisman Trophy.

But his relationship as a big-time donor to Trojan athletics really began in 1998, when USC was desperate to build a new practice field for new football coach Paul Hackett.

Kennedy told The Times in 2023 that the school came to him after it had trouble finding another wealthy booster to foot the bill. To that point, he’d only made smaller contributions, primarily to the club hockey and golf teams. But eventually, the school convinced Kennedy to fork over $400,000 for the field, under the condition, he said, that he control all aspects of the construction. He also later paid to add turf and an electronic scoreboard to the field.

He also later paid to add turf and an electronic scoreboard to the field.

Kennedy and USC officially entered into an agreement to construct the field in April 1998. According to the complaint, the original agreement to name the field “and any expansion of it” after Kennedy was intended to remain in effect “for the life of the field.”

The original agreement, according to Kennedy, was for the terms of the agreement to remain “for a period of 50 years.” But that language, the complaint notes, was struck from the agreement before the final agreement was drafted a week later.

How the “life” of Howard Jones and Brian Kennedy Field is defined will be especially important to the case. USC has made changes to the practice field and reconfigured it since its original construction. A person familiar with the school’s thinking but not authorized to speak publicly told The Times that the school plans to argue the field had outlived its usefulness.

USC defensive coordinator Gary Patterson directs players during a practice at Howard Jones and Brian Kennedy Field on March 10.

(Robert Gauthier/Los Angeles Times)

Kennedy did meet with USC officials at one point to try to find a “a mutually acceptable means of preserving and honoring the recognition previously afforded and promised to [him].” But he ultimately felt that USC wasn’t offering “comparable recognition” to his original investment in building a field he saw as part of his legacy.

Now, he’s suing USC for promissory estoppel, fraud, breach of the covenant of good faith and fair dealing and negligent misrepresentation. Kennedy says in the filing that righting the wrong would mean “enforcement of USC’s promises” as well as “appropriate relief for the plaintiff.”

Even with the new facility opening, the plan at USC, according to a person familiar with the situation, had been to keep the west entrance to the practice field which bears Kennedy’s name, known as Goux’s Gate, untouched. The school also plans to add a plaque to the facility that denotes that it stands on the ground where Brian Kennedy Field once stood.

That wasn’t enough for Kennedy, who says the school has acted “willful, malicious, oppressive, fraudulent” and “despicable” as it planned its facility improvements.

During interviews with The Times in 2023 and 2024, Kennedy expressed a deep love and affection for his alma mater. But for more than a decade, his relationship with USC has been complicated, to say the least.

It first soured over a decade ago, during the tenure of athletic director Pat Haden. Where Kennedy was close to his predecessor, Mike Garrett, he did not get along with Haden. Kennedy was a major proponent of former Trojan assistant Ed Orgeron, who led USC on a magical, late-season run as interim coach in 2013 — and who was infamously passed over for the job in favor of Steve Sarkisian.

Kennedy told The Times he also clashed with Haden’s successor, Lynn Swann, over pledged funding for the Galen Center.

His complaint states that Kennedy, in total, has contributed over $4 million to USC.

Former USC athletic director Mike Bohn made inroads with Kennedy, meeting with him for lunch multiple times. But Kennedy told The Times he felt the same effort hadn’t been made by Bohn’s successor, Jennifer Cohen.

The practice field naming rights proved to be the last straw in what was already a fraught relationship with USC.

The full line-up for Celebrity Hunted on Channel 4 has been released, with stars from Strictly Come Dancing, EastEnders, Love Island and more battling the Hunters.

Celebrity Hunted is officially returning to our screens, with a fresh batch of stars going on the run to help raise money for Stand Up To Cancer.

More than a decade after the first series of Hunted aired on Channel 4, the hit show will be returning to our screens very soon – as a string of famous faces will become fugitives in August.

EastEnders icon Brian Conley will be competing with his daughter Lucy, while Strictly Come Dancing stars Amy Dowden and Carlos Gu are also hoping to go unnoticed by Ray Howard and his “elite team of Hunters”.

Love Islanders Chris Taylor and Toby Aromolaran will be taking part, beside JJ Chalmers and Sophie Morgan, and presenters and siblings Scarlette and Stuart Douglas. Comedians Jen Brister and Laura Smythe also make up the line-up.

The celebrity pairs will have to “vanish into mainland Britain, cutting themselves off from the lives – and the fame – they’ve always relied upon. For 14 relentless days they must stay hidden, think fast and trust no one because the moment they leave a trail, the hunt is on.

“In a world where almost every movement leaves a footprint, can these celebrity fugitives escape the glare of the spotlight and remain under the radar, or will the Hunters bring every fugitive into custody before the 14 days are up?”

While Hunted first aired in 2015, the celebrity version began two years later – The Wanted singers Jay McGuinness and Siva Kaneswaran outwitted the Hunters to take home the crown in 2017.

The most recent season aired at the beginning of last year, with Christine McGuinness and Duncan James defeating the Hunters.

Shedding light on the upcoming season of Celebrity Hunted, which will begin filming next month, Factual Entertainment Commissioning Editor for Channel 4 Ian Dunkley said: ”When celebrities go on the run and are forced to engage the help of us mere mortals, chaos and comedy inevitably ensue.

“Hunted down by a motivated team of police and security professionals, this series reveals what it takes to remain hidden when everybody knows what you look like.’’

Matt Bennett, Director of Programmes for Shine TV, added: “Celebrity Hunted is the only TV series – alongside its cousin, Hunted – which continues to remind us of the powers of the state in an entertaining and engaging way.

“This is our most ambitious series yet, beginning with a breathtaking aerial launch amongst the skyscrapers of London, then a daring escape at the end of the run for any who evade capture… with a great deal of entertaining mischief in between.”

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After the total failure that was Mexico’s participation in the Qatar 2022 World Cup, where they were eliminated in the group stage, the future looked very dire for “El Tri.” By 2024, the situation had worsened after another international failure at the Copa América. The 2026 World Cup co-hosts had even more pressure now. In a crisis-control move, the Mexico Football Federation opted to bring back its proven problem solver, head coach “El Vasco” Javier Aguirre, for a third stint.

In a short time, Aguirre was able to shape “El Tri” into a competitive squad by breaking from his usual approach. The man who shockingly demoted then-24-year-old goalkeeper Guillermo “Memo” Ochoa in favor of a more experienced player prior to the 2010 World Cup was now relying on upstarts.

Aguirre’s 26-man roster for the 2026 World Cup features 14 debutants on soccer’s grandest stage.The crown jewel of this nucleus is undoubtedly 17-year-old wonderkid Gilberto Mora, but there are also two American-born players who are also expected to become pillars of the team: Brian Gutiérrez, from Berwyn, Ill., and Obed Vargas, from Anchorage, Alaska.

Under Article 30, Section A, Part II of the Mexican Constitution, individuals born abroad are considered Mexican by birth if they are children of Mexican parents — a Mexican mother or a Mexican father. Gutiérrez’s parents are from San Juan de los Lagos, Jalisco, while Vargas’ father is a native of Morelia, Michoacán, and his mother was raised in Mexico City.

“Obviously, I’m taking it day by day and just trying to enjoy the experience,” said Gutiérrez about the opportunity to play for Mexico at the World Cup. “I talk about it a lot with my friends and family. Honestly, it’s amazing… I’m just living in the moment.”

Gutiérrez, 22, and Vargas, 20, are not the first players born in the United States to represent Mexico in a World Cup. That distinction belongs to Miguel Ponce and Isaac Brizuela, who were both born in California and part of the 2014 squad. But the comparisons largely end there.

Unlike Ponce and Brizuela, Gutiérrez and Vargas were fully raised in the United States and went through their entire soccer development on American fields. Ponce and Brizuela were also fringe contributors; they didn’t see any minutes in Brazil 2014.

Meanwhile, Gutiérrez and Vargas are already getting important playing time with the national team. Both were part of Mexico’s historic group stage where, for the first time in history, the team won all three of its games. Gutiérrez was a starter against South Africa and South Korea, while Vargas came off the bench to help preserve the 1-0 lead over South Korea.

Their protagonism in Aguirre’s squad could also signal another new era for the Mexican national team — one in which Mexican American players are just as vital as those born on Mexican soil.

“Brian and Obed are two young players of Mexican heritage. They are very talented players who have made great progress recently. We called them up, and they convinced us with their performances,” said Aguirre prior to the tournament. “I believe there are many Mexican American players who, in the future, will continue strengthening Mexico’s youth national teams, including the women’s side. That makes me happy because they were not born in Mexico, yet they have a deep love for the country and have shown it by choosing to represent us.”

Both Gutiérrez and Vargas are also products of MLS academies.

Gutiérrez, a skillful and dynamic attacking midfielder, rose through the ranks of Chicago Fire’s youth system and made his senior debut in 2020. In December, he moved to storied Liga MX club Chivas, his childhood team. It took time for Gutiérrez to establish himself as a starter for Gabriel Milito’s squad, but his game-changing talent was there — enough to catch the eye of “El Vasco.”

Vargas, a box-to-box midfielder, developed through the Seattle Sounders youth system and debuted with the senior team in 2021. A strong showing against Atlético de Madrid in the 2025 Club World Cup led to the Spanish club adding him to its roster this February. This move also put him in Aguirre’s World Cup plans.

“Playing for Mexico at the World Cup is a dream come true for all Mexican American kids,” said Vargas. “Obviously, with the World Cup being in both countries, it’s special to me. I have connections and ties to both countries.”

For so long, it was said Mexican American players just could not earn a place with Mexico at the international level. Players like Édgar Castillo and Alejandro Zendejas — born in Juárez but raised in El Paso — represented “El Tri” up to the U-23 level, then switched and played for the U.S. Jonathan González (Santa Rosa, Calif.) represented the U.S. at youth level and then chose Mexico, but after a few call-ups he fell out of the picture.

But in this World Cup cycle, Mexican American players have stood out more than ever.

Aguirre’s preliminary 55-man World Cup roster included six Mexican American players. Richard Ledezma (Phoenix), Efraín Álvarez (Los Angeles), Jorge Ruvalcaba (Rialto), and Julián Araujo (Lompoc, Calif.) ultimately missed the final cut. Of the four, Ledezma and Araujo came closest to making the team, but for different reasons fell short.

Vargas believes it was only a matter of time before the talent broke through.

“I think Mexican American players have always been there. The quality has always been there. Obviously, the growing passion for the sport in the United States has helped fuel the development of many of those players,” said Vargas. “I think it’s amazing to see so many Mexican Americans doing well with the national teams of both the United States and Mexico. Dreams come true for kids, and that continues to inspire the next generation of Mexican American players coming through in the U.S.”

Gutiérrez and Vargas, like many standout Mexican American players over the last 15 years, began their paths with “El Tri” amid a long-standing tug-of-war between their birth country and the country of their parents. The Mexico men’s national team and their U.S. counterparts have increasingly become rivals, both on the field and in recruiting dual-national players.

For Mexico, the United States now represents a prime area for scouting outside its territory. According to the Migration Policy Institute’s (MPI) tabulation of data from the U.S. Census Bureau’s 2022 American Community Survey, approximately 38.8 million U.S. residents were either born in Mexico or reported Mexican ancestry or origin.

Not only do Mexican American players expand the national team’s talent pool, but as some argue, they also bring a different element that can be a major advantage for the program.

Former Mexico youth coach and current Guatemala coach Luis Fernando Tena recently raised eyebrows in an interview with ESPN Deportes by stating that Mexican American players possess qualities that can set them apart from homegrown Mexican players.

“They have an American mindset. They grew up with that mentality and with good nutrition, and that makes them different,” said Tena, who led Mexico’s U-23 team to the gold medal at the 2012 London Olympics. “They are more disciplined, work harder, and are more focused — something that we sometimes don’t always find in many Mexican-born players.”

Gutiérrez and Vargas started their international careers representing Team USA at youth level, but FIFA’s one-time switch rule allowed them to change allegiances.

Vargas said he chose Mexico because he simply “followed his heart.” His love for his heritage and the Mexican national team outweighed everything else.

As for Gutiérrez, he was motivated to make the change because his time at Chivas convinced him. In Liga MX, the club has been at the forefront of tapping into the Mexican diaspora in the U.S. Their long-standing “Mexicans-only” policy limits the club’s talent pool when acquiring players. Because of this, Mexican American players are becoming a vital lifeline for Chivas.

“As soon as I arrived at Chivas, I knew my decision was to represent Mexico because we play with 100% Mexicans, that’s just how it is,” said Gutiérrez.

Opportunity may have also played a major role in Gutiérrez’s and Vargas’s “one-time switch” decisions. Both had no clear pathway into the U.S. senior squad, while Mexico offered a clearer route — and a chance at the 2026 World Cup.

In a 2023 interview, El Paso native Ricardo Pepi, who made the one-time switch from Mexico to the U.S., said on the Men in Blazers podcast that his decision was influenced by the fact that the U.S. had him in mind for the senior squad, while “El Tri” did not.

“It was just easy to decide. The U.S. wanted me to join them in World Cup qualifiers, which is a big deal,” said Pepi. “It’s a unique opportunity, being at a World Cup, and something I didn’t even have to think about because Mexico wanted me for the U-20s and eventually the first team. I was like, ‘I’m past that.’”

Although Gutiérrez and Vargas chose Mexico and embrace their parents’ culture, their duality is still present. They carry their communities with them.

A year ago, when aggressive ICE raids and mass deportations swept through many immigrant communities in the United States, particularly Mexican immigrant communities, a visibly frustrated Aguirre refused to comment on the situation, saying he was “apolitical” and not “a spokesperson” for the Mexican people.

This was not the case with Gutiérrez and Vargas, who both addressed questions about the ICE raids during Mexico’s World Cup media day in Pasadena, where they switched seamlessly between English and Spanish.

Gutiérrez answered without hesitation. His hometown of Berwyn is a suburb of Chicago, a city that in September was targeted by “Operation Midway Blitz,” a major federal immigration enforcement surge. According to the Chicago Tribune, between 3,800 and 4,500 individuals were detained or arrested during the operation.

Gutiérrez’s words reflected the strain felt throughout his community.

“It’s been a hard, hard year for us,” Gutiérrez said. “It’s affected a lot of families, and I take playing for Mexico with great pride and hope to show it on the field.”

It’s no secret that a large part of Mexico’s fanbase is composed of Mexican Americans. They are the ones who help fill massive NFL stadiums for “El Tri’s” annual MexTour, a slate of mostly inconsequential friendly matches that are often seen as a cash grab for the Mexican Football Federation. The presence of standout players like Gutiérrez and Vargas is a major development for this segment of the fanbase.

By featuring players with shared cultural experiences and struggles, the connection between the Mexican diaspora in the U.S. and “El Tri” can only strengthen. The ties now go beyond simply sharing the same roots; Mexican Americans can now gravitate toward a team with players who represent their dual identity. And this can bring a true sense of belonging.

Sources claim the cheeky chaps have joined the new series, set in Canada, that will air as part of the celebration to mark 25 years of I’m A Celebrity…

Brian McFadden and Keith Duffy have reportedly become the first stars lined up for ITV’s brand new I’m A Celebrity… Get Me Out Of Here! spin-off.

The Westlife singer, 46, and Boyzone star, 51, are said to have agreed to take part in The Wild Frontier, a new version of the hit reality show which is expected to begin filming in Canada later this year.

Unlike the Australian series, the spin-off will see celebrities competing in pairs, with friends, relatives and couples taking on Bushtucker-style trials together before facing elimination as a duo.

The show is reportedly due to air in 2027, as part of celebrations marking 25 years of I’m A Celebrity – which first hit our screens in August, 2002.

According to The Sun, the long-time friends have signed lucrative deals to appear in the series, with a source claiming: “Bosses are delighted that Keith and Brian will be taking part, they’ll each bring a lot of fun and mischief to the camp.”

The insider added that producers are excited by the new format, claiming it is expected to get viewers talking as famous duos battle it out together.

Rather than competing individually, contestants will reportedly tackle challenges as pairs, working together to win food and survive eliminations before one winning duo is crowned.

The Sun also reports that casting teams are hoping to secure a mix of celebrity friends, couples and famous faces alongside their non-famous relatives or partners.

Filming is expected to take place in Canada’s Callaghan Valley, near Whistler Olympic Park, replacing the Australian jungle for the special spin-off series.

The area is known for its rugged wilderness and is home to wildlife including grizzly bears, black bears and mountain lions, providing a dramatically different backdrop for the celebrity survival show.

Brian already has a link to the I’m A Celebrity franchise through his former wife Kerry Katona, who was crowned Queen of the Jungle in 2004.

Meanwhile, the main I’m A Celebrity… Get Me Out Of Here! series will continue to be filmed in Australia as normal later this year.

The Mirror has contacted ITV, Brian McFadden, and Keith Duffy for comment.

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Nsemba, Havard, Thompson, Walters, O’Neill, Wardle, H Smith, Eckersley (all Wigan Warriors), Watkins, Oledzki, Handley, Connor (all Leeds Rhinos), Currie, Walker, Williams, Ashton (all Warrington Wolves), Pearce-Paul (Wests Tigers), Hadley, Litten, Lewis (all Hull KR), Smithies, J Brailey (both Canberra Raiders), Radley, B Smith (both Sydney Roosters), Brimson (Gold Coast Titans), Welsby, Walmsley, Clark, Robertson (all St Helens), Knowles, Farnworth (both Dolphins), McMeeken, Hamlin-Uele, Trueman, Johnstone (all Wakefield), King (Canterbury Bulldogs), Talty (Brisbane Broncos), Young (Newcastle Knights).

Brian Lindstrom, a filmmaker whose documentaries shined a light on society’s underdogs and inspired social change, has died. He was 65.

Lindstrom’s wife, author Cheryl Strayed, confirmed the news on Instagram Friday.

“Brian Lindstrom died this morning the way he lived — with gentleness and courage, grace and gratitude for his beautiful life,” she wrote. “Our children, Carver and Bobbi, and I held him as he took his last breath and we will hold him forever in our hearts. The only thing more immense than our sorrow that Progressive Supranuclear Palsy took our beloved Brian from us is the endless love we have for him.”

According to the National Institute of Neurological Disorders and Stroke, PSP is caused by damage to nerve cells in areas of the brain that control thinking and body movements. The rare neurological disease progresses rapidly.

Strayed, who penned the bestselling memoir “Wild,” which was later adapted for the big screen and starred Reese Witherspoon, announced just weeks ago that Lindstrom had been diagnosed “with a serious, fatal illness.”

Lindstrom was born Feb. 12, 1961. The son of a bartender and a liquor salesman, he was raised in Portland, Ore. — which he and his family still called home.

He was the first member of his family to attend college, which he paid for by taking out student loans, landing work-study jobs and working summers in a salmon cannery in Cordova, Alaska. During a 2013 TEDx Talk, Lindstrom said that after he’d exhausted all the video production classes at Portland’s Lewis & Clark College, his professor Stuart Kaplan gave him a gift certificate to a class at the Northwest Film Center. There, Lindstrom made a short film about his grandpa that landed him a spot in the MFA program at Columbia University.

It was a train trip with his grandpa that inspired Lindstrom to tackle challenging topics with a lens that restored dignity to his subjects. His grandpa was a binge-drinker, and on day three of the trip, he woke up with a hangover and was missing his dentures. Lindstrom, only 5 at the time, noticed the way other passengers treated him and his grandpa differently.

“I think what my films are about is that search for my grandfather’s dentures, the humanizing narrative that bridges the gap between us and them and arrives at we,” he said.

Lindstrom said he returned to Portland after film school and “did several projects with the Northwest Film Center that had me putting a camera in the hands of kids on probation, homeless teens, newly recovering addicts, hard-hit people who had hard-hitting stories to share.”

“Those projects taught me so much about the transformative power of art, and they gave me permission I felt in my personal films to ask people if I might follow them, so that an audience could better understand what they were going through, and by extension, better understand themselves,” he said.

Lindstrom’s 2007 award-winning cinéma-vérité-style film, “Finding Normal,” followed long-term drug addicts as they left prison or detox and tried to rebuild their lives with the help of a recovery mentor.

“What I’m most proud about is that ‘Finding Normal’ is the only film to ever be shown to inmates in solitary confinement at Oregon State Penitentiary, and not, I might add, as a punishment,” Lindstrom said.

In 2013, he released “Alien Boy: The Life and Death of James Chasse,” a documentary that illuminated the life of a man who grappled with schizophrenia and examined his death, which happened in police custody. Discussing the film with LA Progressive in 2018, Lindstrom said that he doesn’t make films for audiences.

“I make them for the people in the film. It is my small way of honoring them,” he told the outlet. “That doesn’t mean I don’t delve into dark areas or that I ignore that person’s struggles. I’m much more concerned with trying to achieve an honest depiction of that person’s life than I am with any potential audience reaction.”

Lindstrom’s work aimed to inspire empathy and humanize those suffering in the margins of society, but it also catalyzed policy change. His acclaimed 2015 documentary, “Mothering Inside,” followed participants in the Family Preservation Project (FPP), an initiative helping incarnated moms establish and maintain bonds with their children.

Midway through filming the documentary, the Oregon Department of Corrections announced it planned to nix funding for the FPP. Lindstrom hosted early screenings of the film, which inspired grassroots advocacy that reached then-Gov. Kate Brown, who subsequently signed legislation that restored funding. The film’s release also helped make Oregon the first state in the U.S. to pass a bill of rights for children of incarcerated parents.

Partnering with Strayed, Lindstrom made the documentary short, “I Am Not Untouchable. I Just Have My Period,” for the New York Times in 2019. The film highlighted the experience of teen girls in Surkhet, Nepal, and the menstrual stigma they faced. Most recently, the filmmaker released, “Lost Angel: The Genius of Judee Sill,” which examined the folk-rock singer’s life from her traumatic childhood and drug-addled adolescence through her rise in the Laurel Canyon music scene and untimely death.

Lindstrom, discussing “Judee Sill” and his style as a filmmaker, told Oregon ArtsWatch, “It’s the chance to kind of focus on the question: What does it mean to be human? The person that the film is about, what can they teach us, what can we learn from them? What can they learn from themselves?”

In 2017, Lindstrom received the Civil Liberties Award from the American Civil Liberties Union of Oregon for his work advancing civil rights and liberties. That same year, he received the Distinguished Alumni Award from Lewis & Clark College.

In Strayed’s post announcing Lindstrom’s death, she described their more than 30-year partnership as a stroke of “tremendous luck.”

“We loved each other and our kids with deep devotion and true delight. He was a stellar husband. He was the most magnificent dad. He was a man whose every word and deed was driven by kindness, compassion, and generosity,” she wrote. “He saw the goodness in everyone. He believed that we are all sacred and redeemable.

“His work as a documentary filmmaker was dedicated to telling stories of people who, as he put it, ‘society puts an X through.’ He erased that X with his camera and his astonishing heart.”

Strayed’s memoir — which followed her as she hiked 1,100 miles along the Pacific Crest Trail in the wake of her mother’s death, a battle with drug addiction and divorce from her first husband — concludes with a happy ending. She finished the months-long hike and sat on a white bench near the Bridge of the Gods, a stone’s throw from the spot where, she writes, she’d marry Lindstrom four years later.

“His greatest legacy is Carver and Bobbi, who embody everything good and true about their father. Their extraordinary grace, courage, and fortitude during this harrowing time was unfaltering and grounded in the undying love Brian poured into them every day of their lives,” she wrote. “We do not know how we will live without him. We’re utterly bereft. We can only walk this dark path and search for the beauty Brian knew was there. It will be his eternal light that guides us.”