Brian

Brian Lindstrom, a filmmaker whose documentaries shined a light on society’s underdogs and inspired social change, has died. He was 65.

Lindstrom’s wife, author Cheryl Strayed, confirmed the news on Instagram Friday.

“Brian Lindstrom died this morning the way he lived — with gentleness and courage, grace and gratitude for his beautiful life,” she wrote. “Our children, Carver and Bobbi, and I held him as he took his last breath and we will hold him forever in our hearts. The only thing more immense than our sorrow that Progressive Supranuclear Palsy took our beloved Brian from us is the endless love we have for him.”

According to the National Institute of Neurological Disorders and Stroke, PSP is caused by damage to nerve cells in areas of the brain that control thinking and body movements. The rare neurological disease progresses rapidly.

Strayed, who penned the bestselling memoir “Wild,” which was later adapted for the big screen and starred Reese Witherspoon, announced just weeks ago that Lindstrom had been diagnosed “with a serious, fatal illness.”

Lindstrom was born Feb. 12, 1961. The son of a bartender and a liquor salesman, he was raised in Portland, Ore. — which he and his family still called home.

He was the first member of his family to attend college, which he paid for by taking out student loans, landing work-study jobs and working summers in a salmon cannery in Cordova, Alaska. During a 2013 TEDx Talk, Lindstrom said that after he’d exhausted all the video production classes at Portland’s Lewis & Clark College, his professor Stuart Kaplan gave him a gift certificate to a class at the Northwest Film Center. There, Lindstrom made a short film about his grandpa that landed him a spot in the MFA program at Columbia University.

It was a train trip with his grandpa that inspired Lindstrom to tackle challenging topics with a lens that restored dignity to his subjects. His grandpa was a binge-drinker, and on day three of the trip, he woke up with a hangover and was missing his dentures. Lindstrom, only 5 at the time, noticed the way other passengers treated him and his grandpa differently.

“I think what my films are about is that search for my grandfather’s dentures, the humanizing narrative that bridges the gap between us and them and arrives at we,” he said.

Lindstrom said he returned to Portland after film school and “did several projects with the Northwest Film Center that had me putting a camera in the hands of kids on probation, homeless teens, newly recovering addicts, hard-hit people who had hard-hitting stories to share.”

“Those projects taught me so much about the transformative power of art, and they gave me permission I felt in my personal films to ask people if I might follow them, so that an audience could better understand what they were going through, and by extension, better understand themselves,” he said.

Lindstrom’s 2007 award-winning cinéma-vérité-style film, “Finding Normal,” followed long-term drug addicts as they left prison or detox and tried to rebuild their lives with the help of a recovery mentor.

“What I’m most proud about is that ‘Finding Normal’ is the only film to ever be shown to inmates in solitary confinement at Oregon State Penitentiary, and not, I might add, as a punishment,” Lindstrom said.

In 2013, he released “Alien Boy: The Life and Death of James Chasse,” a documentary that illuminated the life of a man who grappled with schizophrenia and examined his death, which happened in police custody. Discussing the film with LA Progressive in 2018, Lindstrom said that he doesn’t make films for audiences.

“I make them for the people in the film. It is my small way of honoring them,” he told the outlet. “That doesn’t mean I don’t delve into dark areas or that I ignore that person’s struggles. I’m much more concerned with trying to achieve an honest depiction of that person’s life than I am with any potential audience reaction.”

Lindstrom’s work aimed to inspire empathy and humanize those suffering in the margins of society, but it also catalyzed policy change. His acclaimed 2015 documentary, “Mothering Inside,” followed participants in the Family Preservation Project (FPP), an initiative helping incarnated moms establish and maintain bonds with their children.

Midway through filming the documentary, the Oregon Department of Corrections announced it planned to nix funding for the FPP. Lindstrom hosted early screenings of the film, which inspired grassroots advocacy that reached then-Gov. Kate Brown, who subsequently signed legislation that restored funding. The film’s release also helped make Oregon the first state in the U.S. to pass a bill of rights for children of incarcerated parents.

Partnering with Strayed, Lindstrom made the documentary short, “I Am Not Untouchable. I Just Have My Period,” for the New York Times in 2019. The film highlighted the experience of teen girls in Surkhet, Nepal, and the menstrual stigma they faced. Most recently, the filmmaker released, “Lost Angel: The Genius of Judee Sill,” which examined the folk-rock singer’s life from her traumatic childhood and drug-addled adolescence through her rise in the Laurel Canyon music scene and untimely death.

Lindstrom, discussing “Judee Sill” and his style as a filmmaker, told Oregon ArtsWatch, “It’s the chance to kind of focus on the question: What does it mean to be human? The person that the film is about, what can they teach us, what can we learn from them? What can they learn from themselves?”

In 2017, Lindstrom received the Civil Liberties Award from the American Civil Liberties Union of Oregon for his work advancing civil rights and liberties. That same year, he received the Distinguished Alumni Award from Lewis & Clark College.

In Strayed’s post announcing Lindstrom’s death, she described their more than 30-year partnership as a stroke of “tremendous luck.”

“We loved each other and our kids with deep devotion and true delight. He was a stellar husband. He was the most magnificent dad. He was a man whose every word and deed was driven by kindness, compassion, and generosity,” she wrote. “He saw the goodness in everyone. He believed that we are all sacred and redeemable.

“His work as a documentary filmmaker was dedicated to telling stories of people who, as he put it, ‘society puts an X through.’ He erased that X with his camera and his astonishing heart.”

Strayed’s memoir — which followed her as she hiked 1,100 miles along the Pacific Crest Trail in the wake of her mother’s death, a battle with drug addiction and divorce from her first husband — concludes with a happy ending. She finished the months-long hike and sat on a white bench near the Bridge of the Gods, a stone’s throw from the spot where, she writes, she’d marry Lindstrom four years later.

“His greatest legacy is Carver and Bobbi, who embody everything good and true about their father. Their extraordinary grace, courage, and fortitude during this harrowing time was unfaltering and grounded in the undying love Brian poured into them every day of their lives,” she wrote. “We do not know how we will live without him. We’re utterly bereft. We can only walk this dark path and search for the beauty Brian knew was there. It will be his eternal light that guides us.”

BRIAN May has been banned from planting daffodils on his village green after the local council said they could pose a safety risk.

The former Queen rocker planned to donate bulbs for his village green in Elstead, Surrey, but the local council have blocked him.

Elstead parish council said the yellow flowers would obstruct the line of sight of nearby traffic.

The authority added that the daffodils would prevent locals crossing the green and disrupt accessibility.

The 78-year-old’s request was therefore rejected as the council said it had “a responsibility to balance community initiatives with safety”.

Speaking to the Farnham Herald, Sir Brian said: “We’re struggling to imagine how 18-inch stalks could [obstruct] anyone’s view, especially when the green is normally surrounded by parked vehicles including a 7ft-high ice cream van.”

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The guitarist hoped the village green would be another success after he previously planted 3,000 bulbs on the green outside St James’s Church.

Jeremy Hunt, the Conservative MP for Godalming and Ash praised “Elstead’s most famous resident Sir Brian May and his brilliant team of planters for supplying and planting the stunning daffodils for Elstead green”.

The council countered that the village green and the church green were “two very different areas”.

It added that the church green was “more amenable to daffodil planting”.

Jenny Littledale, a local resident, said: “How sad that something so lovely has been turned down for such a ridiculous reason.”

Jenny Else, another Elstead resident and former Waverley borough councillor, said the locals wishes hadn’t been considered.

She continued: “Perhaps a vote should have been taken. There has been so much interest in the proposal.”

Ms Else said that when she had seen a sketch of the proposed area for the flowers, she didn’t think sight lines were under threat.

“There is a large area for any community gatherings during the daffodil season and good pedestrian access,” she added.

Sir Brian shared the news on a blog post, he wrote: “I’ve been quite thrilled to get so many happy comments from the village about this year’s display.

“Probably the best part of it all has been the friends I’ve made here in Elstead.

“And of course thanks to our parish council for giving me the permission to donate spring beauty to our community!

“We were all hoping to adorn the main village green for next spring… But sadly the parish council last night rejected my plan.”

A council spokesperson said: “Elstead parish council welcomes and proactively supports community planting and is extremely grateful to the volunteers who put time and care into projects like this.

“The parish council has a duty to balance the practical usage of our green along with the views of our residents.

“The main village green is used in several ways throughout the year. It hosts key community events, is crossed regularly on foot and is valued by some as an open space.

“As a council, we have said that we very much welcome further discussion about these options and thank everyone involved for their enthusiasm and ideas.”

The spokesman told The Telegraph that the issue had been “portrayed in one way when it’s not actually that at all”. The negative response to the ruling got “out of hand” they added.

Brian Kahn was a teenager living in the San Fernando Valley in the 1970s, which meant at 5:30 p.m. every weekday he did what any true sports fan did at that time.

He listened to the radio.

“Is it true? … I am the king … Aw, blow it out! … The dreaded 6 o’clock tone …”

“I had a buddy and his dad used to listen to Jim Healy a lot,” Kahn recalled, “and I caught onto it and loved it and just religiously listened to it every day. He’d talk about horse racing all the time and I knew nothing about it.

“It caught my interest somehow.”

Little did 15-year-old Brian Kahn know that enjoying odd sound effects and rants from Tommy Lasorda and Lee Elia would someday lead him to breeding one of the 20 horses that will start in Saturday’s Kentucky Derby at Churchill Downs (3:57 p.m. PDT, NBC). The Puma, who is 10-1 on the morning line, is a son of Eve of War, a mare Kahn owns with Hidden Brook Farm in Paris, Ky.

After hearing Healy talk about the horses, Kahn began watching the race replays each night on TV. His cousin started taking him to Santa Anita, where he saw Spectacular Bid win the 1980 Strub Stakes in world record time for 1¼ miles and later followed such stars as John Henry.

“It was just so dynamic back then, being at Santa Anita for the big days and there would be 60,000 or 70,000 people there,” he said. “It was amazing.”

Brian Kahn stands alongside a 2026 foal, the daugher of Maximus Mischief, at Hidden Brook Farm in Paris, Ky.

(Courtesy of Brian Kahn)

Kahn, 61, went to Birmingham High School and USC, and decided he wanted to have a career in horse racing. He worked as a hot walker for some trainers, including Gary Jones, read everything about the sport and business he could and learned that unless he wanted to get up at 4 a.m. and be a trainer, he needed to move to Kentucky.

Duncan Taylor from Taylor Made Farm offered him a job, and Kahn got in his car and drove more than 2,100 miles to Nicholasville, Ky., just outside Lexington.

He started working with horses but eventually Taylor thought Kahn was more suited to client relations, or “hustling business” for the farm by convincing owners to board their mares at Taylor Made or sell them.

It was a good beginning, but after three years, Kahn missed California.

“I really should have stayed in Lexington and made a life there for myself, but I ended up coming back,” he said. “But I was able to do business for them from out here.”

Kahn, who lives by the beach in Venice, enjoyed his first major success with Miatuschka, a mare he bought with Taylor Made in the mid-1990s and later sold for $380,000, making “a nice profit.”

“I’ve been doing that ever since,” Kahn said.

Brian Kahn, left; Bryan Cross, center; and Dan Hall are his partners owning Eve at War, the mother of The Puma. They gathered at Hidden Brook Farm in Paris, Ky.

Not every sale works out like that, but Kahn has done well enough to make this his career. He looks to buy fillies and mares that are good broodmare prospects, then either resells them or breeds them and sells the foal.

For the colt that turned out to be The Puma, Kahn thought Eve of War — a daughter of Declaration of War, who was a multiple Grade 1-winner in Europe — had great promise after winning a maiden race. Her career never really took off like he thought, but Kahn believed she would be a good broodmare. When she was consigned to a sale in the summer of 2021, he bought her with Hidden Brook for $135,000.

Kahn’s idea was to breed her to Charlatan, who won the Arkansas Derby and Malibu Stakes for Bob Baffert in 2020. But Sergio de Sousa, managing partner at Hidden Brook, suggested Essential Quality, a champion colt at 2 and 3 at the start of this decade.

As a yearling, the colt didn’t meet his reserve price of $95,000, so Kahn and Hidden Brook pointed him to a 2-year-old in training sale last year at Ocala. He brought a price of $150,000, still less than Kahn hoped. But they still own Eve of War, whose value has increased with the progress of The Puma, and she has a yearling colt by Nyquist, a weanling colt by Practical Joke and this year was bred to Sierra Leone.

Under the care of trainer Gustavo Delgado, who won the Derby two years ago with Mage, The Puma has won only once in four starts, but that victory came in the Tampa Bay Derby. He also was second in the Florida Derby, losing to Commandment by a nose.

And now he’s in the Kentucky Derby. Kahn, who spends three to four months a year in Lexington, was there last week but will be home Saturday, watching by himself.

“To have a Derby horse … it’s very significant for me and very exciting,” he said. “Off the charts exciting.”

Silent Tactic scratched

Silent Tactic, second in the Rebel and Arkansas Derby, has been scratched from the Derby with a bruised foot. That moves Great White from the also-eligible list into the field of 20, breaking from the outside post position. Horses who were drawn from 14-20 will move inside by one spot.

Great White, a son of Violence, won the John Battaglia Memorial Stakes in February over the synthetic surface at Turfway Park, but in his first (and only) career start on dirt, he was a distant fifth in the Blue Grass at Keeneland.

England’s new head coach Brian McDermott has offered Man of Steel Jake Connor a path back into the national squad for this autumn’s Rugby League World Cup.

McDermott, confirmed in the role on Thursday, has described the Leeds Rhinos half-back as a “game-breaker”.

Connor, 31, was controversially left out of Shaun Wane’s squad for last autumn’s Ashes home series against Australia, which England lost 3-0.

At the time, Wane said the decision to omit Connor was “not really difficult” and that he had made it based on the player’s form, adding that: “When picking a squad, the thing you will never hear from me is: ‘He’s won the Man of Steel.’ I don’t pay attention to stuff like that.”

Wane stepped down in January, with former Leeds head coach McDermott taking over until the end of the World Cup, to be staged in Australia, New Zealand and Papua New Guinea this October and November.

McDermott played down questions over Connor’s temperament and said the half-back is part of England’s World Cup plans, saying: “Yeah, he is for sure. Absolutely.

“I think the rhetoric and the narrative around Jake was tremendously unfair.

“I understand where Jake Connor comes from in that he’s liked by some and disliked by others. OK, that comes in the nature of the game.

“We could sit around a table and debate whether he’s a nice person or not.

“I just don’t think that’s a fair narrative to be made public and that was the rhetoric around him.

“What nobody can argue is that he’s a tremendous player. He’s a fantastic player. He’s a game-breaker.”

McDermott won four Super League Grand Finals, two Challenge Cups, the World Club Challenge and the League Leaders’ Shield in eight years as Leeds head coach.

The 56-year-old, currently working as an assistant coach at NRL club Gold Coast Titans, has taken the England role on a part-time basis, in contrast to his full-time predecessor Wane.

“I would be interested in taking the job beyond the World Cup,” McDermott said.

The Yorkshireman was selected by the Rugby Football League from a five-man shortlist, which also included current Leeds head coach Brad Arthur, Warrington’s Sam Burgess, St Helens’ Paul Rowley and former England head coach Steve McNamara.

England’s World Cup campaign in Australia begins against Tonga in Perth on 17 October, with games against France and Papua New Guinea to follow.

Brian Williams, the veteran former anchor for NBC News and MSNBC, is joining Netflix where he will host a weekly podcast.

Netflix announced Thursday that “We’re Back! With Brian Williams” will debut later this year. The format will feature Williams in extended interviews with pop culture figures and newsmakers in a casual setting.

“With scientists predicting that every American will have a podcast by 2030, I thought it was time to get in the game,” Williams said in a statement.

Williams – long a stalwart of traditional TV news – will be the biggest name from that arena to join a major video streaming platform.

Williams has been off TV since he departed MSNBC (now MS NOW) in 2021. He the anchor of the nightly program “The 11th Hour” and handled major breaking news coverage for the network.

Before joining MSNBC in 2015, Williams spent 10 years as anchor of “NBC Nightly News.” He left the broadcast after being suspended for making false statements about his experiences covering the Iraq war.

Williams tested the streaming waters when he anchored extended coverage of the presidential election in 2024 on Amazon Prime Video. While Amazon was said to be pleased with the program, which earned an Emmy, but the company has made no further commitment to live news programming.

“We’re Back!” will likely emphasize the playful side of Williams, who once hosted “Saturday Night Live” during his NBC years. He occasionally told colleagues he harbored a desire to become a late night talk show host or a forum where he could work in a more conversational style.

“After 40 years in the news business whee an in-depth interview gets four minutes of airtime at best, I just want to have interesting conversations with creative, funny, smart, talented and consequential people – like the shows we all grew up watching and listening to,” he said. “Netflix is the perfect home.”

jonathan Wald, a veteran TV news executive who worked with Williams at NBC and MSNBC, will be the executive producer for “We’re Back!”

Netflix has moved aggressively into the podcast business. Sports columnist Bill Simmons, who helped popularize the format, recently moved his podcasts to the platform in January as part of a deal with Spotify. Currently Netflix is carrying 51 video podcasts.